Posted on by TracyC

The Ravenmaster’s Secret

The Ravenmaster’s Secret by Elvira Woodruff, 2003.

Forrest Harper is the son of the Ravenmaster of the Tower of London in 1735.  The story begins by explaining the tradition of keeping ravens at the Tower of London because of the superstition that the Tower would be conquered by its enemies if the ravens ever abandoned it.  This superstition led to the creation of the job of Ravenmaster, who looks after a flock of ravens that live at the Tower with wings clipped so that they can’t fly away.

Forrest Harper lives at the Tower with his parents and sisters, training to become a Ravenmaster, like his father.  He likes the ravens, and they like him.  He is pretty good at caring for ravens, but there is something that bothers him: he thinks that he isn’t brave enough and that others think that he is a coward, too.  He is smaller than the other boys and is often teased.  He has trouble cutting up the squirrels that the rat catcher’s boy (his only real friend, although his mother doesn’t approve of him) brings to him to feed to the ravens.  Even though it’s necessary, Forrest doesn’t like the sight of blood and feels kind of sorry for the squirrels.  Worse still, when Forrest’s family attends the public hangings (which were treated as a kind of festival day with music and entertainment in Forrest’s time), Forrest is unable to look at the criminals who are being hanged.  The one time he does try it, he throws up, and again, the other boys tease him mercilessly for it.  Forrest’s problem, as readers will see, isn’t so much that he’s a coward as he has more empathy than the other boys, both for animals and people, and that isn’t really as much of a problem as he believes.  His father tells him to ignore the bullies because they are foolish, and their foolishness will show in time.

Forrest sometimes dreams of going out into the wider world, beyond the Tower, where he could do something brave that would impress everyone.  The rat catcher’s boy, whose real name is Ned although most people just call him Rat, also dreams of running away because he is an orphan, treated harshly by his master and always in danger of being turned over to the chimney sweep to be used as a climbing boy.  He doesn’t think that Forrest has a real problem because his life at the Tower is pretty good, living comfortably at the Tower with his parents, whatever the local bullies say.  Still, the two boys often imagine what it would be like to go to sea together and have adventures.  When there is an announcement that a new prisoner will be arriving at the Tower, a Scottish Jacobite rebel, Forrest thinks that helping to guard a dangerous rebel will make the Tower bullies respect him.

To Forrest’s surprise and embarrassment, this rebel actually turns out to be a girl.  She is the daughter of the rebel Owen Stewart, who is being held in a different tower at the Tower of London (the Tower of London is actually a fortress with multiple towers – she is imprisoned in Bloody Tower and her father is in Bell Tower).  She has been charged with treason, along with her father and uncle.  Forrest isn’t happy about being given the task of taking food to a girl prisoner. 

However, Madeline McKay Stewart, the girl prisoner, is pretty tough in her own right.  Although Maddy’s been separated from her father and uncle and all three of them are likely to be executed, she is being pretty brave about it.  She talks to Rat and Forrest.  She is interested in Forrest’s pet raven, Tuck, and tells him about how she used to feed baby owls back home.  She talks about her life and family in Scotland, and Forrest realizes that he’s starting to think of her as a friend instead of an enemy to be guarded.

While Forrest is used to hearing English people criticize the Scots for being “savage,” he is astonished and a bit offended when Maddy talks about English people being “evil.”  For the first time, it makes him think of the situation from the other side.  He knows that not all English people are evil and realizes, having seen that Maddy actually has refined manners, that Scottish people aren’t “savage.”  One day, at Maddy’s request, he takes a message to her father in exchange for her ring, which he plans to sell in order to buy Ned back from the chimney sweep after the rat catcher loses his term of indenture to the chimney sweep in a game of cards, sparing him from the horrible life and health problems that the young climbing boys suffer.  Then, Owen Stewart gives Forrest a message to take back to Maddy.  Without really meaning to, Forrest realizes that he has suddenly become a go-between for the rebels and could be considered a conspirator under English law.

As Forrest considers the fate that lies ahead for Maddy and the nature of war between England and the Scottish rebels, it occurs to him that the adults in his life have often done the opposite of the things that they have always taught him were important.  His father always emphasized fairness, yet the war and Maddy’s possible execution are unfair.  Maddy shares Forrest’s feeling that the world might be a better place if people didn’t become adults and abandon their values.

Then, Maddy’s father and uncle are shot while attempting to escape, and Maddy is left completely alone.  Forrest feels badly for Maddy.  Soon after, he is unexpectedly approached by a carpenter who seems to know that he has become friends with Maddy.  The carpenter, who is a stranger to Forrest, tells him that Maddy will soon be executed by beheading but that he has a way to save her life.  Forrest has to decide if he is willing to trust the stranger and save Maddy, knowing that doing so would make him a traitor himself.

One of the parts of this story that interested me was how Forrest noted the hypocrisy in the adults around him as he was trying to decide what he should do.  Qualities that adults often praise and try to instill in their children are often ignored in the way that the adults live and even in how they treat other children, like Ned and Maddy.  Abandoning values, even the ones that they really want their children to have, isn’t something that adults have to do as they grow older, but it is something that some adults do if they think they must in order to live as they want to live or accomplish something that they want to accomplish.  The adults who think that Maddy should be beheaded would probably say that they were doing it for the greater good in promoting their cause against the rebels.  However, treating Ned as a piece of disposable property is something that they mostly do because they can and because they know that there is nothing that Ned can do to stop them.  Ned actually tries to repay his indenture legally with money that Forrest gives him, but although the sweep accepts the money, he refuses to let him go, saying that no one will take Ned’s word over his and that he could always use the money to make sure that Ned is hung as a thief if he tries to make trouble.  It is this type of attitude and situation that make the children realize that they are on their own to solve their problems and that working within the law is not going to be an option for them because the law is not just and it is not on their side.  It’s a frustrating situation, and I often feel frustrated when I encounter this type of thing in books, but fortunately, things do turn out well in the end.

This is one of those coming-of-age stories where a boy must decide what he stands for and where he really belongs.  Through Maddy and the inscription on her ring, which means “Face Your Destiny,” Forrest comes to understand the destiny that is right for him as he helps both Maddy and Ned escape to a better life elsewhere. 

The book also includes some interesting historical information. There’s a map of the Tower of London in the front of the book, and in the back, a short history of the Tower with information about famous prisoners and escapes. There is also a glossary of English and Scottish words that modern children (especially American children) might not know, such as breeches, wench, loch, and tattie-bogle (scarecrow).


The book is currently available online through Internet Archive.  (To borrow a book through Internet Archive, you have to sign up for an account, but it’s free, and then you read the book in your browser window.)

Spoiler: In the last chapter of the book, it explains what happened to the characters after the story ends.  Forrest does become the Ravenmaster after his father, realizing that it is the right kind of life for him and that he no longer desires to have adventures outside the Tower.  He has a wife and daughter, and years later, he receives a message from Ned, who says that he has become a captain in the Royal Navy and that Maddy has gone to live in the colonies with other Stewarts (something that my own Jacobite ancestors did, which is how I got to where I am now).

Posted on by TracyC

The Puppeteer’s Apprentice

The Puppeteer’s Apprentice by D. Anne Love, 2003.

Poor Mouse works as a scullery maid in a castle in Medieval England.  She has lived there all her life, since someone abandoned her at the castle as a baby.  She has no idea who her parents are, when her real birthday is, or exactly how old she is (the cook once said she was about eleven, but he wasn’t sure).  She doesn’t even have a real name; Mouse was simply the name given to her by the cook, who makes her work hard and beats her if she makes a mistake.  Mouse’s life is hard, but then one day, she makes a big mistake, and the cook gets in a rage and attacks her with a meat hook.  Mouse escapes from him and flees the castle.  She knows that she cannot go back, but she doesn’t know where to go. 

For the first time in her life, Mouse’s fate is in her own inexperienced hands.  For a time, she joins up with a group of travelers, who take her to the city of York.  However, none of them can adopt Mouse, and she must struggle to make a life for herself.  In York, Mouse sees a puppeteer performing, and she is inspired to learn to be a puppeteer herself.  Through a mixture of trickery and pleading, Mouse convinces the puppeteer to take her on as an apprentice. 

Although Mouse makes many mistakes at first, and the puppeteer gets angry and threatens to leave her behind, the two eventually learn to get along with each other.  Mouse gains skill at making and manipulating the puppets, and her confidence grows.  However, danger still lurks in the future, for the puppeteer also has a dark past and dark secrets which pursue the two of them in their travels.

The book is currently available online through Internet Archive.

My Reaction and Spoilers

Stories with abused and neglected children are always sad. Mouse is failed by various adults who are mainly focused on their own lives and securing their own positions in life before she finally becomes independent. We don’t know why Mouse was abandoned as a baby, although it was probably because her parents were poor and maybe unmarried, which would have been a stigma at the time. We can be pretty sure that, whatever happened, Mouse’s parents’ position in life was too precarious to take care of her themselves. The castle cook she lives with is mainly worried about his own job and is more of an unwilling employer to Mouse than a parent. In fact, employment is more of a theme in Mouse’s precarious life than family. Even the puppeteer is more of an employer to Mouse than a parent. Mouse learns from the puppeteer, but it’s as an employee, and Mouse is well aware that she can be abandoned at any time if she fails to please her employer. In the end, Mouse gains an independence that pleases her, but I still found it a little sad because it seems like the one and only person who can’t abandon Mouse is Mouse herself and that there is little or no security in trusting or relying on others. The eventual goal turns out to be employing herself so she doesn’t haven’t to rely on someone who can dump her. I suppose that can be true in real life, too, but it’s one of hard, dark sides of life.

Although, the adult characters’ focus on securing their own lives and positions first is also a testament to the nature of the time when the story is set. Opportunities are limited by social level, and there are few sources of support for those who suffer unfortunate circumstances. Although it seems like the adults in the story are cruel and neglectful, there’s also a desperation to their own situations. The one person in the story who is willing and able to offer more generosity to Mouse than other characters is able to do so because of his privileged position in life. Even the puppeteer, while seeming more free than other characters, is living under danger and threat, and there is genuine risk to sharing in her life that Mouse doesn’t come to understand until later.

The puppeteer always dresses in loose-fitting clothes to cover up the fact that she is a woman.  Although there is no reason why women cannot be puppeteers, she finds it necessary to disguise herself because she is pursued by an enemy from years ago.  Once, her father, who was a master puppeteer, saved the life of a young Duke who was attacked by a man named Ordin.  Ordin was trying to steal some of the duke’s lands.  The old puppeteer and his daughter stood witness against him, and he was thrown into prison.  Later, when he got out of prison, he attacked the party on the road, killing the old puppeteer and his companions.  Only the daughter escaped alive, and she became a puppeteer to support herself.  Ordin escaped, and she was forced to disguise herself to protect herself.  She even refuses to tell Mouse or anyone else what her real name is through most of the book. 

However, Ordin recognizes her one day while she and Mouse are giving a performance.  He and another highwayman follow them on the road and attack them.  The puppeteer kills the other highwayman but is gravely wounded herself.  Mouse fights back against Ordin, knocking him into the fire, and he burns to death.  They are not far from the duke’s castle, so the puppeteer sends Mouse there to get help.  Mouse tells the duke what happened to the puppeteer, and he has her brought to his castle.  The puppeteer, realizing that she will not recover from her wounds, finally tells Mouse her story and offers her name if Mouse wants it for herself.  The duke offers to let Mouse stay at his castle.  Mouse stays the winter, but in the spring, she decides to leave.  She has come to love life on the road, and she promised the puppeteer that she would take care of the puppets.  Mouse decides to take the puppeteer’s name, Sabine, as her own and sets off on a journey to find a place to perform her new puppet play, one telling the puppeteer’s story.

Posted on by TracyC

Pirates

Magic Tree House Research Guide

Pirates by Will Osborne and Mary Pope Osborne, 2001.

This book is the nonfiction companion book to Pirates Past Noon, part of the Magic Tree House Series. While the Magic Tree House Series is a fantasy series that involves time travel, there are companion books to some of the novels with nonfiction information related to the stories. The fantasy series is meant to introduce children to different historical periods and encourage an interest in reading, but the companion research guides take children further into certain subjects.

This book focuses on pirates throughout history, explaining how pirates functioned from the time of Ancient Greece and Rome, into the Middle Ages with Vikings, and beyond. It explains that, while legends and adventure stories make the lives of pirates seem fun and exciting, the realities of their lives were more harsh. Throughout the book, Jack and Annie, the characters from the main series, appear in illustrations and side notes to define certain terms or tell the readers fun trivia.

There is a chapter about New World pirates that explains the buccaneers and privateers that preyed on Spanish treasure ships in the Caribbean. The Golden Age of Piracy was in the late 17th and early 18th centuries. It was a period of intense pirating activity as governments recruited privateers to attack the ships of enemy nations. Pirates also attacked ships that traded with American colonies as they increased in size and number. The Golden Age of Piracy ended in the 1720s, when governments began instituting harsher punishments for pirates and sending more warships to confront the pirates. The book includes a Gallery of Pirates where it gives brief biographies of famous pirates, like Henry Morgan, Sir Francis Drake, Blackbeard, and “Calico Jack” Rackham with Anne Bonny and Mary Read.

There are chapters that describe the lives that pirates lived on their ships. One chapter talks about the types of ships that pirates used, how to distinguish between different types, and the trade-offs between size and speed. For example, sloops could move faster, but schooners were larger and could carry more. Although pirates operated outside of the law, they had rules for themselves to establish order and resolve conflicts on their ships, and there were punishments for people who broke the rules. People also had different jobs on pirate ships.

Part of the book also talks about legends of buried treasure and sunken ships. There is some truth to the legends, although mostly, pirates tended to spend their loot shortly after getting it instead of hiding it for later.

At the end of the book, there is a guide for doing further research which suggests research tips, other books to read and documentaries to see, and websites to visit. Of the websites listed in the book, only one still exists as of this writing: Maritime Pirate History. Another one, Treasure Island, pops up thanks to the Wayback Machine. It might be possible to find the others through the Wayback Machine by actually searching the Wayback Machine for them, but with so many other new sites and books that are probably equally as good, it might not be worth the time.


Posted on by TracyC · 1 Comment

You Wouldn’t Want to Be a Pirate’s Prisoner

You Wouldn’t Want to Be a Pirate’s Prisoner by John Malam, 2002.

This picture book, which is part of a series, explains what it would have been like to be a pirate’s prisoner in the 18th century.  It sets the stage by casting the reader in the role of a Spanish ship captain in 1716.

The reason why the reader is cast as a Spanish captain, captured by English pirates, is because England and Holland had been at war with Spain until 1714.  During the war, the government of England (as well as Holland and France) authorized some ship captains to act as privateers, conducting raids on Spanish ships and outposts.  When the war ended and the privateers were dismissed from service, some of them continued to act as independent pirates.

The book explains the geography of the “Spanish Main,” the area between the southern coast of North America and the northern coast of South America – basically, the Caribbean Sea and its islands and the Gulf of Mexico.  Spanish galleons in the 18th century carried gold and treasures from the Americas to Spain as well as timber from the rainforests and goods that were transported to the Americas across the Pacific Ocean, such as spices and silk.  All of these goods made Spanish treasure ships tempting targets for English pirates.

As a Spanish ship’s captain, there were a few precautions that you could take against pirate attack.  One of the most basic was traveling as part of a convoy because pirates would be more likely to attack a lone ship than one that was part of a group.  A fleet of ships would have a warship traveling with them for protection, and the closer your ship sailed to the warship, the less likely a pirate ship would try to separate you from the group and attack.

If the worst situation happened and the ship was taken by pirates, a captain could try to dress like other members of the crew to disguise his rank, but that didn’t always work.  The captain of the ship was in danger of being taken captive because he might have information that the pirates would find useful, like the exact route of other ships in a convoy.

The gruesome part of this book (and the source of the title, because this series basically focuses on the gruesome parts of history) is the part where they describe different forms of torture that pirates might use on a ship’s captain to convince him to tell them what they wanted to know.  Besides the direct physical abuse, pirates could also keep a captive in squalid conditions to make him weaker, more vulnerable, and exposed to disease.  In the end, they might simply decide to maroon the captive somewhere, even if they got the information they were after.

However, pirates could also face gruesome fates if they were caught. They could be hung and their bodies displayed publicly, as a warning to others.

Posted on by TracyC

The Best Book of Pirates

The Best Book of Pirates by Barnaby Howard, 2002, 2006.

This is an easy and informative non-fiction picture book about pirates.  Rather than focusing on any particular time period or geographic area, the book gives a broad overview.  In the beginning, it explains a little about different groups of pirates through history, including Vikings, Corsairs, Buccaneers, and Privateers.  There is also a brief explanation of the Pirate Round, a sea route often taken by pirates during the late 17th century and into the 18th century.  The route led from North America and the Caribbean to Africa, circling the coast of South Africa to Madagascar and on to the Middle East and India.  (If you’ve seen the movie Cutthroat Island, the crew will basically be taking this route when the movie ends, heading from the Caribbean to Madagascar.)

There is a diagram of a pirate ship from the late 17th century, showing what it would have looked like on the inside, and there are also examples of Jolly Roger flags, which were designed by individual pirates as personal identification, typically including skulls and skeletons to frighten their victims.  There is also some general information about what life would be like on board a pirate ship and the types of weapons they might have.

Then, the book begins to focus more on groups of pirates that operated in specific geographical areas and some of the more famous pirates from history.  The Barbary pirates (also called Barbary corsairs) were Muslims who raided Christian ships along the coast of North Africa and the Mediterranean during the 1500s.  Among the most famous Barbary pirates were a pair of brothers called Barbarossa (“Red Beard”).  Sometimes, European and American pirate ships that went to Africa to find gold and ivory also entered the slave trade.

In the section about the Spanish Main, it explains how privateers and pirates raided Spanish ships taking Aztec treasures from Mexico to Spain.  Buccaneers were specifically pirates who raided ships in the Caribbean.  Their name came from the type of fires they used when cooking meat (boucan or buccan).

There were also Asian pirates who raided the coasts of China and the Philippines and areas around the Indian Ocean.  Chinese pirates and Dayak pirates from Borneo were powerful in the region until the 1840s, when the British Navy destroyed many of their ships.

There is a section in the book specifically about female pirates.  Mary Read and Anne Bonny, who sailed with “Calico Jack” Rackham, were famous.  Grace O’Malley was a famous Irish pirate who was also an Irish noblewoman.  Madame Cheng was a Chinese pirate who took over her husband’s fleet after his death (but because this is a children’s book, it doesn’t mention her previous career).  Alwilda was a Medieval Swedish princess who turned pirate after her father tried to make her marry a man she did not want to marry (although her story may only be legend).

The book also talks about the famous stories of pirates burying treasure, although it says that pirates would usually spend their money quickly, sell items for money they could spend, or gamble it all away.

At the end of the book, there is a short section about modern pirates and how their goals and tools of the trade have changed.

The book isn’t very long, but I think that it provides a good, general overview of the subject of pirates throughout history, and the pictures are fascinating and detailed.

The book is currently available online through Internet Archive.

Posted on by TracyC

Diary of a Wombat

Diary of a Wombat by Jackie French, illustrated by Bruce Whatley, 2002.

This cute picture book is written in the form of a diary written by a wombat.  The early entries are mostly eating and sleeping, typical for an animal. 

It gets funnier when the wombat makes herself at home in someone’s yard.

The wombat wins a fight with their doormat and demands food from the humans. They give the wombat a carrot. Big mistake.

Once you feed a wild animal, it comes back for more, and it doesn’t want to take “no” for an answer.

The wombat makes a hole in the humans’ yard but moves out when she doesn’t like their sprinkler.

She also gets tired of the carrots they’ve been feeding her and demands oats instead.

You could say that the humans now have a pet wombat, but the wombat looks at it the other way around.  The wombat is probably right.

This is one of those books where the pictures really make the story.  It’s also a good warning against feeding wild animals! Yet, the wombat is pretty cute . . .

Posted on by TracyC

Under Copp’s Hill

UnderCoppsHill

Under Copp’s Hill by Katherine Ayres, 2000.

This book is part of the American Girl History Mysteries series.

The year is 1908, and eleven-year-old Innocenza Moretti lives with her relatives in Boston.  They are immigrants from Italy.  Innie, as her family calls her, is an orphan.  According to the story that her grandmother told her, she was the only one of her parents’ children to survive infancy, her siblings being born prematurely and dying shortly after birth.  Innie’s mother was so grateful that Innie survived that she promised her to the Holy Mother at her baptism.  Then, Innie’s parents died in a fire in their tenement building when she was about two years old.  Innie and her grandmother, Nonna, survived the fire only because little Innie had started crying in the night, and she took her outside to walk her around so that she wouldn’t wake her parents.  Because of that experience, Nonna is deathly afraid of fire and also has become convinced that the Holy Mother must have spared Innie (as well as herself).  She thinks that Innie is destined to become a nun and has continued to promise her to the Holy Mother in prayer, repeating the promise regularly.  Although Nonna thinks that the miracles surrounding Innie’s life are signs of a future life in the Church for Innie, her grandmother’s promises in prayer terrify Innie.

Innie feels trapped by her grandmother’s expectations for her, expectations that the rest of her family don’t even know about.  She doesn’t want to be a nun, but her grandmother is sure that she will be.  Because of her fears that her grandmother may force her to become a nun when she grows up, Innie is never on her best behavior.  She thinks that if she gets a reputation as a trouble-maker, the Church will decide that she is unsuited for a religious life.  Unfortunately, Innie’s long-practiced habit of ignoring rules and her problem child reputation lead her to be suspected of something worse than just minor misbehaving.

Innie’s family owns a boardinghouse where they provide food and lodging for young immigrant men.  Innie and Nonna live on the ground floor, and Innie’s aunt, uncle, and cousins live above them.  Innie spends a lot of time with her cousins, especially Teresa, who is about her age.  Her older cousin, Carmela, persuades both Teresa and Innie to join a library club at a new settlement house with her.  The settlement house helps girls and young women from immigrant families by teaching them work skills and aspects of American culture that they can use as they become American citizens in exchange for some of the work that the girls do on behalf of the settlement house.  Carmela has taken a new job as a pottery painter there and tells her parents that it will be good for Teresa and Innie to go there as well because they will receive help with their schoolwork and they will also have classes to teach them skills like sewing, knitting, and pottery, that they can use to make money later.  However, the real attraction of the club for the girls is that they get to listen to music, have dancing lessons, read books, and socialize with other girls about their age.  The prospect of sewing classes isn’t appealing for Innie, but she loves books and looks forward to borrowing some from the settlement house library.

At the settlement house, Innie meets a variety of girls from other immigrant families, not just Italian ones.  In particular, Innie makes friends with a girl named Matela, who is a Jewish girl from Russia.  As the girls talk about a recent, large fire in town, Matela talks about the czar’s soldiers burning things back in Russia and how she misses her grandfather, who is still there.  Innie understands Matela’s feelings because she knows what it’s like to miss someone.  She doesn’t really remember her parents, but she feels the lack of them in her life.  Teresa also becomes friends with Matela, but the three girls agree to keep their friendship secret because each of their families prefers them to associate with girls from backgrounds similar to their own.  Innie’s uncle wants the girls to spend time with other Italians, and Matela admits that her father prefers her to spend time with other Jewish girls.  The adults don’t really understand the cultural mix at the settlement house.

However, from the very first day that the girls begin going to events at the house, strange things start happening.  Things disappear or are oddly moved about.  Food disappears.  A silver teapot belonging to the ladies who run the settlement house is stolen.  Then, someone steals some pottery and a shawl.

To Innie’s horror, she ends up becoming the prime suspect for the thefts because she was caught snooping in an area of the house where she didn’t belong and because she accidentally broke one of the pieces of pottery that the others girls made and tried to sweep it up without telling anyone.  When she and her friends snoop around and try to find the missing objects, Innie discovers one of the missing pottery pieces.  However, instead of being happy for the clue, the ladies who run the house just think that Innie must have broken more of the pottery and tried to cover it up, like she did before, by hiding the rest of the set.  After all, if she was doing some things she shouldn’t have been doing, it’s plausible that she could be a thief, too.

If Innie is going to remain a member of the library club (and continue to have access to books that she can read), she’s going to have to prove her innocence.  In fact, proving her innocence may also be important for Carmela, who is supposed to have a citizenship hearing soon.  If Innie’s bad reputation causes problems for her at work, she may lose her job and be denied American citizenship!

Matela thinks that the thief could be a ghost from the nearby Copp’s Hill graveyard, but Innie is sure that it must be a human being.  There are secrets at the settlement house that even the ladies who run it are unaware of and someone who desperately needs help and can’t ask for it.

Teresa and Matela continue to help Innie, and in the process, Innie confesses to Matela her fears about becoming a nun.  It is Matela who helps Innie to find the solution to her problem, urging her to step outside of the small community of Italian immigrants that her family clings to and to seek advice from a priest in the Irish area of the city.  As a priest, he has the knowledge that Innie needs to understand her faith, and because he doesn’t know Innie’s family personally, he has the objectivity to help Innie to see her grandmother’s promise in a new light and to understand that her future destiny is still in her own hands.  No one can speak for another person or make important promises on their behalf.  A religious vocation is a serious decision that only a mature adult can make for herself, or not make, as the case may be.  The priest tells her that, as young as she is, Innie should focus on learning to be a good person, and then she will see what direction life leads her.  With that knowledge, of course, Innie realizes that she will have to put more effort into behaving herself, but it’s a relief to her to realize that she doesn’t need to purposely misbehave in order to control her life.

Eventually, Innie’s aunt also learns about the grandmother’s promise and Innie’s worries and reassures her that, although her grandmother can be an intimidating woman with what she wants, Innie’s family loves her and that she shouldn’t be afraid to come to them with her questions and concerns. Innie has thought of herself as parentless, at the mercy of her grandmother’s wishes and expectations, but her aunt says that she loves Innie like she does her own daughters and that Innie is as much a part of their family as they are.  If Innie has problems, her aunt will be there for her, helping her find whatever answers she needs.

There is also a subplot about how girls in immigrant families (at least, in ones like Innie’s family) aren’t as highly-regarded as boys.  When the family is discussing important matters, Innie often tries to comment on what she thinks, but her grandmother keeps telling her to be quiet because it isn’t a girl’s place to comment on business that men should handle and her male cousins sneer at her because they don’t think she knows anything.  However, when Innie’s uncle is worried about the legal papers he has to sign in order to open his new grocery business because his English still isn’t good enough to understand them, Innie points out that Carmela’s English is the best of the family because of all the books she had to read and the paperwork she had to complete when she was applying for citizenship and that she would be the best person to study the paperwork.  At first, her grandmother makes her try to be quiet and her male cousins laugh, but Carmela speaks up and says that she can help her father, if he wants her to, and her father agrees, on the condition that she act as translator and adviser and let him make the final decisions about the business.  Carmela is happy because the arrangement allows her to use her skills without taking her away from the pottery painting that she loves.  The point of this part of the story is about acknowledging the talents that people possess and not disregarding them because they are outside of the usual roles and expectations.  It fits in with the subplot about the grandmother’s expectations for Innie’s future, which are not really in keeping with either her talents or character.  The young people in the story are growing up under different circumstances than their parents, and they will have to learn to find their own way in life, using the abilities they have and the education they can find.

In the back of the book, there is a section with historical information about Boston in 1908.  The fire that happens around the time that the story takes place was a real event.  The settlement house with its library club was also real, and the ladies who run the settlement house, Miss Brown and Miss Guerrier, were also real people.  The book explains more about what life was like for immigrant families like Innie’s and about what the future held for girls like her.  Many of the girls who attended the library clubs later became librarians and teachers themselves, which may be Innie’s eventual destiny when she grows up.  The book also mentions that the area of Boston where Innie’s family lived still has many Italian restaurants and groceries that were started by immigrant families like Innie’s, so we can imagine that the grocery store that Innie’s uncle wants to open will be successful.

The book is currently available online through Internet Archive.

Posted on by TracyC

The Traitor’s Gate

TraitorsGate

The Traitor’s Gate by Avi, 2007.

The story is set in London, in 1849. Fourteen-year-old John Huffam lives with his parents and sister and their servant, Brigit and attends a school taught by a former military man who acts like he is still in the army and teaches them little beyond discipline and what army life would be like.

Then, one day, John is called home suddenly because of a family emergency. His family has fallen on hard times, and his father is in debt, so the family’s belongings are being confiscated. His father is summoned to appear in court, and if he cannot find the money to pay his debt, he will have to go to debtors’ prison. John’s father is shocked because he doesn’t actually owe any money to the man who is trying to call in the debt, Finnegan O’Doul.

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In spite of this, John and the rest of the Huffam family must spend the night in the bailiff’s sponging house, the Halfmoon Inn. There, John’s father again promises John that there is no debt between himself and Mr. O’Doul. He even says that he doesn’t really know O’Doul, although John doubts him. It seems like his father has had dealings of some kind with the man that he wants to keep secret.

John’s father, Wesley Huffam, was originally from a fairly well-off family, but all the family’s money ended up going to a great-aunt instead of to him (possibly because it became obvious to his relatives that he had little skill at handling money in the first place). John’s father is resentful toward the great-aunt, Euphemia Huffam, for inheriting when he thinks that, as a man, he should have been first in line for the family’s money. However, with this enormous (although possibly false) debt hanging over his head, he may be forced to appeal to Great-Aunt Euphemia for help. He persuades John to go and visit Great-Aunt Euphemia on his behalf, since he is not allowed to leave the sponging house for now and the past quarrels between him and his aunt would make it unlikely that his aunt would want to see him. John is beginning to realize that there are pieces of his father’s life and their family’s past that have been kept from him, and he doesn’t like the idea that his father has been deceiving him, but with their family in such a desperate situation, he agrees to visit Great-Aunt Euphemia.

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The bailiff, John’s mother, and Brigid all agree that John is going to have to be instrumental in solving their family’s problems. Of all the people in his family, he is the most practical, in spite of his young age. His father is an impractical man, stuck in a vision of his family’s former glory (and his aunt’s current money, which he does not share in) that doesn’t fit their current circumstances. John’s mother thinks that her husband’s job as a clerk for the Naval Ordinance Office doesn’t provide enough money for the family to live on, even though he earns more than twice what typical London tradesmen of the time do. The real problem is that the family doesn’t live within its means (it is eventually revealed that Wesley Huffam has been withholding money from his family that he uses for gambling), and John’s father’s snobbish attitude because he thinks of his family as being more grand than the commoners around them alienates people who might otherwise be friends and help them. John knows that he’s young, and he’s not completely sure what he can do to help his family, but he knows that there is no other option but to try. In the process, he learns quite a lot about life, himself, the people in his family, and the wider issues in the world around him, including some political intrigue that hits uncomfortably close to home.

Great-Aunt Euphemia agrees to see John when he comes to her house, but their first meeting doesn’t go very well. Great-Aunt Euphemia is ill (or says she is), and she bluntly tells John that his father was always bad with money. She is not at all surprised that he is in debt and needs her help. John gets upset at the bad things that Euphemia tells him about his father, and she gets angry when John tells her the amount of the debt. At first, John is sure that she will refuse to help them completely, but Euphemia tells him not to assume anything but that he should come back the next day.  Her eventual contribution to helping John’s family in their troubles comes in the form of a job for John.

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As John moves around the city, he gets the feeling that he is being followed, and he is. One of the people following him turns out to be Inspector Copperfield (or so he calls himself) from Scotland Yard. When John confronts him, the inspector seems to have a pretty good idea of the difficulty that his family is in and what John himself has been doing. John asks him why he cares, and the inspector says that John’s father is suspected of a crime and that John had better learn more about what his father has been doing and share that information with him. John doesn’t believe that his father could be a criminal, but the accusation is worrying because he knows that his father is hiding something (his gambling addiction isn’t the only secret he has).

The other person following John is a young girl in ragged clothes. The girl, who calls herself Sary the Sneak, approaches John herself, freely admitting that she’s been following him. In spite of her young age, Sarah (or Sary, as she is frequently called) lives on her own and must support herself because her mother is dead and her father was transported to Australia. People don’t often notice a young girl on the street, so sometimes people will pay her to follow someone and provide information about them. The reason why she tells John about it is because she isn’t above playing both sides of the street; sometimes, she gets the people she’s been following to pay her to provide them with information about the people who hired her to spy on them. She considers it even-handed. However, John has no money to pay her for information and finds her spying distasteful, so he doesn’t want to take her up on the offer at first.

However, John does a little spying of his own when his father sneaks away from the Halfmoon Inn, which he is not supposed to do. He follows his father to a pub called the Red Lion, where he witnesses his father gambling with money that he had claimed not to have. More than that, he sees his father arguing with a man who turns out to be O’Doul, another gambler. To John’s surprise, his teacher also shows up and seems to know O’Doul. When John later confronts his father with what he saw at the Red Lion, all his father will say is that he is carrying a fortune around in his head. Later, John overhears the bailiff speaking with someone else, an Inspector Ratchet from Scotland, saying that it appears that Wesley Huffam may be a traitor involved with spies and that the Inspector Copperfield who spoke to John earlier was an imposter, probably also a spy.

Could it be true? Is John’s father really a traitor, selling naval secrets from his job? If so, who can John trust?  Conspirators seem to be around every corner, and John has the feeling that the people who are closest to him may be the biggest threats.

The book is currently available online through Internet Archive.

Posted on by TracyC

A Samurai Never Fears Death

SamuraiNeverFearsDeath

A Samurai Never Fears Death by Dorothy and Thomas Hoobler, 2007.

This book is part of the The Samurai Detective Series.

Sixteen-year-old Seikei returns home to visit his birth family in Osaka while Judge Ooka investigates reports of smugglers in the city.  Seikei is a little nervous about seeing his birth family because he hasn’t gone to see them since he was adopted by Judge Ooka about two years before.  All he knows is that his younger brother, Denzaburo, is helping his father to run the family’s tea business, which is probably a relief to Seikei’s father because Denzaburo was always more interested in the business than Seikei was.

However, things have changed in Seikei’s family since he left Osaka, and his homecoming isn’t quite what he imagined it would be.  Seikei had expected that his older sister, Asako, might be married by now, but she says that Denzaburo is keeping her from her dowry because he needs her to help run the family business.  Although Denzaburo enjoys business and the life of a merchant, it turns out that Asako has a better mind for it than he has.  The two of them have been running the family’s tea shop by themselves because their father is ill.  Also, although the family no longer lives above their shop, having bought a new house for themselves, Denzaburo says that he sometimes stays at the shop overnight to receive deliveries of goods.  Seikei knows that can’t be true because no one ever delivers goods at night in Osaka.  Denzaburo brushes off Seikei’s questions by suggesting that the three of them visit the puppet theater together to celebrate Seikei’s visit.

At the puppet theater, Seikei learns that Asako is in love with a young man who is an apprentice there, Ojoji.  Because Ojoji is only an apprentice, the two of them cannot afford to get married, something that Denzaburo laughs about.  However, before Seikei can give the matter more thought, they discover that one of the narrators of the plays has been murdered, strangled.

They summon an official from Osaka to investigate the scene, Judge Izumo, but Seikei isn’t satisfied with his investigation because it seems like Judge Izumo is quick to jump to conclusions.  Then, suspicion falls on Ojoji.  Asako doesn’t believe that the man she loves could commit murder and wants Seikei to ask Judge Ooka to intercede on Ojoji’s behalf, so Seikei begins to search for evidence that will help to prove Ojoji’s innocence.

The mysterious happenings and murders (there is another death before the book is over) at the puppet theater are connected to the smuggling case that Judge Ooka is investigating, and for Seikei, part of the solution hits uncomfortably close to home.  However, I’d like to assure readers that Asako and her beloved get a happy ending.

During part of the story, Seikei struggles to understand how the villains, a group of bandits, seem to get so much support and admiration from other people in the community, including his brother.  It is Asako who explains it to him.  It’s partly about profit because the outlaws’ activities benefit others monetarily, but that’s only part of it.  In Japan’s society, birth typically determines people’s roles in life, and each role in society comes with its own expectations about behavior, as Seikei himself well knows.  Seikei is fortunate that circumstances allowed him to choose a different path when he didn’t feel comfortable in the role that his birth seemed to choose for him; he never really wanted to be a merchant in spite of being born into a merchant family.  Others similarly do not feel completely comfortable with the standards that society has set for them, and their fascination with the outlaws is that the outlaws do not seem to care what society or anyone else thinks of them.  The outlaws do exactly what they want, when they want to do it, dressing any way they please, acting any way they please, and taking anything they want to use for their own profit.  Denzaburo, who was always willing to cut corners when it profited him, sees nothing wrong with this, and he envies the outlaws for taking this idea to greater lengths that he would ever dare to do himself.

The idea of throwing off all rules and living in complete freedom without having to consider anyone else, their ideas, their wants, their needs, can be appealing.  Asako understands because, although she is better at business than either of her younger brothers, she cannot inherit the family’s tea business because she is a girl.  She thinks that, because the system of society doesn’t look out for her interests, she has to look out for herself, and what does no harm and makes people happy (in the sense of giving them lots of money) shouldn’t be illegal.  At first, Asako sees their activities as victimless crimes. Although she doesn’t use that term to describe it, it seems to be her attitude.  However, do victimless crimes really exist?  Seikei has a problem with this attitude because what the outlaws are doing has already caused harm in form of two deaths and the risk to Ojoji, who may take the blame for the deaths even though he is innocent.  Asako might not care very much about the others at the puppet theater, but she does care about Ojoji.

It’s true that Seikei has defied the usual rules of society by becoming something other than what he was intended to be, and for a time, he struggles with the idea, comparing himself to the outlaws, who were also unhappy with their roles and wanted something different.  However, the means that Seikei used to get what he wanted in life are different from the means that the outlaws use, and Seikei also realizes that his aspirations are very different from theirs.  While Seikei had always admired the samurai for their ideals and sense of honor and order, the outlaws throw off the ideals of their society in the name of doing whatever they want.  Although the outlaws do benefit some of the poorer members of society, paying money for goods that the makers might otherwise have to give to the upper classes as taxes and tribute and trying to stand up for abused children when they can because their leader was also abused as a child, their main focus is still on themselves and what they and their well-paying friends want.  Seikei is concerned with justice and truth, which are among his highest ideals.  Even though he learns early on that, as a samurai, he could claim responsibility for the deaths at the theater himself because, in their society, a samurai would have the legal authority to kill someone for an insult.  Claiming responsibility for the killings would allow Ojoji to go free, and it would be one way to solve the problem quickly and make Asako happy, but Seikei cares too much about finding the truth behind the murders and bringing the real murderer to justice to take the easy way out.  It is this difference in ideals and priorities between Seikei and others around him which set them on different paths in life.

One thought that seemed particularly poignant to me in the story is when Seikei reflects that we don’t always understand the importance of the choices we make in life at the time when we have to make them because we don’t fully understand all the ways in which a single choice can affect our lives.  He thinks this when the leader of the outlaws offers to let a boy who was abused come with them and join their group after they intervene in a beating that the boy’s father was giving him.  They tell him that joining their group would mean that he could do whatever he wants from now on.  The boy, not being sure who they are or what joining their group would really mean for him, chooses to stay with his father.  Seikei wonders then whether the boy will later regret his decision or not.  His father obviously doesn’t treat him well and may not truly appreciate his show of loyalty by remaining, although joining the outlaws comes with its own risks.  It’s difficult to say exactly which two fates the boy was really choosing between in the long run and which would be likely to give him a longer, happier life, which is probably why the boy chose to stick with what he already knew.

There is quite a lot in this story that can cause debates about the nature of law and order, society’s expectations, and the effects of crime on society and innocent bystanders.  I also found Seikei’s thoughts about what makes different people choose different paths in life fascinating.  I’ve often thought that what choices a person makes in life  are determined about half and half between a person’s basic nature and the circumstances in which people find themselves, but how much you think that or whether you give more weight to a person’s character vs. a person’s circumstances may also make a difference.

The story also explains what fugu is, and there is kind of a side plot in which Judge Ooka wants to try some.  A lot of the characters think that the risk involved in eating the stuff isn’t worth it, but well, a samurai never fears death, right?

There is a section in the back with historical information, explaining more about 18th century Japan and the style of puppet theaters called ningyo joruri, where unlike with marionettes or hand puppets, the puppeteers are on stage with the puppets themselves, wearing black garments with hoods so that the audience will disregard their presence (except for very well-known puppeteers, who might reveal their faces).  For another book that also involves this style of puppetry, see The Master Puppeteer.

Posted on by TracyC

In Darkness, Death

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In Darkness, Death by Dorothy and Thomas Hoobler, 2004.

This book is part of The Samurai Detective Series.

One night, after a party, Lord Inaba is killed in his room by a mysterious intruder. The only clue to the intruder’s identity is a red origami butterfly left at the scene. Lord Inaba’s death is an embarrassment to the shogun because Lord Inaba was in Edo under his protection.

It doesn’t take Judge Ooka long to decide that the murderer was a ninja. Ninjas are hired assassins known for their stealth and great skill with weapons. The butterfly left at the scene was to purify the spirit of the dead man and keep it from coming after his killer.

However, Judge Ooka says that it is not enough to know that that the murderer was a ninja; what they have to find out is who hired the ninja. He assigns Seikei the task of finding the source of the butterfly and learning who Lord Inaba’s enemies were. Judge Ooka finds a ninja he knows, Tatsuno, and convinces him to accompany Seikei on a journey through Lord Inaba’s territory and to teach him what ninjas are like. Although Seikei is not sure that he trusts Tatsuno, he learns to be grateful to him for his help and for saving him from the real danger, which comes from a surprising source.

While many children’s movies glorify the ninja, in real life, they were mercenaries, assassins for hire.  They used clever tricks in order to gain access to their victims and to get away without being caught, which ended up giving rise to a number of legends about them, attributing an almost supernatural quality to their skills.  While searching for the assassin and the person who hired him, Seikei learns a number of the tricks that ninjas used and the security measures that people would take to try to guard against them, such as nightingale floors (here is a video of a nightingale floor in a Japanese castle and another where you can hear the floor even better).

The book is currently available online through Internet Archive.