Spooky Sleepover

A couple of weeks before Halloween, Ernie decides to have a sleepover party for her friends. The kids enjoy scaring each other with ghost stories, and a thunderstorm adds to the spooky atmosphere.

Michael, in particular, keeps insisting that an old witch called Mrs. Maloney used to live in Ernie’s house with a bunch of cats. When spooky things happen during the course of the evening, Michael says that Mrs. Maloney and her cats have returned to haunt Ernie’s house. The kids try to stay up until midnight because ghosts are supposed to appear at midnight, but there’s no telling what they might actually see.

The kids fall asleep, but they wake up around midnight when they hear a crashing sound from the basement. Although they are afraid, they take their flashlights and go down to see what it is. Will they find a ghost?

The book is available to borrow and read for free online through Internet Archive.

This is one of those stories that has a pretty simple explanation, but the adventure seems bigger to the kids because their imaginations run away with them. I remember liking this series when I was a kid, and I think this is one of the books I read back then. I liked the creepy-cozy atmosphere of the story. Even though the kids have been scaring each other with ghost stories, they’re still just at a sleepover in an ordinary, safe house, and there’s nothing there that is harmful. It’s that kind of safe scariness that Halloween represents to young kids. They can enjoy the spookiness, knowing that there’s a logical explanation for everything. Adults and older kids will figure out pretty quickly what’s really going on.

Stonestruck

It’s WWII and Jessica knows that she will be evacuated from London soon, along with other children from her school. She doesn’t want to leave London and her mother, even though the bombings have gotten increasingly worse and frightening. Her father has already gone away to the front, and she has no idea if he will ever return. Then, one night, the unthinkable happens: their house is destroyed in a bombing. Jessica and her mother survive the bombing by sheltering in their basement, but Jessica’s pet cat is nowhere to be found. She doesn’t know if he survived the bombing and ran away somewhere or if he is buried somewhere in the rubble of their house. Jessica is traumatized, but with their home gone, her mother makes the decision to send Jessica away from London early. Jessica’s mother has decided that she will volunteer for service as an ambulance driver.

Jessica is terribly upset and worried about what will happen to her when her mother sends her away to Wales alone, but her mother assures her that she will be fine and that she will soon be joined by the other children from her school. They are being sent to a Welsh castle, where they will have classes together. Jessica’s mother tries to tell her that it will be fun and exciting, going to school in an old castle, but Jessica is too frightened and traumatized to think that this will be a fun adventure.

When Jessica’s train arrives at the station in Wales, she is met by Mr. and Mrs. Lockett, the gardener and housekeeper at the castle. They are friendly and welcoming to her, but on their arrival at the castle, Jessica hears a frightening scream. The Locketts don’t explain to her what the sound is and act like they haven’t heard a thing. When Jessica wakes up early the next day, she is relieved to see a peacock on the castle grounds, who gives the same strange cry that she heard the night before.

She is satisfied that the weird scream she heard has a logical explanation, but then, something else frightening happens. Although the morning is clear, there is one, strange, dense patch of mist on the castle grounds. Jessica thinks that it’s strange to see such a dense patch of mist in only one spot when there’s no mist anywhere else. Then, she hears a voice calling her name from the mist and the sound of children’s laughter. Jessica is confused because she’s only just arrived and hasn’t met anyone else there except the Locketts, and the rest of her classmates from her school in London aren’t there yet. It gives her an uneasy feeling, and when she sees a hand reach out of the mist and beckon to her, she becomes terrified and runs away.

At breakfast, Mrs. Lockett is cheerful and behaves in a perfectly ordinary manner. She expresses sympathy to Jessica over her ordeals during the bombings in London and the loss of her house and asks her what she plans to do before the other children arrive. She confides that she and her husband are not accustomed to children because they have none of their own, confirming that Jessica should be the only child in the castle right now. Jessica assures her that she can entertain herself. She asks Mrs. Lockett about the peacock that made the screaming sound, but Mrs. Lockett says that there are no peacocks on the ground and that she didn’t hear any scream. Mrs. Lockett is very disturbed by Jessica’s mention of a peacock. She says that the family that owns the castle won’t have peacocks on the grounds because they’re bad luck, and she sternly tells Jessica not to imagine things. Then, Mrs. Lockett gets a call that a train with 30 evacuees will be arriving, and she needs to help arrange accommodations for them. She leaves Jessica to entertain herself, but she warns her to stay out trouble and to stay away from the pond.

Jessica explores the grounds of the castle and meets Mr. Lockett again. Mr. Lockett, who prefers to be simply called Lockett, is kind to her, and she asks him about the peacock. Lockett seems to believe Jessica that she saw a peacock and finds it worrying. He says the same thing that Mrs. Lockett said, that peacocks are bad luck. He says that, for most people, a peacock’s cry means coming rain but that it means tears at the castle. He says that he knows that Jessica is sad right now, but he says that she should remember that she won’t always be sad. Some day, she will be happy again. He also cautions her to be careful what she wishes for.

When Mrs. Lockett returns, she says that she’s made arrangements for the evacuated children who are coming. She is sympathetic to the evacuees. Arranging housing for them is a hassle, although she says it’s for their own good to be evacuated. Lockett says that it’s good up to a point. He doesn’t speak much, but he observes that, while it’s necessary for the children to be sent away from the bombings, it isn’t so good that they’re being separated from their parents. He says that he’s sure that Jessica would rather be with her mother. Jessica is surprised that he understands how she feels. She says that, while the castle is nice and definitely safer than London right now, she really misses her her mother. Mrs. Lockett doesn’t want to dwell on that. Instead, she encourages Jessica to come with her to meet the evacuees’ train. She says that these new children from London will be friends and company for her. Jessica isn’t so sure because these children are strangers to her, not friends from her school, but she does go to meet the train with Mrs. Lockett.

People from the village have gathered to meet the other evacuated children. Some of the women have prepared food for children’s arrival, and some are talking about how many children they’ve been told to accept into their homes and their fears that some of them will have lice. When the children get off the train, Jessica can see that they are all hesitant and scared. Among the crowd, Jessica sees a boy she recognizes from the night of the bombing, standing outside of a burning house. She doesn’t know his name, but she feels a kinship with him because he also lost his home. Unlike the other children, he has no bags with him. Then, suddenly, the boy vanishes in the steam from the train. No one else seems to notice that he was there or that he’s now missing. Jessica wonders if she just imagined him.

The children’s teacher is checking the children’s names off a list as they are assigned homes, but Mrs. Lockett stops her, saying that she’ll see to it herself. However, Jessica notices that Mrs. Lockett puts it off. Jessica asks Mrs. Lockett how many evacuees there are, and she vaguely says about 20 or so, when she had said 30 before. When Jessica asks her again exactly how many there are, Mrs. Lockett says that it’s an old superstition in their town, that no one should ever count children twice. Jessica asks her why that is, but she brushes off the question. Later, Jessica sees Mrs. Lockett burning the list of evacuees. With the list gone, no one will be able to count how many evacuees there are.

After her mother calls the castle to check on her and tries to pretend that things are fine when Jessica knows they’re not, Jessica feels the need to go for a walk by herself. Mrs. Lockett lets her go, warning her to be back before dark. As Jessica explores the castle grounds, she experiences more strange phenomena. She sees the peacock and the mist again and hears a voice calling her name. She sees a boy on a horse vanish into the mist. Then, a troop of phantom children charge past her, laughing and calling her name, and Jessica is shocked to see that one of them looks like her!

Jessica knows that she’s not just imagining the things that she’s been seeing, and she struggles to understand what’s happening and what it means. She realizes that, every time something strange happens, she either sees the peacock or hears its cry. She also remembers that, the first time she heard its cry, she had the strange feeling that, while she went into the castle, a part of herself stayed outside. Is that other part of her the phantom girl that she saw, being chased by the other phantom children? It looked like her, but it also felt alien, like it isn’t really her.

Jessica discovers that the boy who vanished at the train station ran away and has been hiding out on the castle grounds. He was afraid to let himself be sent to a strange home with the other evacuees because he’s heard that evacuees are treated horribly. Jessica tells him that she’s been treated kindly at the castle. Before she can learn the boy’s name, he runs away again, frightened by a strange old woman.

The old woman is frightening and seems to know who Jessica is. She says that she’s going about her rounds, leaving food out for the children. She knows about the phantom children, who run around in the mist with their hands linked. She refuses to tell Jessica her real name, just telling her to call her Priscilla, and she warns Jessica to keep repeating to herself that things aren’t always what they seem.

Jessica asks Mrs. Lockett if she ever played chain tag, the type of tag game where children join hands whenever they’re caught and then continue chasing other children. Mrs. Lockett says that the children around here call that game Fishes in a Net. When there are four or more children in a chain, they surround other children to trap them. She says that she played it in another place as a child, but not here because their mothers would never allow them to. Jessica asks why, and Mrs. Lockett hesitates to answer, but she makes a reference to a boy she knew when she was young, who apparently played the game too many times and disappeared. Before he disappeared, he talked about the peacocks, which was why they decided to get rid of the peacocks on the grounds. Mrs. Lockett says that the Green Lady wanted him for her own. When Jessica asks her about the Green Lady, Mrs. Lockett suddenly brushes it off as an old legend that doesn’t mean anything. Lockett the gardener says that some stories build power with the telling, and that’s why people don’t want to tell them.

However, Jessica realizes that there is truth to the legend that Mrs. Lockett doesn’t want to explain. Mrs. Lockett knows that there’s enough truth to it to destroy the list of evacuated children so it will be harder to keep track of who’s there and who isn’t. The people of this town don’t count children twice because something that lurks in the mist vanishes children away, and no one wants to notice it or admit it’s happening, that it’s been happening for generations. As long as they don’t count children twice, they can tell themselves that no one is missing and nothing is wrong, even when it is. Jessica begins writing about all of her strange experiences in the journal that her mother gave her, trying to solve the mysteries of the castle and the mist. Something in the mist is after her, beckoning her to come to it, and like the others before her, if she goes to it, she will never come back.

At Jessica’s urging, Lockett tells Jessica what he knows about the story of the Green Lady. The Green Lady isn’t human. She’s a shapeshifter with a heart of stone. Years ago, she kidnapped the young lord of the castle, Harry, because he was a beautiful boy, and she wanted him for her own son. However, Harry was desperately lonely, living only with someone who had a heart of stone. He refused to speak aloud again until he had a human playmate. So, the Green Lady began stealing playmates for him, but it was never enough. There is one playmate in particular that Harry is waiting for, the one whose name he calls in the mist. That’s Jessica. Because only Jessica, frightened and lonely in a strange land, has the ability to break the spell.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

Some reviewers on Goodreads have pointed out that this book is very similar in plot to an earlier book by the same author, Moondial. In Moondial, as in this book, there is a young girl who is sent away from home and encounters mysterious phenomena that involves children in past times who are suffering and need her help to free them. However, the two stories are not identical, and I like the way this particular book is framed around WWII child evacuees from London.

It is important to the plot that the child evacuees from London are scared because of the war and have been wishing that they can go home, but that they haven’t been raised in the atmosphere of fear and superstition that the children in Wales have been. They have worries, but they’re not the same worries as the Welsh people have. Jessica learns from Lockett that it is the wishing themselves away that splits the children’s spirits and leaves them vulnerable to being captured by the trapped spirit children. Lockett understands what is happening better than anyone and how the unhappy children from London feel because he was also once an unhappy child. He was abused at home when he was young, and he also wanted to get away. However, when confronted by the spectral children whose hearts have also turned to stone, he changed his mind and escaped their clutches. He explains to Jessica what she has to do to reclaim that part of her that split off from her when she wished that she could go home, and from there, Jessica realizes what she needs to do to end this ghostly game of tag and free the other trapped children. The first step is reconciling herself to her situation as it exists and no longer wishing herself away. In doing so, she is doing what all of the adults around her have been failing to do, both about the supernatural phenomena and about the current war – facing up to the situation and not trying to pretend like it is less serious than it really while no longer wishing it away. Then, she realizes that the only way to end the spectral children’s game is to beat them at it, and for that, she needs help from other children.

When one of the other child evacuees from London has been captured and spirited away, Jessica and the boy who has been hiding out convince the other child evacuees to help them get him back and free the other children who have been taken across the generations. They have some work convincing the other evacuees of what is happening, but when they do, they form their own team for chain tag or Fishes in a Net and face off against the team of spectral children. It has to be the evacuee children who end this curse because the Welsh children are too afraid to do it, and the Welsh children’s parents would never risk them in the attempt. The Welsh people aren’t as careful about the evacuee children, and some of them have been bullying and abusing some of the evacuees. There is some concern when they realize what the evacuee children are going to do, but no one stops them.

It isn’t entirely clear what happens when the evacuee children free children who were taken from previous generations because these older children simply vanish. Even Jessica isn’t entirely sure whether the children returned to their own times or if they’ve simply passed on. However, the people of the Welsh town realize that the children have finally been freed and that the spell is broken, and they are grateful.

Parts of the story were stressful to read. First, I found the loss of Jessica’s cat upsetting. They never learn exactly what happened to the cat during the story. Then, Jessica finds out that the other boy who lost his home also lost his mother and siblings in the bombing, showing her that her own losses, while serious, aren’t the worst ones. There are also instances where the local children bully the London children, and the Welsh parents blame the London children for it. Some of the Welsh people are kind to the evacuees, but some also bully and abuse them, seeing them as only rough, poor children who are troublemakers and an inconvenience to them.

Even Mrs. Lockett says that she feels lucky that she got Jessica as an evacuee because she is gentle and well-behaved, not like the other London children. Jessica realizes that this is an unfair prejudice. Although she does not consider herself a brave person, she finds her courage when she begins to confront some of the adults around her about the way they look at the London children and how they treat them. She asks the adults directly if they realize that the London children also don’t want to be there and that no one asked them if they wanted to be sent away from their parents. The adults, confronted with the reality of the the children’s feelings and the reasons for their being there, entrusted to their care, are embarrassed. They don’t have real reasons for their prejudices against the evacuees, only their unfair feelings and bad behavior, and they realize that when they are confronted directly with the realities of the situation and their own behavior. Really, I think that facing up to realities, even ones that are strange and scary, is one of the major themes of the book. It is Jessica’s realization that she can do that, when even the adults around her can’t or won’t, that gives her the courage to do what she needs to do to end the spell and save herself and other children.

Moon Window

Joanna Ellen Briggs (usually called JoEllen or Jo) lost her father five years ago, when he died in a car accident. Since then, it’s just been her and her mother. Jo has adjusted to the loss, and she and her mother have been happy together. At least, that’s what Jo keeps telling herself. Now, her mother is getting remarried, and Jo feels like her life has been completely turned upside down. Her new stepfather, George, is a nice man, but Jo can’t stand the idea of her life changing. George is a law professor, and Jo’s other relatives like him, but Jo is afraid of what this marriage will mean for her. She and her mother will be moving to George’s house in Boston, and she is afraid that nothing will ever be the same again.

At the heart of her worries is the fear of losing her mother, just as she lost her father. The truth is that Jo has never fully adjusted to her father’s death. She participates in a wide range of classes and activities, but it’s not because she really loves any of these subjects or activities. Her gymnastics, choir practice, piano lessons, and the host of other classes and hobbies that she pursues with so much energy and perfectionism are to keep her mind occupied so she won’t have to think about her father or her worries about what might happen to her if something happens to her mother. Ever since her father died, there has always been the lingering fear of something happening to her mother, and that’s why Jo fears change in her life. She has settled into a routine that makes her feel relatively safe and keeps her from thinking too much about what might happen in the future. George’s entry into their lives has broken the routine, will bring even more changes, and has caused Jo’s tightly-controlled feelings to creep to the surface.

Even during the wedding, Jo privately hopes something will happen that will stop the ceremony and keep all of these frightening changes from happening, but nothing does. However, Jo’s grandmother has noticed how upset Jo is, even though Jo tries to keep a blank face and hide her feelings. Her grandmother realizes that Jo is bottling up her emotions, and she sees the moment when Jo finally lets loose, just as her mother and George leave on their honeymoon. Instead of throwing birdseed after the car, like everyone else, she turns and throws her little bag of birdseed at one of George’s young nephews, hitting him in the eye.

Originally, the plan had been for Jo to stay with George’s brother and his family while her mother and George are on their honeymoon. However, because of her bad behavior toward George’s nephews, the boys’ mother refuses to have her as a guest. Jo’s grandparents hurriedly consider other arrangements for Jo. They would take her themselves, but they will soon be traveling to a conference they are attending. Jo’s grandmother laments about Jo’s behavior and moods, and that reminds her of Witch Ellen, an ancestor in an old painting at Winterbloom, the old house where her frail great-aunt lives. Granty Nell, as they call her, is actually a distant cousin and is over 100 years old, but she loves children. Jo’s grandmother remembers that one of Jo’s cousins recently visited Granty Nell at Winterbloom and had a wonderful time. Winterbloom is a strange old house near Walpole, New Hampshire, but Jo’s grandmother has fond memories of the place, and Granty Nell has live-in help, so she won’t be dealing with Jo alone.

Granty Nell accepts Jo as a visitor, but Jo is stunned that she has so suddenly been dumped with a relative she doesn’t even know, in an old stone house in the middle of the woods. At first, Jo plans to run away and go back to the apartment where she and her mother have been living and stay there until her mother comes to get her so her mother will regret leaving her and think twice about ever leaving her again. However, Winterbloom is no ordinary place, and leaving is much more difficult than Jo realizes.

Granty is unexpectedly sharp in spite of her age, and she can read Jo like a book, noting her thinness and chewed fingernails. She speaks openly to Jo about her feelings about her new stepfather on her first day at Winterbloom. Granty lets her speak and doesn’t criticize her feelings. Instead, she tells Jo a little about the house and their ancestors, and she offers to let her explore the house and choose one of the guest bedrooms for herself. When she decides which room she wants, she can tell the housekeeper, Mrs. Craig. Mrs. Craig’s husband Thomas and son Tom take care of the grounds and garden of Winterbloom. The three of them live in a little cottage nearby, so only Granty and Jo will be living in the big house.

As Jo explores the old house alone, she notices that the furnishings are rich but old and shabby. She wonders why Granty hasn’t replaced them because she is supposedly wealthy. Each of the bedrooms has a fireplace that has an iron Franklin stove fitted inside and wardrobes instead of closets. The furnishings are all old-fashioned and a little shabby, but there is something in every room that catches Jo’s attention, like an interesting painting or an embroidered stool. In spite of herself, Jo finds herself liking things or becoming intrigued by them, although she is still determined to run away. Then, while exploring the attic, she finds an old turret room with a round window, the kind that her mother likes to call a “moon window.” Jo tries to open the window, but she discovers that someone has painted it shut. She manages to pry it open anyway, using a knife that she finds in Granty’s desk drawer. Outside the window, there is a large tree, good for climbing. Jo realizes that, with her gymnastics skills, it would be easy for her to climb down the tree and escape when it’s time for her to run away.

Thinking that she’ll probably only stay for one night before running away, Jo chooses the yellow bedroom, the one with a high bed with yellow brocade curtains that has a step stool for climbing into it. Granty tells her that is the room where her grandmother stayed when she came to visit Winterbloom when she was young. Winterbloom is undeniably charming, in spite of its shabbiness, and Jo can’t help but think that the dining room, with its tapestries and long, candlelit table looks like it’s set for a fairy tale feast.

To Jo’s surprise, Granty tells her a little of her own history at dinner. Like many of the women in their family, Granty’s first name is Ellen, although the younger generations think of her as Granty Nell. Jo had assumed that Granty had grown up at Winterbloom, but actually, she originally lived in New York. Like other young girls in the family, she also came to visit Winterbloom as a child when the woman that she once called Granty lived there. When Granty Nell was 17 years old and having one of her visits to Winterboom, both of her parents died in a flu epidemic. (I thought at first that she was referring to the 1918-1919 Influenza Epidemic, but later events in the story show that the dates don’t line up. Her parents must have died earlier.) As an orphan, she continued living at Winterbloom with her Granty until the following September, when she went away to college. She was a schoolteacher for a time until her Granty died, leaving her Winterbloom and all of her money, on the condition that she change her last name to Macallan, which is the family’s maternal surname. Granty Nell wasn’t originally happy about having to change her name, but she did it anyway because she loved Winterbloom. Jo wishes that someone would give her a house to live in so she wouldn’t have to live with George. George’s house in Boston is very modern and definitely not charming. Granty Nell tells her to be careful about what she wishes for because, since she returned to Winterbloom, she hasn’t traveled very far from it, and there are many interesting places she has never seen. Clinging too much to one particular place can keep a person from moving on to other, more exciting places.

Although someone (possibly Mrs. Craig or Granty) has tried to make the yellow room more cozy for Jo by moving all the things that she admired in the other rooms into that room, Jo is still determined to run away. She almost resents how comfortable Winterbloom is for her, making it difficult for her to leave. Early in the morning, Jo slips out through the moon window in the attic and climbs down the tree from the house. She originally planned to ride her bike the two miles from Winterbloom into town because her grandparents left her bike there for her to use, but she can’t find the bike when she reaches the ground. She assumes that the Craigs must have moved it and that she’ll have to walk to town to catch the bus.

However, during her early morning walk to town, it slowly begins to dawn on her that something isn’t right. She overhears some children talking about a cannon, which is strange. Then, she has an encounter with a man on horseback, who talks like he’s a local doctor who’s been out to see patients. Since when do doctors ride around on horses to see their patients? Jo becomes more uneasy, and when she reaches the town, she realizes why. The town doesn’t look the way it did when she passed through it with her grandparents. Suddenly, there is no Interstate highway, and there is a covered wooden bridge that isn’t there anymore in Jo’s time. Somehow, it looks like going through the window has sent Jo back in time, although she’s not sure when or if that’s really what is happening. Disoriented and terrified, Jo returns to Winterbloom and climbs back up to the moon window, leaving her knapsack hidden in some bushes to retrieve later.

The next day, Jo tries to tell herself that what happened early that morning was only a dream, but there are hints that it wasn’t. Not only is her bike exactly where she left it, like it never moved, but the bush where she left her knapsack isn’t there anymore, and there’s no sign of the knapsack. Jo searches the area to check if she was just mistaken about where she left the knapsack, but it really isn’t there. When Granty suggests that they go into town for lunch, Jo sees that the gate to Winterbloom isn’t the same in the present as it was in the past, and the road to town is paved while the road she walked along in the early morning wasn’t. Yet, there are aspects of the countryside that are eerily familiar, which indicates that what she experienced wasn’t just a dream. She might have been able to dream about the road and town as they were in the past, but she shouldn’t have been able to accurately dream about features of the area that she hadn’t seen before and that have been there for a long time.

Their trip to town is cut short because Granty becomes ill. Young Tom, who is driving them, says that Granty suffers from agoraphobia, which is why she gets ill or panics when she gets too far from Winterbloom. This is part of the reason why she has not traveled very far since she inherited the house. Granty later says that this isn’t entirely the case, but through many years of living at Winterbloom, it has become more and more difficult for her to leave it.

Jo still plans to run away, and she realizes that she left her flashlight in her knapsack, wherever that is now. She decides to search the attic for something she can use instead. In spite of herself, she finds the old clothes in the trunks in the attic charming and decides to try wearing some of them. Then, at the bottom of one of the trunks, she finds her knapsack! The knapsack isn’t the way it was when she last saw it, though. It has clearly aged, and so have the things inside. The flashlight no longer works, the clothes are yellowed with age, and the leather and rubber on her hiking boots has hardened and cracked. It’s like they’ve been stored in the attic for more than 100 years! The boots are wrapped in a newspaper, now deteriorated, but when Jo examines it, she finds the date of July 1809 and references to some of the people and things she encountered during her early morning excursion. Now, Jo is really scared.

Jo races to the turret room and looks out the moon window, but what she sees frightens her more. Although it’s afternoon in Winterbloom, it’s dark outside the moon window. More than that, there’s no tree outside the window, and the countryside that she sees isn’t the woods that surround Winterbloom. Jo recognizes what she sees as the same scene in a painting in her room at Winterbloom. The moon window is no ordinary window. It looks out on different times and places.

Once she gets over her fear, Jo is intrigued at this “window of time” and wants to know more about how it works. She even thinks that, if she can learn to control it, she might be able to go back in time to just the right moment to keep her mother from getting married again, which she thinks will solve all of her problems. However, the next time she tries the window, she finds herself meeting a young Granty Nell in 1897, when she was just a girl about her age called Nell, which is short for Ellen. Nell catches her sneaking around in a dress that looks very much like her dress. (Really, it’s the same dress, just aged about 90 years because Jo found it stored in the attic and tried it on.) Jo attempts to explain to her who she is and how she got there, taking Nell to the turret room in the attic and showing her the moon window. Jo is curious where the moon window will lead if they go through it in the past, wondering if it will take them to the future, but it ends up leading them further into the past. Jo and Nell end up in 1764, when the house was first being built. They are both caught sneaking around by a young Indian (Native American) and the stonemason who is building the house for Ellen Hawke. Ellen is a common name for women in their family, and this Ellen was the one who created Winterbloom and the one for whom all the other Ellens were named, including JoEllen. She is also considered a “wise woman”, and she is the Witch Ellen who appears in a painting at Winterbloom. Jo recognizes the stonemason’s last name as her grandmother’s maiden name, making her wonder if they are also somehow related. She wonders if maybe the stonemason will marry Ellen Hawke, making him her distant ancestor.

As Jo begins to consider people’s complex relationships across time, it occurs to her that, if she and Nell aren’t careful, they might accidentally change something in the past that will endanger their own existence. For the first time, she also begins to wonder what might happen if she successfully changes things so her mother never meets or marries George. Is it possible that she would be preventing the potential birth of a half-sibling, and if so, is that what she really wants to do?

Back in the present day, Granty Nell begins remembering an incident from her youth that she always thought of as a dream with a girl named Joanna and a trip back in time, and she begins connecting it with some strange questions Jo has been asking her. Years ago, Granty Nell had removed the furnishings from the turret room (the ones which Jo had delighted in and are now her the Yellow Bedroom that she is using) and scattered them through the house. She had the moon window painted shut and kept the door to the turret room locked, sensing that the moon window was magical and dangerous. Now, in spite of Nell’s precautions, things are coming full circle, and Jo is doing what Nell realizes she has done before.

Although Granty Nell loves having Jo at Winterbloom, she begins to realize that she must get Jo away from the place as soon as possible, before Jo becomes trapped in the same web that has kept Nell herself tied so tightly to Winterbloom all these years. Solving the mysteries of Winterbloom and the spell it has on the other Ellens in the family means exploring the past of the first Ellen, Witch Ellen.

The book is available to borrow and read for free online through Internet Archive.

I enjoyed this story and its atmosphere! I think fans of Cottagecore would enjoy Winterbloom, with its old-fashioned, comfortable shabbiness and rooms with quaint, magical touches. This is also one of those books that mentions what the characters eat. I’m not much of a foodie, but there were a couple of things that interested me about their meals at Winterbloom. I find it interesting when books mention unusual dishes or foods that they call by unfamiliar names. At one point, they have what Granty calls “Indian cake” for lunch. It’s described as a type of corn bread, so I think it’s named for Native Americans rather than Indians from India. (I ask that question almost every time I see “Indian” in writing, unless it’s specified.) I’d never heard of that before, so I tried looking it up, and from the description, I think it might be similar to this recipe for a corn bread pound cake from 1827. I’m not 100% sure it’s the same thing, but it seems reasonable because it’s described as both a corn bread and a cake. As charming as Winterbloom is, though, it also has a dark side that Jo must confront.

Jo’s immediate problem is obvious from the beginning of the story. There have been many other children’s books about children adjusting to changes in their lives, including the remarriage of a parent. It’s understandable that children who are accustomed to having only one parent might cling to that parent and be afraid of changes that might cause them to lose that parent or experience less of that parent’s attention and affection. Although adults might say that coming to love someone else doesn’t mean loving other people less, but Jo already knows that, when her mother spends more time with George, she spends less time with Jo. Her mother still loves her, but Jo feels neglected and forgotten, fearful of what this will mean for her future and her relationship with the only parent she has left. Even before her mother married George, there were times when her mother was so preoccupied, thinking about George, that she forgot to get breakfast for Jo or buy groceries, as she normally did, making Jo nervous about her mother still providing for her through this relationship with George. I’m sure that her mother doesn’t mean to give Jo this feeling. It’s just part of the awkwardness of making a major change in their lives and adjusting to a new normal. I’ve reviewed others on this theme before, including The Haunting at Cliff House, which also features time travel.

There are a couple of things that make this story different from others that I’ve read. One that surprised me at first is that Granty Nell knows about the magic of the window. In many books for kids that involve magic and time travel, the adults don’t know what’s going on and never learn. The magic or time travel is meant to give the children in the stories perspective on their lives and problems and teach them lessons, not to do anything for the adults. Typically, the adults either don’t know what’s going on, while the children learn about the magic or face their problems on their own, or the adults don’t find out what’s been happening until after the child has resolved the situation, like Rose in The Root Cellar, which is about an orphan adjusting to a new life with her relatives. In this story, Granty Nell has known about the magic of the moon window since she was young, when she first met Jo on one of her time travel excursions. At first, Nell thought that Jo was a dream, but through her years with the house, she came to understand the dangers of the window and the hold that the house can have on people, particularly on young girls named Ellen, who are coping with the loss of a home or a parent.

It isn’t obvious right away, but this is also a story about generational trauma, but with a magical/supernatural twist. Like other Ellens in the family, the first Ellen, Ellen Hawke (maiden name Ellen MacAlpin, also called Ellen MacAllan or Witch Ellen) also suffered the lost of her father and home early in life. The family’s ancestral home, Castle MacAlpin in Scotland, was destroyed by fire, and her father died in the fire. Ellen wanted to save him, but she couldn’t. The MacAlpins were unusual people, who possessed real magic, and Nell thinks that they might actually be descended from elves. After her father died, Ellen married, and later in life, after her husband died, she went to New Hamsphire to start over. People were always nervous about her and her magical abilities, so whenever it looked like people might be about to put her on trail for being a witch, she would move and start over.

Like Granty Nell, Witch Ellen has also lived an unnaturally long life, and (spoiler) she is still living secretly in Winterbloom. At least some of the other Ellens in the family were also her, pretending to be one of her own descendants. When she came to New Hampshire, she built a new version of the home that she had lost, which is Winterbloom. The shabby, old-fashioned belongings in the house are actually a clue to the house’s true problem. Granty can’t change things too much, even when she wants to, because Witch Ellen won’t let her. The house is a monument to her old life, and she can’t let go of it. However, Ellen eventually discovered that Winterbloom was a poor substitute for her lost home. It’s undeniably a charming house, but it’s not the original castle, so it just couldn’t be the same and would never feel the same to Ellen.

When Jo finally speaks to Witch Ellen directly, she admits that, rather than bringing her solace, Winterbloom haunts her because it can’t be what she wants it to be. Witch Ellen tells Jo that, for a long time, she has been waiting for a descendant of hers to undo a terrible mistake that she made years before, which has kept her bound to the house. That is, assuming that Witch Ellen is telling the truth.

For most of the book, readers don’t know what’s behind the magic of the house or if the witch in the family is in control of what’s happening. I expected at first that Witch Ellen would be a sympathetic character who would help Jo to understand the magic and maybe teach her something to help her cope with her situation, but that isn’t the case. Jo must confront the question of whether the mission that Ellen gives her would really break the spell of Winterbloom or if the curse of Winterbloom was always Ellen’s inability to accept life as it came and to try to control the outcomes. Ellen was always a controlling person, and her own children left her and Winterbloom years ago because she frightened them. Witch Ellen was never satisfied with her life, even the parts that were really good, because she couldn’t let go of the old home that she lost. Her new home, the men she married, and even her own children were never good enough for her because she was clinging to her memories of her old life and her plan to get it back. It was an obsession with her, and it has guided everything she has done. When Ellen became Nell’s guardian as her “Granty”, she began controlling her, keeping her bound to Winterbloom all these years to accomplish what she wanted. When Nell wouldn’t do it, Ellen began searching for another descendant who would, which is why she keeps inviting other young descendants to visit Winterbloom.

Jo is capable of doing what Ellen asks, but she has begun to see Ellen’s selfishness for what it really is. Ellen is prepared to sacrifice the lives and futures of her descendants to change the past, without regard for what that would mean for anyone else. Jo is different because she can see the bigger picture, and she does care about other people. She worries about her future, and that’s why she is afraid of the changes brought by her mother’s remarriage, but she has come to see that there are limits to what she’s prepared to do about that because of her concern for the welfare of other people. Jo realizes that she doesn’t want to be trapped at Winterbloom forever or to endanger her very existence and the existence of other people in her family to accomplish Ellen’s mission.

In many books about children coming to accept stepparents, the children come to suddenly love the stepparents at the end of the book, or at least find something about them to appreciate or an ability to see things as the adults around them do. That isn’t the case with this book. Maybe Jo will come to appreciate George once she becomes more accustomed to him and her new life, but for now, she has come to see that trying to control other people’s lives can be truly damaging, not just to them but also to other people around them and even to herself, and that it isn’t healthy to remain stuck in the past. Although accepting change can be difficult and can sometimes mean accepting bad outcomes along the way, Jo comes to see that she would rather keep moving forward in life and letting others move forward.

If something bad hadn’t happened in their family centuries before, maybe none of them would even exist now. Maybe accepting her mother’s marriage to George will one day mean accepting a younger half-sibling and having to share her mother with George and that sibling, but Jo recognizes that this half-sibling has the right to exist as much as she does. The half-sibling is only a potential idea at this point, not a firm reality, but the knowledge that there could potentially be one someday causes Jo to think about the effect that her decisions can have on people, including possible future generations. Letting her mother, George, and the potential half-sibling have their lives will mean having to make some changes to her own life, but Jo sees that it also allow her room to consider new possibilities for her own life in the future and to keep moving forward. The contrast between having the ability to move forward and being stuck in the past is enough to convince Jo to stop fighting her mother’s marriage and to focus on moving forward and seeing what life holds.

This is one of those children’s books that also references other children’s books. Because generations of children have visited Winterbloom, Jo finds old children’s books on the shelves there, like The Five Children and It by E. Nesbit and a Nancy Drew book from the 1930s. When Jo reads The Five Children and It, she reads a part about how people can make themselves wake up at a particular time without an alarm clock by really focusing on the time they want to wake up before they go to bed. I haven’t read this book yet, but I have done that before, made myself wake up at a particular time because I had it in my mind that was when I wanted to get up. It does seem to work at least sometimes, although The Five Children and It says that it only works if you really, really want to wake up at that particular time. If you don’t really want to get up, it won’t work. When Jo reads the Nancy Drew book, she tells Granty that she’s surprised that Nancy Drew is that old, and Granty tells her how the Nancy Drew books are periodically rewritten to update them with the current time and habits, changing language and technology to be current. This is true, and I’ve talked about that on this site before. As this story notes, in the original books, people were driving roadsters and using typewriters, and in the updated versions, they have sports cars and computers.

The Case of the Tricky Trickster

The Bobbsey Twins

Before I begin, I’d like to acknowledge Sean Hagins, for supplying me with photos of this book! Usually, I take pictures of books myself, but I just couldn’t find a physical copy of this one. Sean is a big fan of the Bobbsey Twins, particularly the New Bobbsey Twins mysteries, and you can see some of his video reviews as well as videos about his photography work on his YouTube channel, SJHFoto. Thanks, Sean!

The PTAs at the schools the Bobbsey Twins attend, elementary and middle school, are holding a variety show to raise money, with students showing off their talents. A boy in Freddie and Flossie’s class, Brian, is going to put on a juggling act, but Freddie and Flossie are going to help another friend, Teddy, with his magic act. Nan and Bert have a rock band with some friends called the Aliens, and they’re going to be performing, too. Danny Rugg, the school bully, even has an act where he’s going to play the accordion.

However, things soon start going wrong with the show. During the rehearsal, someone turns on the Aliens’ amplifier, making a loud sound that startles everyone. Then, a pole falls and almost hits a student while she’s singing. Then, Brian slips on some floor wax. Freddie and Flossie suspect Danny of playing pranks on everyone because he was near the places where the pranks occurred, and it seems like the kind of thing he might do, but there are other suspects.

Some of the other students seem nervous about performing their acts or think that the show won’t really be that good. Could someone be trying to sabotage the show to get out of performing? Then again, there seems to be some kind of rivalry between the music teacher who is directing the show and Mr. Horton, the fifth grade teacher. Mr. Horton seems resentful that he wasn’t given the chance to direct the show, and he keeps trying to prove that the music teacher is doing things wrong and that he could do them better. Just how far would he go to prove that he would be the better director?

The book is available to borrow and read for free online through Internet Archive.

I thought that the mystery was good, although I also thought that the culprit was obvious about halfway through the story. It might take kids longer to figure out who it is, but there is one person who gets more than their share of the sabotage, and some of the tricks are ones that a person could only play on themselves. There is a student who is trying to get out of having to perform, but once the Bobbsey Twins figure out why, they manage to work things out so that the student is able to go ahead with their act.

The story reminded me a little of The Tap Dance Mystery in the Eagle-Eye Ernie series, although the mysteries aren’t the same. What reminds me of the other book is that both stories involve family expectations. Performing in front of classmates is enough to make anyone nervous, but having family with high expectations present puts a great deal of pressure on a child performer. There is a bit more than that because there are reasons why the student doesn’t think they can live up to everyone’s expectations, but fortunately, a little help from a friend can go a long way!

The Case of the Crazy Collections

The Bobbsey Twins

Before I begin, I’d like to acknowledge Sean Hagins, for supplying me with photos of this book! Usually, I take pictures of books myself, but I just couldn’t find a physical copy of this one. Sean is a big fan of the Bobbsey Twins, particularly the New Bobbsey Twins mysteries, and you can see some of his video reviews as well as videos about his photography work on his YouTube channel, SJHFoto. Thanks, Sean!

The Bobbsey twins’ neighborhood is having their annual block party, and the Bobbsey twins and their parents are helping to set up for it. As part of the party, the neighborhood has rented a tent, where kids from the neighborhood are displaying their collections. The neighborhood kids collect all kinds of things, like baseball cards, comic books, soda cans, autographs, and coins. One boy, Kevin, has an autographed baseball that his grandfather gave to him. The neighbors are charging people money to see the exhibit of collections, and the money will be used for a pizza party later.

Later, Kevin’s autographed baseball disappears. Could the baseball thief be Mr. Sher, a visitor staying with their neighbor, Mr. Andersen? Mr. Sher tried to buy the baseball from Kevin earlier, but Kevin turned him down. Then again, Kevin’s cousin, Steve, was jealous that Kevin has the baseball. Steve turned down the offer of some of his grandfather’s old collectible items in favor of a savings bond, which he has already cashed in and spend on video games. Steve tried to borrow more money from Kevin earlier, but Kevin turned him down because Steve hasn’t yet repaid him for money Kevin loaned to him before. Danny, the neighborhood bully, was also mad at Kevin earlier. He’s a friend of Steve’s and didn’t want to have to pay to see the collections. Then again, another local girl, Jennifer, collects autographs, and they see her at a collectors’ shop. Would she know the value of an autographed baseball, and was she trying to sell it? With so many people coming and going from the tent where the collections were on display, it’s hard to say who might have taken something. The thief may have even been the Bobbseys’ own dog, Chief, who has developed a habit of collecting and hoarding baseballs.

Then, another boy realizes that his prized hologram sticker is missing. Could the thief have taken that, too? Their clues are an unexplained slit in the back of the tent, some footprints, and a pin with Greek letters on it. Can the Bobbsey Twins find the valuable baseball and return it to Kevin?

The book is available to borrow and read for free online through Internet Archive.

Something I thought was interesting about this story was that it brings up the concept of collecting things for fun or sentimental value vs. collecting things because of their monetary value. Most of the kids in the neighborhood collect things just for fun. At first, Kevin doesn’t seem to fully realize the value of the autographed baseball. His attachment to the baseball is because he got it from his grandfather. When he had the offer to sell it to Mr. Sher, he refused because the baseball reminds him of his grandfather.

I had a strong suspicion about the identity of the baseball thief early in the story, and my guess turned out to be right, but I liked it that there were plenty of other suspects to consider. There are child suspects, adult suspects, and even the Bobbseys’ own dog. Any of these could be plausible. When they realize that the hologram sticker is missing, it raises the question of whether the person who took the baseball also took the sticker, if the sticker was taken by someone else, or if the missing sticker is just a red herring. Overall, I enjoyed the mystery, and I liked the abundance of suspects.

Kirsten’s Cookbook

Kirsten, An American Girl

This cook book is one of the activity books that was written to accompany the Kirsten series that is part of the American Girls franchise. The American Girls books were written to help teach American history (as well as sell the accompanying dolls and accessories), so this book has recipes of the type that people would have eaten on the American frontier during the mid-1800s, when the character of Kirsten lived, and some historical information.

The book begins with some historical information about cooking on the frontier. Pioneer families like Kirsten’s family ate what they grew themselves and things they could gather from the woods around them. They ate certain foods only in the season when they could get them, and it was hard work to produce food and process it before using it in recipes. There were certain types of food that they had often because the ingredients were simple and often available, like potatoes and bread, and they rarely had time to prepare special or elaborate meals. However, they would take the time to make some special treats for holidays.

There are special sections that describe what pioneer kitchens were like and the dishes and table settings they would use. Pioneer families like Kirsten’s lived in one-room cabins, so her family cooked, ate, and slept all in that one room. They had a wood-burning cookstove, but stoves like that did not come with temperature settings. (This is why you don’t see temperatures specified in old recipes from the 19th century, although this book does include that information for modern readers.) People learned to judge roughly whether the temperature was right to bake bread or cook other recipes by feel, and could regulate the approximate temperature through the type or amount of wood they burned.

There is also a section of cooking tips and kitchen safety tips for modern child readers. Then, the recipes are organized by type of meal with a section of Kirsten’s favorite recipes. Each section and recipe is accompanied with additional historical information and trivia.

  • Pork sausage patties
  • Hard-boiled eggs
  • Swedish rice porridge
  • Round rye bread
  • Homemade butter
  • Ginger cookies – Although cookies seem like an odd thing to see at breakfast, a pioneer family might have them and save some for a snack in the mid-morning, before lunch, or as they called it, dinner.

“Dinner” is usually the biggest meal of the day, but depending on when and where you live, that might be either the midday meal or the evening meal. In modern times, it tends to be the evening meal, after a family or individuals are home from work or school and have more time for a large meal. Modern people sometimes use the terms “dinner” and “supper” (the evening meal) interchangeably for that reason. In Kirsten’s time and, sometimes, in rural areas even in modern times, the biggest meal is the midday meal, what most of us would call “lunch.”

  • Baked ham slice
  • Swedish potatoes
  • Cabbage and apple salad
  • Fruit Soup
  • Swedish Almond Rusks – Swedish rusks are crunchy sweet breads, a little like biscotti.

This section just has an assortment of recipes for Kirsten’s favorite foods. Some of them are traditional Swedish foods, and others are more American. There is a mention in this section that pioneers learned how to make maple syrup from “Indians”, meaning Native Americans.

  • Potato soup – Soup with bread and cheese was a popular supper meal for farming families in the 19th century.
  • Swedish meatballs
  • Fresh applesauce
  • Swedish pancakes – These thin pancakes are rolled and filled with jam.
  • St. Lucia buns – These special buns are topped with raisins, and it’s a tradition in Sweden and other Scandinavian countries to serve them on St. Lucia Day, December 13.
  • Pepparkakor cookies – These are thin, spicy cookies that are cut into shapes and served at Christmas.

The book ends with a section of tips for having a pioneer-themed party. When real pioneers had parties, they were often organized around chores they had to do or tasks to accomplish. They called these work-play parties “bees”. Besides accomplishing a task, friends and neighbors would also bring food and share a meal, talk, and have fun. The suggestions in this section are organized seasonally. A Winter Baking Bee could involve everyone getting together to bake holiday treats, like the ones included in this book for St. Lucia Day and Christmas, or whatever the guests want to bake. At a Spring Gardening Bee, guests can get together to plant a garden or potted plants, with plants for guests to take home themselves. For a Summer Berry Bee, guests can pick berries (if they grow locally or at a “pick-your-own” farm) or make jam, with some for everyone to take home. For a Fall Apple Bee, guests can pick apples and make recipes with apples, like applesauce.

The book is available to borrow and read for free online through Internet Archive.

Samantha’s Cookbook

Samantha, An American Girl

This cook book is one of the activity books that was written to accompany the Samantha series that is part of the American Girls franchise. The American Girls books were written to help teach American history (as well as sell the accompanying dolls and accessories), so this book has recipes of the type that people would have eaten during the early 1900s, when the character of Samantha lived, and some historical information about cooking and dining during that period.

The first section in the book discusses innovations that made cooking easier in Samantha’s time than it had been in earlier time periods. The kitchen in Samantha’s house had running water, a gas stove, and an icebox for refrigerating food. Because Samantha comes from a wealthy family, who can hire people to cook for them, Samantha’s education focuses more on learning how to be a good hostess, meaning that she would be more likely to be in the dining room, helping to entertain guests, rather than in the kitchen, preparing food. However, Samantha would have been familiar with cookbooks, discussing new recipes and studying sections of cookbooks that offered advice about dining etiquette. There are sections in this book that discuss the role of servants in shopping for and preparing food and the proper way to set a table for an elegant dinner party.

After that, there is a section of cooking tips and kitchen safety tips. The recipes in the book are divided into sections based on meals, followed by a section of Samantha’s favorite recipes. The recipes are also accompanied by historical information.

The book explains that, because Samantha is from a wealthy family, her family’s cook begins making breakfast before Samantha wakes up in the morning, so it will be ready for her as soon as she’s awake and dressed. In her time, breakfast was typically the lightest meal of the day, but wealthy households had a variety of foods at breakfast. Breakfast was typically served with hot drinks. Adults usually had coffee or tea, while children might have hot chocolate.

  • Strawberries with cream
  • Ham slice
  • Cheese omelet
  • Saratoga potatoes – These are fried potato chips, which were a relatively new innovation in Samantha’s time. The book explains that potato chips were invented by a Native American cook at a resort in Saratoga Springs, New York in 1853 after a customer complained that the fried potatoes should be thinner.
  • Blueberry muffins

“Dinner” is usually the biggest meal of the day, but depending on when and where you live, that might be either the midday meal or the evening meal. In the past and in rural areas, “dinner” was often lunch. By Samantha’s time, as it typically is in modern times, it was the evening meal, after a family or individuals are home from work or school and have more time for a large meal. For wealthy families, like Samantha’s family, dinner was a very formal meal. They would often dress up for dinner, and at formal dinner parties, there would be name cards on the table to tell everyone where to sit. At a formal dinner in a household with servants, individual dishes and parts of the meal would be served in “courses”, but the number of courses could vary. Samantha’s family followed the English style, with fives courses at dinner. The book mentions Samantha’s family having soup, salad, appetizers, a main course with roasted meat, and dessert and coffee at the end of the meal. Some larger, fancier dinner parties could have many more, some as many as 18 courses!

  • Cream of carrot soup
  • Roasted beef tenderloin
  • Mashed potatoes
  • Fresh green beans
  • Corn oysters – These are fried corn patties.
  • French salad
  • Dressing
  • Ice cream snowballs – These are scoops of vanilla ice cream coated in shredded coconut.

This section has an assortment of recipes for Samantha’s favorite foods. The book explains that, while Samantha was being trained to be a hostess more than a cook, even wealthy girls like her would taught some basic cooking skills. Sometimes, Samantha would help the family’s cook in the kitchen and make some simple recipes.

  • Apple Brown Betty
  • Jelly biscuits
  • Cream cheese and walnut sandwiches
  • Chicken salad sandwiches
  • Gingerbread
  • Lemon ice

The book ends with a section about how to plan a tea party, like girls in Samantha’s time might have. The suggestions include themed tea parties, like afternoon tea, a color tea (a popular concept in the early 1900s, where everything at the party, from decorations to food, would be themed around a particular color), a garden tea party, and a doll tea party (girls would bring their dolls, and there would even be tiny treats to serve to the dolls).

The book is available to borrow and read for free online through Internet Archive.

The Ghost of the Gracie Mansion

Mysteries in Time

The Ghost of the Gracie Mansion by Susan Kohl, illustrated by Ned Butterfield, 1999.

The year is 1803, and the Gracie family has decided to temporarily leave New York City because of the Yellow Fever Epidemic. William Gracie, the eldest son of the family, is disappointed because he has started working for his father’s shipping business, and he was looking forward to being promoted to clerk this spring. He wants to follow in his father’s footsteps, and he’s serious about wanting to learn the business. The trip that they’re taking to their new country home at Horn’s Hook, north of the city, seems to delay his plans because it’s so far away from everything, from his father’s business and from the Tontine Coffee House, where businessmen and other important people meet to discuss the issues of the day. However, William can’t help but admit that the situation in New York is serious. People are dying of Yellow Fever every day, including children, and his parents just want the family to be safe.

William begins to feel a little better when his father tells him that he’s arranged for them to work together from the family’s country mansion. His father says that captains of the ships he owns will stop at Horn’s Hook on their way to New York Harbor to report to him, and William will help him to prepare the cargo lists and timetables for the ships. Their temporary exile from New York hasn’t put a stop to their business or William’s education in that business; they’re just going to be doing things a little differently until the crisis is over.

While the family is traveling to their new country house, Mr. Gracie tells them about the history of the place. There used to be another house on that land, but it was destroyed during the American Revolution (an event still in relatively recent memory at the time this story takes place) as the British and the Patriots struggled to control it because that location is a strategic spot on the Harlem River. Mr. Gracie says that their new house is built over the basement of the old house, and that’s important because he’s aware that the former owners had a secret tunnel that led out of their basement in case they needed to use it as an escape route during the war. He told the builders to look out for it while they were building the new house, but if any of them ever figured out where it is, they never admitted it. The Gracie children are excited about the idea of their new house having a secret tunnel, and they’re eager to find it!

The new Gracie house is beautiful, really more of a mansion than just a house. However, there is something strange going on there. Soon after they arrive, William’s younger sister Sarah sees someone in the house dressed all in white. Sarah thinks that she saw the ghost of the person who owned the house that used to be on their property. The others don’t believe her because Sarah has a vivid imagination and is always making up stories, but Sarah insists that she saw someone.

When things start disappearing from the house, the rest of the family begins to believe that there may be some unknown person in their house. Sarah still thinks it’s a ghost, but William thinks maybe someone has found the secret passageway into the house. Who is this mysterious intruder?

The book is available to borrow and read for free online through Internet Archive.

My Reaction

I always like historical novels, particularly historical mysteries, and I really enjoyed this one. The mystery is meant for children in elementary school, and it isn’t too difficult, but it’s fun to see the Gracie children searching for the secret passage and trying to learn who is sneaking around the family’s country mansion. I also enjoyed that the story offers history lessons on multiple levels. The immediate situation for the characters is the yellow fever epidemic of 1803, but the story also touches on the American Revolution. The solution to the mystery is also related to Revolutionary War history. The Gracies, headed by father Archibald Gracie, were a real family who made their money in shipping, although the events in the story are fictional. There is a section in the back of the book that explains more about the family’s history. They associated with prominent people in New York in the early 19th century, and Alexander Hamilton makes an appearance in the story when he visits the Gracie Mansion. The Gracie Mansion is a real place. When it was first built, it was in the countryside outside the limits of New York City, but since then, the city has grown around it. It is now used as the home of the mayors of New York City.

Although this book was published before the coronavirus pandemic of the early 2020s, I also appreciated the part of the book at the beginning, where William is concerned that the current epidemic has changed his plans and impacted his ability to learn his father’s business. However, his father explains to him that they are still in business, and he has made arrangements for them to continue working in a different way during their time away from the city. People who lived through the quarantines and lockdowns of the covid pandemic will understand how it impacted the way people worked or continued their education and how people had to find ways to work around the problem. I appreciated that this story shows how people have had to deal with public health crises before in history and how they have always had to find creative solutions to deal with problems of this nature.

In this particular situation, the Gracies are a wealthy and privileged family, so their options for escaping from the crisis and working from outside the city are greater than other people of their time. Not everyone had a countryside mansion where they could go to escape the disease, and not everyone had employees who could report to them wherever they were. What Mr. Gracie and his son are doing during the course of the story is the early 19th century equivalent of “working remotely”, pre-Internet, and they accomplish it through people coming to report to them and taking goods and information into the city on their behalf. Even though the Gracie family can stay outside the city, they are still sending their ships into the city’s harbor because the cargo the ships carry is necessary there. There are people in the city who are waiting for the supplies the ships are carrying. The crews of the ships are what people in the 2020s came to call “essential workers” – the people whose type of work was necessary, no matter the circumstances, and who could not perform their duties from a remote location. The same is true for all the other people who must remain in the city because their jobs require them to work with or on behalf of the people who are still there.

The Secret Garden Cookbook

The Secret Garden Cookbook: Recipes Inspired by Frances Hodgson Burnett’s The Secret Garden by Amy Cotler, illustrations by Prudence See, 1999.

This book is a cookbook with recipes based on the types of foods eaten by characters in The Secret Garden by Frances Hodgson Burnett. Food is important in the story because Mary and Collin didn’t have any appetites when they were unhappy and unhealthy, but their appetites improve when they begin working in the garden and getting more fresh air and exercise. Most of the recipes are types of foods that are specifically named during the course of the story, but others are ones that the characters would have been likely to eat for the time and places where they lived. Because the original story focused on gardening, there is also an emphasis on using foods that would be grown in kitchen gardens

Most of the illustrations in the book are simple green and white drawings of different types of foods that accompany the recipes.

The recipes in the book are sorted into different categories, and each section has historical information about different meals and types of food. Individual recipes also have historical information, trivia, and quotes from The Secret Garden related to the dishes. Some traditional English foods need to be explained to Americans. For example, the word “pudding” refers to a specific type of dairy dessert in the US, but in England, it’s a more general word that can refer to any type of dessert.

I liked the selection of recipes, and I really liked the historical information provided with them!

The sections of the cookbook are:

Yorkshire Breakfasts

These are breakfast foods that the characters in the story ate or might have eaten during the Victorian era.

  • Porridge
  • Coddled eggs – Eggs cooked in a cup
  • Cheese muffins
  • Little sausage cakes
  • Cocoa

A Manor Lunch

This section explain the types of things that people of different classes ate as their mid-day meal in the Victorian era.

  • Yorkshire pudding – These are popovers with meat drippings.
  • Roasted fowl with bread sauce
  • Potato snow
  • Welsh rabbit – This is melted cheese on toast.
  • Cabinet pudding – This is a molded custard dessert with fruit.
  • Jam roly poly

An English Tea

This section explains things that Victorian people ate at afternoon tea.

  • A proper pot of tea
  • Cucumber tea sandwiches
  • Scones
  • Fruit tea loaf
  • Lemon curd tartlettes
  • Brandy snap baskets with whipped cream

The Kitchen Garden

This section is about things people would make from fruits and vegetables that they would grow in their kitchen gardens.

  • Fresh spring peas with mint
  • Glazed carrots
  • Summer pudding – This is a molded dessert made with bread and different kinds of berries.
  • Two fools – “Fools” are old-fashioned fruit-based desserts.
  • Raspberry jam
  • Raspberry vinegar
  • Molded spiced pears
  • Strawberries and cream

Dickon’s Cottage Food

Poor people, like Dickon’s family, would have eaten different things from the wealthier people in Victorian society.

  • Tattie broth – A potato soup.
  • Pease pudding
  • Yorkshire oatcakes
  • Cottage loaf – This is a basic bread recipe.
  • Dough-cakes with brown sugar – A basic dessert made with bread dough.
  • Parkin – A kind of oatmeal gingerbread.

A Taste of India

These are the types of foods that Mary might have eaten during the time she lived in India.

  • Fruit lassi – This is a kind of fruit shake made with yogurt.
  • Sooji – A hot breakfast cereal similar to cream of wheat.
  • Little bacon and coriander pancakes
  • Fresh mango chutney
  • Mulligatawny soup – This soup was invented in India for the British colonists. It’s curry coconut soup whose name means “pepper water.”
  • Florence Nightingale’s kedgeree – Florence Nightingale has nothing to do with the dish, but the Victorians named it after her because she was famous. It’s a rice and fish dish that was often made from leftovers and served for breakfast or lunch.

Garden Picnics

These are foods that can be prepared outside or are easy to pack for a picnic.

  • Roasted potatoes and eggs
  • Currant buns
  • Crumpets
  • Cornish pasties – These are savory pies or turnovers with meat and veggies, meant to be eaten with the hands. They’re sort of like larger, better-tasting Hot Pockets.
  • Chocolate picnic biscuits

The book is available to borrow and read for free online through Internet Archive.

When Aunt Lena Did the Rhumba

Sophie’s Aunt Lena loves music, dancing, movies, and theater, and she especially loves Broadway musicals. She goes to a musical matinee every Wednesday. After seeing a musical, she comes home, singing and dancing and acting out parts from the play she’s just seen.

One particular Wednesday, when she’s acting out a particularly dramatic dance in the kitchen, she accidentally slips and sprains her ankle. She has to stay home and rest until her ankle gets better, which means that she won’t be able to go to next Wednesday’s matinee.

Aunt Lena is so sad about missing the musicals she loves that Sophie gets an idea to cheer her up. Sophie recruits other members of her family to put on their own musical to entertain Aunt Lena.

Not everyone is enthusiastic about the idea at first, but when Sophie gets her grandmother to help her put together a costume fit for a Broadway musical and choose some music, they begin drawing other family members in.

Aunt Lena loves their performance, and when she’s better, she takes Sophie to a matinee so she can see a real Broadway performance, too!

This book is available to borrow and read for free online through Internet Archive (multiple copies). It was also a Reading Rainbow book, and the episode of Reading Rainbow is also available to watch online through Internet Archive.

I didn’t see the original episode of Reading Rainbow that included this book when I was a kid because this book was published after I was too old for that. However, I always liked Reading Rainbow when I was a kid, and later, after I started this blog, I decided to go back and check out some of the books covered by Reading Rainbow after I stopped watching it. If you’re not familiar with Reading Rainbow, it was a children’s television program on public television in the US that encouraged children to read by discussing books and showing children things that were related to the books they were reading. For example, if they were reading books related to animals in an episode, the host, Levar Burton, might take a trip to a zoo and talk to zookeepers about animals in the zoo.

The themes of this particular story and the Reading Rainbow episode are music, dancing, and theater. In the episode, they show a boys’ choir and dancing class and talk about how performing helps the boys and young men develop confidence and maturity. There’s also a comedian who specializes in physical comedy, who talks about how he does his stunts, and an actress who plays one of the cats in the famous Broadway musical Cats.

I love how the aunt in the book shares her love of dancing and theater with her niece. The two of them have similar personalities and interests, so when her aunt is injured, her niece knows how to cheer her up. The ending of the story implies that the niece will now be going to performances with her aunt, or at least, will sometimes go with her. I also liked how the rest of the family participated in the girl’s plans when they saw what she wanted to do, even if they weren’t as enthusiastic about the idea themselves at first. Enthusiasm can be contagious, and I do think that adults sharing their interests with kids can spark lifelong interests in the next generation.

I also noticed that this seems to be an unconventional family, although the family’s living arrangements aren’t the focus of the story. The girl’s parents are never mentioned. She seems to live with just her grandmother, her aunt, and a couple of uncles, and there is no explanation why because it’s not directly important to the story. In any case, it seems to be a happy, close-knit family, with family members caring for each other and supporting each other’s interests.

The pictures in the book are bright and colorful, fitting with the energy, enthusiasm, and theatricality of the story.