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The Midnight Folk

The Midnight Folk by John Masefield, 1927.

Kay Harker is an orphan, the ward of Sir Theopompus, usually in the care of his governess, Miss Sylvia Daisy. One day, Sir Theopompus asks Kay if he has any idea what he wants to do when he grows up. Kay says that he likes the idea of being a jockey, but Sir Theopompus says that he could be a sea captain, like his great-grandfather. According to the stories about him, Kay’s great-grandfather sailed around the world and stole a treasure from the priests of Santa Barbara worth about a million pounds (British money). The stories differ about what happened to the treasure, though. In some versions, his crew mutinied and took the treasure for themselves, but other stories say that he brought the treasure home with him and hid it somewhere in his family home, the home where Kay now lives.

Sir Theopompus asks Kay if he’s ever come across the treasure, but Kay says he hasn’t. Sir Theopompus suggests that if Kay finds the treasure, the two them could split it between them. Kay says that wouldn’t be fair, if he had to do all the work of finding it by himself, and also the treasure is stolen property, so it would rightly belong to the priests of Santa Barbara. Still, Sir Theopompus encourages Kay to search for the treasure. Kay doesn’t believe that the treasure is really in the house or that his great-grandfather would be a thief, and he doesn’t think it’s fair to tell such stories about him when he isn’t there to defend himself. His governess tells him that he has been impertinent and sends him to bed early.

Kay is later woken by someone calling to him to open the door, and he sees a door in his room that he has never noticed before. The voice he hears belongs to the black cat called Nibbins, who tells Kay to come with him and not make any noise. Most of the house is asleep, and Nibbins refers to the ones who are awake as the “midnight folk.” He leads Kay down a secret passage that was once used by smugglers.

There, Kay learns that his old toys were his “guards.” He doesn’t know where his old toys are because his governess packed them away when she came, saying that they would just remind him of the past. Nibbins says that his old toys had stumbled onto a clue about the hidden treasure and went in search of it. They didn’t think it would take them long to find it, but he hasn’t heard from them since. Kay sadly fears that his old toys may actually be dead. (A horrifying thought.)

Then, there’s an even more shocking revelation. Nibbins shows him that there are spy hole where Kay can see what’s happening in various rooms in the house, and in the dining room, he witnesses a meeting of witches! Nibbins shows Kay where the witches keep their brooms, and they take a couple of the brooms on a ride to the woods, where Nibbins introduces Kay to a poacher called Bitem. They witness the witches having a bonfire and a magical ritual at Wicked Hill. Nibbins says that he used to be a witches’ cat and helped with rituals like that. Sometimes, he still feels the call of magic.

The leader of the magical group is a wizard called Abner Brown, and they overhear him saying to the witches that they are going to hunt for the Harker Treasure. Abner has learned that the treasure is not actually in the Harker house, but it’s somewhere close by. Abner reveals previously-unknown details of the treasure’s history, including the fact that his own grandfather had once been in possession of it and hid it until someone called Benito Trigger found it. Abner has found evidence that his grandfather tracked down Trigger and confronted him in this very area and that Trigger may have killed him. Abner believes that the treasure is still hidden somewhere near to where his grandfather died. Nibbins leads Kay back to his bedroom through another secret passage before anyone discovers that he is gone.

Kay knows that what he witnessed the night before wasn’t a dream because, in the morning, he sees the remains of the leftover goose that the witches were eating the night before, picked to the bones. The servants think that the cats got at the goose and ate the leftovers, but Kay knows better.

Then, the portrait of Kay’s great-grandfather comes to life, and his great-grandfather invites Kay into the portrait, showing him the house as it was in the past. His great-grandfather denies having stolen the treasure years ago, but he says that it was entrusted to him and that he lost it. He was in Santa Barbara when the territory was breaking away from Spain, and the archbishop gave him the treasure to guard from the revolutionaries. However, his crew did mutiny and turn pirate. The crew took the treasure, and they abandoned Kay’s great-grandfather ashore, far from any European colony. For a time, he says that he was a slave of a tribe of Indians (Native Americans), but he eventually escaped and made it home to England. He heard that his old ship may have sunk, but he doesn’t know for sure. Even he doesn’t know where the treasure is now, thinking that it must have either sunk with the ship or been scattered by the crew. It’s always bothered him that he was unable to fulfill his promise to keep the treasure safe. He wants Kay to learn what happened to the treasure and, if possible, restore it to its rightful owners.

Through Kay’s midnight adventures and the ghosts of the past stirred up by the magic of the witches, Kay begins to learn the full sequence of events that led to the treasure being lost, and eventually, what happened to it. Along the way, Kay also makes the startling discovery that his governess is actually one of the witches!

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction and Spoilers

There were some parts of the story that I found difficult to follow because the story kind of jumps around, people start talking about things as if we should already know about them, and some things that Kay encounters are not fully explained. Many of them seem like dream sequences or imaginings, except they have lasting consequences. Then, there are times when people go into lengthy explanations that seem to meander, and there are people who go by multiple names. For awhile, Kay almost seems to forget about seeking his great-grandfather’s treasure and starts looking for the treasure of an old highwayman instead, and there is a strange interlude with King Arthur and his knights.

Still, this story is a children’s classic, and it’s almost like a collection of all the features that are found in classic children’s literature: an orphan, talking animals, witches, pirates, ghosts, mermaids, a highwayman, King Arthur and his knights, hidden treasure, etc.

For awhile, I thought that the story might end with the implication that much of it was in Kay’s imagination. Kay is a lonely boy who doesn’t see his guardian very often and lives with a strict governess and no other children for company. I thought maybe he was spinning dreams or imagined stories to explain other events happening around him. I spent part of the story working out how a child might interpret a strict governess who took away his old toys as a witch, and I thought maybe she was in a romantic relationships with Abner Brown, which would be why Kay would see him as a wizard. Then, maybe these young people had parties in the house with their friends after Kay was put to bed, so he imagined that they were having witches’ meetings. They could also be hunting for the legendary treasure, so all the parts related to treasure-hunting could be true. However, the book implies that the magical parts of the story are real. Even the magical things Kay experiences have real world consequences, which help both him and readers to realize that what he has seen has really happened.

I thought that the story became a little more cohesive after Kay makes the discovery that his governess is actually one of the witches. He eventually learns the full truth of what happened to the treasure years ago and meets up with his old toys/guards, who are still alive and have been seeking the treasure the entire time. Kay’s toys/guards bring the treasure from its hiding place to a secret hiding place in Kay’s room and help him to alert the proper authorities and restore the treasure to its rightful owner. Kay’s governess is arrested when she and her friends are caught trespassing in pursuit of the treasure and in possession of smuggled goods. The governess is released when Abner Brown pays the fines for their activities, but she leaves the area instead of returning to Kay. Kay’s home life changes for the better because a friend of his mother comes to live with him and look after him.

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The Bell Tolls at Mousehaven Manner

The Bell Tolls at Mousehaven Manor by Mary Deball Kwitz, 1991.

This book is the sequel to Shadow Over Mousehaven Manor.

Since the characters’ adventures in the previous book, Minabell Mouse has come to live with her Aunt Pitty Pat in their ancestral home, Mousehaven Manor. Just as Aunt Pitty Pat and Minabell have finished their spring cleaning, Minabell’s cousin Violet Mae arrives for a visit … apparently a long one, based on the amount of luggage that she brought with her.

Also, the prairie hawk who brought Violet Mae to Mousehaven Manor brings a package for Minabell, although there’s nothing to say who the package is from. Minabell finds the package disturbing and is afraid to open it. Instead, she stashes it in the music room. Still, the package leaves her feeling weak and unwell, as if it were somehow cursed.

That evening, their friend Percy the bat comes to dinner, and they are also joined by a mysterious stranger bat who calls himself Count Von Flittermouse. Count Von Flittermouse is a traveler, but he has no luggage except for a large box, which he declines to bring inside. They invite him to join them for dinner, but he says he’s already eaten, so he will just join them in conversation. Aunt Pitty Pat asks the Count if he’d like to spend the night at Mousehaven Manor, but the Count says that he’s a nocturnal creature, so he’s active at night. He asks for directions to Springfield because he says he wants to camp in the Oak Ridge Cemetery and visit Lincoln’s tomb. After dinner, the Count leaves, and they see he’s carrying a long box on his back. He’d mentioned that he brought his bed with him, so they figure that’s what it is. Percy seems a little uneasy about the Count, and Minabell notices that the Count left some odd kind of dust on the chair where he was sitting.

Minabell is in charge of security at Mousehaven Manor, but that evening, she accidentally leaves the music room window open. At night, Minabell hears someone moving around the manor, but she never sees the mysterious intruder, and in the morning, nothing is missing, so her aunt thinks it might have been her imagination.

Meanwhile, a country singer mouse called the Rhinestone Rodent arrives in town. (A joke on the Rhinestone Cowboy song.) Minabell is shopping when she stops to watch the singer perform. Then, an alarm goes up among the mice in town because Mousehaven Manor is on fire! Minabell rushes home, and Percy rings the bell at Mousehaven Manor to summon help. Others come to form a bucket brigade, and they successfully put the fire out. Aunt Pitty Pat is fine, but it takes them awhile to find Violet Mae. Violet Mae casually strolls downstairs and tells them that she was upstairs, having a nap and missing the whole thing.

Part of the mansion is damaged from the fire, and they have to clean everything up. Violet Mae meets the Rhinestone Rodent and develops a crush on him. While Violet Mae and Aunt Pitty Pat go to see the Rhinestone Rodent perform, Minabell and Percy inspect the site of the fire. They determine that the fire was set deliberately, but it was never intended to burn down the whole mansion. It seems like whoever set the fire was using it to cause a distraction while they did something else, but they’re not sure what.

The mysterious package that Minabell hid in the music room is still there, and Minabell finally opens it in front of Percy. It turns out that it’s from Wendell Weasel, a member of the local law enforcement agency, the Illinois State Ski Patrol. The mysterious package contains an equally mysterious ancient box, and Wendell’s letter explains that this box has been passed down in the Mouse family for generations, always held by the head of the family. Until recently, it was in the possession of Colonel Mouse, who was Violet Mae’s guardian but has recently passed away (something that Violet Mae has completely failed to mention to anyone, which is weird). Wendell says that Violet Mae doesn’t know anything about the box, but Colonel Mouse wanted Minabell to look after both the box and Violet Mae. Wendell says that there is a document in the box itself that will explain the purpose of the box, but each caretaker of the box is bound to use its contents to help others and not just for personal gain. Also, there are evil people who may try to steal the box, so Minabell is going to have to be careful.

In the mysterious antique box, Minabell finds a pile of sand surrounding a bottle holding something intensely cold and an old map written in Spanish. It seems like this is what their mysterious intruder was looking for, but what does it mean, and who wants it?

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction and Spoilers

This story is more supernatural than the previous book in the series, which was an adventure story. I thought that the villain in the story was pretty obvious, although I did have a couple other suspects in mind for a more devious twist. It turned out to be the obvious choice, though.

Count von Flittermouse is not what he seems, in more ways than once. Percy figures out pretty quickly that the Count is a vampire bat, but what that seems to mean in this version of the animal world is not only different from what vampire bats actually are, but it’s also kind of confusing. I expected that he’d turn out to be like a human vampire, only with a bat as his main form – drinking blood, being immortal, etc. But, that’s not it. Count von Flittermouse is a shapeshifter. He can change into different scary animals, like wolf and spider. That’s his main super power. So, he’s not exactly what I think of as a “vampire”, he’s more like a werewolf, or werebat, or werewolf bat or something. We never see him drink blood or try to drink blood, although there are some bones in his lair that suggest that he might eat other animals. They don’t really go deep into the lore of it or outline the rules for vampire bats in their version of Illinois. You just have to take their word for it that vampire bats are shapeshifters, and that’s it. That’s their thing. Also, their vampire bats aren’t immortal vampires. That’s really the problem that Count von Flittermouse has. He’s actually a very old vampire bat and not likely to live much longer unless he can get his little winged paws on the package that Minabell received.

The bottle in the mysterious package turns out to contain water from the Fountain of Youth. Generations back, one of Minabell’s ancestors accompanied Spanish conquistadors on their search for the Fountain of Youth, and they not only found it but saved some water from it. Count von Flittermouse wants it to restore his youth and make him immortal. It wouldn’t be so bad if he wasn’t also evil and a werewolf bat.

Of course, our heroes are victorious. They find a way to use the special water so that it benefits everyone, except for the evil bat, and everything ends happily. I actually think that this book might make a fun Disney cartoon, something like a more supernatural version of The Great Mouse Detective. Even though I thought that the book’s version of what a vampire bat is and what it does is a little confusing, a movie version could clarify some of the rules regarding what vampire bats are supposed to be and what they do. The lore about human vampires varies depending on the source, although they usually do have the ability to shapeshift into bats, an ability which is kind of pointless if the vampire happens to already be a bat. It’s understandable that the story has to tweak the traditional vampire lore to fit into this animal society. I kind of picture that the vampire bat would only be able to change into things whose blood it sucked earlier, but that’s just my theory; the book doesn’t clarify that point. Still, it’s a fun story, and I think a movie version would also be fun.

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Shadow Over Mousehaven Manor

Shadow Over Mousehaven Manor by Mary DeBall Kwitz, 1989.

Minabell Mouse is happily looking forward to her Aunt Pitty Pat visiting her for Christmas with her new husband, Magnus, but she receives an urgent message from Magnus, saying that her aunt is very ill and may not survive much longer. He urges Minabell to home to her aunt’s home, Mousehaven Manor right away and bring the copy of her aunt’s will that her aunt left with her. With her home suddenly damaged badly by a storm, Minabell does immediately set out for Mousehaven Manor, crossing the Illinois prairie through the tunnel called Rodent Run, which small animals use to travel in safety. Before she leaves home, one of her friends gives her a Christmas present to take with her, something long and thin. It’s awkward to carry, but her friend insists that she take it with her and open it on Christmas. Another friend warns her to beware of the tough Chicago rats who are a gang of criminals who have invaded Chicago’s City Hall.

On the way, Minabell Mouse stops to rest and has a fearful encounter with a group of rats carrying a pirate flag with the name “Prairie Pirates” on it. She witnesses them murder a chicken at a farm, pluck it, and carry it off. It’s horrifying, and Minabell is lucky that the pirates didn’t see her. She is alerted by a stranger who makes her keep quiet.

The stranger introduces himself as Secret Agent Wendell Weasel, a member of the Illinois State Ski Patrol, a form of animal law enforcement. Minabell asks Wendell who those pirates were, but before he answers her questions, he insists that she identify herself and tell him where she’s going and why. Minabell explains to Wendell about her aunt, and he looks at the copy of the will she is carrying, which leaves everything to her, as her aunt’s closest relative.

Wendell urges Minabell to turn around and go home because it’s too dangerous for her to continue her journey. The Prairie Pirates are a band of Chicago rats, and the “Sungam” that they heard the pirates chant is the code name of their leader. Wendell says that he can’t tell her more than that because the information is classified, but he says that if Minabell really thinks about the word “Sungam”, she will see that there is a good reason not to go to her Aunt Pitty Pat and Uncle Magnus. (Hint, hint.) Of course, Minabell doesn’t see what Wendell is talking about at first and continues her journey because she thinks Aunt Pitty Pat needs her. She does, but not in the way Minabell expects.

Minabell does realize the significance of the word “Sungam” when she uses it to frighten off cats who attack her. Puzzling over the word more, Minabell tries writing it out in the snow and sees that it’s “Magnus” spelled backward. Minabell realizes that her aunt has actually married the leader of the Prairie Pirates! The Prairie Pirates have taken over Mousehaven Manor, and her beloved aunt is their prisoner! (Flying their pirate flag over the house isn’t the most subtle way to lure an innocent victim into their new hideout. I don’t think it even counts as a hideout anymore if you have a banner advertising that you’re there. Even if Minabell hadn’t already figured out the code name clue, the flag is a dead giveaway. Just saying.)

There is still time for Minabell to turn back before meeting the pirates, but she can’t leave her aunt in danger and Mousehaven Manor occupied by the enemy. However, she’s going to have to come up with a clever plan, or she’s going to be in danger, too.

I haven’t found a copy of this book online, but there is also a sequel called The Bell Tolls at Mousehaven Manor. There are only two books in the series.

My Reaction and Spoilers

I had to get this book because I vaguely remembered a teacher reading it to my class years ago in elementary school. There was a lot about the book that I forgot over the years. I had completely forgotten that it was actually a Christmas story. My strongest memory of this story was actually a small detail, but one that they repeat during the book. Minabell has a little ritual that she does whenever she needs to remember something, particularly when she needs to remember where she hid something. I had forgotten the rhyme she says, but I remembered her writing what she needs to remember on her forehead with her finger. That struck me as actually a clever trick because writing something, even if you never look at it again, helps things to stay in your memory because you really need to concentrate in order to write, and you can remember the act of writing, which brings back the memory of what you’ve written. When I was a kid, after hearing this story, I used to do that sometimes, write something on my forehead with a finger to help me remember.

Reading the book as an adult, the Sungam/Magnus clue is pretty obvious. The plot also sort of reminds me of The Mysteries of Udolpho, which I read several years ago because I really like Jane Austen’s Northanger Abbey, which references and parodies that book. The connection that book and this one is that part of the long, rambling, episodic plot of The Mysteries of Udolpho involves an aunt who has cluelessly married the leader of a gang of bandits, and the leader of the gang just wants to acquire her money and property. This book is a little different because the mouse aunt has not actually married the rat; he’s just holding her captive so he can take over her house and use it as the base for his gang and claiming that they’re married to justify occupying the manor. Like in The Mysteries of Udolpho, the bandit leader holds the aunt and her niece captive at an isolated manor house, trying to get the aunt to not only sign over all her money and property to him but also her niece’s inheritance. That’s why Magnus told Minabell to bring her copy of her aunt’s will. He needs to change the will so that it leaves Mousehaven Manor to him.

So, strangely, Shadow Over Mousehaven Manor is a little like The Mysteries of Udolpho for children. I actually recommend it more than The Mysteries of Udolpho because The Mysteries of Udolpho is rather long and disjointed. Both books contain some admiration of the beauties of the countryside while the character that travel, but the scenery descriptions are much longer in The Mysteries of Udolpho, and Shadow Over Mousehaven Manor is just more fun to read because it involves talking mice and pirate rats. The mice in this book are also much more sensible than the humans in The Mysteries of Udolpho. The mouse aunt knows darn well what Magnus is, while the human aunt was completely clueless almost up to the point where her husband caused her death. I’ve amused friends sometimes with describing The Mysteries of Udolpho, and I might put my short (short-ish) explanation of the plot (plots) of the book on the Internet sometime just for fun, but I mostly recommend reading that book only if you’ve already read and like Northanger Abbey.

I’m going to include some spoilers for the story because this book isn’t currently available to read online. Minabell has the presence of mind to realize that, before she attempts to enter Mousehaven Manor and save her aunt, she needs to hide the will she is carrying because she can’t let it fall into Magnus’s hands. When she does reach the manor, she is also imprisoned with her aunt in the manor’s dungeon, along with a friend who came to try to help her. (I don’t really know why any mansion in the US, mouse or human, needs a dungeon, but maybe mouse history in the US was more feudal than human society or something. It doesn’t really matter. It’s just a really cool mouse manor house, and it has a dungeon. It also has secret passages.) They get out of the dungeon because the aunt remembers an old song that has a clue to a secret way out of the dungeon, and they find their way to the belfry tower, where they ring the bell to signal for help. There, they meet a family of bats hibernating in the bell tower. The bell wakes them up, and one of them helps them reach their friends. Minabell, her aunt, and their friends battle the pirates and drive the out of Mousehaven Manor. They celebrate with a big New Year’s party, and Minabell decides that she wants to continue living at Mousehaven Manor with her aunt.

Posted on by TracyC

Tools of Native Americans

Tools of Native Americans by Kim Kavin, 2006.

This nonfiction book is part of a series recommended for kids ages 9 to 12. It provides insights into the daily lives of Native Americans of the past by explaining their tools and inventions. I was intrigued by the idea immediately because I love books that give insights into history through the lives of ordinary people.

The book is divided into time periods and geographic areas of North America. At the beginning of the book, there is a timeline of important events in the history of North America and Native American culture, beginning c. 20,000 to 8000 BCE, when the ancestors of Native Americans are believed to have migrated to the continent and ending in 2006, the year the book was published. There is also a map showing major geographic regions of North America and the Native American tribes that live there. The chapters of the book are mostly grouped by region, except for the first two, which are about the First Americans and Archaic and Formative Periods.

The first chapter, called The First Americans, discusses theories about how the ancestors of Native Americans first arrived on the continent from Asia. The exact circumstances of their arrival are unknown, but there are some possible migration paths that they could have taken. The chapter discusses the Ice Age that existed when this migration took place, how people found food, and Clovis culture, one of the earliest known civilizations in the Americas. One of the activities from this section is about archaeology, which is what we use to learn more about ancient civilizations that did not leave written records, and how to create an archaeological site of your own.

The next chapter is about the Archaic and Formative Periods, which were characterized by climate change as the Ice Age came to an end and many plants and animals that had thrived in the colder climate died off. The changes in the environment cause Native American groups to make changes in their own lifestyles. Rather than relying on herds of large animals for food, they began cultivating crops. They made pottery and developed new cooking techniques. They still hunted, using a device called an atlatl to throw their spears further and with more power. Civilizations like the Maya flourished.

After the second chapter, the other chapters discuss tribes by region:

The Northeast Woodland and Great Lakes Tribes – The Algonquian and Iroquois

This chapter discusses Native American tribes from the East Coast to the Midwest, around the Great Lakes, who primarily lived in woodland areas. The Iroquois and the Algonquian were both collections confederated tribes. There is information about the Algonquian language, which contributed some words to English, including moccasin, succotash, hominy, hickory, and moose. There is also an activity about creating Algonquian style pictographs and petroglyphs.

The Southeast Tribes – The Cherokee, Catawba, Creeks, and Seminoles

The tribes in this chapter lived in and around the Appalachian Mountains. It explains about Sequoyah, who developed a system of writing for the Cherokee language.

The Great Plains Tribes – The Cheyenne, Lakota Sioux, and Comanche

The tribes of the Great Plains were migratory, following herds of buffalo, which were a primary source of food. Because they moved often, everything they owned, from the tepees where they lived to the tools and other objects they used, had to be easily portable. The Comanche were particularly known for being expert horsemen. This chapter also discusses the Lewis and Clark Expedition and Sacagawea, who was part of the Shoshone tribe from the Rocky Mountains. She had been abducted when she was young, and when she joined the Expedition, she was able to guide Lewis and Clark and their men back to the territory she had known when she was a child and to the Pacific Ocean. Activities for this chapter include making a rattle of the kind children used as toys, making a miniature bullboat, and making a war bonnet (using pieces of poster board instead of feathers).

The Southwest and Mesoamerican Tribes – The Hohokam, Mogollon, Anasazi, Maya, Aztec, Hopi, Apache, and Navajo

I know this area because this is where I grew up. Much of it is desert, and the book is correct that there can be sharp differences in temperature between day and night. In modern Southwestern cities, buildings and pavement can hold in heat even at night, but there isn’t much to hold in heat in the open countryside, not even much humidity in the air to hold heat once the sun goes down. There is an abundance of clay in the soil in this region which local tribes used to make pottery and adobe homes.

Among the civilizations discussed in this section are the Hohokam, whose name means “Vanished Ones” (I’ve seen different versions of the translation of that name, but they’re all words to that effect – that they are gone, vanished, disappeared, etc.) because, for unknown reasons, they seem to have suddenly abandoned the area where they had previously lived and farmed for generations. They don’t seem to have died off, at least not all of them. It’s believed that they were the ancestors of the Pima and Tohono O’odham tribes, and the book discusses that a little further on in the chapter. There is a Pima story about a fierce rainstorm and a massive flood that killed many people, but The Hohokam were the ones who built the original irrigation canals for watering their crops. Later, when settlers came from the Eastern United States, they found these abandoned canals, dug them out, and started using them again. The canals are still in use today, and one of the activities in this chapter of the book is about irrigation.

This section of the book also covers the Maya and the Aztecs, who lived in what is now Mexico and Guatemala. There is an activity about creating hieroglyphs, like the kind that the Maya once used.

In the part that describes the Navajo, there are activities for sand painting and Navajo-style jewelry.

The Pacific Northwest Tribes – The Nootkas, Makahs, and Tlingits

Much of this chapter discusses hunting and fishing and the preservation of food. Because food-related work mostly took place during a single season due to the severity of the winters, there were periods of time when the members of the Pacific Northwest Tribes had time for social and artistic pursuits. The book explains the meaning of totem poles, and there is an activity for readers to create their own.

The Arctic Tribes – The Inuit

The lives of the Inuit were shaped by learning to live in a very cold environment. The book explains how they built igloos out of packed snow and ice, but really, igloos were temporary shelters. The houses they lived in long term where made of sod and were partially built underground for insulation. There are activities for building a snow cave called a quinzy (this requires that you live in a place with snow) and for playing a game called Nugluktaq.

The last chapter in the book is called New Immigrants, Manifest Destiny, and the Trail of Tears. It’s about how European settlers arrived in the Americas, the westward expansion of the United States, and the confinement of Native American tribes to reservations.

The book ends with an Appendix with further information about Native American Sites and Museums State by State. There is also a glossary, index, and bibliography.

Posted on by TracyC

Indian Sign Language

Indian Sign Language by William Tomkins, 1969.

This is the third book I’ve reviewed on the topic of Indian Sign Language, and the reason why I wanted to include this one is that it was part of the list of recommended reading in one of the others, a book that was written much later. I can see why it was recommended. I found the readability of this book to be lower than the later book, but there is information found in this book that isn’t found in the later book.

The introductory notes at the beginning of the book explain a little about the author’s background. He grew up near the Sioux Indian Reservation in the Dakota Territory during the late 1800s, which was where he was first introduced to this form of sign language. He was not Native American himself, but he was later ceremonially adopted into the Sioux tribe. He became a lecturer about American Indian issues, and he discovered that people were very interested in his sign language demonstrations. He wanted to create this book so there would be a readily-available text explaining how the language works. He credits this form of sign language as being “probably the first American language. It is the first an only American universal language. It may be the first universal language produced by any people.” I’m not completely sure that’s true, but the author does have great respect for the beauty and utility of the sign language and the role that it played in Native American history.

The later book had the vocabulary of the sign language organized by topic, but this book (like an earlier one) had it organized in alphabetical sections, like a dictionary. The hand signs are shown in drawings on one side of the page, with lines and arrows to indicate movement where necessary, and written descriptions of the hand signs on the other.

The range of vocabulary is much more broad in this book than in the newer book, and it includes descriptions of more complex words and concepts that can be conveyed by combining some of the signs for simpler words. For example, the word “generous” can be indicated by making the signs for “heart” and “big”, and there is a list of synonyms for words. The book also demonstrates how to form sentences using the vocabulary words.

There are a couple of sections in the back of this book that provide additional information about other forms of communication, pictographs and smoke signals, which is interesting because the later book that I mentioned also made references to these other forms of communication but didn’t really offer details about how they work. This book is very detailed on the subject of pictographs, showing what different ideographs mean and explaining how to tell entire stories with them. It even explains the correlations between sign language and pictography. The book ends with some historical information about this form of sign language and suggestions for a unit about Indian sign language for a boy scout troop meeting, which include a somewhat cheesy play where the boy scouts pretend to be American Indians and use words like “How” and “paleface” with each other. The book seems very good and thorough on the technical explanations of the language, but I suspect it could be a little better on the subject of cultural representation.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

Posted on by TracyC

How Sign Talk in Pictures

How; Sign Talk in Pictures by Iron Eyes Cody, 1952.

I like nonfiction books on esoteric topics! This one has kind of a kitschy feel to it. It’s partly the “How” in the title, like the way Native Americans talk in old movies, but it was written around the time those old black-and-white westerns were made, and this sort of movie theme is actually a major issue with both the book and the author. We found this book as a library discard, and part of the interest for me is that another book by the same author (available through Internet Archive) was used as recommending reading in a later book on the same subject.

The author and his wife appear frequently in pictures in the book, demonstrating different signals in Indian sign language. Part of the book near the beginning explains about the author’s life, and what it says actually isn’t true, but the real story of the life of “Iron Eyes Cody” is pretty interesting. The main reason for the deception is that Iron Eyes Cody was an actor known for playing Native Americans in films, beginning in the 1920s. To support his film persona, he claimed to be of Native American descent, but the truth is that both of his parents were Italian. His birth name was Espera Oscar de Corti. In the book, he says that he was born on his family’s ranch in Texas, but he was actually born in Louisiana, and his parents owned a grocery store. The family did live in Texas for awhile. After his father died, he and his brothers moved to California to pursue acting careers, changing their last name to Cody. As part of his film persona, he was known to wear his Native American costumes on a daily basis, as if he were living a Native American lifestyle. Many people really believed he was Native American, but this costume quality is part of what gives the book that kitschy vibe. If you think that you’ve never seen or heard of Iron Eyes Cody before, it’s actually very likely that you have because one of his acting roles was that of the “Crying Indian” in the “Keep America Beautiful” anti-pollution PSAs of the 1970s. Yep! He’s that guy, and that’s the man who wrote this book.

So, you can disregard many of the details of Cody’s brief autobiography (there’s a fanciful story there about how he got the name “Iron Eyes”, but Chief Iron Eyes was actually the name of the character he played in the 1948 movie The Paleface with Bob Hope), but what is real is that he was married to an archaeologist of Native American descent, Bertha Parker (referred to as Yeawas in the book and also appearing in pictures to demonstrate the sign language), and they had two adopted children, also of Native American descent (one of which appears in pictures in the book). Outside of his acting work, Cody supported many charitable causes that helped Native Americans and promoted the study of Native American culture. He had a collection of Native American costumes and art that he called the Moosehead Museum, and he offered lessons in Native American arts and crafts, songs and dances, and lore out of his home. (The book doesn’t really offer details about how that worked, but my guess would be that his wife, the archaeologist, provided much of the instruction or at least educated Cody about these subjects before he taught others.) Cody also worked with the Boy Scouts, helping with Scout-O-Ramas and acting as an adviser about Indian (Native American) lore. He also sometimes helped the Girl Scouts. The book is dedicated to “the youth of America, especially the Boy Scouts of America.” If you would like to know a little more about Cody, I recommend this YouTube video and this one.

On the one hand, a person who is deceptive or misleading about their identity and credentials is worrisome and probably rightly considered unreliable. However, as near as I can tell (not being an expert on this topic myself), the information presented here seems reasonably accurate, and I think that’s probably due to research, consulting with experts, and the influence of the author’s wife, who did have credentials as an archaeologist and ethnologist and had connections to other scholars through her museum work. One of the beginning sections of the book is called “A Brief History of Sign Language by Bertha Parker Cody” with an accompanying list of works consulted (texts spanning 1880 to 1926, the 19th century ones apparently written by army officers because their ranks are given, if you’re curious – Bertha’s a woman after my own heart because she also added a note to her citation about a book with a particularly good bibliography section, and I’m a great believer in notes).

So, now that you know who’s talking here, let’s discuss what they have to say about Indian Sign Language, the main topic of this book.

In a foreword to the book, F. W. Hodge, director of the Southwest Museum in Los Angeles, where Bertha Parker used to work, discusses the concept of sign language and non-verbal cues used in communication by people all over the world. People in different countries, speaking different languages, might recognize a nod of the head as meaning “yes” or a finger placed against the lips as a gesture to be quiet, but sign languages convey much more than these simple ideas, allowing people to hold entire conversations. The Indian Sign Language presented in this book was used by many different tribes, ranging from Canada all the way south to Mexico. If members of different tribes encountered each other, they could use this language to communicate, no matter which language they spoke verbally. When people of European descent learned this sign language, they also gained the same ability to communicate with a wide range of Native Americans, without even needing to speak a single word aloud. Hodge said that this was an uncommon skill for people of European descent, although he does mention one of the army officers referenced by Bertha Parker Cody in her essay.

In her essay, Bertha Parker Cody also explains the concept of sign language, referring to it as a kind of “universal language.” She explains how people have used hand signs and gestures to convey ideas and concepts throughout history. She says that the reason why this type of universal language based on gestures was necessary because, in the territory now known as North America, there were once more than 500 different spoken languages among Native Americans. Even groups who were living no more than 10 miles away from each other might be speaking completely different languages, but they would need to be able to interact with each other and communicate. It is unknown exactly who invented this particular system of sign language (although there are some possible theories), but it was particularly developed by the Plains Indians because they were nomadic buffalo hunters, often encountering other tribes as they followed the herds. As an added benefit, because the language is completely silent, hunters could use it without startling their prey, and warriors could use it with each other before a surprise attack on an enemy. Chiefs of tribes would even use sign language to convey important messages because it would guarantee that people would pay attention and focus on the hand signs to interpret what they were saying. She explains that there are signs that the language changed over time and variations existed among different tribes, there was enough commonality that members of different tribes could communicate with each other effectively. She concludes by saying that their hope was that this book would help to keep knowledge of this sign language alive among young people at a time when it was falling out of use and living knowledge.

The actual vocabulary of the sign language is presented in sections organized alphabetically, with drawings and photographs of Cody and his wife performing each of the hand signs.

The book ends with a section about hand signs for numbers and counting and a section presenting examples for forming complete sentences using the hand signs presented in the book.

The final part of the book contains an Acknowledgement from Cody to all of the people who helped with the research and writing of the book, including the photographer and the artist who did the drawn pictures.

My Reaction

I’ve already given some of my thoughts and reactions in the review above, but there is one more thought that I had about this book. I completely understand why this book was library discard. It is an older book, and there are newer ones that cover the same topic as well or better. The author is an actor who is not as culturally relevant as he once was, and although it wasn’t known at the time of his popularity, he was deceptive about his life and past. In some ways, though, reading and researching this book and its background was educational. The education I would say that I got from this book wasn’t just about sign language but also about perceptions vs. reality, the roles people play, the personas created by the movie industry, and also the expectations of the public and the credentials we require or are willing to accept from those with a message to spread.

That last part is the most complicated part, but the resources that I consulted to get the details of Cody’s life pointed out that he did genuinely encourage interest in Native American culture and support causes important to Native Americans, which begs the question of whether he would have been accepted in that role of spreading interest and providing support if it had been known at the time that he was not actually a Native American himself. The truth is that he was something of a fake and a poser. He wasn’t really what he pretended to be, and in a sense, he was acting in a permanent role, even outside movies. He was given roles as a Native American in films because his physical appearance made it credible that he could have been one, and as far as movies are concerned, that’s really all that matters. Average people believed he really was a Native American because he was a good actor and convincing, and they didn’t know enough about real Native Americans to spot the parts about his dress and act that didn’t quite ring true. However, I think that Cody’s interest in Native American culture was genuine, probably the most genuine part of his performance, and he appears to have taken a genuine pride in it. A person lying about their background is deceptive and makes other things that they do suspect, but I’m still left with some questions. If he had been honest about his family’s background, would his interest in Native American culture been accepted or would people have sneered and said that he should have stuck to speaking only about the culture his family came from? Is it possible for someone to adopt a new culture not based on family or upbringing but pure personal interest and choice, and if so, could it ever be as deep or authentic as the culture one is born into and brought up in? Or, will it only ever just be an act or a deception, something that might only fool those who don’t know how to see the reality? What is the difference, or is there one? Could the person doing it even get so deep into the act that they themselves don’t know the difference anymore?

Posted on by TracyC · 2 Comments

North American Indian Sign Language

North American Indian Sign Language by Karen Liptak, 1990, 1995.

This book is going to be one of three I’m planning to cover on the same topic because this book includes a list of recommended reading about North American Indian Sign Language, and I happen to have two other sources from that list in my collection. The other books I have are much older, and I’d like to compare them to this newer book and explain why the newer one does things differently.

To begin with, older books about this topic frequently just use the term “Indian” or “American Indian” to refer to Native Americans. This particular book defines its terms right at the beginning. The author says, “North American Indians are currently called both American Indians and Native Americans. I have chosen the term American Indians to reflect the preference voiced in a recent informal survey at an intertribal powwow in Reno, Nevada, and to help readers find the book more easily. The signs presented in this book are based on the sign language used by the American Indians of the Great Plains.” I appreciate it when authors explain their thinking clearly.

The introductory section of the book explains the purpose and history of using sign language for intertribal communications. It starts with an example of a fictional encounter between two members of different tribes who are strangers to each other. At first, they’re not sure who the other one is and if they’re someone who can be trusted, but when they begin using sign language to signal to each other who they are and what their intentions are, they realize that they’re from tribes who are friendly with each other and that it’s safe to continue communicating.

This particular form of sign language was particularly popular among Native Americans of the Great Plains, including the Cheyenne, Sioux, Kiowa, and Blackfoot tribes to allow communication between tribes that did not share a common spoken language and also within tribes in situations that demanded silent communication, such as during hunting and warfare or when communicating with people who could not hear well. American Indian sign language isn’t commonly used in modern times because there are others more commonly used, but it still appears sometimes at powwows or in Native American ceremonial festivals. This book is meant to present the sign language for fun and education.

It begins by explaining basic hand and finger positions and introducing some basic vocabulary, demonstrating signals for simple words, like “I”, “You”, “Yes”, and “No.” All of the hand signs are shown in drawings with arrows to indicate movement where necessary. It also introduces how to signal that you are asking a question.

The rest of the vocabulary is presented in themed sections, introducing words for family members, counting, seasons of the year, weather, time, food, clothing, feelings. This is different from the older books about American Indian sign language, which had vocabulary words organized alphabetically, like a dictionary. I prefer the approach of the themed sections because they demonstrate related words together and provide information for forming sentences as needed, like how to indicate that a concept is past tense. Later sections build on earlier sections, like when the section about seasons draws on the earlier concepts of counting and how to ask questions to demonstrate how to ask how old someone is or how to tell someone your age.

There are also sections at the back of the book discussing other methods of communication used by Native Americans, including smoke signals, pictographs, and petroglyphs.

The book is part of a series by the same author about various aspects of Native American culture. It’s available to borrow and read for free online through Internet Archive.

Posted on by TracyC

The Bone Keeper

The Bone Keeper by Megan McDonald, paintings by G. Brian Karas, 1999.

The story in this picture book is written as an unrhymed poem and illustrated with paintings that resemble paintings on a cave wall.

Bone Woman is a strange old woman. She is ancient, legendary, may have powers to bring back the dead, and lives in a cave full of bones.

She spends her time searching for bones in the desert sand. She collects the bones, studies them, and arranges them to form complete skeletons.

When she manages to complete a skeleton, she performs a ritual to bring the creature back to life!

The book is available to borrow and read for free online through Internet Archive.

My Reaction

This is one of those picture books that I think would actually be appreciated more by adults than by children. The poetry and art style seem more sophisticated than the styles that children seem to prefer. Most of the pictures are not very colorful, using a lot of grays and browns and black, although the art style is unusual and fascinating, looking like paintings and drawings scratched into rock.

I think kids could understand the action of the story – a strange old woman who lives in a cave collects bones, assembles them into skeletons, and can use them to bring animals back to life. It’s a strange story, partly because there is no explanation about why she is doing this.

One of my regrets about this book is that it doesn’t explain the background of this story. I had expected that there would be a section at the back of the book that would explain more, but there isn’t. From the context – the pictures, the style of the story, the names that the woman is called, and the fact that the artist thanked the Phoenix Public Library and the Heard Museum (both places that are familiar to me) in the dedication – adults can figure out that this is a story from folklore, but it’s not immediately clear what kind of folklore. Anyone who doesn’t already know the story might be confused. I didn’t know this story when I read the book, so I had to look it up.

The story of the Bone Woman has been told and referenced in other books. The story of La Huesera (the Bone Woman) is a Mexican folktale. Sometimes, it’s also called La Loba (the Wolf Woman) because that is the animal that she particularly wants to resurrect. The Bone Woman is a “wild woman” or a “crone” who uses a kind of natural magic to bring life to lifelessness and restoring what was lost.

Posted on by TracyC

The House on Hackman’s Hill

House on Hackman's Hill cover

The House on Hackman’s Hill by Joan Lowery Nixon, 1985.

This creepy book is interesting partly because it is told in two parts. About half the story is a flashback that explains the history of the house and the mummy inside it, and the rest continues in the present day.

The very beginning of the story is in the present, starting with a pair of cousins. While they are visiting their grandparents, Jeff tells his cousin Debbie that he’s found out about an old, abandoned house nearby that supposedly contains a hidden mummy and that there’s a reward for anybody who finds it. Debbie doesn’t believe him at first, but he says that he heard all about it from their grandparents’ neighbor, Mr. Karsten. Jeff persuades Debbie to come with him to check out the old house. Debbie comes and takes pictures of it because she’s interested in entering a photo contest.

The place looks really creepy, and they have the odd feeling like somebody is watching them, even though the house is supposed to be empty. Debbie says that they should ask their grandparents what they know about the old house. At first, the grandparents don’t want to talk about it. They just say that it’s an old house and not very interesting. Debbie asks them directly about the mummy, and they say that there are a lot of rumors about the old place, but they don’t really believe them. The kids decide to talk to old Mr. Karsten again. Mr. Karsten says that he knows all about the old house on Hackman’s Hill because he lived there for awhile when he was young, back in 1911.

Paul Karsten’s Story

Paul Karsten’s mother was a secretary, and she went to work for Dr. Hackman, the former owner of the house, after the death of her husband. Dr. Hackman was a strange man with changeable moods. He was pleasant enough to Mrs. Karsten, but he hated children and didn’t really like having her son Paul in his house. Dr. Hackman was a history professor, specializing in Egyptology. He was approaching retirement, and he wanted to devote himself to his papers and his collection of Egyptian artifacts. Mrs. Karsten’s job was to help him catalog his collection, and Dr. Hackman offered such a good salary, Mrs. Karsten couldn’t refuse. The mummy was delivered the same day that Paul and his mother moved into the house.

Paul was given a room in the tower of the house, and while he thought that it had a great view at first, he got nervous when he noticed how the tower room was situated on the edge of a cliff. One of Dr. Hackman’s servants, Jules, makes a comment about how Paul should be careful because they don’t want “another accident”, refusing to say more about whatever “accident” occurred there before. Paul was uncomfortable with the house and with Dr. Hackman. He tells his mother that the house frightens him and that he wants to leave, but his mother reassures him that the place only looks strange because of the Egyptian artifacts. Paul found the artifacts he once saw at a museum exhibit frightening and he’s particularly disturbed by a statue that Dr. Hackman has of a man with an animal head, but his mother says that’s just a statue of an Egyptian god.

Paul had notice earlier that a long box had been delivered to the house, and he gives into temptation and tries to look inside. However, he is stopped by Jules. Jules and his wife Anna warn Paul that this house isn’t very good for children and that Dr. Hackman doesn’t like people nosing around or messing with any of part his collection. At dinner, Paul admits to Dr. Hackman that he tried to look in the box and apologizes for his curiosity. Dr. Hackman accepts the apology, and before Paul goes to bed that evening, Dr. Hackman shows him the mummy case that was in the box. Paul asks him if it’s real, and Dr. Hackman says it is. Paul says that he heard that it’s illegal to take real mummies out of Egypt, but Dr. Hackman says that there are ways, if you’re willing to pay for it, and he was. Dr. Hackman says that his eventual goal is to turn his house into a museum of Egyptian artifacts so that scholars will come there to study them and read his papers, and he will be famous. He also says that he knows how to protect himself from the mummy’s curse. The talk of curses scares Paul, but Dr. Hackman says that nothing has ever happened to him personally because of any tomb curses … implying that something might have happened to someone else.

When Paul tells his mother that Dr. Hackman has a real mummy, she is worried and upset. She doesn’t like the idea of people obtaining artifacts through unethical or illegal means, although she knows that the laws are poorly enforced. Mrs. Karsten doesn’t believe in superstitious curses, but soon, strange things begin to happen. While putting away his things in his room, Paul discovers a strange, triangular piece of gold metal with some kind of design on it. When he goes up to bed, he feels like someone is there in the room, although he can’t find anyone. During the night, he wakes up, sees that one of his windows is open, and feels an odd urge to walk toward it, but fortunately, his mother comes to check on him and stops him. Paul and his mother both realize that they were woken by the sound of a cry in the night. His mother supposes that it was some kind of night bird, but Paul knows that it was probably something to do with the curse.

Paul insists that Jules and Anna tell him about the accident that took place in his room. They say that they weren’t working for Dr. Hackman when it happened, but they know that the person who fell from the tower room was a guest of Dr. Hackman’s, he was from Egypt, he died when he fell, and his body was shipped back home. At first, Paul thinks that the gold piece he found probably belonged to the Egyptian guest, but that’s not quite it.

Dr. Hackman gives Paul the job of polishing some of his statues, knowing that they bother him. It amuses Dr. Hackman as a mean joke. However, Paul’s fear of them fades while working with them because he begins to appreciate their artistry. Dr. Hackman is surprised that Paul is able to see that and not just be afraid of the statues. Paul asks him about the statue of the man with the animal head, and he explains that it’s a statue of Anubis, the god of the dead, and scares Paul again by saying that Anubis is the one responsible for the curses on tombs. He says that Anubis’s head is a jackal head and that jackals hunt at night and have a bark like a cry. This confirms to Paul that the curse was responsible for the cry he and his mother heard.

Paul eventually comes to realize that the strange gold piece attracts the mummy and the mummy’s curse, which is why Dr. Hackman knows that he’s in no danger. Dr. Hackman put it in the tower room to make sure that the mummy’s wrath would only come to whoever was in that room … and that’s why he made sure that Paul was given that room, too. To protect himself and his mother, Paul knows that he has to get rid of that gold piece.

Mr. Karsten finishes his story by explaining to Jeff and Debbie where he hid the gold piece and how Dr. Hackman disappeared, apparently a victim of the curse. Nobody ever discovered what happened to Dr. Hackman, and the mummy disappeared that same night, but a museum has offered a reward for anybody who finds the mummy. Mr. Karsten says that various people have tried to stay in the house and find the mummy, but nobody has succeeded. Everyone has been frightened off after just a single night in the house.

Jeff doesn’t believe in curses, and Debbie agrees to accompany him into the old house to find the mummy and claim the reward.

Return to the Present

The rest of the story is about Jeff and Debbie’s adventures with the house on Hackman’s Hill. Jeff says that he thinks all the spooky curse stuff was just put on by Dr. Hackman, who was a mean old man having a joke by scaring a kid with all that talk of curses. Dr. Hackman was definitely a mean old man who enjoyed scaring young Paul Karsten, but questions still remain. How much of what Paul experienced was really real, and what happened to Dr. Hackman? If the curse was just something he made up, why did he scream the night he disappeared, and where did he go?

Jeff’s idea is that all the creepy stuff happened at night, so the best time to go look for the mummy would be during the day. (That’s actually pretty sensible. Why go to a supposedly haunted house during the night if you don’t have to?) The kids make a plan and put together a collection of useful supplies and food for their mummy hunt. They decide to go while their grandmother is busy watching her favorite soap opera and their grandfather is in town, arranging some sort of surprise for them.

When they enter the house, they discover that everything is still inside. All of the furniture and Egyptian artifacts are like Mr. Karsten described them. Debbie has an instant camera that with takes pictures that develop themselves. (No brand name mentioned, but basically, a Polaroid instant camera or something very similar. Those were popular when I was a kid in the 1980s and into the early 1990s, especially for families and amateur photographers. They’re not as popular now with the popularity of smart phones and digital photography, but they’re still around. Although police photographers now use digital cameras, instant cameras have been used in accident and crime scene photography because they produce quick results, the photos last for a long time, and because they develop immediately after being taken, they can’t be digitally altered. What I’m saying is that Debbie has made a good choice for recording their adventures and any evidence that they uncover, and it pays off almost immediately.) When Debbie takes a picture of the statues that Mr. Karsten told them about, she notices something frightening right away: the Anubis statue doesn’t show up in photographs.

Jeff discounts the photographic evidence because Debbie’s hand shook, and the picture is somewhat blurred. However, the kids start hearing noises in the house. Then, Debbie notices that a bad snow storm is approaching. She wants to leave the house immediately, but Jeff realizes that they can’t because they’d never make it back to their grandparents’ house by the time the storm hit. Night approaches, and the kids are about to see just how true Mr. Karsten’s story was. The kids are trapped in the house by the snow storm, but they’re not there alone.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction and Spoilers

I thought that this was a fun, creepy story. The creepiness is tempered somewhat in the first half of this story because it’s told in the form of a flashback. We know during the first part of the story that Paul survives his ordeals and lives to old age because he’s telling the story of what happened when he was young to Jeff and Debbie as an old man. When Jeff and Debbie go into the house themselves, it’s less certain what’s going to happen.

There are points in the story after Jeff and Debbie enter the house where it seems uncertain how much of what Paul Karsten experienced was supernatural and how much might have been due to the machinations of Dr. Hackman, who seems to have been a very disturbed man by himself. They soon discover that the house has secret passages that could allow Dr. Hackman to move around the house unseen and create some strange phenomena himself to scare or harm people in the house. There was a point where I thought perhaps everything would turn out to be part of some elaborate plot by Dr. Hackman or someone else, but (spoiler) there is real supernatural phenomena happening.

Before the end of the book, Jeff and Debbie discover both where the mummy is hidden and where Dr. Hackman hid the mummy’s golden eyes, which Anubis has been searching for all this time. They also learn what really happened to Dr. Hackman all those years ago. He apparently did become the victim of the curse that he had tried to evade by inflicting it on others. When the story ends, it seems that the curse is ended permanently, although Jeff and Debbie do manage to get some things out of the experience.

I liked how, even though the story does turn out to be supernatural, the author introduced the idea that it might not be because that element of uncertainty kept the suspense going for longer and introduced some interesting possibilities for readers to consider. It also made it a little more plausible that the kids would be willing to enter the house because they could believe that the house itself was harmless without Dr. Hackman there to continue his plots.

Posted on by TracyC · 1 Comment

Sammy Keyes and the Skeleton Man

Sammy Keyes

Sammy Keyes and the Skeleton Man by Wendelin Van Draanen, 1998.

Sammy Keyes decides that she wants to go trick-or-treating even though her grandmother thinks that she’s getting too old to do it. She’s still living secretly in her grandmother’s apartment in an apartment building that’s intended only for seniors, so she jumps at the chance to go out with friends on Halloween night. Dot (real name Margaret/Maggie), a new girl at school, invites her and Marissa to come over to her house to get ready before going out trick-or-treating, which works well for Sammy.

As Dot’s house, Dot is painting herself yellow as part of her bee costume. Sammy is going to color herself green so she can be a marsh monster (something she made up, but it sounds like a swamp monster from old movies). When Marissa comes, she brings Sammy a green sweater that she borrowed from her mother that would be good for a marsh monster costume, and the other girls help Marissa wrap herself in toilet paper for her mummy costume. As the girls set off to trick-or-treat, Sammy gets the idea to go by the old Bush House. The Bush House isn’t haunted, but it is a creepy place and there are stories about the crazy Bush Man who supposedly lives there and will jump out of the tangled bushes that surround the house and kill people. Sammy’s grandmother says that the stories are just stories and the old man who lives in the house is just a lonely old man, but Sammy thinks that it would be thrilling to visit the house and see it up close on Halloween.

As the girls approach the house, they almost collide with someone in a skeleton costume who’s running away. He looks bigger than the girls are, and he’s carrying a pillowcase that looks pretty full. The girls are startled, but Sammy is determined to go up to the Bush House and just knock on the door once for the experience of it. What Sammy sees when she knocks on the door is even more startling.

The door of the house just swings open, and there’s a pile of newspapers on the floor inside that are on fire. Sammy calls out to see if there’s anybody in the house. There’s no answer, so Sammy rushes inside and manages to put out the fire by smothering it with her marsh monster sweater. As the girls are about to leave, Sammy sees someone in a Frankenstein costume in a chair, and they scream and run outside. Then, Sammy realizes that the Frankenstein mask was on sideways, and it’s not easy to breathe in a sideways mask, when the nose and mouth holes don’t line up, so she decides that she has to go back and see if the person wearing the costume is really alright. It’s definitely a human in a costume, and not a dummy. When Sammy removes the mask, she at first fears that the person in the costume is dead because he’s so still, but it turns out that the person under the mask is the Bush Man. He’s tied up, has a head injury, and is barely conscious. He begs the girls for help. The Bush Man is having trouble talking, so after the girls untie him, he writes a message down on paper, asking the girls to go next door and call the police. He also wants to know if the girls saw the skeleton man.

The Bush Man’s real name is Chauncy LeBard, and the reason he can’t talk is that he’s had surgery on his throat because of smoking-related throat cancer. He needs a device held up to his throat to really speak in an electronic voice (an electrolarynx, I’ve seen one used before). While Dot and Marissa run next door and call the police, Sammy stays in the house with him. When the police come, Sammy uncomfortably recognizes the police officer who knows her from the previous book in the series, Officer Borsch. Last time, she and Marissa told him that Sammy is Marissa’s foster sister so they wouldn’t have to reveal where Sammy is actually living. Dot is confused when Marissa refers to Sammy as her “sister”, but she doesn’t give them away.

Mr. LeBard explains that the man in the skeleton costume had forced his way into the house and tied him up, but he doesn’t know who the man is or why he did it. The girls can’t fully describe the man because he was wearing a full-body costume, although they agree that he seemed like a full adult, not just a tall teen. It seems like the skeleton man was a thief because Mr. LeBard’s wallet and a pair of candlesticks are missing.

After the night’s adventures are over, Sammy winds up spending the night at the house of an elderly friend, Hudson Graham, because her grandmother’s nosy neighbor is awake, trying to find proof that Sammy is illegally living with her grandmother in their apartment building. Hudson agrees to let Sammy stay with him, and it turns out that he’s also an old friend of Chauncy LeBard. Mr. LeBard used to be a political science professor at the local college, and Hudson was one of his students. The two of them liked to get together and have political debates. Then, Mr. LeBard’s mother died, leaving him her estate. The local rumors say that’s when Mr. LeBard went crazy and became the Bush Man. The reality is that he developed health problems because of his smoking and didn’t want his old friends to know. Chauncy also has a brother, who was disinherited by their mother because she disapproved of his wife, but nobody knows why the mother didn’t like her.

Sammy can’t forget about what happened with Chauncy LeBard, even if she wants to. She at least has to go back to the Bush House to get Marissa’s mother’s sweater, which turns out to be worth a lot more than either of them thought. Marissa tells her that, even though her mother never wears that old green sweater, she did notice that it was gone and was upset because it turns out that it was a designer sweater that she bought for $500. Sammy is horrified because, having put out a fire with that sweater, she’s pretty sure that it’s done for, and if she has to come up with $500 to replace it, so is she! When Sammy goes to see Chauncy about the sweater, she starts learning more about him and how his inheritance from his mother turned out to be more of a curse than a blessing. Sammy also starts to wonder whether theft was really the motive for what happened on Halloween. If Chauncy didn’t have that hole in his throat from his surgery, the sideways mask might have smothered him. Did the skeleton man want Chauncy dead?

The mystery of the skeleton man and the ruined $500 sweater aren’t Sammy only problems, though. At school, there’s a nasty rumor going around that Sammy has been calling a boy name Jared, trying to get him away from his girlfriend, Amber. Amber is angry with Sammy, and Sammy’s school nemesis, Heather, has been gleefully making sure that everyone in school knows about it in order to embarrass her as much as possible. Sammy knows that she has never called or even spoken to Jared in her life and doesn’t care about him, but it’s not easy to convince everyone else of that. So who really has been calling Jared? Sammy is sure that it’s really Heather, pretending to be her and saying embarrassing things to get her in trouble. It would certainly be in character for Heather to do that. The rumors are get so out of hand even in a day that one of Sammy’s teachers even suggests that maybe she should talk to a school counselor about her issues with Jared so it won’t affect her schoolwork.

Because the characters are middle school kids, Sammy decides that the best way to get evidence that Heather is her phone imposter is to crash her Halloween party. With everyone in costume and the whole class from school invited (except for Sammy, of course), Sammy, Marissa, and Dot are pretty sure that Sammy can sneak in with them, posing as Dot’s cousin “Nikki.” What could possibly go wrong?

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction

There are characters in the Sammy Keyes series who smoke, which was becoming uncommon in children’s books in general when I was young in the 1980s and 1990s because adults didn’t want to set a bad example for children. In the last book, the fortune teller character smoked, and it kind of surprised me, but it seems that the series follows the unspoken rule for children’s books that include smoking, that the only characters who do it are either villains or oddballs, not cool people to be imitated. This book confronts the issue of smoking more directly, with Chauncy LeBard’s throat cancer. Mean girl Heather also turns out to be a secret smoker who bribes one of her friends to spy on Sammy and her friends by giving her cigarettes. Sammy later finds out that Chauncy’s mother was also a smoker who died of lung cancer. Between Chauncy’s throat cancer and his mother’s death, the story helps illustrate the hard realities of long-term smoking. Chauncy seems to be living in reduced circumstances, without heat or electricity in his house. My first thought was that his mother’s medical expenses and subsequent funeral and Chauncy’s surgery drained his funds. Medical expenses have wiped out people’s savings before in the US, and I remember that one of the stories they told us to discourage smoking when I was in school years ago was about a woman who was forced to sell her family’s heirlooms to cover her cancer treatment. When Sammy meets Chauncy’s brother, Douglas, she finds out that Douglas was trying to get his mother and brother to quit smoking, but neither of them would, and that’s part of the reason for the family rift. Douglas says that if Chauncy has suffered health problems and blown through the family’s money, it’s really his own fault. It’s true that Chauncy should have taken the hint and quit smoking a long time ago, and he might have spared himself a lot of pain and misery if he had, but it turns out that he didn’t sell the family heirlooms to pay for his medical expenses. There was something in his house that was worth a great deal of money, something that Chauncy couldn’t bear to part with even to improve his own living situation because of the sentimental value. The thief is one of the few people who understood what Chauncy had and how to take it without him even noticing that it was gone right away. In a way, what the thief really stole is as much of a mystery for most of the book as who the thief was. The skeleton man turned out to be one of the people I suspected, but not my first suspect, so I was actually in suspense for most of the book.

As for the side plot with Heather calling Jared as Sammy: Oh, criminy! This is one of those ridiculous tween problems that seems so impossibly complicated when you’re in middle school but pretty dumb when you’re not. I appreciate that the math teacher is concerned when Sammy seems distracted in class and her work suffers, but I have trouble believing that an adult teacher would really be interested in rumors about who at school is calling who. I can’t remember any of my teachers ever caring about that stuff because adults usually know that rumors are wrong and that this kind of school drama passes faster if you don’t feed it. I don’t recall any massive rumor campaigns getting the attention of teachers when I was a kid, and I can’t imagine any of my old teachers giving rumors much weight or interest. I think my teachers would have just told us to stop being drama queens, focus on our work, and save the gossip for after school. A few of the more outspoken and direct communicators on the faculty would have flat out told us that gossip isn’t worth anything, that most of it is wrong anyway (that was actually the subject of a play I was in at school once), and that everyone will have gotten bored of whatever it is and moved on in a week or two because nothing we were talking about was really that earth-shaking and we all had the attention spans of chihuahuas on a sugar rush.

If I had to say something to these kids about this situation, I might just tell Sammy not to go calling people who don’t want to speak to her (if I were to assume that she was doing that) because it’s just going to annoy everyone. As for Amber, it’s not really her business to control either her boyfriend or the person calling him, whoever it is. Her decision is whether or not she’s satisfied with how Jared is responding to the situation and if she wants to still be his girlfriend when he acts that way. I’d make it a point to tell Jared, as the center of this drama, that if he doesn’t want to talk to somebody on the phone, he should just hang up without saying anything. You don’t need to stay on the line with someone who’s bothering you. With today’s caller IDs and cell phones that identify everyone who calls, it’s even easier because you don’t have to pick up the phone in the first place if you recognize a number you don’t want to answer. I can’t remember if they had those in the late 1990s, or if that was more an early 2000s development, but I know we definitely had answering machines, and I knew people who would just let the machine answer most of the time, only picking up if they recognized the voice leaving a message. Either way, just because someone calls you doesn’t mean that you have to take the call. On the other hand, if Jared likes being called by a girl other than his girlfriend, it might be time for him to rethink his relationship and decide what he really wants. That seems to be where Jared is. The book describes him as not being too bright and going on an ego trip from whoever keeps calling him. Actually, if I were one of the teachers, the people I’d really want to talk to the most would be Jared’s parents because I think they’d have more power to stop the situation than anybody, no matter who the caller was. Jared’s a kid who still lives at home, so his parents could answer the phone first and find out who wants to talk to him or let the machine record a message that could be used as proof against a prankster who’s bothering him if it gets excessive. Most child pranksters would give up if they called a few times and only got the boy’s parents, especially if the parents sound annoyed or angry when they answer. If Jared’s family got the call on a landline (probable for the 1990s), an annoyed parent could also *69 to last-call return the prankster’s number or look it up on their phone bill if they want to confront the prank caller or talk to the prankster’s parents. It’s annoying to deal with a prank calling kid but not really that hard. I didn’t have access to my parents’ phone bill as a kid, but everyone knew how to *69. Of course, if people in the book handled the situation sensibly, the book would probably be less exciting, and we wouldn’t get the payoff of seeing Sammy get the best of Heather.

There are some laughs when Sammy finds a clever way to record Heather making one of her calls and play the recording for the whole school. It was the sort of victory moment that I would have loved when I was about twelve. However, Sammy’s secret life living in her grandmother’s apartment complicates any problems that Sammy has with the authorities and school administration. After she turns Heather into a public spectacle during a school assembly, the vice principal insists that Sammy’s mother attend a parent-teacher conference. Since Sammy’s mother isn’t available, her grandmother has to attend instead, risking the exposure of their secret.

There is a little more insight into Heather when Sammy sees what Heather’s home and mother are like, but understanding doesn’t equal approval. Heather’s life isn’t perfect, and she lets slip at her party that her mother is a 40-year-old who dresses really inappropriately and flirts with much younger men, possibly including some of her daughter’s teenage classmates. She doesn’t appear to know about Heather’s smoking habit or the truth about any of the other things Heather does. Knowing that her mother is odd and may have really inappropriate taste in men/boys doesn’t make Heather any more likeable, though. At the end of the book, Heather’s outbursts in front of the vice principal may lead to the school insisting on counseling for Heather, which is a hopeful sign, but since Heather remains a bully mean girl for the rest of the series, it’s not that hopeful. You can lead a person to professional help, but you can’t make them internalize it and make use of it.

For me, one of the best parts of this book was the further development of the relationship between Sammy and her grandmother and Hudson Graham. There are hints that Hudson is romantically interested in Sammy’s grandmother, and he treats Sammy like his granddaughter. He seems to be in on the secret of Sammy living with her grandmother and is one of Sammy’s best protections against getting caught. He willingly aids and abets Sammy’s investigations, giving her knowledge and guidance whenever she needs it, and at the end of the book, he gives Sammy and her grandmother a ride to the parent teacher conference.

The ending of the story sets up the beginning of the third book in the series with Sammy being given the assignment of completing some volunteer hours to make up for the disruption that she caused at school.