Sarah, Plain and Tall

Sarah, Plain and Tall by Patricia MacLachlan, 1985.

This is a popular book to read in schools in the United States, the first in a series.  It’s a Newbery Award winner, and it shows aspects of farm life during the early 20th century and the concept of mail-order brides, a practice from American frontier days where men living in the West or Midwest, where there were not many available women in the population, would write to agencies or advertise for a bride from the East.  The process for arranging these marriages could vary, but it typically started with written correspondence before the man and woman would meet in person.  In this book, the man looking for a bride, Jacob Witting, is a widower with two children who has a farm on the Great Plains.  The story is narrated by his older child, Anna. The book isn’t very long, and it’s a pretty quick read, but it’s filled with colorful imagery and emotion.

Anna has had to help take care of her little brother, Caleb, since he was born.  Their mother died shortly after giving birth to him, and Caleb frequently asks Anna questions about what their mother was like.  Anna’s memories of their mother are fading because she was still very young when she died, but she really misses her.

Then, Jacob tells the children that he has advertised for a bride from the East, the way a neighbor of theirs did.  The children like their neighbor’s new wife and wouldn’t mind having a mother like her.  The father has received a reply to his advertisement from a woman in Maine, Sarah Wheaton.  Sarah has never been married, and now that her brother is getting married, she feels the need for a change in her life.  She loves living by the sea in Maine, but she is willing to move to start a new life.  She says that she would like to know more about Jacob and his children.

Jacob and the children write letters to Sarah, getting to know her better.  They come to like each other, but the children worry about whether Sarah will change her mind about coming to see them or whether she’ll like them or their farm when or if she comes.  When Sarah tells them that she’s coming during the spring, she says that they will know her because she will be wearing a yellow bonnet and describes herself as being plain and tall (the title of the book).

Sarah will stay with the family for a time while they decide if they can be a family together and if she will marry Jacob that summer.  There are adjustments that they will all have to make.  Life on the prairie is very different from what Sarah is used to, and the children still worry that she won’t want to stay.  Sarah brings seashells from Maine to show them, and they teach her about the local wildflowers.  One of my favorite scenes was where Sarah cuts Caleb’s hair, and they put the hair clippings out for birds to use in their nests.  Caleb was particularly concerned about whether Sarah would sing like their mother used to, and Sarah does. 

Through it all, the children can tell that Sarah really misses the sea.  Sarah does say that the land around the farm kind of rolls, a little like the sea, and they play in a haystack, like it was a dune by the sea.  When they visit their neighbors, Sarah talks with Maggie, the mail-order bride who came from Tennessee.  Maggie understands Sarah feels, missing her home in Maine, and it upsets Anna to hear them talk about missing their old homes.  However, Sarah says that things were changing at home, and Maggie comments that, “There are always things to miss, no matter where you are.”  What the women realize is that, although they miss their old homes, they have grown to love the new people in their lives and would miss them if they tried to go back to where they came from.

At one point, Sarah goes to town alone, and the children worry that she won’t come back, but she does.  She just went to town to buy colored pencils in her favorite sea colors.  Sarah does stay and marry Jacob, setting up the rest of the series.

The book is available to borrow and read for free on Internet Archive (multiple copies).

My Reaction

There is a movie version of this book, which follows the story pretty well. The book wasn’t specific about the time period, although it seems to take place during the early 1900s. The movie and its sequels are set during the 1910s, which makes sense for the rest of the series. The book also didn’t say exactly where the farm was, but the movie clarifies that it’s in Kansas. The movie also emphasizes how much the whole family, particularly Jacob and Anna, misses the mother who died.  In the movie, Jacob forbids the children to use any of his dead wife’s things and doesn’t want to talk about her.  However, when Sarah realizes that trying to avoid his wife’s memory is hurting Anna, she brings out some of the dead wife’s belongs to use, helping the family to make peace with the past and prepare for the future. 

In the movie, Jacob’s pain over his wife’s death is partly about guilt as well as grief. The book doesn’t really talk about why Anna’s mother died after childbirth, but in the movie, Jacob has a painful discussion with Sarah about how he blames himself for his wife’s death because the doctor had warned them that they shouldn’t have any more children after Anna.  Apparently, Anna’s birth had been difficult and caused complications because his wife was so young, and the doctor had said that having another child would be dangerous.  However, after a few years went by, they decided to try for a son to help run the farm, thinking that enough time had gone by for it to be safe.  When his wife died giving birth to Caleb, Jacob felt terrible, thinking that he should have taken the doctor’s warning more seriously and not tried to have another child.  Confessing all of this to Sarah helps Jacob to make his own peace with what happened.  However, none of this discussion appears in the book.

In both the book and the movie, Jacob also has to adjust to Sarah’s different personality.  Sarah is more stubborn and independent than his first wife, with her own way of doing things.  Living with her is different from living the mother of his children.  However, Jacob comes to love Sarah for the person that she is.

The Haunting at Cliff House

HauntingCliffHouseThe Haunting at Cliff House by Karleen Bradford, 1985.

This is a relatively short chapter book, but suspenseful, thoughtful, and well-written.

When her father inherits an old house in Wales from a distant relative, Alison, a young teenager, finds out that he plans for the two of them to spend the summer there.  Alison’s father is a university professor and is writing a book, and he thinks that the house in Wales sounds like a great place for him to get some writing done while he and Alison have a look at his new inheritance.  Alison isn’t enthusiastic about the trip, but she and her father are very close, especially because she lost her mother at a very young age.  Besides, the only place she could stay in Canada would be with her grandmother, and her grandmother didn’t seem enthusiastic about having her.

From the moment they arrive at the old house, called Pen-y-Craig or Cliff House by the locals, Alison has a bad feeling about it.  It stands on a lonely cliff by a small town.  The carved dragon over the door gives her the creeps, and there is something disturbing about a particular room in the house.  Sometimes, she can almost hear a voice calling out to her, and she has visions of another girl, about her age.  At first, she tries to tell herself that it’s all her imagination, but it soon becomes obvious that it’s not.

Some of the local people know that the house has an unhappy history, and Alison eventually learns that the great-aunt that her father inherited it from even refused to live there during her last years because it disturbed her too much.  A little more examination of the room that had disturbed her helps Alison discover the reason why.  After having a vision of a young girl hiding something behind a brick in the fireplace of one of the bedrooms, Alison searches the spot and finds a diary dating from 1810, written by a girl named Bronwen, who was the same age as Alison.  Like Alison, Bronwen was brought to the house by her widowed father and was unhappy about it, but those aren’t the only parallels between Bronwen’s life and Alison’s.

Alison becomes uncomfortable with her father’s new friendship with a Welsh neighbor, Meiriona.  Alison likes Meiriona’s younger brother, Gareth, but when it looks like her father’s friendship with Meiriona is turning into romance, Alison becomes jealous and fears changes in her close relationship with her father, a situation that mirrors Bronwen’s life when her father falls in love with her governess, Catrin.  Although Meiriona tries to be nice to Alison, Alison can’t bring herself to like her, and she argues with her father about it.

The only person who seems to understand her feelings at all is Gareth, and Alison confides her worries in him, both about Meiriona and about Bronwen, whose spirit keeps calling out to Alison to help her, although Alison doesn’t know how.  She struggles to read through the diary, whose pages are not all legible anymore because they’re damaged with age, to learn what happened to Bronwen and what Bronwen wants her to do now.  Gareth tries to reassure Alison that her father’s relationship with Meiriona will not be as bad as Alison thinks.  He thinks that the relationship would be good for both Alison’s father and Meiriona because they are both lonely, and he doesn’t think that Alison should worry about losing her father because he’s not worried about losing his sister, even if she goes to Canada to study and spend more time with Alison’s father.  At first, Alison isn’t comforted by these reassurances.  However, Gareth agrees that the matter of the ghost is serious, and he can feel her presence as well. Gareth warns Alison to be cautious about the ghost but to try to help if she can and to call out to him if she’s ever in danger.  Alison would really rather just go home to Canada, run away from her father and Meiriona, and forget the whole thing about Bronwen, but history seems to be repeating itself, and Bronwen’s voice calls out to her insistently for help that only Alison can give.

It’s a bit of a spoiler, telling you this, but although Alison at first thinks that the diary ends with Bronwen killing herself in despair, thinking that her father only loved Catrin and not her and that there was nothing left for her to live for, the truth is that Bronwen’s suicide attempt didn’t succeed and that she made another mistake that she wants Alison to help her to change.  Bronwen attempted to kill herself by going to a cave by the sea during a terrible storm, planning to allow herself to drown, but when the water started rising, she became too frightened and decided to leave by a secret entrance to the cave.  Not knowing that Bronwen was safe, Catrin attempted to save her and drowned in the cave herself.  As Bronwen was climbing to safety, she heard Catrin calling for her but was too frightened of the storm and angry at Catrin to go back for her.  Although Bronwen lived on after the incident, she could never get rid of her guilt at Catrin’s death, realizing that, even in the middle of her resentment toward Catrin, Catrin loved her more than she knew, even to the point of giving up her own life while attempting to save hers.

Now, the anniversary of Catrin’s death is approaching, and so is a storm very much like the one that killed her.  At the top of the cliff by the cave, Alison finds her time merging with Bronwen’s, and she will only have one chance to help Bronwen make the right decision the second time around.  Helping Bronwen to prevent the worst mistake of her life and to make a better choice also helps Alison to reconsider her own choices and future.  Just as Bronwen misjudged Catrin, Alison may have also misjudged Meiriona. Instead of losing her father or being forced to accept a poor substitute for her mother, Alison may be gaining a kind of sister who will love her more than she realizes.