The Mysterious Giant of Barletta

This story is adapted from an Italian folktale. There is a note in the beginning about the town of Barletta and the statue that stands in front of the San Sepolcro Church. According to the note, nobody knows who the statue is supposed to represent, which is why there are stories about it. This one takes place during the Middle Ages, the 11th century.

Because no one knows who the statue is supposed to be, the people of Barletta call it, “The Mysterious Giant.” No one even knows for sure how long it has been there. It has been there for as long as anyone can remember, including Zia Concetta, the oldest person in Barletta. People are accustomed to gathering around the statue to meet each other, and many of them will give the statue a friendly greeting or wish it good night.

However, one day, the town is threatened by an invading army. The people of Barletta are unprepared for invaders, and many of them prepare to flee, not knowing what else to do. Zia Concetta appeals to the statue to save their town.

The statue hears Zia Concetta’s request, and it comes to life, climbing down from its pedestal. Together, he and Zia Concetta come up with a plan to discourage the invaders.

When the invaders arrive, they see the statue, sitting by itself outside the city, crying. When they ask the giant statue why it’s crying, it says that the other boys at school are mean to him because he’s smaller than everyone else. When the invaders hear that everyone else in Barletta is bigger than the giant statue, they decide that they don’t want to meet the rest of the townspeople and leave!

The book is available to borrow and read for free online through Internet Archive.

I always like books that reference folklore! The theme of someone who is large pretending like they’re much smaller than other people to scare off an attacker is one found in other folktales. For example, in Fin M’Coul (a version of which was also written and illustrated by Tomie dePaola), Fin M’Coul, who is a giant, pretends to be his own baby to make an enemy think that his father must be larger and more fierce than he actually is.

I particularly liked this story because, unlike other folktales, it has a real setting and a definite landmark, the statue that is sometimes called the Colossus of Barletta. The way it is drawn in the book isn’t exactly as it appears in real life. In real life, it holds a cross in the hand that is raised, although the cross was not part of the statue originally. It probably originally held a spear or a flag standard. It is about three times the size of an adult human, which isn’t as large as it is shown the book. As in the book, it isn’t certain exactly who the statue is supposed to be, although it appears to be the statue of an emperor. He appears to be a middle-aged man wearing a jeweled diadem. The reason why nobody knows exactly who it was supposed to be is that it wasn’t originally made or displayed in Barletta. It was probably originally looted from Constantinople by the Venetians. There is a story from Barletta that it was once lost in a shipwreck on the way from Constantinople and washed up on the shores of Barletta in 1309, where some of its bronze was used for casting bells for a monastery. Then, in the 15th century, the statue was restored and displayed in front of the church. That, by itself is a fascinating story, although it isn’t explained in the book.

Ruth Fielding at Briarwood Hall

Ruth Fielding

Ruth Fielding at Briarwood Hall by Alice B. Emerson, 1913.

Since Ruth and her friends have helped her Uncle Jabez to recover his stolen cash box in the previous book, Uncle Jabez has decided to send Ruth to Briarwood Hall, the boarding school that her best friend, Helen Cameron will attend, so the two of them can stay together. Briarwood Hall is an exclusive school, where the primary entrance requirements are academic records and teacher recommendations. Ruth has already graduated from the local school in her uncle’s town although she is a little younger than Helen, and she is ready for the high school level. Helen’s twin brother, Tom, will be attending a military academy close to the girls’ boarding school.

The three of them travel alone to their schools, without adult chaperones. They amuse themselves by seeing if there are other students bound for their schools traveling on the same train and steamboat they take to their boarding schools, but they can’t find any. However, they do see an interesting older lady with a veiled hat who attracts their attention because she looks doll-like and speaks French. For some reason, this lady seems greatly upset by a strange man with a harp who is part of a musical group entertaining passengers on the steamboat.

The mysterious French woman turns out to be the girls’ new French teacher at Briarwood Hall. She seems very nice to the girls when they are introduced to her as they’re riding in a coach to the school after they get off the boat. Mary Cox, a fellow student who is older than Ruth and Helen, rides to the school with the girls and the French teacher. On the way to the school, Ruth notices that Mary seems to oddly ignore the French teacher, speaking only to her and Helen.

Mary is a Junior at the school, and tells the girls about the school clubs. The two main clubs at Briarwood are the “Upedes” and the “Fussy Curls.” I was glad that Ruth and Helen thought that these sounded by strange names for clubs, too. Mary explains that they’re just nicknames for the official club names. The Upedes are members of the Up and Doing Club, a group of girls who like lively activities. There are other groups at school, like the basketball players, but the Upedes and Fussy Curls have a particular rivalry for members. Mary is a member of the Upedes, although, in spite of the groups’ rivalry for gaining new members, Mary strangely doesn’t invite Ruth and Helen to join her group and doesn’t seem to want to explain what the rival group does.

When the girls leave the coach, Mary says that she doesn’t like the French teacher because she’s a poor foreigner, and Mary doesn’t know why she’s at the school. (Mary sounds like she’s rather a snob.) Mary says that she thinks it’s strange that the French teacher never wears any nice clothes and doesn’t seem to have any personal friends or relations. (Yeah, definitely a snob toward someone who just seems a bit unfortunate, like it’s some kind of moral failing, not having nice clothes or personal connections to show off.) Helen says that the French teacher does have personal acquaintances because she seemed to know the harp player on the boat, something that seems to interest Mary. Ruth has the uneasy feeling that they shouldn’t have mentioned it, not knowing exactly what the teacher’s connection to the harp player is. Helen likes Mary, but Ruth has reservations about her friendship.

Mary Cox shows the girls where their dorm room is. Helen and Ruth are sharing a room by themselves. Another girl, a senior named Madge Steel, comes by to talk to the girls and invites them to a meeting of the Forward Club (known as the “Fussy Curls” because of its initials) that evening. Ruth wants to go to that meeting because Madge seems very nice, and the Forward Club includes members of the school faculty. However, Helen says that she’d rather attend the meeting of the Upedes that evening that Mary told her about. Helen thinks that they owe Mary their loyalty because she was the first to meet them and was helpful in finding their room. Besides, the Upedes have no teachers in their club, and Helen thinks that it sounds more exciting and free from supervision than the Forward Club. Ruth thinks that she would prefer to get closer to her new teachers and some well-behaved girls instead, and it’s the first major disagreement that the friends have. Mary talks Ruth into going to the meeting of the Upedes that evening because that was the invitation that they received first, but Ruth says that she won’t join any club officially until she’s had a chance to see the other girls involved and learn what the clubs are really like. Ruth’s stance seems to be the wise one as the school’s headmistress tells the girls that joining clubs on campus are fun but that they should beware of getting involved too much with girls who don’t take their studies seriously and waste their time, and they learn that Mary Cox’s nickname at school is “the Fox”, suggesting that she’s as sly as Ruth has sensed. Although Mary didn’t mention it to the girls before, she’s actually the leader of the Upedes.

That evening, the girls are introduced to other students, and at the meeting of the Upedes, the school’s very own ghost story. Briarwood wasn’t always a school. It used to be a private mansion, and a wealthy man lived there with his beautiful daughter. The wealthy man was the one who commissioned the creation of the fountain with the marble statue that still stands on the school’s grounds. Although people on campus say that nobody really knows what the statue of the woman playing a harp in the fountain is supposed to represent, the ghost story claims that the figure was modeled after the beautiful daughter of the mansion’s former owner. However, according to the story, the girl fell in love with the man who sculpted the statue of her, and the two of them eloped, leaving her father alone and sad. Rumor had it, though, that the girl and her new husband must have died somewhere after they ran away because people started hearing mysterious harp music at night on the grounds of the mansion. Eventually, Briarwood was sold, and the school’s founders, the Tellinghams, bought it, and sometimes, people still hear harp music on the school grounds. Every time something strange or momentous happens at the school, people hear the twang of the harp.

That night, Ruth and Helen become the targets of a frightening hazing stunt by the Upedes that seems to bring the ghost story to life, but when something happens that frightens even the hazers, it brings into question how much of the ghost story is really true.

The book is now public domain and available to read for free online in several formats through Project Gutenberg. There is also an audio book version on Internet Archive.

Spoilers and My Reaction:

I liked this story much better than the first book in the series because it is more directly a mystery story than the first book, and Ruth makes a deliberate effort to untangle some of the puzzling things happening at her new school.

It’s pretty obvious that there is a connection between the ghost story of the girl with the harp and the French teacher’s apparent discomfort at the suspicious harpist. Ruth finds out pretty quickly that the harpist from the boat is lurking around the school. That revelation explains the frightening happenings at the hazing incident, although it still leaves the question of the connection between the harpist and the French teacher. At first, I thought that it was going to turn out that there is some truth to the ghost story the Upedes told, but that actually has nothing to do with the real situation. In some ways, I felt like the real situation was a little to straight-forward and resolved a bit too quickly at the end, considering the build-up they’d had about it. It is interesting that, of the students at the school, only Ruth comes to learn the full truth of the French teacher’s secret. Even Helen doesn’t know what Ruth eventually discovers, partly to save the French teacher’s reputation and partly because Ruth and Helen’s friendship is suffering for part of the book.

Unlike newer series produced by the Stratemeyer Syndicate, characters in the older Stratemeyer series, including the Ruth Fielding series, grow, age, and develop their lives and personalities. In this book, when the girls go away to boarding school, the differences in Helen and Ruth’s backgrounds and personalities become more obvious. It leads them to clash in some ways, and they both worry about endangering their friendship with each other, but by the end of the book, each of the girls develop a greater sense of who they are and what they really stand for.

Helen is more familiar and comfortable than Ruth is with the traditional rituals of boarding school, even taking some glee in the mean hazing ritual of the Upedes, and she badly wants to fit in with the cooler older girls at school, willing to put up with their mean bossing to take part in their schemes for the fun and excitement. However, Ruth, is naturally more serious and shy and less accustomed to having things her way or telling others what to do anywhere she’s lived than the wealthy Helen. Ruth overcomes some of her shyness and learns to be more assertive as she stands up for herself and the other new girls at school, called “Infants” by the older girls. Ruth decides to refuse to join either the Forward Club, which has a reputation of being made up of girls who toady up to the school faculty, or the Upedes (which was initially founded as a protest group to the Forward Club, which is why most of the activities of their club involve breaking various school rules and instigating pranks), after experiencing their mean pranks and bossiness. Instead, she takes a joke of Helen’s seriously and decides to form a secret society of her own. She talks to some of the other new girls at school, and they feel the same way they do, that they don’t want to choose between either the Upedes or the Fussy Curls and would rather have a club of their own, where they won’t be dominated or hazed by the older girls. Helen gets upset at Ruth starting this new group because she thinks that they won’t gain any new friends or have any real fun or really be a part of this school if they don’t join an already-established group. Helen thinks that a group of new girls would look ridiculous because they wouldn’t know what to do with their club and will look like a group of babies. However, Ruth realizes that this is nonsense. There are enough interested girls among the newcomers to give them a good group of friends and they can think of their own things to do where they can be the leaders. Ruth turns out to be more of a leader and Helen more of a follower, and Ruth is also more creative, thinking of new possibilities in life instead of stuck with someone else’s creation. I wish that the book had gone into more details about what Ruth’s club actually does. She and some of the other girls periodically go to meetings of their club, but they don’t say much about what they do at the meetings.

Helen and Ruth temporarily go separate ways at school. Helen joins the Upedes, and Ruth and some of the other new girls carry out the plan to form a new club that they call The Sweetbriars. The other girls who help form The Sweetbriars are as independently-minded and creative as Ruth and like the idea of forming their own school traditions. Helen criticizes Ruth for being a stickler from the rules because she doesn’t want to take part in school stunts that might get her in trouble, but although Helen is more inclined to break rules in the name of fun, she is still less independent in her mind than Ruth because her rule-breaking is done following the dictates of the Upedes and the traditional school stunts of having midnight feasts with other girls in their dorm rooms. They are not stunts of her own creation or particularly imaginative, and while she is brave about school demerits, she is not very brave about what other people think about her. After the Upedes have treated Ruth very badly and spread rumors about her, Ruth finds the courage to tell Helen how hurt she is that she continues to be friends with people who have treated her so badly when she wouldn’t have put up with people mistreating a friend of hers. She doesn’t ask for an apology and says that she’s not sure that one is even warranted, but she wants Helen to know how she feels. Helen has felt like hanging around Mary Cox has made her act like a meaner person, and she feels like she can’t help herself in Mary’s company. Understanding how Ruth really feels reminds Helen that she risks damaging her relationship with her best friend if she doesn’t do something about her behavior, and when Mary is ungrateful and lies to Helen after Ruth and Helen’s brother help save her life during a skating accident, Helen begins to see Mary for what she really is.

In the second half of the book, the Mercy Curtis from the first book in the series reappears. In the first book, she spent most of the time being bitter because she had a physical disability that prevented her from walking, and she was overly sensitive about how people looked her. However, at the end of the first book, Mercy received some treatment from a surgical specialist that has enabled her to regain her ability to walk. She still walks with crutches, but her spirits have improved now that she is able to move more easily on her own, without relying on her wheelchair. Because she had previously spent much of her time alone, studying, she qualifies for admittance to Briarwood and decides that she would like to join her friends, Ruth and Helen. When Mercy comes to the school, she is still sharp-tongued, although less bitter about herself. She rooms with Ruth and Helen and joins the Sweetbriars. She adds a nice balance to Ruth and Helen’s friendship. Ruth gets to spend some time with Mercy and the other Sweetbriars when Helen is with the Upedes, and Mercy is very serious about her studies, so she insists that her friends not neglect theirs, keeping then on task in the middle of their social dramas.

As a historical note, there is a place in the story in, Ch. 22, where the book describes Ruth as wearing a sweater, defining it as if readers might not know exactly what a sweater was, calling it “one of those stretching, clinging coats.” The reason for that is that sweaters were actually a relatively new fashion development for women in 1910s, although men had worn sweaters before. Women often wore shawls in cold weather before sweaters became popular, but sweaters left a woman’s arms more able to move freely than a shawl would allow, as this video about women’s clothing during World War I from CrowsEyeProductions explains.

From the Mixed-Up Files of Mrs. Basil E. Frankweiler

From the Mixed-Up Files of Mrs. Basil E. Frankweiler by E.L. Konigsburg, 1967.

Twelve-year-old Claudia Kincaid is bored with her dull suburban life in Connecticut with her parents and her brothers. Her life also often seems unfair, like she has more responsibilities than her brothers do and she has more chores than her others friends. Basically, Claudia is bored and feeling unsatisfied with her life. She wants to get away from it all and have a little adventure … although not too much adventure because Claudia isn’t the overly-adventurous type.

Claudia is cautious and methodical. When she plans to run away from home, she carefully plans every step and invites her more adventurous nine-year-old brother Jamie to go with her, both for the companionship and because he is a tightwad and has the cash necessary to fund their adventure. Although Claudia and Jamie bicker as siblings, they’re closer to each other than to either of their other brothers. Jamie eagerly accepts Claudia’s proposition to run away, although at first, he’s a little disappointed when he finds out where they’re going.

Claudia plans for them to run away to New York City because, as she puts it, it’s “a good place to get lost.” The city is so big, Claudia is sure that two runaway children will be easily overlooked. She’s also found a great place for them to stay during their adventure: the Metropolitan Museum of Art. Claudia loves comfort, convenience, and beauty, and the museum can offer all of that without the fees of staying in a hotel. There are exhibits of furniture, which provide them with a bed to sleep in, and interesting exhibits to keep them entertained and educated, and all they have to do is evade the security guards. At first, Jamie thinks that sounds a little too tame, but their adventure soon proves to be exciting and challenging, with enough mystery to satisfy both of them.

Claudia and Jamie develop routines for sneaking around the museum, evading the guards, hiding the backpacks and instrument cases that hold their clothes, and raiding the coins in the fountain for extra money. One day, while they’re hiding in the restrooms and waiting for the museum staff to leave, the staff set up a new exhibit for an angel sculpture sold to the museum by the wealthy and mysterious widow Mrs. Basil E. Frankweiler, who is actually the person narrating Claudia and Jamie’s story in a letter to her lawyer.

Claudia develops a fascination for the angel and a desire to learn the truth about the theory that the statue was made by Michelangelo. Between the two children, Claudia is the more imaginative and romantic, but Jamie’s logical mind and zest for adventure serve them well as they delve deeper into the mystery. They do learn something important at the museum, but to get the full truth, they have to leave their planned hiding place in the museum and go see Mrs. Basil E. Frankweiler herself.

Mrs. Frankweiler is a delightfully eccentric student of human nature, who is fascinated by the young runaways who come to her for answers to a mystery hundreds of years old. In exchange for the details of their exploits, Mrs. Frankweiler gives the children a chance to locate the answers they’re seeking in her strange, mixed-up files. In the process, the children learn a secret that gives both of them the sense of being part of something secret and exciting and much bigger than their ordinary, hum-drum lives, which is what they were originally looking for when they ran away from home.

The book is a Newbery Award winner, and it is available to borrow for free online through Internet Archive (many copies).

My Reaction

During the course of the adventure, Claudia and Jamie become closer to each other than they were before they ran away from home. They learn a little more about each other and themselves, and neither of them is quite the same as they were before they started, which is at the heart of Claudia’s reasons for wanting to run away from home in the first place. The language and descriptions in the book are colorful, which is part of the reason why this book is popular to read in schools.

There were two movies made of this story. One is a made-for-tv movie version from 1995, although it changed some of the details from the original story. In the 1995 movie, there is a scene with Jamie getting sick and Claudia worrying about him and taking care of him that never happened in the original book. Also, in the movie, Claudia stops Jamie from taking the coins from the fountain when they had no qualms about raiding the fountain for money in the book. At the end of the book, the children don’t tell their parents where they were hiding when they return home, but in the movie, the parents do find out. There is also an older movie from 1973 which is sometimes called The Hideaways.

Alien Secrets

Alien Secrets by Annette Klause, 1993.

Robin Goodfellow, nicknamed Puck (her parents were fond of Shakespeare), is a human girl from Earth in the future.  When the story begins, she has been kicked out of boarding school on Earth and is traveling by space ship to join her parents, who are scientists who have been working on another planet.  They left Robin with her grandmother on Earth, who enrolled her in an English boarding school in order to give her some discipline and some friends her own age, but she was expelled for failing her classes (not to mention throwing a fit and burning her books when she discovered that she had failed).  Puck dreads what her parents will say when she arrives on the planet where they are now living because they had always hoped that Puck would also become a scientist and work with them, but this journey will change Puck’s life.

Before the ship she will be traveling on leaves Earth, Robin witnesses a man attacking someone else, possibly killing him.  Robin does not report the attack because she doesn’t know whether or not the other person was killed, and she doesn’t think that anyone will believe her anyway.  She witnessed this attack while sneaking around a place where she wasn’t supposed to be, and she is being sent to her parents in disgrace after being expelled, so she doesn’t sound like a very credible witness.  However, the man in the fight, Mizzer Cubuk (“Mizzer” is how they say “Mister” in the book), turns out to be traveling on the same ship as Puck.  All Puck can think of to do is to try to avoid him on the ship and hope that he didn’t get a very good look at her after she ran away from his fight.

To Puck’s surprise, the captain of the ship she is traveling on, Captain Cat Biko, asks her if she could make friends with an alien who is also traveling on the ship.  The alien is one of the Shoowa, who were enslaved by another group of aliens called the Grakk.  Now, he is free and finally traveling home to Aurora, the same planet where Puck is going.  The captain feels sorry for him and thinks that he might appreciate a friend and that he might find a human child less intimidating than an adult.

Later, Puck and other passengers are woken out of their sleep by the sounds of wailing and moaning.  One of the women on board, Leesa, says that she saw something that looked like a ghost that walked straight through her. Other people, who didn’t see or hear it, assume that it was nightmares or imagination, but Puck knows that it wasn’t.  One of the crew members, Michael, tells Puck that there have been rumors that the ship is haunted and that other people have seen and heard strange things.

Strange things are happening on the ship, and some of the passengers seem to be hiding something. Who can Puck trust, and who isn’t who they seem to be?

The alien who is traveling on board the ship understands Puck’s feeling of failure.  The alien, called Hush, says that he carries shame because he lost something important, something that his people were counting on him to take home to their planet.  Puck and Hush discuss how people from Earth had fought the Grakk and sought to learn about Grakk technology from Shoowa slaves who were freed after the war.  Even the ship they are now traveling on was once a Grakk ship.  The Earth people kept delaying sending the slaves home because they wanted to pump them for more information and because they were trying to decide if they could really trust them more than the Grakk.  After negotiating with the Earth people about returning home, the Earth people agreed, with some provisions.  They arranged for some of the Shoowa to stay on the Grakk home planet, still working with humans.  Some of them would travel on ships with Earth people, and some others could go home to their own planet.  Hush is the first one to head home, and he was entrusted carrying home an important symbol of his people that his family had protected for generations: a statue that represents a child because children are the future and a source of freedom, according to an ancient Shoowa prophecy. Unfortunately, the statue was stolen from Hush before he could return it to its rightful home. He reported the theft to the Earth security personnel at the station, but they didn’t take him seriously. They thought that he probably just lost it by accident.

The haunting is real in this book.  On a tour of the ship, Puck learns that the ship’s navigator has also seen the ghost aliens.  One of the characteristics of a ship’s navigator is the ability to see hyperspace, something that not everyone has the ability to do, although even scientists in Puck’s future time don’t seem to know why some people can do that and others can’t.  Slowly, it becomes evident that people who are able to see hyperspace are also able to see the ghosts.

On the journey to Aurora, Puck also learns that she is one of the rare people who are able to see hyperspace, giving her a possible future in navigating a space ship, something that she would really enjoy learning.  When she arrives at Aurora and is greeted by her parents, who have missed her while they were apart, Puck also comes to realize that her parents will always love her, even in spite of failing her classes. Even Hush’s people tell him that, although they are happy to have the statue back, his safe arrival was always the most important thing, and they wanted him to come home, whether he successfully brought the statue or not. Both Hush and Puck come to realize that their families will always love and value them even with their imperfections and failings.  With parents who love her and a new vision of the future ahead of her, Puck is ready to make a new life on Aurora.

The book is available to borrow and read for free online through Internet Archive.

The Case of the Muttering Mummy

MutteringMummy

The Case of the Muttering Mummy by E.W. Hildick, 1986.

Joey Rockaway needs to buy a special present for his mother’s birthday. Having broken his mother’s china cat ornament recently, he has decided that he will buy one of the replicas of a golden cat statue from Egypt at the Egyptian exhibit at the local museum. The other members of the McGurk Organization come to the museum with him, and McGurk uses this as an opportunity to give them a kind of memory test about objects in the exhibit.

Actually, everything in the exhibit is a replica, not just the items sold in the museum gift shop. Justin Matravers, a wealthy man who has recently died, collected Egyptian artifacts, but part of his will specified that the collection should never be put on public display. However, his widow, who wanted to show off the collection, had replicas made of everything in the collection so that she could have those put on display.

MutteringMummyCase

McGurk sneers about how everything in the exhibit is fake, although he is actually surprisingly superstitious. The museum always did have a real mummy case on display. They always said that the mummy case was empty, but some of the more superstitious kids, like McGurk, believe that there is a mummy inside the case and that there is a curse on it. McGurk has nicknamed the mummy Melvin. The other kids aren’t afraid of Melvin or Egyptian curses, and while they are looking around the Egyptian exhibit, Mari plays a joke by using her ventriloquist skills to make the mummy case “talk.” This trick sets off a bizarre mystery for the McGurk Organization.

A scholar and author, Harrison Keech, is sketching the replicas at the exhibit and witnesses Mari’s trick and Joey picking out the replica cat for his mother. After he asks Joey if he can take a look at the cat, Keech suddenly becomes very upset, saying that the cat statue is cursed! He says that Mari’s joke has angered the spirit of the mummy and awakened the spirit of Bastet. The mummy was a follower of Bastet, the Egyptian cat goddess, and it will now be drawn to the statue if they remove it from the museum. Mari tells Joey that she can tell from Keech’s voice that he’s making up the whole story and that he shouldn’t let that stop him from buying the cat.

MutteringMummyNight

However, strange things start happening after Joey buys the cat. It seems like someone is following him home, a dark, shadowy figure. Joey thinks it might even be the mummy, come back to life! The others are skeptical, and McGurk arranges a kind of test where Joey brings the statue with him to a meeting of the organization. Sure enough, a strange figure lurks outside their meeting, and they hear strange whispers in a foreign language!

The spookiness doesn’t last for long. It turns out that Mari, as well as being a ventriloquist, has some skill with different languages and recognizes what the “mummy” says as being Greek, not Egyptian, and the phrases as being typical things that someone might say in a restaurant. When the kids find a scrap of bandage outside, they are quick to notice that it’s a modern, elasticized bandage, like the kind you can get at any pharmacy.

So, the question becomes who is playing at being a mummy and why? Is it Keech, wanting to make the kids think that the mummy story he told them is real, and if so, what would he have to gain from it? The only other two people who know about the story are Joanne, who works at the museum, and Donny, her fiancé, who is jealous of the attention she’s been paying to Keech when he comes to the exhibit.

MutteringMummyLies

I have some complaints about this book that hadn’t occurred to me when I read it as a kid. At one point, Donny, who is described as being a social worker, comes to visit the kids because he wants to hire the organization to check up on Keech and his relationship with Joanne. Donny is very jealous, and when he explains how Joanne seems to be falling for all of Keech’s crazy mummy stories, he suddenly turns to Wanda and Mari and says, “You women, you’ll believe anything when a smarmy two-bit jackass like that starts shooting his mouth off!” That’s just really inappropriate for an adult to say to kids, and the whole situation is weird on several levels. First of all, Donny is an adult, and if he’s having issues with his love life, especially with the woman he thinks he wants to spend the rest of his life with, the last thing he should do is hire kids (even really smart ones) to handle the issues for him. Second, Wanda and Mari are young girls, not “women,” and what little girls believe is no business of Donny’s. Trying to imply that Wanda and Mari might someday fall for a “jackass” is not only insulting but implies that Donny is thinking about Wanda and Mari in terms that no grown man should be thinking about girls their ages. I find it disturbing that Donny is apparently a social worker, a person in a position of trust who is supposed to help people in difficult situations to manage their lives, and he’s acting like this. Also, toward the end of the book when the bad guy (I won’t say who it is here, although I thought that the answer was pretty obvious even early in the story) is making his escape, he shoves Joanne aside and calls her a “slut.” That’s pretty strong language for a kid’s book of this level. None of this occurred to me when I was a kid, so maybe other kids reading this wouldn’t notice, but I thought that I’d mention it because these things bother me now.

At one point, Brains gives a demonstration of using water displacement to determine the volume of irregularly-shaped objects, explaining how Archimedes discovered the principal (although I’m not sure that Archimedes’ Principal was quite as he explains it), as the kids investigate what makes Joey’s cat statue so special. You might be able to guess what it is. It seemed pretty obvious to me. The one thing that seemed the most puzzling was how it was done. Mari also offers an interesting explanation of the different kinds of lies that people tell and their motives for doing so.

The book is currently available online through Internet Archive.

The Curse of the Egyptian Mummy

cursemummyThe Curse of the Egyptian Mummy by Pat Hutchins, 1983.

The 15th Hampstead Cub Scouts are looking forward to their camping trip. Miss. Hylyard, who runs a guesthouse for retired people, lets the scouts camp on her land and enjoys having them visit her house and entertain her guests. Mr. and Mrs. Webb are coming along to do the cooking, and their daughter, Victoria, will be there, too. She’s one of their friends from school.

Things start to get interesting pretty quickly when they hear that a man died from a poisonous snake bite not far from where they are camping. The boys are eager to show off their tracking skills by helping the police find the missing snake.  But, strangely, no one can figure out where the snake came from because none of the zoos in the area have reported one missing.  That’s only the beginning of what becomes a very strange trip for the scouts.

Sam finds a strange bird statue in a public wastebasket and decides to use it as the scouts’ new mascot. Then, someone trashes the campsite, and strange figures are seen running around the woods at night.  When Albert makes copies of the bird statue to earn his art badge, the first one is broken, and the second is stolen after some adult shoves Albert into the river near the camp.  Some of the guests at Miss Hylyard’s look suspicious, and when Victoria unexpectedly stumbles into an evening’s entertainment there still wrapped in bandages from the scouts’ first aid practice, a guest who was supposedly unable to speak suddenly blurts out, “The Curse of the Mummy’s Tomb!” in Arabic (which Miss Hylyard knows from her travels with her father).

Who are these mysterious people?  What is the importance of the statue?  And, is there really a curse?

The book is currently available online through Internet Archive.