Posted on by TracyC

The Mystery of the Other Girl

The Mystery of the Other Girl by Wylly Folk St. John, 1971.

It’s a rainy Saturday in Florida for the Barron family when Stevie (short for Stephanie) gets a strange phone call from Mobile, Alabama that’s meant for her ex-boyfriend, John Henderson. Stevie just broke up with John, who likes to call himself “Ian” because he thinks it sounds classy, the day before, and she has no idea who the strange girl on the phone is or why she’s trying to reach John/Ian at her number. Stevie asks the girl for her name, and she says that she’s Morna Ross, but suddenly, the girl screams and is cut off, like someone put a hand over her mouth, and then someone hangs up the phone at her end. Stevie is disturbed by the call, fearing that something bad happened to the other girl, but she doesn’t know what to do about it because she doesn’t know Morna Ross and doesn’t know exactly where she was calling from or why she wanted to talk to Ian.

Since Stevie already has a date to go dancing with friends at a place where Ian and his band are performing that night, she tells her friends about the weird phone call and asks them what she should do. They say that they’ve never heard of Morna Ross and tell her that she should talk to Ian about it. However, Stevie feels too awkward about the breakup to talk to Ian and asks a couple of her friends to do it for her.

That evening, Stevie and her friends run into Stevie’s old friend, Hope. She and Hope haven’t seen too much of each other lately because she’s not interested in dancing and dating and other things that Stevie wants to do. This evening, though, Hope is out with a visiting cousin from Mobile, Alabama named Phil Walters. Stevie is glad that Phil is getting Hope to come out of her shell a bit. Stevie and Phil say that the style of dancing popular with teenagers today is better than older styles of dancing because they don’t have to take any lessons to learn it – it’s just moving to the music, like everyone else. On impulse, she asks Phil if he’s heard of Morna Ross, but he says he hasn’t. Stevie’s friends say that when they asked Ian, he claimed not to know Morna Ross at first, but then he said something about her being a girl who’s “crazy about him.” Apparently, he dated her before he dated Stevie, and since he and Stevie broke up, he decided to invite her to the Old Seville Festival that’s happening next week, a local celebration of the history of their town. Stevie thinks it’s strange that Ian didn’t mention that Morna lives in Mobile, since that’s the place she was calling from. Stevie’s friends think maybe Ian was lying about Morna being crazy about him and that he probably doesn’t really know her because Ian is always bragging about things, like how great his family is. Hope thinks Ian makes up things to brag about because he wishes they were true even though he knows they really aren’t. After she thinks it over, Stevie thinks that’s true, that Ian likes to keep up appearances and a superior attitude because, underneath it all, he’s actually a very insecure person. But if he made up his relationship with Morna, and he doesn’t really know her, why was Morna trying to call him?

Before the evening is over, Ian confronts Stevie and reminds her that their first date was almost a year ago, at the last Old Seville Festival and that he’s planning to see her there again this year because they promised each other that they would see each other during the festival every year. In return, Stevie confronts Ian about Morna. Ian says that she’s just another of the girls who have come to see his band perform and likes him. When Stevie asks why nobody’s met Morna at any of the teenage hangouts in town, he says that they like to hang out at the more adult spots. He begins spinning a story that Stevie is sure is at least half fiction about how he and Morna order non-alcoholic drinks at adult nightclubs but they sneak in some gin to mix in with it and how they’ve tried marijuana. (Keep in mind that marijuana was illegal everywhere in the US at this time.) Ian says that he and Morna don’t really want to become potheads, but they see trying these things as part of growing up, “to experience everything and then make a choice.” Stevie pauses to wonder about the word “everything.” (That is always a good thing to wonder about when someone talks about wanting to try “everything.” Define “everything.”) Stevie asks him where Morna lives, and he says that she lives across town, but her family has moved around a lot because her father deals in real estate and sometimes even sells their own house and moves his family to a different one. (Ian sounds like he thinks that’s clever. I thought it sounded really suspicious, like maybe Morna’s family is actually involved with the mafia or something and has to keep on the move.) Stevie doesn’t really believe any of this, but she pries a few more details out of Ian about what Morna looks like. Although she thinks that Ian made up most of the things he said about Morna, there is still the girl who called her earlier and screamed like she was in trouble. She was a real person, even if what Ian said about her wasn’t all true.

When Stevie gets home, she tells her mother what Ian said about Morna and how Ian likes to make up things. Stevie is still concerned about the girl who called and wants to find out who and where she is and if she’s okay. Her mother says that her father will be coming home from a business trip the next day, and they can ask him what to do about it. Stevie’s father is a fingerprint expert at the police department, so he knows about police procedures and can make inquiries. Stevie wishes that she had Morna’s fingerprints so her father can analyze them himself, and in another weird development, she gets that opportunity.

The next day, Stevie gets a letter from Morna. The letter is addressed to her and not Ian. Morna didn’t know her home address, so she addressed it to the high school she attends, and the letter was forwarded to her from there. Stevie handles it carefully so she won’t disturb any fingerprints. The letter even has Morna’s return address, so she knows where she lives in Mobile. The contents of the letter are strange. Morna talks about her school band and how they’re always short of instruments. She says that she’s liked Stevie since she saw her playing with her school band in a competition (Stevie really is in her school’s band) and wonders if her school would be willing to sell spare instruments. The letter is oddly worded, the word “see” is underlined twice, and there are doodles all over page. Also, the specific instrument Morna says that she wants is written in French and doesn’t sound at all familiar to Stevie. Stevie looks up the term Morna uses, and it turns out to be a French horn. But, if Morna meant “French horn”, why didn’t she just say that? Also, the price she mentions for the French horn is far less than what an actual French horn would cost. It seems like Morna is either crazy or trying to say something else in her letter.

Stevie has a younger brother named Lyle who is really smart, and he suggests that the letter might be in some kind of code. As they talk it over, Stevie realizes that the French horn refers to Ian because he plays the French horn in her school band. Lyle wants to study the letter more to see if he can figure out other parts of the code, and Stevie decides to invite her friends over to see it, too, because most of them are also in the band and might notice something else in the message that’s music-related. Little by little, the kids begin working out the real meaning of Morna’s message. First, the amount of money that didn’t make sense is meant as a clue the reader that there’s more to this message than just an inquiry about musical instruments. Second, Morna phrases sentences oddly in order to work certain words into the message and put them in the right order for her hidden message. Third, the doodles around the message are the beginnings of pieces of music. Stevie and her friends providing their musical knowledge and Lyle coaches them through code-breaking techniques. After awhile, Lyle goes to his room to work on the code alone because he finds it easier to think by himself and likes surprising people with his discoveries. When he returns, she has the final solution.

Morna’s message says that she has to get in touch with Ian. She says that she is being watched and her mail is being read, which is why she has to communicate in this way. Morna asks Stevie to write to her in the same way, promising to explain the situation later. Stevie remembers that Ian wanted to see her at the Old Seville Festival, so she decides to tell Morna when and where to come if she wants to see Ian. Shortly after Stevie mails the letter, Morna calls again, saying that she needs to warn Ian because someone might try to kill him. Then, she screams and someone hangs up the phone again.

At first, Stevie’s father thinks that Morna is some kind of prankster or maybe having some kind of paranoid fantasy because she’s into drugs or something, but Stevie is sure that Morna really is scared. The danger is real, and Stevie’s family realizes it when Lyle is kidnapped at the Old Seville Festival.

The book is available to borrow and read for free online through Internet Archive.

My Reaction

I was pretty sure, for much of the early part of the book, that the whole thing with Morna’s mysterious phone calls and messages was just an act that Ian dreamed up and got someone to do for him as one of his dramatic bids for attention. It seemed weird to me that Morna second phone call ended exactly the same way as her first, like it was part of a rehearsed routine. Also, someone who wanted to interrupt Morna’s phone calls and keep her from talking could do it in easier ways that wouldn’t involve dramatic screams that would get attention. They could have just unplugged the phone or held down the hang up button. (Remember, this is the early 1970s. Morna’s using an older style of telephone that has to plug into the wall, and there are buttons where the handset rests that hang up the phone. That was the first type of phone I ever used as a kid, and I know that you can push those buttons down with your hand to end a call even if someone is still holding the handset.) I would think that if a sinister person was watching Morna, they would cut her off that way rather than try to put a hand over her mouth while she screams. Also, if they really didn’t want her to communicate with anyone, I don’t think they’d let her write any kind of letter, not even one that just seems to be about band instruments. Even if they couldn’t figure out the code, I doubt that they’d want to take the chance that she might communicate something to the wrong person. It all just seemed too theatrical and not realistic. So, I couldn’t really blame Stevie’s father for initially thinking that the whole thing might just be some kind of prank. However, I did wonder why he didn’t just phone the Mobile police department and ask a colleague to do a welfare check on the girl at the address on the envelope to find out if it was a prank or not. Better safe than sorry, and if it turned out to be just a prank, knowing that the police knew about it would probably be enough to get the girl to stop.

As it turns out, it’s not just a prank. There is something genuinely sinister going on, although I wasn’t sure what it was for quite awhile. I thought it might have something to do with drugs because there were repeated references to drugs in the story, but that’s not what’s going on. It turns out that Ian/John has been having trouble with his self-image and even self-identity because he’s adopted. He’s aware that he’s adopted, which is why he secretly worries that he doesn’t really fit in with his family or friends and makes up fantasies about himself to impress people while being inwardly insecure. However, there’s quite a lot that Ian/John doesn’t know about his past, not even his birth name, and the truth of Ian’s past is even stranger than anything that he’s ever imagined. His blood relatives love him and didn’t forget about him, even though they couldn’t take care of him when he was a baby, and now, they’re trying to protect him from a very real threat. Finding out the truth comes as a shock to Ian, but it’s an important step in making peace with himself and realizing just how important he is just for being himself, not only to his adoptive family but to the family who gave him up for adoption and to the friends who cared about him even when he was a bit of a poser and who took great risks to protect him and help him find the truth.

Lyle is fun as an eccentric genius character who has a pet walking catfish. I hadn’t actually heard of a walking catfish before reading this book, but that’s part of the fun. I enjoy stories that bring up interesting facts that I didn’t know before. Walking catfish can actually survive out of water for long periods of time and move across land. The walking catfish ends up playing a role in catching the bad guys in a way that actually makes sense, which is nice. I also like that, although Lyle is pivotal in solving the mystery, he didn’t get all the answers too easily, like some geniuses in stories, and he needed some specialized knowledge from other people. That makes him a more realistic character.

I would like to discuss the costumes that the characters wear to the Old Seville Festival, though. They explain that it’s common for people attending the festival to dress in historical costumes from different time periods in the town’s history to get into the spirit of the event. Ordinarily, I would think that’s fun and be completely supportive, but there’s one exception that I think crosses the line a little. Some people, including Lyle, dress in Native American costumes. I’m not Native American myself, but I know that real Native Americans are usually not too happy to see traditional forms of dress being used as costumes. I would cut the characters more slack for it if they confined themselves only to wearing clothes like traditional Native Americans, but what pushes it over the line for me is that Lyle is described as darkening his hair and his skin as part of his costume. He also does some kind of warpaint on his face, but it’s the skin coloring that he does that I think is unacceptable. I think that’s going too far, and that’s what pushes this costume into the realm of the tasteless and offensive. A little more restraint, just sticking to the clothes might have been okay, but looking like one of those white actors trying too hard with makeup to pass for a minority in an old black-and-white movie is just too much. It’s one of the things that really dates this book because fewer people today would be willing to take it that far, at least not without some embarrassment or criticism from other people. It was published in the early 1970s, and may possibly take place a little earlier, in the 1960s, because no exact year is given. I’ve heard some people claim that it was normal for them to wear racial face makeup as part of costumes when they were kids, and never having seen that even once when I was a kid in Arizona during the 1980s and 1990s, I’ve wondered just when and where kids did that of their own free will when they were given the opportunity to wear literally anything else, and I think I have at least a partial answer here. Lyle carries a tomahawk as an accessory to his costume and gives war cries. He also comments about how hippies are bringing Native American style headbands back into style, which further dates the story.

I should also explain that Lyle is not just dressing as any random Native American; he is trying to be a real historical figure. He is specifically trying to be William Weatherford, a mixed-race plantation owner known for his involvement in the Creek War in the 1810s. I like the part where Stevie wonders about the authenticity of Lyle’s costume. Apparently, Lyle got some help from someone at the local museum, but Stevie realizes that nobody else at the festival is going to know (or care) whether Lyle’s war paint designs are accurate or not, and even if he’s dressed accurately as a Native American of the area, the real William Weatherford probably typically dressed in the British style favored by other plantation owners of the era because he was living in the same manner as fully white plantation owners and going by his English name rather than his Native American name. I’m not actually sure how the real William Weatherford dressed because this isn’t a part of history that I know much about, but Stevie’s logic makes sense. My guess is that he probably wore a variety of different clothes in his life, depending on his circumstances at the time. (After all, various other historical figures did. Emperor Hirohito was photographed at various times wearing traditional Japanese ceremonial clothing, Western-style suits, and military uniforms, depending on the event.) One thing I could state with confidence is that William Weatherford probably didn’t have a pet walking catfish on a leash, which Lyle does because he insists on bringing his pet to the festival with him.

It’s part of the plot that Lyle is wearing an outlandish costume and has his walking catfish with him when he’s kidnapped, but I still think that there are equally outlandish historical costumes that he could have chosen that could have chosen that would have worked. It’s important that Lyle dyed his hair for the costume, so he had the same hair color as Ian on the day he was kidnapped when his ordinary hair color is much lighter, but I think there could be other ways around that or maybe he could have worn a hat so his hair wasn’t visible at first. I wouldn’t mind if he just dyed his hair, but the skin coloring is just too much.

Personally, I prefer the costumes that Stevie and her friends wear to the festival. They decide to dress as Gibson girls from the late 1800s and early 1900s. They basically wear old-fashioned-looking skirts and blouses and put their hair in the typical Gibson Girl hairstyles. Historical costumes that are based on wearing different clothes and hairstyles are the type of costumes I favor.

Aside from the costume issue, I really liked the story. I honestly wasn’t sure what the real problem was until the very end of the book. I had several theories, but Morna really surprised me when she explained who she really was and why Ian was in danger. I thought that she might turn out to be a relative, but the situation wasn’t what I expected.

Posted on by TracyC

Mystery of the Black Diamonds

Mystery of the Black Diamonds by Phyllis A. Whitney, 1954, 1974.

Twelve-year-old Angie (Angela) Wetheral and her eleven-year-old brother Mark are visiting the foothills of the Rocky Mountains in Colorado. They’re from New York, but their father is a mystery novelist, and he’s doing some research over the summer for a book that will take place in Colorado. As the kids explore the area and speculate about the murder that’s going to happen in their father’s new book, they meet Benjamin Ellington, an old timer who talks to them about the days when the gold and silver mines in the area were active. He tells the kids to call him Uncle Ben, and they talk about whether or not there’s any treasure still to be found in the area. They also meet Sam Springer, the park ranger, who worries about Uncle Ben exploring and digging in the hills by himself because he could get hurt and people wouldn’t know where to find him and help him. Uncle Ben says that Sam worries too much and that he knows the area well because he’s been digging out there for years.

Sam later tells the kids that Uncle Ben came to the area in 1889, when he was 15 years old. That means that Uncle Ben was born in 1874, and Angie says that means that he’s almost 70 years old now, which puts the date of this story in the early 1940s, during WWII, but they don’t talk about the war. Sam says that Uncle Ben actually struck it rich while he was in his teens and owned three or four mines. Apparently, Ben blew through most of his money pretty quickly, so he’s not that rich anymore. However, the kids are fascinated by the idea of finding gold or silver and striking it rich.

The reason why the family lives in New York is that it’s helpful for their father’s work. Besides writing mystery novels, he also writes shorter stories for magazines and does book reviews for various publishers, so it’s important for him to live close to the New York book publishers. Angie misses their old home in New Hampshire, where they had a view of the mountains. Colorado reminds her of her old home, and she wishes that they could stay there, so she could enjoy the beauties of nature and the outdoor life. Their father says that someday, when he’s saved enough money, they’ll be able to live anywhere they want, and he’ll take time away from his regular projects to work on a serious novel that he’s been thinking about writing for some time. Mark suggests to Angie that if they could strike it rich in the mountains, the family would have all the money they needed, they could live where they want, and their dad would have the time to write anything he wants.

The kids ask Uncle Ben about searching for treasure, and he gives them a piece of paper with a strange coded message that is supposed to be the map to the treasure. He tells the kids that if they want the treasure, they’ll have to work for it by figuring out how to read the message. Mark wonders why Uncle Ben would give them the key to a treasure when he could just go after it himself, but Uncle Ben says, “I’ve got all I need. I’ve had enough of treasure and the way it can ruin men’s lives.” Uncle Ben says that maybe the kids would do better with a treasure than most people, but he insists that the kids will have to work for whatever they find and refuses to give them any hints about what the message means.

Uncle Ben continues helping the children’s father with background for his mystery story. He suggests that Mr. Wetheral have a look at a nearby ghost town. Unfortunately, Uncle Ben is killed in a fall soon after. The children are nearby when he falls and call for help, but there is little that anyone can to for him. Just before he dies, he whispers to the children, “Black diamonds. Right where Abednego used to be.” It’s a reference to the coded message that he gave the children, one final hint at the treasure. His death leaves it entirely up to the children whether or not to go after it.

To the Wetherals’ surprise, they soon learn that Uncle Ben recently added Mark and Angie to his will, leaving them a house and some land in Colorado. The catch is that the house is in the old ghost town. Angie is hopeful that if they own a house in Colorado they might be able to stay there instead of going back to New York, but the question is whether or not they’d be willing to live in a ghost town.

The Wetheral family decides to go to the ghost town and camp out in their new house and see what it’s like. Mr. Wetheral thinks the ghost town would make a good setting for his book, and staying there will give him a chance to do some research and soak up the atmosphere. Plus, the family is going to have to decide exactly what they’re going to do with the house the kids have inherited.

Most of the ghost town is crumbling, but the house they’ve inherited appears to be in better condition than most. They even find some furniture they can use in a back room. As they explore the town, the kids have their mind on the treasure that Uncle Ben talked about. Most people think that was just a story he made up because he gave copies of the same treasure map message to other friends of his, and nobody has ever figured out what it’s supposed to mean. Mark and Angie think that there is more to the message than most people believe, and they’re determined to find the answers.

It turns out that the ghost town isn’t completely uninhabited, though. The Koblers and their granddaughter Juanita, who is nicknamed Jinx, also live there with their pet skunk. Grandpa Kobler is an old friend Uncle Ben’s, and he talks to the children about him and the old says of the ghost town, Blossom. He used to own the general store there, and his wife was once the schoolteacher, and they didn’t move away from Blossom when the others did. He’s aware of Uncle Ben’s “maps” and hints of treasure, but has no interest in treasure-hunting himself because he likes the life that he and his family are living and doesn’t want it to change. However, Angie can tell that Juanita/Jinx is unhappy and can’t understand why she doesn’t want to talk about her parents and where they are. Then, someone else shows up in Blossom, looking for the clues to Uncle Ben’s treasure. If there really is a treasure to find, can Mark and Angie find it first?

The book is available to borrow and read for free online through Internet Archive.

Themes, Spoilers, and My Reaction

It isn’t easy for the kids to get to know Juanita/Jinx because she has a prickly and defensive personality and doesn’t like to talk about her past. However, she gradually starts to bond with Mark and Angie because of their shared love of the town of Blossom. Eventually, she tells Angie that her parents died when she was very young. Her father was killed in a mining accident. He thought that there was still treasure worth finding in the old mine outside of town and tried to get at it even though Grandpa Kobler told him that it was dangerous and that there was probably nothing worth finding anyway. Juanita’s mother died of pneumonia soon after her husband’s death, leaving little Juanita to be raised by her grandparents. Juanita has a warm relationship with her grandfather, the only person who calls her by her real name. However, Juanita is convinced that her grandmother doesn’t love her and is only raising her out of a sense of duty. Juanita’s grandmother never approved of her mother, partly because her son’s early marriage is what stopped him from going to college. Juanita also thinks that her grandmother didn’t like her mother because she was Mexican, which is why Juanita has a Hispanic name. Her grandmother was the one who gave her the nickname “Jinx” because that’s what she would call her when she was chiding her for something, which seems to have happened all too often. Jinx often calls herself Jinx instead of Juanita because she’s trying to get away from her Mexican-sounding name and seem more American.

For part of the book, Jinx actively tries to sabotage the Mark and Angie in their treasure-hunting activities because she’s afraid that if they find treasure, everything in Blossom will change. She worries that other people will come to Blossom seeking treasure. If that happens, the town will be built up again, but that means destroying what’s already there. Also, Jinx fears the way other people will treat her. She doesn’t want other people to come into Blossom or to be sent away to school if her grandparents suddenly have the money to do it because she thinks that outsiders will always treat her badly and look down on her. Her grandmother has repeatedly told her that people look down on Mexicans, and Jinx thinks it’s true because some kids she met in Boulder were also mean to her and called her names. Angie tells her that it isn’t true that everyone hates Mexicans. The Wetheral family lived in Mexico one summer while her father was researching another book, and they liked it, and Angie still has a friend there. Angie realizes that the reason why Jinx’s behavior and attitude are so poisonous is that her grandmother has poisoned her mind because of her own twisted feelings. Angie declares that she’s going to have a word with Jinx’s grandmother about it, but Jinx stops her because she says that will just make her grandmother mad. She says that sometimes, when she’s especially well-behaved, her grandmother forgets that she’s half Mexican, and if anyone reminds her, she’ll just get angry all over again. It’s a pretty sick way to raise a vulnerable child who is isolated from other people who could give her a more balanced view of life and people’s feelings. Grandpa Kobler seems to realize this, which is why he wants Angie to be friends with Juanita and show her that there are different people in the world, including people who are willing to be friends. As Angie points out to Juanita, her grandparents are getting older, and someday, she will be an adult and they’ll be gone. Juanita is going to have to learn to get along in the wider world without them, and actually, dealing with strangers in the outside world might not be as bad as living full-time with her grandmother’s nasty attitude.

Some of Juanita’s feelings are resolved when Angie’s mother has a heart-to-heart talk with her about the things her grandmother has been telling her and her own opinions about herself. I agreed with Angie that some of the things her mother said to Juanita while challenging her attitudes were rather harsh, and I wouldn’t have said things like that, but Juanita does take what Mrs. Wetheral says to heart and realizes that she has as much reason to take some pride in herself and her background as anyone else. I didn’t like the part where Angie’s mother says that Juanita’s grandmother can’t help her opinions about Mexicans because that’s just the way she was raised and there’s nothing that can be done about it now. It seems to me that they’re discounting the idea of personal accountability. If Juanita’s grandmother can’t be responsible for her own mind and behavior, what can she be responsible for?

I know people can cling pretty hard to some weird ideas. One night, we took my grandmother out to dinner at a nice restaurant for a family celebration. My grandmother was actually really upset that the restaurant had given her so much food that she couldn’t eat it all, and she said that she was worried because her parents would never have approved of her not clearing her plate. She was genuinely upset about it, not just making an idle comment. It really bothered her. Now, I know that part of my grandmother’s youth took place during the Great Depression, when wasting anything was a sin, but at the time this incident took place, she was a widow who was over 80 years old. The Great Depression had been over for more than 60 years. I was her youngest grandchild, and I was an adult at this time. Her parents had been dead for longer than I had been alive. She was not only a parent herself, but she was also a grandparent and a great-grandparent. She was literally the oldest living member of our family, and nobody would have said a word about what she wanted to eat or not eat for dinner, but my grandmother just couldn’t get past the idea of what her parents told her years ago about always clearing her plate. It’s an odd thing to cling to, but admittedly, there are far more harmful ideas that people can’t bring themselves to give up because of stuff their parents said back in the day.

Mrs. Kobler has had years of living her own life and ample opportunity to work out her feelings, but I think that part of the reason she hasn’t is because there’s something else that’s preventing her. This theory is conjecture on my part because there’s never a point when Mrs. Kobler explicitly explains her thought processes, but although the book doesn’t really explain it, I think that her son’s death is probably the reason why Mrs. Kobler has been harboring so many negative attitudes and taking them out on Jinx. Although nobody actually says it, I suspect that Mrs. Kobler assigned blame to Jinx’s mother for her son’s death. If he hadn’t gotten married at a young age and went looking for a fabulous discovery to raise a fortune for his young family, he might have gone to college, gotten a good career, and still been alive. Even though the characters don’t explicitly say it, I think it’s logical. I further suspect that the really problematic part for Mrs. Kobler is that she needs to blame Jinx’s mother for what happened because, if she can’t, some part of her might blame herself for not stopping her son from doing what he did, and she can’t handle that. As long as she can tell herself (and Jinx) that her daughter-in-law was awful because she was Mexican and caused the downfall of her son, she won’t have to question why she wasn’t able to stop her son from dying. In her mind, I think Mrs. Kobler thinks that her son’s marriage was a terrible mistake that led to his early death, and by extension, her granddaughter really was a “jinx” because she came from that unlucky marriage. Some of Mrs. Kobler’s feelings get resolved later, when they discover that her son was right about the type of treasure he was seeking, even though he got killed pursuing it. A sudden disaster also makes Mrs. Kobler realize that there are many things that a person can’t control in life and that God’s will is taking her family in a direction she never anticipated. This book doesn’t really lecture about the subject of God and religion, but there are some Christian themes in the story.

All through the story, there is the theme of treasure – what is treasure, what do people do with treasure when they get it, and what are they willing to risk to get it? Early in the story, Uncle Ben talks about having lost his taste for treasure-hunting because he’s seen the way it ruins lives. It isn’t until the Wetheral family gets to Blossom and the children talk to Grandpa Kobler that they get the rest of the story about why Uncle Ben felt like that. After Uncle Ben dies, he is buried in the old cemetery in Blossom because that’s where his wife and young daughter are buried. They both died of diphtheria, and he blamed himself for them contracting the disease because they went to live in the big city after he got rich. Grandpa Kobler, who knew Uncle Ben back then tried to console him by saying that they could have caught that disease anywhere, not just in the city, but Uncle Ben still felt responsible. (Diphtheria is now a very rare disease in the US, thanks to the development of a vaccine to prevent it. It’s often given in a combination vaccine that also protects against tetanus and whooping cough, which is how I’ve received it. I was first given the vaccine when I was very young, and I still get my booster shots. I’d recommend it to anyone capable of receiving vaccines. I have never actually seen a person with any of those illnesses in my entire life, and I’m in my late 30s now.) The point is that money doesn’t buy love and happiness, and Uncle Ben came to the conclusion that the lifestyle his family lived when they were rich was unhealthy. He would rather have had his family back than the money from his mines.

Grandpa Kobler understands how Uncle Ben felt because, when Uncle Ben once asked him if he wanted a treasure, he said no. He was happy with the life he was living in Blossom, and he had enough money for his family to live comfortably. If he suddenly got rich, people would expect him to move to a bigger house in the city and start living a completely different life, and he realized that he wouldn’t be as happy doing that. In his youth, he saw the lives that other people lived after they got rich, and he didn’t like what he saw. Later, his son got killed while chasing a dream of treasure, which further emphasizes that there is a price for treasure-hunting, and sometimes, that price is too high. In the Wetheral family, Mark is the one who thinks that their lives would be better if they could find a fortune, but Angie points out that they don’t really need a fortune; they just need enough for their dad to feel comfortable taking the time to write the book that he wants to write and for them to have a home away from the big city, which is what they really want. There is the idea that having enough money is good, but having too much or trying too hard to acquire more can cause problems and complicate a person’s life.

Spoilers

Things are about to change in Blossom, in spite of what the people there want, and as Grandma Kobler concludes, it might be the will of God that they do. In the most dramatic part of the book, much of the town of Blossom is destroyed in a flash flood. Fortunately, all of the people and animals in the town survive, although the Koblers have a close brush with death. Juanita is in less danger because she’s on a picnic with Angie and her mother when the flood startes, and she is the first to realize the danger. At first, everyone is afraid that the Koblers drowned, but they eventually find Mrs. Kobler, just barely keeping her own head and her husband’s out of the water. During this time when they were almost killed, Mrs. Kobler admits that she had some revelations about many things, especially when she realized that she could depend on Juanita to come and help them. In spite of all of her nagging at Juanita, Juanita is bright and dependable and cares about her grandparents, even the grandmother who’s been making her life miserable. Mrs. Kobler never completely changes her mind about Mexicans, but she does change her mind about Juanita, giving her more respect than she did before. The book explains that she comes to realize that, while Mrs. Kobler disparaged Juanita as her mother’s daughter, she came to remember that she was her son’s daughter, too. It’s not as much as could be hoped for, but it’s a start. Mrs. Kobler also realizes that everything that’s happened is the will of God, there is nothing anyone could have done that would have changed the outcome, and God is leading her family in the direction He wants them to go, so she is just going to have to go with the flow (not exactly her words, but I think you catch my drift – ha, ha).

The secret of Uncle Ben’s treasure is also revealed. What he found wasn’t really “black diamonds” but something else that’s very valuable, the same mineral that Juanita’s father was looking for at the time he died. However, Juanita’s father was looking in the wrong part of the mine, which was why he got killed instead of finding what he was looking for. (Maybe he should have gone for his geology degree before going for the “treasure.” Just saying.) Uncle Ben was more experienced with mining and figured out the right place to look himself. It wasn’t until after Juanita’s father died that he came to realize the full value of what he had found, though. (It’s important that this story is set after WWII.) Uncle Ben’s lawyer reveals that, since samples of this mineral were sent to be analyzed, it has activated a part of Uncle Ben’s will that leaves the mine to Juanita Kobler, making her an heiress. Since the town of Blossom was destroyed in the flood, there’s nothing left to preserve that would prevent mining. Now that Juanita is an heiress, she’s going to have a much higher standing in the community, which might take care of some of the bullying she received at school in Boulder. The Wetherals also benefit from the discovery, as the mysterious stranger who came to town informs them that there’s a government finder’s fee for locating valuable mineral deposits.

Posted on by TracyC

The FunCraft Book of Print and Paint

The FunCraft Book of Print & Paint by Heather Amery and Anne Civardi, 1976.

This is the American edition of a British book, and it’s part of a series of craft and activity books. When I was a kid, I was really into crafts, but I didn’t do even half of the crafts in the craft books we had. This particular book is interesting because I first thought that it was going to be about painting pictures, and it is, but it’s specifically about making “prints” with paint. Basically, the crafts involve using various objects, from leaves and veggies to your own hands and fingers as stamps to make pictures and designs.

I remember once taking part in an activity at our local library that involved making pictures with stamps make from cut potatoes, like the book shows in the section about vegetable prints. Our potato stamps weren’t as elaborate as the ones shown here, and it’s interesting that they thought of using other veggies to get some different shapes as well.

The range of objects and techniques that the book uses in making prints is also interesting. It points out that you can make some interesting patterns by painting on a page and folding it over or using string coated in paint to make swirls. There are tips for making using tools like stencils and rollers to make designs.

The book also includes some painting techniques, like how to mix colors, and some tips for how to enhance pictures you’ve made, like painting over parts of a picture with glue and then shaking on some powdered colors. It gives suggestions for different powdered colors, like colored sand, salt, or sugar or using powdered spices or cocoa from your kitchen (more expensive, but it will give your artwork a scent).

One of my favorite suggestions was a technique that I did like a lot when I was a kid, making scratch pictures with a simple form of sgraffito. You can buy kits and specially prepared paper for doing this today, which didn’t exist when I was a kid (at least, not anywhere where I could buy it). Instead, I had to do it the old-fashioned way, using the technique in this book – drawing a rainbow of colors on paper, covering of it with black, and then scratching the black off to make rainbow pictures and patterns.

There are too many tips and techniques for me to cover everything in detail. The last few pages cover uses of the techniques for specific projects, how to make prints on cloth, and how to have an exhibition of the pictures you’ve made.

The book is available to borrow and read for free online through Internet Archive.

Posted on by TracyC · 1 Comment

Bells

Bells by Elizabeth Starr Hill, illustrated by Shelly Sacks, 1970.

I love books about oddball topics, so a children’s picture book about the history of bells was irresistibly intriguing.

The book begins with the origins of bells in the Bronze Age. People had made rattles of various kinds before the Bronze Age, but after they learned to make bronze, an alloy of copper and tin, they discovered that they could make metal rattles with a much prettier sound. These metal rattles/early bells were made in the “crotal” design, which is the same shape as today’s jingle bells or sleigh bells. Other shapes of bells, like gongs and the classic bell shape may have been inspired when people realized that pleasant sounds could be made by banging bronze utensils against bronze dishes and bowls.

Bells have been used for thousands of years and have served many purposes. The oldest bell that has been found (at the time the book was written) was over 3000 years old and came from the area near Babylon. King Solomon of Israel used to have bells to frighten away birds from the roof of his temple. The Spartans were able to infiltrate a walled town in Macedonia because the sentry wore a bell on his uniform that helped them to keep track of where he was, but in other instances, nets with bells attached to them were used to warn of the presence of enemies. Bells have also been frequently used in religious services.

Sometimes, people wear bells to call attention to themselves. The classic jester’s cap with crotal bells (jingle bells) attached to it is meant to be attention-getting.

Bells can be made of many different materials, from different types of metal bells to glass bells to clay bells. There are even wooden ones, although they make more of a clunking sound than a ringing. People used to make bells by hammering pieces of metal into shape, but then they developed ways to cast bells in molds, which is how bells are made today.

There are many superstitions that have been attached both to the making of bells and their use. The book describes the Bilbie family, who famously made bells in Medieval England. The Bilbies were superstitious and consulted astrologers to determine the best times to make their bells. They also always rang bells for the first time on full moons. Various people have believed that ringing bells frightens away demons and witches.

The parts about superstitions and legends are my favorites. In particular, there is a legend in England about a town that was completely buried during an earthquake. The people in the town always rang their church bells at Christmas, and the legend is that if you go to a particular spot and put your ear against the ground, you’ll still hear them ringing the bells. However, the book says that there’s actually a scientific explanation behind the phenomenon. People who have put their ears to the ground at that spot have heard bells ringing, but they’re actually the bells from a nearby town, not one underground. The ground actually conducts sound very well, even better than sound waves moving through the air, so a person standing upright might not hear the bells ringing from another town, but someone who put their ear to the ground could hear the conducted sound vibrations. It’s not unlike the phenomena experienced by people who put their ears to the rails on railroad tracks to listen for the train. There are also stories of people having heard the approach of herds of animals, like buffalo, coming toward them in this way. The book doesn’t mention it, but “keep an ear to the ground” is actually an expression for watching and listening for signs of things that are going to happen because people noticed that vibrations in the ground could be indications of something coming toward them.

The book also describes some famous bells, like the Liberty Bell, Big Ben (Big Ben is actually the name of the bell in the clock tower, not the clock tower itself, although people informally think of the clock tower as Big Ben) and Tsar Kolokol, the largest bell in the world.

There are also a few nursery rhymes that mention bells (although the book doesn’t give any background information about the rhymes) and some information about change-ringing and carillons.

The book annoyed me a little in the way it kind of jumps around, telling some history, then some legends, then some more history, and then more legends. It’s a very easy read, and the information is interesting, but it’s a big disjointed. It sometimes feels more like a list of facts and short stories than one cohesive story. It might help if there were headings or chapter divisions in the book to organize the information, but there aren’t.

The book is available to borrow and read for free online through Internet Archive.

Posted on by TracyC

Peter and the Wolf

Peter and the Wolf by Walt Disney Productions, 1974.

This is the picture book version of Disney’s cartoon from 1946 based on Peter and the Wolf, which was originally a musical symphony for children, written by Sergei Prokofiev in 1936 for the Central Children’s Theatre in Moscow.

Young Peter lives with his grandfather near a forest in Russia. Peter’s grandfather warns him to stay away from the forest because there are hungry wolves there, but Peter thinks that he can catch a wolf himself. One day, while his grandfather is asleep, Peter sneaks out of the house to go catch a wolf.

Along the way, Peter’s friend, Sasha the bird, also warns him that there really are dangerous wolves in the woods and that he can’t hope to catch one with his toy gun. Peter insists that he’s going to try anyway, and Sasha says he’ll go along and help.

As they venture further, they are also joined by Sonia the duck. Ivan the cat tries to eat Sasha, but Peter makes him let Sasha go. Then, suddenly, a wolf appears!

The wolf chases Sonia, and at first, the others think he actually caught and ate her. They manage to catch the wolf by the tail. Sasha attracts some help from some passing hunters.

At first, the hunters want to shoot the wolf, but Peter asks them to take the wolf to the zoo instead, realizing that the wolf was just hungry. It tuns out that Sonia is safe after all, and they all take the wolf to show Peter’s grandfather.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

Posted on by TracyC

Button Soup

Button Soup by Walt Disney Productions, 1975.

This is a retelling of a traditional folktale, sometimes called Button Soup and sometimes Stone Soup. The basic story is the same, but sometimes, it uses a stone and sometimes a button. All of the characters in this particular version of the story are represented by Disney characters.

Scrooge McDuck’s niece, Daisy, is coming to visit him. The Sheriff welcomes her when her stagecoach comes into town, but seeing how tired and hungry she is, he warns her that she’s not going to find much comfort at her uncle’s house because Scrooge is stingy. However, Daisy says that she is sure she can handle Uncle Scrooge.

When she gets to Scrooge’s house, he’s not happy to see what he has unexpected company and tries to deny that he has any food to share. Daisy knows that Scrooge isn’t really that poor, so she takes out a big pot and begins making soup. Scrooge asks her what she’s planning to cook without food, and Daisy claims that she can make a whole pot of soup with just one button.

Scrooge is curious to see what Daisy’s button soup is like, so when she asks him for a little salt and pepper, he gives it to her. Then, she says that she once made the soup with an old soup bone, and Scrooge gives her a soup bone, too.

Each time that Daisy suggests another ingredient, Scrooge rushes to get it for her, eager to see what Daisy will do with the soup, which smells better and better as they go. (The pictures also show just how much food Scrooge is hiding. In reality, most of that would spoil before he could use it all, since he’s only feeding himself.)

When the soup is ready, Daisy points out that there is more than they’ll ever eat, so they should invite some other people to share it. Scrooge wants to save the soup in jars instead, but Daisy points out that it’s easy to make more because they did it with just one button.

They end up inviting the whole town to share the soup, and Scrooge is pleased that he has such a clever niece.

This book is available to borrow and read for free online through Internet Archive along with other versions of the story.

Posted on by TracyC

In the Circle of Time

In the Circle of Time by Margaret J. Anderson, 1979.

This is the second book in the In the Keep of Time Trilogy. There are a couple of characters from the first book that appear in this one, but most are new.

Robert lives on his family’s farm outside of a small town in Scotland.  He loves to draw, but his father doesn’t think much of Robert’s art.  He wants Robert to take over the family farm when he’s grown, especially since Robert’s older brother, Duncan, disappeared two years earlier.  Everyone assumes that Duncan just got tired of the farm and ran off to the city to find work, but Robert has trouble believing that.  Duncan always loved Robert and looked after him, and Robert can’t believe that Duncan would just run off without even telling him.

One day, Robert goes to the ancient circle of stones that stands near his town, known as the Stones of Arden, to draw before school.  There, he happens to meet Jennifer, an American girl who has recently moved to the area because her father is working in the nearby city.  Jennifer has an interest in archeology, and she points out to Robert that there are depressions where there used to be stones in the middle of the circle that aren’t standing anymore.  She persuades Robert to help her do a little digging to see if they can find them.  As they dig, a strange fog comes in, and Jennifer sees a vision of dark-haired people also digging.  However, no one is really there because the ground where they were digging is undisturbed.  Robert doesn’t see the people, but he believes Jennifer when she tells him what she saw.  There are a lot of strange stories about the stones, and Robert has heard many of them from his grandfather.

Jennifer, although spooked by what she saw, refuses to believe any superstitious stories.  She persuades Robert to come back to the stones with her so that she can take another look at them.  However, when they do, the strange fog comes, and the kids suddenly find themselves many years in the future.

The kids learn where (or when) they are when they meet a boy named Karten, who was digging in the spot where Jennifer had seen him digging in her earlier vision.  He tells them that the year is 2179 (two hundred years after the book was written).  The kids can suddenly hear the sound of the ocean from the stones when they couldn’t before, and when they ask about it, Karten tells them that the polar ice caps melted in the 21st century, raising the level of the ocean and bringing the water much closer to the stones.

The future is a harsh place, and Karten fears the people he calls “the Barbaric Ones.”  The Barbaric Ones are people from “across the sea” who, as Karten and his people explain, “have retained the ways of people who lived long ago. They are interested in wealth and machines and factories.” The problem is that resources are in short supply, so the Barbaric Ones kidnap people to use as slaves, gathering as much of the scarce resources as they can to sustain their standard of living.  Karten and his people don’t want to fight the Barbaric Ones if they can avoid it because they have lost people who tried to fight them and because they believe in the values of love and trust above all.

Jennifer is quick to insist that she and Robert return to the stones where they entered this strange and disturbing future, but Robert persuades her to stay awhile and meet more of Karten’s people. Karten particularly tells them about an older woman who told him before about other people from the past who came to their time (the kids from the first book in the series), and Robert is hopeful that this woman will not only be able to tell them how to get home but maybe also what happened to his brother, Duncan. Robert has started to suspect that when Duncan suddenly disappeared, he may have come to the this time period the same way he and Jennifer did and may still be there.

The book is available to borrow and read for free online through Internet Archive.

My Reaction:

I don’t generally go in for dystopian novels because I find them depressing. The real world has enough problems without trying to imagine new and worse ones. However, I do find it interesting that this book, which was written a few years before I was born, has a vision of the future that specifically addresses things that are of major concern to people in the early 21st century. It imagines that the polar ice caps have melted and the sea level has risen. Many of the old coastal cities are gone, and there are new cities and communities in areas where there weren’t before.

Because of what’s happened, the world’s population has separated into two parts that have different ways of coping with the situation. The “Barbaric Ones” are much more technology-oriented, but what makes them barbaric is the way they exploit other people to serve their purposes and support the lifestyle that they want to maintain, which is much harder to maintain in this new future. Karten’s people, on the other hand, have developed a more old-fashioned, communal style of living. In fact, it’s unusually communal, to the point where young children are raised collectively by the adults of the community, nobody really knowing or caring about who their birth parents are. When children are nine years old, they select families they want to join, usually because of similar interests they have, and are raised as children of that family. Karten also likes art, and so he joined a family of artists.

These two types of societies are extreme in their views and lifestyles, polar opposites of each other, and neither is really the sort of society that Jennifer or Robert want to be part of. Jennifer is unnerved that people in Karten’s society don’t really know or care who their parents are and just kind of pick families for themselves without attachment to their birth parents. It just seems unnatural to her. Karten explains that their view is that children belong to the community as a whole. If everyone is part of the same big community, what does it matter who they live with? Their concept of marriage or partnership is never fully explained, but there don’t seem to be any rules or even social conventions about who can live with whom. One girl, called Lara Avara, tells Jennifer that her chosen parental figures/mentors are a pair of women, which surprises Jennifer, who thinks of family in terms of mothers and fathers, one of each per family. However, the future people have a different concept of family that seems to be centered more around sharing personal interests, with no particular conventions around how the family should be shaped. The chosen parental figures/mentors raise the younger members who chose to join their family, teaching them skills and professions they have mastered, according to their interests. It is not explained in the story if these older women are or were married or lovers, and it doesn’t seem to be important to any of the characters in the story, either. Lara Avara just tells Jennifer, “There cannot be rules deciding whom you love and from whom you learn.” I see one disadvantage to not knowing who one’s parents and full-blooded siblings are because there would be no way to ensure against incest, which is worrisome because that tends to bring out certain genetic health problems and weakens the genetic pool of the community, especially if it goes on for generations (unless this society has thought of that and just doesn’t mention their solution during the course of the story – maybe the elders of the community who remember who has the same birth parents and who doesn’t will intervene if siblings try to match up with each other). In some ways, Robert is attracted to this style of life because it would make things easier for him. In his own time, his family undervalues his artistic gifts and his unpleasant, temperamental father forces him to do hard physical labor on the family farm. There are times when Robert would love to exchange his problematic family for one that would help him hone his craft and appreciate his personal talents.

For awhile, Jennifer worries that Robert likes these future people so much that he wants to stay there, and she’ll be stuck in the future with him. Unlike Robert, Jennifer is close to her family and happy in their time, and she wants to go home. The two of them are accidentally separated from each other when a character from the previous book in the series (Ollie) brings Robert back to their own time without Jennifer, through the tower that the previous set of characters had used for their time travels. As Robert figures out how to rescue Jennifer from the future, he discovers the truth about Duncan, who has not traveled through time at all (although it looked like that was the way the story was going to go) but really did run away from home, as people thought he did. Like Robert, Duncan was also unhappy about their home life. Although Duncan is better suited to the farm work than Robert, he also found life there stifling, constantly having to work for their father and deal with his angry moods. Their father’s attitude problems are what makes the farm life difficult for both boys, and Duncan also seems to have been feeling overworked and unappreciated. Although life as a teenage runaway has been difficult for Duncan, he has at least managed to find work (paid, unlike the farm work he was doing for his father, and payment is a monetary form of appreciation as well as providing the worker with a living) and the freedom to begin building a life of his own.

Rescuing Jennifer means returning to the stone circle where their time travels began. After Jennifer returns home to their time, she and Robert talk about their experiences. They feel badly that they were not able to help the future people more with their problems and dangers, but Robert says that maybe what’s important is what they’ve learned from the experience themselves and how it’s changed them. Their problems (just like Robert’s brother, Duncan) have always been in their own time, and they have to live their lives in the present. What they do in the present may also change the future and help make it a better place. By the end of the book, Duncan returns to his family’s farm to tell his parents that he’s all right. Duncan will not work on the farm again, as he once did, but he decides to take a new job nearby and help out on the weekends, which will make things easier for Robert. Their family has some healing to do. A talk with Robert’s grandfather also reveals that other members of Robert’s family have traveled through time in the stone circle, and although Robert’s grandfather did his time traveling many years earlier, the vision he got of the future was actually after Robert and Jennifer’s adventures. They can tell that it was further along in time by the people and things he saw, and it reassures them that their future friends will be all right in spite of everything.

Posted on by TracyC

The Clown of God

The Clown of God by Tomie dePaola, 1978.

The book begins with a note that the story is based on an old French legend, although the story actually takes place in Italy.

A young boy named Giovanni has no parents and must live as a beggar, but he knows how to juggle. He juggles fruit and vegetables in the marketplace, and the produce sellers give him food in exchange for drawing people’s attention to their wares.

One day, Giovanni sees some actors putting on a play, and he asks for a job with the troupe. After he demonstrates his juggling ability, they agree to take him on in exchange for food and a place to sleep.

Over time, Giovanni’s juggling act becomes more elaborate. Eventually, he becomes famous in his own right and leaves the troupe to become an entertainer for many important people.

During his travels, he meets two monks, who ask him if he is willing to share his food with them. He agrees, and they tell him about Brother Francis, the founder of their order. (St. Francis of Assissi. They are Franciscan monks.) They say that everything in the world is a sign of God’s glory, even Giovanni’s juggling. Giovanni says that he never thought of it like that before. He just likes making people happy with his performance. The monks say that making people happy is a way of glorifying God.

Giovanni continues his performances, but as he gets older, people get tired of his act, and one day, he actually drops one of his juggling balls. For a time, he has to live as a beggar again. However, he eventually finds his way to the monastery where the Franciscan monks live.

He arrives at the monastery at Christmas, and there is a special procession where people are offering gifts to the Christ Child, placing them in front of a statue of Jesus and Mary. Giovanni is struck by how serious the Christ Child looks in the statue, and so he decides to perform the act that used to make everyone smile.

When one of the monks sees him juggling in front of the statue, he thinks that it’s a sacrilege and calls the priest to come see what Giovanni is doing.

The story is sad because Giovanni’s exertion in giving the best performance of his life causes him to have a heart attack and die. However, the priest and the monk notice that, suddenly, the statue is smiling and holding Giovanni’s special golden ball.

The story is about using talents to the fullest. The juggler’s talent, as the monks said, was a gift from God. For as long as he could, he used it to make people happy, and when he was too old to do so anymore, he gave his last, finest performance for Jesus.

The book is available to borrow and read for free online through Internet Archive.

Posted on by TracyC

Halloween Cookbook

Halloween Cookbook by Susan Purdy, 1977.

I remember getting this book from my school library when I was a kid. I never actually made anything from it because it was a little beyond my cooking skills. Still, I was fascinated by the recipes in the book, especially the stew inside the pumpkin.

Some recipes in the book use specifically Halloween shapes and colors, while others are more general fall and harvest-themed recipes. The recipes are organized by category with section for food that can also be used as Halloween decorations and other sections for brunch and lunch, vegetable dishes, meat dishes/main courses, and snacks and desserts.

Some of the recipes are old, traditional ones from around the world, such as the ones for Fried Pumpkin Blossoms (an Italian recipe) and the Indonesian Corn Fritters. A brief section at the beginning of each recipe explains a little about the recipe’s background.

In the beginning of the book, there are notes about converting between units of measurement, including converting between imperial and metric units. There is also a guide for converting between Celsius and Fahrenheit temperatures. There are other cooking tips for beginners, such as how to separate eggs (I’ve never done it with my hands, like in the book, but it’s useful to know) and how to chop onions and press garlic.

Posted on by TracyC

The Vanishing Scarecrow

The Vanishing Scarecrow by Phyllis A. Whitney, 1971.

Joan Lang and her mother are moving from their town in Connecticut to Rainbow Island, where Joan’s Great Uncle Agate Benson owned his own amusement park. However, the move is sad because Great Uncle Agate’s death in a skiing accident has so closely followed Joan’s father’s death from a long illness. Joan and her mother knew that they were going to have to move to a smaller house because they could no longer afford their bigger one, and Uncle Agate’s sudden death means that they will inherit his house on Rainbow Island and the amusement park that goes with it. Joan and Uncle Agate had been writing letters to each other since her father’s death, and he made her feel less lonely, so Joan knows that she will miss him, but she is looking forward to seeing the amusement park that he had described to her.

However, the terms of Uncle Agate’s will are unusual, and his lawyer is vague on some aspects of them. What they know is that they must live at Rainbow Island and manage the amusement park for three years in order to gain full ownership. If they decide to leave before that time, Uncle Agate has another plan for the amusement park, but the lawyer refuses to tell them what it is immediately.

When they arrive at Rainbow Island, they meet Mrs. Fuller, who works at the amusement park’s gift shop and lives there with her two sons, Peter and Kent. Mrs. Fuller hopes that Kent and Joan will be friends because they’re close in age. Kent doesn’t seem particularly friendly at first, and when Joan confronts him about that, he says that he’s just trying to figure out what she and her mother are going to be like. Kent, like other people who live and work at Rainbow Island, was very attached to Uncle Agate. He appreciated his vision and imagination, and he misses him now that he’s gone. He has trouble believing that things will ever be like they were with Uncle Agate.

Mrs. Fuller and Kent both mention strange things that have been happening at the amusement park recently, including a scarecrow that frightened Mrs. Riddell, the wife of Wilson Riddell, who manages the park, but she says that she’d better let Mr. Riddell explain the situation. When Joan and her mother go to Uncle Agate’s old house to begin unpacking their things, Mr. Riddell comes to talk to them. He doesn’t seem particularly welcoming, either. Joan’s mother tries to ask him about the scarecrow incident, and he explains that someone, possibly a teenage prankster, has been pulling tricks around the park lately. Earlier that day, someone ran right through the Riddell house, terrifying Mrs. Riddell. Mrs. Riddell is described as being a very nervous person who is somewhat unwell, so Mr. Riddell seems uncertain whether his wife actually saw a person dressed as a scarecrow, as she described, or if that was her imagination. Earlier, she also claimed to see a witch. The idea of someone in a scarecrow costume is plausible because the amusement park includes a field of scarecrows, and they do have a spare scarecrow costume that they’ve used in the past to make it look like one of the scarecrows has come to life, to give guests a bit of a thrill. However, the employee who normally wears the costume hasn’t worn it for some time, and it seems like the recent scarecrow sightings are the work of a prankster.

As Kent shows Joan around the amusement park, they meet up with Peter in the Wizard’s Fortress, where he points out that someone has been messing around with the dioramas of historical scenes, moving some of the little figures around to scenes where they don’t belong. In the dungeon of the fortress, Joan meets up with Mr. Riddell’s daughter, Sheri, who is also about her age. Sheri has found the costume the scarecrow was wearing under some straw. Joan isn’t sure that she trusts Sheri because of the strange way she acts and how she seems to be sneaking around, keeping secrets, and playing weird pranks and tricks.

Could Sheri have something to do with the mysterious scarecrow, or could it be Emery Holt, the man who did odd jobs for Uncle Agate and sometimes wore the scarecrow costume as an act in the park? Another suspect could be Jud Millikin, an escaped convict who used to live in the area and who still has family living nearby. Joan and her mother hear people whispering about him, wondering if he might have come back to see his sick daughter, although people say it isn’t likely that he’d show his face in town since the police are looking for him. But why would he want to sabotage the Rainbow Island amusement park? Joan considers that there might be an answer closer to home when she learns that the Riddells and the Fullers don’t really get along, and there seems to be a silent power struggle between them for control of the park. Either of the families might want the other to leave, plus Joan and her mother, so they can be in charge.

Joan finds a message and an audio recording left behind by Uncle Agate for her, in which he seems to have had a premonition of his impending death and saying that the reason why he wants Joan and her mother to manage the park with Mr. Riddell is that the park needs someone with a fresh imagination to keep creating new exhibits and keep the park interesting for new generations of children. Joan wants to find out who is sabotaging the park and to keep Uncle Agate’s vision for the park alive, but her mother isn’t so sure that the situation is going to work for them.

Joan does have a fantastic imagination. She loves writing and making up stories, and she finds the atmosphere of the amusement park inspiring. However, Joan’s mother worries sometimes that Joan lives too much in her stories and doesn’t face up to reality enough. When Joan accuses her of not liking her stories, her mother says it’s not that, it’s just that writers also need a grounding in real life and the real world, and that it’s not good to use fantasies as a way of ignoring real life. She says that Uncle Agate was like that. Uncle Agate and his sister were orphaned from a young age, and while his sister was adopted by a family, Uncle Agate remained in the orphanage for the rest of his youth. When he grew up, he became successful in the toy industry, which was how he gained enough money and expertise to start his amusement park. However, Joan’s mother believes that much of what he did with the park was trying to live out childhood fantasies from his deprived youth and forget the hard realities of it. Joan’s mother says that she finds the real world outside of the amusement park more compelling, and she doesn’t want Joan to live too much in fantasy.

Joan is attracted to fantasy, but she’s realistic enough to know that there won’t be any hope for the park until she learns the true identity of the mysterious scarecrow that is trying to sabotage it. In the recorded message he left for Joan, Uncle Agate refers to a “right place” where Joan will find instructions that will tell her what to do. As Joan explores the the amusement park, familiarizing herself with the attractions and exhibits, she searches for the place that Uncle Agate referred to. Along the way, she has frightening encounters with someone dressed as a witch and the dangerous scarecrow among the regular figures in the exhibits.

My Reaction and Spoilers

The atmosphere of the story is great, and the author does a good job of making everyone Joan meets look like a potential villain or accomplice. All through the book, I kept changing my mind about who the real scarecrow was, and there are red herrings in the form of other people dressing up in costumes. Joan is never sure who to trust. There is a major twist toward the end of the book that turns the entire situation on its head. The rest of the ending after the scarecrow’s identity was revealed seemed a little abrupt to me, but the story has a good overall message.

At the beginning of the story, Joan does actually look at the amusement park on Rainbow Island as a kind of fantastic sanctuary from her problems, where she can escape from the sad loss of her father and uncle and the problems she’s been having at school. However, she learns that the amusement park isn’t really a sanctuary because it has problems of its own and the people associated with it also have their problems. However, these are problems that Joan is more motivated to solve because they are more exciting than her problems back home, and the stakes are high.

Joan and her mother have a frank discussion about facing up to life’s problems, and Joan points out that her mother’s impulse to run away from the park isn’t that different from her reluctance to face up to her problems with her schoolwork. Joan’s mother doesn’t find the park as interesting as Joan does, so she’s not as interested in trying to save it as Joan is. It’s similar to the way that Joan was unmotivated to work harder at school because it bored her, it was less imaginative than the creative writing she likes to do, and she was preoccupied with other major changes in her life. Joan’s mother acknowledges the truth of that, that it’s easier to try to solve a problem when you’re more motivated to work on it, and the two of them agree that, whatever else they do with their lives, they can’t just abandon the park without trying to catch the saboteur.

All of the characters in the story get new perspectives on their lives from this adventure, seeing how the park and their problems fit into a much bigger picture of life. Joan comes to understand that there are some problems that she’ll still have to face up to, like her school problems, no matter what else happens, and she sees that understanding the real problems that real people have is what will give her characters and stories greater depth.