Voices After Midnight

Voices After Midnight by Richard Peck, 1989.

Three children, Heidi, Chad, and Luke, are traveling from their home in California to spend a couple of weeks in New York during the summer because their father has to do some work for his advertising firm there.  Heidi, the oldest child, didn’t want to go on the trip.  She would rather have stayed at home with her best friend, but her parents insisted that she go because she borrowed her mother’s car without permission and took it out driving without an adult in the car even though she only had a learner’s permit, not a real driver’s license, and barely even knew where the car’s controls were (she took her younger brothers along just so they could tell her about the controls, which shows her level of driving skill).  The resulting accident she had took out a flower bed.  Although her parents didn’t find out about the accident, she decided that perhaps it would be a good idea to get out of town for awhile while the whole incident blows over.

Chad is the narrator of the story, and he explains that his father’s company has rented a house for them to live in while they’re in New York, or rather, part of an old house.  It’s a very old house, and it’s five stories tall.  There is an old cage elevator that has been repurposed as a telephone nook.  It’s a nice place, but there’s something strange about it.  Even before they arrive in New York, both Chad and Luke begin dreaming about snow.  Then, on their first night in the house in New York, Chad hears voices in the house after midnight.  It sounds like a man and a woman.  They are trapped somewhere, and they are cold.  Even the family’s dog, Victoria Alexandrina (Al for short) is frightened in the house.

Luke loves old houses and places with history, and he seems to have an odd ability to sense the past, even being able to describe what places looked like in the past without doing any research to find out.  Luke tries to tell Chad that he has the same ability to get in touch with the past, but Chad doesn’t believe it at first.  Luke thinks that they have a special mission in New York, to resolve some kind of unfinished business, although he’s not sure what. 

Then, Luke admits to Chad that he’s been hearing the voices in the house, too.  The two of them sneak up to the upper floors of the house, the part that they haven’t rented, and they see that the rooms are all empty and in bad repair.  When they look out of the windows, they see the landscape as it was years ago, with buildings being constructed that are already old in modern times.  Heidi finds them up there and becomes fascinated by a dress that they find in an old trunk.

The boys’ abilities to see the past keep getting stronger, and more strange things happen in the house.  A bouquet of flowers suddenly appears in Heidi’s room with a message from a mysterious admirer, and then almost as suddenly, the flowers wilt and the card with the message fades, as if they had aged suddenly.  The boys keep seeing people and things from the past all over town as they explore New York City.

At night, Chad and Luke find themselves going back in time in the house’s history.  Chad is frightened, but Luke knows that they’re looking for an event in the house’s history, something that must be changed.

Back in the late 1800s, the Dunlap family lived in the house, with two teenage children, Emily and her older brother, Tyler.  Their family is fairly well-off, but not as wealthy as the family of the girl Tyler has a crush on.  One night, Chad and Luke witness a conversation between Emily and her mother about Tyler’s marriage prospects.  Emily thinks that Tyler is making the wrong choice, pursuing the wrong girl in his romantic life.  It doesn’t seem like an earth-shattering tragedy, but events are moving closer to an even greater tragedy.  It is Emily and Tyler’s voices that the boys have been hearing after midnight in the house.

Chad finds their trips into the past unnerving and he fears that he and Luke might accidentally become stuck in the past.  He wants to stop, but Luke insists that they keep going.  The situation becomes more urgent because Heidi has also found her way into the past and is falling in love with Tyler!  When Chad and Luke go into the past, they are invisible to the people there, but Tyler not only sees Heidi but dances with her at a New Year’s ball.  From then on, Heidi is also involved in the adventure.  Like Luke, she has a sense that there is something that they need to do in that house, in the past.

Something bad is going to happen to Emily and Tyler.  Somehow, they are going to die.  Cold.  Trapped.  During the Great Blizzard of 1888.  The kids are not sure quite what exactly is going to happen until almost the end, but they can feel it coming.  It has already happened in the distant past, but they need to find the right moment in time to stop it from happening again!

All three of the children, Chad, Heidi, and Luke, have psychic abilities and are able to see and travel through time, although Chad and Heidi have mostly worked to ignore it in their lives, trying to just be normal kids.  When they succeed in saving Tyler and Emily Dunlap, they not only change the past but the present, eventually meeting some of Tyler’s descendants (who he marries is a bit of a surprise, although it’s not either of the girls that Emily had expected it to be).  There is a kind of odd time loop, though.  At the end of the story, they learn about their own, special, previously unknown connection to the Dunlap family and the possible reason why they are gifted with their time-traveling abilities.  In saving Tyler and Emily, they are also saving themselves, which oddly, begs the question of how real they were before . . . but, maybe they were always fated to succeed.  In the end, the house in New York is still “haunted”, but the final joke (unknown to the current owners) is that Heidi becomes the beautiful but mysterious “ghost” who appeared at the right time and then suddenly disappeared and whose story has been passed down through the generations.

The book is available to borrow for free online through Internet Archive.

Changes for Samantha

American Girls

Changes for Samantha by Valerie Tripp, 1988.

This book is part of the Samantha, An American Girl series. This is the last book in the original series of Samantha’s stories and explains the changes in the lives of Samantha and her friends, especially Nellie. When Samantha met Nellie in the first book in the series, Nellie was a poor girl working as a servant girl in a neighboring house. Later, Nellie and her family moved to Samantha’s town, Mount Bedford, and Nellie and her sisters were able to attend school for the first time.

Now, Samantha has moved to New York City to live with her Uncle Gard and his new wife, Aunt Cornelia. Samantha likes living with them, although their housekeeper, Gertrude, is strict and often makes her feel like she’s doing things wrong. Samantha’s grandmother, a widow, has remarried to her long-time friend, the Admiral. Samantha’s life has changed considerably since the first book. Since her move to New York City, Samantha hasn’t seen Nellie or her sisters, but their lives have also changed, and not for the better.

When the book begins, Samantha and Aunt Cornelia are making Valentines to give to friends and family. Samantha receives a letter from Nellie that says that her parents have died of the flu and their employer, Mrs. Van Sicklen, is sending her and her sisters to New York City to live with her Uncle Mike. Nellie says that she’ll try to visit Samantha in New York City soon. Samantha is upset to hear that Nellie’s parents are dead, but Uncle Gard and Aunt Cornelia reassure her that Nellie’s uncle will take care of her and that she’ll soon be living much closer to Samantha.

After some time goes by and Samantha doesn’t hear any more from Nellie, she begins to worry about her. Uncle Gard decides to call Mrs. Van Sicklen and find out Nellie’s new address, but she doesn’t know where Nellie’s uncle, Mike O’Malley, lives. All Mrs. Van Sicklen knows is that he lives on 17th or 18th Street, but New York City is so big, that doesn’t help much. Uncle Gard and Aunt Cornelia say that maybe Nellie has had to get a job or look after her sisters and that she’s just been too busy to visit, but Samantha is still worried that something is very wrong.

Samantha decides to start asking around 17th and 18th Streets to see if she can locate Mike O’Malley, and she finds a chestnut seller who knows Mike O’Malley. However, he warns Samatha not to get involved with him because Mike O’Malley is a “hooligan.” Samantha worries about that, but it’s just another reason for her to want to check on Nellie. When she reaches the apartment where Mike O’Malley last lived, he isn’t there anymore. His neighbor explains that Mike O’Malley was a drunk who simply abandoned his nieces in his old apartment. The neighbor took the girls in for a while, but she is a poor woman with children of her own to raise, so she had to turn Nellie and her sisters over to an orphanage, the Coldrock House for Homeless Girls.

Samantha tells her aunt and uncle what she’s learned, and they’re upset that she went to such a dangerous part of the city alone. However, Aunt Cornelia agrees to take Samantha to the orphanage to see Nellie. The directoress, Miss Frouchy, is a stern and sneaky woman, but she agrees to let Samantha see Nellie, even though it isn’t a visitors’ day. It is difficult for the girls to speak candidly with Miss Frouchy watching them and monitoring everything that Nellie says. When Aunt Cornelia asks if Nellie and her sisters need anything, Miss Frouchy interrupts and says that they don’t. However, Samantha notes how thin Nellie looks and suspects that there is more going on than Nellie is being allowed to say, and Miss Frouchy even confiscates the cookies meant for Nellie and her sisters right in front of Aunt Cornelia and Samantha.

Aunt Cornelia asks Miss Frouchy for a tour of the orphanage so that Nellie and Samantha can be alone, and so the girls are able to speak openly. Nellie confirms that things are hard at the orphanage and her sister, Bridget, isn’t strong. Miss Frouchy thinks that Bridget is lazy and doesn’t want to work, so Nellie tries to cover Bridget’s chores as best she can. Samantha says that Nellie could come and stay with her and her aunt and uncle, but Nellie says that they probably don’t need any more maids. Samantha offers to hide Nellie and her sisters, but Nellie thinks that plan is too risky. More than anything, Nellie wants to keep her sisters together. She says with a little more training, she could find a job as a maid and support them.

Samantha returns to the orphanage again with her aunt and uncle to visit all three girls, and she and Nellie arrange to meet secretly at the time when Nellie is supposed to take the fireplace ashes out to the alley for disposal. At their next meeting, Samantha finds out that Miss Frouchy took the gloves that they had given Nellie and even punished her for having them because she said that she must have stolen the gloves. However, there is worse to come. Soon, Nellie tells Samantha that she has been chosen to be sent out west on the Orphan Train, but because her sisters are too young to go, they’ll be left in New York alone. With the sisters about to be split up, Samantha’s plan to help the girls run away and hide is looking better.

Together, Nellie and Samantha help to sneak the younger girls out of the orphanage, and Samantha hides the three of them in an upstairs room in the aunt and uncle’s house that isn’t being used. She sneaks food and toys upstairs to them, and Nellie sneaks out during the day to go looking for work. However, Gertrude soon gets suspicious about how much food Samantha seems to be eating and how she seems to be sneaking around with it. When the girls are finally caught, Samantha owes her aunt and uncle some explanations, but admitting the truth of what has happened changes things for the better for all of the girls.

In the movie version of the Samantha series, which combined all the stories from the Samantha books into one, the story ends at Christmas, but in the book, it’s Valentine’s Day. The Christmas ending is nice, but Valentine’s Day does make for a nice difference, and love is appropriate to the theme of the story. Uncle Gard and Aunt Cornelia end up adopting Nellie and her sisters, so they officially become part of Samantha’s family. Unlike other characters in the story, who see the orphans as either an inconvenience or a source of cheap labor, Uncle Gard and Aunt Cornelia genuinely love them and want to raise them.

Something that struck me about the book was that both Nellie and Samantha are orphans, but their lives were very different at the beginning of the story because Samantha is from a wealthy family with an uncle who loves her and Nellie is a poor girl with an irresponsible uncle. If Samantha had been poor, she might have been destined for an orphanage or the orphan train herself. Because she wasn’t and because her family looks after children well and is willing to share what they have with others, Samantha has a secure future, and Nellie and her sisters become part of their family.

The book ends with a section of historical information about all the changes taking place in Samantha’s time, from technological changes, such as the first airplanes and new cars, to the increasing sizes of cities and new immigrants arriving in the United States.

As girls like Samantha grew up, society continued to change. In earlier books, Samantha’s grandmother talked about how young ladies aren’t supposed to work but learn how to be ladies and take care of a household. By the time Samantha was an adult, in the 1910s and 1920s, it was becoming more common for women to hold others jobs, although they would often stop working when they got married so they could focus on raising their children. The profession of social work evolved to help care for children like Nellie and her sisters. Some social workers also helped immigrants to learn English and train for new jobs when the came to the United States. The book specifically mentions Jane Addams, who founded the settlement house, Hull House.

Change is a major theme of all of the American Girl books, and a girl like Samantha would have seen some drastic changes in the ways that people lived as she got older. Over time, fewer immigrants looked for jobs as domestic servants, and newer forms of household technology, like washing machines, made it easier for housewives to do more of their domestic chores themselves. The section of historical information ends with examples of the changes in styles of women’s clothing through the 1920s, explaining how the changes in clothing styles were part of the changes in the types of lives the women wearing them were leading.

Although the book doesn’t go into these details, I would just like to point out how old Samantha would have been at various points in the 20th century. She was born in 1894, and ten years old in 1904, so that means that she would have been:

  • 23 years old when the US entered World War I in 1917
  • 26 years old when the 19th Amendment granted women’s suffrage in the United States in 1920
  • 30 years old in 1924 (Jazz age and Prohibition)
  • 35 years old when the stock market crashed in 1929, the beginning of the Great Depression
  • 47 years old in 1941, when the attack on Pearl Harbor occurred, and the US entered World War II, and 50 years old in 1944, when the Molly, An American Girl series takes place.
  • In her 50s during the early days of the Cold War. She would have to live to be 95 to see the end of it.
  • In her 60s through her early 70s during the Civil Rights Movement.

I like to think about these things because it puts history in perspective, and it gives us some sense of what Samantha’s future life might have been like. When she was a young woman, she may have joined the women’s suffrage movement with her Aunt Cornelia. She probably knew young men her age who went to fight in World War I. (Eddie, the annoying boy who lived next door to Samantha’s grandmother, would have been old enough to fight and may have been a WWI soldier himself.) Perhaps, Samantha’s future husband was a soldier. When she was older, Samantha could have either joined the temperance movement behind Prohibition or visited a speakeasy or at least knew people who did. It’s difficult to say what happened to Samantha’s family during the Great Depression. Depending on their professions and what they may have invested their money in, they may have lost their fortunes in the stock market crash, or they may have ridden out the whole thing in relative comfort. By World War II, Samantha may have had a son who was old enough to fight. One of the things I find interesting about historical novels with children is imagining what their future lives may have been like, and Samantha was born at a time when she would have witnessed many major events throughout her future life. The book shows how women’s fashions changed as Samantha grew up, but I’m fascinated by the events in Samantha’s life that I know must be coming, just because of when she was born. By the end of her life, the world would be a very different place from what she knew when she was young.

The book is available to borrow for free online through Internet Archive.

Mystery in the Old Cave

Mystery in the Old Cave cover

Mystery in the Old Cave by Helen Fuller Orton, 1950.

Mystery in the Old Cave nut gathering

Andy and Joan Draper are excited about spending the fall and winter in the country. Usually, they live in an apartment in New York City and only go to their family’s vacation home in Vermont during the summer. However, this year, some friends of their father will be moving to New York, and they’ll need a place to stay because they are having trouble finding an apartment of their own. The children’s father has decided to rent their apartment to his friends while his family stays in Vermont. That means that the children will have to go to school in Vermont, but the children like the idea because they will be able to do things that they normally can’t do when the seasons change, like gathering nuts. When the first frosts come, the hickory nuts on the trees fall to the ground, making it easy to collect them.

After Andy and Joan collect nuts for the first time, they decide to store them in the old sugarhouse on the property. Normally, the family doesn’t use the sugarhouse for anything, but it used to be used during the times when their vacation house was a working farm and people tapped the maple trees for their sap to make maple syrup. They would process the sap in the sugarhouse. Sometimes, farm hands also used to sleep there during the harvest.

Soon, the children begin to suspect that there’s a stranger hanging around the property. Their dog, Ponto, barks at someone the children don’t see and comes running back to them, acting like someone kicked him. Later, a strange man approaches them and asks them if they know anything about a cave in the area. Andy and Joan don’t know anything about a cave. The man tells them that it’s supposed to be near the old sugarhouse, but if the children haven’t seen it, it might have caved in or something. He seems very secretive and doesn’t want the children to tell anyone that he’s been asking questions, and the children wonder if he could be the one who kicked their dog earlier. Later, someone (perhaps this strange man) steals many of the nuts that the children gathered and even some cookies. The children change their minds about storing things in the sugarhouse and decide to keep their gathered nuts in an unused room in the main house. The only clue to the identity of who’s been sneaking around is a red pencil that the person dropped.

Mystery in the Old Cave store

The children make friends with a boy named Phil who lives nearby. Phil is an orphan who lives with his Cousin John (who he sometimes calls Uncle John because he is so much older), a mean and stingy old man who doesn’t treat him very well and makes him work hard around the house instead of going to play after school with the other kids. He doesn’t even replace Phil’s clothes when they get old and torn. Phil gets a job at the local store to earn some money for a new sweater, but Cousin John even confiscates Phil’s earnings.

Mr. Lane, who owns the local store, is nice, and he tells Andy and Phil about how maple syrup and maple sugar are made, something that everyone in town used to participate in so that it was like a community party. The boys think it sounds like a lot of fun, and while they are talking about the old sugarhouse, Mr. Lane mentions that, once, some thieves joined in when they were making making syrup. Nobody knew they were thieves at first; they were just a couple of strangers who came along with everyone else and started helping out. Later, there were some robberies in the area, and the thieves were found hiding in a cave near the sugarhouse. Mr. Lane says that he and his friends used to play in that cave when they were young, and Andy and Phil decide that they want to find it.

Mystery in the Old Cave bones

The boys take some tools with them while they’re looking for the cave, in case the entrance has been covered over, which turns out to be the case. Once they dig through the entrance, the rest of the cave appears intact. They find some old bones inside that probably belonged to a bear. They can’t look around much more because the cave is too dark, so they decide that they’ll return later with some lanterns. Mr. Lane tells the boys that there still might be stolen loot around because they never did find everything that the thieves took, including a pearl necklace that belonged to Andy’s grandmother, who was living there back then. Could these things be what the mysterious stranger is looking for?

Mystery in the Old Cave stove in store

During the course of the book, Mr. Lane begins to notice that Phil’s cousin isn’t giving him enough food. Cousin John denies Phil food when he refuses to turn over the extra money that he’s been earning to him. Mr. Lane gives Phil food from the store to eat. While Phil is at the store, he overhears the stranger, who calls himself Joe Williams, talking to Mr. Lane. Joe Williams admits that he’s looking for treasure in the area. Mr. Lane says that he doesn’t have high hopes that Joe Williams will find anything around the cave because the whole area was searched thoroughly years ago.

Phil tells Mr. Lane that he can’t stand living with his cousin anymore and wants to run away. Mr. Lane tries to persuade him not to go, saying that he can deal with Phil’s cousin, but Phil has had enough and worries that his cousin will make life hard for anyone who tries to help him. When Phil hides out in the old sugarhouse, he meets up with Joe Williams, who explains to him more about how he knows about the treasure that may be hidden in or around the cave. He’s about ready to give up the search, but Phil finds something that everyone else has overlooked.

In the end, Andy and Joan’s parents decide to take Phil in. Phil’s cousin agrees to sign over custody to the Drapers, provided that he gets to keep the money from Phil’s job that he took and the money that Phil’s mother left for Phil’s upkeep. I’m pretty sure that’s illegal and that the courts and social workers would have something to say about that if this story happened in real life in the 21st century, but in the story, Mr. Draper accepts the deal and basically uses the money that was meant for Phil to pay off his cousin to surrender custody of the boy. The story ends at Thanksgiving, with Phil sitting down to Thanksgiving dinner with his new family, who will really love him and treat him much better than his cousin did.

Mystery in the Old Cave hiding

This is one of those older mystery stories that’s really more adventure than mystery. There’s really only one suspect for the odd person sneaking around, and his reasons for sneaking around turn out to be exactly what he said they were. There is no other hidden purpose or secret past behind that man other than what he said, and in the end, he just kind of leaves the story. The kids don’t have many clues to the location of the stolen items, and in the end, Phil finds them more by accident than anything else.

Sometimes, when I’m unsatisfied by the ending of a story, I like to make up an alternate one of my own. If I were writing this, I’d have had Phil’s nasty cousin be involved in the robbery and the hunt for the hidden loot. For example, maybe he was actually one of the original thieves and had a falling out with his partners, and he’s secretly searching for the rest of the loot they hid for years. Maybe he’s had to redouble his efforts recently because they’re getting out of prison soon, and he wants to get to the hidden loot before they do. Cousin John is money-hungry enough that it could be plausible, and that would allow the story to end with him being sent to prison, which seems fitting.

This isn’t important to the story at all, but I just wanted to say that the copy I have of this book is damaged in a very odd way. On some of the beginning pages, someone has cut out a few of the words, ransom-note style. I don’t know why that happened. There aren’t enough missing for a real ransom note, and some of the cut-out words are still stuck in the pages, but since this is a mystery book, I kind of like the image of someone using it to write some kind of mysterious secret message.

I haven’t been able to find an online copy of this book yet, but Internet Archive has others by the same author.

Knots on a Counting Rope

Knots on a Counting Rope by Bill Martin, Jr. and John Archambault, 1966, 1987.

The reason for the two copyright dates is that this book originally had somewhat different text and different illustrations.  I don’t have a copy of the original version, so I’m not sure how it compares to the 1987 version.

The story is told in the form of dialog between a young Navajo boy and his grandfather.  The story doesn’t explicitly say that they are Navajo, but they refer to hogans, which are a traditional type of Navajo house.  There are no words in the story other than what the characters say to each other, not even to indicate who is speaking, but you can tell who is speaking based on what they say.

The boy asks his grandfather to tell him the story of when he was born. The grandfather says that he already knows the story, but the boy persuades him to tell the story again.

The grandfather tells him that, on the night he was born, there was a storm, and it sounded like the wind was crying the word “boy.”  The boy’s mother knew that she was going to give birth to a son.  The grandfather quickly brought the boy’s grandmother to be there for the birth, and when the boy gave his first cry, the storm suddenly stopped.

When the boy was born, he was very frail, and everyone was afraid that he would die.  Then, when morning came, the grandfather carried him outside, and although he did not open his eyes to the morning sun, he lived his arms up to two horses that had galloped by and stopped to look at him.  The grandfather took it as a sign that the boy was a brother to the horses and would live because he had the horses’ strength.  The boy did become stronger and was given the name of Boy-Strength-of-Blue-Horses.

However, the boy was born blind. It is a hardship that he will always have to deal with.  Even though the word “blue” in his name, the boy says that he doesn’t really know what “blue” is or what it’s like because he’s never seen it.  The grandfather describes it as being like morning because the sky in the morning is blue, and the boy says that he understands what mornings are like because they feel and sound different from night to him.

The boy has a horse of his own, and the two of them have a special bond.  The two of them perform well at races, and the horse acts as the boy’s eyes when he’s riding.  His grandfather says that it’s like the two of them are one.

As the grandfather tells the boy stories about himself, he ties knots on the counting rope.  He says that when the rope is full of knots, the boy will have heard the stories enough that he will be able to tell them himself.  The grandfather says that he will not always be there to tell the stories, and the boy is frightened, wondering what he will do without his grandfather. The grandfather says that he will be all right because his love will be with him.

The book is partly about the relationship between the boy and his grandfather and the grandfather preparing his grandson for the day when he will be gone, making sure that he knows the family stories about himself and the knowledge that he will need for the future. It’s also about the boy’s own struggles in life, which the grandfather refers to as the “dark mountains” that he must cross. Because of the boy’s blindness, he lives in a world of darkness, and there are things that are challenging to him that would be less challenging to a person with normal vision. Yet, the boy has innate skills which allow him to do things that some people with normal vision can’t do. Not everyone has the affinity for horses that the boy has. He shares a special bond with horses, and when he rides, he and his horse are a team. Because he has skills and a strong spirit, the grandfather knows that his grandson will be all right in his future, in spite of the challenges of his blindness.

The book was featured on Reading Rainbow, and it is currently available online through Internet Archive.

So Dear to My Heart

So Dear to My Heart by Sterling North, 1947.

The original form of this story was actually from 1943, when the book was called Midnight and Jeremiah. In that book, the black lamb was named Midnight, not Danny, and many of the subplots that came to dominate this edition of the book didn’t exist. This edition of the book was rewritten and published after the Disney movie of of the story, which is why it was given the same name. The Disney movie was half live-action and half animated, and it made some changes to the story that were reflected in this rewrite/reprint. Naming the lamb “Danny” after the race horse Dan Patch was Disney’s idea. I actually think that I would have liked the original book better because I didn’t like the way some of the characters were portrayed in this book.

I have to admit that I was really frustrated with one of the characters in the story, and because of that, I found it difficult to wade through the parts dealing with her. However, it is important to actually finish this story once you begin because, otherwise, you won’t get the full picture of the story. It’s not that the ending is particularly surprising, and I can’t say that I ever really became fond of the character I didn’t like, but the more you pay attention to how the story gets to the ending, the more you realize what the one of the points of this story really is. This story is about the love between a boy and an animal. It has Christian themes and themes about hatred, prejudice, and loss. However, what struck me the most in the end is that this is also a story about knowledge and perspective. Knowledge and being open to knowledge can change a person’s perspective, but also having a different perspective in the first place can give a person knowledge or leave them more open to gaining it.

I’ll warn you that this is going to be a rather long review, and parts are going to seem a little repetitive because the way my review is organized is based somewhat on the way this book was organized, giving bits and piece of information about the same underlying situation accompanied by reactions to it. At the end, I’ve also included some odd historical information that relates to things mentioned in the story.

Jeremiah Kincaid, called Jerry, lives with his grandmother on the Kincaid family farm in Cat Hallow outside of the small town of Fulton Corners, Indiana in 1903. His parents are dead, having died in a fire when he was young. The full circumstances behind their deaths are not explained until the end of the book, and there are a few things in the book about their deaths and some current happenings that seem a bit mysterious. This book is not really a mystery story, but in way, parts of it play out a little like a mystery because there are missing pieces of information that need to be filled in before you really understand what’s going on. Knowing exactly what happened to Jerry’s parents and why eventually helps Jerry and his grandmother to resolve some of their feelings about their deaths and their relationship with each other. For most of the book, Granny Kincaid thinks she knows what happened, but it doesn’t take long for readers to realize that she’s unreliable as a narrator. Jerry’s Granny Kincaid is a very strict and strongly religious woman, and she is the character I did not like, who almost discouraged me from finishing the book. It wasn’t being strict and religious that made me not like her. I wouldn’t have minded that so much by itself; it’s the rest of the story of what she is that got to me. In a way, that feeling of not wanting to look further also plays into the story and the desire of whether or not you want to know more about what is behind a bad situation. In an odd way, Granny actually did remind me of something, but I’d like to save what she reminded me of until near the end because it will make more sense then.

When the book begins, Jerry is angry with Granny for selling his beloved bull calf to a butcher. Jerry loved the calf because he had raised it himself, but to Granny, it was just part of the routine of farm work. To Granny, animals are meant for food unless they are specifically work animals. Jerry feels more of a personal connection to the animals, which is also important to the story. Jeremiah longs for an animal that he can actually keep and love. This is what guides Jerry throughout the story.

Jerry gets his chance of an animal to love when the new lambs are born and one of them is a black lamb, rejected by its mother. Granny would be content to let the little black lamb die, thinking of it as an evil omen. Her casual cruelty and callous attitude when Jerry points out that it’s just an innocent lamb who couldn’t help being born black and is scared and hungry and will surely die without care were, frankly, pretty disgusting from my perspective. Granny is very religious but without compassion or empathy. For her, animals are to be used, and whatever or whoever is meant to die isn’t something she’s going to bother herself about. Not only that, but part of her callous, unfeeling nature is based on bitterness toward events in her own past, which are clarified through the story. There is/was a bitter history between the Kincaids and the Tarletons, who owned the next farm over, and Granny knows that the little lamb was sired by the Tarletons’ old black ram. Even though I didn’t like Granny, I kept reading because the most compelling part of the book is learning the full history of the Tarletons and the Kincaids, which comes out bit by bit as the book goes on. The way that this knowledge of the family’s history is given to the readers, piece by piece, is important. Each time that Jerry learns a little more about his family’s history, the story changes a little, giving not only Jerry, but the readers, a slightly different impression of what happened and why.

To help explain it, I’ll give you a kind of summary of what Jerry learns in the first chapters of the book. In her youth, Granny Samantha Kincaid married David Kincaid, Jerry’s grandfather, who is now deceased. David’s rival for her affection was Josiah Tarleton. Before Samantha and David were married, the two men had a terrible fight over her which had left David the victor but permanently injured. Following the marriage of the Kincaids, Josiah settled on a farm near theirs. Over the years, the Kincaids experienced hardships of various kinds, while Josiah became a wealthier man and flaunted that wealth at the Kincaids to show Samantha what she had missed by not marrying him. Even after Josiah married a woman named Lilith, things were still bitter between the two families. Samantha became convinced that Lilith was a witch who cursed their sheep with illness, although David said that was only superstition. Although Lilith is now dead (as are Josiah and David), Samantha is still afraid of anything associated with the Tarletons, thinking of it as evil. That is Granny Samantha’s frame of mind, as it has been for years, and that is the basic reason why she regards the black lamb as evil, because of its association with the Tarletons. As far as the beginnings of the bitter Kincaid/Tarleton feud goes, it’s an accurate description of the situation. From this basic description, it sounds like the Tarletons were mean, greedy, and vindictive, lording their better fortune over the Kincaids and maybe even doing things to make life harder on them. However, that is not the entire story. That description barely scratches the surface of the real situation.

Granny is a callous person with some vindictiveness of her own. Jerry himself has been on the receiving end of Granny’s callousness, and the story mentions that his birth was “unwanted,” like the lamb’s, something that he senses from his grandmother (a major reason why I didn’t like her). Part of the reason why Jerry craves love in his life and shows it to the animals is because he doesn’t get it from family, what’s left of it. Jerry insists on taking care of the little unwanted lamb, naming him Danny. He persuades his grandmother that the lamb will give good wool. As the lamb grows and gets into trouble, Granny says that it’s proof that she was right to think of the lamb as evil. However, Jerry defends the lamb, saying that Danny is just an animal that doesn’t know what it’s doing and forbidding his grandmother to turn Danny into food, a sentiment echoed by Uncle Hiram.

“Uncle” Hiram Douglas is the local blacksmith, a family friend, not related by blood to anyone else in the story, although he acts as a father to Jerry, having no children of his own. Uncle Hiram knew both the Kincaid and Tarleton families for years, observing their feud from a different, more distant perspective, and his account of what happened is more reliable than Granny’s. He was careful not to involve himself directly in the families’ troubles because their situation was toxic, and he knew it. Early in the story, Uncle Hiram sees the parallels between Jerry and his lamb, both of which have been deprived of love and proper care through no fault of their own. He tells Jerry that both of them are from good stock and not to pay attention to the superstitious nonsense that Granny tells him. It is Uncle Hiram who suggests to Jerry that he should take Danny to the County Fair when he’s bigger and show him off because Danny has the potential to be a champion. Jerry seizes on the idea, and it gives him hope. For much of the story, saving his lamb from Granny and taking Danny to the fair are his main goals.

It is Uncle Hiram who tells Jerry more about his grandmother’s long-standing feud with Lilith Tarleton and how she blamed Lilith for an unexpected flood that almost drowned his grandfather and killed some of their sheep (one of many unrelated things that Samantha blamed on Lilith). Samantha had been so sure that Lilith was a witch and caused the disaster with a curse that she actually hid in a place where she knew Lilith would go and waited for her to come along so that she could throw rocks at her, stoning her as a “witch”, and this incident is generally known in the community. Josiah Tarleton may not have been a nice person, but for all of her Bible-quoting, Granny Samantha has a fierce temper and an unpredictable nature. The picture of what happened between the Tarletons and the Kincaids changes a bit with the added information of Samantha’s sneak attack on Lilith.

The book continues like that, shifting back and forth between things happening in the present and Hiram’s explanations of the past. As the descriptions of the past become more detailed, Granny’s views are increasingly shown to be wrong, and her behavior more erratic and hateful. I did not find Granny a likeable or sympathetic character, to say the least. She struck me immediately as callous and unhinged, and that image stayed with me throughout the story. She is unfair and has double standards for how she views the world and human behavior. When misfortune happens to someone else, like an innocent black lamb (as well as other people, as described later in the story), Granny says it’s just the will of God and she doesn’t care, but if misfortune happens to her, it’s evil black magic and she’ll stone the first person she doesn’t like as the one responsible for it. This is how her mind works. When Jerry interacts with the people of the nearby town, readers discover that Granny is hardly seen as a pillar of the community. In fact, she hardly interacts with the community at all. Even the men down at the general store joke about Granny Kincaid being a witch herself. Jerry hears them joking, and it leads him to talk to Hiram more about his family.

When Uncle Hiram explains about the jokes the men make that both of Jerry’s grannies were possibly witches, more of the conflict between the Kincaids and the Tarletons is revealed. Samantha Kincaid doesn’t like to talk about Jerry’s father, who is her dead son, or his wife and is often deliberately callous with Jerry because Jerry’s mother was actually Arabella Tarleton, Lilith’s daughter. Up until this point in the story, Jerry was completely unaware of this or the fact that Lilith was his grandmother, too. Now, Jerry knows that Samantha’s son, Seth, married Arabella, and both of them died in a fire, something which Samantha blames on Arabella. With this information, the story shifts again, looking a little like a Romeo and Juliet type of situation.

Uncle Hiram doesn’t believe in witches at all, and he explains the truth about his grandmothers to Jerry. He says that, whatever Granny Kincaid says, Lilith was never an evil person, and he doesn’t really think that Granny Kincaid is, either. I’m still a little less charitable toward Granny here. Granny’s behavior and attitudes show a definite sadistic streak. I’m not talking about the way she sees animals mainly as food because that’s just a natural side of farming. Samantha is a vindictive person, with an inability to put blame where blame is due, choosing instead to take it out on an innocent victim, possibly because the innocent victim is more vulnerable to attack or because she can’t handle the thought of what or who is really at fault for a situation. In her attacks, she frequently resorts to physical violence, even inflicting harsh physical punishment on Jerry and also some twisted psychology, when you consider some of the things that Granny says to him.

As even more of the history of these two families comes out, you learn that there are pieces of the story that Samantha is deliberately ignoring or distorting in her accounts of what happened. First, Samantha blamed Lilith for Josiah’s jealous vindictiveness, rubbing his successes and the Kincaids’ hardships in her face because she refused his “love.” At least, he did this up until he also suffered hardships and lost much of his money later in life. This is another part of the story that is revealed later. At first, the characters make it sound like Josiah was more prosperous overall and had less hardship than the Kincaids, but it was more the case that his hardships came a little later in life, something that changes his story a bit. The reality of the situation is probably that the families were more equal in terms of their wealth and luck than earlier described. Their farms are literally right next to each other, outside of a small town where nobody is truly rich. Also, one of the misfortunes Josiah suffered was the early death of his wife. It turns out that Lilith died much earlier in life than any of the older generation of adult characters, not even living to see her own children grow up. Samantha and Lilith actually knew each other for far less time than it would sound from the way Granny talks. After Lilith’s death, Josiah seemed to kind of give up on life and generally let his children run wild because he didn’t quite know how to deal with them. In spite of Lilith’s death, Samantha continued to blame Lilith for everything that went wrong in her family’s lives. None of it was Lilith’s fault, but Samantha decided it was because she could not or would not see Josiah, or even members of her own family, for what they really were and Lilith for what she was. Lilith was a gentle soul who died relatively young, but she remained the evil witch and lurking spirit that haunted Samantha’s own troubled mind.

So, what was Lilith really like, and how do I know that she was a gentler person? Uncle Hiram explains that, unlike Granny, Lilith actually loved animals, just like Jerry does. Her father in Kentucky knew the famous Audubon who studied birds, and Lilith was also something of an amateur naturalist. People in Indiana distrusted her because she was more educated than most, and they thought it was weird that she knew all the “fancy names” for different birds and plants. Hiram understands the names that Lilith was using because he actually interacted with Lilith as a friend, and hearing her explanations broadened his experiences. The people who just thought Lilith was strange and “witchy” never figured it out. If I had to live with people like that, I’d probably be more trusting of animals than my fellow human beings, too. Hiram suspects that Josiah may have harbored feelings for Samantha even after his marriage to Lilith (the fuel for his vindictiveness, wanting to see his former love suffer for rejecting him) and that Lilith indulged her love of nature as an escape from her husband’s uncomfortable preoccupation with a woman who never returned his affections (and who lived on the next farm over and liked to call her a witch and throw stones at her like a crazy person for things she never did and possibly knew nothing about before the sneak attack – no, I just can’t let that slide – going out into nature to escape from her husband and study the plants and animals was what Lilith was doing when Samantha violently attacked her), leading to Lilith’s reputation for being a bit strange and possibly a witch.

This picture of Lilith is vastly different from the picture that Granny had given Jerry and even what other townspeople say about her, and it is much more truthful. (There is also more evidence that supports it later in the story.) Lilith was a spirited and loving young woman who defied her father to marry Josiah. She was loyal to him in spite of his obsession with Samantha, and she ran a tidy household, educating her children herself as best she could and teaching her daughter to play the violin. This was the person Granny considers to be evil, even beyond the grave, in contrast to herself.

At one of the points in the story where they discuss Seth and Arabella’s wedding, Granny says that deceased Lilith’s spirit was angry because Josiah, who was still alive at the time, kissed her hand at the wedding. Josiah was a drunkard who had taken a liberty, by Granny’s description, but poor dead Lilith was still the bad one. (Another thing we learn along the way was that Josiah’s mind deteriorated in his final years, an apparent combination of drinking and stress from the early loss of his wife and other hardships his family suffered. This comes from Hiram, not Granny, whose own mind I found suspect from the first.) Possibly, Granny could not bring herself to fully label Josiah has the bad one because he always liked her. Granny is actually somewhat vain and self-centered, and although she was not in love with Josiah and would never return Josiah’s feelings, I get the impression that she was flattered by them. That two men fought over her, even though she had a clear preference for one of them, and that one of them continued to follow her and dwell on her made her feel good, if a bit awkward that Josiah was the more prosperous of the two for a time as well as somewhat vindictive. Lilith, as Josiah’s wife, took at least some of Josiah’s attention away from Samantha when she entered the picture, and I suspect this was probably the basis for her becoming the bad one in Samantha’s mind, for representing a competitor for Josiah’s feelings, even though Samantha was married to the man of her choice and wouldn’t have wanted Josiah anyway. Sometimes, even people who do not want something in particular for themselves still feeling strangely resentful when someone else gets it, especially if the other person seems to benefit from it. Early on in their marriages, Lilith seemed to have gotten the better deal by marrying the richer man … until more of the story is told, and you find out that wasn’t quite the case. It didn’t take that long for things to turn rough for the Tarletons, and Lilith’s life didn’t have a very happy ending.

Uncle Hiram says that he has tried to explain all of this to Granny for the last 30 years, but “She don’t listen, or she don’t understand, or she don’t want to know-cain’t quite figger it out.” (This is one of those books where the author uses misspellings to convey accent.) My theory is what I said before, that Granny blames the wrong person for the source of problems and that blame is based solely on personal dislike. Lilith got the man Granny could have had, even if he was a self-centered jerk who Granny didn’t really love, and a more comfortable, prosperous life (at least, for a time, in a way, on the surface), while Granny’s husband was injured by Josiah and constantly struggled to make a living in the face of repeated misfortunes that were mostly random chance. The longer Granny harbored that irrational hate, nursed it, and indulged it, the more difficult it was to let go of it, not only because it had become habit but because of what it would mean to her personally to admit that she had done something horribly wrong. If Lilith was really her opposite in everything, and it turned out that Lilith was a really good person and a good mother, educated and nature-loving, what would that make Samantha? It would mean that she was not “on the side of the angels” and righteousness, that she was the one causing harm to the innocent rather than being the poor, injured party herself. (I still remember that Samantha is the one who hides in bushes and throws rocks at unsuspecting people, not Lilith. Once you know certain things, you can’t un-know them.) It would be a difficult thing for her to take, the realization that she might be more witch than the supposed witch and hardly an angel. As I said, people in the community have noticed it, too. Lilith may have seemed “witchy” to them because, as Hiram said, she was a little different and they didn’t really understand her, but Granny is witchy for much more obvious reasons.

At one point, Hiram tells Granny directly that she’s being unfair to Jerry and not raising him with the love he really needs, and she angrily tells him that she has to be this tough to keep Jerry from going the way of his parents, whose souls she considers sinful. During the course of the story, she actually tells Jerry that his parents are not in heaven, making up a song about them and how their marriage lead to hell. This is a terrible thing to tell a child and a twisted upbringing to give an orphan! Hiram tells Granny that, while she’s had to struggle and work hard all her life, she’s not the only one who works hard, suffers hardship, and is a good person and that the way that she’s behaving is unfair, but she only responds by both complaining and bragging at the same time about how hard she works and how often she prays and how much she’s done for Jerry, as if that entitles her to behave the way she does. Samantha is stuck on herself but can’t see it because she phrases her vanity in terms of her hard work and personal suffering, which she considers virtues, ignoring the bad behavior she has indulged in and the suffering she herself has caused. The book calls it her “proud bitterness.” (Insert wordless scream of frustration here.)

Because Jerry is Lilith’s grandson as well as hers, Granny Samantha sees evil in him, like she does in the lamb, and Jerry senses that she does not really love him. That is the strongest reason why I dislike Samantha as a character, plus her vindictiveness toward the innocent and helpless and inability to establish limits on how she indulges her vindictiveness. Although I think the author meant us to see her more as sad and warped by sadness than bad, I didn’t really see her that way myself. To me, she was irrational and possibly dangerous, given her history of physical attack, not “purely on the side of the angels” as Uncle Hiram characterizes. Seriously, hiding in the bushes to throw stones at a “witch” is not a healthy coping mechanism. The guys down at the general store know this and that is why they make witch jokes, but Granny doesn’t seem to have grasped how this looks even to people in her own town. Living alone with her grandson on their isolated farm has kept her steeping in her own bitterness and out of touch with reality. Only Uncle Hiram’s influence has allowed Jerry to get in touch with the truth of his family’s past and situation, and this is a central part of the plot.

I’m down on Granny Kincaid a lot, as you can tell by my repeated rants against her, but part of what makes characters like this so frustrating is that they are so obvious as plot devices. If Granny were a kinder, more reasonable person, this book would both be much less frustrating and much shorter. She is deliberately uncaring and unreasoning because she has to be in order to complicate the plot. She is one of the obstacles that Jerry must overcome. There’s no use arguing with Granny because she will and must remain resistant to persuasion, providing necessary plot tension, until the point in the story where the other characters either find a way to get around her or she has a change of heart and redeems herself. Given that Granny is Jerry’s grandmother and that this story has religious themes, I guessed that we would be going the redemption route eventually. However, I also knew that, with about 200 pages in the book, I’d probably have had more than enough of Granny by that point, which made me wonder if it would be worth it. I wouldn’t say that the redemption was worth it for Granny’s sake because I still didn’t really like her at the end, but by the time I got through all of the information that I’ve provided so far about the Kincaid and Tarleton families, I began to notice how the story about the families shifts slightly with each new piece of information about them, as seen from Hiram’s more neutral perspective. There is a larger point to be made here as the story continues, and Jerry learns more about the circumstances of his parents’ deaths, clearing up some additional plot holes that have been left hanging.

What’s left to tell? Notice that, while I told you that Jerry’s parents died in a fire, the Kincaid farm is obviously still standing and so is the Tarleton farm. They have not burned to the ground. So, where was this fire that killed Jerry’s parents? Also, if Josiah, Lilith, and Arabella Tarleton are all dead, who is running the Tarleton farm? Remember, Danny the lamb was sired by the Tarletons’ old black ram. Who owns that ram? Keep these points in mind for a moment.

Getting back to Jerry’s goal of taking Danny to the fair to win a prize, Granny is naturally resistant to the idea of going to the fair at all, but Hiram starts to win her over by suggesting that she show some of her weaving there (a successful appeal to her vanity), and Jerry promises to earn the money they need to go. Earning the money to go to the fair provides another obstacle for Jerry to overcome. Jerry begins hearing violin music at times, although he’s not sure where it’s coming from. He begins to think that it might be his mother’s spirit, trying to encourage him in his goals. There is also a scare when Danny is lost during a storm, and Jerry fears that he will never see him again.

The loss of Danny during a terrible storm is the turning point in the story and the real beginning of Granny’s redemption. Jerry doesn’t know whether Danny is surviving the storm or not, and Granny becomes truly worried about how upset that Jerry is and how she is unable to comfort him. She tries to tell him that whatever happens to Danny is the Lord’s will, and Jerry stuns her by saying that the Lord can’t have his lamb. Granny chastises him for blasphemy, but he refuses to take back what he says. Granny worries that Jerry might feel the wrath of God for what he says, and she actually tries to say that it’s her fault that Jerry says these things, that maybe she hasn’t raised him right, in the hope of sparing him from God’s wrath. This is the most concerned that Granny has been for Jerry since the book began. Jerry says that love isn’t evil, and for the first time, Granny admits that it isn’t, unless a person loves himself more than God. When Jerry asks how he can love a God who took away both his parents and his lamb, Granny is at a loss for an answer. She tries to explain that God is both all-merciful and all-powerful, but Jerry says that if God was really all merciful, He wouldn’t have let his parents die, and if He was all-powerful, He could have saved them. This is part of the age-old problem of why bad things happen to good people. Was there something wrong with God, perhaps even his non-existence? There are some who would argue that. Or was the fault with the people involved in the story, that their fate was punishment for their sins or brought about by their wickedness, as Granny has always believed? Granny has always believed that her son died because of his sins and that Arabella was the one who led him into sin. This belief has been the basis of all of her harshness with Jerry. However, there is another possibility, that is it all more a matter of perspective, that there is more information missing from this story which would make the situation more clear.

Granny’s inability to answer Jerry’s questions about the nature of God and prayer and why bad things happen to good people are what bring about a change in her. The older I get, the more I think that a little uncertainty in life, and even in religious faith, can be a good thing. Uncertainty is what keeps people open to knowledge because they feel like there is more that they don’t know. People who think they know everything they need to know tend to close the books because they don’t feel the need to learn more. People who are sure that they are doing everything that God wants don’t ask themselves what more they need to do, whereas people who aren’t sure are open to improvement. Some of the least confident people in life are the ones who are actually doing the most and trying the hardest because they constantly question what they’re doing, check themselves, and are the most open to learning and improvement along the way, the exact opposite of the Dunning-Kruger Effect. There have been many famous people who have experienced severe self-doubt, and sometimes, that’s what pushes people on to greatness. Even saints, viewed by others as having a special relationship with God and providing others with help and a sense of peace, often experienced their own dark times, self-doubt, and even doubt in God and their service to them. The great thing about saints isn’t that they were superior humans without flaws and human troubles but that they didn’t let those things stop them from doing the great things that they were meant to do. Perhaps the key is in seeing doubt not as defect but as a tool and uncertainty not as a failing but as a guide to learning and improvement.

Up to this point in her life, Granny Samantha felt absolutely certain about everything. She was as certain of Lilith’s wickedness as she was of her own faith in God. She had thought of all of the family’s misfortunes only in terms of what had happened to her, and now she realizes that Jerry was the one who was truly punished by the loss of his parents while being just an innocent baby, with no sins that needed to be punished. Now, Granny is confronted by the fact that she really doesn’t know everything and that some things may not actually have a definite explanation, or at least not one that is easy to find. Granny experiences doubt for the first time. It affects her so deeply that she tells Hiram that she told God that it’s about time that He answered her prayers about something or she might stop believing in the power of prayer and that He should really let Jerry find his lamb. She feels a little odd about saying this to God, even though she felt strangely better after saying it, but Hiram tells her that he doesn’t think it’s so bad. He says that he’s experienced his own doubts over the years and that he thinks that prayer is basically a way of telling God how you feel and letting him share the burden of worries. It’s natural for human beings to feel things like doubt, worry, and anger when things are going wrong and everything seems unfair. Granny admits that she has felt better since she has admitted her true feelings to God, like she truly has left the problem with Him, instead of keeping all of those negative feelings to herself, as she has for years.

Fortunately, this story does have a happy ending. Jerry does find Danny again after he is lost, and they do manage to go to the fair. Danny does not win the livestock competition because, as a black lamb, the judges decide that he is in a class by himself, but noting his quality, they give Jerry and Danny a special award for being unique. But, what’s important happens while Jerry is still searching for Danny and how he learns the final pieces of the puzzle concerning his parents’ death.

While Jerry was searching for Danny, he also met and connected with his Uncle Lafe, Arabella’s brother and Danny’s only other living relative besides Granny. Lafe is somewhat slow mentally, what the other characters call a “moonling.” He is referred to in passing a few times earlier in the story, but no one explains much about him other than his mental slowness. His slowness was considered one of the misfortunes of the Tarleton family because it caused his parents some worry. Even though Lafe is still living on the Tarleton farm next door and is the owner of the black ram, Jerry has not seen or spoken to him up to this point. However, like Arabella before him, Lafe knows how to play the violin and has kept the violin that once belonged to his sister. Jerry had heard him playing at other times earlier in the story, taking comfort in the playing and believing that it was his mother’s presence, trying to communicate with him. Lafe doesn’t talk much, and although he can read and write a little, he’s not very good. He shows Jerry Lilith’s old collection of books, showing that she was an educated woman, as Hiram said. Lafe cannot read well enough to read all of the books, and Jerry admits that he can’t read that well yet, either. Lafe also shows Jerry where he recorded Jerry’s birth in their old family Bible, a common practice in old times, before modern birth certificates. Jerry realizes that, in spite of the rift between the Tarletons and the Kincaids and the fact that Jerry has never really met his uncle before, his uncle has always accepted him as a full member of his family, giving Jerry an unexpected feeling of belonging.

Before the story is over, Uncle Hiram tells Jerry the final truth about his parents’ deaths. Both Seth and Arabella were fed up with life in Cat Hollow. They were tired of their parents’ feud and the limited opportunities for life there. Arabella loved horses and had real skill with them, so they took a horse with racing potential and tried to start a life in horse racing in Kentucky, where Arabella’s grandfather lived, where both of their families had lived before coming to Indiana. Their involvement in horse racing and gambling was what made Granny decide that they were sinful people. They later died in a burning stable in Kentucky. Granny told Jerry that she believed that Arabella had sent Seth into the burning stable to kill him on purpose, using their race horse as an excuse. She said that they had been living apart before that and that Arabella probably just wanted to get rid of Seth. When Jerry asked her how Arabella managed to die in the fire as well, Granny says that she could never figure it out.

This final piece of the puzzle is solved when the man who managed Arabella’s grandfather’s horses explains the night of the fire to Granny and Jerry. Seth had temporarily gone to Chicago to find a job to support his wife and child, but he had returned to where Arabella was staying with her grandfather to visit her. The fire broke out at night, and when Seth realized that his wife’s beloved horse was in danger, he insisted on going into the barn to try to save it. Arabella actually tried to stop him, but he ran in anyway. Arabella ran into the barn after him to try to save him, and they were both killed. After her earlier humbling at Jerry’s unanswerable questions, admitting her true emotions about the family’s misfortunes, and the victories of both Jerry’s lamb and her quilts at the fair, Granny is finally in a state of mind where she is able to except the truth of her son’s death. It was not caused by his sinfulness, but his love and a set of unfortunate circumstances, and Arabella had tried to save him at the expense of her own life. This knowledge helps Granny to make peace with the ghosts of the past.

I do feel like Granny receives this new picture of what happened to her son with less comment and emotional release than I would have expected. For most people, this would have been a very emotional moment, perhaps with crying or a sense of guilt for having put all the blame in the wrong place for years. Granny even made a quilt depicting a demonic marriage and writing a song to sing to her grandchild about how his parents were wicked and in hell, for crying out loud! So, what does Granny actually say about this final revelation?

“Wal,” said Samantha, “it jest goes to show. Cain’t never tell about true love. Guess I’ll have to change the last few verses of my song ballad.  Burned to a crisp in each other’s arms, no doubt.  It’s a real sad story.”

And that’s her final word on the matter. Great. I guess it just “goes to show” why I really don’t like Granny: she doesn’t have much emotional range or empathy even after her redemption experience. All through the story, it was all about her: her husband who was hurt by the rival for her affections, her husband who was almost killed in a flood, her son who was taken from her, and her duty to raise her grandson. When it was all about her, she had her deepest emotions and was wrathful and vengeful, and after she is made to realize that it’s not really all about her and never was, all we get is, “it jest goes to show” and “it’s a real sad story.” On the plus side, she did demonstrate some real caring for Jerry’s welfare before the end, but she’s never going to really feel bad about all the bad things she did or show a sense of regret, and that’s all there is to it. It’s good for Jerry because the past finally seems to be dead and behind them, and Hiram comments that, one day, Jerry will also inherit the Tarleton properties from his Uncle Lafe as well as the Kincaid properties, which will put him on a much better footing in life. But, somehow, it just seems unfair that Granny never seemed completely sorry for her role in all of this misery that went on for years, and I was left feeling it more than she was.

Something that I didn’t mention earlier, that I was saving for the end and my final reaction, is that Granny’s obsession with the supernatural and her belief in Lilith as a witch/witch’s ghost may not be based not only on her upbringing and religious beliefs but also in an odd human phenomenon that even modern people experience. People expect the world to make sense, and we are all hard-wired to look for cause and effect. Granny has a long history of misinterpreting cause and effect, but she’s not the only one. A few years ago, I attended a lecture given by a group of ghosthunters in my home town. This group said that they are sometimes called in to investigate people’s homes when they think that they are being haunted. In one of their explanations, they implied, although did not explicitly state, that there are psychological roots in much of the haunting phenomena that they investigate. What they actually said was that most of that people who called them in to investigate hauntings were people who were already in very troubled circumstances in their lives. These were people who had suffered financial problems, work problems, marital problems, health problems, or problems with their children, and often some combination of these. Then, in all of these cases, something mysterious happened that they couldn’t explain, and it was just the last straw. People in a happier, healthier, and more stable frame of mind might shrug off something unusual that happened as just momentary bad luck or coincidence, but when someone is already on edge or paranoid, they begin to notice more and more odd things happening that they would otherwise ignore, drawing connections between them in their minds to the point where they become convinced that they are haunted and/or cursed. The ghosthunters did not call these people liars or delusional, and from the way they told their stories, they suggested that, because these people believed that they were haunted, in a way, they became haunted. For example, one man suffered a series of disasters after buying an odd mask at a garage sale to use as a wall decoration, and he became convinced that the mask was cursed. One of the ghosthunters actually said, “I don’t think this mask was cursed before he bought it. I think it became cursed because he bought it.” The disasters that befell this man would have happened to him anyway, with or without the mask, but because they happened around the time when he bought it, he kept attributing every bad thing to the mask, and it did take on a negative influence in his life. It even began to affect the ghosthunters in a negative way after they removed it from his house because they were influenced by the negativity that this man had associated with the mask, making them wonder if some problems they experienced around that time were also associated with it, even though they said that they really didn’t think so. In an odd way, the man actually became the curse on his own cursed mask because of his attitude, just as Granny may actually have been the witch that she always claimed Lilith was, even though she couldn’t see it herself. From this psychological perspective, Granny Samantha’s weird witch obsession becomes more understandable, and she does look a little more like a sad victim of circumstance. Josiah Tarleton set up a toxic situation in the beginning with his early rivalry with the Kincaids, rubbing his early successes and their misfortunes in their faces, so when bad things happened that might have happened anyway, whether the Tarletons had bought the farm next door or not, Granny developed an association between them and her misfortunes that she interpreted as cause and effect. Although, I kind of suspect that Samantha may have been a little unbalanced even before all that, making her more of a candidate for going superstition crazy than her husband, who tried to tell her that it was all just coincidence. Still, I can see that repeated misfortunes can have a negative affect on someone’s view of the world. I have to admit, even now, thinking about it from that angle, I still don’t like Granny for the way she affected innocent people around her and didn’t seem to show remorse for her actions, but this explanation for Granny’s thinking does make sense.

However, I think that the overall message of the story was a good one. Life doesn’t have convenient, tidy answers that can just be summed up in one brief paragraph of explanation. There is no short, easy answer to the question of why bad things happen to good people, and much of the time, we don’t get the full story of what actually happened in the first place because we can’t see it from every perspective, from all of the people involved. I had wondered how the Tarletons responded to Samantha throwing rocks at Lilith, but the story never said. Did they just let the matter slide because the townspeople had also been whispering that Lilith was a witch? Did Josiah actually stand up for his wife in some way? Did David tell Samantha to back down because he didn’t really believe in superstition, and she was acting crazy? At the end of the story, we still don’t know what actually caused the stable fire that killed Jerry’s parents. Was it a human accident or negligence, deliberate arson, or a lightning strike? Even the man who was there at the time doesn’t know or doesn’t say. By that point, it doesn’t matter, because what the characters were most concerned about was the relationship between Jerry’s parents and the character of the the Tarletons, especially Arabella. Having established that, they feel no need to inquire further into the matter. What happened in the past was a combination of bad luck, random chance, and personal choice on the part of the people involved, when they decided how to respond to the emergency. What mattered in the end was how everyone felt about it and what they decided to do because of it. When their feelings and circumstances changed, they were free to make a different choice of what they would do. Being open to new information is key to considering a situation from a different perspective, and a different perspective helped them to gain the new information they needed.

In the original book, Midnight and Jeremiah, the family’s money troubles and the fair are more the central plot than these family issues. Also, the lamb, Midnight, doesn’t get lost until after the fair is over. Uncle Hiram (who is apparently really Jeremiah’s uncle in the original book) and the town decide to celebrate the lamb’s victory at the fair, but the celebration startles the lamb, so it runs off in fright. Jeremiah eventually finds him near the nativity scene at the church on Christmas Eve.

The book is available to borrow for free online through Internet Archive.

As a historical footnote to this story, Jerry mentions early in the book that his family and some others in their little town have Scotch-Irish ancestry and that they migrated into Indiana from Kentucky. This is something that older families in Indiana did during the pioneering and homesteading days of the 19th century. Another book that I reviewed earlier, Abigail, is about a family who traveled to Indiana from Kentucky in a covered wagon, which is what both the Kincaids and the Tarletons did when the grandparents in the story were younger, actually around the time when Abigail takes place. Their circumstances would have been very much like the people in that story, and the girl in the story of Abigail, Susan, also learns how to weave using a loom very much like the one Granny uses in this book.

Scotch-Irish (sometimes called Scots-Irish) is not a term that is generally used outside of the United States because Scotland and Ireland are separate countries. Basically, what it refers to is people with ancestry from Scotland (largely Presbyterian) and Ireland (more specifically Ulster Protestants, who also had some Scottish and/or English ancestry) who came to the Americas in the 18th and 19th centuries, settling in the upper parts of what is now the southern United States but ranging as far north as Pennsylvania, generally covering the Appalachian region and states like Kentucky and Virginia. Regardless of which wave of immigration in which individual families first arrived or what mix of ancestries they had at that time, having settled in the same regions of the United States, families intermarried. If an individual has one of those factors in their background, it’s highly likely that they also have the other somewhere in their family tree. Even those with mostly Scottish or English ancestry tended to come to the Americas by way of Northern Ireland, which is why they and their descendants are often referred to by this combined name. Even though England isn’t mentioned in the term Scotch-Irish, these families also often have English ancestry, which you can see in many of their surnames. In fact, some argue that they may be ultimately more English in their origins than anything else. It would take closer examination of an individual’s family tree to mark their exact ancestry or combination of backgrounds, and in casual daily life in the United States, it wouldn’t really make a difference. The communities they formed in the United States lived basically the same sort of life, making them virtually indistinguishable and often interrelated. Sometimes, this name has been considered somewhat pretentious in its use, partly because one of the purposes behind its adoption was to distinguish people with Protestant ancestry from Irish Catholics who came to the United States later. Irish Catholics represent a different group of immigrants here. In spite of that, Scotch-Irish is a commonly-accepted description in the United States and gives a fair explanation of an individual’s family history when you understand basically what it means. Many of their descendants still live in the Appalachian region, but others have branched out to different parts of the country, as the families in this story did. They can be found everywhere in the United States in modern times.

Throughout the story, characters sing old folk songs and hymns, some that are traditional and some that they made up, sometimes accompanied by playing a dulcimer, a folk instrument found in many forms that is also used in Appalachian folk music. The Appalachian dulcimer is probably the one that the characters in the book used, given their background. One of the songs that stood out to me was Putting on the Style. This song comes in different versions, and I’d heard of it before seeing it in this book. It’s basically about how people play roles when they’re out in public and how the way they behave is partly because they’re fond of the image, not because it’s how they actually are in private. As the characters head to the fair at the end of the book, they sing this song and make up some verses of their own.

As another odd historical note, early in the book, when Jerry thinks about and describes the small town of Fulton Corners and how it is more exciting to a young boy than most people would think, he mentions the “haunted graveyard” because it looks old and creepy and is the kind of thing that a child might imagine to be haunted. He mentions that the monuments in the graveyard have different shapes and that the shapes mean things, like a lamb for a dead baby. This is true, and I’ve seen graves like that, even in Arizona, where I grew up. Modern American graveyards don’t do this and tend to have simpler markers, but in the 19th century, people used certain shapes to explain something about the deceased person. Lambs were for babies and very young children because they symbolized innocence and youth, and broken columns indicated a person who died unexpectedly in the prime of life. Jerry mentions other symbols in the story. Part of the reason why I know this is because I took a historic tour of the local pioneer cemetery in Phoenix, and also because there was an article in the local paper awhile back about some hikers who stumbled across an old graveyard that was once part of a ghost town, and they helped themselves to a lamb statue that they thought would make a good lawn ornament. At the time, they didn’t know the significance of the statue, but to anyone who realizes what they took, it’s horribly creepy. The author of the article told them to put it back. This is kind of an odd digression from the story, but since this is one of few books that mentions this odd historical detail, I decided to explain it here.

Terror By Night

PFTerrorNight

Terror By Night by Vic Crume, 1971.

This book is part of the Partridge Family book series, based on the The Partridge Family tv show.

Shirley has been thinking that she and her children could use a vacation, and her family band’s manager, Reuben Kinkaid, suggests a place where they could have a little vacation and do some rehearsing.  Reuben arranges for the family to rent a large house with several acres of land attached in a small New England town not far from Salem, Massachusetts.  That should have been their first clue.  That, and the fact that the town’s name is Haunt Port.

At first, the Partridges are just thinking about how they can rehearse without disturbing anyone on such a big place, and Danny and Chris want to try camping out.  However, when they arrive in town, they learn that the name of the house they’ve rented is Witch’s Hollow and that it’s close to a place called Hangman’s Hill.  Soon after the family arrives at the house, Keith and Laurie also find a dummy hanging from a tree with a note that says, “Welcome! The Hangman.”  It’s pretty disturbing, but Keith and Laurie decide to hide the dummy and not scare the others.  They don’t know who is behind this awful joke, but they don’t want to give that person the satisfaction of seeing them react to it.

However, the disturbing things don’t end there.  The family’s dog, Simone disappears.  Also, people in town seem to have a strange attitude toward the house’s cook/housekeeper, Mrs. Judbury, and her daughter, Prudence.  Prudence is sullen and anti-social with a habit of catching toads for fun.  Keith has to admit that he can see how Prudence might have gotten a reputation for being a witch, but there’s more behind the strange happenings at Witch’s Hollow than that.

Simone eventually returns, although it’s clear that she’s frightened and hasn’t been fed well, and Mrs. Judbury tells the family the story of her family’s history in Haunt Port.  One of Mrs. Judbury’s husband’s ancestors was one of the accusers at the Salem witchcraft trials, but later, when people began to realize that they had executed innocent people, some of the accusers themselves found public opinion turning against them.  This ancestor decided to leave Salem and go to Judbury Port (the old name for Haunt Port) because he had family there, but he and his wife were never really accepted there, either.  This man later hanged himself in despair (at the place called Hangman’s Hill), and his wife later died alone, also shunned by the town.  Although some of the townspeople might feel bad about how things ended up with the Judburys, the old uneasy feelings about the family have remained, and Prudence’s stand-offish attitude, combined with her mother’s apparent psychic premonitions, has fueled some of the old stories.

At one point, Keith tells Prudence that he knows why she acts the way she does, because it’s much easier for her to keep her distance from people and behave strangely than it is for her to try to learn to get along with them and make friends.  Prudence isn’t responsible for what the townspeople did in the past, but she isn’t helping things in the present.  Jane Parsons, whose family owns the local store, also helps in a way because she and Prudence are cousins, and Prudence joins her in welcoming a cousin of their and his friend when they visit town.  As Prudence becomes friendlier, she and her mother become allies in trying to figure out the mysteries of Witch’s Hollow, which turn out to have less to do with past wrongs than current crimes.

The book is available to borrow for free online through Internet Archive.

Grandfather’s Dance

Grandfather’s Dance by Patricia MachLachlan, 2006.

This is the final book in the Sarah, Plain and Tall series.

Cassie is now in the fourth grade, and things are changing in her family. Cassie has come to love her little brother, John, called Jack, who is now a young child who likes to follow their grandfather around and imitate him. Caleb has gone away to school, and Anna is getting married, which is the major event of the story. Through the planning and anticipation that precedes the wedding, Cassie still keeps her journal, with its occasional flights of fancy.

Anna’s wedding brings new excitement to the family farm and thoughts of both the future and the past. Cassie, unlike her older half-siblings, has never been to Maine or met her relatives there, but Sarah’s brother and aunts are coming to the farm for Anna’s wedding. The others remember the last time they saw these relatives, and Cassie looks forward to seeing them.

Cassie wonders about why people get married, and she can’t imagine anyone she loves enough to marry and spend her life with, except maybe her dog. She tries to picture her own future wedding, with a dog as the groom, but it bothers her that she can’t picture her grandfather at her wedding. At first, she can’t quite figure out why she’s having trouble picturing him in the future, but the more she thinks about it, the more she realizes how old her grandfather is. He even comments on his age, saying that he’s getting older every day. Her grandfather seems to be increasingly feeling his age and his heart condition. Before Anna’s wedding, Cassie and her grandfather talk about her future wedding, and her grandfather tells her that he might not be there when she is married. Cassie tries to convince him that he will be, but he says, just in case he can’t, maybe they should have a wedding for Cassie now. He has Cassie put on the nice dress that she will wear to Anna’s wedding, and they stage a mock wedding for Cassie and their dog, Nick, so her grandfather can say that he was at Cassie’s wedding, too.

Anna’s wedding is beautiful, and Cassie and the others enjoy having Sarah’s brother and aunts visit. After the wedding, they have a picture taken of the whole family together. Sadly, it is the only picture of all of them together. Soon after, Cassie’s grandfather dies. All of the wedding guests are still visiting, so they attend the funeral. Jack is still a little boy and upset and confused by their grandfather’s death, but Cassie assures him that their grandfather loved them and that they won’t forget him. The title of the book comes from a little dance that their grandfather did for Jack earlier in the story, which Jack later imitates after his death.

In the back of the book, the author explains how her family was the inspiration for the family in the book. The grandfather in the story was based on the author’s father, and part of the dedication is to him. The author’s father died two years before this book was published. The farm and landscape around it are kind of a combination of the places where her family has lived in North Dakota, Kansas, and Wyoming, which is probably why the books in the series never specify which state they’re in.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

More Perfect Than the Moon

More Perfect Than the Moon by Patricia MacLachlan, 2004.

This is the first book in the Sarah, Plain and Tall Series that is narrated by Cassie, the younger daughter in the family. 

By this time, Cassie is about eight years old, and her grandfather, who rejoined the family in the previous book, has been living with them for a few years.  Caleb has also found a girlfriend (Violet, Maggie and Matthew’s daughter).  When Cassie writes entries in the family’s journal (started by Anna in the first book), they are partly fantasy, like when she thinks that Caleb and his girlfriend will someday marry and go to live in Borneo, where they will eat wild fruit.  When Caleb tells her that the things she’s writing aren’t the truth, she says, “It is my truth.”  (Oh, criminy!  I hate it when people say that.  Well, she doesn’t really mean it in the sense that I’m sick of hearing it.  I like games of pretend, but only those where the people playing them realize that it’s both a game and pretend.)  Fortunately, it’s just that Cassie is an imaginative child, and most of what she imagines is wishful thinking about things she would like to see happen.  With Cassie, the journal becomes not just a documentary of family events but of her feelings about them and what she imagines.

As Cassie grows more observant because of her writing, she notices that her mother’s behavior is changing.  Sarah is sleeping a little more, and she doesn’t always want to eat. Cassie worries that she’s sick.  Then, one day, Sarah faints.  Jacob takes Sarah to the doctor, and in the journal, Cassie writes about how her mother is well and will bring home a perfect present for her, “More Perfect than the moon,” in the hopes that it will come true.

When Sarah comes home and Cassie tells her what she wrote, Sarah says that it is true because she is pregnant.  Her perfect present will be a new baby.  Cassie doesn’t think that a baby sounds like a perfect gift.  She doesn’t want the baby because she doesn’t want things to change.  She is determined not to love the new baby.  Anna (who is now engaged to her boyfriend, Justin) tells Cassie that she didn’t love her at first, either, but she came to love her.  When Cassie asks Anna what made her love her as a baby, she says that she couldn’t help it and that she’ll understand when the new baby arrives.  All the same, Cassie can’t help but wish her mother would give birth to a cute little lamb instead.

Then, Cassie hears Sarah telling her friend, Maggie, that she thinks she’s too old to have a baby.  Cassie knows that Anna and Caleb’s mother died giving birth to Caleb, and she worries that the same thing could happen to her mother.  She thinks that the “terrible baby” is putting her mother’s life in danger.  Sarah tells her that’s not really the case, that she just thinks that it will be difficult to run after a young child again.  Still, Cassie worries and tries to keep an eye on her mother.  Sarah tells her that it isn’t necessary and that she will let her know when she needs her, like when the baby is going to be born.

As everyone guessed, Cassie’s feelings about the baby change once he arrives and she sees him for the first time.  At one point, Cassie admits to Sarah that some of the things she writes in her journal are nasty, but Sarah understands and says that one of the reasons to keep a journal is “To put down feelings. That way they don’t clutter up your head.”  Sarah knows that Cassie has a lot of worries about the new baby and the changes that will come in their family, and she knows that the journal is a way for Cassie to sort out her feelings. Once Cassie gets her worries and bad feelings out of the way, she is better able to move on to better things. Journals can be therapeutic.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

Skylark

Skylark by Patricia MacLachlan, 1994.

The second book in the Sarah, Plain and Tall Series picks up about two years after the first book, shortly after Sarah marries Jacob, the father of Anna and Caleb.  That summer is very dry, and people worry about when it will rain next.  If there is no rain, their farms will be in danger.  Some people have been known to simply abandon their farms and move on during especially long dry spells.  Jacob says that their family won’t leave, no matter what, because “Our names are written in this land,” meaning that they have a commitment to it because they were born there and make their lives from the land.  However, Sarah was born in Maine, and Caleb worries that, if the dry spell goes on too long, Sarah will want to return to Maine.

The year goes on, and Sarah settles in to life on the farm.  Her cat, Seal, has kittens.  Sarah reflects on the baby animals and seems thoughtful about babies.  However, people are becoming ever more concerned that the water in the wells is lower than usual.  As people keep hoping for rain, Sarah gets a letter from Maine, saying how lovely and green everything there is.  The land around the farm is dry and brown, and the family has had to ration their water carefully, their supplies running increasingly low. 

Eventually, a family from the area has to pack up and leave because their well is dry.  Sarah is upset, trying to think of some way around the problem, but there is nothing to be done.  Everyone’s supplies are running low, and they’re already doing everything that can be done.  Sarah hates feeling helpless against the problem.  When Sarah’s best friend, Maggie, talks about leaving with her family, Sarah says that she hates the land because it takes so much and gives nothing back.  Maggie tells her that she’s like a lark that hasn’t come to land yet and that, if she is hoping to survive in this land and make a home there with Jacob, she will have to write her name in the land, just as he has.

Although the characters become increasingly distressed, in a way, I like the story for that.  Sarah is a strong, capable woman, but even she doesn’t have all the answers to every problem.  It’s upsetting for her to realize that, but it’s very human.  After the family’s barn catches fire and burns down, Jacob persuades Sarah to take the children and visit her family in Maine.  While they are gone, he will take care of the animals and try to keep the farm going, waiting for rain.

In Maine, Sarah and the children stay with Sarah’s aunts.  Aunt Mattie, Aunt Harriet, and Aunt Lou, who have never married, are called “The Unclaimed Treasures.”  They shower the children with affection.  Still, the children miss their father and worry about what is happening on the farm.  Sometimes, the children have bad dreams in which their father is unable to find them.

In the end, the rain comes on the prairie, and Jacob comes to Maine to collect his family.  Then, the family learns that Sarah is expecting a baby.  Anna worries a little because her mother died giving birth to Caleb, but Jacob and Sarah reassure her that everything will be fine.  When they return home, Sarah writes her name in the dirt, signaling her commitment to her new life on the prairie.

There is a movie based on the book that follows the story very well. In fact, some of the dialog is almost word-for-word from the original. The book is available to borrow and read for free online through Internet Archive (multiple copies – including one in Spanish).

Sarah, Plain and Tall

Sarah, Plain and Tall by Patricia MacLachlan, 1985.

This is a popular book to read in schools in the United States, the first in a series.  It’s a Newbery Award winner, and it shows aspects of farm life during the early 20th century and the concept of mail-order brides, a practice from American frontier days where men living in the West or Midwest, where there were not many available women in the population, would write to agencies or advertise for a bride from the East.  The process for arranging these marriages could vary, but it typically started with written correspondence before the man and woman would meet in person.  In this book, the man looking for a bride, Jacob Witting, is a widower with two children who has a farm on the Great Plains.  The story is narrated by his older child, Anna. The book isn’t very long, and it’s a pretty quick read, but it’s filled with colorful imagery and emotion.

Anna has had to help take care of her little brother, Caleb, since he was born.  Their mother died shortly after giving birth to him, and Caleb frequently asks Anna questions about what their mother was like.  Anna’s memories of their mother are fading because she was still very young when she died, but she really misses her.

Then, Jacob tells the children that he has advertised for a bride from the East, the way a neighbor of theirs did.  The children like their neighbor’s new wife and wouldn’t mind having a mother like her.  The father has received a reply to his advertisement from a woman in Maine, Sarah Wheaton.  Sarah has never been married, and now that her brother is getting married, she feels the need for a change in her life.  She loves living by the sea in Maine, but she is willing to move to start a new life.  She says that she would like to know more about Jacob and his children.

Jacob and the children write letters to Sarah, getting to know her better.  They come to like each other, but the children worry about whether Sarah will change her mind about coming to see them or whether she’ll like them or their farm when or if she comes.  When Sarah tells them that she’s coming during the spring, she says that they will know her because she will be wearing a yellow bonnet and describes herself as being plain and tall (the title of the book).

Sarah will stay with the family for a time while they decide if they can be a family together and if she will marry Jacob that summer.  There are adjustments that they will all have to make.  Life on the prairie is very different from what Sarah is used to, and the children still worry that she won’t want to stay.  Sarah brings seashells from Maine to show them, and they teach her about the local wildflowers.  One of my favorite scenes was where Sarah cuts Caleb’s hair, and they put the hair clippings out for birds to use in their nests.  Caleb was particularly concerned about whether Sarah would sing like their mother used to, and Sarah does. 

Through it all, the children can tell that Sarah really misses the sea.  Sarah does say that the land around the farm kind of rolls, a little like the sea, and they play in a haystack, like it was a dune by the sea.  When they visit their neighbors, Sarah talks with Maggie, the mail-order bride who came from Tennessee.  Maggie understands Sarah feels, missing her home in Maine, and it upsets Anna to hear them talk about missing their old homes.  However, Sarah says that things were changing at home, and Maggie comments that, “There are always things to miss, no matter where you are.”  What the women realize is that, although they miss their old homes, they have grown to love the new people in their lives and would miss them if they tried to go back to where they came from.

At one point, Sarah goes to town alone, and the children worry that she won’t come back, but she does.  She just went to town to buy colored pencils in her favorite sea colors.  Sarah does stay and marry Jacob, setting up the rest of the series.

The book is available to borrow and read for free on Internet Archive (multiple copies).

My Reaction

There is a movie version of this book, which follows the story pretty well. The book wasn’t specific about the time period, although it seems to take place during the early 1900s. The movie and its sequels are set during the 1910s, which makes sense for the rest of the series. The book also didn’t say exactly where the farm was, but the movie clarifies that it’s in Kansas. The movie also emphasizes how much the whole family, particularly Jacob and Anna, misses the mother who died.  In the movie, Jacob forbids the children to use any of his dead wife’s things and doesn’t want to talk about her.  However, when Sarah realizes that trying to avoid his wife’s memory is hurting Anna, she brings out some of the dead wife’s belongs to use, helping the family to make peace with the past and prepare for the future. 

In the movie, Jacob’s pain over his wife’s death is partly about guilt as well as grief. The book doesn’t really talk about why Anna’s mother died after childbirth, but in the movie, Jacob has a painful discussion with Sarah about how he blames himself for his wife’s death because the doctor had warned them that they shouldn’t have any more children after Anna.  Apparently, Anna’s birth had been difficult and caused complications because his wife was so young, and the doctor had said that having another child would be dangerous.  However, after a few years went by, they decided to try for a son to help run the farm, thinking that enough time had gone by for it to be safe.  When his wife died giving birth to Caleb, Jacob felt terrible, thinking that he should have taken the doctor’s warning more seriously and not tried to have another child.  Confessing all of this to Sarah helps Jacob to make his own peace with what happened.  However, none of this discussion appears in the book.

In both the book and the movie, Jacob also has to adjust to Sarah’s different personality.  Sarah is more stubborn and independent than his first wife, with her own way of doing things.  Living with her is different from living the mother of his children.  However, Jacob comes to love Sarah for the person that she is.