The Mystery in Old Quebec

mysteryoldquebecThe Mystery in Old Quebec by Mary C. Jane, 1955.

Mark and Kerry, a brother and sister, are visiting Quebec with their father, who is on a business trip. Their father allows them to explore the city on their own during the day while he works (something that would be unlikely to happen in modern times). The kids enjoy sight-seeing and learning French words and phrases.  They even make a new friend in the city, but they are troubled by events at the quaint little inn where they are staying.

On their first day there, Kerry’s coat mysteriously disappears and reappears with some strange messages in the pocket.  A boy wants them to take a message to someone in the city.  At night, Kerry hears someone crying in the next room. Is the boy being held prisoner at the inn? If so, why? Kerry and Mark are determined to help in any way they can, but time is running out.

The book is currently available online through Internet Archive.

My Reaction and Spoilers

mysteryoldquebecpicThe solution to the mystery involves family quarrels, custody issues, and racial tensions. In spite of that, this is actually a very gentle story.  In the end, the kids are dependent on the people the mysterious message was intended for to help a troubled, lonely child.  It turns out that the boy is an orphan, and some of his relatives are white, and some are First Nations (Native American). There is a fight for the boy’s custody, but the boy knows where he really wants to be.

The author describes the atmosphere of Quebec in some detail. The famous landmarks probably haven’t changed much, although I don’t know if all the descriptions are accurate anymore. I also thought it was interesting how the author includes some French phrases and their pronunciations and translations as the kids learn to communicate with French-speaking people in the city.

The Blue-Nosed Witch

BlueNosedWitchThe Blue-Nosed Witch by Margaret Embry, 1956.

Blanche is still a very young witch, but because of her magnificent blue nose (which she can make glow at will), she’s allowed to join a group of adult witches, Scurry No. 13.  Their specialty is beautiful flight formations on their broomsticks, and they’re planning a special one for midnight on Halloween.

But, Blanche has a bad habit of being late to everything.  Some of the other witches have started complaining about her, saying that she’s too young and irresponsible to be part of Scurry No. 13.  If she’s late for the flight on Halloween, they might decide to send her back to Scurry No. 2 1/2 with the other young witches, where she’d only be allowed to ride a whisk broom.

To make sure that Blanche will be on time for Halloween, her friend Josephine sets her alarm ahead a couple of hours to give her extra time to get ready.  Unfortunately, Blanche doesn’t know that Josephine did that, so she sets her alarm ahead herself.  When she wakes up on Halloween night, it’s still early evening, instead of late at night.

BlueNosedWitchPic1Blanche looks for her fellow witches but ends up joining a group of trick-or-treaters by mistake.  They love her blue nose and introduce her to the idea of trick-or-treating.  Thinking that even the grumpiest man in town would be impressed by Blanche’s amazing nose, they stop at his house, too.  The old man isn’t impressed by anything and plays a mean trick on the kids.  However, Blanche is a real witch, and she and her cat Brockett give the old man a real Halloween scare.

Blanche is having fun on Halloween, but will she keep track of time well enough to join the other witches in their flight?

Even though this wasn’t written to be an historical novel, in a way, it kind of is now.  One of the interesting things about this book is that you can tell from the way the kids are trick-or-treating that it’s the 1950s.  Kids today don’t get jelly donuts or apples while trick-or-treating, and in this day of giving out only prepackaged treats for safety reasons, the kids would probably have to throw them away if they did (sigh).  Also, there is still the implied threat of Halloween tricks when the kids go asking for treats, something less common today.  Instead of saying “Trick or treat!”, the kids say “Candy or cake or your windows we’ll break!” (although the kids later promise the adults that they’re not going to soap any windows).  My mother said that the popular saying when she was young was, “We are the beggars of the street.  Do we soap, or do we eat?”

The book is available to borrow and read for free online through Internet Archive.

BlueNosedWitchPic2

Candleshoe

candleshoeCandleshoe by Michael Innes, 1953.

I own the movie version of the book, which was originally named Christmas at Candleshoe (although it’s not about the holiday).  It contains the text of the original story, but the picture on the front cover is from the movie.

The Disney movie is very different from the original book.  For one thing, the hero of the story is a boy (Jay), not a girl (Casey/Margaret), and unlike the movie version, the child’s identity is established for certain by the end of the book. The book has a happy ending, and so does the movie, but part of the movie’s point was that the idea of family isn’t dependent on blood relations alone, so it isn’t important whether Casey is really Margaret or not (although there are strong hints that she is).

The book is a bit hard to follow at first because it jumps back and forth between different places and different sets of characters, although it all takes place during the course of a single day and night.  Actually, I’m not sure this can really be called a children’s book, but I included it here because of the movie tie-in.  Because of the difficulty level of the book, I’d really recommend it for older children or adults.  Personally, I have to admit that I liked the movie better.

The story takes place in the mid-twentieth century, after WWII. There are two manor houses involved, Benison Court and Candleshoe. Benison Court, the newer of the two, is owned by the Spendloves, and Candleshoe, the older one, is owned by the elderly Miss Candleshoe. The two families are related, and neither one of them has as much money as they used to. The Spendloves take in some extra money by offering tours of Benison Court and showing people paintings and antiques owned by the family for generations. To raise some additional money, they decide to sell a couple of the paintings by Titian. To their surprise, the expert they call in to evaluate the paintings tells them that the paintings are forgeries.  Archdeacon, who cares for the antiques and library at Benison, reminds the Spendloves that during the war, the paintings were sent to Candleshoe for safekeeping.

Meanwhile, a couple of American tourists, the wealthy Mrs. Feather and her son Grant, having seen Benison, stop by Candleshoe. Mrs. Feather is fascinated by the old place, in spite of its state of disrepair, and Miss Candleshoe invites them to have dinner there and spend the night. Mrs. Feather has an interest in purchasing Candleshoe for herself and fixing it up.  Miss Candleshoe and her longtime friend, the retired chaplain, Armigel, know that there is not enough money for them to fix up Candleshoe, and they like the idea of traveling, so they are willing to consider selling the manor house. This plan does not sit well with Jay, the orphaned son of Miss Candleshoe’s housekeeper, Mrs. Ray.

After Mrs. Ray died, Miss Candleshoe cared for Jay, and now, with Miss Candleshoe and Armigel showing signs of senility, Jay has been handling much of the practical running of Candleshoe. On this particular evening, Jay is worried about more than the possible sale of the property. He has been noticing strange people paying unusual attention to the house. He suspects, correctly, that they intend to break into the house that night, and he has assembled a small army of local children, armed with antique weapons, to defend the place. Grant, befriending Jay, admires the boy’s practical turn of mind but worries that they are not up to the task of handling the siege that is coming to this isolated country house. As the danger presses closer, the Spendloves, Archdeacon, and the art expert are heading toward Candleshoe in search of the missing paintings.

The answer to all of these problems may lie in the strangest feature of the house: the Christmas box, a stone monument in the gallery made by Gerard Christmas and dedicated to the memory of an ancestor of the Candleshoes, who may have been a pirate. According to the lore of Candleshoe, the box will open at a time when Candleshoe is in crisis and will save the day.

The book is available online through Internet Archive.

But, is Casey Really Margaret?!

I think so. I want to say, “yes, she is,” but “I think so” is about as definite as I can be because the movie changed the story from the original book.

Whether or not Casey is actually Margaret, the lost heir to Candleshoe, is the burning question everyone is left with after watching the Disney movie Candleshoe. The movie deliberately left Casey’s true identity unresolved at the end, probably because they wanted to have the people at Candleshoe decide to accept her into their family on her own merits, not just because they had to because she’s the heir to the place. In the beginning, the audience is told that missing heir of Candleshoe, Margaret, was kidnapped as a young child by her own father, apparently in some kind of marital/custody dispute, and that she disappeared after his death in a car accident and has not been located although attempts to find her were made in the ten years that have passed since her disappearance. Casey is a teenage girl who was apparently an abandoned child with an unknown past and no memory of her early life who bears an odd resemblance to Margaret, including a couple of distinctive scars that are like ones Margaret was known to have. She is recruited as by con artist to play the part of Margaret, returning to Candleshoe as the lost heiress in order to gain access to the house and find a hidden treasure. Although Casey initially came to Candleshoe under false pretenses as part of a con with the promise of a share of the Candleshoe treasure and a red Ferrari as her payment, she eventually becomes fond of the people there and decides that she can’t let them be cheated by the real villain. Casey proves herself to be part of the Candleshoe family through her loyalty to them, and in the end, they would accept her whether she really was Margaret or not. It’s a nice sentiment, but viewers still have the urge to ask who Casey really is.

Casey is legitimately an orphan or abandoned child, found at about the right time and the right age and in the right place to really be Margaret. She has no memory at all of her early childhood, her parents, or where she came from, and she also bears some telltale scars that match ones that young Margaret was known to have. That’s what we’re told about Casey. Casey’s history is never explained in detail in the movie (we never find out under what circumstances she was found and entered into the Los Angeles foster care system), but from what we do know, her history meshes well enough with Margaret’s known past that it would seem plausible for her to actually be Margaret. Is she really Margaret, and Harry Bundage, the con man, just persuaded her that she was only pretending in order to use her for his own ends? Or, is the real Margaret still out there somewhere? If Casey actually is Margaret, did she lose her memory in the car crash that killed her father, or did he abandon her somewhere before his death, even though he had kidnapped her from her mother and took her to a completely different country?

When Harry Bundage is briefing Casey about Margaret’s background, he poses the theory that Margaret was in the car when her father crashed it and that she may have wandered off in a state of shock after the accident. That explanation might be partly for the benefit of the viewers, helping to explain how Casey could be Marget and not remember it. A young child suffering from shock might be unable to tell anyone who she was or what had happened to her. An accident may even have left some bruising that might have obscured the telltale scars that could have identified her, but again, the matter is never fully settled, and we just don’t know enough of Casey’s background to make a full connection. There are enough pieces to make it possible, maybe even probable, but nothing that definitively settles the matter.

In the final scene of the movie, Casey asks Margaret’s grandmother what will happen if Margaret is ever really found and comes home, and the grandmother says cryptically that maybe she already has. It’s a brief hint that the grandmother thinks Casey might really be her kidnapped granddaughter, even though she accepts that Casey was lying to her earlier about things she said she remembered and knows that Casey herself thought that she was just an imposter. Casey does have those telltale scars, and it does seem like quite a coincidence that two random girls of the same age and similar circumstances would have identical sets of scars. However, the movie stops short of declaring that Casey really was Margaret all along, and the unanswered questions still rankle viewers. So, some of us turned to the original book to get more detail, but it turns out that it doesn’t completely help.

As I said, the original book was different from the movie. Not only was the child hero in the book a boy instead of a girl, he wasn’t kidnapped and taken to America the way that Margaret was. In the book, Jay definitely knows who his mother was, and it’s the question of who his father was that establishes his identity as the heir to Candleshoe. It turns out that Jay’s father was the nephew of the lady of Candleshoe, making her his great-aunt rather than his grandmother. Her nephew had been a ne’er-do-well, and although his family didn’t know it, he had married an American woman before his death. He died not too long after the marriage, but by that point, he had fathered Jay. Jay’s mother knew about her husband’s family, but she wasn’t sure yet whether or not she wanted to tell them about Jay. She took the job as housekeeper so she could observe the family and decide whether or not to reveal their relationship. Unfortunately, she died in an accident before she made up her mind. By the end of the book, Jay’s identity is established, and he is definitely proven and recognized to be the heir to Candleshoe, and because of that, I believe that Casey really is the missing Margaret. At least, that’s as close to confirmation as we’re likely to get. If the child in the book was the rightful heir to Candleshoe, it would make sense if the child in the movie was, too, even if it’s not really the same child.

Of course, that’s not full proof, and it doesn’t answer the questions about Margaret’s kidnapping or her father’s accident or how Casey was found and placed in foster care in California without anyone else connecting her with the missing Margaret when Margaret’s disappearance was reported to the authorities and newspapers. I have a theory that Harry Bundage was right that Margaret was in the car during the accident and that she did wander away from the scene of the accident in shock and possibly suffering injuries that covered up her identifying scars, but that’s still just a theory. There’s nothing in the movie or book that I could use to prove it. We don’t even know exactly why Margaret’s father in the movie kidnapped her in the first place or why Margaret’s mother died not long after she disappeared. (A convenient accident or illness for story purposes so there’s one less person to try to identify Casey/Margaret, or did she kill herself out of despair at the loss of her husband and daughter? The movie doesn’t say, so those are just guesses, too.) There’s a lot of backstory missing, and the book doesn’t clarify these points because of the differences between the book and movie. I guess it’s not really important to the story in the movie, but inquiring minds still want to know.

Basil of Baker Street

BasilBakerStreetBasil of Baker Street by Eve Titus, 1958.

Some people may recognize the title character from Disney’s The Great Mouse Detective.  This is the original book that the Disney movie was based on, although the movie was very different from the original book.

The part that is the same is that Basil is a mouse who lives in the house of Sherlock Holmes at 221 B Baker Street. He and some other mice have built a little town they call Holmestead in the cellar.  Although Sherlock Holmes is unaware of Basil’s presence, Basil studies his methods and copies them, becoming “the Sherlock Holmes of the Mouse World.”  Like Sherlock Holmes, Basil also has a narrator for his stories, his best friend and fellow mouse Dr. Dawson, and they solve cases for their fellow mice in trouble.

BasilBakerStreetPicIn this book, Basil’s skills are put to the test when he is hired by his mouse neighbors to find their two missing daughters, a pair of twins named Angela and Agatha.  The twins have been kidnapped, and soon, a note arrives, saying that all the mice in Baker Street have only 48 hours to evacuate their home if they ever want to see the twins again.  A gang called The Terrible Three want to use Holmestead as their headquarters.  With only two days to solve the case, Basil and Dr. Dawson set out to find the gang and rescue the twins so that they can keep their wonderful home!

Basil of Baker Street is actually the first book in a series about Basil’s cases, and I think it’s really the best book in the series.  It is currently available online through Internet Archive.

Twenty and Ten

TwentyTenTwenty and Ten by Claire Bishop, 1952.

The story takes place in occupied France during World War II.  Children were often sent to the countryside to escape the violence of war, and a group of twenty children, both boys and girls, are staying at a small school taught by a nun, Sister Gabriel.  Most of them are about eleven years old, although four-year-old Louis is allowed stay at the school with his older sister, Denise.

Janet, another student at the school, tells how a strange man comes to the school and begs them to help him hide ten Jewish orphans from the Nazis.  Sharing their school with these newcomers means that they will have to share their already meager rations with them and to keep their presence at the school absolutely secret.  In spite of the danger and difficulty, everyone at the school agrees to help.  They think of it as being like when Mary and Joseph had to take baby Jesus to Egypt to hide him from King Herod, a story they had recently acted out in play form.

TwentyTenPic1The two groups of children soon make friends, and one of the Jewish children, Arthur, shares something special with his new friend, Henry: a small piece of chocolate.  With the rationing, none of them have seen chocolate in a long time.  Henry decides to share a little with Janet because he likes her, and they decide to hide the rest and save it for later.  When Denise spies them with the chocolate and wants to have a little herself, she steals the piece of chocolate from where Henry has hidden it. The others chase after her to get the chocolate back, and they end up accidentally discovering a cave that none of them knew was there.

This becomes a vital discovery when the children spot a pair of Nazis heading toward their school.  Sister Gabriel is away, so the children have to take care of the situation themselves.  Quickly, Arthur leads the other Jewish children to the cave, where they can hide.  The other children remain at the school and try to keep the Nazis from learning anything.  They try not to even talk to the Nazis when they start asking questions.  But, how long can they keep it up?  Something has obviously happened to Sister Gabriel, and the Jewish children can’t hide in the cave forever.

There is a movie version of this book called Miracle at Moreaux.  The movie differs significantly from the book.  In the book, the children at the school are all welcoming to the Jewish children, but in the movie, some of the children at the school are afraid of the Jewish children (there are only three of them in the movie), one of them in particular hating Jewish people because she believes anti-Semitic stories she’s heard.  Also, instead of the cave that appears in the book, the movie uses a Christmas pageant as the device for confusing the Nazis and allowing the Jewish children to escape to Spain (instead of staying at the school until the end of the war, as they did in the book).

This book is available online through Internet Archive.

The Secret of Roan Inish

The Secret of Roan Inish (aka The Secret of the Ron Mor Skerry) by Rosalie K. Fry, 1957, 1959 (first US edition), 1995 (movie tie-in).

This is the book that the movie The Secret of Roan Inish is based on. The movie tie-in book contains the text of the original book, which was called Secret of the Ron Mor Skerry (Child of the Western Isles), and pictures from the movie (the original book had black-and-white drawings). The movie follows the plot of the original book fairly well, although the location was changed to Ireland and some of the names were altered to reflect the change in location. For example, the family name in the book was McConville, not Coneelly, and Fiona’s cousin was Rory in the book and Eamon in the movie. My book, like the original, takes place in Scotland, and notations under the pictures call the characters by their original names.

Ten-year-old Fiona has been living in a big city ever since her family left the island of Ron Mor about four years earlier to seek new jobs and new opportunities. However, Fiona’s health has been poor, and her doctor has advised her to return to the seaside for the healthier atmosphere. The book begins with her journey to stay with her grandparents who still live close to Ron Mor. Fiona’s homecoming is tinged with both sadness and hope, as she reflects on the mysterious disappearance of her baby brother the day that her family left the island.

Although her brother apparently floated out to sea in his cradle after being left unattended on the beach, Fiona has the feeling that he is still alive somewhere close to the island. She learns that her cousin Rory also believes the local rumors that the boy is still on Ron Mor in the company of the seals that populate the area around the island. Moreover, Rory and other family members share Fiona’s longing to return to their old home and their family’s traditional way of life as fishermen. Fiona’s determination to find her younger brother and bring him and the rest of their family home to the island is touching and emphasizes the importance of family ties.

There is also an element of fantasy because of the story that Fiona’s grandfather tells about the family’s heritage, which helps explain their special connection to the sea and seals around the island. He and other members of the family believe that one of their ancestors was a selkie, a magical person who could change into a seal.  The story is gentle and upbeat, which makes a nice change from a lot of modern children’s books.  I think that it’s just plain magic.

Something that the book clarifies, which is more vague in the movie, is that everyone in Fiona’s family, except for her little brother, has red hair.  All of the McConvilles always have red hair, except for those who are apparently closer to their Selkie ancestry, who have very dark hair.  They couldn’t clarify that point in the movie because the girl playing Fiona is blonde, and everyone else has different hair colors, but that’s why her brother is so markedly different in his appearance.

Physical copies of the original book are expensive collectors’ items, but there is good news: it’s now available on Kindle and through Internet Archive (where you can borrow an electronic copy for free), so if you’re nostalgic or just curious, it’s easier to read it now!