Princess Hyacinth

Princess Hyacinth by Florence Parry Heide, illustrated by Lane Smith, 2009.

For reasons nobody understands, Princess Hyacinth is not affected by gravity, and she floats upward anytime she is not restrained or weighted down.

It’s a real problem because, while it’s difficult enough when she floats up to the ceiling of the palace, if she were allowed out of the palace without something weighing her down, she would simply float away.

Princess Hyacinth’s parents go to great lengths to make sure that she is always secured to something or weighed down with special weighted clothes and a very heavy crown.

Of course, being weighted down all of the time makes life difficult for Princess Hyacinth, too. She wishes that she could go outside and play and swim with the other children, but she can’t because she can’t be outside without the weights. There is one boy in particular who comes by her window with a kite with a crown on it and says hello to her, but it would be difficult for her to go out and play with him.

Then, one day, when Princess Hyacinth is particularly bored and tired of being weighted down, she persuades a balloon man to tie a string to her and let her float among his balloons. At first, it’s fun, floating along as the balloon man walks through the park, but then, the balloon man is startled by a dog and accidentally lets go of her!

As Princess Hyacinth floats upward into the sky, she is thrilled because she has never felt so free in her life, but where will it end? How high can she go, and is there any way for her to get back? Fortunately, there is a way for her to get home, with the help of a friend!

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction

This story reminded me of a much-older story from the 19th century, The Light Princess, but this picture book is much, much less serious than that book. In The Light Princess, the princess is cursed, and the story is about breaking this curse that has afflicted her all of life. In this book, there is never any explanation about why Princess Hyacinth isn’t affected by gravity, and she is never cured. Instead, she makes a friend who helps her find a way to live with her condition and enjoy it.

I liked the art style in this book. I found it amusing that the king, queen, and palace guards are drawn in the style of the face cards in a deck of playing cards. Princess Hyacinth is a cute little girl, and when she’s wearing her heavy princess gear, you can almost feel the weight of it on her. In the end, there are still times when she has to be tied down, but she seems more normal, less weighted down, because she has found someone to help her deal with her condition.

The Shoemaker’s Boy

Jem’s father is a shoemaker, and Jem is learning his trade. However, things take a bad turn when his mother suddenly becomes ill. It’s a strange kind of illness. She sleeps all the time, can’t eat, and is hardly breathing. The doctors can’t seem to help her, so Jem’s father decides to go on a pilgrimmage to St. James in Spain and pray for his wife to get better.

While he’s gone, Jem has to mind the family business and look after his mother. Jem’s father has a reputation as a incredible shoemaker, with people coming to see him even from other kingdoms, and Jem is worried that he won’t be able to maintain the business on his own because he’s still learning the trade. However, since nothing else seems to help his mother, it seems like his father’s holy pilgrimage is their last hope.

While his father is away, Jem tries his best, but he finds it difficult to keep up with the orders that come in for shoes. He falls behind on his work, and money is running short. Then, one day, he has a strange encounter with three little men, who are only the size of young children. They are all dressed in green, and they ask Jem for the three silver keys. Jem doesn’t know what they’re talking about, but the men say that they were sent to ask him for them because someone was supposed to leave the keys with him. Jem says that nobody has left any keys with him, and suddenly, the little men vanish! At first, Jem thinks that maybe he imagined the whole thing, but this is just the beginning of a series of strange happenings.

Late that night, there is a knock on the door, and when Jem answers it, he is confronted by a knight wearing black. The knight says that he wants Jem to make him a pair of boots because he’s heard that the boots from this shop are the best. Jem doesn’t want the knight to be disappointed, so he explains to him about his father being away and that he is not as good as his father at making boots. The knight appreciates his honesty and says that he will try Jem’s work anyway. He promises Jem an excellent fee for his services if the boots are ready by morning, and to Jem’s surprise, he also asks Jem if someone has left three silver keys for him. Jem tells him that nobody has left any keys with him, and the knight says that someone may leave them by the time the boots are ready, and he asks Jem to take good care of them.

Jem works on the boots through the night, and he’s making good progress when, in the middle of the night, a second knight arrives. The second knight is dressed in white. This knight doesn’t want any boots or shoes. Instead, he asks Jem to take care of a little packet for him while he runs an errand. He says that he has heard that Jem is very trustworthy, and he says that if he doesn’t return by morning, Jem can keep the packet. Jem agrees that he will take care of the packet and make sure no one else touches it.

The rest of the night is very strange. While Jem works hard on finishing the last boot, he hears strange sounds outside, and he thinks that he can hear the little men and the black knight calling out for the mysterious keys. What does it all mean? Are the keys in the packet left by the white knight, and if so, what are they for?

The book is available to borrow and read for free online through Internet Archive (multiple copies).

This is a short, easy beginning chapter book, and it’s a nice story with a Medieval setting, written in the style of an old fairy tale. The story leaves a few questions unanswered at the end. We never really find out who the two knights are or who the little men are, although there are implications that they are supernatural. I think that they also have religious significance, tying them to Jem’s father’s pilgrimage. The contents of the white knight’s packet are not obvious, but it is the solution to Jem’s main problem. When Jem’s father returns home, he also has some information about Jem’s mysterious visitors, although he doesn’t have all the answers, either. Readers know enough at the end to appreciate that Jem made the right decision when he handled the packet and that his experiences were partly a test of his character.

The book mentions Jem’s father putting a scallop shell on his cap when he’s about to begin his pilgrimage. The scallop shell is a symbol of St. James, one of the original Twelve Apostles. The place where Jem’s father was going on his pilgrimage, the shrine of St. James at Santiago de Compostela in Spain is a real place that has been a popular site of religious pilgrimages for centuries. After Jesus was crucified, His disciples traveled to other places to spread the word about Jesus and gain new converts to the new religion of Christianity. St. James went to what is now Spain, and after teaching there, he eventually returned to Jerusalem. It isn’t entirely clear what happened to his body after he died, but one of the stories is that his followers brought his body back to Spain and buried it at the site now known as Santiago de Compostela. St. James is now the patron saint of Spain, and pilgrims who visit Santiago de Compostela often collect a scallop shell as a souvenir of their journey. Actually, that is the one complaint that I have about this book. In the story, Jem’s father puts on a scallop shell as he begins his journey, but in real life, Medieval pilgrims usually used the shell as a sign of completion of their journey.

The Reluctant Dragon

This picture book, with its illustrations, is from the 1980s, but the story by Kenneth Grahame is much older, from 1898. It was always a short story, originally published in a collection called Dream Days. In the original version, there’s an opening part that isn’t included in this picture book, where a girl name Charlotte finds large footprints from a reptile, and a man tells her the story of the dragon.

There is a shepherd whose son loves to read, borrowing books from a friendly member of the gentry who lives nearby. Not all parents from their class value book learning, but the boy’s parents appreciate it and support their son for spending time reading. One day, the shepherd comes home and tells his wife and son that he’s had a terrifying experience. While he was out with his flock, he heard a strange snoring nose, and when he went to investigate, he found a frightening-looking creature with scales, with its head sticking out from the cave.

The shepherd’s son isn’t as alarmed as the shepherd. He merely identifies the creature his father saw as a dragon. He knows about dragons because he’s read about them, and he’s thought for some time that the cave was probably a dragon’s cave. Rather than being surprised or alarmed about the dragon, his father’s discovery merely confirms what the boy already suspected, that a dragon might have lived in the cave once and that it would be a suitable dragon’s home. Furthermore, the boy says that dragons are quite sensitive creatures, so he might look in on this one at some point.

When the boy goes to visit the dragon, the dragon tells him he won’t put up with any rough stuff, like hitting or throwing stones. The boy says he wasn’t going to do any of that, and the two of them start to talk. The dragon hasn’t been staying in the cave for very long, and he’s not sure if he’s going to stay or not. It’s a nice place, but he’s not sure if he’s ready to settle down or not. He admits that he’s lazy, compared to other dragons. Other dragons do things like rampaging, chasing knights, and eating damsels, but this dragon would just prefer a quiet life with regular meals and time to snooze and make up poetry. The boy and the dragon talk about poetry and how it seems like nobody else around them appreciates it the way they do or understands why they like it.

However, the boy can see that there would be problems with the dragon settling in this area. Dragons and humans just don’t mix, even though this dragon isn’t interested in rampaging or doing the other things that would be likely to make enemies of the local population. Once word has gotten around that there’s dragon here, there are bound to be people who will try to hunt it with spears and swords because they’ll only see the dragon as a monster. The dragon has trouble grasping the idea that he could even potentially pose a risk to the human population or that anybody might see him as a danger.

Eventually, word does get around that there’s a dragon living in the cave. The people in the village are both thrilled at this exciting thing happening to their village and plotting to rid their land from this supposed scourge, although the dragon has spent the entire time with his poetry and hasn’t been scourging anything. The village attracts the attention of St. George, the famous dragon slayer, and he comes to deal with the apparent problem.

The boy goes to the dragon and warns him that St. George is in town and that he’s got to prepare to face him and fight. Everyone in town is expecting him to, and they’re all excited about it because it’s the most exciting thing that’s ever happened there. However, the dragon says that he doesn’t like violence, and he doesn’t want anything to do with St. George. The boy worries that, if the dragon won’t take the threat seriously and fight, St. George will simply kill him, but he can’t seem to impress on the dragon just how much danger he’s in.

The boy tries to go to St. George and explain the truth about the dragon, but St. George doesn’t take him seriously at first. Everyone else in the village has been telling him tales of horror about the terrible things the dragon has been supposedly doing. The boy explains that the people in the village aren’t telling the truth because the truth is that they only want a fight. This is a quiet, boring little village, the villagers want excitement, and fights are a primary source of excitement for them. They don’t care at all that the dragon doesn’t like fighting and doesn’t want to be involved; they just want to stir things up with their stories and give St. George a reason to go over the dragon so they can watch the entertainment. When the boy explains that, right now, the villagers are taking bets on the upcoming fight, and so far, they’re favoring the dragon to win, St. George begins to think that maybe he’s been too quick to believe the villagers. He agrees to go with the boy to meet the dragon and talk things over.

Both St. George and the boy think the best thing might be to have a fight and get it over with because that’s how things typically go with dragons, and it’s what everyone is expecting. St. George even says that he wouldn’t have to hurt the dragon much in the course of the fight, as long as it looks good to the spectators. The dragon isn’t thrilled with the plan because he still doesn’t like violence, and he doesn’t want to be hurt or even kind of hurt. The boy realizes that the dragon won’t be getting out of the experience, either. St. George would get the glory for the fight, but what’s in it for dragon? Fortunately, the dragon knows what he wants – to be the guest of honor at the victory banquet!

The book is available to borrow and read for free online through Internet Archive. The original story of The Reluctant Dragon was made into a cartoon film (with some slight changes to the story) by Walt Disney in 1941, and it was used as a vehicle for a film tour of the new Walt Disney Studios in Burbank, California.

This story is fun because it’s sort of a parody on folktales, especially St. George and the Dragon, subverting everyone’s expectations. The dragon in this story isn’t particularly fearsome and just likes poetry and a peaceful life, and the villagers, who are supposedly being terrorized, are actually the bloodthirsty ones. St. George is rather disappointed when he realizes that the villagers have been duping him with their stories, but he also realizes that they have to find a way to give the people what they want while sparing the dragon and making it so the dragon won’t be victimized later. Although the boy feels like they have to have a fight of some kind to appease the villagers, he also doesn’t want his dragon friend hurt, and he realizes that they have to consider what the dragon really wants.

The three of them work out a way to give the villagers a good show during their “fight” without the dragon getting really hurt. Then, St. George declares that the dragon has been defeated, and there is no need to cut off his head as the villagers have asked because the dragon has seen the error of its ways and repented, so there is no further need for vengeance. St. George’s victory speech also makes it clear to the villagers that he won’t put up with any more stories about the dragon’s terror because he knows that they can’t be true, that they should drop their prejudices because it’s pretty clear that they don’t know everything even if they act like they do, and that it’s wrong to make up stories about things that haven’t actually happened just for the excitement of doing so. I particularly like that last part of his speech/lecture: “And he warned them against the sin of romancing [in the sense of dramatizing and romanticizing things], and making up stories and fancying other people would believe them just because they were plausible and highly coloured.”

I feel like this is a lesson that more people could stand to remember this modern era of conspiracy theories, social media, and Internet rumors. Yeah, I’m particularly thinking of the stories about immigrants eating animals in Ohio. I’m never going to let that one go because everyone who fell for that and helped spread it was acting like the villagers in this story. They were irresponsible and attention-seeking, causing trouble and danger for people who did nothing to deserve it just for their own excitement and hysteria. It doesn’t help if people based some of their belief on old stories about other groups of immigrants eating pets. That actually makes it much worse because I know those stories were debunked decades ago, so they have even less of an excuse to fall for that now.

If you’re thinking at this point that the matter of rumors of pet-eating immigrants is unrelated to the story, I would argue that it fits in very well because, in both the story and in the real-life rumors, social acceptance is a major issue. The dragon wants to be socially accepted so he and stay in the cave that he now considers his home. He wants to be left in peace to compose his poetry but at the same time have the ability to have company and join in local festivities so he won’t feel too lonely. The problem is that the village people have their own expectations and plans to use the dragon as their personal source of excitement, uncaring about whether that costs the dragon his life or if it costs the knight his life while attempting to kill the dragon. They honestly don’t care who gets hurt or even killed as long as they get to see it, knowing that the stories they invent to tell St. George are necessary to make it all happen. Immigrants also want social acceptance and to be allowed to live their lives peacefully and go about their business in their new homes. People sometimes tell wild stories about them, things they made up themselves, knowing that they’re untrue and uncaring about the consequences for other people, for their own purposes.

The very first time I heard of the Springfield pet-eating hoax, I immediately thought of Janie’s Private Eyes, which I reviewed here years ago and contained references to similar accusations about immigrants. I read Janie’s Private Eyes when I was a kid, and since it dealt with the dangers of rumors and prejudice, specifically rumors about immigrants eating pets, I grew up figuring that these were things that adults should just understand and that only had to be explained to kids, who hadn’t heard about them yet. I don’t suppose everyone has read Janie’s Private Eyes, but I always thought, surely, by adulthood, they would have read something or had somebody clue them in at some point.

There was just no chance of me ever being impressed about humors of Haitian immigrants supposedly eating pets as an adult after hearing about long-debunked rumors about Chinese immigrants supposedly eating pets and Vietnamese immigrants supposedly eating pets and Mexican immigrants supposedly eating pets (I live in a border state, so other parts of the US may or may not have gotten around to that one). After all, how many sets of immigrants can you hear this about before it just becomes eye-rolling routine, like those dumb chain emails that used to be popular in the early 2000s or those supposedly shocking but highly improbable kidnapping stories you’re supposed to warn every young woman in your life about but which are almost direct rip-offs of badly-misspelled fan fiction from Wattpad that was written by teens around that same time period? In all those cases, they’re the some wild stories, just retold with a few minor details and the names of the characters changed.

Stories do matter. The ones we hear when we’re young live in our heads and influence the way we look at things when we’re older and how we respond to some of the questionable things that other people are bound to tell us later in life. In a way, I think it really helps to hear some of this bunk when you’re young, under circumstances where you can tell it’s bunk or with someone cluing you in, so you can get some of these ideas out of your head earlier in life and be better able to tell what’s old-fashioned, sensationalist bunk from someone playing up for attention when you’re an adult. I think that The Reluctant Dragon, although it can be taken in a lighter fashion as parody or satire by people who know the type of stories that are being parodied, also offers the opportunity to talk about the power of stories, how they change people’s views and motivate people to action, and the serious consequences of rumors.

Maybe some of the people spreading the Internet rumors really were ignorant and gullible, easily alarmed and manipulated by a wild story, and maybe some of them just wanted in on the excitement to get attention for themselves and never cared whether it was true or not as long as they could latch on to the attention the story was getting and make themselves part of it. I’m pretty sure that the people starting them and passed them on wanted excitement and attention. There is a certain thrill to passing on rumors, feeling special because you “know” something other people don’t know yet and maybe even wanting praise as well as attention for passing the story along. Maybe some of those people also wanted to get some kind of petty revenge on the immigrant population by saying something bad about them, they expected that people would believe them if they made the stories seem dramatic and plausible (like St. George said in the story), and like the villagers in the story, they did not think or care about what would happen to the people who were the subjects of their libel.

It’s the same sort of thing with most social media rumors, which often contain little truth and can do a lot of harm by people believing them and continuing to spread them, which is why I’m against them all in principle. I urge everybody, when you hear any sensational story through Facebook or any form of social media, to pause and do a little fact-checking before you send that story to anyone else. If you can’t verify it or if you find evidence against it, make no other comment on it other than a link to the evidence against the story (if possible) and a message saying that you don’t want to see any more rumors or conspiracy theories. (At least, I sincerely hope you don’t. I’m telling you, they’re only trouble, and real people get hurt because of fake news.)

In real life, I doubt most people, being told off, even in a nice way, for making up stories and getting caught in lies, would behave with as much grace as the villagers in the story. In real life, people get defensive when they know they’ve been caught and “fight back”, but the villagers just accept it as part of the excitement they wanted and focus on getting to the party they know they’re going to have. During his speech, along with his other admonishments, St. George lets the villagers know, subtly, that he’s discovered that they’ve also been staging animal fights and that this practice is going to have to end, and the villagers all know that he’ll personally be checking on that. At the end of St. George’s speech, there is “much repentant cheering”, and they all go to enjoy the banquet. If people are feeling a little awkward about their behavior or the situation, they’re still determined to enjoy themselves and this remarkable event as much as possible. Everyone relaxes at the banquet because the major event is over, everybody has had a taste of excitement and the spectacle they were craving, and St. George’s speech is over, so there’s nothing left for anybody to plan or worry about. Everybody has a good time at the party, and the dragon is pleased that he’s been accepted into society, so he will be allowed to stay in this peaceful place and even have some company, which was what he really wanted.

Saint George and the Dragon

The story of Saint George and the Dragon is an old folktale. The story as told in this children’s picture book was adapted from Edmund Spenser’s Faerie Queene.

The Red Cross Knight, who carries a shield decorated with a red cross, does not know his own name or even where he came from. He only knows that the Queen of the Fairies has sent him to face a terrible dragon. He is accompanied on his journey by a princess with a little white lamb and a dwarf. The Princess’s name is Una, and her kingdom is being attacked by the dragon.

On their journey, they meet a hermit, who shows the knight a distant palace on a mountaintop, where angels travel between the palace and heaven. It’s so beautiful that the knight wants to go there immediately, but the hermit says that this palace is in another world and that he cannot go there until he faces the dragon. The hermit also reveals the knight’s past to him. He is not one of the fairy folk, although the fairy folk are the ones who sent him. The hermit knows that he was kidnapped by the fairies as a baby and hidden in a farm field, where he was discovered by a plowman who named him George. His true destiny is to become Saint George, the patron saint of England.

Una takes George to her parents’ fortress. As they approach, they see the dragon for the first time. George sends Una away from danger, and he and the dragon battle for the first time. The dragon picks up George, horse and all, and throws them to the ground. George manages to drive the dragon away, but he is also injured. At first, he and his friends think he is going to die, but he lies down in an ancient spring that cools and heals him. By morning, he is able to rise and fight again.

The second time George fights the dragon, he is able to cut off part of the dragon’s tail and one of its paws. The dragon’s fire finally drives George away, and once again, George seems too wounded to survive. However, he rests under an apple tree that drops healing dew, and George survives.

The third time George and the dragon fight, George manages to kill the dragon. Everyone celebrates, and Una’s parents thank George. The king gives George rich rewards, but George passes them on to the poor people. George is bound to the service of the Fairy Queen for six years, but the king allows George to marry Una and promises him that he will become the next king when his service is finished.

The book is available to borrow and read for free online through Internet Archive.

I love the colorful illustrations in this story, although some of them seemed a bit brutal for an audience of young children, showing George badly injured and the dragon spurting blood. Because I love folklore, I know that the legend of St. George and the Dragon is a Christian allegory, although it has some basis in earlier folktales and historical figures. I’ve heard different interpretations of what the dragon is supposed to represent. It can be a symbol of evil, the devil, or sin, and I think I’ve heard that it could represent paganism, which was replaced by Christianity (represented by St. George in the story), although I can’t remember where. In a way, I think this is one of those picture book that might mean more to adults because they would understand more of the symbolism, history, and folklore references in the story. On the other hand, who doesn’t love a story that ends with a gallant knight marrying a beautiful princess?

In case you’re wondering, the red cross on St. George’s shield isn’t the red cross used by the International Red Cross. However, Saint George’s Cross is on the national flag of England and is also part of the Union Jack flag of the United Kingdom.

As another odd piece of literary trivia, the legend of St. George has a connection to another story that I’ve on this blog, Phoebe the Spy. The connection isn’t an obvious one because Phoebe the Spy was set in New York during the American Revolution, which seems far removed from Medieval England. However, on April 23, 1770 (St. George’s Day), the St. George Society (originally called the Sons of St. George) was founded at the Fraunces Tavern in New York, just six years before the story of Phoebe the Spy begins at the same tavern. The St. George Society was and still is a charitable organization that helps immigrants from Britain, using the patron saint of England as its namesake.

The Diamond in the Window

Eleanor and Edward Hall are orphans who live with their Aunt Lily and Uncle Frederick in their family’s big but somewhat shabby old house in Concord, Massachusetts. The family has lived there for generations, and they are intellectuals with a particular interest in the literary history of Concord. Uncle Freddy is obsessed with Ralph Waldo Emerson and Henry Thoreau, although he doesn’t share Eleanor’s love of Louisa May Alcott. When a couple of the town leaders threaten to take the family’s house because of unpaid back taxes and to destroy it because they think it’s an eyesore, the children come to learn that their house holds more secrets and history than anyone knows.

As Eleanor and Edward look at the house from the outside, they suddenly realize that there’s an window at the top of the house that’s shaped like a key and made of colored glass. They’ve never seen that window from the inside of the house, so there must be a secret room! The children search the attic and find a trap door that they never realized was there before. When they look into the hidden room, they find a pair of children’s beds and toys.

The children ask Aunt Lily about the room, and she sadly admits that she hadn’t wanted to tell them about it. Then, she begins to explain more about the family’s history and the aunt and uncle the children never knew. Aunt Lily is their father’s sister, and Uncle Freddy is their brother, but there were once two more children in the family, called Ned and Nora. Eleanor and Edward were named after them, but Ned and Nora mysteriously disappeared years ago. Aunt Lily still believes and hopes that, somehow, they will return someday, so she has always kept their room ready for them.

When she shows the children pictures of Ned and Nora in the family’s album, they also see a picture of a young man in a turban and ask about him. Aunt Lily says that the man is Prince Krishna, son of the Maharajah of Mandracore. Their Uncle Freddy has written books about Emerson and Thoreau and was once considered an expert on the Transcendentalists. People who were interested in Transcendentalism, like Prince Krishna, used to come and study with him. Aunt Lily wasn’t really interested in Transcendentalism, but she explains, “I think he said that the Transcendentalists believed that men’s minds were very wonderful, and that they could know all kinds of important things without being taught about them through their eyes and ears –because they were part of something called an Over-Soul.” Eddy approves of this concept because it sounds like it’s about learning without school, and he approves of anything that involves no school.

Everyone was fond of Prince Krishna while he lived and studied with the family, and Aunt Lily said that he used to make up fun games for Ned and Nora, like treasure hunts with real jewels as prizes because the prince was very rich. The children get the sense that Aunt Lily was in love with Prince Krishna, but he also vanished shortly after Ned and Nora did. When they discovered that Ned and Nora were missing from their beds one morning, Prince Krishna dashed around, looking for them, but suddenly, he was also gone, and no one knew where or how.

Eleanor and Eddy return to Ned and Nora’s room upstairs to have another look at it, and they find a mysterious poem called “Transcendentalist Treasure.” From the handwriting, which matches a note that Prince Krishna wrote to Ned and Nora with a present he gave them, Eleanor and Eddy realize that Prince Krishna also wrote the poem. Since the poem seems to be some kind of treasure hunt, the children think that it was probably part of the treasure hunts that Prince Krishna used to make for Ned and Nora. They try to figure out what the clues in the poem mean and what it might lead to, hoping that it might be the jewels that Aunt Lily told them about and which haven’t been seen in the house since Ned, Nora, and Prince Krishna vanished. If they could find those jewels, they could pay the back taxes and save their house!

However, they don’t really begin to grasp the full importance of the poem until they ask Aunt Lily if they can spend the night in Ned and Nora’s room. During the night, they have a bizarre dream, in which they’re climbing an elm tree with Ned and Nora and find a harp, which is something that was mentioned in the poem. A dangerous wind blows them out of the tree, and they wake up. They could have believed that it was only a dream except that they realize that they both dreamed the same thing, Eleanor has bruises and a scratch on her leg that she got from falling out of the dream tree, and Eddy has located the harp in Ned and Nora’s bedroom.

They show the harp to Aunt Lily, and she says that Prince Krishna had given it to Ned and Nora years ago, hanging it in a tree so that they would hear the wind blowing across it. The poem and the dreams that Eleanor and Eddy have seem to be hinting at the treasure hunts that Prince Krishna had with Ned and Nora. Eleanor and Eddy begin to think that solving the riddles in the poem may not only lead them to the jewels but to the truth about what happened to Ned, Nora, and Prince Krishna.

The book is available to borrow and read for free online through Internet Archive.

The book introduces the concept of Transcendentalism. I remember my English and history teachers discussing the Transcendentalists when I was in high school, but for some reason, they didn’t appeal to me back then, even though I went through a kind of phase where I was interested in metaphysical topics. I think my teachers put a lot of emphasize on their interest in nature, and I wasn’t an outdoorsy person. The background information in this story revived old memories of my high school classes and actually clarified a couple of points for me. The kids visit real places in Concord, Massachusetts, including the house where Louisa May Alcott once lived, and the book is full of discussions of literary figures and their lives and quotations from their works.

The children’s surrealist dreams connect to real objects in their lives and in the history of the family and their house. The dreams follow the poem that Prince Krishna left behind, and in each of their dreams, they see Ned and Nora up ahead of them, so the Eleanor and Edward realize that they’re following their path. The poem and the dream reference pieces of Transcendental literature and thought, and the children’s uncle explains the references throughout the story.

Many of the dreams also show the children’s personal and mental growth. In one dream, the children examine different images of their future selves, seeing how different choices they make can lead their lives in different directions, and they make up their minds which version of themselves they want to aim to be. In another dream, the children are trapped in a nautilus shell, and they discover that they have to think their way out of it. The thoughts they have help them work their way through each chamber of the nautilus, but they have to use thoughts with increasing depth and complexity to make progress. At first, remembering nursery rhymes is enough to help them move forward, but as they go further, they have to concentrate on more complex poems and higher-level moral and philosophical thoughts.

Although the dreams the children have are very surreal, and readers have no idea where they might be leading, the children do find Prince Krishna and their missing aunt and uncle. When the three of them return, Prince Krishna does explain where they were the entire time they were missing. He doesn’t offer a detailed explanation because they were trapped in a sort of magical/metaphysical prison, but he does explain who trapped them and why. There is a villain in the story, but it takes a while to grasp who and what the villain is because readers don’t really see it/him in his true form and don’t understand who he is and what his motives are until Prince Krishna explains. Eleanor and Eddy end up understanding more than Aunt Lily and Uncle Freddy do in the end, but finding Ned and Nora, Prince Krishna, and Prince Krishna’s treasure changes everyone’s lives for the better. Throughout the book, Uncle Freddy is mentally unbalanced, eccentric at the best of times and outright crazy at others. Local people want to see him committed to an asylum, but his mind was unbalanced by Ned and Nora’s disappearance. Once they’re back, he regains his senses.

The author wanted to write realistic children as her protagonists to appeal to real children. Eleanor and Eddy have their own insecurities and dreams which play into their characters all through the book and appear in the visions of the futures and choices they have to make in their dreams.

The Enchanted Castle

Two brothers and two sisters spend most of their time at boarding schools. The boys go to a school for boys, and the girls go to schools for girls, so the only times when they are together are when they are home for school holidays or visiting at the house of a kind, single lady who lives near to their schools. Although the children’s parents are grateful for their single friend for hosting the children as guests from time to time, the children find it difficult to play at her house because everything is so neat and proper, and they don’t feel quite at home. Then, during one school break, one of the sisters, the one who makes it home first, comes down with measles. With their sister sick, the other siblings can’t go home, which is a great disappointment, and their parents have to make other arrangements for them. When the children tell their parents that they don’t want to visit the single lady for the entire school holiday, the parents arrange for the boys, Gerald and James (called Jerry and Jimmy), to board at their sister Kathleen’s school. It will be fine for them to be there because Kathleen (called Cathy) is the only student remaining at the school during the holiday, and there will only be one teacher there to supervise them, the school’s French teacher.

This arrangement suits them better than going to the single lady’s house, although they think that they ought to find something special to do during the school holiday. Kathleen suggests that they write a book, but the boys aren’t thrilled by the idea. They would rather do something outdoors, like playing bandits. However, they are a little concerned about the French teacher’s supervision. Fortunately, Gerald is good at charming grownups, when he wants to. Through a combination of flattery and small, thoughtful favors to the teacher, he gets on her good side, and he manages to convince her that he and his siblings would like to have some time to themselves to play and explore outside, maybe in the woods. The French teacher understands that what they really want is some freedom from supervision, but she agrees to give them some time to themselves.

The children don’t actually know if there are any woods in the area, but they decide to do some exploring and see if they can find an adventure of some kind. They end up getting lost during their exploring, but they find it exciting. When they sit down to rest, they find a cave and decide to explore it. The cave turns out to be a tunnel that leads them to a beautiful garden with a lake with a decorative waterfall and swans. The children imagine that it’s the garden of a magical castle. Going a little further, they find a thimble with a crown on it and a thread tied to it. It looks like the kind of thimble that might belong to a princess.

When they follow the thread, they find a young girl in a beautiful dress who looks like she might be a princess. She looks like she’s asleep, so she looks like an enchanted princess or Sleeping Beauty. Jimmy doesn’t really believe that she’s a princess, but the others aren’t so sure, and anyway, it makes a fun game to pretend that she is. Since Jerry is the eldest of the children, Cathy thinks that Jerry should kiss her to wake her up. Jerry refuses, so Cathy says Jimmy should do it. Although Jimmy is sure that she’s really just an ordinary girl dressed like a princess, he says he’ll kiss her to prove he’s braver than Jerry and that he should be the leader for the rest of the day.

When Jimmy kisses the girl’s cheek, she opens her eyes and says that she has been asleep for 100 years. She insists that she’s a real princess and asks them how they got past the dragons. Jimmy still doubts that, even though she shows them a mark where she pricked herself on a spindle, just like in the Sleeping Beauty story. She invites them to come back to the castle and see her beautiful things. The children say that they are hungry, so they go with her go get something to eat.

When they get to the “castle”, the princess brings them bread and cheese to eat with some water. This seem depressingly ordinary, and the princess apologizes, saying that was all she could find. However, she claims that the food in the castle is magical, so it can be whatever they want. The children imagine that it’s roast chicken and roast beef, but all they get is bread and cheese. Cathy doesn’t want to admit at first that it’s just bread and cheese because (like with the Emperor’s New Clothes), there is an implication that there is something wrong with her if the magic doesn’t work for her. Jimmy isn’t discouraged by that, so he asks the princess if it’s a game, but the princess denies it, insisting that the food is magical.

Then, the princess takes the children to a hidden door behind a tapestry. The room inside has paneled walls and blue ceiling with stars painted on it. The princess calls it her “treasure chamber”, but the room is completely empty. The princess acts surprised when the children say that they can’t see any treasure, and they refuse to believe it’s because they’re magical or invisible. The princess has the children close their eyes while she says some magic words. When they open their eyes, suddenly, there are shelves with jeweled objects on them. The children have no idea how the princess accomplished this trick, so they start to believe that maybe she can do magic.

The princess suggests that they all put on some of the jewels and be princes and princesses, too. It’s amusing for a while, but the boys start getting tired of dressing up, and they’re still a little skeptical about who the princess is. They suggest that they go play outside, but the princess insists that she’s actually grown up and doesn’t play children’s games, and she has the others help her put all the treasures back in their proper places. She tells the children that various pieces of jewelry have magical property. Jimmy asks her if that’s really true or if she’s kidding, but the princess insists that it’s true. Jimmy asks her to demonstrate how the magic works. The princess says that she will try on the magic ring that makes her invisible, but only if everyone closes their eyes and counts first.

When the children open their eyes, all of the shelves of jewels are gone and so is the princess. Jimmy says that it’s obvious that the princess just went out the door of the room. When they close their eyes and count again, Jimmy keeps his eyes open and sees the princess hiding behind a secret panel. When he tells the others, the princess says that he cheated. The weird thing is, even though they hear the princess say that he cheated, they still don’t see her. They tell her to stop hiding and come out, but she says that she already has. She says that if they want to pretend like they can’t see her, that’s fine, but the children seriously can’t see her. When the princess realizes that they’re serious that she’s actually invisible, the princess suddenly gets scared. She tries to shake the boys and get them to say that she’s not invisible, and Jerry catches hold of her, still unable to see her. She tells them that it’s time for them to go because she’s tired of playing with them.

Jerry makes the princess look in a mirror to prove that she’s invisible, and the princess gets very upset. Cathy sensibly tells her to just take the ring off, but the princess says it’s stuck. She admits that the whole thing, up to this point, was just a game of pretend. She says that the treasure shelves were hidden behind some paneling, and she just moved it with a hidden spring. She never expected that any of it was actually magical. The truth is that the girl’s aunt works at the house as a housekeeper and that her name is Mabel. She was just playing at being an enchanted princess because the rest of the household is away at the fair, and she happened to hear the other children coming through the hedge maze, so she roped them into her game.

Since one of the objects that Mabel claimed was magical was a buckle that would undo magical spells, Cathy suggests that she try the buckle. Mabel says that’s no good because she only made up that it was magical, but Cathy points out that she also made up the part about the ring being magical, and it turned out to be true, so she might as well try the buckle. Mabel would, but they accidentally locked the key inside the room and can’t get in now.

The children sit down to think about the situation. Since they can’t think what to do, the other children think maybe they should leave and go get their tea, but Mabel insists that they can’t just leave her invisible like this. Instead, she suggests that she go with them to tea and leave her her aunt a note. While they have tea, maybe they can think of something else to help Mabel. In her note, Mabel says that she’s been adopted by a lady in a motorcar and is going away to sea. The others say that’s lying, but Mabel says that it’s fancy instead of lying and that her aunt wouldn’t believe her if she said that she was invisible.

When they return to Kathleen’s school, they have tea and supper. They let Mabel have one of the three plates laid out for them, and Jerry and Cathy share one between them. Fortunately, the French teacher isn’t eating with them and doesn’t see an invisible person eating, but the children don’t know how they’re going to handle breakfast the next morning. They say that Mabel can stay the night with them, sharing Cathy’s bed and borrowing a nightgown. Mabel says that she can get some of her own clothes from the house tomorrow because no one will be able to see her and that she’s starting to see some possibilities for being invisible.

In the morning, the maid who comes to wake Kathleen sees Mabel’s discarded princess dress on the floor and asks Kathleen where it came from. Kathleen makes an excuse that it’s for playacting, which means that she and her brothers will have to figure out some kind of play to put on with it. Mabel thinks that acting sounds exciting, but Kathleen reminds her that she’s still invisible, so no one can see her perform anything.

The children feel bad about Mabel’s lies in the note to her aunt, and they insist that they should go and tell her the truth. Mabel doesn’t think this is a good idea because her aunt won’t believe her, but she reluctantly agrees. When they try to talk to her, the aunt doesn’t really want to listen to them, thinking that it’s just another one of Mabel’s pranks. She says that maybe Mabel was changed at birth and that her rich relatives have finally claimed her. They try to tell her that Mabel is with them, only invisible, and the aunt tells them not to lie to her. They ask about Mabel’s parents, and the aunt says that she’s an orphan. The children think that Mabel’s aunt is crazy because she doesn’t seem concerned about her and doesn’t want to hear anything they have to say, but Mabel says that she thought that her aunt might act that way because she spends so much time reading novels and can imagine anything.

In the meantime, Mabel has had some thoughts about what she can do. She says that she might be able to continue living in the house where her aunt works because the place is supposed to be haunted, so she can play ghost herself. However, the others think that she should stay with them. They just need a way to get some money to buy extra food for her.

Sine the fair is still going on, Mabel suggests that Jerry put on a magic show at the fair to get some money. The others say that Jerry doesn’t know any magic tricks, but Mable points out that it doesn’t matter when he has an invisible friend who can move things around, unseen, and make things disappear. Jerry dresses up as a conjurer from India (in a way that would be considered equal parts cheesy and offensive by modern standards because it involves black face), and he puts on the magic show with Mabel’s help. It’s incredibly successful, and toward the end of it, Mabel feels the ring coming loose. She takes it off and gives it to Jerry, who ends the act by vanishing himself.

Now, Mabel is visible again, and it seems like they’ve solved their problem, but now, they have a new one. The ring is now stuck on Jerry’s finger, and he is the one who’s stuck being invisible. Although Mabel can now go home, she insists on staying with the other children and taking part in their next invisible adventure.

Jimmy says that, if he was invisible, he would turn burglar. The girls point out that would be unethical, so Jerry decides that he will be a detective. There are advantages to a detective being invisible. Then, Mabel remembers that the treasure room is still locked from the inside, and they have to do something about it. Jerry says that, as an invisible person, he can sneak in easily enough through a window. When he does this, he ends up foiling a robbery by actual burglars, although he also ends up letting them escape from the police because he knows that conditions in prisons are horrible and can’t bring himself to send anyone there.

After his adventure, the ring comes loose from his finger while he’s in bed, and the maid at the school, Eliza, finds it and decides to “borrow” it for an outing with her fiance. When her fiance can hear Eliza’s voice but not see her, he thinks that he’s taken some kind of strange turn or fit, possibly because he’s been in the sun too long. The children convince him to go home and lie down while they deal with Eliza. They take Eliza on a little adventure of her own because they’re beginning to see that the ring doesn’t come off someone’s finger until its purpose is fulfilled. Afterward, they manage to convince Eliza that it was all a strange dream that she had because she felt guilty about taking the ring without permission. The children also think that the ring’s power might be diminishing and could be completely spent because it seems like its effect has been lasting shorter and shorter amounts of time every time it’s used. However, this is really just the beginning of the ring’s magic, and it can do much more than they think it can.

At this point, they feel a little guilty that they haven’t spent much time with the French teacher, who is supposed to be looking after them, so the buy her some flowers. She is pleased with the gift, and they have a little party with Mabel as their guest. They find out that the French teacher has artistic abilities, although she rarely has time to draw these days because she’s so busy teaching. Mabel also tells them more about the man who owns the house where her aunt works. Although the house is grand, the man who owns it doesn’t really have enough money to support it and live there full time with a full staff because his uncle wrote him out of his will for falling in love with a girl he didn’t approve of. It’s sad because he also never married the girl because she was sent away to a convent, and although he did try to find her, he never did. Mabel, whose knowledge of convents comes from the scandalous gothic novels that she and her aunt read (much like the kind the main character reads in Jane Austen’s Northanger Abbey), speculates that the girl might be bricked up in a wall by now because that’s the kind of wicked thing that happens in books. The French teacher tells her that real convents aren’t like that and that the women who live there are good and take care of girls without parents, although they can also be strict, and the girls aren’t allowed to leave. She says it in a way that implies that she was one of those girls raised in a convent.

Since the children had claimed earlier that they were going to put on a show of some kind with the princess outfit, they decide to go ahead and perform for the French teacher and Eliza. To fill out the audience for their performance, they make a bunch of stuffed dummies, which the French teacher finds amusing. The children use the ring as a prop in their play, although none of them put it on, and Kathleen wishes that the dummies were alive so they could have better applause from the audience. To the children’s amazement and the French teacher’s and Eliza’s terror, the dummies (which the children think of as “Ugly-Wugglies”) do come to life and start clapping. In a panic, the children debate what to do. Jerry realizes that the ring is actually a wishing ring and is responding to the children’s wishes, so he wishes on the ring that the dummies were not alive, to undo Kathleen’s wish, but it doesn’t work.

To Jerry’s surprise, the dummies begin speaking to him, although their speech isn’t clear because they don’t really have proper mouths. They ask him for a recommendation to a good hotel or suitable lodgings. The dummies don’t seem to know what they are, and they are behaving like respectable, aristocratic people. Jerry tells them that he can show them to some lodgings, if they will wait for him a little. He makes some excuses to give himself time to reassure the French teacher and Eliza that the effect with the dummies was just a trick pulled by the children with string, and he recruits Mabel to help him find a place for the dummies. He does this in an insulting and condescending way, and Mabel tells him off for that, but she agrees to help him. They decide to hide the dummies somewhere on the grounds of the big house where Mabel and her aunt live, thinking that the magic will wear off eventually and that the dummies will turn into dummies again by morning. The dummies turn nasty when Jerry and Mabel try to shut them away, and they are helped by a strange man.

The strange man demands an explanation from the children about the angry people they’ve shut away, but the children don’t want to explain. The man says, if they won’t tell him what’s going on, he’ll simply have to let the people out and ask them, but the children are afraid of what the dummies will do if they’re released. The man assumes that the imprisoned people are other children and this is all some children’s game, so Jerry and Mabel decide that they have to tell him the truth, even though they know it all sounds crazy. They can tell that the man doesn’t really believe him. The man thinks maybe Jerry has a fever or something, and he says that he’ll see the children home. Jerry can tell that the man plans to open the door after the children are gone, and he warns him not to do that. He insists that the man wait until tomorrow to open that door and to wait for them to meet him to see it opened because, by then, they’re sure that the dummies will just be dummies again. The man reluctantly agrees.

When the children arrive the next day, they discover that the man didn’t wait for them to open the door, and he is now lying unconscious and injured, apparently attacked by the dummies. The dummies are gone except for the most respectable dummy, who seems concerned about the unfortunate man on the ground. Mabel runs for smelling salts to revive the unconscious man, and Jerry looks around to see where the other dummies are. They find that the other dummies have turned back into piles of old clothes, and only the one living dummy is left. He seems to be becoming far more real. The children revive the unconscious man, who turns out to be the new bailiff. The bailiff assumes that the strange visions he had were because he was injured accidentally. After the children are sure that he’s all right and send him on his way, they try to figure out what to do with the remaining living dummy.

The remaining dummy seems to have developed a life of his own and is quite a wealthy man, although the children aren’t sure that this will last because the ring’s magic never seems to last very long. Jimmy says that he wishes he was wealthy, and the other children are horrified to see him age quickly, turning into an elderly, wealthy man. Jimmy doesn’t seem to remember who they are, and he refuses to turn the ring over to them when they ask for it, trying to stop his wish. He acts like the dummy is an old acquaintance of his, and he just wants to go to the nearest railway station with his dummy acquaintance.

Jerry sends the girls home to make some excuses for his and Jimmy’s absence, and he follows the now-elderly and wealthy Jimmy on the train to London. There, he learns that Jimmy and the living dummy have somehow acquired business offices, staff, and backstories. Other people seem to have somehow known the two of them for years (a warping of reality that makes Jerry’s head swim because neither of them existed in their current state before) and say that they are business rivals. Jerry pumps a boy who works at one of the offices for information, claiming that he’s a detective and is trying to reunite the elderly Jimmy with grieving relatives. The boy’s advice is that it will be difficult to get through to elderly Jimmy but that he might use the living dummy’s rivalry with elderly Jimmy to arrange things. The living dummy (now known as U. W. Ugli) helps Jerry to get control of the ring, and he wishes himself and Jimmy back to the house where Mabel lives.

Jimmy is restored to his younger self, and the children debate about what to do with the ring. They can see that it has some dangers. Mabel says that she ought to put it back in the treasure room, where she found it. However, while they’re in the treasure room, they begin to wonder if any of the other pieces of jewelry are magical, since the ring became an invisibility ring after Mabel pretended it was. Mabel can’t remember exactly what she said any of the other pieces of jewelry did because, at the time, she was just playing pretend and making things up. Then, something occurs to Mabel. She realizes that the ring only became an invisibility ring because she said it was one, and it turned into a wishing ring when they started calling it that. She says that proves that the ring does whatever they tell it to do, changing its powers to match whatever they say. To prove the point, she declares that the ring will now make people tall, and when she puts it on her finger, she is suddenly unnaturally tall.

Mabel’s experiment did prove the point, but they now have to hide Mabel until the effects wear off. The children get a picnic from Mabel’s aunt and go to hide out in the woods overnight. However, Mabel complicates things when she turns the ring into a wishing ring, and then, she accidentally turns herself into a statue. The children have a nighttime adventure with some living statues, learning that all statues apparently have the ability to come to life at night. They can also swim, so they have a nice swim and a feast. The statue of Hermes tells the children that “‘The ring is the heart of the magic … Ask at the moonrise on the fourteenth day, and you shall know all.'”

Then, the children learn that Lord Yalding, the man who owns the big house, is planning to come, and that he is thinking of renting the house to a wealthy American. Mabel’s aunt is busy, getting the house ready for Lord Yalding and the American. However, it turns out that the children have already met Lord Yalding without realizing it, and with the ring and the treasures in the hidden treasure room, they have the power to secure his future and reunite him with his lost love … if only they can figure out how to manage the ring’s power without causing any more chaos.

The book is now public domain and available to borrow and read for free online through Project Gutenberg and Internet Archive (multiple copies), including an audio recording from Librivox. The story was made into a BBC television miniseries in 1979, but it’s difficult to find a copy these days. As of this writing (April 2024), the only dvd release was in Australia in 2013. Sometimes, clips of it appear on YouTube.

For the first part of the book, it isn’t obvious that there will be any real magic in the story. At first, the children are all just playing pretend with each other, and even when Mabel turns invisible, it’s possible to believe that the children might still be playing pretend and letting their imaginations run away with them. Because the adults don’t seem that concerned about Mabel, I thought that they might have been humoring the children in their game, but the children later realize that the ring has the effect of muting people’s concerns for the one wearing it, even if they’re doing something bizarre or dangerous. That ends when the person takes off the ring, and people become more concerned about them and where they’ve been. The magic in the story is real, and as the story continues it involves too many other people, even adults and various bystanders, for it to just be a game.

Throughout the book, various adults experience the effects of the magic ring and witness things that the children do with it. They come up with various explanations for what they’ve witnessed, so they can disregard it, but they unquestionably experience magical events along with the children and have some consequences from the children’s adventures. While Jerry retrieves Jimmy from London when he accidentally turns himself old and wealthy, they never do retrieve the living dummy, so U. W. Ugli remains doing business there until his magic finally wears off. His employees don’t seem to know what he is and have memories of having worked for him for years, so they report him missing when he finally disappears, and the notice appears in the newspaper.

There’s a lot of humor in the story as the children experiment with the magic, deal with the consequences of their adventures, and try to invent excuses to explain away the inexplicable. There are times when they do try to tell adults the truth about what they’ve been doing and what’s happening, but most of the time, the adults don’t believe them. Sometimes, they feel a little bad about lying to adults and making up stories, but they have to resort to that because nobody really believes the incredible truth.

When the children start telling Lord Yalding the stories of their magical adventures and about the treasures they’ve found in the house, they are unable to prove what they say at first. Lord Yalding gets a chance to experience the magic himself, he thinks that he’s going crazy. At the proper time, the ring’s magic reveals itself to Lord Yalding, his love, and the children so they can all see the true magic and learn the ring’s history, which is a story of magic and tragic love. Lord Yalding comes to understand that he is not crazy and that the magic is real. His lover makes one final wish that turns the wishing ring into a wedding ring. The magic ends, and the castle and grounds are changed because of it, becoming less grand and more ordinary, but Lord Yalding and his bride are able to have their happy-ever-after.

I thought it was interesting that the author provided a backstory for the magic ring, explaining where it came from and its effect on the house and its grounds. I didn’t think there were many clues to that backstory provided along the way, and some buildup to the explanation would have been nice. However, I recognize that the author didn’t have to provide any explanation for the magic at all. Many other fantasy stories don’t offer explanations for magical objects, leaving that up to readers’ imaginations, because the focus is more on the effects of the magic rather than its origins.

As far as we know, the children’s other sister, the one who was sick with measles in the beginning, never finds out what her siblings have been doing during this particular school break. The children remain close to Lord Yalding and his wife, and they host them at their house during school breaks afterward. In fact, it sounds like they spend more time with Lord and Lady Yalding than they do with their parents.

Overall, I enjoyed the story. E. Nesbit’s fantasy stories are children’s classics, and they have influenced other children’s fantasy books that came after them, especially Edward Eager’s Tales of Magic series.

Although the original story is now public domain, there are different versions of this book because there are simplified forms of the story for younger children, and some newer editions have removed some of the problematic parts of the story. Some of E. Nesbit’s books contain problematic racial language or stereotypes or have children doing things that would be unacceptable by modern standards. In this book, such incidents are relatively mild, and their absence wouldn’t materially change the character of the story.

For example, when Jerry dresses up an conjurer from India, he uses black face as part of his costume. In the 21st century, use of black face is considered derogatory toward people with dark skin. In a way, Jerry’s costume is played for comedy because it’s made from pieces of his school uniform, and someone points out that he’s left out spots in his skin makeup. Nobody believes that he’s a real conjurer from India, although they are impressed by his act because they can’t figure out how he accomplishes his tricks.

There is also some anti-Catholic sentiment, although the children seem to say certain things because they’ve gleaned them from sensational novels or things other people have said, and the author does correct for it. The first instance of this comes from Mabel’s concept of the dark deeds done in convents, which she has apparently learned by reading gothic novels. I’ve read some old gothic novels myself, and the idea that sinister things happen in secrecy in convents and abbeys was a popular concept from 18th and 19th century literature. It’s partly due to anti-Catholic sentiment and, probably, because the idea of a closed society that isn’t open to the general public makes for a compelling setting for dark secrets, somewhat like the way secret societies and boarding schools have become the setting for sinister happenings and dark deeds in Dark Academia literature. However, the other does have the character of the French teacher contradict this view of convents with a more benevolent and realistic one, that the people in them are caring but strict. There is one other comment that Jimmy makes in the story when he’s arguing with Mabel, when he seems to be implying something about Jesuits, a branch of Catholic priesthood:

“If you’d been a man,” said Jimmy witheringly, “you’d have been a beastly Jesuit, and hid up chimneys.”

I wasn’t entirely sure what this comment meant, although I think it might be a reference to the ways Catholics hid priests in priest holes, little hidden rooms, when they were at risk for arrest, torture, and even execution in Elizabethan England. Some of these little hiding places were in fireplaces, which I think is what the reference to hiding in chimneys means. At the time, the children were arguing about bravery, so I think Jimmy is implying that Mabel is the type to run and hide in the face of danger. (That might actually be the best option when there’s real danger. Just saying.) If I’ve understood his meaning, that makes Jimmy’s comment more of a slur against Mabel’s bravery than against Jesuits, although he does still call the Jesuits “beastly”, and he’s implying that’s a bad thing to be.

When you read public domain versions of the story online, they will have these elements in the story because they were part of the original book. However, if you find a physical copy in a library, it may or may not have these elements, depending on the printing. If it was printed during the late 20th century or any time during the 21st century, there is a good chance (although not completely guaranteed) that it’s a revised version and may have these parts written out or at least toned down.

The Pinhoe Egg

The Pinhoe Egg by Diana Wynne Jones, 2006.

This is the sixth and final book in the Chrestomanci series.  In this series, there are many different dimensions, and in each of those different dimensions, there is a copy of every person.  Different versions of our world can differ dramatically in their history across the dimensions, and individual people’s lives can differ dramatically between the dimensions. There is one person in each generation who has no duplicates in any of the other dimensions.  This person is called the Chrestomanci.  All of the talents, abilities, and lives that would have been spread across the other dimensions are now centered on that one person, giving that person, literally, nine lives.  The Chrestomanci fills an important role, being better able than anyone else to travel across the dimensions, and he acts to keep a balance between them and make sure that the different worlds keep their proper course.

Marianne Pinhoe and her brother, Joseph, are used to Gammer (their grandmother) telling them and everyone else in their family what to do. Gammer is the matriarch of the magical Pinhoe family, and Marianne, as the only girl born into the family in the last two generations, is expected to eventually succeed her. Joseph has magical abilities, too, but he often pretends that he can’t do things so the rest of his family won’t force him into their magical businesses. He really has a fascination for machines and would rather work with them than do magic, so he does his best to convince the rest of his family that he’s a “disappointment” to them (something that other family members appear to have done when they had interests outside the family). However, Gammer still rules the roost and she has plans in mind for both Marianne and Joseph.

One day, she calls Marianne and Joseph to her house and tells Joseph that she’s got him a job as boot boy at Chrestomanci Castle over the school break. Joseph is angry because he had other plans for the school break and doesn’t want to be a boot boy. Gammer tells him that it’s important for him to go to Chrestomanci Castle because she wants him to act as a spy there. The Pinhoe clan doesn’t live too far from the castle, and for generations, they have been careful to conceal their identities as witches from whichever Chrestomanci happens to be in charge at the time. Gammer says that if Chrestomanci (whom they carefully refer to as the “Big Man” because saying his title aloud calls him) ever found out about them, he and his crew of enchanters would (gasp!) force them to obey rules and regulations and not just use their magic any way they like whenever they feel like it. (If you’ve read all the of previous books in the series, you can see that people like the Pinhoes are part of the reason why rules exist in the first place and why just letting them do whatever they want could be a complete disaster that could tear apart the worlds someday, but oh noes, not rules and regulations and being told not to do insane things that would lead to the destruction of the worlds! We’re not talking petty micromanagement here. Basically, this is a huge red flag, right up front, that the Pinhoes are up to seriously shady stuff that may lead to people dying and/or already have involved people dying.) Gammer wants Joseph to be at the castle to find out if the Big Man has caught on to them or looks like he might be going to. (At this point, we don’t know exactly what activities they’re afraid he’s going to catch onto, but that will become more clear later.) Joseph is still angry and tells Gammer that she can’t make him do it, but something happens that changes everything.

While Marianne and Joseph are still at Gammer’s house, the Farley family comes calling, and they’re angry with Gammer, too. They say that she has somehow betrayed them, particularly Dorothea Farley. After an argument with them, suddenly Gammer seems to lose all of her reason! When she speaks, she doesn’t seem to make any sense, as if she’s completely lost her mind. Marianne thinks that the Farleys cast a spell on Gammer, but she can’t prove it. The rest of the family thinks that the strain of the argument with the Farleys just sent Gammer over the edge because she’s so old. They’re unsure whether or not Gammer is going to recover from this incident or not and how long that might take. They temporarily hire nurses to look after her, but Gammer drives them away by using her magical powers to throw things at them like a poltergeist.

The family members all argue about what to do with Gammer, and in the end, they decide that she must go live with Dinah and her husband because gentle Dinah seems like she’s the only one who can handle her. Some of the relatives argue about who will get Gammer’s house since she will no longer be living there, and Marianne’s father reveals that the house actually belongs to him and that he was just letting Gammer live there. He thinks that the house is too large for his family and that the sensible thing to do is to sell the house and use the money for Gammer’s care and other practical uses. Moving Gammer to Dinah’s house is difficult because she uses her magic to resist it, but they eventually accomplish it. In the meantime, Joseph still has to go to Chrestomanci Castle because all of the arrangements are already made and the rest of the family insists that he do it.

While all this is happening, The Chant family is just returning from their holiday in the south of France (which was in Mixed Magics), and they have no knowledge of what’s been happening with the Farleys and the Pinhoes. Julia and Janet have been reading a horse story for girls and have become obsessed with horses and the idea of owning horses of their own. Chrestomanci asks them if they wouldn’t prefer to have bicycles (Roger says he would and Chrestomanci immediately agrees he can have one), but the girls insist that they must have horses. Millie is sympathetic because she wanted a horse of her own when she was young, and they do have stables at Chrestomanci Castle. Chrestomanci reluctantly agrees and purchases a horse for the girls, with the understanding that they will learn to take care of it properly.

However, when the horse arrives, it turns out that Janet is terrified of horses when she actually meets one, and the horse only likes Eric “Cat” Chant. Initially, Cat thought that all of the horse talk was boring, but he feels a strange kinship for Syracuse the horse, and if he doesn’t take care of him, Chrestomanci might follow through on his threat to have Syracuse turned into dog food. (Chrestomanci is also secretly afraid of horses.) Cat finds riding difficult at first, but he enjoys it and becomes fond of Syracuse. Julia and Janet swear off horses in fear and disappointment and get bicycles, like Roger, so Cat becomes Syracuse’s owner.

One day, while riding Syracuse, Cat has a disturbing encounter with Mr. Farley, the gamekeeper. Mr. Farley has placed spells in the territory around his family’s property to keep people away so their magical activities won’t be noticed by anyone, especially the people at Chrestomanci Castle. Since Cat has been riding around the countryside on his horse, Mr. Farley has become paranoid about Cat snooping around. The Pinhoes have some similar worries.

Then, Jason, one of Chrestomanci’s associates, returns to the castle after having been away for years. Jason brings his new wife, Irene Pinhoe, with him. Jason is a plant expert, and he also has some plant samples. Janet and Julia are both heart-broken that Jason is married because they both had enormous crushes on him, and they are sure that Irene is going to be perfectly awful and that they won’t be able to stand her. However, when Cat meets Irene, he thinks that she seems rather nice. She’s an artist and designer, and Cat can tell that she’s using magic in her drawings. Irene admits that her father was some kind of enchanter, and she may have inherited some of his ability, although she seems oddly embarrassed about it and says that she doesn’t know much about her father’s work. Jason and Irene invite Cat to accompany them while they have a look at a house that they’re planning to buy in the area.

Gammer is still not in her right mind, and at Gammer’s request, Marianne has to look after her cat, Nutcase. This is difficult because Nutcase is hard to control, and he somehow manages to get around the spells that Marianne tries to use to control him. After Nutcase kills a bunch of baby chicks belonging to Dinah, Dinah’s husband threatens to kill Nutcase if he comes near their chickens again. Marianne tries, mostly unsuccessfully, to keep track of Nutcase and keep him out of trouble.

One day, while trying to find Nutcase, she shows up at the house that Jason and Irene are trying to buy while they are there with Cat. It happens to be the old Pinhoe house, the one Marianne’s family is selling, and the Pinhoe family would prefer a Pinhoe to buy it. It helps that Irene is a Pinhoe, and Marianne thinks that she is just like the princess that she imagined in a story that she’s writing. Jason is fascinated by the variety of magical herbs in the Pinhoes’ neglected garden, and he’s sure that he really wants the house, too.

Cat is intrigued by Marianne when they first meet because he can tell that she has powerful magical abilities. Marianne asks Cat to help her find Nutcase, and he agrees. While they’re looking for Nutcase, Cat comments to Marianne how powerful her magic is and that she should trust it more. Cat is surprised at himself for being so bold, and Marianne is surprised at how well Cat has read her.

While they look for Nutcase in the attic, Cat senses that there is something important and magical hidden there, protected by spells, and he feels compelled to figure out what it is. As they investigate further, they find a strange, large egg. Marianne says that she doesn’t really know what kind of egg it is but that Gammer told her that it was a silly joke of her grandfather’s because he claimed it was an elephant’s egg. Cat senses that it’s very important, and he asks Marianne if he can have it. Marianne decides it’s okay if Cat keeps it because nobody else ever really seemed to care about it, and the house needs to be cleaned out when they sell it.

During the night, Cat gets a visit from a large, winged creature that says it’s the egg’s mother. The mother says that a spell prevents her from reclaiming her egg, but she sensed that the egg was moved, so she came to see that it was safe. When the egg hatches, it turns out that it’s a griffin. Cat needs Millie, Crestomanci’s wife, to help with the hatching and caring for the griffin. Crestomanci questions Cat about how he got the egg, and Cat explains that it came from the Pinhoes’ old house, which seems to intrigue Crestomanci.

When Marianne’s uncles learn that Marianne gave the egg to Cat and that it’s hatched, they’re furious with her. They had put the egg in the attic themselves and placed spells on it to prevent it from hatching, although they had never told Marianne about it before.

In the mean time, Marianne has been learning that this isn’t the only secret that her family has been hiding and that things in her family are not what she’s always believed they were. Strange things are happening in the nearby village. First, someone places a bad luck spell on all the Pinhoes. Every member of the Pinhoe family falls victim to various accidents until they find the source of the spell buried in the garden of the old Pinhoe house and destroy it. Then, there’s a plague of frogs and a sudden epidemic of whooping cough that affects everyone in the county.

What Marianne comes to realize is that these curses are being cast by Gammer, who still seems to not be in her right mind. What the other relatives have been taking to be harmless, nonsense mutterings and odd little things that she does to entertain herself have actually been magic spells. The curses have been mostly directed at the Farley family, although because Gammer isn’t really in her right mind, some of them have gone astray and affected other people in the area, including the Pinhoes.

However, when Marianne tries to tell her family what Gammer is doing, nobody believes her. Marianne comes to realize that the Pinhoes themselves have also been under one of Gammer’s spells for their whole lives that cause them to view Gammer with reverence and to make excuses for bad things she does. For some reason, this spell no longer seems to be working on Marianne, even though the other members of her family are still affected. Whe’s beginning to see that Gammer has done some pretty awful things and that her own father has been taking more care of the Pinhoe family than Gammer ever has, even though Gammer has been taking the credit as the family’s leader. Because of Gammer’s spells, none of the rest of the family will listen to anything Marianne tries to say about what Gammer has been doing, and they think that it’s just malicious slander. Worse still, Marianne is in disgrace with them because she gave the griffin egg to Cat.

What is the true story behind the griffin egg, and why are the elder Pinhoes so worried about it? Marianne knows that there is a griffin and a unicorn on the family’s coat of arms. What kind of feud does Gammer have with the Farley family, and are the Farleys really responsible for her present condition? With Gammer’s spells on everyone, how can Marianne get anyone to believe her enough to help her get the answers she needs? Her family has tried hard to avoid getting the attention of Chrestomanci or anyone at Chrestomanci Castle, but they may be the very people Marianne needs now.

My Reaction and Spoilers

I love the Chrestomanci series, and I enjoyed reading this book, although the ending seemed a little confusing and fell a little flat to me. I’m starting out with some minor spoilers, including some for previous books in the series. The major spoilers are at the end. The premise of a magical family with secrets is intriguing and fits well with the rest of the series. At first, Marianne believes everything that her family says and accepts that she will probably be the one to eventually take over Gammer’s position as head of the family. However, Marianne comes to realize that members of her family aren’t what she always thought they were, and some of them are hiding dark secrets. This is also a theme in the Chrestomanci series. Other characters in the series have also discovered that members of their families were hiding dark secrets and have been been betrayed by them. In previous books, the current Chrestomanci was used and betrayed by his uncle when he was young, and Cat’s own sister used him and tried to have him killed.

When Marianne allows Cat to take the griffin egg from their family’s old house, and she begins investigating strange things happening to people in the area, she realizes that her grandmother, who seems like she isn’t in her right mind, is the cause of at least some of it. Her family is unable to accept the truth about Gammer and turns against Marianne. It turns out that even her own father has been hiding secrets from her mother and his children and that, years ago, he was involved in a terrible crime against his own father. When the terrible secrets of the Pinhoe family are finally revealed, some of the Pinhoe marriages break up because the Pinhoe wives realize that their husbands have done some terrible things and have lied to them for years about it. Although Marianne’s parents stay together, Marianne’s mother has to come to terms with the truth about her husband’s past and his lies, and she also realizes that she should improve her children’s education and her own education.

In the end, someone else takes over as the leader and adviser of the Pinhoe family, rather than Marianne, but Marianne doesn’t mind because she’s really too young for the role, and she also realizes that her talents lie elsewhere. Like other young characters in the series, she and her brother are invited to continue their magical education at Chrestomanci Castle with the Chant family children. Marianne’s father is against his children studying with the posh people at the castle because he thinks that they’re trying to be too good for their own family, and Chrestomanci tells him that the only way they’ll be too good for their family is if he decides they are and keeps telling them they are. If that’s the message their father feeds them, then someday, they’ll probably believe it and think that their family has rejected them for being better than they are. Marianne’s father grudgingly allows the children to study at the castle because he can’t stop them and also because he and his brothers have lost face in the community because their past wickedness to their own father has been revealed.

Chrestomanci puts a stop to the feud between the Pinhoes and the Farleys by revealing some of their secrets and by having his assistant take away the Farley family’s magic. He does not take away the Pinhoes’ magic, but he wants to study their unique magic style because it has to do with the life force of living things, and Cat also seems to have a talent for it. This unique style of practicing magic is one of the secrets that the Pinhoes have been trying to keep to themselves, but there are also deeper and darker secrets they’ve been hiding, some of which didn’t really make sense to me.

What is eventually revealed is that Marianne’s grandfather, who supposedly died years before, is still alive. He was imprisoned in an area that contains and hides various mythological creatures, and his own sons were the ones who imprisoned him there in an injured state, while they told the whole community and even their own spouses that he was dead. They did it because Gammer, the grandfather’s wife, and Mr. Farley told them to kill their father. They couldn’t bring themselves to actually murder him, so they just crippled and imprisoned him. The reason why they did it was because he was studying the mythological creatures and brought the griffin egg out of the hidden territory. For generations, the family has believed that it was their duty to keep the mythological creatures imprisoned and secret, so they panicked and tried to stop the grandfather when it looked like he was going to expose everything. This is the major secret of the Pinhoes that they were always afraid someone would discover.

Chrestomanci and his people reveal that the family has a hidden history where they were supposed to be the caretakers of the mythological creatures but their mission got corrupted under the influenced of a particularly fanatic religious group, which convinced past generations that the mythological creatures were “abominations” and that they needed to hide their magical abilities. This doesn’t entirely make sense because, in past books, and even in this one, the local clergy knows and accepts magic. Chrestomanci and his family regularly attend church.

The explanation that readers are given is that the past group of religious fanatics was eventually driven out by other groups that came in later, but there’s not much of an explanation of how that works. We don’t know who these fanatics were supposed to be, and the chain of events is only vaguely explained. The Pinhoes aren’t entirely convinced that any of it is true, and because there aren’t a lot of details provided and not much groundwork was laid for this revelation, I wasn’t really impressed with it, either. It also bothered me that the Pinhoes and their mission to hide mythological creatures are very local, just in the village near Chrestomanci Castle, but for reasons that are also never explained, it seems like there aren’t any other mythological creatures, like griffins and unicorns, anywhere else in England or in any other countries. Were all these mythological creatures, their entire populations, only located in this one, particular village or did this one particular village hide all of them from everywhere in the world just in their little, hidden region? Real life animal populations are generally wide-ranging, so if we accept the idea that unicorns and griffins are real and once lived out in the open, I find it hard to believe that these local families were hiding all of them just in their little woods and that nobody, anywhere else, had a clue about it before or any populations of the same creatures elsewhere. Even if all of the other mythological creatures that once existed everywhere else in the world were wiped out by “fanatics” or other causes, it seems like there should still be evidence of it somewhere, like historical accounts or archaeological evidence. If there are plant experts who study magical plants in this series, it would make sense if there were also animal experts who studied magical animals.

There are just too many plot holes here, and all of this is just kind of dumped on the readers at the end without much build-up. It would have made more sense if the children had some kind of historical lessons that included the history of these “fanatics” or the apparent destruction of mythological creatures or something to set this up before the final revelation, but we didn’t really get that. It felt more like a sudden info dump at the end.

The situation with the Pinhoe family in the book seems meant to illustrate how family stories with a very narrow focus and no outside fact checking can lead to serious misconceptions and how militantly clinging to particular ideas simply because it’s “what we’ve always done” is toxic because it can lead to a warped view of history and the places of individuals in it. The Pinhoes have not just been trying to hide their activities from the authorities, but they’ve also been shielding themselves (both intentionally and unintentionally) from anyone or anything that might put a new perspective on their activities. They’ve been worried about the authorities trying to stop them or interfere with their activities, but at no point did they consider that there might be some sound reasons why the things they’ve been doing are pretty strange and out of bounds.

In a way, I think that the message of the story does have some relevance in the real world. Misconceptions about history and historical propaganda can lead people to do some inappropriate and toxic things. I’m pretty sure that I’ve mentioned somewhere before that I resent the United Daughters of the Confederacy for their textbooks, which were largely propaganda for their personal familial pride. When you have an organization based entirely around the concept of being part of certain families involved in a particular event on a particular side, and the nature of that involvement would seem dubious to people not on that particular side because it implies either support for and/or active participation in an unsavory activity (in this case, owning slaves), you have a group of people with a vested interest in telling a version of the story that puts themselves in a positive light and possibly others in a more negative light to make themselves look better by comparison, regardless of the historical accuracy (much of which, in their case, can be easily debunked by primary sources). “Their” traditional version of the story, the one from the textbooks they produced in past decades, puts Northerners into the role of aggressors, frames the concept of slavery as some kind of noble social service project. Ever heard someone ask if the slaves were grateful that they were given jobs or heard slavery described as a kind of unpaid “job training”? People do, and the propaganda of the United Daughters of the Confederacy is a major reason why. One of their tactics was to make slavery sound like a form of indentured servitude that people to pay off a debt and that could work their way out of once they learned job skills, but in real life, slavery never ends and the people in it never had a debt to pay to the people who owned them. Their works have portrayed black people as varying degrees of incompetent and aggressive, needing to be looked after and controlled. As someone with an interest in children’s literature and a degree in history, I seriously resent this organization, its written works, and the “Catechism” based on their historical fan fiction (my term – the more scholarly one is “pseudohistorical narrative“) that they still make children recite in the 21st century (still touted on their website).

The reason why I’m going on this tangent about United Daughters of the Confederacy and their textbooks is that it’s a real life example of a similar situation to the one that the Pinhoes have during the story. For one thing, there is a generational disconnect because, while the older generations in the Pinhoe family cling to their family’s lore about what their mission is and the secrets the family keeps, they haven’t entirely passed on that legacy to the younger generation yet. There is an enchantment over members of the family that makes them obedient to Gammer, makes them look at her in glowing terms, and makes them disregard bad things Gammer does. However, for reasons that are also not fully explained, Marianne has somehow been exempt from this spell. (I think it might be because, initially, it was assumed that she would be taking over the role of Gammer someday, but it just isn’t really explained.) The older members of the family also cannot fully explain certain things to the children in the family because that would mean revealing what they did to Marianne’s grandfather. Because the direct chain of the narrative was broken, Marianne and her brother don’t look at the family and the things they do in the same way as their elders do. Marianne gave away the griffin egg because the adults tried to act like it was unimportant, to deflect interest from it, giving Marianne the impression that the egg really didn’t matter. Because Marianne has been exempt from her family’s stories about what they consider their mission to be and isn’t under the spell that controls how family members feel about Gammer, she is more open to investigating the situation and seeing the flaws in the things that her family has been saying and doing.

It’s a little like how generations who grew up reading the “textbooks” produced by the United Daughters of the Confederacy have a very different view of history from younger generations or even older people who grew up reading anything else. It sometimes leads to generational conflict as older generations cling to old family stories and the “textbooks” they read in school, and younger generations have more exposure to other ideas through a different set of textbooks and other people’s very different family stories through the Internet and other, modern forms of mass media. The issue of what Americans think about the Civil War isn’t the only time we’ve had this sort of disconnect between how professional historians explain things and how amateurs writers explain them. There was also a panic in the 1920s about how the American Revolution was explained in school textbooks and whether they were sufficiently patriotic. I have some training as an historian because I have a bachelor’s degree in history, but I admit that I didn’t go on for a masters or PhD, so I have some respect for people who are more expert in particular branches of history than I am and are responsible in citing their sources. I have no patience for people who do not reference primary sources or are deliberately misleading. I don’t expect perfection, but honesty and the highest degree of accuracy possible are important when other people depend on you for information.

In the book, Marianne’s father views her different understanding of the family and their situation as being malicious and rejecting her family, thinking herself “better” than they are for thinking that they’re wrong in their understanding of the past. Marianne comes to understand that they’ve done wrong things in defense of that historical understanding, including the way they’ve treated any family members who have disagreed with them in the past. They have been downright cruel, even to their own family members, to protect what their family has always believed and what they’ve always done, and they deliberately shut out any outside influences and interference because, on some level, they are aware that other people would stop them if they knew everything they’ve been doing. They try to keep their activities secret to avoid any interference and consequences from the authorities, and they deride younger generations for getting information or perspective from any outside sources that could offer reality checks. There are people in real life who get defensive about their understanding of history, although the Pinhoes are both a magical and extreme version of that phenomenon, and I still think that their story was explained a little clumsily toward the end of the book. I think more could have been done to build up to that ending, with more hints earlier in the story and some better, more detailed explanations toward the end. Still, I think I get the point that the author was trying to make.

I’m not saying that the author meant this book to be about the United Daughters of the Confederacy. That’s just one of my associations of this type of phenomenon of skewed historical perspective and a toxic level of attachment to family lore as a way of justifying otherwise unacceptable behavior. There are other groups of people who have done similar things, and I think it was the general behavior that the author wanted to examine in a magical setting, removed from any particular real-life group. In fact, I think that’s part of the reason why I was left with the impression that the history of the Pinhoes and their area was poorly-explained and lacked details about which group of fanatics set them on this path generations ago. I think the author didn’t want to involve real history or seem too accusing of any real groups, which would provoke emotional reactions from readers, based on their own understanding of history. (Admittedly, I’m pretty accusing of the United Daughters of the Confederacy, and I know that may rub some people the wrong way, but I’m far from the only person who has issues with their “mint julep textbooks“, the issues with the books and their version of history still exist, and I still stand by my criticism.) It occurred to me that the fanatics who dictated that magic and magical creatures were “abominations” might be early Christian missionaries or Catholics before the Protestant Reformation, but the timing of events in the explanation seemed a little vague to me, so I think, as readers, we are not supposed to care about who they were, specifically, but to see the results of what they did, which lasted for generations. From there, we can reflect on what this type of phenomenon might look like in our own societies and the need to accept some outside input for fact-checking purposes.

Princess Furball

There was a princess whose mother died when she was only a baby and whose father never paid much attention to her. In spite of this misfortune, she had a happy childhood because her nurse loved her and let her play with other children. She arranged lessons appropriate to a princess with skilled tutors and let the princess learn how to cook in the royal kitchen.

However, when the princess was grown, the old nurse died, and the princess was very lonely. Her father only cared about the money he could get from the princess’s marriage, and to the princess’s horror, he arranged a marriage to an ogre who promised him fifty wagons of silver in exchange for the princess.

Unable to face the prospect of such a horrible marriage, the princess requests a special gift from her father for her wedding. She asks for three dresses: one golden like the sun, one silver like the moon, and one as sparkling as a the stars. She also asks for a special fur coat made of a thousand different types of fur. At first, the princess doesn’t think the king will be able to meet her demands, but to shock, he sets his people to accomplishing the task and presents her with everything she asked for.

Deciding that there is no other option but to run away, she takes the three dresses with her along with three small golden treasures that belonged to her mother: a ring, a thimble, and a tiny spinning wheel. She also takes along her favorite soup seasonings, which she got from the castle’s cook. Then, she puts on the bulky fur coat and flees into the woods.

In the woods, she is found by the hunting party of a neighboring king. At first, they mistake her for some kind of strange animal. When they find out that she’s a person, they take her back to their castle and put her to work in the kitchen. There, they make her do all the messy cleaning jobs. Nobody knows her real name, so everyone just calls her Furball after her strange, bulky coat made of a thousand patches of fur.

The princess always wears the fur coat as a disguise, but one day, she finds out that the young king of this kingdom is having a ball. She slips away from her kitchen duties and dresses in her dress like the sun. When she is unrecognizable as the kitchen servant, she is able to meet and dance with the king. Being herself is essentially a disguise!

When she slips away from the king and returns to the kitchen, the cook has her make soup for the king, and she uses her special blend of seasonings. When no one is looking, she she also puts her golden ring into the king’s bowl. When the king finds the ring, he asks the cook about it. The cook admits that Furball made the soup, so the king questions her about the ring, but she doesn’t explain.

At the king’s next ball, the princess repeats the same performance, this time wearing the dress like the moon. This time, she slips the golden thimble into the king’s soup when she returns to the kitchen. Again, she doesn’t explain when the king questions her about the thimble.

As in many fairy tales, it’s the third time that’s the charm. When the princess shows up to a ball dressed her her dress like the stars and doesn’t have time to completely change when she gets back to the kitchen that all is revealed, and there’s a happy ending!

The book is available to borrow and read for free online through Internet Archive (multiple copies).

I remember reading this book when I was a kid in elementary school! I think I read it when I was about 7 years old, when the book was pretty new. I always liked fairy tales. There is a brief explanation at the beginning of the book that the story is a Cinderella variant. This version is very similar to the English folktale Catskin and to the tale of Many Furs or Thousand Furs by the Brothers Grimm.

Like so many little girls, I was fascinated as a kid with the concept of the dresses that resemble the sun, the moon, and the stars. The fur coat made of many animals is a little alarming to me now, but it makes a good disguise in the story. I love the illustrations that show the princess in all of her different dresses and the Furball disguise!

The story doesn’t explain why the princess put her treasures into the soup, but my guess was that she wanted an excuse to see the king again and a way to keep him intrigued about her identity and her relationship to the mysterious princess who keeps showing up to his balls. It’s only after the king decides that he really loves the mysterious princess that it’s safe to reveal her identity.

The Prince Who Knew His Fate

This picture book is a retelling of an Ancient Egyptian story (sometimes called The Tale of the Doomed Prince) about a prince and a prediction regarding his death with an unknown ending. The only known original version of the story is incomplete. For this book, the author has given the story an ending.

An Egyptian king wishes for a child, but when his son is born, the seven Hathor goddesses offer a prophecy for the prince’s fate. They say that, “He is destined to be killed by a crocodile or a snake or a dog.”

The king is distressed by this prediction for his son’s fate, and he decides to protect him from it as best he can. He has a special house built for the prince, where he grows up, attended by servants and given all sorts of good things to keep him happy. The king wants his son to stay in this house, where he will be safe. 

However, as the prince gets older, he becomes more interested in the outside world. One day, he sees a man passing the house with a dog, and the prince wants a dog of his own. The king relents and allows his son to have a dog, in spite of the prophecy.

The prince further demands that his father allow him to leave the house and travel. After all, he says, if his fate is already determined, it won’t matter if his father tries to protect him from it. He says that, if he must die eventually, he might as well live his life to the fullest while he can. The king allows his son to have a chariot and to hunt and travel the Nile. Everywhere the prince goes, he brings his dog with him.

Eventually, he comes to the country of the Chief of Naharin, who only has one daughter. The chief keeps his daughter in a special house with a single window, high off the ground. He says that he will allow his daughter to marry the man who can jump up to that window. The prince manages to make the jump, and he marries the chief’s daughter.

After they are married, the prince explains to his wife the prophecy about his fate. His wife wants to kill the prince’s dog, but he refuses to allow it because he’s had the dog since it was a puppy. His wife begins to watch over him, to try to prevent him from being killed. She manages to kill the snake that comes for the prince, and the prince manages to make a deal with the crocodile, but can he truly escape his fate?

There is a section at the back of the book that explains more about the original story, which was written over 3000 years ago and is “one of the oldest fairy tales known today.” There is also some information about Ancient Egypt and the carvings that were the inspiration for the illustrations in the story.

I always enjoy folklore, and this story is fascinating because the original ending is unknown. The author of this book, Dr. Lise Manniche, who was a Danish Egyptologist, translated the story from the original hieroglyphics and added an ending to the story. I thought that the ending fit well enough, and I was pleased that it was a happy ending, even though it holds to the idea that the fate must be fulfilled. I also enjoyed the illustrations, based on Ancient Egyptian carvings from around the time that the story was created, and the addition of the hieroglyphs of the original story along the bottom of the pages.

I first heard about the folktale in this book in a mystery book for adults called The Snake, the Crocodile, and the Dog by Elizabeth Peters. It is part of the Amelia Peabody mystery series, about a Victorian era woman who is married to an archaeologist. Elizabeth Peters is a pen name for Barbara Mertz, who was an Egyptologist herself. Because this folktale featured prominently in that mystery novel, I was thrilled to find this version of it!

Charmed Life

This is the first book in the Chrestomanci series.  There are many different dimensions with duplicate worlds, and in each of those duplicate worlds, there is a copy of every person.  People’s lives can differ dramatically between the different worlds, but there is one person in each generation who has no duplicates in any of the other dimensions or worlds.  This person is called the Chrestomanci.  All of the talents, abilities, and lives that would have been spread among the duplicates across the other worlds are now centered on that one person, giving that person, literally, nine lives.  Very often, the Chrestomanci doesn’t realize that he’s a Chrestomanci until he actually dies . . . and fails to die because he uses up one of his spare lives and continues living with the others.

When young Eric Chant’s older sister Gwendolyn gives him the nickname Cat at a young age, saying that he has nine lives, he doesn’t understand that it’s literally true.  Then, he and Gwendolyn are unexpectedly orphaned during a boat accident.  Their parents drown.  Gwendolyn doesn’t because she’s a witch, and the water rejected her.  Cat thought that he was saved because he grabbed hold of Gwendolyn.  Gwendolyn knows differently.

After their parents’ deaths, Cat and Gwendolyn live with their downstairs neighbor for a time, receiving support from the town. Their neighbor, Mrs. Sharp, is also a witch, and she recognizes Gwendolyn’s talent. When she goes through the children’s parents’ things, she finds three letters from someone called Chrestomanci, and she recognizes immediately that they are important. Cat doesn’t fully understand who Chrestomanci is, but everyone regards him as an important person, so much so that they even hesitate to say his name out loud. His signature is valuable, and Mrs. Sharp offers the letters as payment for witchcraft lessons for Gwendolyn from the best tutor in the area, Mr. Nostrum. Gwendolyn breezes through the early lessons easily, and everyone in the neighborhood recognizes her talents. They are sure that Gwendolyn is destined for great things, and they are all eager to ingratiate themselves with her. A local fortune-teller even says that Gwendolyn will be famous and may be able to rule the world if she goes about it in the right way. The fortune-teller also tells Cat’s fortune, but his fortune is a warning that he is in danger from two sides. Cat is frightened and unsure what to think of it.

However, there is still the question about how the children’s parents knew Chrestomanci and what their father argued about with him in their letters to each other. Mr. Nostrum is particularly curious to know what the children know about Chrestomanci, having apparently tried to learn things about him through his signature and failing, but neither of the children can tell him much. Cat still isn’t sure exactly who Chrestomanci is, so he suggests that Mr. Nostrum just write to Chrestomanci himself to ask. It’s such a straightforward approach that it never occurred to either Mr. Nostrum or Gwendolyn to do that before. Gwendolyn ends up writing the letter to Chrestomanci herself, exaggerating her plight as an orphan to gain sympathy, and implying that Cat also drowned in the boat accident. When Chrestomanci arrives to see Gwendolyn, he is initially surprised to see Cat.

Although their relationship to Chrestomanci isn’t explained at first, Chrestomanci takes custody of the children and brings them to live at his castle with his own wife and children, Julia and Roger. Everyone tells the children how lucky they are because living with someone as important as Chrestomanci means hob-nobbing with other important people. Cat realizes that the reason why Gwendolyn wants to go to Chrestomanci is that she is serious about becoming famous and ruling the world. She sees life with Chrestomanci as the first step. Cat is more intimidated and homesick.

Life in Chrestomanci’s castle is quite different from what Gwendolyn expected, though. There is some kind of enchantment over the castle that muffles Gwendolyn’s powers, and that drives her crazy. Gwendolyn is contemptuous of Julia and Roger for being plain and fat, but both of them turn out to be better at magic than she is and are fully capable of standing up to her magical tricks and bullying. Worst of all, nobody seems impressed by Gwendolyn or thinks that she’s special, and Gwendolyn is accustomed to people thinking that she’s special and impressive.

Chrestomanci makes it clear that none of the children are supposed to be practicing magic unless they are under the supervision of their tutor, Michael Saunders. When Gwendolyn and Cat begin having lessons with Michael Saunders along with Julia and Roger, it becomes apparent that Gwendolyn is far behind in her normal subjects, like math and history, even behind Cat, who is younger. Gwendolyn airily tells the tutor that she never paid attention to such things at their old school because she was concentrating more on learning witchcraft. Michael Saunders tells her that she won’t have any more magical lessons until she catches up in her normal studies, and Chrestomanci backs up the tutor. Gwendolyn is infuriated because, not only is nobody treating her like she’s special and impressive, for the first time in her life, they are treating her like what she really is: a spoiled and naughty child.

Gwendolyn’s parents didn’t fully have the ability to impose consequences on Gwendolyn when they were alive, although they were a restraining influence. After they died, nobody tried to restrain Gwendolyn, only trying to ingratiate themselves so she would help them or they could use her for their own purposes. Although Cat has idolized his older sister, there are dark sides to her personality that he has never realized before, and he soon discovers that she has sinister intentions that involve him.

One day, Gwendolyn vanishes and is replaced by one of her duplicates from another world, where magic doesn’t exist.  This other version of Gwendolyn, who is called Janet, has no idea where she is or how she got there.  It is from her that Cat learns that there is no duplicate of himself in her world.  While Cat struggles to figure out what is happening, he helps the new girl to pretend that she is the usual Gwendolyn, although she actually has a very different, much nicer, personality. The more Cat tells Janet about Gwendolyn, the less Janet likes her or the idea of being her, which makes Cat nervous.

When Cat and the new Gwendolyn realize what Cat’s Gwendolyn intends to do, they will need the Chrestomanci’s help to stop her and for Cat to claim his true destiny, the one that Gwendolyn has been attempting to conceal from him all along.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

One of the best parts of the book for me was the setting at Chrestomanci Castle. The idea of living in a castle with magical playmates who can make toy soldiers move on their own is exciting! Cat and Gwendolyn’s rooms in the castle sound like the kind of bedrooms that any kid might imagine having. Even though the castle is strange and sinister things are happening, there is also a kind of coziness to the atmosphere. The children have hot cocoa every morning in the nursery. (I’m not sure why Cat, Gwendolyn, and Janet don’t like hot cocoa. Having hot chocolate for breakfast every morning would have made me happy as a kid, although I admit that, if Chrestomanci and Millie are concerned about their children’s weight issues enough to limit their marmalade intake, that’s not really the best morning drink they could have. I would have suggested tea instead. While we’re on the subject, I didn’t like the way they kept going on about the kids’ weight issues.) They have their own old-fashioned schoolroom in the castle with their own private tutor. When they get allowance money, they can walk to the charming, old-fashioned town nearby and buy candy and other small items. Millie is a doting magical mother, and even though Chrestomanci can be a little intimidating and fussy about appearances, he seems to genuinely care about the children and isn’t above sticking his well-dressed head into the nursery to say good morning and check on them.

During his time at Chrestomanci Castle, Cat learns things about his parents and his sister that he never knew before. His parents were actually cousins, and marriages between cousins in magical families are frequently dangerous, especially when they have children. Chrestomanci is also their parents’ cousin, and the argument he had with their father through their letters was about preventing the couple from having children any children with magical abilities, a suggestion that insulted and angered their father. Their father later came to regret that when young Gwendolyn first started using her powers, and even her parents started to see that she was dangerous. They weren’t quite sure how she was using Cat, but they had the sense that she was using him to do her magic somehow. Nobody thought to take Cat’s nickname seriously until Janet started questioning the reason why Gwendolyn started calling him that.

The truth is that Cat is a nine-lived enchanter. Gwendolyn realized this when he died at birth but didn’t actually die, and even though she was young herself, she found a way to hijack his powers. From the time when he was a baby, she’s been using his powers as if they were her own. That is how Gwendolyn appears to be unusually powerful for her age, even though she’s never really had the patience to go through any of her lessons by the numbers, just glossing over the beginning parts. Cat has been unable to use his own magical abilities because Gwendolyn has been keeping them all for herself, so for a long time, he assumes that he doesn’t have any magic at all. Since Gwendolyn has been doing this for his whole life, Cat has grown accustomed to how it feels and doesn’t notice it until Janet puts together the clues and realizes what’s been happening. When Gwendolyn does particularly powerful magic, she even sacrifices one of Cat’s extra lives, which she placed in a little matchbook for easy use.

Cat is appalled when he finds out about it, and he doesn’t want to believe it at first. However, when he tries to light one of the matches and instantly catches fire, he is convinced. What is even worse is that Gwendolyn and her magic tutor are planning to use him as a human sacrifice to open the gateway to other worlds so that they and the other evil magicians can use their powers to control these other worlds. Gwendolyn is a malevolent narcissist and always has been. Cat is devastated when he learns how little Gwendolyn cares about him, but he manages to finally summon enough anger to stand up to Gwendolyn and take his powers back from her. Like other victims of narcissists, he has always been the stronger and more powerful of the two of them, but he needed some help to see it.

Unlike Gwendolyn, Janet is not a narcissist and is capable of feeling empathy and caring for others. She’s even capable of selfless acts and personal sacrifices for the sake of others when necessary. When Gwendolyn escapes and permanently seals herself in another world where she is a queen, Janet is stuck in Cat’s world, unable to return to her own. It’s a terrible blow for her to be separated from her parents, who are alive in her world. However, when Chrestomanci asks her if she will be okay and if she wants him to try to return her to her own world, she refuses the offer because she has discovered that the double who replaced her in her world is an orphan who badly needs a family. While Gwendolyn was even going to volunteer Janet, one of her other selves as a sacrifice if Cat wouldn’t do, Janet is willing to sacrifice her former life in her world for the sake of one of her other selves. Janet is really the kind of sister that Cat has needed all along. She says that she was supposed to have a younger brother in her world but that he died at birth, and she is fascinated to find Eric/Cat alive in this new world and get to know the brother she lost. Janet learns to love her new brother and to get along with Julia and Roger, becoming the kind of girl Gwendolyn really should have been to her family. She doesn’t have any magical abilities, but she discovers that she can help help her new family because life in her usual world (which is supposed to be our world) has given her a different perspective from theirs. She is the one who suggests to Chrestomanci that he stop using silverware made of actual silver, which impedes his powers, and use stainless steel instead. When Gwendolyn played magical tricks at dinner, Chrestomanci always had trouble dealing with it because he was holding silver, but if he uses stainless steel, he won’t have that problem again. Chrestomanci and Millie admit that they never thought of that because stainless steel cutlery isn’t common in their world.

I remember finding this story fascinating the first time I read it as a kid. There are some dark themes with Gwendolyn’s narcissism, the threats to the children’s lives, and even Cat losing a few more lives. Cat’s growth is central to the story. Once Gwendolyn’s toxic influence is removed from his life, he begins to see the truth about himself and how Gwendolyn has treated him. Cat had always looked to her for comfort as his sister and his last living relative (so he thought), but all along, she was the one who was most dangerous to him, and that’s a terrible betrayal. Once Cat starts to understand the situation, he begins to see his own potential, and he also has some new people in his life who show him better treatment. The castle is charming, the world is fascinating, and the story is thought-provoking about the different ways a person’s life can go in different circumstances. Other books in the series go into more detail about how the different worlds in this universe function and how they split off from each other in different series, based on the outcomes of important events.