Posted on by TracyC

Dinosaurs Before Dark

Magic Tree House

#1 Dinosaurs Before Dark by Mary Pope Osborne, 1992.

Eight-year-old Jack is walking home with his seven-year-old sister, Annie, when Annie spots a tree house in the woods that they’ve never seen before.  In spite of Jack’s warnings, Annie climbs up into the tree house and yells down that there are a bunch of books in there.  Jack loves books, so he also climbs up into the tree house to see what she’s found. 

There are books in the tree house about all sorts of interesting times and places.  When Jack starts looking at a book about dinosaurs, he wishes that he could see one himself.  Suddenly, the tree house takes the kids back in time to a land filled with dinosaurs.  The two of them have some hair-raising adventures as they try to figure out how to get back home, getting some help from a friendly Pteranodon when they need to escape from a Tyrannosaurus Rex. 

The kids figure out that the tree house will take them anywhere they want as long as they look at a picture of the place in one of the books and wish to go there.  There is a book about Pennsylvania in the tree house with a picture of their home town in it, so all they need to do is to look at it and wish they were there in order to go home. 

While they are still in the land of the dinosaurs, Jack finds a gold amulet with the letter M on it.  He thinks it belongs to whoever owns the tree house, so he picks it up and brings it back with them, although by the end of the book, the kids still don’t know who it really belongs to. The ownership of the tree house is something that they eventually figure out through their adventures with it. (See book #4 in the series for the answer.)

Posted on by TracyC

Miss Bianca

Miss Bianca by Margery Sharp, 1962.

Miss Bianca is still a hero to the Mouse Prisoners’ Aid Society after the rescue of the Norwegian poet in the last book.  Bernard is a lesser hero, even though he was part of the mission, but such is the lot the organization’s Secretary.  Since the success of the rescue mission, the society is keen to perform another rescue, a deviation from the society’s usual role of merely providing comfort to prisoners.  The rescue mission that they have in mind this time is that of a little girl.  (The first Disney The Rescuers movie also featured the rescue of a little girl, but the circumstances in the book are very different.)

Patience is an eight-year-old orphan who has been abducted and enslaved by the Grand Duchess and is being held in her Diamond Palace.  The Grand Duchess is cruel, and some people think that she’s a witch.  Miss Bianca appeals to the Ladies’ Guild of the society to help free Patience.  The Ladies’ Guild doesn’t usually take part in the more exciting missions of the society.  The mice are somewhat concerned about what they will do with the child once they have rescued her because other prisoners they’ve helped have had homes to return to, but Miss Bianca assures them that they have a home in mind for the girl, a farm family in Happy Valley who have lost a daughter and would be likely to take in another girl.  The Ladies’ Guild agrees to undertake the mission.  Bernard wanted to come, too, but Miss Bianca insisted that they didn’t need his help.

The Diamond Palace is a strange place, in many different ways.  People often come to see it because it looks like it’s made out of diamonds, although it’s actually rock crystal.  It’s cold all the time, but even weirder than that, there seem to be less servants in the Palace than Miss Bianca would expect, given that the Duchess is always surrounded by ladies-in-waiting, who would be expected to have maids of their own.  It turns out that the “ladies-in-waiting” aren’t real people – they’re clockwork automatons! 

Rather than being a witch, the Duchess is simply an odious person who has so much money that she can give full reign to a nasty personality without anyone stopping her.  She’s so nasty and spoiled and used to forcing people to do what she wants that all of her previous, human ladies-in-waiting found that they just couldn’t handle her increasingly unreasonable demands, like insisting that they all stand perfectly still all day long while she sits on her throne, not even the slightest movement allowed.  No human being could possibly manage that.  When the human ladies-in-waiting all fainted after trying to keep perfectly still for forty-eight hours straight, the Duchess screamed that they all must have done it on purpose and dismissed them, replacing them with automatons.  The mechanical people are almost perfect because they always stand perfectly still until they’re needed and never complain or have human needs, but the Duchess discovers that they’re not quite perfect because there are some chores that they can’t do and she also misses seeing people react fearfully or start crying when she bullies them.  Keeping Patience as her slave gives the Duchess someone to do those chores and also someone to abuse.  The Duchess has had other child slaves before, but the others have died from the abuse, ill-nourishment, and general bad treatment.  (This is a darker story in a lot of ways from the Disney one.)

When Miss Bianca and the other mice meet Patience, she is also under-nourished and desperately lonely.  Miss Bianca sends the others back to the society to report about the automatons and stays with Patience to keep her company, trying to decide how to deal with the strange, mechanical people.  Bernard worries anxiously about Miss Bianca when the others come back without her and decides to go after her.

The Duchess’s other human servant, Mandrake, her Major-domo, is also little more than a slave.  The Duchess has evidence of a crime that he once committed and uses it to keep his loyalty.  Usually, he’s the only one who gets to go out the back door because he doesn’t trust Patience to take out the garbage without running away.  However, Patience tells Miss Bianca that the clockmaker sometimes comes in that way when he comes to wind up the mechanical ladies-in-waiting.  Miss Bianca hatches a plan that involves making the ladies-in-waiting break down.

However, to Miss Bianca’s surprise, the Duchess commands Mandrake and Patience to come with her to her hunting lodge when the ladies-in-waiting break down.  There is no opportunity for escape.  However, it turns out that the hunting lodge is actually above Happy Valley, and Bernard knows where it is.

Of course, they do get Patience safely to her new foster family.  Miss Bianca actually talks to the girl’s foster mother and tells her that Patience will probably forget about her eventually, when she grows up, but the foster mother likes the lullaby that Miss Bianca sings for Patience and promises to keep it as a family tradition.

The darker aspects of the story really bothered me, and I have to admit that I didn’t like it as well as the Disney version.  Mandrake actually reappears in another book in the series.

The book is currently available online through Internet Archive.

Posted on by TracyC

The Cookie Tree

CookieTree

The Cookie Tree by Jay Williams, 1967.

Owlgate is a very orderly little village.  Everything has a purpose and a place, and nothing unexpected happens . . . until the day the cookie tree appears in the middle of town.  The tree is silver and gold and has chocolate cookies.

CookieTreeOwlgate

A girl named Meg notices it first, but her parents refuse to allow her to pick a cookie from the tree because they’re worried about where it came from. For all they know, the cookies could be poisonous!  Meg’s father gets the mayor to come look at the tree.

CookieTreeTownspeople

Eventually, everyone in town comes out to see the tree.  The miller thinks that the whole thing is probably a big joke, but most of the other adults are worried because it’s weird.  Some of them think maybe it’s some kind of bad omen.  Little Meg’s theory is that a magician sent it as a present for the village, just to give them cookies.  However, the adults reject that explanation, saying that it doesn’t make sense and they don’t any reason see why a magician would send them a cookie tree.

The mayor consults with the Village Councillors, but they don’t accomplish much other than to establish that there are indeed chocolate cookies growing on the tree when one of them samples a cookie.  The adults argue back and forth about what to do about the tree, but by the time they come up with a plan, the tree has vanished!

CookieTreeDebate

While the adults’ backs were turned, the children of the village ate all the cookies, and once the cookies were gone, the tree disappeared.  Apparently, Meg’s theory about the magician sending the tree just to give them cookies was correct.

One of the things that people sometimes praise children for doing is seeing things for what they are. Adults have a tendency to over-analyze things, looking for hidden meanings that may or may not exist. Sometimes, things really are just what they appear to be, and over-analyzing just confuses the issue. It can be like that with children’s books. Adults worry about every little thing in stories and possible messages being sent to children, but when people start over-analyzing stories, they can find themselves making up hidden messages and reading things into stories that aren’t really there.  Sometimes, stories and other things are just for fun, and you might as well simply enjoy them for what they are!

The book is currently available online through Internet Archive.

Posted on by TracyC

The Princess in the Pigpen

The Princess in the Pigpen by Jane Resh Thomas, 1989.

Elizabeth is the nine-year-old daughter of a nobleman in London in the year 1600, and she’s very sick.  However, while she’s lying in her bed with a terrible fever, she suddenly finds herself in a pigpen in 20th century Iowa with no idea how she got there. At first, she doesn’t even know where she is, and when she is found by the McCormick family, the family who owns the farm, they have no idea who she is or where she came from.  That she is very ill is obvious, so they take Elizabeth to the local doctor, who says that she has scarlet fever (what strep throat turns into when it’s neglected, it’s serious and life-threatening) and gives her penicillin, which helps her to recover.

However, there is still the question of how Elizabeth ended up on the McCormick farm in Iowa in the first place.  Elizabeth tells them that she is from London and insists that the year is 1600.  Ann, the McCormicks’ daughter, who is about the same age as Elizabeth, doesn’t believe that Elizabeth is really from the past.  The current year is 1988, and Ann thinks that Elizabeth is probably crazy, but obviously in need of some help.  The McCormicks tell the local sheriff about Elizabeth, and he begins looking through reports of missing persons to find one that fits her.

Still, it’s hard to explain Elizabeth’s strange clothing (Ann is sure that Elizabeth must be rich because her dress is obviously very fancy) or the antique toys that were found with her (a doll and a music box).  When Ann goes to school, Elizabeth stays at home with her mother, Kathy, and asks her about all the strange things that she’s been seeing around her, like cars and electric lights.  Kathy assumes that Elizabeth is merely confused and that her memory has been affected by her illness.

By coincidence, Kathy is a historian, teaching at a nearby university, and has studied English history.  She is aware of Elizabeth’s family, including her father, Michael the Duke of Umberland.  When Elizabeth asks her if she knows what happened to her mother, who was also ill when she last saw her, Kathy says that she was still alive in 1605, which means that she must have survived her illness.  Kathy quizzes Elizabeth in English history, and Elizabeth knows the correct answers because they are all current events to her.  Kathy thinks that someone must have taught Elizabeth history but notices that Elizabeth really seems to believe everything she says and knows a surprising amount of detail.

Further research into history and Elizabeth’s family tells Elizabeth the years when her parents and other people she cares about will die, which is distressing to her.  Ann begins to believe Elizabeth about her life when Elizabeth describes her home to her, and the description matches one in a book.  In the same book,there is also a portrait of Elizabeth’s family from 1605.  In the portrait, Elizabeth is a little older than she is now, and her mother has had another baby.  Elizabeth’s doll and music box are also in the painting.  The book also contains an account of the fire that later destroyed the manor house.  According to the book, Elizabeth managed to save the lives of her family by alerting them to the fire and also managed to salvage a couple of valuable books.

Now that Ann is convinced that Elizabeth is really from the past, they must find a way to help Elizabeth to return home so that she can save the lives of her family!

The book is available to borrow and read for free online through Internet Archive.

My Reaction

There were a couple of things that I liked about the time travel in this story. One is that it seems that it was fated to happen. Elizabeth is meant to survive her illness and to save the rest of her family. She was only able to do that because she had been to the future and learned about the dangers they would be facing. When she returns to her own time, she doesn’t change the past but makes sure that things turn out the way they were supposed to.

I also found it interesting that Elizabeth’s family has no living descendants in the late 20th century. Her family continued beyond Elizabeth’s time, but the family line apparently ended before the time period of the modern characters in the story, so we don’t have one of those moments that sometimes occurs in time travel stories where the modern characters meet a descendant of the past characters. That can be a fun moment in some stories, but I appreciate the variety.

At one point in the book, Ann makes a reference to the book A Wrinkle in Time, about other children who get “lost in space and time.”

Posted on by TracyC

The Court of the Stone Children

The Court of the Stone Children by Eleanor Cameron, 1973.

Nina and her parents have recently moved to San Francisco from Nevada.  Nina doesn’t like living in the city, but the move was necessary because her father has been ill and in need of a job.  Still, Nina misses her friends, and her parents don’t understand how difficult Nina has found it to make friends in their new home.

One of the most popular girls, Marion Charles, nicknamed Marnychuck, and her friends like to tease Nina at every opportunity. Nina doesn’t think that she even wants to try to be friends with them because hanging out at Marnychuck’s house would mean always having to be on her guard about every little thing she says, knowing that they would twist every innocent comment she makes into some sort of joke so they could laugh at her.  They could never be friends because there would be no way that Nina could ever open up to them about anything.  (Sadly, I know the type all too well.)  For example, one day, while the girls are walking home from school, they start talking about things they want to be when they grow up.  Nina says that she wants to be “something in a museum,” momentarily forgetting the word “curator”, until a boy nearby helpfully supplies the word. Of course, Marnychuck and her friends ignore the helpful word and just laugh about “something in a museum” as they walk away.

However, the boy who was listening turns out to be genuinely curious about why Nina wants to work in a museum, saying that it sounds like an unusual ambition.  Nina tells him that, until she had come to San Francisco, she’d never been in a big museum before, and she describes how the one in the park impressed her.  She used to work in a small one in her home town. The boy understands the way she feels and shares her love of the past.  He tells her about Mam’zelle Henry, a local woman who owns a private museum called the French Museum.

Nina visits the French Museum and loves the rooms with old-fashioned furniture.  They give her a strange feeling of timelessness, and before she knows it, she finds herself in a room with another young girl who says, “I knew you’d come.”  Nina isn’t sure who this mysterious girl is, but she asks her to come back another time.

When Nina returns to the museum the next day to return an umbrella that she borrowed from Mrs. Staynes, the registrar at the museum, she speaks to the girl again in the museum courtyard.  The courtyard is full of stone statues of children, and the girl tells Nina that when she was young, she used to wish that they would come to life.  The girl’s name is Dominique, although she says that people usually call her Domi. The two girls begin talking about their lives, although Domi oddly talks about her past in the present tense. Domi tells Nina about her emotionally-distant grandmother and her loving father, who was imprisoned and shot.  The news of Domi’s father being shot comes as a shock to Nina.  Domi tells Nina that, after her father was (“is”) imprisoned and shot, she had a dream about Nina in which her father said that Nina would help them.  Domi also says that the rooms at the museum are from her home in France, which was taken apart to be “modernized”and some of the pieces were sent to the museum. Nina finds Domi’s story confusing, but Domi says that they will talk more later.

Nina meets up with the boy who introduced her to the museum, whose name is Gil, at the cottage of Auguste, who lives on the museum property.  As she talks with the two of them and Mrs. Staynes, Mrs. Staynes brings up the subject of the ring that Nina saw Domi wearing and which also appears in a painting in the museum.  Earlier, Mrs. Staynes had told Nina that she couldn’t possibly have seen anyone wearing that ring, and Mrs. Staynes now explains that the reason why is that she owns the ring herself.  At first, Nina thinks that she must own a ring which is similar to Domi’s, since the two of them couldn’t have the same ring,but then, it turns out that the cat that Domi said was hers also belongs to Auguste.

The answer, as Nina discovers the next time she meets Dominique, is that Domi is a ghost.  Mrs. Staynes does own Domi’s ring now because Domi died a long time ago. Nina faints when Domi’s hand goes right through hers.  When Nina recovers, Domi is gone, and Mam’zelle Henry gives her a ride home.  The two of them bond as they discuss Nina’s ambition to become a curator.

Mam’zelle lets Nina borrow a journal that she found in the garden that belonged to Odile Chrysostome in 1802.  Odile was one of the names of the stone statues in the courtyard, according to Dominique, and Nina learns that the others are also named after members of the Chrysostome family.  The people at the museum say that they don’t know which of the statues is supposed to have which name, but thanks to Dominique, Nina does.

Gil becomes Nina’s first friend her own age, and he’s been working on a project involving time.  Someday, he wants to write a book about the concept of time. Time is important because Domi needs Nina’s help to resolve problems that occurred in the past.

Domi was young during the time of Napoleon.  Her mother had died in childbirth along with Domi’s younger sibling.  After her mother died, her grandmother moved into the house to oversee things and help care for Domi.  However, Domi’s father had protested some of Napoleon’s policies of conquest, and it led to his downfall.  One day, Domi discovered her father’s valet,Maurice, murdered in her father’s bedroom. She had thought that her father was there the night before, having returned from being away for a time, but he was nowhere to be found.  A short time later, her father was charged with conspiring against Napoleon and executed. Domi knows that her father was innocent of the charges, and she suspects that Maurice was killed because he knew something important, but she needs Nina’s help to find the missing pieces.  Domi knows that Mrs. Staynes is working on a book about her father’s life, and she doesn’t want the false accusations against him to be printed.

This book is available to borrow and read for free online through Internet Archive.

My Reaction and Spoilers

I thought that the book started out a little slowly.  It takes quite a while before Nina discovers that the boy’s name is Gil or learns anything about him, and it’s about halfway through the book before Nina learns that Domi is a ghost, although there are hints before it.  I knew that Domi was from the past, although I thought at first that she might be a time traveler of some kind.  Even after Nina learns that Domi is a ghost, it takes a while before Domi tells Nina her full story and what she really needs her to do.  The first part of the book dragged a little for me, and I was a little confused at first about why Odile’s diary was so important, but it turns out to contain the vital clues that Domi needs.  Domi’s father was with the Chrysostome family at the time that he supposedly murdered his valet and was conspiring against Napoleon. There is a piece of physical evidence that proves it, and finding it convinces Mrs. Staynes to change her book. 

One of Nina’s strengths is her power of imagination, and she helps Mrs. Staynes not only to see the truth about Domi’s father but to see him as a living, breathing person.  Before, Mrs. Staynes’ book was mostly facts with little sense of the feelings of the living people behind it, but Nina’s discoveries and imagination help breathe life into the work.  At the end of the book, the past remains unchanged (Domi’s life and that of her father are what they were before), but having the truth known gives Domi peace. Nina also makes peace with her new life in San Francisco, having discovered new opportunities and friends there as well as a nicer apartment for her family to live in.

Posted on by TracyC · 2 Comments

Fog Magic

Fog Magic by Julia L. Sauer, 1943.

Greta loves fog and always has, although other people can’t understand it.  When she is ten years old, she begins to get the sense that there is something in the fog that she should find.  One day, when she goes looking for a lost cow from her family’s farm, she sees a house in the fog that isn’t there when the fog is gone.  Apparently, there used to be a house on that site, but it’s gone now.  Except when there’s fog.

From then on, Greta loves to walk in the fog.  When she does, she meets people from the past.  One day, she meets a woman named Laura Morrill, who recognizes her as being from the Addington family and says that her name must be Greta.  According to Laura, there’s always a Greta in every generation of Addingtons and that there’s always a child in every generation who has a great love of fog.  Greta’s ability to use the fog to travel back in time and see her town as it once was is apparently inherited.

Greta makes friends with Retha Morill, Laura’s daughter.  However, when Mrs. Morrill gives her a piece of pie to take home, it disappears, making Greta realize that she can’t bring things from the past to the present.  Retha’s parents seem to realize it, too.  When Retha offers her a little silver egg cup to take home, Mrs. Morrill suggests that perhaps it would be better for Greta to leave it at their house and use it when she comes.  Greta also has the feeling that, when the fog starts to lift, she needs to go home, and Mrs. Morrill agrees.

On another day, Greta and Retha spot an older girl in the woods.  Retha seems to know who she is and calls out to her, but she runs from them.  They try to catch up to her, but she gets away, and Retha is upset.  It turns out that the girl is named Ann, and she was falsely accused of theft.  When it was discovered that she hadn’t stolen anything, the townspeople had tried to find her, but she’s been hiding from them ever since, too afraid to come back.  At first, people had thought that maybe she had gone to another town to find work, but now that they know that she’s been living alone in the woods, they’re worried about her.  The story also upsets Greta because she has heard a local ghost story about a girl who haunts the woods after being falsely accused, and Greta takes that to mean that Ann will die.  The Morrills assure her that they will look out for Ann.

Greta is tempted to talk to Retha about her mysterious time traveling in the fog, but Retha stops her from talking about it.  Retha says that even her mother doesn’t want to talk about where Greta goes while she’s not with them, only saying that both men who go to sea and the women who wait for them on shore “have to learn to be content and at peace shut in by their horizon.”  To Greta, that means that she should be content with wherever she is while she’s there and with the fog that allows her to see her friends in the past.

The more Greta visits the Morrills, the more she gets caught up in the lives and troubles of the people living in the past.  At one point, Greta and Retha talk about some of the sad things that have happened to people the Morrills know, and Retha asks Greta if there is sorrow where she lives.  Greta has to admit that there is.  People generally do have their troubles, no matter when they live.  Retha says that her mother says that living and dying are both natural things, so there is no use being sad about them, except when the death is an unnatural one, like in a war.  There is no war going on in Retha’s time, but Greta lives during the time this book was written, in the middle of World War II.  Greta is aware of the war and says that sometimes people have to fight whether they want to or not, but Retha doesn’t think so.  Greta realizes that she can’t make Retha understand the circumstances of the world in the future.

However, as Greta’s twelfth birthday approaches, she has the feeling that things are changing.  Her birthday will be the last time that she can visit her fog friends, but they give her a special present to remember them by.  Greta’s father seems to know what Greta has been doing in the fog, and he reveals to her, without actually saying it, that he once did the same thing himself.  He says that when people grow up, they leave the things of childhood behind, but each of them is able to keep a special birthday gift from the past as a reminder that some things do last.

The ending of the story implies that, although Greta’s adventures in the fog were real, not purely imaginary, she has to give them up to make room for the new things that will enter her life as she grows up.  Her life lies in her present and future, so she can’t keep going back to the past.  However, her experiences with her friends in the past are part of what has made her more mature, and they will stay with her forever.

The book is a Newbery Honor Book. It is available to borrow and read for free online through Internet Archive.

My Reaction

The idea of magic and magical adventures ending at a certain age, as the person begins to grow up, is a classic idea in children’s literature. Sometimes, in other books, it’s implied that the reason this happens is because the “magic” was all imaginary, and the child in the story grew out of that particular kind of imagining, but that isn’t the case in this story. The explanation in this book for why the magic has to end is simple but makes sense. The characters don’t really analyze the issue too deeply, simply taking it in stride. We never find out why this particular family seems to have this tradition of going back in time in the fog as children, and the characters seem to decide that there is no reason to find out why.

Unlike in some modern books, there doesn’t seem to be any particular mission for Greta (or her father or any other generations before her) to fulfill in her time traveling. Greta is mostly an observer of the events in the past, not really participating in them directly or changing them in any way. She doesn’t even seem to influence the thoughts or attitudes of people in the past much. When she talks about the concept of war with Retha, she doesn’t try to change Retha’s mind about it or tell her about World War II and other future events because she realizes that each of them really belongs to two different times and sets of circumstances, and each of them needs to live in their own time, dealing with their own situations. It is their differing situations which give them their attitudes. The Morrills seem to be aware that Greta comes from the future, but they treat the subject carefully, never directly stating where she is from, just hinting at it. From they way they act, it seems as though they’ve met other members of Greta’s family before, but again, the ties between their two families (if any) are never explained, and none of them seems to want to delve too deeply into the matter. For the most part, they just seem to take the whole situation as being a natural part of life in their families and in the area where they live, something just to be enjoyed and not questioned. In fact, some of their attitudes seem to imply that they fear questioning too deeply, as if that in itself might end the magic too soon.

Although the story leaves the reasons behind the time traveling very open and unresolved (probably, other children in Greta’s family will be doing this in the future, also not really knowing why), it is really a very calm story. Not having a special mission to complete in the past leaves Greta free to simply enjoy the company of the people in the past, observing their lives without the stress of needing to solve their problems for them, and readers can similarly enjoy the ride without worrying that anything really bad will happen. You do end up being interested in what happens to some of the characters, like the woman who is in danger of losing her family’s home, but events unfold in the way Greta knows they will. She’s sad when she knows that certain people are going to die (not the woman whose home was in danger, that works out well) and there is nothing she can do about it, but it all seems to be part of the natural circle of life, something that matures Greta when she realizes it.

One of the fun things that I liked about the book were some of the unusual first names of the characters, like Retha, Eldred (Retha’s father), and Ardis (Mrs. Stanton).

Posted on by TracyC

Four Dolls

FourDolls

Four Dolls by Rumer Godden, 1983.

This is a collection of four stories about different, special dolls.  Each of the stories is from the perspective of the dolls themselves, talking about their owners and their adventures.  A common thread through all four stories is the bond between the dolls and their owners and how they make a difference in each other’s lives.

Even though the collection of stories is from 1983, each of the individual stories in the book was written separately, in different years.  You can find each of these stories as their own individual books as well as part of other collections.  I give the original years of each story next to their titles.

The pictures in the book are wonderful, some of them in black and white and some in full color.

The book is currently available online through Internet Archive.

The four dolls and stories are:

Impunity Jane (1955)

FourDollsJane

The word “impunity” basically means freedom from harm, and it’s an apt nickname for the doll Jane.  She’s a very sturdy little doll, the kind that can stand up to the rough play of children and last for a long time.  From the time when she is first bought, she stays with her original owner’s family, passed down through the generations and enjoyed by various girls in the family.  However, they mostly keep her in the family doll house and play with her in different ways.  One girl likes to sew clothes for her and another, who wants to be a teacher, gives her lessons.

There is just one problem: Jane is frequently bored.  More than anything, she wants to be a pocket doll, carried around in her owner’s pocket, seeing the world and experiencing everything.  She doesn’t get much excitement in the doll house where the girls keep her, and her latest owner doesn’t seem interested in playing with her at all.  But, unexpectedly, a boy in the family comes to her rescue, the younger cousin of her current owner.  Although most boys aren’t interested in playing with dolls, Gideon likes to use Jane as his “model”, taking her outside, carrying her around in his pocket, and giving her rides in his toys, giving Jane the adventurous life she’s always dreamed of!

At first, Gideon borrows the doll without his cousin’s permission, and Jane dreads the day that he will give her back, even though she hates to see Gideon feel guilty.  Fortunately, when Gideon does take her back, it turns out that his older cousin is getting rid of a lot of her old toys because she’ll soon be heading off to boarding school. She tells Gideon that he can have anything he wants, so he keeps Jane, who continues being Gideon’s model and good luck charm.

The Fairy Doll (1956)

FourDollsFairy

Elizabeth is the youngest of her siblings and feels like she can’t do anything right.  She’s always making mistakes and can’t even ride a bicycle.  Everyone is used to telling her what to do, and she receives a lot of criticism from teachers and parents and teasing from other children, giving her poor self-confidence.  She is clumsy and break things, she forgets things, and she is frequently punished for every little thing she does.  The more they all scold her, the more mistakes she makes, and they can’t seem to figure out why.

(It’s painfully obvious while reading it – Elizabeth’s family makes her live in a constant state of nervousness, and she’s afraid of really trying many things because they keep telling her that she can’t do anything.  Her siblings seem more outright abusive rather than simply teasing, and her parents seem clueless, not punishing the older siblings for their terrible, bullying behavior.  I think that the family is meant to seem merely impatient with Elizabeth because they forgot how much younger she is than the other children and perhaps thoughtless to the effect that they’re having on her, but it seriously looks like they’re actually gaslighting the poor kid, purposely and systematically undermining her self-confidence for their own sick amusement, even the girl’s father.  Seriously, I hated all of them (except Elizabeth, whose only real problem is being a little kid) before I was very far into the story.)

However, the Fairy Doll that has been passed down in their family seems to have a kind of magic effect on Elizabeth.  No one knows quite where the doll came from because it’s been around for so long, although they use her as a Christmas decoration every year, at the top of the tree.  Only Elizabeth’s mother and great-grandmother seem concerned about Elizabeth at all, and it is at the great-grandmother’s insistence that Elizabeth be given the Fairy Doll to play with all year, after Elizabeth accidentally breaks a crystal bowl. (Which she only did because her bratty sister Josie shoved her from behind while she was holding it. Why did the parents never notice and properly punish the little brat Josie like they should?  I’m telling you, they’re clueless and useless, and possibly gaslighting her.  It really looks like that.  The father even makes a big deal about what use it is to give Elizabeth Christmas presents like the other children when she doesn’t ride the bike he gave her. Look, she’s just a little kid, and it takes some kids longer to learn to balance than others.  What a weird, oddly vindictive father.)

The Fairy Doll seems to suggest things to Elizabeth.  When Elizabeth doesn’t quite know how to do something, the Fairy Doll gives her hints.  When Elizabeth is in danger of forgetting something, the Fairy Doll reminds her.  In other words, the Fairy Doll does what a family is supposed to do and what her family could do if they weren’t so busy bullying her. The Fairy Doll offers Elizabeth help, support, and guidance.  Elizabeth is only seven years old at the oldest in the story, and Elizabeth’s family is too busy yelling at her for doing little things wrong or not knowing things to properly teach her anything.  They say that they tried to teach her to ride a bike, but I wonder how much “teaching” actually happened and how much it was really just yelling and mocking her for not already being able to do it.  I think they also get kind of a kick out of seeing Elizabeth look bad because they think it makes themselves look better. 

(The father in the story seriously disturbed me.  What kind of father is that hateful just because a very young child has some trouble riding a bike? Also, what’s the hurry in her riding it right away? Bikes don’t come with an expiration date, so it’s still going to be there when she grows a little more and learns to balance better.  Taking a little while to learn to ride a bike is hardly a sin, but Elizabeth’s father makes it clear that he does not care about Elizabeth’s feelings at all.  She has to buy his affection by . . . learning to ride a bike?  Because only bike riders are truly worthy of love?  Elizabeth’s family is really useless and weirdly vindictive.  I still hate them.  They are that horrible, just hearing about them.)

Little by little, Elizabeth’s small successes add up, and Elizabeth slowly crawls out of her shell, becoming more confident while her nasty, bratty, horrible siblings (yeah, I’m still angry, and I wonder if the father’s favorite little darling is the little psycho Josie) marvel at how she changes.

Little by little, Elizabeth comes to realize that she can do more than she thinks she can.

The Story of Holly and Ivy (1959)

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Holly the doll doesn’t like being in the toy shop.  Abracadabra the owl frightens her, and she wishes that someone would buy her and give her to some girl as a Christmas present.

Meanwhile, Ivy is a troubled orphan who dreams of a new home with a grandmother who could take care of her.  When other children from the orphanage are taken to spend Christmas with families and Ivy is left behind, she tries to take matters into her own hands and find a family for herself.  Is there someone who could make wishes come true for both Holly and Ivy?

I worried about Ivy during this story, even though I knew that she and Holly would eventually end up together and okay.  She is lucky that she didn’t freeze to death.  Abracadabra the owl is also kind of a disturbing character, but they also get rid of him by the end of the story.  Apparently, the assistant in the toy stop doesn’t like him, either.

Candy Floss (1960)

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Candy Floss the doll belongs to Jack, who runs a carnival game, a “coconut shy,” where people try to throw balls at coconuts to knock them down and win a prize.  She enjoys living with Jack and his dog.  Jack has a special music box with a little horse on top, and Candy Floss sits on the horse while the music box plays and Jack’s dog begs nearby.  In this way, Candy Floss and the dog earn a little extra money.  When Jack is done working, he takes his dog, Cocoa, and Candy Floss the doll with him to see the rest of the carnival, and both of them enjoy it.

One day, a spoiled girl named Clementina attends their carnival.  Although Clementina is from a wealthy family, and her parents give her all sorts of things, she finds that she is frequently bored and unhappy.  When Clementina sees Candy Floss, she wants her, too, and is angry when Jack says that she can’t have her.  It’s the first time in her life that anyone has said “no” to Clementina about anything.  Clementina steals Candy Floss just to prove the point that when she wants something, she gets it.

However, Candy Floss wants to return to Jack.  She refuses to accept Clementina as her new “owner,” resists Clementina’s efforts to play with her (much to Clementina’s surprise), and finds a way to teach Clementina a lesson about greed.

In the end, Clementina not only returns Candy Floss but helps Jack to run his carnival game for awhile.  Part of Clementina’s unhappiness is caused by the fact that, even though she has many toys to play with, she doesn’t have much to do that is really meaningful to her.  She is surprised when she discovers how good it can feel to really earn something, like the coins that Jack gives her for helping him.

One of the cute things about this story is that it includes the music and words for the tune in the music box.

The book, which contains all four of these stories, is currently available online through Internet Archive.

Posted on by TracyC

Monster Manual

MonsterManual

Monster Manual by Erich Ballinger, 1989, 1994.

This book was originally written in German and then translated into English.  It’s not a story about monsters but a kind of guide to monsters and other creatures found in fantasy, horror, and science fiction books and movies.  There are articles about different types of monsters, fictional characters, and monster-related concepts that are organized in alphabetical order, like a encyclopedia.  The creatures in the book range from traditional monsters from folktales and classic literature, like vampires, mummies, dragons, ogres, and creatures from Greek mythology, to modern ones from popular fiction, as seen on this monster family tree.

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Some topics, like vampires, actually have more than one entry in the book.  There is the Vampires article, which talks about the general idea of vampires and traditional beliefs about them. Then, there are the articles about Dracula and Nosferatu, specific vampires from classic literature.  In the Nosferatu section, they tell you that the famous silent movie Nosferatu was actually based on Bram Stoker’s Dracula, just with the location and character names changed.  Unlike the suave-looking Dracula, who is not obviously a vampire at first sight, the vampire in Nosferatu was also depicted as an unearthly creature.  One thing they don’t mention is that Bram Stoker’s widow sued the studio that made Nosferatu for copyright infringement.  The studio went bankrupt, and all copies of the movie were supposed to be destroyed.  The only reason that we can see the movie now is that copies of it had already been sent overseas and preserved.  It’s now considered a classic silent film and has a cult following.

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Some articles are also activities, like the one about Drawing Monsters and the quiz to see how fearful you are.

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All throughout the book, there are also segments of a comic strip at the bottoms of various pages in which a monster tries to frighten a young girl, who is unimpressed.  By the end of the comic strip, the girl and the monster become friends.

The book is available to borrow and read for free online through Internet Archive.

Posted on by TracyC · 1 Comment

The Dreadful Future of Blossom Culp

DreadfulFutureBlossomCulpThe Dreadful Future of Blossom Culp by Richard Peck, 1983.

This book is part of the Blossom Culp Series.

It’s 1914, and Blossom Culp is just starting high school. Although the principal of her old school tells her that this is a chance for her to make a fresh start, it looks like Blossom’s future is going to be very much a continuation of her immediate past.  In high school, she’s still a social outcast, looked down on by girls from better-off families, like Letty, the class president.  Also, despite her principal’s assertion that Blossom’s previous forays into the occult were imaginary, the product of the mental confusion that accompanies puberty, and that she is bound to grow out of them, Blossom knows that her psychic abilities are a natural gift and will not be ignored.

Blossom begins high school friendless because Alexander Armsworth has been ignoring her lately because of his important new position as class vice-president, his infatuation with Letty, and his friendship with a couple of local hooligans, Bub and Champ. Alexander is looking forward to his role in planning the school’s Halloween Festival, telling Blossom that he’s over their earlier, childish occult escapades and the Halloween pranks he used to pull.  Meanwhile, all of the other girls in school are infatuated with their handsome history teacher, Mr. Lacy, and so is the girls’ gym teacher, much to Blossom’s disgust.  Blossom thinks that Mr. Lacy is full of himself and denies that she has any such silly crush on Alexander.

Blossom makes an unexpected friend in a girl called Daisy-Rae, a girl from the country who has brought her younger brother into town to attend school and hoped to get an education herself but has been too afraid of the big town to actually attend classes.  Daisy-Rae hides in the school during the day and lives alone with her brother at night in the old chicken coop at the abandoned Leverette house.  It is through Daisy-Rae that she learns that Alexander and his friends aren’t so above childish pranks as they claim to be.  Blossom also discovers that Mr. Lacy has been romancing her old principal.  Mr. Lacy isn’t quite what he appears to be and has some unsavory secrets in his past.

Matters come to a head when Alexander (at Letty’s urging) tries to persuade Blossom to dress up and become the fortune teller for the haunted house that the freshmen class is doing for the Halloween Festival.  The haunted house is also a fundraiser, and Letty figures that they can get extra money from people if they’re willing to pay to have their fortunes told, and who would be better for the job than Blossom?  However, Blossom isn’t one to go out of her way to please others, especially Letty, and it turns out that they’re holding the haunted house in the Old Leverette place.  For some reason, that old house makes Blossom’s mother uneasy.  She seems to think that it’s haunted, but in an unusual way.  Blossom tells Alexander that she will not agree to be their fortune teller until he agrees to check out the house with her before Halloween and find out what’s wrong with it.  She figures that, since both of them are psychic, they can learn what’s so unusual.

As Blossom learns, her abilities don’t confine themselves to the past and people who have died but extend to the future and the people who haven’t yet been born.  Inside the Old Leverette house, Blossom suddenly finds herself entering the distant future, the 1980s.  In the 1980s, the Leverette house is once again lived in, and Blossom meets a boy named Jeremy who is a lonely social outcast, like herself.  Jeremy is a computer nerd, living with his divorced mother.  He takes Blossom on a tour of their town as it is in Blossom’s future, much larger than it used to be and with many familiar landmarks missing.  However, what Blossom sees in the future gives her the inspiration she needs to solve her problems in the past and hope that things will improve.  In return, she also proves to Jeremy that he is far from alone and has had a friend for longer than he ever imagined.

The time travel to the 1980s comes off as being a little corny (or so it seemed to me), but the writing quality of the book is excellent.  The author has an entertaining turn of phrase, and the book, like others in the series, is humorous and a lot of fun to read.

Besides being a kind of fantasy story, there are some interesting tidbits of history in the book, showing how people lived in the 1910s.  Blossom explains about the things she and her classmates did at school, like wearing beanies on their heads to show which year they were (freshmen, future graduating class of 1918).  At one point in the story, Blossom takes Daisy-Rae and her brother to their first movie, a silent film with an episode of The Perils of Pauline serial.  While Blossom worries about the future, readers can get a glimpse of the past!

As for what Blossom learns about her own future, she avoids finding out too much because she’d rather not know the details.  However, there are implications that she and Alexander may eventually marry and live in his family’s old house.

The book is currently available online through Internet Archive.

Posted on by TracyC

Heckedy Peg

HeckedyPeg

Heckedy Peg by Audrey Wood, 1987.

A mother leaves her seven children, all named after days of the week, alone at home while she goes to the market.  Before she leaves, each of the children asks her for something special, and the mother warns them not to let strangers in or touch the fire.

However, while she is gone, a witch, Heckedy Peg, comes to the house and asks the children to light her pipe for her, offering them a sack of gold in return.  At the sight of the gold, the children let her in, and she turns each of the children into a different kind of food, which she takes back to her hut in the woods.

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When the mother returns home and discovers that the witch has taken her children, she goes into the woods to get them back.  Heckedy Peg says that the mother can reclaim her children if she can determine which type of food on her table is which child.  At first, the mother doesn’t know what to do, but then she realizes that the things her children wanted from the market are the clues to determine their identities.

The book is currently available online through Internet Archive.

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My Reaction

The pictures in the book are wonderful, but the most interesting part for me is in the note on the back, which explains that the story is based on a 16th century game that children still play which involves guessing the identities of children within a certain category of things.

I wouldn’t recommend the book for very young children because the way the children in the story were turned into food might be frightening.  Also, when the mother goes to the witch’s hut the witch refuses to let her in until she cuts off her feet, which she only pretends to do, but the idea is a little disturbing.  The part about cutting off the feet is a reference to part of the original game.

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