The Rover Boys at School

The Rover Boys

The Rover Boys at School by Arthur M. Winfield (aka Edward Stratemeyer), 1899.

The three Rover boys, Richard, Thomas, and Samuel (called Dick, Tom, and Sam), live with their aunt and uncle in the country, but they learn that they are going to be sent to boarding school. The boys have been restless on the farm because they used to live in the city.

The boys’ father, Anderson Rover, is a mineral expert and made his fortune in mining. The family had lived in New York, so the boys are accustomed to city life. The boys’ mother died of a fever when they were young. After his wife’s death, the boys’ father traveled restlessly because of his grief, leaving the boys at boarding school in New York. Then, he had the notion to go to Africa and left the boys with their Uncle Randolph. The boys and their uncle haven’t heard from him since, and they worry that something has happened to him.

When the boys first arrived at the farm, they enjoyed the outdoor life of the country, but there isn’t much variety to the activities, and the boys start getting to trouble when they get bored. Their Uncle Randolph spends all of his time in studying scientific farming, and he can’t understand why the boys can’t take an interest in the subject or at least give him some peace and quiet for his work. The boys aren’t too impressed because, so far, their uncle doesn’t seem too successful at it. Richard (Dick) is the oldest of the three boys and is often quiet and studious, so he gets along better with Uncle Randolph than the others. He is 16 at the beginning of the series. Thomas (Tom) is fun-loving, likes to play pranks, and is 15 years old. His pranks are part of the reason why the boys are driving their uncle and aunt and their cook crazy. Samuel (Sam) is 14 years old and athletic.

Uncle Randolph doesn’t know much about kids or young people, so boarding school seems like the ideal solution. The boys’ aunt and uncle think that the boys need some discipline. They do, but the boys are also looking forward to seeing something of the world and having some adventures, so the prospect of going to boarding school sounds exciting to them. They’ve been to boarding school before, but they think it would be exciting to go to a military academy.

Before the boys leave the farm, Dick is attacked by a tramp, who steals his watch and pocketbook (wallet). The boys chase him and get the wallet back, but Tom almost drowns and Sam is almost swept over a waterfall while they try to pursue the tramp, who escapes in a boat with the watch. The boys are sad about the loss of the watch, which belonged to their father.

Tom gets a letter from his friend, Larry Colby, to say that he’s going to be attending the Putnam Hall Military Academy soon, and Larry’s father has recommended the school to the boys’ uncle. Uncle Randolph says that he’s decided to take the suggestion. The boys think it sounds exciting, and they’re glad that they’ll be going to school with someone they know. Uncle Randolph says that the headmaster of the school, Captain Victor Putnam, is a former military man who has a reputation for being kind to his students but strict on discipline, so it sounds like what the boys need.

Later in the story, they explain that Captain Putnam is a graduate of West Point and that he used to serve under Major General Custer, helping to put down Indian uprisings (Native American) until he was injured in a fall from his horse. For this book’s original audience of boys living in the late 19th century, this probably would have sounded exciting and noble, but not to people from the early 21st century. However Captain Putnam would have looked at it, quelling Native American uprisings would be essentially admitting to being part of their oppression because they weren’t uprising for nothing, and that fall from his horse is probably the only reason why he would even still be alive at the time of this story, given what eventually happened to Major General Custer. Because Custer had been a Civil War hero, people were shocked and saddened by his sudden and violent death. As with many people who die young, they romanticized his past and exaggerated his story, turning him into a legend for young people to live up to. Eventually, the romanticism wore off, and the reality stayed (he was the bottom of his class at West Point, not a student parents would really want their kids to emulate, and there were darker sides to his life and personality than most people in the 1800s would have known and which wouldn’t be appropriate talk for children), which is why his modern legacy isn’t as great as people a hundred years or more ago would have thought. Captain Putnam doesn’t look as exciting and heroic as advertised by association, but it’s enough to know that the Rover boys would have thought that it sounded impressive because of what their elders would have told them and so would their earliest readers, for similar reasons.

Before the boys leave for school on the train, Tom plays one last trick on the unpleasant station master by throwing a firecracker into some trash that the station master was burning, setting the mood for the boys’ eventual arrival at school.

After the train ride, the boy have to continue part way by boat. On the boat, they meet three pretty girls (how fortuitous) and a bully who also goes to their new school, Dan Baxter. The bully is harassing the girls by continuing to try to talk to them when they want him to leave them alone. Dan doesn’t say anything shocking to the girls, it’s more that he’s off-putting because he’s rather pushy and full of himself and can’t read a room to see that he’s making the girls uncomfortable because of the way he talks. It’s awkward. The Rover boys step in and try to get Dan to leave the girls alone, making an enemy of Dan. The girls (Dora Stanhope and her two cousins, Grace and Nellie Laning, who belong to prosperous farming families in the area) are grateful for the intervention and think that the Rover boys are better behaved than Dan is. The boys talk to the girls about their new school and learn that they don’t live far from the school, although they don’t mix with the students there much because the students at Putnam Hall don’t leave the campus very often. The boys hope that they’ll have the chance to see the girls again while they’re at Putnam Hall. (You know they will.)

Tom’s Putnam Hall experience starts off with a bang … literally. As the boys arrive at the school, Tom decides to give the other students a “salute” by scaring them with another of his firecrackers. That’s when Tom gets his first taste of military discipline from the Head Assistant Josiah Crabtree, the second in command at the school and the strictest disciplinarian in the place. Most of the school would have given the prank a pass, especially from a new boy, but Josiah Crabtree takes exception to Tom’s attitude and doesn’t accept his excuse that he doesn’t need to answer to Crabtree because he has only just arrived at the school, isn’t an official student yet, and shouldn’t be subject to the school’s rules. (Tom may have thought that military school would be exciting, but it’s pretty clear that he doesn’t have the first clue what military discipline is about.) Crabtree marches Tom off and locks him in the guard room to wait for Captain Putnam to return to the school and administer his discipline. This is actually in Tom’s favor because Captain Putnam understands that his students are still boys, and therefore, he isn’t as strict with them as he would be full adult soldiers.

Josiah Crabtree’s ultra-strictness has caused him to be not well-liked by other students at the school. When he and Tom discuss Tom’s prank while waiting for Captain Putnam, Tom continues to argue the point that he is not yet a student at the school and that Crabtree has no right to lock him up like he has. Tom tells him that he wants to be released to stay at the hotel in town so he can contact his guardian because he may not wish to join this school after all, threatening to tell his uncle of his mistreatment. Crabtree is correct that setting off a fire cracker to scare people isn’t the best way to start off on the right foot with the faculty (I wouldn’t have liked it if someone did it to me, and this is a school where people learn to fire real guns, so you can’t have people who treat firearms and explosives like toys), but Tom’s point that immediate imprisonment before he’s even really joined the school and been notified of the school’s rules is a valid criticism, and he is not so committed to the school at this point that he can’t leave if he wants to. If Tom makes false imprisonment a public issue, it would damage the reputation of the school. That threat is worrying to Crabtree, who knows that he has already rubbed others the wrong way and made a few enemies of his own.

Tom runs away from Crabtree and hides in the forest outside the school. He plans to walk into town, but along the way, he spots a campfire. He listens in on the conversation of the men sitting by the campfire. He discovers that one of them is the tramp who stole their father’s watch before, and he listens to the men discussing some clandestine “mining deal.” When they catch Tom spying on them, Tom confronts the man called Buddy about stealing his father’s watch. Buddy and his friend deny it, and Tom fights with them before running away and getting help at the Laning farm, where he meets Grace and Nellie again and the family gives him a room for the night. When he explains his story to the family, he learns that Josiah Crabtree has been courting Dora Stanhope’s widowed mother because she owns a sizeable farm and has money from her first marriage.

In the morning, Tom returns to the school and makes his case to Captain Putnam, arguing as he did the night before that he had not yet officially joined the school before Josiah Crabtree imprisoned him and confiscated and searched his luggage. Captain Putnam makes it clear to Tom that certain things, like fire crackers, are forbidden at the school, and he will have to accept that if he’s serious about being a student there. Tom asks what the point is of him joining the school if he’s going to have marks against him before he’s even had a chance to properly start, and Captain Putnam says that if Tom still wants to join, he’s willing to let bygones be bygones and let him start school with a clean slate. Captain Putnam sees Tom as intelligent and spirited even though he’s undisciplined, and is willing to give him a chance. Tom accepts and joins the school, although Crabtree is still annoyed at Tom getting away with his prank and running away the previous night. When Tom rejoins his brothers, he tells them about seeing the thief who stole the watch, and they discuss how awful it would be for Dora if the martinet Crabtree became her stepfather.

Because The Rover Boys is an early Stratemeyer Syndicate series, there is more adventure and the general friendships and rivalries of life at a boarding school than there is mystery. The boys and their friends get used to the routines, rules, and drills of military school, getting into fights with the bullies, playing sports, and pulling stunts with their friends. However, there are villains in the story with secrets for the boys to learn. Josiah Crabtree hasn’t been honest with Dora Stanhope’s mother, trying to use pressure to get her to marry him so he can use her money and property for his purposes … including money and property entailed for Dora under her late father’s will. Crabtree claims to have money of his own, bur shows no evidence of it. Although, who has been giving the bully, Dan Baxter, large sums of money and for what purpose? What about the watch thief and his friend? Why do they keep hanging around?

By the end of the book … not too much is resolved, compelling readers to continue on to the next book in the series to find out what happens.

This book and others in the series are now public domain and are easily available online in various formats through Project Gutenberg and Internet Archive (including audiobook).

My Reaction

I never read any of this series of books when I was a kid, but having grown up with other Stratemeyer Syndicate books, like Nancy Drew, Hardy Boys, and the Bobbsey Twins, I was curious about this first series produced by the Syndicate. I picked several of the books to get a feel for the series, and I had several reactions. First, the Rover Boys, like other early Stratemeyer Syndicate series, is almost but not quite a mystery series. It has some elements of suspense, but the little mysteries and secrets of the villains in the story come secondary to physical adventures and the drama of boarding school life for much of the book. In fact, the action kind of breaks for stories about football and baseball games the boys play at school, which don’t really have anything to do with the villains’ plots and are just part of school life. Although, the bully Dan Baxter loses favor with other boys at school when they discover that he actually placed a bet against the school’s own football team before a game, which seems pretty disloyal. I also suspected at first that at least some of the villains’ threads would be connected, but really, they have very little to do with each other, which was disappointing.

Stratemeyer Syndicate books have a pattern of ending chapters on cliffhangers in order to keep kids reading to find out what happens, which begins to show in this book, and often, the mystery/suspense elements in early stories help to set up these cliffhangers while the plot is more about the characters’ lives. Personally, I prefer stories that are more definitely mysteries, where the characters are making active efforts to solve problems and discover the villains’ secrets instead of just randomly stumbling on information. This particular story kind of annoyed me because the entire book ends on a cliffhanger. In fact, the only problem/mystery that gets resolved in the story is that Dick eventually gets his watch back. The other villains are still hanging around. At the end of the book, Crabtree is still hanging around, in spite of multiple interventions, trying to get Dora’ mother to marry him and turn over Dora’s inheritance from her father. The bully, Dan Baxter, left the school, but is apparently hanging around with Crabtree. It also turns out that Baxter’s father is secretly an old enemy of the Rover boys’ father and thinks that Anderson Rover cheated him out a mine years ago and still has the paperwork to prove it, possibly carrying it with him to Africa, for some reason. The Rover boys’ father is also still presumably lost somewhere in Africa, doing who-knows-what there. All of these problems are left hanging, apparently to be resolved in later books with other problems probably being added along the way. The only thing that I felt really certain about at the end of the book is that Dick is probably going to marry Dora in the future because he is already trying to be her protector, and his brothers will probably marry her convenient cousins, Grace and Nellie, in some order.

Second, I was bracing myself throughout the story to watch for its use of racial language. One thing to watch with old Stratemeyer Syndicate books is racist language and attitudes. In the 1950s and 1960s, with the beginning of the Civil Rights Movement, the Syndicate revised and updated its different series. They changed and removed outdated language, including racial terms, and also updated references to culture and technology. The version of this particular book that I used for my review is the old public domain version. I already talked about Captain Putnam’s service with Major General Custer and how people at the time would have felt about that compared to modern people, but there is also a black man called Alexander who works at Putnam Hall. He doesn’t have a very big role in the story, but I wanted to talk about him because of the way the book describes him. The book describes him using the words “colored” and “Negro”, which are outdated now although acceptable for the time period (that’s why they’re part of the names of the National Association for the Advancement of Colored People (NAACP), which was founded in 1909, and the United Negro College Fund, founded in 1944). However, during the Civil Rights Movement, people wanted to distance themselves from terms that were used during periods of high discrimination, so they began shifting to the use of “African American” as the specific term and “black” as the generic. This is the sort of language update that the Stratemeyer Syndicate books received in later reprintings.

Later in the book, one of the boys’ friends jokingly imitates a “Negro minstrel” in an old minstrel show (an entertainment people of this time would have been familiar with which included caricatured characters of black people), saying “That’s the conundrum, Brudder Bones. I’se gib it up, sah!” (“Brudder Bones” was a stock character in one of those shows, although I don’t know much about it because I’ve never seen a real minstrel show. I think there was a similar reference to the name “Bones” as a minstrel show character in the book Cheaper by the Dozen as well.) This is another cultural element that would be removed from later Stratemeyer Syndicate books and that also appeared in other older children’s books that were written prior to the Civil Rights Movement, including at least one of the Little House on the Prairie books. These references get a bad reaction in modern times because this type of caricature is a mean style of humor that probably wouldn’t have lasted very long against anybody who had the authority to complain about it at the height of its popularity. To put it another way, it’s the kind of humor where someone is definitely being laughed “at”, not “with,” and some even included songs with descriptions of horrifically violent things happening to black people masked as comedy. If you’ve never seen this kind of reference to minstrel shows before, you are not missing anything for having grown up without it. There’s nothing inherently funny in the friend’s little joke, and it wouldn’t mean anything to anybody who didn’t know what the reference referred to. It seems to be one of those things that only becomes amusing when someone recognizes the source of the reference, and as I said, I’m not even sure exactly who “Bones” was supposed to be, other than some kind of stock character. I vaguely know what the reference is from, but not enough to connect with it in the way the original audience might have, and anyone younger than I am probably wouldn’t recognize even that much. I don’t want to put undue emphasis on this line in the book because it was only one line, and the Rover boys weren’t really into it either because they were worried about a problem they had at the time that wasn’t really funny, but I thought that I should explain the background of this comment and point it out as another reason why the Stratemeyer Syndicate books needed revising.

When referring to their father, who is still missing in Africa, the boys also worry that maybe he was killed or taken prisoner by “savage” tribes. “Tribes” in many children’s books of this period are described as “savage.” The exact location their father was trying to reach is not specified, just somewhere in Africa where there is a jungle, although a later book in the series has more about it.

Some general old slang in this book really dates it, like the use of the word “fellows” instead of “guys” and the word “peach” for “tattle” or “tell on” someone. Even later Stratemeyer Syndicate series, like the Hardy Boys, use language that would sound dated to modern people, like the word “chums” for “friends.” These old slang terms were also changed and removed from later reprintings.

There were also some features of this story that took me by surprise. Pranks and stunts are regular features of boarding school stories, but I was surprised at some of the roughness of the boys at the school as well as some of the punishments. At one point, the boys realize that Crabtree has pushed Dora’s mother to marry him, and they’re on their way to town to get married immediately. The Rover boys tell their friends and get them to swarm the carriage, pretending that it’s part of a game they’re playing, trying to delay or disrupt their trip to town and their wedding plans. The boys cause an accident with the carriage that causes Mrs. Stanhope to get a broken arm and a cracked rib. They’re lucky nobody broke their neck. It’s a pretty violent way to interfere, even though they’re trying to save Mrs. Stanhope and Dora from Crabtree’s machinations.

One thing I did enjoy was the description of the game of Hare and Hounds (also called Paper Chase) that came right before the carriage scene. I’d never heard of the game before, but apparently, it’s been a popular game in British schools for centuries. Probably, the reason I’ve never seen it played is because the playgrounds and yards of the schools I attended wouldn’t have been large enough to make a really good game. One person plays the role of the “hare” and is given a head start, leaving a trail of bits of paper behind him as he goes. The other players are the “hounds”, and they try to find the hare by following the trail of paper bits, like they were hounds following a scent. The object of the game is for them to catch the hare before he reaches a designated finishing point. At a school where you can see pretty much the entire playground and everyone on it at once, there wouldn’t be any point in following a trail or any real challenge to the game, but it sounds like an interesting game to play if you can find a large enough space for it.

The Well-Wishers

The Well-Wishers by Edward Eager, 1960.

This book starts up after the events in the previous book in the series, Magic or Not?, but one of the interesting features of this book is that each of the characters takes a turn in telling the story from the first person. As with the previous story, it’s ambiguous about whether or not there’s any magic involved, although the story implies that there is. In the previous book, the characters came to believe that an old well on the Martins’ property was a magic wishing well, leading them and their friends on a series of adventures over the summer. At the end of the summer, they were still uncertain about whether the well was really magic or if their adventures were just coincidence and maybe some playacting on the part of the adults around them. In this book, they investigate the well more, starting the process of making wishes again, partly because they’re bored and need some excitement, but also to find out whether the well really is magical or not.

When I give my opinion of this story, I’m going to do much o it within the summary itself because there are things that I really need to address within each section of the story. In particular, there are some historical circumstances that I need to explain.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

The Story

James Martin begins the story in this book, starting by saying that he and his twin sister Laura normally can’t stand books told from the first person because they often contain characters lamenting “If only I had known …” or “If only I had” done this or that, and they think that the characters sound dumb for not thinking ahead more, realizing the significance of things happening when the reader can, and not taking appropriate actions like a real person would. However, they’ve decided that it’s okay to tell their story in the first person because they do realize the significance of things as they happened to them, and it’s Laura’s idea that each of their friends should tell their part of the story themselves because they all experienced what happened in a different way.

James Begins

James explains that he and his sister are in the same class at school, the one for more advanced students, along with their friends Kip and Lydia. Their other friend, Gordy, is in a different class at the same school because he’s a slower learner. It wasn’t easy for them to start being friends with Gordy in the previous book, but since then, they’ve tried to be especially nice to him … to varying degrees. (They don’t seem very nice to me.) Sometimes, they say that they still have to be firm with him on some things. In the previous book, he was a bit of a troublemaker because he is often thoughtless about his actions and has some rough tendencies. He comes from a wealthy family, and his mother is a fussy queen bee type, which has caused some awkwardness hanging out with him, which continues into this book.

In the previous book, James and Lydia moved to a smaller town from New York City, and they discovered that their new house has an old well on the property that the girl living nearby, Lydia, told them was a magic wishing well. James never believed that it was, but Laura did, and even James had to admit that the “wishing well” did give them and others things that they were wishing for. Or, at least, they got what they wanted in meaningful ways. It’s still questionable whether it was because of the well or not.

Since their previous adventures, the kids have settled back into ordinary life. They’re all getting used to their new school, and Kip and James try out for the football team. However, the kids soon start to feel that life is getting dull. The four main friends who are all in the same class start getting in the habit of leaving Gordy out of some of their activities, partly because he’s in a different class and partly because it gives them an element of secrecy that they feel like they’ve lacked since their previous adventures. They still do some things with Gordy and let him join them when he comes looking for him. Gordy isn’t the kind of guy to hold grudges, and that makes the others feel guilty about the times when they leave him out, which perversely makes them leave him out more because having him around reminds them that they feel guilty for excluding him earlier. James acknowledges that none of this is right or fair but says that it’s just a part of human nature and can’t be helped. He also says that they all genuinely like Gordy, but he often seems a bit childish, and there’s “something about him that makes people want to pick on him.”

(I genuinely hate people who have this attitude about taking advantage of others just because there’s “something” about them that just makes them want to, like it’s not self-entitled to feel and act that way. Besides, I know exactly what this “something” is, and that’s Gordy’s niceness. Other people might yell or complain at someone who’s being mean to them and tell them right to their face that they’re being a jerk, which can help put a quick end to their jerkiness or at least cause them to dump it on some other poor person instead. Unfortunately, the buck tends to stop with Gordy because he doesn’t lose his temper, doesn’t complain, and doesn’t tell others off when he should, and they’re the type who won’t change until someone does tell them off. They take advantage of Gordy’s niceness because he doesn’t stop them from taking advantage, and deep down, they know that’s what’s happening. That’s why they feel guilty, but not enough to stop what they’re doing. This really annoys me because it seems like they’re almost blaming Gordy for not stopping them from being mean to him, but yet, they totally know what they’re doing and could just stop it themselves. If you don’t like or respect what you’re doing, whose fault is that? You could just decide to do something different anytime you want. I found them annoying when they acted like this in the last book, and I thought that they’d learned something by the end of that story, but I guess not. It’s annoying when characters don’t seem to learn anything, especially when they’ve just been mocking characters in other books for being slow on the uptake. I also don’t like it when this type of character is one of the main characters in a story because, as readers, we’re expected to identify and sympathize with the main characters of a story, and in this case, I don’t want to do either. They’re just getting on my nerves at this point, and we’re not very far into the story. Fortunately, this does get better.)

One day, when the kids are sitting around on the porch of the cottage that they use as their clubhouse without Gordy, talking about how Halloween is coming but nothing feels exciting since their adventures with the wishing well, they start to consider wishing on the well again. They’ve thought of doing this before, but they hesitate to do it because they’re afraid of using up the “magic” (even though James claims he doesn’t really believe in it) or cause the well to become angry with them for making frivolous wishes. They decide to swear an oath to each other in blood not to wish on the well until the well gives them a sign that it’s time, although they don’t know what kind of sign they’re expecting. However, Gordy does not swear the oath because they left him out.

When Gordy comes along, he’s giving a piggyback ride to Deborah, James and Laura’s younger sister. Gordy is always nice to little Deborah and enjoys indulging her in small ways. Gordy’s niceness and the way Deborah gushes about it make the rest of them feel uncomfortable. (Enough to change your behavior and quit being such jerks about this? Hmm?) Then, Deborah happily tells the older kids that Gordy has “fixed the well” so it will give them “magic wishes all the time.” Laura, who is particularly protective of the well, demands to know how he “fixed” it, and Deborah says that he put a wish down the well, writing it down on her spelling paper, which had a gold star on it. When they ask Gordy what his wish said, he says that he wrote, “Get going, or else. This means you.” (That doesn’t sound like a “wish” so much as a threat. Admittedly, this heavy-handedness about Gordy is off-putting. I wouldn’t have blamed the others as much for avoiding him sometimes if that was their main motivation, but it’s not, so I still blame them.)

Laura is angry about that tasteless threat, feeling like it’s going to ruin everything. However, James reminds her that Gordy didn’t know about the oath that they’d just taken together and that he only did it to please Deborah. Besides, they’ve all also been more rude to the well in the past than Gordy was. However, Laura completely loses her temper, saying that the well and the magic belongs to them and not to Gordy. She tells him right to his face that he’s a pest, they never wanted him around, and he should just go home. James and Kip redeem themselves to me at this point by standing up for Gordy against Laura. The boys acknowledge that, although they’ve fought before, sometimes physically, Gordy isn’t a bad guy and doesn’t deserve this treatment. Gordy apologizes, saying he’s sorry if he’s caused trouble, but he felt like someone should do something, Deborah wanted him to, and nobody else seemed willing to do it.

(I liked the part where James says, “Stick and stones may break your bones, but names and plain truths and meanness can go much deeper and cut you to the quick.” I like that because I never approved of the usual saying that words can’t hurt you. Yes, they do. They’re often meant to. That’s the whole reason why people say mean things in the first place, to hurt or embarrass someone else in order to relieve their own feelings or settle a score which may or may not really exist outside of their own minds, and it’s just gaslighting to pretend otherwise. It’s just something that teachers and parents say when they want to ignore a situation instead of dealing with it or confronting someone else’s uncomfortable emotions directly.)

Laura goes into the clubhouse, upset, but Gordy and the others follow her inside. Gordy simply and directly tells her that he’s sorry, and if he did something wrong, it’s because he didn’t know better. James can tell that Laura really feels worse about her own behavior than about Gordy’s. She also apologizes, saying that the “magic” can’t be good if it makes her say mean things like that, and she doesn’t really mean what she said. (Nothing “made” you be mean but you, Laura. That’s just honest. It came from you, and that’s why you’re angry with yourself. Deep down, you know it. Now, learn to help it, so I can stop feeling like I need to explain it. Nobody can change your behavior but you. I do appreciate that the kids are now speaking more honestly and trying to work things out, though.)

James clarifies the situation for Gordy, who isn’t into reading fantasy stories like the other kids are. In fantasy stories, magic always operates by certain rules. If you break the rules, something bad might happen, and if it does, it would be his fault. To her credit, Laura says that if something bad does happen, they’ll all be in it together, but if the adventure goes well, Gordy should be the one in charge of it because he’s the one who started it. It pains Laura to admit that because the truth is that she had really wanted to be the one to make the wish herself, and that’s what’s really behind her temper tantrum. Gordy offers Laura the opportunity to be in charge, if she wants, but everyone agrees that it should be Gordy because it’s only right and in keeping with the “magic.” Gordy isn’t quite sure what being in charge means in this type of adventure, but the others say that they’ll be with him through the whole thing.

At that moment, somebody knocks on the door of their clubhouse, which never usually happens. The kids take that as a sign that the wishing well’s magic is starting, and they tell Gordy that he’d better answer the door as the leader of this adventure. The perspective of the story shifts to Gordy at this point.

Gordy’s Story

I actually enjoyed hearing Gordy’s perspective more than James’s. I hadn’t expected that at first because Gordy can be kind of rough and thoughtless, but he’s deeper than he lets on. Part of his difficulty is that he’s actually a very shy and nervous person, and that’s why he sometimes says dumb and awkward things; he just blurts things out from time to time because he’s nervous. Yeah, I’ve been there, too, kid. He’s worried about his friends seeing how scared he often is inside because he thinks that they won’t like him if they knew. His loud and rough manners are a cover for his shyness and nervousness. It pains him sometimes that he says or does things he shouldn’t, but he’s fully aware of what he’s doing and why. Like the others when they’re rude or mean to him, he can’t seem to stop himself. (There’s a lot of that going around.) He’s brighter than he pretends, and he knows that Laura lied to him earlier about having a dentist appointment so that the others could hang out without him. Even though he hasn’t confronted the others about that, he is hurt that they do these things and make him feel left out, and that’s part of what inspired him to make the wish on the wishing well. Even though they aren’t always as nice to him as they should be, he thinks they’re fun to be with, and he admires them for knowing what to do in different circumstances.

Gordy is nervous when he goes to answer the door of the clubhouse, not knowing who or what to expect. When Deborah sees who’s at the door, she screams, “Witches!” It’s a little old lady in a black cloak. She has gnarled hands and straggly white hair, and she does look kind of like a witch. For some reason, she’s also holding a bunch of branches and plant stalks. Gordy says the only thing he can think of, which is, “How do you do?”

It turns out that the old lady wants directions to Hopeful Hill. Gordy takes that as a bad sign because Hopeful Hill is a mental hospital. As Gordy describes it, it’s “a place where unhappy people come for the experts to make them hopeful again.” People from this mental hospital often walk up and down the road nearby for exercise, and mean kids from the area sometimes yell insults at them, calling them “loonies.” Gordy privately admits that he used to do that, too, when he was younger, but he’s ashamed of it now, and he hopes that his friends never find out about that, either.

Since Gordy knows that the wishing well magic is supposed to be based around doing good deeds, and he’s supposed to be the leader on this, he offers to show the little old lady the way to Hopeful Hill. As he walks with the lady, the others follow a little way behind them, which makes Gordy feel better. All the way, the woman creepily mumbles strange words to herself. Gordy isn’t sure whether she’s speaking in a different language that he doesn’t recognize, whether she’s a witch who’s casting spells, or whether she’s just a crazy person who’s mumbling gibberish. However, as he calms down a little, he starts to recognize what the woman is saying as the names of different plants. Relieved, Gordy starts talking to her about plants, and he starts liking her. Feeling a little bad that the lady would have mental problems, he politely asks her if she’d like to talk about her problems. However, the lady laughs and tells him that she’s not a patient. She’s one of psychologists. She’s also an amateur naturalist, and she likes to teach her patients about plants and birds. Gordy actually likes bird watching, but he doesn’t like to talk about it to other kids because he’s been teased about it before.

By the time they’ve arrived at Hopeful Hill, Gordy and the psychologist have become friends, bonding over their love of birds and nature. Before they part ways, the psychologist mentions that she has a patient named Sylvia who could use some help and maybe Gordy could be the person to help her. Sylvia is a little girl who recently lost both of her parents in an accident and has been having difficulty coping with the shock of it. Gordy understands, remembering how he felt when his father died. The psychologist thinks that maybe Sylvia needs other children to talk to, and she asks Gordy if he would be willing to talk to Sylvia. Gordy is often nervous talking to people, but he agrees to try.

There is an interlude in Gordy’s story where Laura explains how she and the others are still following behind Gordy and the old lady, still worrying about the old lady being a witch and what she’s going to do with Gordy. When he goes into the asylum with her, they’re still able to see them through a window, and they watch as the old lady introduces him to a pretty girl with blonde hair. Because they don’t know who Sylvia is and why Gordy is there, they think maybe the girl is under a spell.

Meanwhile, Gordy is surprised at what the asylum looks like on the inside. It sort of reminds him of a hotel. He meets Sylvia’s aunt, who is now her guardian and is an unsympathetic person. The psychologist, whose name is Doctor Emma Lovely, introduces Gordy to Sylvia. Sylvia is younger than Gordy (a sixth-grader) but older than Deborah (a first-grader). Gordy estimates that she would be in the third grade. At first, Gordy doesn’t know what to say to Sylvia, so he tells a dumb joke. He knows it’s a dumb joke, but it always makes him laugh, and it makes Sylvia laugh, too. The aunt is worried that Sylvia is becoming too excited, but Doctor Lovely says to let the children talk. Gordy later finds out that, up to this point, Sylvia had not spoken aloud for weeks, but she can’t resist asking him what “the third” at the end of his name means. Gordy explains that he was named after his father and grandfather, which is why he’s the third person to have that name. He tells her that his father is dead, too. He isn’t sure if he should say that, but he thinks it might be good for her to know that she’s not the only person who lose a parent. Then, he tells her a little more about his life, how he lives down the road, and what his friends are like. When it’s time for Gordy to go home, Sylvia doesn’t want him to leave, but Gordy says he has to go but maybe he can come back. Doctor Lovely says that she’d like him to come back.

It seems like their first good deed has gone well, and the kids go back to Gordy’s house for supper and to talk about what they should do next. However, while they’re talking, Sylvia suddenly shows up. She slipped away from the asylum and came to see Gordy because he mentioned to her where he lives. The kids invite her inside, although they’re concerned about what to do with her because she’s a runaway. Lydia’s impulse is to keep her, but James realizes that they’d have to make some special arrangements to do that. They consider keeping her at one of their houses, but they either don’t have the room or don’t think that their parents would let them. Gordy and his mother have the most money and space, and he’d like to have Sylvia stay there, but his mother is absorbed in all of her social activities and committees, and he doesn’t think that she’d have time or interest in Sylvia. (They also have a cottage that they use as a clubhouse, and I expected that they would consider keeping her there, but they don’t.) They end up calling Doctor Lovely and letting her take Sylvia back to Hopeful Hill, but Gordy doesn’t feel good about it because he doesn’t think Sylvia can really get better there.

The next day at school, Gordy is distracted, worrying about Sylvia, and does poorly in class. His teacher, Miss Wilson, keeps him after school to ask him why he’s been so distracted all day, so he explains the entire situation to her. Miss Wilson is moved by Sylvia’s story, so she gives Gordy a ride to Hopeful Hill, stopping by her house on the way to pick something up. When they get to the asylum, Miss Wilson gives Sylvia the box she got from her house, which contains a beautiful doll that Miss Wilson used to play with when she was young. Sylvia loves the present, and Miss Wilson invites her to come see her other dolls and dollhouses sometime.

While Sylvia plays with the doll, Gordy listens to Miss Wilson talking to Doctor Lovely, offering to take Sylvia. Miss Wilson has been teaching for many years and loves children. She’s wanted a child of her own, although she’s never had one, and she has the time to care for Sylvia because she works at a school, and her working hours would mean that she would only work when Sylvia herself is in class. Doctor Lovely says that could be arranged, if Sylvia is willing, and Sylvia agrees that she would like to stay with Miss Wilson for awhile and see if she likes it with her. (Sylvia’s aunt isn’t really discussed much, but since she doesn’t seem to want to be responsible for Sylvia, it seems that she’s willing to let someone else adopt her.)

Gordy is pleased because it seems like this little adventure is wrapping up nicely, and Miss Wilson even tells Gordy that she’s thinking of transferring him from her class to his friends’ class at school. His friends’ class is the more advanced one at school, and Gordy is a little more academically slow than they are, but Miss Wilson thinks that he can handle it and that being with his friends might motivate him to work a little harder and learn better. Gordy likes the idea, but he’s also starting to like Miss Wilson a little better now, so he says that he’d like to finish the semester with her before deciding. He hurries to meet his friends and tell them what happened with Sylvia, and Laura takes the story from there.

Laura’s Story

When Laura and the others hear Gordy’s story about Miss Wilson taking Sylvia, they’re a little disappointed because they had been planning to break her out of the asylum, and living with a teacher doesn’t seem like much fun, but Gordy says that Miss Wilson is really nice. Lydia is also dissatisfied because it seems like everyone was skipped over in this adventure but Gordy. Laura says that might be because she was so mean about it when they first found out about Gordy’s wish.

For a few days, things are pretty calm. They continue to visit Sylvia and are happy to see that she’s getting along well with Miss Wilson. Then, one day, James is reading a local paper, and he spots a letter to the editor that gets their attention. The letter wishes good luck to the new railroad station, and it’s signed “A Well-Wisher.” The kids are confused because they haven’t heard anything about a new railroad station in the area, and they wonder if it could be some kind of code. Then, they start thinking about the word “well-wisher.” It occurs to them that they are also well-wishers, both because they have a “magic” wishing well and because they wish everyone well.

The kids start wondering if anyone else in the area also has a magic wishing well, and if that’s what the “Well-Wisher” means. They start asking other people in the area who have wells if their wells are wishing wells, and they get a variety of responses, but nobody who sincerely says that their well is a wishing well. Since that doesn’t seem to lead anywhere, they decide to go down to the town’s railroad station and see what the letter means by “new railroad station.” They don’t learn anything there, either.

The kids stop to buy apples from a man selling them from a nearby orchard, and the man tells them that the orchard has been condemned, and this is his last crop. The town is forcing him to sell his property to the town so they can use the land for the new railroad station. The farmer is upset about having to move and seeing his beloved trees cut down.

At first, the kids think that their next wishing well mission is to prevent the new additions to the railroad station and save the orchard, but Kip points out that many commuters, like his father, rely on that railroad station, and the station has been getting more crowded and has insufficient parking. Just like the school the community decided to build in the last book, there is a community need for this expansion of the railroad station. Then, the kids wonder if there is a way to help the farmer keep his orchard even though he has to move it from its present site.

Fortunately, there is someone else who has an orchard and who could use an experienced farmer to help her manage it, and there might even be some romance in it!

Lydia’s Story

Dicky LeBaron has always been a rotten bully at school, particularly liking to pick on Gordy, although Lydia has had some bad experiences with him, too. The whole group has had a couple of run-ins with him just during the course of this book, and when it’s Lydia’s turn for a good deed, the first thing she thinks of is taking care of Dicky. Laura doesn’t think that the wishing well should be used for revenge, but Dicky keeps following them around, spying on them, and spreading mean rumors about what they do in their clubhouse. Lydia decides that she’s had enough of Dicky and is going to do something about him.

Lydia tells Dicky that what she and the others really do in the clubhouse is talk to ghosts, and she invites him to come see for himself. Dicky accepts the invitation, and Lydia feels a little guilty because she’s actually planning a trick on him. However, because Dicky has been so mean, she decides to go through with the trick anyway. There’s a hole in the floor of the clubhouse where an old furnace used to be. Normally, the kids keep the hole covered by an old chest so nobody falls into the basement, but Lydia moves the chest and covers it with a rug instead. Her idea is to trick Dicky into stepping on the rug and falling onto a pile of pillows in the basement. Then, while he’s trapped in the basement, she plans to scare him with spooky ghost noises, and then, when the rest of her friends come, they can all tell off Dicky for all the mean stuff he’s done to them and tell him that they won’t let him out of the haunted basement until he promises to behave better.

Of course, none of this goes according to plan. Instead, Lydia accidentally falls into her own trap, and when she falls into the basement, she hurts her ankle. When Dicky comes, she still puts on a ghost act, calling out from the basement in a ghostly voice and making a horrible face when Dicky looks down the hole. At first, Dicky really is scared, but then his older friends, who are even meaner, come along, realize that it’s a trick, and show him that it’s just Lydia in the basement. Dicky is mad at Lydia for tricking him, and he and the mean older boys talk about what they’re going to do to get even. However, when the older boys talk about doing something to little Deborah, Dicky draws the line because Deborah’s just a little kid. He and the other boys argue about it, and the older boys shove Dicky down the hole with Lydia.

Trapped in the basement together, Lydia and Dicky have a few honest words about what they’ve each done. Lydia apologizes for the trick, and Dicky reveals that he’s only been doing the stuff he’s been doing and sneaking around because he felt left out. Lydia asks him why he didn’t just ask to join in and be friends instead of acting like a creep, but Dicky cuts the discussion short while he figures out how to get out of the basement.

Dicky manages to climb out of the basement through a chimney, and when his “friends” try to stop him, they accidentally disturb a hornets’ nest, which drives them off. Dicky gets out and frees Lydia. Then, they go and rescue Gordy and Deborah from where the big boys had them tied up. Dicky gets a few hits from Gordy and from James and Kip when they come along because they all think he was one of the boys who attacked Deborah. Fortunately, they get the whole situation straightened out, and Deborah isn’t traumatized from the experience.

James admits that Dicky turned out better than he though under the circumstances, but he’s not sure he really wants him around because of the way he’s been acting toward them for a long time (a valid concern) and because he dresses like a juvenile delinquent (kind of shallow). Lydia tells James off for being a snob and not giving people a chance when they try to improve themselves (also a valid criticism). They all sit down with Dicky and explain to him what their group is really about, telling him about the wishing well and the good deeds and letting him decide for himself whether or not he’s interested in joining them. Even though Dicky is a bit superstitious, he thinks the wishing well sounds kind of childish and turns down the offer to join them. However, he thanks them for offering to let him join and seems to be fond of Deborah, and Laura thinks that he might help them out at some later point, if they need him.

Kip’s Story

Kip’s story in particular requires explanation because it’s topical for the time period when the book was written.

James and Laura’s family misses church next Sunday because they oversleep, but Kip is there, and he hears the minister giving the congregation a stern talk about a local issue. Apparently, there is a new family moving to the area, and some of the current residents disapprove and have been putting together a petition against the family. The minister tells the congregation that he disapproves of the petition and has written a letter of welcome to the new family, inviting members of the congregation to sign it as well.

The minister doesn’t say why people are against this new family, and this is the first that Kip has heard of it, but his parents are among those who sign the welcome letter. After church, Kip overhears some women talking about the minister, saying that he shouldn’t have brought up this issue in church and he “doesn’t know his place.” A couple of men are also talking, saying, “Once one gets in they’ll all come. We have to draw the line.” As far as lines go, I’m pretty good at reading between them, and I know that this book was published in 1960.

Even though nobody has openly said it, I knew at this point in the story that these people are talking about a black family moving to the area. The situation is like that of the Myers family in Levittown, Pennsylvania in 1957. I wouldn’t show the video I linked to kids because of some of the language involved, but the woman about 6 to 10:30 minutes into that video pretty much sums up her entire issue with having new neighbors who are black. She just “could never” accept them socially, like the snobbiest mean girl at the cool kids’ table in the middle school cafeteria, who thinks it’s weird and wrong that “uncool” kids want to be treated like human beings, too. She speaks like these people outside the church. I don’t know who the woman in the video is/was, but if she felt like she wasn’t being heard, I think that the way the characters talk in this book from 1960 show that people definitely heard her and others like her and noticed how they felt and what they said. Just because people don’t agree with you or even like you as a person doesn’t mean that they didn’t listen, hear, and understand. Understanding does not equal approval. It’s completely possible to understand someone else’s position yet not identify with it or approve of it, just like I felt irritated by the main characters in this story when they were being jerks to Gordy at the beginning, even though, as a reader, I was seeing the situation through their eyes. Seeing it through their eyes didn’t make me like it better. Sometimes, what you come to understand about a person is that they’re in the wrong or just being a jerk and you don’t want any part of their issues. That might sound harsh, but it’s true. It’s the risk we all take when expressing opinions, that when we get someone else’s attention, it won’t be the kind of attention we wanted but the kind that other people think we deserve.

In the story, Lydia’s grandmother calls the people against the new family “Philistines.” The kids don’t know exactly what that means although Kip vaguely remembers that the Philistines had “the jawbones of an ass”, which he thinks sounds like the situation here. (Actually, Samson killed Philistines with the jawbone of an ass, but I like Kip’s explanation because of the imagery.) Kip’s mother tells him that she doesn’t want to talk about the issue because it makes her “too angry”, so he talks it over with his friends instead. They still don’t openly say what the issue is with the new family because little Deborah is with them, and the older kids are careful about what they say around her, but Kip implies that he’s figured it out. They just refer to the disapproving townspeople as “snobbish”, which is true, although adults will recognize that it’s a particular kind of snobbishness.

I’d like to say here that I found it interesting that they never actually refer to the new family as black at any point in the story. I kept expecting that they would, but they never did. It’s all implied, and if you’re old enough to understand what’s going on, you get it. Deborah doesn’t get it at first, although she does when she actually sees the new family in person for the first time. They are never actually described, but the fact that their appearance makes Deborah immediately see the issue settles the matter.

The kids think that this issue with the new family in town might be their next mission and that Kip should be in charge of it, but Kip questions whether there’s anything for them to do because the minister has already been taking steps to deal with the situation. They consider signing the minister’s letter, if he’ll accept signatures from children, but they also wonder whether magic and their wishing well would go well with a church activity. They decide to go to the minster and ask him about it and if there’s anything they can do.

The minister is pleased that the children care and want to help, and he’s not overly concerned if they’re motivated by “wishing well” magic to do so. From the way he says it, it sounds like he regards the “wishing well” as a harmless children’s game or the product of overactive imaginations, which it might be, since the story never firmly settles it. The minister just appreciates that the children’s hearts are in the right place and uses the reference to fountains in Proverbs 5:16 as proof that a wishing well’s help is acceptable here. (Although, that verse is actually a metaphor for marriage and adultery, which completely goes over the heads of the children. He’s just humoring them here. Personally, I would have picked a reference to the story of Jesus and the Samaritan woman at Jacob’s well because that has an actual well in it and “living water”, but it’s not a detail that’s really important to the story. The important point is the minister is happy to accept whatever help these imaginative children are willing to offer.) He says that, since the new family also includes children, it would be fitting if they could collect a page of children’s signatures to add to the letter. The kids are all happy to sign the children’s page and say that they can get some other signatures as well. They also get more signatures from other adults, not just children.

When the children go back to James and Laura’s house, Kip’s parents are talking to James and Laura’s parents. The adults are worried about the children hearing about the problem, although James’s father says that they might as well know that the world isn’t a perfect place and has its problems. The kids walk into the room and tell them that they know what’s happening already. James’s father says that he’s not really worried about whether can get enough people to sign the welcome letter. He’s pretty sure that the majority of the people in the community will be willing to accept the new family into the community. What worries him is that the people who are unhappy about the new family might escalate their behavior into some kind of demonstration if they don’t get their way. The kids say that they’ve wished on the wishing well, and they’re sure that will take care of it. Their parents know what the kids think about the wishing well, but they urge them to be careful here because this is a situation that makes people emotional, and it could get out of hand. Still, the kids have faith in the wishing well and in the friends they’ve made through their various adventures.

I found it interesting how the kids describe the way other children at school have heard about the issue from their parents. If their parents haven’t all talked to them directly about it, they’ve at least talked about it in front of them. The kids at school generally side with whatever their parents say about the issue, and the ones that are against the new family are described as being “stuffy, hopeless, purseproud ones” (“purse proud” people are people who are especially proud of their wealth because they have little else to be proud of, basing their self-esteem on monetary wealth) or “feckless goons who’ll do anything for a little excitement.” They also mention that there are “mindless ones who never have any opinion of their own and have to borrow other people’s,” and those people are up for grabs for either side, so they manage to sway a few of them. At one point, a bully tries to take their paper and tear it up, but Dicky stops him. Dicky orders the bully and some of the other kids to sign the paper, too, so he’s finally using his powers for good. Gordy’s mother is very influential in the community, and the “intolerant ones” (as the book describes them) try to recruit her to join their cause, but she turns them down. She doesn’t sign the welcome letter either, though, because she considers the entire situation tasteless and undignified and doesn’t want to get involved in any way.

It’s a little worrying when they hear that the “intolerant ones” are planning some kind of demonstration, but Kip comes up with a good idea for a demonstration of welcome: they recruit a bunch of friends to do a nice garden for the new family. People bring all kinds of plants for the garden, and many children help. The presence of the children gets the demonstrators to back out of their demonstration. The new family loves the new garden, and it turns into a big community celebration.

Before Kip’s story ends, he gets curious about who originally owned the new family’s house. After some research, he finds out that the original owner was an escaped slave who traveled through the Underground Railroad. Not only does it seem right that a black family should move to the property, but the original owner had a reputation for growing herbs in her garden that she used for magical cures, which seems to fit with the magic of the wishing well.

Deborah’s Story

I partly expected the story of the new family in town to be the climax of the book, but it’s not. They’ve safely moved in, but now, they’re going to have to live in the community, and there are still people who have bad feelings about that. This is where little Deborah gets a story in the book. The others hadn’t expected Deborah to get an adventure from the wishing well because she’s just a little sister of a couple of the main characters, but she’s in a unique position to do some good for the new family. Because Deborah is still only in the first grade, she dictates her story to another character, who doesn’t identify himself at first but who plays an important role in her adventure.

The three children in the new family are younger than most of the characters in the book so far, but the oldest, a boy named Hannibal, is six years old and in Deborah’s first grade class. Hannibal’s first day at school does not go well. He’s surly to his teacher and the other kids, making it clear that he doesn’t want to be there, and he doesn’t want to play with them. Hannibal’s behavior seems to confirm to the children whose parents didn’t want his family to move there in the first place that they were right not to want them, and some of the kids start teasing Hannibal on the playground at recess, making fun of his unusual name.

Dicky’s teacher has recently made him a playground monitor for the younger children in order to teach him some responsibility. Dicky (the other narrator who shares Deborah’s story and writes it down for her) knows that’s why he was given the job of playground monitor, but he finds that he actually doesn’t mind the job. When the other kids start teasing Hannibal and Deborah can see that he’s getting more upset, she runs to get Dicky. The mean kids are intimidated by Dicky and run away when he comes. At first, Dicky admits that he doesn’t quite understand the situation. Thinking that the other kids didn’t want to play with Hannibal, he calls one of his younger brothers over and tells him to play with Hannibal instead.

However, Hannibal says that he doesn’t want to play with anybody. He tells Dicky flat out that he doesn’t want to be there at this school and that the other kids don’t really want him. Dicky says that people do want him here, and that’s why they fixed up the garden and had that welcoming party. Hannibal is pretty sharp for his age, though, and he says that he knows that there are people here who didn’t want him or his family and the flowers in the garden aren’t going to fix that. He says he also knows that even people who do nice things often do them for their own sake, so they feel good, not because they really like or want to help someone else. Hannibal is also homesick for where they used to live in New York, and he wants to go back there.

Dicky can’t deny that a lot of what Hannibal said is true, but he also recognizes the emotional state that Hannibal is in. Dicky’s family has had a lot of problems, and even he realizes that’s why he’s often acted the way that he has. His family is poor, he has a lot of brothers, and social workers who have come to visit his family are often unhelpful because they don’t really understand the family or their situation. In the past, Dicky has often taken out his frustrations through vandalism and being mean to other kids, especially kids like Gordy, who have more than his family does. However, Dicky is now old enough to understand that breaking things and being mean don’t help anything and often make problems worse. He explains to Hannibal that making friends requires some effort from him as well as the other kids because they can’t be his friends if he won’t let them be, and even though he wishes he were back where he used to live, he lives here now, and he might as well make the most of it. Hannibal is too upset to listen, though, and when Dicky tells him to play with the other kids, he just starts shoving people around, pretending that he’s playing tag. Hannibal is so angry and surly all day that he really gets on everyone’s nerves, and when school’s out, he runs away from the other kids, some of whom are planning to get back at him for how he’s been treating them.

Deborah is worried about Hannibal, so she persuades Dicky to give her a ride on his bike while they go looking for him. Dicky is sympathetic and agrees. Deborah thinks that Hannibal is her mission from the wishing well, and even though Dicky doesn’t believe in it and thinks all the wishing well stuff is corny, he lets Deborah talk him into doing a ritual by the well where they wish that Hannibal would behave better and get along with others. Dicky does the ritual with Deborah to make her happy, although he worries that someone else might see them, and it will ruin his cool, tough guy reputation.

The person who sees them doing the ritual is Hannibal, who is hiding nearby. He is fascinated by the ritual that the others are doing and by Deborah’s “magic” wishing well. When Deborah tells him that they were wishing about him, Dicky expects that Hannibal will get mad again, but he doesn’t. Instead, Hannibal wants to make a wish of his own, wishing that he could be just like other kids.

Dicky tells Hannibal that he should learn to like himself and appreciate himself for being different because everyone is a unique person, and there will never be another person just like him again. Hannibal says that he likes himself just fine, but other people don’t, and that’s why it’s a problem. Dicky says that he can make the other kids behave themselves and play with him, but Deborah realizes that what Hannibal needs is someone to be nice to him for his own sake, because they want to, not because they have to.

Deborah invites Hannibal to come inside for some water, and when Hannibal notices that he’s ripped his clothes and worries about what his mother will say, Deborah suggests that her mother might be able to fix the rip. Seeing that someone is genuinely trying to be nice to him and that people will take care of him here softens Hannibal. The first grade teacher tells the other students to be nice to Hannibal on his second day because his first day was just really hard for him and that’s why he was behaving badly. The second day goes better, and Hannibal starts playing with the other kids and settling in.

The adventure does seem to do Dicky some good, too. He somewhat comes to believe in the magic of the wishing well, although he doesn’t like to admit it openly, and helping another troubled kid who reminds him a little of himself helps him to settle some of his own problems, teaching him the leadership and responsibility that his teacher hoped he would learn. He starts becoming more friendly with the other kids and hanging out with them more, although he also spends time with other friends or just by himself because he still likes being a kind of lone wolf. His personality grows and changes, but he also realizes that he can still be himself and his own man.

James’s Story

By this point, everyone has had an adventure of some kind except for James. Part of the reason why James is last is because he both believes in the magic of the wishing well and doesn’t. He likes fantasy stories and magic as much as Laura, but he also notices that everything that they’ve accomplished so far could also just be accomplished through kindness and thoughtfulness and that there doesn’t really need to be any magic. James likes facts and being sure of how things work, so for the last wish of the wishing well, he asks the well to give him some kind of evidence of whether or not there really is any magic.

One Saturday, the kids go on a long bike ride to just explore the area, finding a sign post that points to a place called Journey’s End Road. Curious about who would live on a road with such a strange name, they decide to check it out. At first, they’re expecting that they’ll find little cottages with elderly people in them, people who are at the end of life’s “journey”, so to speak. Instead, they find a mansion that looks like a castle.

While they’re admiring this castle-like mansion, a blonde girl in a blue dress steps out onto a balcony and calls to James for help, saying that she’s locked in and needs to get down. Laura thinks this is wonderfully romantic, rescuing a princess from a tower, and even James thinks that it seems pretty magical and romantic. Laura asks the girl if she’s being held prisoner by a wicked ogre, and she says yes. James doesn’t really believe that, but he’s more than willing to help. The girl tells him where to find a ladder, and he helps her to climb down from the balcony.

Once the girl is on the ground, she asks them to take her into town so she can get some important papers to the police and stop some international spies. James is still happy to help her, even though it’s weird that she’s now talking about spies. Gordy recognizes the girl as an older, teenage girl named Muriel who he’s seen at dance classes. Muriel tells them that her name is not her real name because she was stolen by the spies as a baby.

Her story gets weirder and more unbelievable, but James is enchanted by her because she’s pretty and gives her a ride on the handlebars of his bike, even leaving the others behind because she’s eager to get back to town quickly. She says that she needs to get to the town hall with the “papers”, but then, she says that they’re being followed, so they have to duck into a movie theater.

Of course, it turns out that she actually wants to meet another boy at the theater. She had a date with him to see the movie, but her father didn’t approve, and that’s why she was locked in her room. James is offended that she lied to him, let him pay for the tickets, and even referred to him as a “little boy.” Angry and humiliated, James hangs around in the theater’s lounge, afraid to face his friends and feeling let down by the “magic.” Then, he smells a gas leak in the lounge and warns the ticket seller. Seeing it as his opportunity to rescue Muriel from something that’s actually dangerous, James also goes back into the theater and makes Muriel leave with him.

Muriel is angry with James for interrupting her date, and then, he’s confronted by Muriel’s angry father, who mistakes him for Muriel’s date. Fortunately, James’s sister and friends come and explain all of Muriel’s lies to her father. Then, the movie theater is evacuated, and the ticket-seller and police praise James in front of Muriel’s father for saving everyone, pointing out that he personally saved Muriel and calling him a hero. Muriel’s father admits that he made a mistake thinking that James was the hoodlum that he didn’t want his daughter to date and says that they can see each other any time they want. James isn’t interested in seeing Muriel again, but he’s pleased at being a hero. He and his friends get their picture in the local paper.

James’s conclusion is that the wishing well proved that there is magic. His reasoning is that, if all he was supposed to do was to find the gas leak and be a hero, there were other ways he could have done it. He thinks that the wishing well directed him to Muriel so he could have the experience and excitement of rescuing a “princess” (or as close an approximation as they could get).

However, James does feel a little disillusioned, thinking about what “princess” Muriel is actually like, and he sees the need to grow up and see people and things for what they are. On the bright side, James has started to see the appeal of girls, and he’s learned to recognize that there are better girls than Muriel. He starts seeing a girl named Florence, and he sees his relationship with her as a kind of magic, so he’s satisfied, even though he now doesn’t have as much time for secret meetings with his friends and the “magic” wishing well.

The End

The book ends around Thanksgiving, with some final comments from everyone about how their adventures affected them and what they’re thankful for after their experiences.

My Sister the Witch

My Sister the Witch by Ellen Conford, 1995.

Norman Newman is convinced that his sister, Elaine, is a witch. When he goes to her room one evening to call her to dinner, he catches her all dressed in black and chanting strange words.

Norman likes to read horror and mystery books, and he uses some of the techniques that he has learned from reading his favorite mystery stories to investigate his sister. Some of these techniques don’t work as well for Norman as they do for the characters in his books, partly because he doesn’t really know how they work (like which end of a glass you’re supposed to put against a door when you’re trying to listen in on someone) and partly because the characters and situations in books are fictional and some of the things they do don’t work that well in real life.

Early in the story, Norman uses one of his scary stories for a book report for school, and his teacher tells him that she wants him to start to read other types of books. She makes him write an extra book report, telling him that he has a week to read something outside of his usual genre and report on it. That incident and some other pieces of bad luck cause Norman to think that maybe Elaine really is a witch and that she put a curse on him, just like a witch in the book he just read.

Norman’s friend, Milo, thinks that Norman’s imagination is just running away with him. It’s happened before because of the scary stories he reads. Once, he thought that their teacher might be an alien.

When Norman has a brief streak of good luck, he starts to think that whatever curse Elaine put on him may be over, but then, he gets sick to his stomach. He goes to the library to get a book for his new book report, and he also gets a non-fiction book about witches. Then, he overhears Elaine talking to her friend, Deirdre, about something being powerful and scaring Deirdre’s sister. The two of them begin chanting together. Norman decides that he was right about Elaine being a witch and that Deirdre must be a witch, too.

After some research, Norman and Milo learn that, to get rid of the effects of a magic spell, they need to learn the words to the spell and say it backwards. Norman doesn’t remember the whole spell from when he heard Elaine say it, so Milo says that he’ll just have to look for a copy of the spell in her room. The book they consult also says that a spell can be neutralized if the person it was cast on duplicates it, which means gathering all the materials used in the spell, but Norman doesn’t know where he would find things like newts’ eyes and frogs’ toes. Either way, it looks like Norman’s going to need a copy of Elaine’s spell. However, even when he gets it and tries to break the curse, things still go wrong. What can Norman do to get rid of this bad luck spell?

I particularly liked the character of Milo in the story. Milo uses a wheelchair because he was hit by a car when he was young and can’t walk. Norman notes that, although Milo can’t use his legs, he gets around very well in his wheelchair and that he has very strong arms. Milo is also more level-headed than Norman, pointing out to him how he has allowed his imagination to run away with him in the past.

The book is available to borrow and read for free online through Internet Archive.

Spoilers and Other Thoughts

I thought that the secret behind Elaine’s spell was pretty obvious from the beginning because the book repeatedly says that Elaine wants to be an actress. It reminded me of other stories I’ve seen where someone’s playacting was mistaken for some real life danger. Overall, I enjoyed the book, even though I figured out what was going on pretty quickly. Kids might be in suspense for longer.

By the end, Norman still hasn’t learned his lesson because the next scary story he reads leaves him looking at his dog suspiciously. There is at least one sequel to this story called Norman Newman and the Werewolf of Walnut Street.

The Witches of Hopper Street

The Witches of Hopper Street by Linda Gondosch, 1986.

Kelly McCoy and her friend, Jennifer, are offended that another girl from school, Rae Jean, is having a Halloween party and didn’t invite them. Jennifer says that they could just throw their own party on Halloween, but Kelly says that’s no good because everyone else they know is going to Rae Jean’s. It isn’t so much that Kelly really likes Rae Jean; it’s more that she hates being excluded.

The girls talk about what they want to dress as for Halloween, and Kelly suggests that they be witches because she’s fascinated by the witches she saw in a play of MacBeth. Kelly also has a book called “Magic and Witchcraft”, and she says that they could study the book and become real witches. Jennifer doesn’t see the attraction of becoming a witch, but Kelly promises that they’ll only perform white magic, where you use magic to perform good deeds, instead of black magic, which involves cursing people. Although, she might make an exception for just a few little black magic spells against Rae Jean. Jennifer says that Kelly can’t be serious, but Kelly says that she is because it’s awful being the only ones in the sixth grade not invited to Rae Jean’s party. Jennifer points out that Adelaide also wasn’t invited. The girls know that Adelaide isn’t popular because she’s overly tall and awkward and much smarter than the other kids. Then, Kelly gets an idea – there were three witches in MacBeth, so maybe they should invite Adelaide to become a witch with them.

When the girls see Adelaide on her way to Rae Jean’s house to help her with her math homework, they stop her and suggest to her that she join them as witches. Kelly tells her that Rae Jean is dangerous and that dangerous things will happen at her party. Adelaide says that she’s not going to the party anyway. Then, Kelly pretends to tell the future with a deck of cards, predicting that there will be a mysterious death in 24 hours. Her prediction comes shockingly true when Rae Jean’s cat kills her pet parakeet.

Kelly knows that the parakeet’s death was partly her fault for taking him out of his cage when Rae Jean brought her cat around, showing off her prize-winning pet, but she also blames Rae Jean for bringing her cat to her house in the first place, and the reason why they took the bird out of his cage was that Rae Jean was goading them about how dumb the bird was. (I think that the kids’ mother shouldn’t even have let Rae Jean bring her cat into the house. The other kids said that they didn’t want to talk to her, but the mother insisted that they let her in because she’s a “nice” girl. That was an irresponsible thing for the mother to do, and she’s not a good example to her children. When you have a pet in the house, you have to make the pet’s safety a priority, especially over being polite to someone who is rude and insulting anyway. Rae Jean shouldn’t have been allowed to bring a predatory pet into their house, uninvited, simply because she wanted to and the mother didn’t have the guts to say no and enforce some house rules. Of course, this is one of those annoying incidents in books that’s used to move the plot forward. If the parents acted anything like mine, it wouldn’t have happened, and this would be a different story.) Adelaide is impressed that Kelly’s prediction came true, and she agrees to be a witch with Kelly and Jennifer.

Kelly walks the others through rituals for being a witch, like signing their names in a Black Book (really, it’s an old brown science notebook), preparing their broomsticks (they’re supposed to be rubbed with the fat of a newborn piglet and belladonna, but the best they can do is strips of bacon and dieffenbachia), and preparing magical rings to protect themselves from evil creatures (Kelly got hers at an estate sale so she’d have one that belonged to a dead person, but the others just got their rings from the quarter machines at the supermarket). The girls pledge to keep their “coven” secret, but then someone leaves a message for them that says, “Midnight is the witching hour. Then you shall be in my power.” All of the girls deny having written it. So, who did? Who else knows about their witchy activities?

Kelly still hasn’t given up her plans to use this witch business to ruin Rae Jeans’ party. She soon acquires a new pet, a skunk, from her brother Ben’s friend Buster, whose father is a veterinarian. She calls the skunk Cinnamon and declares that he is her familiar. To keep the boys quiet about their activities, they have to let Ben and Buster join the coven as warlocks. As an initiation, all of the witches and warlocks have to drink salt water and eat beef liver. Kelly’s mother is perplexed by some of the odd things that they do, but she doesn’t question them too much, and none of the adults ever discover that the kids sometimes sneak out at night to perform rituals. (I could never have gotten away with this sort of stuff as a kid because my mother was always the type to ask a lot of questions about everything and get specific answers.)

Kelly gets the idea of making a voodoo doll of Rae Jean, using an old sweater of hers that Rae Jean’s mother gave her because she helped to get a box of old clothes down from the attic for a sale and because Rae Jean told her that the sweater was scratchy. To get Rae Jean’s hair and nails, the witches open a “spa” business at Kelly’s house. They succeed in getting hair and nail clippings, but Rae Jean gets scared away when their “spa” treatment involves mud that they just dug up in the backyard and has a worm in it. After they make the doll, they decide it looks really awful and sticking toothpicks in it is creepy, so they take the toothpicks out and get rid of it. Instead, they decide to focus on giving Rae Jean the “evil eye” – basically staring at her to make her feel uncomfortable. (That one works whether you’re a witch or not.) When Rae Jean and some others in class get sick, some of the other kids start to believe rumors that the girls have spread about a “poison plague.”

Eventually, Halloween comes, and Kelly gets the idea for her, Jennifer, and Adelaide to use their witch act while passing out candy to the trick-or-treaters. They put the candy in their “cauldron” (an old camping pot), give themselves fantastical names, and perform chants while handing out candy. They have fun with that, but they still feel left out of the party, so they decide to try one last witchy trick on Rae Jean. They decide to brew up a love potion (just apricot juice with honey, and they even think it tastes good themselves), sneak into the party as fortune tellers, and slip the potion into the party punch. Rae Jean’s mother is amused by their fortune telling act and lets them into the party, although Rae Jean isn’t happy to see them.

When Kelly’s new pet skunk gets loose in the party, there is some momentary chaos before Kelly manages to explain that the skunk is deodorized and can’t spray. During their time at the party, the girls learn the true identity of their mystery message writer and have an honest talk with Rae Jean about their feelings and apologize for the witchy things they’ve been doing. Rae Jean also tells them the reason why she didn’t invite them and how left out she felt when she didn’t get invited to a big party that Kelly had soon after she moved to the neighborhood. Rae Jean comes to realize how much she has provoked the other girls into hating her with some of her behavior, and she apologizes bringing cat to Kelly’s house and killing her parakeet. However, Kelly is also forced to acknowledge that she’s also provoked Rae Jean with her quick temper and attempts at revenge. All of the girls owe each other some apologies, and they make up. Kelly and her friends promise to give up all the witch stuff.

However, before they cut it out entirely, they have one last thing to do. Adelaide read about an old superstition that explains how to see a real witch at midnight on Halloween night, and before Halloween is over, the whole “coven” decides that they have to try it. What they see is a bit startling, and although it has an apparently logical explanation, gives the kids an appropriately witchy scare. Could there possibly be a real witch in their neighborhood?

I didn’t like the parts of this story about dead animals. I hated the part where the parakeet was killed, and later, I felt sorry for a cat that died (of natural causes, and it was a sickly stray, not Rae Jean’s cat). I never like stories where animals die, especially through human cruelty or carelessness. Yet, I have to admit that I have a particular attachment to this book, which I remember reading when I was ten years old. Some of their rituals are a little gross, but as I a kid, I think I was attracted to the idea of having a secret, mysterious club and intrigued by the identity of the mysterious message-writer. At the end of the story, they think they know who wrote the note, but their last midnight ritual causes them to have second thoughts.

This book is available to borrow for free online through Internet Archive.

My Halloween Story About My History With This Book:

This particular book and I have a history. This book was important to me as a kid because it sparked something formative, but to tell you what that something was, I have a confession to make: When I was a kid, I wanted to be a witch. I was in high school before the first Harry Potter books appeared, so it wasn’t about that. No, my introduction to witches was The Wizard of Oz, my favorite movie when I was five years old. I liked Glinda, the Good Witch of the North. Dorothy was my favorite character, but I liked Glinda, too. Later, when I saw the movie of Bedknobs and Broomsticks, my interest in witches increased. I also read The Blue-Nosed Witch when I was young, and I was hooked. For a portion of my early childhood, my favorite Halloween costume was a traditional witch costume.

I didn’t want to curse people or be an evil witch, like the Wicked Witch of the West, in spite of my traditional witch costume with the pointy hat. No, I wanted to be a Good Witch and maybe ride a broom and bring suits of armor to life and maybe defeat Nazis in a way that is far less gross than melting them, like in Indiana Jones and the Raiders of the Lost Ark. I had discernment. I had standards. I also had a fear of heights after falling off the monkey bars when I was four, so that probably should have been a clue that broomstick-riding was out for me, but when you’ve got magic, I guess these things aren’t much of a problem. I can’t say that I was really ambitious about wanting magical powers because I didn’t really do anything to acquire them, it was just that I kind of liked the idea … except for that one time, and that’s what this little side story is leading up to.

When I was about ten years old, I read this book with a friend, and we were both enchanted with the idea of making up our own rituals and becoming “witches” and maybe trying some spells on Halloween, just to see if magic works. I only had sort of a vague notion of what kind of spells that we could do. I guess I was picturing something like Bedknobs and Broomsticks, where you recite a rhyme and something is supposed to happen, but I didn’t know any real spells, just movie stuff, and I was clever enough to realize that the stuff in movies probably wasn’t real. Naturally, being a bookish person, I decided that the best way to learn more was at the library. PSAs on tv always told you to “Read more about it“, whatever “it” was. (This was the early 1990s, and I didn’t have access to the Internet yet. That wasn’t even an option.) If anybody had some real spells books, especially ones placed at a convenient height on shelves that a not-very-tall ten-year-old could reach, it would be my local public library, right? I was actually surprised myself when I found one in the library catalog. I really didn’t think it was going to be that easy. That wasn’t the hard part. The hard part was when I actually picked up the book and opened it.

Now, I have to admit here that I didn’t read the whole book, and years later, I can’t remember the title or even what the cover looked like. I kind of wish I did because there are people I would like to show this book to just to prove that it actually exists. When I told my mother about it later, she thought that I dreamed the whole thing, but I swear I didn’t.

This book did have “spells” of various kinds. I picked one from the table of contents (I forget what, but something that sounded like something two ten-year-old girls might want to do on Halloween) and looked at the instructions. It was disgusting. It involved things like animal entrails, which I wouldn’t have known where to get and wouldn’t have wanted to touch even if someone handed me a free bag full. There were other things about animal parts on different pages that disgusted me, too. Under no circumstances was I going to kill cute animals just to do some dumb trick on Halloween, and I wouldn’t have wanted these animals parts even if someone else had done the dirty work of getting them. I wasn’t a vegetarian, but these were definitely not things I could just buy at the grocery store, or better yet, cooked and yummy with a side of fries and a plastic toy.

As I was staring at this book, I suddenly realized that I had no desire to do anything it described and that I was never going to do anything it said. Then, I had a worse thought: someone else must have thought this was a good idea, or they wouldn’t have written it down. Maybe I didn’t want to mess with animal entrails and body parts to gain magical powers, but someone else obviously would. What kind of person would do such a thing? Whatever kind it was, it wasn’t me, and I knew it. The image of the type of person I would have to be in order to do any of this, in order to take any of this seriously, disturbed and repulsed me more than just what was written in the book itself. I slammed the book shut, shoved it back on the shelf, and ran away. I never saw it again, although I did try to find it again once to show it to my mother so that I could prove that I wasn’t dreaming. It wasn’t even in the catalog anymore then.

My guess is that, whatever this book was, either someone stole it from the library (it is the sort of thing an aspiring evil witch might do) or lost or damaged it or some parent or librarian realized that this might not be the best book for children and had it removed from the shelves. Since then, I’ve wondered who put that in the kids’ section in the first place. I’m not fond of censorship, but I have to admit that this book was pretty dang gross and creepy. Was that spell book really serious, or did I miss some introductory part that would have explained that it was all part of some larger ghost story or something? What was the point of the book? I’ve often wondered. All I really remember now is that it was in the first row of children’s non-fiction books at the library, probably the 100 or 200 section of the Dewey Decimal System.

I’m actually glad I did look at it, though, because it made me realize a few things about myself. I realized that there were limits to the things that I was willing to do and that I had the power to say no when something was beyond my limits. My friend was disappointed and thought I was a bit of a wimp for chickening out on our witch experiment so soon and not even showing her the book, but I didn’t care that much. I was firm. I also came to realize that sometimes, it’s the things we don’t do or won’t do that define who we really are. In the end, it may not matter what that book actually was so much as that it left me with a stronger sense of who I was. I should have paid more attention to the part in the Bedknobs and Broomsticks movie where Miss Price said that she realized a long time ago that she could never really be a witch because nobody who felt the way she did about “Poisoned Dragon’s Liver” could be a real witch. I came to appreciate the sentiment.

This experience didn’t completely scare me away from stories with witches in them, as evidenced by the Halloween stories I cover here. I was born close to Halloween, and I like the holiday because I enjoy the imaginative costumes and playing pretend. (Not to mention chocolate. I also enjoy chocolate.) I enjoyed the Harry Potter books, too. But, I know where the dividing line is between pretend and real. It doesn’t trouble me now because I already put the book back on the shelf and said no when it was asking too much, and some decisions stick for life. I don’t worry too much about giving fantasy books to kids, either. Everyone has decisions to make in life about who and what they want to be, and I figure that the younger generations might as well learn where the dividing line between fantasy and reality lies early in life. A bit of a scare now and then might even help them to think more deeply about life’s consequences and make better choices.

If that spell book had been less scary and disgusting, like something that Wiccans use that involves pretty things like crystals and herbs instead of entrails, I actually might have tried a few spells as a child, probably raiding the spice drawer in the kitchen or dismantling my rock collection for spell ingredients. However, Jenny Nicholson did a YouTube video, demonstrating how that typically goes for the aspiring witch. I thought it was hilarious, especially after my childhood escapade. I doubt that I would have had quite the range of objects that Jenny describes, and my parents would have been mad at me if I tried to throw eggs at trees, but I probably would have achieved similar levels of results if my friend and I had actually gone through with our experiment that Halloween. As an adult, I mostly think that things like that are more psychological tricks than anything else, and I find descriptions of them amusing now.

Anyway, that’s my creepy experience with “real” magic. If anyone thinks that they know what that creepy spell book was, feel free to tell me. I don’t feel like I have anything to prove magic-wise, but I still have people I’d like to convince that I didn’t just imagine that the book exists.

Jennifer, Hecate, Macbeth, William McKinley, and Me, Elizabeth

Jennifer, Hecate, Macbeth, William McKinley, and Me, Elizabeth by E. L. Konigsburg, 1967.

Elizabeth tells the story about how she first met her friend Jennifer one Halloween. Elizabeth is new in town, and doesn’t know many people yet. She doesn’t have any friends to walk with to or from school, and she encounters Jennifer in the woods she passes through on her way to school. When they meet, Elizabeth is dressed as a Pilgrim for the school’s Halloween parade. Jennifer also happens to be wearing a Pilgrim costume, and she’s sitting in a tree. Elizabeth sees that Jennifer is about to lose a shoe because it’s too big for her, so she impulsively pushes the shoe back onto Jennifer’s foot. Jennifer says that witches don’t lose things, and Elizabeth tells her that she’s not dressed like a witch because she’s wearing a Pilgrim costume. Jennifer says that this is what real witches dress like, not like the silly pointed hat costumes. (It becomes more clear later that Jennifer is referring to the accused witches at Salem, Massachusetts.) Elizabeth admires Jennifer’s costume because it looks more authentically old-fashioned than hers does, like a real antique. Elizabeth points out that they’ll have to hurry or be late to school, and Jennifer says that she’ll walk with her in exchange for the cookies Elizabeth is carrying. Elizabeth gives her the cookies because she isn’t hungry and badly needs some company. Jennifer makes it barely on time to her class, but Elizabeth is slightly late because she’s in a different class that’s further down the hall.

Elizabeth describes the Halloween parade at school, and you can tell that this book was written decades ago because there are kids wearing cardboard boxes because their costume is a pack of cigarettes, which would never happen at a 21st century school. Even in the 1980s and 1990s, when I was a kid, nobody would have dressed as a pack of cigarettes. There were a lot of anti-smoking campaigns when I was young, our teachers and most of our parents wouldn’t have allowed it, and with more exciting things to be, like super heroes and Ninja Turtles as well as the traditional witches, ballerinas, robots, vampires, and monsters, why the heck would somebody want to be a pack of cigarettes anyway? Lung cancer may be scary, but dressing as a pack of cancer sticks isn’t exactly fun Halloween scary. If you want to be a box of something, at least pick crayons so you can tell people you’re the sharpest crayon in the box. But, I digress.

At the parade, Elizabeth sees Jennifer unsnap the tutu of school mean girl Cynthia, who is dressed as a ballerina, so it falls down. It’s not a serious embarrassment because Cynthia’s still wearing her leotard underneath. Still, Cynthia is one of those two-faced kids who are good-looking and act like perfect angels when adults are watching but turn into nasty little monsters when the adults look away, so this minor embarrassment pleases Elizabeth and many of the other kids. Jennifer also passes a note to Elizabeth to meet her for trick-or-treating that evening, telling her to bring two bags. As the students parade across the stage for the costume contest, Jennifer amazes everyone by wearing a paper bag over her head that doesn’t have any eye holes cut into it, yet she doesn’t have any trouble walking, somehow seeing where she’s going or knowing where to go anyway. This is one of the odd things that Jennifer does that makes Elizabeth wonder if she really does have powers of some kind.

When the girls meet for trick-or-treating, Jennifer tells Elizabeth to give her the bigger bag of the two bags she brought. It’s a bit rude, but Elizabeth is fascinated by Jennifer and lets it go. Also, Jennifer has brought a small wagon with her. Jennifer has invented and mastered an act to get extra candy. At each house, she acts weak and breathless and asks for a drink of water. When the home owners give her a drink of water, she drops her empty bag, so the home owners will feel sorry for her and give her more candy. Then, out of sight of the home owner, Jennifer empties her bag of candy into the little wagon and does the same performance at the next house. Elizabeth wonders how Jennifer is able to drink so much water, but they collect an amazing amount candy from Jennifer’s act.

After Halloween, Jennifer tells Elizabeth to meet her at the library on Saturday, and she invites Elizabeth to become her apprentice witch. Elizabeth thinks it over and decides to accept. Jennifer begins leading Elizabeth through a series of rituals to make her into a witch. The first ritual involves both of them putting a drop of their blood on an old key that Jennifer was wearing around her neck. Afterward, Jennifer gives the old key to Elizabeth to wear. This ritual is kind of like a friendship pact.

Jennifer gives Elizabeth books to read from the library about witches and tells her to eat a raw egg every day for a week (she does it by mixing it into a milkshake), insisting that she also bring her a hard-boiled egg. From there, they progress through a list of other strange foods. When their grade starts rehearsing for their Christmas play, the food of the week is raw onions, which Elizabeth happens to love, in spite of being a notoriously picky eater. People notice the onions because Elizabeth is supposed to be a puppy in their school play that the princess played by nasty Cynthia gets for Christmas, and Cynthia can’t bear to get close to her.

Being Jennifer’s apprentice also means putting up with her rudeness and bossiness. When the girls decide to try making an ointment to change themselves into animals, they argue about what animals they’re going to be. Sometimes, Elizabeth finds Jennifer difficult to deal with because she isn’t considerate of her feelings, but she’s also fascinating because Jennifer is a serious reader and likes to talk about a wide range of interesting things, from witchcraft trials to Vincent Van Gogh to shipwrecks to the guillotines used in the French Revolution to secret codes. Their rituals continue through Christmas and the New Year and into the spring, with Jennifer promoting Elizabeth to Journeymen Witch and assigning her various “taboos”, things that she isn’t supposed to do.

For most of the book, Elizabeth doesn’t tell her mother about being friends with Jennifer. Jennifer, as a witch, is rather odd, and Elizabeth’s mother wants her to be friends with nice, normal children. In particular, she wants her to be friends with Cynthia because, like other adults, Elizabeth’s mother has been taken in by Cynthia’s two-faced act and thinks that Cynthia is a sweet, well-behaved little girl. When Cynthia invites her to her birthday party, Elizabeth knows that the invitation was really from Cynthia’s mother because she and Cynthia aren’t friends. However, Elizabeth’s mother makes her accept the invitation. The party is a trial because, thanks to Jennifer’s taboos, there are many party activities that Elizabeth can’t do (no eating cake, no pin-the-tail-on-the donkey because she can’t touch pins, etc.), but Elizabeth decides to make the most of it and enjoy being an oddball. Elizabeth has some fun when she realizes that she can act mysterious and witchy about knowing certain things and winning at the games she plays. She knows where the treasure is in the treasure hunt because it was just behind a pillow on the couch and she accidentally sat on it earlier, she wins at the clothespin drop game because she’s shorter than the other girls and finds the game easier, and she knows who brought which gift to the party without looking at the tags because she was the first to arrive and remembered what everyone else brought when they came. Of course, she doesn’t explain this to anyone, she just acts mysterious and witchy, like Jennifer. When she talks to Jennifer about the party, Jennifer acts like Elizabeth has actually used her witch powers to do those things, but Elizabeth insists that they were just ordinary incidents and her good memory for remembering the presents. Jennifer seems a little disappointed that Elizabeth doesn’t seem to see what she’s getting at with the witch business, and Elizabeth is disappointed that Jennifer doesn’t seem interested in the gossip she’s collected about the “normal”, non-witchy girls at the party.

The girls get a toad, which they name Hilary Ezra, their first compromise with each other by combining the two names that they wanted. Jennifer says that the toad will help them with their flying spell. They treat the toad like a pet, giving it insects that they’ve caught and measuring how far he can jump. They both love Hilary Ezra, but when Jennifer plans to add Hilary Ezra to their flying potion, Elizabeth refuses to allow it. She makes Jennifer set Hilary Ezra free. Jennifer tells Elizabeth that she’ll never be a witch because she’s too sentimental and dismisses her as her student witch.

Elizabeth is angry at Jennifer and thinks that their friendship is over as well as the witch business. However, after thinking it over, Elizabeth realizes something: Jennifer actually wanted Elizabeth to stop her from putting the toad in the pot with the other ingredients because she changed the order in which the ingredients were added from the order that was given in MacBeth, saving the toad for last and making a big show of dangling him over the pot, waiting for Elizabeth to stop her. Still, it makes Elizabeth mad that Jennifer made her stop her when she could have stopped herself and probably would have if Elizabeth hadn’t intervened.

Elizabeth has a right to be angry, but she also goes back to being lonely, and she doesn’t like that. While she’s alone at her family’s apartment one day, she spends some time looking at the greenhouses on a nearby farm called the Samellson Estate, and some of Jennifer’s cryptic comments about Hilary Ezra’s origins and her father being a “plant wizard” fall into place. The more Elizabeth thinks about it, the more the things Jennifer acquired for their “spells” make sense and the more Jennifer herself begins to make sense. Then, Jennifer makes the first move in repairing their friendship.

The book is a Newbery Honor book. It’s available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction

One of the important points about this story that helps make Jennifer more understandable as a character is that she’s African American and this book was written in the 1960s. The book doesn’t refer to Jennifer’s race or describe her physical appearance apart from her clothes until about halfway through the story, although she does appear in pictures before that. The 1960s was the time of the Civil Rights Movement, and in 1967, when this book was first published, Martin Luther King, Jr. was still live. School desegregations were a recent issue. The only time in the book that Elizabeth mentions race is when she notices Jennifer’s mother at the performance of the school play for the PTA, and she says that she knew that the woman must be Jennifer’s mother because “she was the only Negro mother there.” This one line says, without really saying it, that Jennifer is the only African American kid in her class because, if there was even one other, the black woman in the audience could have been somebody else’s mother.

When the story begins, each of the girls has a reason to feel like an outcast – Elizabeth because she’s new at school and doesn’t know anybody and Jennifer because she’s the only black kid. Both of them are lonely, and they’re actually a good fit for each other in terms of their interests, but in order to become real friends, they have to learn to relate to each other without the cover of their made-up witchcraft rituals. After Elizabeth realizes where Jennifer actually lives and what her life is really like, and Jennifer shows that she cares about Elizabeth’s feelings, the two of them are able to bond as friends instead of witches.

Elizabeth never explains why Jennifer came up with the witch idea in the first place, and the book ends soon after their friendship is repaired, so it’s left up to the readers’ imaginations. It might have something to do with feeling like an outcast because of her race and because her father is a blue-collar worker when the kids who live in the nearby apartment building are the children of white-collar workers. Because Jennifer feels different from other kids and often spends time alone, reading books and playing games of pretend, she might have felt uncomfortable explaining herself to Elizabeth, fearing that she might not accept her. Training Elizabeth to be a witch gave the two girls a reason to see each other, adventures to share, and something interesting to talk about. As long as Elizabeth needed Jennifer to teach her witch things, Jennifer would feel confident that she’d stick around as a friend. The girls gave that up when Jennifer realized that Elizabeth would be her friend anyway and might actually like her better just as Jennifer instead of a witch.

Cassie Bowen Takes Witch Lessons

Cassie Bowen Takes Witch Lessons by Anna Grossnickle Hines, 1985.

Cassie Bowen and Brenda Bolter have been friends for years, but lately, Brenda has been getting friendlier with Sylvia, another girl in their fourth grade class at school. Sylvia is a mean girl, and the favorite target of her meanness is Agatha Gifford, the new girl at school. Sylvia likes to call her “Saggy Aggy” and “Thrifty Gifford” because Agatha always comes to school wearing dresses that are too loose on her and Sylvia thinks that she probably got them at a thrift store. Most of the girls at school wear brand new jeans, not dresses. Agatha doesn’t bother to fight back when the other girls tease her, and Cassie doesn’t know what to say or do about it, even though the teasing makes her uncomfortable, too.

Even if the other girls are right about Agatha wearing used clothes, Cassie can understand. Cassie wears jeans like most of the other girls, but hers are actually hand-me-downs from an older cousin. (The story of my own youth, too. Thrift stores are the story of my present because I still don’t have much money, and anything I don’t spend on clothes is something I could potentially use to buy books, most of which will also be used because I like older books and because it maximizes my buying power. Life and budgets are about priorities.) Cassie’s mother hasn’t had money to buy new clothes since Cassie’s parents got divorced. The book is vague about what happened in Cassie’s family before the divorce, but Cassie’s father now lives in another state and doesn’t even write or communicate with the family, and he’s certainly not sending money. Cassie’s mother says that he’s got to sort out his life, and Cassie says that her father is kind of a “creep” now, but the book doesn’t go any deeper into it. It’s more important that Cassie’s family is now tight on money, and Cassie has mixed feelings about the divorce. On the one hand, she misses her father and wishes that the divorce had never happened, but on the other, she’s also angry with her father for his part in the divorce and the ways that he changed from the father she knew and loved before. Cassie’s mother says that everyone changes over time, and sometimes, when they change, they grow apart. Cassie will soon come to understand that better through her experiences with Brenda.

Cassie doesn’t like the ways that Brenda is changing, and she resents Brenda sharing the secret hideout they built with Sylvia without even talking it over with her. One day, when the girls are going to their secret fort, they pass the old house where Agatha lives with her grandmother. There are neighborhood rumors that Mrs. Gifford is actually a witch because her old house looks kind of creepy and she often does odd things, like talking to her plants. As the girls pass her house, they hear her talking to her flowers, and suddenly, Sylvia trips up Brenda so that she goes sprawling into the flower bed. As Mrs. Gifford laments about her flowers, Sylvia dramatically exclaims that they must pick some flowers and actually starts yanking more out of the bed until Mrs. Gifford angrily chases them off with a broom.

Cassie is appalled by the entire incident, although she admits that it was funny, watching Mrs. Gifford chase the other girls. Brenda is fascinated with Sylvia because of the daring way she likes to show off and grab attention, and it inspires her to do the same thing, finding ways to make fun of people or cause trouble. It upsets Cassie, who just wants Brenda to be the same Brenda she’s always known. Brenda also tells Cassie that Sylvia has amazing things in her room, like a collection of glass animal figurines. Sylvia even gives her one to keep. Also, Sylvia’s parents supposedly let her stay up as late as she wants, and she can usually get her way with them just by throwing a tantrum. Brenda thinks that all this is cool, which makes her different from the kids I knew growing up. Most self-respecting fourth graders were beyond tantrums and would have been called babies if they had admitted to having one at that age. Having great clothes and a lot of cool stuff in her room would have gone a long way, though.

When the children’s teacher, Mr. Gardner, assigns the kids partners to work on presenting a story to the rest of the class, Cassie hopes that she and Brenda will be partners so that things can be like they were before. However, Brenda and Sylvia end up being partners, and Cassie is assigned to Agatha. Cassie isn’t enthusiastic about it, and Agatha notices, but Cassie decides that she’s going to be as friendly as she can. She asks Agatha about which story she would like to present to the class because she doesn’t like reading that much, and Agatha says that she knows because she’s noticed that Cassie is better at math. Cassie is surprised that Agatha would know that, considering how new she is, and Agatha says that she envies her because she’s been having trouble with fractions. Agatha says that she really likes the story The Nightingale because it reminds her of a beautiful music box that her grandmother owns, and Cassie is fascinated.

One day, when Cassie’s brother is off playing baseball and Brenda and Sylvia are working on their project together, Cassie passes by Agatha’s house and is invited in. Cassie hesitates at first because the house is creepy, but she has to work on the project with Agatha, so she accepts. Agatha’s grandmother serves the girls rose hip tea and cookies. Cassie thinks that rose hip tea sounds weird at first, but it tastes nice. Mrs. Gifford is an eccentric lady, but rather sweet. She introduces Cassie to Roberto, her favorite plant. Part of the reason why she talks to plants is that she lived alone and was lonely before Agatha came to live with her. She is also a member of the same gardening club that Cassie’s mother belongs to. Cassie uses the cookies at tea to explain fractions to Agatha, and Mrs. Gifford shows Cassie her music box, which is beautiful. The music box is special to Mrs. Gifford because it was the last present her father gave her before his death, when she was about the age of the girls now. Cassie understands the feeling because she prizes the teddy bear that her father gave her before he went away.

The more Cassie learns about the Giffords, the less strange they seem, and she no longer believes that Mrs. Gifford is a witch. Agatha tells Cassie that she lives with her grandmother because her parents were killed in a car accident. The only other family she has is an older sister who is away at college, which is why Agatha can’t live with her. Cassie acknowledges that Agatha’s situation is worse than hers because, even though Cassie misses her father, she’s not an orphan. Agatha also explains that the reason why she wears those dresses to school is that her old school was a private church school, where all the girls were required to wear dresses. When Cassie explains to Agatha’s grandmother that there is no requirement about dresses at their school and that most of the girls wear jeans, Agatha’s grandmother is surprised and says that she didn’t realize, so she buys Agatha some new clothes, taking Cassie with them on their shopping trip.

The new clothes fit Agatha better, and Cassie hopes that they will help her fit in better at school, but Sylvia and Brenda won’t let up on the teasing. In fact, Sylvia seems irritated at Agatha dressing more normally and mocks her, saying, “What’s she trying to do? Act like a normal person?” Cassie tries to tell them that Agatha is normal, but they don’t believe her. Soon after, Brenda asks Cassie if she wants to hang out when she’s on her way to see Agatha again about their project. In an effort to get Brenda to ease up on Agatha, Cassie asks Brenda to come with her so that she can see for herself that Agatha and her grandmother are fine.

The Giffords are nice to Brenda, but during the visit, Mrs. Gifford’s special music box disappears. Agatha says that Brenda stole it, and Cassie gets offended by the accusation, saying that Agatha is making it up and telling her that she doesn’t want to be friends anymore out of loyalty to Brenda. Unfortunately … Agatha was right, and Cassie is shocked when she discovers the truth. Cassie retrieves the music box from Brenda, but with Brenda and Sylvia both angry at her for taking the music box back and Agatha and her grandmother probably mad at her for bringing Brenda to their house in the first place and siding with her over the theft, what is Cassie going to do?

I think the ending of the story is very realistic, although it does leave some things unresolved. Agatha does forgive Cassie for not believing her after Cassie returns the music box. Cassie doesn’t tattle on Brenda and Sylvia because they had accused her of being a tattletale earlier, but she does eventually tell her mother everything that has been happening with Sylvia and Brenda. Her mother reassures Cassie that she did the right thing, even if Brenda didn’t. She says that it sounds like Cassie is angry at Brenda for a lot of things besides this, and Cassie agrees that she doesn’t like it that Brenda is so mean sometimes. Cassie mother says that everyone changes, and sometimes, they change for the better and sometimes for the worse. Cassie doesn’t think she and Brenda will ever be friends again, and her mother says that someday Brenda will also get tired of Sylvia’s meanness, but even if she doesn’t, Cassie will find plenty of other friends. Cassie realizes that she and Agatha really do understand each other, and she’s glad when they make up. At school, Sylvia and Brenda both tease Cassie now, saying that she’s taking witch lessons from the Giffords. It hurts Cassie’s feelings to see her old friend turn against her, but she follows Agatha’s advice and ignores them.

Sylvia and Brenda are never punished for the things they’ve done, which is sadly the case for most of the little bullies I knew as a kid. However, it is nice that Cassie and Agatha realize that they are better friends for each other than either Brenda or Sylvia would have been. I noticed that there is also potential for them to be friends with other people in their class besides Brenda and Sylvia. When Cassie got to school at the end of the book, a girl named Stacy asked her if she wanted to play tether ball, which shows that other girls don’t think badly of her for hanging out with Agatha. I also wished that the book would show more of Pam, who had been Sylvia’s best friend at the beginning of the book before Sylvia and Brenda started hanging out. After being abandoned by Sylvia, perhaps she would also be open to making some new friends. Cassie and Agatha might have other options for making new friends.

There is no magic in the story or witchcraft of any kind. In fact, Brenda and Sylvia probably never really believed that Agatha or her grandmother are actually witches. It’s more that, for reasons of their own, Sylvia and Brenda were looking for someone to pick on, and the “witch” accusations were just their excuse. That’s why they were so irritated when Agatha started dressing like the other girls. If their excuse for bullying Agatha disappeared, they didn’t want to lose their ability to bully her. It was never about making Agatha dress or act like the other girls; it was always about Sylvia and Brenda’s need to have someone to victimize. The truth is that even if the Giffords had seemed less strange in the beginning, Sylvia and Brenda probably would either have picked on them anyway or maybe selected some other victim, perhaps going straight to Cassie as their first choice, because they were looking for a victim and would have found one eventually because that was always their goal.

A Spell is Cast

A Spell is Cast by Eleanor Cameron, 1974.

This story is fascinating and magical, partly because of other the stories that it reminds me of and partly because, at various points in the story, I was pretty sure that I knew what kind of book it was going to be, but I was never more than partly correct.

When young Cory Winterslow arrives at the airport in California, she expects to be met by her Uncle Dirk. Uncle Dirk has sent her letters before and a picture of himself, but they’ve never actually met in person. Cory is supposed to be spending Easter vacation with her relatives, the Van Heusens, a wealthy family living on an estate called Tarnhelm. Her mother, Stephanie, sent a telegram to the Van Heusens to tell them when Cory would arrive on the plane from New York, where they’ve been living, but no one shows up to meet Cory at the airport. This seems almost like the beginning of a gothic novel, with a young heroine on her way to meet people she’s never met who turn out to not really be expecting her and aren’t what they appear to be, but that’s not really the case here.

Fortunately, a sympathetic older woman who was also on the plane, Mrs. Smallwood, talks to Cory, who explains the situation. Mrs. Smallwood knows the Van Heusens, and she calls both the house at Tarnhelm and Uncle Dirk’s office. Apparently, Uncle Dirk never mentioned to his secretary that he needed to meet anyone that day, and he’s away on business until late. Nobody is home at Tarnhelm, but Mrs. Smallwood is optimistic that it’s all just an oversight. She says that she’ll give Cory a ride to the house. Cory is hesitant to accept a ride from a stranger because she and Mrs. Smallwood have only just met, but it’s raining and she doesn’t know what else to do, so she goes with her. This part seems a bit worrying, but you don’t have to worry because it’s not a kidnapping story.

On the way to Tarnhelm, Mrs. Smallwood points out local sights, and Cory asks her a bit about her relatives. Cory’s mother has always been reluctant to talk about her relatives in California. Mrs. Smallwood describes Uncle Dirk as a young man who never smiles. She says that his mother, Cory’s grandmother, as a high society woman who sometimes acknowledges acquaintances in public and sometimes doesn’t, depending on her mood, something that often offends Mrs. Smallwood, as one of those acquaintances. They also pick up a boy called Peter Hawthorne, who was out walking in the rain and needed a ride. He introduces himself to Cory as the president of the Explorers Club. His description of Cory’s Uncle Dirk doesn’t sound very favorable, either. However, he mentions that the sign for the mansion at Tarnhelm has a unicorn on it, just like the unicorn on the pendant that Cory wears, which she thinks of as her “amulet”, and Cory takes that as a hopeful sign.

Unfortunately, the Smallwoods’ car runs out of gas. Since it’s not raining anymore, Peter offers to walk Cory the rest of the way to Tarnhelm. Then, it starts to rain again, so they take shelter in a cave that Peter knows. While they wait out the storm, Peter asks Cory more about herself. Cory explains that she usually refers to her mother as “Stephanie” because she’s actually adopted. She later reveals that she doesn’t know anything about her birth parents because Stephanie doesn’t like to talk about them, saying that it makes her sad. Stephanie is an actress, and they’ve had to move around sometimes. Because she’s had to switch schools several times, Cory hasn’t made many friends her own age. Cory doesn’t always go with Stephanie when she travels for work, often staying at home with housekeepers (which she calls “lady-helps”) so she can continue going to school. Stephanie isn’t married, so Cory doesn’t have a father to take care of her. The reason why she has come to stay with her relatives during this school break is that Stephanie needs to travel again for her work and couldn’t manage to find new help to stay with Cory. This is the first mention that Cory’s “mother” isn’t really her mother and these relatives that she’s going to visit aren’t blood relatives. This is central to the plot of the book, but there’s a twist coming, and it’s not the twist that I expected. I had theories about the identities of Cory’s biological parents at this point that turned out to be completely wrong.

When the rain lets up a bit, Peter takes Cory the rest of the way to the house, although they leave her luggage in the cave because it’s too hard to carry it over the muddy ground. When they arrive at the house, the housekeeper, Fergie, welcomes Cory. She says that everyone has been in a tizzy about her because Stephanie actually sent multiple telegrams with different sets of instructions for picking up Cory, so nobody knew when she was really arriving. (This is the first indication that Stephanie is unreliable.) Fergie and her husband, Andrew Ferguson, both work for the Van Heusens, and they make Cory feel welcome at Tarnhelm, fussing over her and giving her and Peter a hot dinner. However, they tell Cory not to mention the cave to her grandmother because she wouldn’t understand, and she might be unhappy about Cory showing up at the house wet and muddy. Peter promises to bring Cory’s luggage up to the house later. If this were a gothic novel style of story, the servants would be strict, unhappy, uncaring, or putting on a facade of caring while being just plain sinister, but the Fergusons are exactly as caring and friendly as they seem to be. This isn’t that kind of book.

The Fergusons are Scottish and a bit superstitious. At dinner, they notice that Cory is left-handed, “cawry-fisted”, as they call it. Peter is intrigued that “cawry” sounds like “Cory”, and the Fergusons say that there’s a superstition that left-handed people are enchanted or bewitched. However, the Fergusons don’t think it’s a bad thing that Cory is left-handed and possibly bewitched; it’s just more of an interesting idea to them. This story isn’t as supernatural as I originally expected.

The Fergusons tell Cory that her grandmother and uncle are good, kind people, but they aren’t used to children and are fussy about some things. Uncle Dirk is known to be moody, and Cory’s grandmother likes things quiet and orderly. Cory starts to think that she might be happier with just the Fergusons, although she is still curious about her relatives. She hopes that they will like her, and maybe if they like her enough, they’ll let her stay longer so she can go to Peter’s school and join his Explorers Club because she badly wants friends. Issues about how to make friends add an element of teen drama to the story, but there’s more going on here than that.

The house is beautiful and charming, and Fergie gives Cory Stephanie’s old room, which Cory loves. It has beautiful, old-fashioned furniture and its own fireplace! She also shows Cory a collection of carved wooden masks hanging on the walls of the hallways that her Uncle Dirk made. Uncle Dirk is an architect, but he’s also been a wood carver. In Stephanie’s room, there is even a mask of Stephanie’s face, which Cory recognizes. During the night, she half wakes up and is aware of her grandmother and Uncle Dirk in her room, whispering about her, saying that she looks rather plain and something about somebody “getting used to” something. They don’t deny this conversion later when Cory asks them about it, and there is less sinister significance to it than it seems at first.

The next morning, Cory meets her grandmother and Uncle Dirk at breakfast. They greet her politely, but her grandmother says that she wants to have a word with Peter about how he should have taken her to his house until the rain stopped, not made her walk through the mud to Tarnhelm, ruining her shoes. Cory asks her not to say anything to Peter because she really wants to join the Explorers, and they wouldn’t let her in if they thought that she was afraid of a little mud. However, her grandmother reminds her that she’s only there for a short visit, and she doesn’t want her getting hurt or doing anything dangerous. Uncle Dirk is more sympathetic and offers to teach her to swim.

Mrs. Van Heusen brings up the subject of Stephanie, and during the conversion, she lets slip that Stephanie has never legally adopted Cory. Now, we’re getting to a major plot point of the story! Stephanie is consumed by her acting work and not good with paperwork, and Mrs. Van Heusen thinks it’s about time that she took care of the issue of Cory’s legal adoption. The news comes as a shock to Cory, who thinks that, not being legally adopted, she doesn’t really belong to the family at Tarnhelm. Both her grandmother and Uncle Dirk hurriedly reassure her that she is family to them and belongs at Tarnhelm and that the official paperwork doesn’t really make a difference to them. There is no danger in the story of Cory being rejected by this family, and they don’t have any objection to her visit or Stephanie’s guardianship of her. However, this is another of the early indications that Stephanie is not as attentive as she should be as Cory’s guardian and that there are aspects of Cory’s life and well-being that are being neglected. Cory is starting to develop a new awareness of these issues.

Cory asks her grandmother and Uncle Dirk about her birth parents because Stephanie has never explained who they were or what happened to them. Her grandmother says that it’s only right that she knows and that Stephanie really should have told her before. Uncle Dirk explains to Cory that her parents’ names were Lawrence and Coralie Winterslow and that they were friends of Stephanie’s when they were young, before they were even married. They all liked to go skiing together. Cory’s parents lived in England for awhile after they were married, and Cory was actually born in London. Then, her parents were killed in a skiing accident in Switzerland. Stephanie had been with them on that skiing trip, and before Cory’s mother died from her injuries, she asked Stephanie to take three-year-old Cory because she had no living relatives on her father’s side and she didn’t want to leave her child with her own relatives, for some reason. Cory is glad to know the story of her parents but sad at the same time and worried about not being legally adopted. Fergie suggests to her that she write to Stephanie about it and see what she says. (At first, I was expecting that there would be more intrigue about Cory’s parents’ deaths, but there’s nothing suspicious about their cause of death. The story that Uncle Dirk tells Cory is exactly what happened. The Winterslows were also definitely Cory’s biological parents. I thought that there might be some intrigue about that, but her birth parents were who Uncle Dirk says they were.)

Later, Cory also asks Uncle Dirk about the unicorn on the sign at Tarnhelm and about her own silver unicorn pendant. Uncle Dirk tells her that he has a fascination for British history and heraldry, which is why he carved the unicorn as the symbol of Tarnhelm. He also says that the pendant used to belong to Cory’s mother and that her father had a matching unicorn tie pin, although he doesn’t know what happened to it after his death. Cory wishes that she’d thought to ask Stephanie about it in her letter.

All of this explanation about Cory’s parents’ history sounds pretty straight-forward, although sad. However, the story doesn’t end there. Everyone has a history, and there are things about her Uncle Dirk that Cory doesn’t know yet as well as the reasons why Stephanie has never completed Cory’s adoption papers.

Cory becomes sick and feverish, spending a few days in bed. During this time, she has strange dreams, but not all of them are actually dreams. She remembers dreaming about a room with a chess set that has carved unicorns instead of horses as the knight pieces. Later, when Uncle Dirk plays chess with her, with a normal chess set, she mentions this dream, and both Uncle Dirk and her grandmother act strangely about it. Eventually, Cory comes to realize that her “dream” wasn’t just a dream, that she actually did get out of bed and wander around while she was feverish, but it takes some time before the full meaning of the chess set becomes clear to her.

Various people comment to Cory about Uncle Dirk’s moods and personality, hinting at past problems he’s had. Cory’s grandmother makes a comment to Cory about Uncle Dirk harming himself more than anyone else, except perhaps for one person, hinting at relationship troubles in Uncle Dirk’s past that contribute to his dark moods. Nosy Mrs. Smallwood also refers to the strange behavior of the Van Heusen family, often rude and unfriendly. While Mrs. Smallwood is a busy-body with issues of her own, she is correct in noticing the casual harm that various members of the Van Heusen family have done to people around them. It’s never intentional and they rarely notice the consequences of what they do, but that’s part of the problem. The Van Heusens are often selfish, thoughtless, and out-of-touch with other people’s feelings and the effects of their actions on others. Even Uncle Dirk acknowledges that members of the family are often hard on each other even when they care about one another.

However, the Van Heusens aren’t all bad, and some of them have changed somewhat over time. Mr. Smallwood, who is a more optimistic and level-headed person than his wife, tells Cory that his wife likes to live in the past, and while Uncle Dirk was a rather thoughtless young man who wouldn’t have made a good husband, he’s grown up since then. He says that Uncle Dirk has become friendlier and more thoughtful toward others, in spite of his occasional dark moods. But, since Uncle Dirk has never been married, what did Mr. Smallwood mean about him not making a good husband?

On the grounds of the Van Heusens’ estate, Cory spots what looks like the foundations of a house that was started to be built but never completed. Peter says that he and the other Explorers sometimes play around these foundations. Cory wonders who was planning to build a house there and why they never finished it. Uncle Dirk gets angry when he catches Cory and Peter snooping around the tower at Tarnhelm, where he keeps some of his old wood-carving things and where Peter finds some mysterious poetry.

Peter later takes Cory to visit Laurel Woodford, a young woman Cory met on the beach earlier, who helped Cory find her necklace when she lost it. Laurel is a weaver. Laurel lives by herself, but she says that she isn’t lonely because she has plenty of things to do that keep her busy. However, there is a kind of sadness about Laurel, and she has secrets of her own. She knows the Van Heusen family herself, and it wasn’t a happy experience for her.

Slowly, without Cory really doing any intentional investigating, the pieces of the past start coming together – Uncle Dirk, a marriage that didn’t take place, a house that wasn’t completed … and two identical unicorn pendants.

The story is haunting and magical, but not because of an real spells or magic. The only ghosts are the ghosts of the past. The book reminds me of a couple of other books that I’ve read, but explaining which ones involves some spoilers. I don’t mind giving spoilers for this story because I haven’t found a copy of this book that’s available to read online, and it’s something of a collector’s item now, with copies typically costing at least $20 and frequently more, although it’s sometimes possible to find one for less.

My Thoughts and A Few Spoilers

One of the interesting things about this book is that it reminds me of other books that I’ve read and liked. Some children’s books are mentioned in the course of the story because Cory likes to read, like The Five Little Peppers and How They Grew and The Story of the Amulet, but these aren’t the books that the story reminds me of.

Throughout the book, the Fergusons use various Scottish words and phrases, sometimes singing old songs or quoting from poems. Mrs. Van Heusen says that she particularly likes the Fergusons because her family was also from Scotland, and they remind her of her youth, which is a comfort to her. The Scottish element and the young orphan learning to make friends and become close to a new family remind me of Mystery on the Isle of Skye, although that book was actually set in Scotland. The books also have a similar feel in the way they approach the element of mystery in the story and the element of “magic” and “spells” that aren’t really magic spells. Both books have an enchanting quality to them, but it’s because of the atmosphere of the stories, not because there’s any actual magic.

During the course of the story, Cory learns more about what it takes to make friends. Peter realizes that Cory isn’t particularly good at making friends and confronts her about the reasons why. It’s partly because Cory has had to change school multiple times, but Peter has also noticed that Cory always waits for other people to approach her with offers of friendship and invitations to join in. If they don’t, she just feels hurt and left out instead of voicing her desire to join in. Even when she gets an invitation, her impulse is to reject it if she thinks it was only offered out of pity. Peter finds it annoying that Cory seems to need people to practically beg her to be their friend and join in activities. It reminds Cory of advice that Stephanie has tried to offer her before that she should just join in and not worry or assume that people don’t want her around. Even Fergie told her that if she wants to make friends, she’ll have to drop her pride, meaning that she’ll have to learn to make the first move and approach other people instead of waiting for them to come to her. This criticism is partly true, but Cory’s experience of life is that many of the things she wants also depend on the decisions of other people, and Peter comes to rethink some of what he said when some of his friends are less than accepting of Cory. It isn’t nice to be invited into a place where you aren’t really made to feel welcome and accepted. This is also a fitting description of Cory’s life with Stephanie, being largely raised by her hired help.

When Cory finally receives Stephanie’s reply to her letter, Stephanie’s selfishness and detachment from Cory’s life become increasingly apparent. Cory shares the letter with her grandmother and Fergie and outright asks her grandmother if she can stay in California. Her grandmother asks her if she won’t miss Stephanie because Stephanie is the only mother she’s known since she was little, but Cory says she won’t because Stephanie is gone so much and busy with her acting, leaving her with hired help. Fergie, while being hired help herself, is more maternal and says that situation is unacceptable, but Cory’s grandmother says that she’s not sure that she’s up to raising another child, that she’s old and wants her peace and quiet now. Even while Cory’s grandmother knows that her daughter is self-centered, she has a kind of self-centeredness of her own. When her grandmother gets dramatic about the worry Cory puts her through when she’s running around the caves with her friends, Cory realizes that Stephanie has been imitating her during her dramatic acts.

Cory begins to get the answers about her past and Uncle Dirk’s when Peter shares some treasure with her that he and other members of the Explorers have found and are hiding in a cave on the Van Heusens’ property. This treasure is part of the reason why some of the other Explorers have been less than welcoming to Cory, not wanting to share it and their secret hiding place with her. They’re worried that she’ll give their secrets away to the Van Heusens, and then, they’ll lose their treasure and their secret hiding place. However, among their treasures is a carved wooden box that Peter found, and it looks like Uncle Dirk’s carving work. Cory points out that the carved wooden box probably belongs to Uncle Dirk, and since it was on the Van Heusen land, he probably hid it in the cave himself. Peter, as the finder of the box, lets Cory have it to return to Uncle Dirk.

In the box, Cory finds four colorful feathers, four pretty seashells, a poem about an angry quarrel signed with the initials “L.W.”, a carved wooden bracelet, a woman’s scarf, and a small silver pendant that is identical to the one that Cory wears. However, the back of this particular unicorn has a rough spot where it used to be mounted on something else, and Cory realizes that this is the one from the tie pin that Uncle Dirk told her about, turned into a necklace. From these pieces, Cory begins to realize that the contents of the box are Laurel’s – her initials on the poem and a necklace made for her that Cory thinks must have come from her father. If that’s true, Cory thinks Laurel must be some kind of relation to her.

Cory also explores the room off the tower in Tarnhelm that contains the amazing chess set with the unicorn knights, and now that she’s no longer sick, she sees that the room also holds other furniture that Uncle Dirk made. Uncle Dirk was the person who started to have the house built, and he was making furniture to go in the house, but for some reason, he stopped and stored the furniture away because there was no new house to put it in. There are also carved masks of Laurel in the room.

Early in the morning, Cory decides to go see Laurel about what she’s found, knowing that if she waits, she’ll miss her because she’s about to leave on a trip. When Cory shows her the box that she’s found and asks her about the unicorn pendant and whether or not they’re related, Laurel tells her that they’re not related but that the unicorn did come from her father’s tie pin. Like my earlier theories, Cory’s theories about Laurel are partly right and partly wrong. After Cory’s parents died, Stephanie sorted through their belongings. She gave the little unicorn necklace to Cory, and she gave Cory’s father’s tie pin to her brother, Dirk. After Dirk got the unicorn tie pin, he had it made into a necklace for Laurel.

Laurel explains that, about seven years earlier, she and Dirk got engaged while they were still in college. However, Dirk was very spoiled by his mother after his sister left home and went to New York to do her acting. He was a very talented wood-carver and looked at himself as an artist who would never have to earn a living because his mother was very wealthy, and she encouraged him in his art. Dirk wanted to drop out of college and just spend his time doing wood carving, without caring much whether he ever made any money at it. Laurel argued with him about it because she didn’t like the idea of living on Mrs. Van Heusen’s money, and she broke off the engagement. Looking back on it, Laurel regrets doing that. She finished college and could have worked to support herself and Dirk independently, just as she’s been supporting herself these last several years, ironically with an art of her own, and with Dirk’s talent at carving, he might have ended up making money at his art anyway, doing something he really loved to do.

It was all about pride. Laurel was too proud to rely on Mrs. Van Heusen, who was happy to support her son’s art, and Dirk was both proud and spoiled and wanted everything his own way on his say-so without working things out with Laurel. Dirk was being a little selfish, but Laurel comes to realize that she was a bit selfish too because she refused to acknowledge how important Dirk’s art was to him and wanted him to be something else. At one point, Laurel wanted to make up with Dirk and talk things out, but he ignored her and refused to talk to her. She got so mad that she left the box of treasures in the cave where she and Dirk used to play as children and threw the engagement ring in the ocean. Since that time, she and Dirk haven’t been able to talk to each other, even though they both wanted to. Dirk gave up the woodcarving that he loved because it was a painful reminder of the reason why he and Laurel broke up. Instead, he went back to college and became an architect so he would have a profession of his own. However, he is given to dark moods because he misses both Laurel and his woodcarving and doesn’t know what to do about it.

The situation gets straightened out when Dirk, realizing that Cory is missing from the house and that fog is coming in, goes to Laurel’s house to make sure that Cory is safe with her. The three of them talk things over, and Dirk asks Cory to give him some time to talk to Laurel alone. Dirk and Laurel make up, and Laurel agrees to marry Dirk as they planned, on the condition that they both adopt Cory because she’s come to love Cory as a niece. Cory is overjoyed to hear the news, and Dirk plans to begin construction on the house that they’d started years before.

The story of the lovers parted by a prideful quarrel and the unicorns that bind them together reminded me of The Little White Horse by Elizabeth Goudge.

There is a scene when Stephanie shows up to claim Cory and take her back to New York, but the family talk it out with her. Stephanie admits that she took Cory partly because that was her promise to her old friend and partly out of guilt because the skiing trip where Cory’s parents were killed had been her idea. Mrs. Van Heusen tells her not to blame herself because she couldn’t have known what was going to happen and Cory’s parents chose to come on the trip with her. Stephanie further admits that she didn’t legally adopt Cory because she was aware that her lifestyle wasn’t particularly suited to bringing up a child, although she’s done her best, and because she knew that Cory did have other relatives. She doesn’t quite admit that she was hoping that one of these other relatives might take her someday, but she gives that impression. Cory’s relatives on her mother’s side haven’t tried to claim her because her grandmother on that side of the family was too old to look after her, and her aunt already had a large family and not much money. Stephanie loves Cory, even though she doesn’t really know how to raise a child and has found it difficult to care for her, and she feels betrayed at first when Cory says that she’d rather stay with Dirk and Laurel. However, Stephanie later apologizes to Cory for making a scene about it because it really would be better for everyone if Cory stayed in California, where she would have a stable life and Stephanie wouldn’t have to worry about her. Stephanie returns to New York on her own, and Cory tells Peter that she’s going to stay in California. Peter and the other Explorers welcome her into their club. Now that Cory knows that she’s going to be staying, everyone feels more like she truly belongs.

The Lancelot Closes at Five

The Lancelot Closes at Five by Marjorie Weinman Sharmat, 1976.

“Camelot” is the name of a new housing development being built in Shady Landing, New York. In the beginning of the story, Camelot has only three model homes, demonstrating what the houses in this new neighborhood are going to look like. In keeping with the Arthurian theme, the three model homes are called “the Excalibur”, “the Lancelot”, and “the Guinevere.” Abby’s family decides that they will buy a house there on the Excalibur model because they are tired of their crowded apartment in Brooklyn and Abby’s parents think that buying a house sounds like a good investment for future.

The move isn’t easy for Abby and her family. Abby doesn’t like leaving her old friends behind. There are several things wrong with the new house, including windows that are nailed shut, doorknobs that fall off, and a flooded basement. Also, the people who live in the village of Shady Landing don’t like the newcomers because trees were cut down to build Camelot.

However, Abby soon finds a friend, Heather Hutchins, who likes to be called “Hutch.” Hutch also lives in the new Camelot neighborhood. Hutch’s family is very health-conscious, believing in all-natural foods, which is why Abby doesn’t usually like to eat at their house, and Hutch’s mother is a very competitive person.

Then, Hutch springs a surprise on Abby. Hutch tells Abby that she wants to run away from home. She doesn’t want to be gone for long, just about day during the Memorial Day weekend. She doesn’t want to go far, planning to spend a night in the Lancelot model home. But, she wants Abby to come with her so she won’t be alone.

At first, Abby is a little reluctant, but Hutch is very persuasive, the idea does seem like a fun adventure, and hiding out secretly so close to home doesn’t seem too dangerous. In fact, since the public is invited to come and walk through the model homes, it doesn’t even seem like trespassing. Abby agrees to do it. The girls’ plan is to tell their families that they’re spending the night with each other but conveniently not mention where so they’ll assume that they’re just having a normal sleepover at each other’s house. Then, they plan to visit the Lancelot and hide there until it closes and all the other people leave.

When she proposes her plan, Hutch doesn’t explain her motives for wanting to run away for a day, and Abby decides not to question her, thinking that Hutch will tell her when she’s ready. She does note that Hutch doesn’t seem to get along well with her mother. Hutch’s mother doesn’t seem to connect well with other people in general, being more focused on what she wants them to do than on just acknowledging them or building relationships with them. Worse still, Hutch’s mother is what Abby calls a “scorecard mother,” always comparing her child to everyone else’s child, constantly keeping track of where Hutch is ahead and where she’s behind. Hutch’s mother has overly high expectations of Hutch and pushes for perfection. Hutch’s mother sometimes quizzes Abby about what she does to help out at home and how each of the girls are doing in school so she can compare them. Abby sometimes feels like she’s in the uncomfortable position of defending Hutch to her own mother.

The Lancelot model home is decorated in a fakey pseudo-Medieval style, in keeping with the Camelot theme. When Abby and Hutch sneak in, they pretend to be part of a family group touring the house and then hide under a bed until everyone else leaves. Their plan works, but staying in the house isn’t quite what Abby imagined it would be. The furniture is uncomfortable because it’s made to be looked at and not actually used. Not all of the appliances even work, like the tv, because they’re just for show and not for using. For their “supper”, Hutch has brought candy bars and pastries, things which her mother normally forbids her to have because they aren’t natural and will rot her teeth. Abby still can’t have some of them because she has food allergies and braces, but Hutch brings pound cake for her.

Hutch finally admits to Abby that her main reason for wanting to have this adventure is just to have the chance to do something for no other reason than she just wants to do it. Abby is right about Hutch’s mother. Everything that she wants Hutch to do is centered around gaining something – recognition, awards, physical health benefits, learning things and getting a mental edge. Hutch just wanted the chance to do something without a particular motive other than just wanting to do it and the fun of planning it out and pulling it off by herself, with the help of her friend.

Unfortunately, Hutch gets carried away with the success of her plan and turns on the lights, which attracts the attention of a passing police car, although the police just try the doors, decide that the lights were left on by accident, and leave without finding the girls. Then, Hutch doesn’t want to go to sleep and stays up, eating candy bars in bed, just because she’s normally not allowed to do that. Abby is uncomfortable in the big, fancy bed that isn’t meant to be slept in and can’t sleep, so she leaves and goes home, making Hutch mad. Abby spends the rest of the night sleeping in her sleeping bag in her family’s basement (which is no longer flooded) so she won’t give away Hutch’s secret.

Later, Abby feels guilty about abandoning Hutch, so she sneaks out early in the morning to check on her. Hutch got out of the Lancelot without being noticed, but she’s still mad at Abby for leaving her when she was trying to do something that was important to her. However, there is worse to come. The police hadn’t forgotten about something strange happening at the model home that night, and now, there’s a rumor in the neighborhood that the house was “vandalized” during the night (meaning the mess that the girls left in the house from the food they ate, trying to sleep in the bed, and using the bathroom). Abby is naturally a more timid person than Hutch, and while she has started to appreciate Hutch’s attempts to help her be more bold and take more chances, it makes her nervous that she and Hutch are the “vandals” whose escapades have now made the local paper. Abby’s father, an author, is even attempting his own investigation into the matter.

Abby is not only worried about repairing her friendship with Hutch but not getting found out for what they did. Then, one of the boys at school starts bragging, claiming that he and his friend were the ones who snuck into the Lancelot to hang out that night. He’s not the only one trying to claim credit for the stunt, either. Abby hopes that the whole thing will just die down and be forgotten, but Hutch doesn’t feel the same way. Even though she originally set out to do something just on a whim without looking for recognition, the idea that someone else might claim recognition for what she did galls her. What will happen when Hutch tries to reveal her role in masterminding the night in the Lancelot?

I purposely sought this book out online because I never owned a copy and I remembered it from when I was in elementary school, but the funny thing is that I don’t remember ever hearing the entire story when I was a kid. I think that my class might have just read a selection from the book, maybe as part of one of those story collections that has excerpts from books to demonstrate certain concepts and give samples of stories. I can’t quite remember now. All I remembered was that the main escapade was just a part of the story that took place at the beginning of the book, and the rest was about what happened because of the girls’ secret nighttime excursion. It makes the book a bit different from other children’s books about kids running away and hiding in usual locations, like From the Mixed-Up Files of Mrs. Basil E. Frankweiler, where most of the book takes place during the kids’ adventure and the kids’ parents are barely seen. In this book, the girls are mostly at their own homes, and the parents have prominent roles.

Runaways generally have two motives – getting away from something or going in search of something, and when you really think about it, they frequently have both. Hutch’s adventure is both about escaping from her mother’s oppressive rules and emphasis on perfection as well as undertaking something unusual and pulling it off for the sense of personal achievement. However, even though Hutch at first insists that she wanted to do it just for the sake of doing something that she wants, with no expectation of recognition or reward, it turns out that isn’t completely true. Part of the reason why she wanted Abby along was to get a sense of recognition from her for the accomplishment as well as her company. Her bad feelings toward Abby for abandoning their adventure and going home were partly because Abby didn’t value that type of uncomfortable adventure as much as she did and didn’t fully acknowledge the cleverness of her plan. Even if it started out as just a fun escapade, undertaken as a brief chance to break a few rules in secret, Hutch badly craves acknowledgement, just not in the form of the constant comparisons he mother makes between her and other people. What Hutch really needs is just to be acknowledged for being herself and to feel valued, no matter how she compares to others. In her attempt to make things right with Hutch again, Abby does something that she never thought that she would ever be bold enough to do: give Hutch’s mother a piece of her mind.

The book is available to borrow and read for free online through Internet Archive.

From the Mixed-Up Files of Mrs. Basil E. Frankweiler

From the Mixed-Up Files of Mrs. Basil E. Frankweiler by E.L. Konigsburg, 1967.

Twelve-year-old Claudia Kincaid is bored with her dull suburban life in Connecticut with her parents and her brothers. Her life also often seems unfair, like she has more responsibilities than her brothers do and she has more chores than her others friends. Basically, Claudia is bored and feeling unsatisfied with her life. She wants to get away from it all and have a little adventure … although not too much adventure because Claudia isn’t the overly-adventurous type.

Claudia is cautious and methodical. When she plans to run away from home, she carefully plans every step and invites her more adventurous nine-year-old brother Jamie to go with her, both for the companionship and because he is a tightwad and has the cash necessary to fund their adventure. Although Claudia and Jamie bicker as siblings, they’re closer to each other than to either of their other brothers. Jamie eagerly accepts Claudia’s proposition to run away, although at first, he’s a little disappointed when he finds out where they’re going.

Claudia plans for them to run away to New York City because, as she puts it, it’s “a good place to get lost.” The city is so big, Claudia is sure that two runaway children will be easily overlooked. She’s also found a great place for them to stay during their adventure: the Metropolitan Museum of Art. Claudia loves comfort, convenience, and beauty, and the museum can offer all of that without the fees of staying in a hotel. There are exhibits of furniture, which provide them with a bed to sleep in, and interesting exhibits to keep them entertained and educated, and all they have to do is evade the security guards. At first, Jamie thinks that sounds a little too tame, but their adventure soon proves to be exciting and challenging, with enough mystery to satisfy both of them.

Claudia and Jamie develop routines for sneaking around the museum, evading the guards, hiding the backpacks and instrument cases that hold their clothes, and raiding the coins in the fountain for extra money. One day, while they’re hiding in the restrooms and waiting for the museum staff to leave, the staff set up a new exhibit for an angel sculpture sold to the museum by the wealthy and mysterious widow Mrs. Basil E. Frankweiler, who is actually the person narrating Claudia and Jamie’s story in a letter to her lawyer.

Claudia develops a fascination for the angel and a desire to learn the truth about the theory that the statue was made by Michelangelo. Between the two children, Claudia is the more imaginative and romantic, but Jamie’s logical mind and zest for adventure serve them well as they delve deeper into the mystery. They do learn something important at the museum, but to get the full truth, they have to leave their planned hiding place in the museum and go see Mrs. Basil E. Frankweiler herself.

Mrs. Frankweiler is a delightfully eccentric student of human nature, who is fascinated by the young runaways who come to her for answers to a mystery hundreds of years old. In exchange for the details of their exploits, Mrs. Frankweiler gives the children a chance to locate the answers they’re seeking in her strange, mixed-up files. In the process, the children learn a secret that gives both of them the sense of being part of something secret and exciting and much bigger than their ordinary, hum-drum lives, which is what they were originally looking for when they ran away from home.

The book is a Newbery Award winner, and it is available to borrow for free online through Internet Archive (many copies).

My Reaction

During the course of the adventure, Claudia and Jamie become closer to each other than they were before they ran away from home. They learn a little more about each other and themselves, and neither of them is quite the same as they were before they started, which is at the heart of Claudia’s reasons for wanting to run away from home in the first place. The language and descriptions in the book are colorful, which is part of the reason why this book is popular to read in schools.

There were two movies made of this story. One is a made-for-tv movie version from 1995, although it changed some of the details from the original story. In the 1995 movie, there is a scene with Jamie getting sick and Claudia worrying about him and taking care of him that never happened in the original book. Also, in the movie, Claudia stops Jamie from taking the coins from the fountain when they had no qualms about raiding the fountain for money in the book. At the end of the book, the children don’t tell their parents where they were hiding when they return home, but in the movie, the parents do find out. There is also an older movie from 1973 which is sometimes called The Hideaways.

Ramona Forever

Ramona is in third grade now, and there are new changes coming in her life. At the beginning of the book, she and her sister Beezus still go to Howie’s house every day after school so Howie’s grandmother can look after them because both of their parents work, although lately Beezus has been finding other places to go after school, like her friend’s house and the library. That’s how Ramona knows from Howie that his rich Uncle Hobart, who has a job in the oil industry, will be coming to visit soon from Saudi Arabia. Ramona mentions it one night at dinner when her Aunt Beatrice is visiting. Aunt Beatrice says that she remembers Hobart from when they were kids and went to the same school, but she hasn’t seen him in years.

When Uncle Hobart comes, he brings a couple of small camel saddles for Howie and Willa Jean to play with. He also gives Howie a unicycle and Willa Jean a small accordion. When he meets Ramona, he embarrasses her by calling her Howie’s girlfriend and singing a verse from an old song about a woman named Ramona (links repaired Nov. 2023), and Ramona takes an instant dislike to him. She flat out tells him that she doesn’t like adults who tease (Neither do I, and I’m in my 40’s.), and he promises to reform, although Ramona thinks that he’s still joking around and isn’t satisfied.

Uncle Hobart takes Howie outside to learn to ride the unicycle, and Willa Jean and Ramona try the accordion. When neither of them can figure out how to use it, little Willa Jean gets frustrated and sits on it, breaking it. Howie’s grandmother, Mrs. Kemp, gets angry at the girls, and Ramona thinks that the accordion was a dumb present to give to a little girl who wouldn’t be able to use it properly for years. Mrs. Kemp tries to shame Ramona to Uncle Hobart, blaming her for the incident. (As if Ramona was the babysitter instead of Mrs. Kemp, who incidentally, is being paid by Ramona’s parents to watch her as well as watching her own grandchildren. Ramona didn’t think of this, but I certainly did.) Ramona never really liked being watched by Mrs. Kemp, but the blaming and shaming makes her realize that Mrs. Kemp actually doesn’t like her and wants to make her feel bad, which is a disturbing feeling from someone who is supposed to be taking care of her. Ramona decides right then that Mrs. Kemp will never look after her again.

When the family talks about the situation at dinner that night, Beezus supports Ramona’s assertion that Mrs. Kemp doesn’t like them, saying that’s the reason why she’s been trying to find other places to go after school. Ramona’s mother asks her if she ever thought that maybe Mrs. Kemp would rather not be a babysitter at all, for either her grandchildren or Ramona, but women of her generation were only brought up to take care of their homes and children, and that’s all she knows how to do, whether she likes it or not.

Personally, I think this is true, but also irrelevant. Mrs. Kemp has a job to do, one that she’s being paid for, and if she’s taking the money, she also needs to take responsibility. Mrs. Kemp blames Ramona for not watching Willa Jean when that was her job, not Ramona’s, and Mrs. Kemp also has a responsibility to Ramona herself because that’s what she’s being paid for. Ramona is Mrs. Kemp’s babysitting charge. She’s a child, the child of paying customers who are specifically paying Mrs. Kemp for childcare. Ramona is not Mrs. Kemp’s personal servant or the babysitter for her granddaughter. Ramona is especially not Mrs. Kemp’s personal therapist or caregiver, who needs to help her manage her emotions or life decisions. Ramona is a child who is only with Mrs. Kemp for the purpose of being cared for by her, so let’s keep it straight who has a responsibility to whom in this situation. Besides not liking adults who tease like bratty children, I also don’t like adults who try to make kids be responsible for things that they should be responsible for themselves. Seeing Mrs. Kemp accepting money in exchange for irresponsibility and a bad attitude about her own general life choices that she takes out on her childcare charges is that much worse. Mrs. Quimby’s insights, while probably true, are also completely unhelpful to the situation. Mrs. Kemp is what she is, and what she is does not make her a good caregiver. Ramona and Beezus are correct to call her on it. Mrs. Quimby is concerned about hurting Mrs. Kemp’s feelings, but I think that should be the least of her concerns in this situation since Mrs. Kemp doesn’t seem to care about the children’s feelings and she’s in a position of trust over them. She is demonstrably not doing the very thing she is supposed to do, which care for the children she is paid to provide with childcare. You have one job, Mrs. Kemp, just one job! Mrs. Kemp is an adult, more than old enough to know better about how to behave and take responsibility for herself and the young children in her care, and she should choose to act like it or be prepared to face the consequences, not continue to get paid and thanked for work she’s not even willing to do, making her young charges miserable every single day. She’s taking advantage of the Quimbys’ desperation for child care, and that’s not right. I wished Mrs. Quimby would step up and support her daughters’ efforts to stand up for their well-being instead of enabling Mrs. Kemp’s bad behavior and making excuses for it, as if it were somehow Ramona’s fault that Mrs. Kemp doesn’t like being a babysitter and that eight-year-old Ramona actually has the power to solve Mrs. Kemp’s life problems. I can only suppose that the reason why Mrs. Quimby doesn’t is that she just doesn’t know where else to find someone willing to watch the girls after school.

Mr. Quimby asks Ramona what she thinks she should do about the situation, and Ramona hates being asked that because she wanted help from the grown-ups, not the responsibility of figuring out the problem with her adult caregiver by herself. Again, I really have to side with Ramona here. It’s not her job to be the adult in this situation, and the older I get, the less patience I have for irresponsible adults. I hated them when I was a kid Ramona’s age (and I ran into plenty of them, too), and I don’t feel any better about them 30 years later. If you want the authority of saying that you’re an adult, you have to take the responsibilities that come with that authority, taking the adult actions and making the adult decisions, not expecting the kids to do your job for you. That’s my attitude. I honestly don’t know what response Mr. Quimby was even looking for from Ramona, either. What can Ramona do if Mrs. Kemp is unhappy about her life choices and doesn’t treat her well because she doesn’t want to be her babysitter? Get some books on psychology from the library and turn into a therapist or career counselor at the age of eight to help Mrs. Kemp work through her emotional issues? Invent a magic potion that will age her to 58 so she can be Mrs. Kemp’s new best friend and they can go out for champagne brunches together instead of Mrs. Kemp babysitting her? What solution are you imagining here, Mr. Quimby? Ramona is an eight-year-old, and what what she thought she should do about this bad situation was talk to her parents, who hired Mrs. Kemp to take care of her in the first place, and get their help. How was she supposed to know that you didn’t want to help her, either? If I were one of the parents in this situation, I’d say that I understood the problem and that I’d think over some other after school possibilities for the girls, maybe look into some temporary care for the girls, possibly in the form of some kind of after school lessons in art or music or sports, paid for with the money that I would have given Mrs. Kemp for babysitting, especially since I already know that the Quimbys are already considering some coming changes for their family that will change their childcare situation. Of course, all of this is setting the stage for what happens next in the story.

Ramona asks if she can just stay home alone after school because some kids do, but her parents don’t like that idea. Beezus says that she could stay with Ramona because she’s in middle school and old enough to babysit. Ramona worries a little that Beezus will be bossy and that they’ll fight with no adults around, but Mr. and Mrs. Quimby agree to let the girls try it for a week while Uncle Hobart is visiting so Mrs. Kemp can spend more time with her son. If the arrangement works and the girls behave themselves, they can keep doing it after Uncle Hobart leaves.

Ramona asks Beezus why she’s so willing to look after her after school, and Beezus explains that things haven’t been to pleasant at her friends’ houses lately. Mary Jane needs to spend a lot of time practicing her piano lessons, and she got into a fight with Pamela because Pamela was acting like a snob and giving her a hard time about her dad’s work situation. Mr. Quimby has had a series of different jobs, and now, he is working only part time and going back to college to train to become an art teacher. Pamela has been bragging to Beezus that her father has a real job and that Mr. Quimby should “stop fooling around and really go to work.” (This is one of those snide kids’ comments that you can tell really came from Pamela’s parents and that she’s just repeating what they say to sound big. Pamela’s parents have probably been bad-mouthing the Quimbys behind their backs to talk themselves up because their employment has been more stable and some people need to look down on someone in order to feel good about themselves. I’ve seen that type before, too. By this point in the story, I had the feeling that the Quimbys seem to know a lot of people who are real jerks in one way or another, and I think it’s time that they made some new friends.) Beezus can’t take it anymore, so she’s stopped speaking to Pamela, which is about all you can do in a situation like that.

Beezus worries about their family’s future because she’s heard that schools are laying off teachers, and she fears that her father might not find a job when he’s done with his degree. She also think that their mother is probably pregnant because of the way that Aunt Bea keeps asking her how she’s feeling and a few months ago, she seemed to be suffering from morning sickness. If that’s true, she probably won’t be able to work much longer because she’ll have to take time off to have the baby and look after it. It make things difficult when the family is already concerned about money, although Beezus says that she wouldn’t mind helping to look after a baby because she likes babies. Ramona worries about the new baby and why their parents would want another child when they already have her and her sister, and she doesn’t like that the adults seem to be keeping important secrets.

The girls try to be extra good and responsible when they’re home alone together so they’ll be allowed to continue staying home alone, but they get into a fight one day when Howie comes over and offers to let Ramona ride his bike because he’s going to practice riding his unicycle. Beezus is afraid that Ramona will get hurt riding the bike and she’ll be considered responsible, but Ramona wants to go ahead and do it anyway because she’s been waiting for Howie to agree to loan her his bike. Ramona likes riding the bike, but she does fall off and scrape her elbow. Beezus refuses to help Ramona clean up afterward because Ramona insulted her before she went bike riding, and Ramona is angry with Beezus. In spite of that, the girls decide not to tell their parents about what happened because they don’t want to go back to Mrs. Kemp and their father specifically tells them not do anything to worry their mother, another sign that she’s probably expecting a baby.

Then, one day after school, the girls discover that their cat, Picky-picky has died, probably of old age. At first, they don’t know what to do, but remembering that they’re not supposed to upset their mother, they decide to bury the cat themselves. The girls are upset, but they manage to bury the cat, and they also make up with each other after their earlier fight. When their parents come home and find out about the cat, they feel badly that the girls had to handle the situation on their own. Mrs. Quimby says that, after they handled this difficult situation, she knows that they can be trusted on their own and that there’s no need for them to go back to Mrs. Kemp.

The girls’ mother finally admits that she’s going to have a baby, and the family begins talking about the new changes that they’ll have to make when the baby comes. The girls wonder who will have to share a room with the new baby, and they come up with ideas for names. Ramona worries about being a middle child now and not the youngest, but her mother reassures her that she still loves her. The Quimbys also consider that they may have to move in order for Mr. Quimby to find a teaching job, although Beezus and Ramona don’t like the idea of moving.

However, there are still more changes to come. Aunt Bea and Uncle Hobart announce that they are getting married! Ramona still doesn’t like Uncle Hobart and doesn’t really want him for an uncle, and after they’re married, they’re planning to move to Alaska because Uncle Hobart will be working in the oil industry there.

Changes aren’t always easy, but the girls enjoy taking part in their aunt’s wedding, and at the end of the book, their mother has the new baby, who turns out to be a girl. They call her Roberta, for a twist on her father’s name. Ramona begins to feel happy and comfortable with the changes in her life because she realizes that she’s growing up.

The book is available to borrow and read for free online through Internet Archive (multiple copies).