Isabel’s House of Butterflies by Tony Johnston, illustrated by Susan Guevara, 2003.
The story begins by explaining that the forests of Michoacan, Mexico are a sanctuary for monarch butterflies, but that sanctuary is in danger because of logging activities. The large-scale industry is a major threat, but sometimes poor people living in the area also chop down trees because they need to sell the wood. The author notes that there have been efforts to preserve these trees, but it’s difficult to enforce laws protecting them, and no one is sure what will happen to the monarch butterflies if the trees disappear.
Isabel is an eight-year-old girl living with her family on a small farm, and the tree outside their house attracts butterflies on their migration route. She calls it, “La casa de las mariposas,” which means “The House of Butterflies.” Her family is poor, but they can’t bring themselves to chop down their special butterfly tree, like other families in the area have done. They love it that the butterflies appear there every autumn, and they think it’s a beautiful miracle to see them return every year. Sometimes, tourists come to the area to see the butterflies, and that brings the family a little extra money.
However, one year, there is very little rain, and they have a very bad harvest. The family sells their pigs and continues on as best they can, but their money is running low. They don’t have many resources left for money, and Isabel’s father is reluctantly considering cutting down their butterfly tree. He doesn’t want to do it, but he doesn’t know what else to do.
Isabel is distressed at the loss of the tree and the butterflies, so she suggests another plan to her parents. She often helps her mother to make tortillas, so she tells her mother that maybe they can set up a stand selling tortillas to the tourists who come to see the butterflies. The family decides to give Isabel’s plan a try.
The book is available to borrow and read for free online through Internet Archive.
My Reaction
The story ends on a somewhat hopeful note, but it bothered me a little because it’s not definite that Isabel’s plan is going to work. Isabel is hoping that they’ll be able to make enough money that they won’t need to cut down the tree, but we only see them getting set up, so we don’t know if they’re successful or not. I would have preferred to see them succeeding so we would know that things are going to get better, but the story just ends at that point, and it’s left up to the minds of the readers whether they were successful or not.
I think that hopeful but slightly worrying note at the end of the story is meant to reflect how people trying to preserve natural resources often feel – they have ideas and plans to help preserve natural areas and resources, but nobody knows for sure what will work or how well their plans will work. It’s realistic, if a little bit of a let-down. However, while nothing is guaranteed to be successful and life has its uncertainties, there is hope in the people who are willing to try different approaches to problems rather than simply giving up. The book does speak to the concerns that modern people, even children, have about the environment and the search for systems that work better than the ones that we already have.
The pictures in this book are soft, colorful, and lovely. Although the family is poor, they appreciate the small pleasures in their lives, like making the tortillas and the yearly appearance of the beautiful butterflies. I did also feel a little sorry for the butterflies the pigs ate, but the story doesn’t dwell on that part too much.
This book was published by Sierra Club Books for Children, and there is a small note with the publishing information about the origins of the Sierra Club, which is dedicated to protecting scenic and ecological resources.
Last Stop on Market Street by Matt de la Pena, pictures by Christian Robinson, 2015.
After church, CJ and his grandmother have to wait for the bus while other people just get in their cars and leave. CJ is annoyed because it’s raining. He asks his Nana why they have to wait in the rain and why they don’t have a car. His Nana says that they don’t need a car because they have the bus.
The bus is interesting because many interesting people take the bus. The bus driver does little tricks, like pulling a coin from behind CJ’s ear, and there are interesting passengers, like the lady with a jar of butterflies and a man with a guitar.
While CJ’s friends, whose families have cars, go straight home after church, CJ and his Nana have somewhere else to go. CJ wishes that he could just go home, too, but Nana points out that the boys who just go straight home miss meeting so many interesting people. CJ does enjoy listening to the man with the guitar playing music on the bus.
CJ and his grandmother get off at the last stop on Market Street, which is in a bad neighborhood. CJ comments about how dirty it is, but his grandmother points out that people who surrounded by dirt know how to see what’s beautiful.
The reason why CJ and his grandmother are here is that they help out at a soup kitchen. CJ recognizes the faces of people he’s seen there before, and he realizes that he’s glad that he came.
This book is the winner of multiple awards. It’s a Newbery Medal winner, a Caldecott Honor book, and a Coretta Scott King Award honor book for its messages about appreciating and helping other people in a diverse community.
My Reaction
This is one of those picture books that I think can speak to adults as well as kids, maybe even more so because adults might understand some of the broader context of the story. CJ and his grandmother probably don’t have as much money as some of CJ’s friends and their families, which is why they don’t have a car. When CJ comments about why do they have to wait for the bus in the rain, his grandmother could have given him a straightforward answer about how they can’t afford a car, but that would have been depressing. Instead, she points out the positives of the bus and the people they meet. All through the book, she points out the positives about situations that both CJ and the readers can see are not entirely positive. It’s noticing these positives that help make the situation better.
CJ and his grandmother don’t have much money themselves, but Nana is teaching CJ how to help other people and build relationships with them. The people they meet are often poor people or people who are unfortunate in some way, but they still enjoy meeting these interesting people with colorful lives. There are times when CJ wishes that he could be somewhere else or doing something else, but yet, he also enjoys parts of where he is and realizes that what he’s doing is better than other things he could be doing. CJ and his grandmother experience the enrichment of life experiences and relationships with other people.
Aunt Flossie’s Hats (and Crab Cakes Later) by Elizabeth Fitzgerald Howard, paintings by James Ransome, 1991.
On Sunday afternoons, a pair of sisters, Susan and Sarah, go to visit their Great-Great-Aunt Flossie. They love her house because it is full of interesting things, especially Aunt Flossie’s hat collection.
When their aunt welcomes them in, she offers them tea and cookies and promises that they will get some crab cakes later. After they have their tea and cookies, Aunt Flossie lets the girls try on her hats and tells them stories about them.
The girls are fascinated by the different colors and styles of the hats, but to Aunt Flossie, they represent memories. As the girls pick hats to try, Aunt Flossie tells them what the hats remind her of.
One hat that still has a slight smokey smell reminds Aunt Flossie of a big fire she witnessed in Baltimore. Another hat, one with a red feather, reminds Aunt Flossie of the parade she saw at the end of the Great War (what WWI was called before WWII).
Aunt Flossie’s favorite hat has pink and yellow flowers, and it reminds her of the time when she almost lost it, but it was rescued by a friendly dog. The girls love Aunt Flossie’s stories about her hats, and they love the crab cakes they get later with their family!
The book is available to borrow and read for free online through Internet Archive (multiple copies).
My Reaction
This is a sweet, slice-of-life story about an elderly aunt sharing her memories with her young nieces. The girls enjoy their time with their aunt, trying on the hats in her collection and getting glimpses of the past through her stories. By spending time together, getting together for tea (and crab cakes later) and trying on the hats, the girls are also building new memories. Years later, they will be able to tell stories about the afternoons they spent with Aunt Flossie and the stories she would tell them about her hats. A note in the book’s dedication indicates that the story is based on memories of the author’s own elderly Aunt Flossie.
The pictures in the book are colorful, like the colors of the aunt’s hats, and they’re also a little soft. I think the soft quality of the images is a good match for the memories the aunt shares with the girls and the new memories they’re creating by sharing stories and spending time together as a family.
The Talking Eggs by Robert D. San Souci, pictures by Jerry Pinkney, 1989.
There was a poor widow who lived on a small farm with her two daughters, Rose and Blanche. Rose was the widow’s favorite daughter because she was so much like her mother. They were both mean and bad-tempered, and they had grand dreams of becoming rich someday, although neither of them had the slightest idea how to accomplish that. Blanche, on the other hand, was a sweet girl, and her mother made her do all the work while she and Rose just sat on the porch, talking about all of their grand dreams.
One day, when Blanche goes to fetch water from the well, an old woman approaches her and begs her for a drink. Blanche gives her some water, and the old woman thanks her, telling her that she will be blessed for her kindness.
However, when Blanche gets home, her mother and sister yell at her for taking so long. They hit her, and Blanche runs away into the woods. Then, she meets the old woman again. She explains to the old woman what happened, and the old woman invites her to come to her house. However, she cautions Blanche not to laugh at what she sees there. Blanche promises that she won’t laugh.
The old woman is no ordinary woman, and everything at her house is strange. Some of these strange things are amusing, some are amazing, and some are just plain weird and a little alarming. The animals are all strange, with chickens of different colors and cows with curly horns. Then, inside the house, the old woman removes her head and puts it in her lap to brush her hair. Then, the woman produces a fancy stew from just one old bone. After supper, they go outside and watch rabbits in fancy clothing dance.
In the morning, the old woman tells Blanche to go out and gather some eggs before she goes home. Blanche is allowed to take any that tell her to take them and to leave ones that say not to take them. Blanche does as she is told, although the ones that tell her to take them are the plain-looking eggs, and the others are covered in jewels. The old woman tells Blanche to throw the eggs over her shoulder, one at a time, and when she does so, the eggs break and wonderful things burst out of them – fancy clothes, coins and jewels, and even a horse and carriage.
By the time Blanche gets home, she has many beautiful clothes, money, and luxurious things. Blanche’s mother pretends to be nice to her when she returns, but it’s only so Blanche will tell her where she got all the rich things. That night, when Blanche is asleep, her mother talks to Rose, telling her that she should also befriend the old woman and get the same rich rewards as Blanche. Then, they will steal all of Blanche’s things and head to the city to live the rich life that they’ve always dreamed of.
Of course, lazy and bad-tempered Rose isn’t as kind or hard-working as her sister. She ignores the old woman’s instructions and does everything she shouldn’t do. When she tries to force the old woman to give her riches, the old woman’s magic gives her and her mother their just desserts.
There is a note at the beginning of the book that this story comes from a Creole folktale that appeared in a 19th century collection of folktales from Louisiana by Alcee Fortier. It resembles folktales from Europe was probably adapted from fairy tales brought to Louisiana by French immigrants. It reminds me of the Mother Holle story, where a kind, well-behaved, hard-working girl is rewarded for following Mother Holle’s instructions, while her spoiled sister is punished for laziness and disobedience.
The old woman in this story is a similar figure to Mother Holle, with strange powers and magical objects, but there is no explanation of who she might be. The fact that she can remove her head just to brush her hair shows that she’s supernatural, but we don’t know if she’s supposed to be a witch or some other supernatural creature.
Personally, I don’t think I would laugh at any of the things in the old woman’s house. I think the strange animals sound more amazing than comical. I think I’d really be impressed by the different-colored chickens and the cows with the weird horns. I have to admit, though, that if someone takes off their head, my first reaction would probably be to run for it.
Mirandy and Brother Wind By Patricia C. McKissack, illustrated by Jerry Pinkney, 1988.
It’s springtime, and “Brother Wind” (the wind personified) is striding through the valley. Young Mirandy is getting ready for the junior cakewalk, and she imagines that, if Brother Wind was her partner, she would be sure to win the cakewalk. Her mother says that anyone who can catch the Wind can make him do whatever they want, so Mirandy decides that she’s going to catch Brother Wind before the cakewalk and make him dance with her!
That’s easier said than done. Mirandy doesn’t know how to catch the Wind, and her grandmother doesn’t think such a thing is possible. She asks different people what to do, and she tries different ways of catching him. She tries catching him in a quilt, but he gets away.
Then, Mirandy tries visiting Mis Poinsettia, the conjure woman (a sort of witch or woman with magical knowledge), and she asks her if she has a potion that would help. Mis Poinsettia’s advice is to trap the Wind in a bottle of cider, but that doesn’t work, either.
Eventually, Mirandy manages to trap Brother Wind in the chicken coop. Once she has Brother Wind, he has to give her a wish. However, on the night of the cakewalk, Mirandy realizes that there is someone else she wants for a partner besides Brother Wind, and she asks Brother Wind for help in a different way from the one she had planned.
My Reaction and Spoilers
I thought this was a charming picture book, with bright, colorful illustrations that really conveyed that sense of lightness and air in the presence of Brother Wind! The old-fashioned clothing of the characters is part of the charm, and I like this sweet introduction to the concept of a traditional cakewalk. Cakewalks were a kind of traditional African American dance contest with a cake as a prize for winning. The people participating are dancing as they parade around the room, which is a little different from the cakewalks or candywalks that some modern people do at school or church carnivals as a kind of raffle game. In the game version, the players are just walking, not dancing, and they stop on numbered spots whenever the music stops, winning prizes if the number of their spot is drawn. For Mirandy, winning the cakewalk isn’t a matter of stopping in the right place but actually dancing well.
All through the book, there is a boy who likes Mirandy, but Mirandy doesn’t think of him as a dance partner because she has her heart set on Brother Wind as the perfect dance partner, and the boy is kind of clumsy. Mirandy really wants to win the contest, so it’s important to her to have the best partner she can. However, when one of the other girls at the cakewalk talks badly about the boy and his clumsiness, Mirandy can’t stand to hear him being insulted. She boldly declares that the boy will be her partner, and they will win in the contest together … with a little help from Brother Wind.
The Mysterious Giant of Barletta by Tomie dePaola, 1984.
This story is adapted from an Italian folktale. There is a note in the beginning about the town of Barletta and the statue that stands in front of the San Sepolcro Church. According to the note, nobody knows who the statue is supposed to represent, which is why there are stories about it. This one takes place during the Middle Ages, the 11th century.
Because no one knows who the statue is supposed to be, the people of Barletta call it, “The Mysterious Giant.” No one even knows for sure how long it has been there. It has been there for as long as anyone can remember, including Zia Concetta, the oldest person in Barletta. People are accustomed to gathering around the statue to meet each other, and many of them will give the statue a friendly greeting or wish it good night.
However, one day, the town is threatened by an invading army. The people of Barletta are unprepared for invaders, and many of them prepare to flee, not knowing what else to do. Zia Concetta appeals to the statue to save their town.
The statue hears Zia Concetta’s request, and it comes to life, climbing down from its pedestal. Together, he and Zia Concetta come up with a plan to discourage the invaders.
When the invaders arrive, they see the statue, sitting by itself outside the city, crying. When they ask the giant statue why it’s crying, it says that the other boys at school are mean to him because he’s smaller than everyone else. When the invaders hear that everyone else in Barletta is bigger than the giant statue, they decide that they don’t want to meet the rest of the townspeople and leave!
The book is available to borrow and read for free online through Internet Archive.
My Reaction
I always like books that reference folklore! The theme of someone who is large pretending like they’re much smaller than other people to scare off an attacker is one found in other folktales. For example, in Fin M’Coul (a version of which was also written and illustrated by Tomie dePaola), Fin M’Coul, who is a giant, pretends to be his own baby to make an enemy think that his father must be larger and more fierce than he actually is.
I particularly liked this story because, unlike other folktales, it has a real setting and a definite landmark, the statue that is sometimes called the Colossus of Barletta. The way it is drawn in the book isn’t exactly as it appears in real life. In real life, it holds a cross in the hand that is raised, although the cross was not part of the statue originally. It probably originally held a spear or a flag standard. It is about three times the size of an adult human, which isn’t as large as it is shown the book. As in the book, it isn’t certain exactly who the statue is supposed to be, although it appears to be the statue of an emperor. He appears to be a middle-aged man wearing a jeweled diadem. The reason why nobody knows exactly who it was supposed to be is that it wasn’t originally made or displayed in Barletta. It was probably originally looted from Constantinople by the Venetians. There is a story from Barletta that it was once lost in a shipwreck on the way from Constantinople and washed up on the shores of Barletta in 1309, where some of its bronze was used for casting bells for a monastery. Then, in the 15th century, the statue was restored and displayed in front of the church. That, by itself is a fascinating story, although it isn’t explained in the book.
Eleanor and Edward Hall are orphans who live with their Aunt Lily and Uncle Frederick in their family’s big but somewhat shabby old house in Concord, Massachusetts. The family has lived there for generations, and they are intellectuals with a particular interest in the literary history of Concord. Uncle Freddy is obsessed with Ralph Waldo Emerson and Henry Thoreau, although he doesn’t share Eleanor’s love of Louisa May Alcott. When a couple of the town leaders threaten to take the family’s house because of unpaid back taxes and to destroy it because they think it’s an eyesore, the children come to learn that their house holds more secrets and history than anyone knows.
As Eleanor and Edward look at the house from the outside, they suddenly realize that there’s an window at the top of the house that’s shaped like a key and made of colored glass. They’ve never seen that window from the inside of the house, so there must be a secret room! The children search the attic and find a trap door that they never realized was there before. When they look into the hidden room, they find a pair of children’s beds and toys.
The children ask Aunt Lily about the room, and she sadly admits that she hadn’t wanted to tell them about it. Then, she begins to explain more about the family’s history and the aunt and uncle the children never knew. Aunt Lily is their father’s sister, and Uncle Freddy is their brother, but there were once two more children in the family, called Ned and Nora. Eleanor and Edward were named after them, but Ned and Nora mysteriously disappeared years ago. Aunt Lily still believes and hopes that, somehow, they will return someday, so she has always kept their room ready for them.
When she shows the children pictures of Ned and Nora in the family’s album, they also see a picture of a young man in a turban and ask about him. Aunt Lily says that the man is Prince Krishna, son of the Maharajah of Mandracore. Their Uncle Freddy has written books about Emerson and Thoreau and was once considered an expert on the Transcendentalists. People who were interested in Transcendentalism, like Prince Krishna, used to come and study with him. Aunt Lily wasn’t really interested in Transcendentalism, but she explains, “I think he said that the Transcendentalists believed that men’s minds were very wonderful, and that they could know all kinds of important things without being taught about them through their eyes and ears –because they were part of something called an Over-Soul.” Eddy approves of this concept because it sounds like it’s about learning without school, and he approves of anything that involves no school.
Everyone was fond of Prince Krishna while he lived and studied with the family, and Aunt Lily said that he used to make up fun games for Ned and Nora, like treasure hunts with real jewels as prizes because the prince was very rich. The children get the sense that Aunt Lily was in love with Prince Krishna, but he also vanished shortly after Ned and Nora did. When they discovered that Ned and Nora were missing from their beds one morning, Prince Krishna dashed around, looking for them, but suddenly, he was also gone, and no one knew where or how.
Eleanor and Eddy return to Ned and Nora’s room upstairs to have another look at it, and they find a mysterious poem called “Transcendentalist Treasure.” From the handwriting, which matches a note that Prince Krishna wrote to Ned and Nora with a present he gave them, Eleanor and Eddy realize that Prince Krishna also wrote the poem. Since the poem seems to be some kind of treasure hunt, the children think that it was probably part of the treasure hunts that Prince Krishna used to make for Ned and Nora. They try to figure out what the clues in the poem mean and what it might lead to, hoping that it might be the jewels that Aunt Lily told them about and which haven’t been seen in the house since Ned, Nora, and Prince Krishna vanished. If they could find those jewels, they could pay the back taxes and save their house!
However, they don’t really begin to grasp the full importance of the poem until they ask Aunt Lily if they can spend the night in Ned and Nora’s room. During the night, they have a bizarre dream, in which they’re climbing an elm tree with Ned and Nora and find a harp, which is something that was mentioned in the poem. A dangerous wind blows them out of the tree, and they wake up. They could have believed that it was only a dream except that they realize that they both dreamed the same thing, Eleanor has bruises and a scratch on her leg that she got from falling out of the dream tree, and Eddy has located the harp in Ned and Nora’s bedroom.
They show the harp to Aunt Lily, and she says that Prince Krishna had given it to Ned and Nora years ago, hanging it in a tree so that they would hear the wind blowing across it. The poem and the dreams that Eleanor and Eddy have seem to be hinting at the treasure hunts that Prince Krishna had with Ned and Nora. Eleanor and Eddy begin to think that solving the riddles in the poem may not only lead them to the jewels but to the truth about what happened to Ned, Nora, and Prince Krishna.
The book is available to borrow and read for free online through Internet Archive.
My Reaction and Some Spoilers
The book introduces the concept of Transcendentalism. I remember my English and history teachers discussing the Transcendentalists when I was in high school, but for some reason, they didn’t appeal to me back then, even though I went through a kind of phase where I was interested in metaphysical topics. I think my teachers put a lot of emphasize on their interest in nature, and I wasn’t an outdoorsy person. The background information in this story revived old memories of my high school classes and actually clarified a couple of points for me. The kids visit real places in Concord, Massachusetts, including the house where Louisa May Alcott once lived, and the book is full of discussions of literary figures and their lives and quotations from their works.
The children’s surrealist dreams connect to real objects in their lives and in the history of the family and their house. The dreams follow the poem that Prince Krishna left behind, and in each of their dreams, they see Ned and Nora up ahead of them, so the Eleanor and Edward realize that they’re following their path. The poem and the dream reference pieces of Transcendental literature and thought, and the children’s uncle explains the references throughout the story.
Many of the dreams also show the children’s personal and mental growth. In one dream, the children examine different images of their future selves, seeing how different choices they make can lead their lives in different directions, and they make up their minds which version of themselves they want to aim to be. In another dream, the children are trapped in a nautilus shell, and they discover that they have to think their way out of it. The thoughts they have help them work their way through each chamber of the nautilus, but they have to use thoughts with increasing depth and complexity to make progress. At first, remembering nursery rhymes is enough to help them move forward, but as they go further, they have to concentrate on more complex poems and higher-level moral and philosophical thoughts.
Although the dreams the children have are very surreal, and readers have no idea where they might be leading, the children do find Prince Krishna and their missing aunt and uncle. When the three of them return, Prince Krishna does explain where they were the entire time they were missing. He doesn’t offer a detailed explanation because they were trapped in a sort of magical/metaphysical prison, but he does explain who trapped them and why. There is a villain in the story, but it takes a while to grasp who and what the villain is because readers don’t really see it/him in his true form and don’t understand who he is and what his motives are until Prince Krishna explains. Eleanor and Eddy end up understanding more than Aunt Lily and Uncle Freddy do in the end, but finding Ned and Nora, Prince Krishna, and Prince Krishna’s treasure changes everyone’s lives for the better. Throughout the book, Uncle Freddy is mentally unbalanced, eccentric at the best of times and outright crazy at others. Local people want to see him committed to an asylum, but his mind was unbalanced by Ned and Nora’s disappearance. Once they’re back, he regains his senses.
The author wanted to write realistic children as her protagonists to appeal to real children. Eleanor and Eddy have their own insecurities and dreams which play into their characters all through the book and appear in the visions of the futures and choices they have to make in their dreams.
This is the second book in the Aviary Hall Trilogy. Each of the books in the series could be read independently of each other, but this book in particular makes more sense if you have read both the first book, which is The Summer Birds, and the third book, Charlotte Sometimes before reading this one. People in this book directly reference events in The Summer Birds, something with Charlotte Sometimes does not. Although Charlotte Sometimes was written and published after this book, it actually takes place during the autumn before this story and it does inadvertently contain a spoiler for Charlotte Sometimes because Charlotte appears at the beginning of the book. It’s just my own preference that it’s better to read this book after Charlotte Sometimes because it makes Charlotte Sometimes more suspenseful. Like Charlotte Sometimes, this book also involves time travel, and the characters do some research on the subject of time and how it works.
At the beginning of the story, Emma Makepeace is upset because her older sister, Charlotte, will be leaving early for the new term at her boarding school after Christmas. At this point, Charlotte has already had her first term at boarding school (which is where and when Charlotte Sometimes takes place, although there are no references to the events of that story here), and she has been invited to visit one of her new friends from boarding school before they return to the school together. All through Charlotte’s first term at boarding school, Emma has been lonely without her and has been finding life at their home, Aviary Hall, increasingly difficult.
The girls are orphans (although the books never explain what happened to their parents) who live with their grandfather and his housekeeper. Between the two of them, Charlotte is the more serious and responsible and Emma is the more mischievous and thoughtless. Up to this point in their lives, Charlotte has acted the part of the caring older sister, trying to teach Emma to behave herself and covering for her when she doesn’t. Charlotte has realized that their grandfather has little patience for misbehaving children and that Emma pushes the limits, so she has frequently intervened and smoothed things over when Emma tries his patience.
Emma has often thought of Charlotte as a kind of spoilsport for trying to act grown-up and mature, but during Charlotte’s absence at boarding school during the previous term, Emma has suddenly come to see how much Charlotte has been helping her and saving her from the consequences of her own actions and the realities of their home life. Without Charlotte there to be the motherly big sister, providing some warmth and affection and acting as a buffer between Emma and the adults, the grandfather has become more impatient with Emma’s immaturity. Both he and the housekeeper have been more direct with Emma about her behavior and bad habits, and there’s no one there to shield Emma from it. Emma is lonely for Charlotte’s company and feels picked on by the adults, so when Charlotte cuts her time with Emma short after her first visit home to go visit one of her school friends, Emma is angry and resentful. Charlotte is tempted to back out of her friend’s invitation for Emma’s sake, but she feels like she can’t, and their grandfather tells her that she must go ahead with the visit.
Emma is in a state of emotional turmoil through most of the story, adjusting to Charlotte’s absence, the new expectations of the adults in her life for her to mature and improve her behavior, and her own resentment about these things. While all this is happening, something else strange happens. Emma begins having strange dreams about flying. They remind her of the children’s flying adventures from two years previously, as described in The Summer Birds. It has been so long since she last flew that she struggles to remember how in her dreams, and when she wakes up, her muscles feel sore from the effort. However, at first, she can’t remember what happened in her dreams.
At school, when the new term begins, Emma is made head girl because she is the eldest girl in the class. A boy called Bobby Fumpkins is made head boy because he is the eldest boy. Emma is embarrassed and uncomfortable about being the head of the class in partnership with Bobby. She hates Bobby because he is fat, awkward, and spoiled. Before his mother gave birth to Bobby’s younger sister, who is still a baby, she babied Bobby more than she really should have at this age. Their family also has their own tv set, something most of the other children’s families don’t have at this time, and which Bobby bragged about when they got it. For these reasons, most of the other children in the class don’t like Bobby, either, and they’ve teased him mercilessly for years. They think he’s a sissy and a baby because of his mother’s attention and because he’s milder-mannered than they are and never stands up to them. Because of his awkwardness, they like to call him Jemima Puddle-Duck after a character from a children’s book by Beatrix Potter. Bobby tells himself that his classmates mean all this teasing good-naturedly, but they don’t really. Emma is particularly adamant within herself that she genuinely hates Bobby.
However, like it or not, Emma’s life has become intertwined with Bobby’s. Their teacher expects the two of them to work together at school during the day, and at night, she gradually begins to realize that he is sharing in her same dream of flying. Other children at school tease Emma about being friends with Bobby, particularly one girl who really wants to cause trouble for Emma because, as the next eldest, she would be next in line for the head girl position herself. Emma denies being Bobby’s friend, partly because he still gets on her nerves and partly because she’s still lonely without Charlotte and is worried by being shunned by the other children at school. However, she gradually begins to feel guilty about the way she and others have been treating Bobby, and she begins to feel the impulse to try to be nicer to him.
As her relationship with Bobby improves, Emma begins remembering more of their shared dream, and the two of them talk about the dream together. Bobby was one of the children at school who shared in their flying adventures two years before, and the two of them discuss their past adventures with each other and how they compare to the dream they’re now having. There are a few things that they begin to notice that are different from their past flying adventures. One is that they both have the feeling that someone is watching them. It seems to be a stern or hostile presence, a pair of eyes that belong to some unknown person, but they don’t know who it is. They also begin to notice that it looks like plants are growing backward as they fly over the countryside. That is, grown plants seem to be returning to small plants and seeds. They gradually notice that the land seems to be going back in time. Eventually, they start seeing dinosaurs in their dreams, and it looks like they might be going back to the beginning of the world. What will happen to Emma and Bobby in their dream when they eventually reach the beginning of everything?
The book is available to borrow and read for free online through Internet Archive.
My Reaction and Spoilers
I’ve already explained my reasoning about the reading order of the books. The Summer Birds is the first book in the trilogy, and you really have to read it before you read this book because the characters directly reference events from that story. Actually, I thought that was a really interesting choice, to have Emma and Bobby talking openly with each other about the summer when they learned to fly. They just accept that event as a common event in their lives that they shared and that everyone who shared it with them openly acknowledges. Sometimes, in children’s fantasy stories, the characters later downplay magical events, feeling like they were dreams they had or games of pretend they played because they seem too strange to have really happened, but no, in this book, the characters all know what happened to them and just accept it as a part of their lives. I thought it was interesting that this book acts as a bridge between the theme of flying and the themed of time travel in Charlotte Sometimes, although I still think that Charlotte Sometimes keeps more of its suspense if you don’t know that Charlotte safely returns to her own time before you read it.
I still think that Charlotte Sometimes is the best book in the trilogy. It is the best known, and unlike this book, it can be read independently of the others in the trilogy. It doesn’t reference either of the other two books at all. There are no references to Charlotte having participated in any previous magical adventures in that story. That may be partly because she is among strangers at her new boarding school who wouldn’t know anything about her flying adventures, but even her private thoughts don’t give any hint to that. What I think that The Summer Birds and Emma in Winter add to Charlotte Sometimes are some further insights into Charlotte and Emma’s personalities and the relationship between them. I still think that Charlotte Sometimes is the best book in the trilogy. It is the best known, and unlike this book, it can be read independently of the others in the trilogy. It doesn’t reference either of the other two books at all. There are no references to Charlotte having participated in any previous magical adventures in that story. That may be partly because she is among strangers at her new boarding school who wouldn’t know anything about her flying adventures, but even her private thoughts don’t give any hint to that earlier adventure. What I think that The Summer Birds and Emma in Winter add to Charlotte Sometimes are some further insights into Charlotte and Emma’s personalities and the relationship between them. Emma in Winter also adds some thoughts about the nature of time and time travel, which add some further insights into Charlotte’s time travel experiences.
Emma and Bobby do some research about time in her grandfather’s study, a room where Emma is usually forbidden to go. One of the theories they find is that time moves in a coiled pattern, like a spring, and that the coils of the spring can be pushed together so different points on the coils can touch each other. This theory really relates better to Charlotte Sometimes than to Emma in Winter, but what is more relevant to this story is the idea that human thought can be the force that pushes the coils together and makes them touch. This is also a part of Charlotte Sometimes, and I explain in my review of that story about how Charlotte and Clare having many similarities and being in a similar state of mind as well as sharing the same physical space at different times allowed them to switch places with each other. However, the emphasis in Emma in Winter is Emma and Bobby realizing that their own thoughts and feelings influence their dreams and, therefore, their time travel.
This story is rather metaphysical and a little difficult to follow during the dream phases. I noticed that some other reviewers seemed confused about the point of the time traveling. I found it a little confusing, too, but it seems like this is a coming-of-age story, like the other books in the trilogy. The Summer Birds focused on Charlotte and how her more mature outlook helped the other children make an important decision that would alter their lives forever. Charlotte Sometimes raises the question about what defines a person’s identity and how a person’s identity can be tied to someone else’s even when they’re separate people. Emma in Winter focuses on emotional understanding.
Both Emma and Bobby are going through major changes in their lives, particularly ones that require them to become more mature than they once were. Bobby has been somewhat spoiled and coddled by his mother, but he’s no longer the center of attention at home, now that he has a little sister. At first, Bobby finds it hard to cope with his mother no longer giving him the attention she used to give him, but it does give him the opportunity to become more independent and mature. Emma despises Bobby for being babyish because he was spoiled and overprotected by his mother when he was younger, but the truth is that Emma is also babyish. She’s not accustomed to being accountable for her own behavior and bad habits because Charlotte usually takes responsibility for her and shields her from some of the reactions of the adults and other people.
When Charlotte goes away to boarding school, Emma is left on her own for the first time to deal with the consequences of her actions and other people’s reactions to them. It’s a bit of a shock for her at first, and she realizes that she hasn’t fully appreciated what Charlotte was doing for her for the whole time. She also comes to the disquieting realization that, even thought she feels like the adults are picking on her over her behavior, she doesn’t like the way she behaves, either. She comes to feel guilty about the way she treats Bobby, and when she draws some nasty pictures of her teacher, she is startled to realize how much she has hurt her teacher’s feelings and how badly she feels about doing that. For the first time in her life, Emma has to face her own behavior and see how her behavior truly affects other people. She is shocked and troubled when she realizes that she doesn’t like what she sees and it’s her own fault. Only Emma can decide how nice or how mean she is and who she really wants to be.
The children’s time traveling adventures that they have while dreaming lead them to explore their relationship with each other. Emma realizes that she has to be nice to Bobby and learn to get along with him for them to be able to function with each other in the dream. Their final dream together is confusing and rather surreal, but it also involves the two of them confronting aspects of themselves, their lives with other people, and their own behavior.
When they move all the way back in time as far as they can go, they’re confronted by a vision of their teacher, not as she actually is, but as Emma drew her in a mean drawing. Emma has to remind herself and tell the figure that it’s only a drawing she made; it’s not reality. They also see visions of other people in their lives and even of themselves at their worst and most frightening, but they have to hold on to the reality of themselves, as they are now, the people they’re becoming, not who they used to be or how other people see them. I took it to mean that neither of them can go backward in their lives anymore, to their old habits and who they were or how they were as younger children, but they have to accept the changes taking place in their lives and in themselves to return to the real world, their own time, and the lives they have ahead of them. They discover that the key to traveling through time is thinking, so they have to think themselves out of their time travel dreams, focusing on their real selves and the real lives, accepting and even loving themselves as they are. Change has been coming for both of them, but they have to make the decision to face it and embrace it and to let go of their past selves to move on in time and in their lives.
It’s winter, and Kirsten’s brother, Lars, is going to set animal traps in the woods with his friend, John Stewart, who lives nearby. Kirsten is friends with John’s sister, Mary. Trapping animals for their pelts is one of the ways that the boys make some extra money. The local men are all away, working at a logging camp for the winter. Kirsten isn’t really interested in trapping animals so much as she just wants to get out of her family’s little cabin because she’s been cooped up due to the winter weather, so she persuades the boys to let her come along on their trapping expedition.
As they go through the woods, Kirsten spots an animal snare that someone else set out, and John explains that there’s an old trapper called Old Jack who lives by himself in the woods. He has no family and often prefers to be by himself and avoids meeting many people, although he sometimes helps locals with their own traps. The snare is probably one of his traps. When they find a trap that has a baby raccoon caught by the tail, the boys say that it’s too small for them to kill it for its pelt, and Kirsten feels sorry for it. She persuades them to let her take it home and nurse it back to health, like she did with an injured bird, before releasing it into the wild again.
Kirsten is supposed to leave the little raccoon in the barn because, as her family tries to explain to her, wild animals are wild and uncontrollable. However, Kirsten feels sorry for the little thing because the barn is cold, so she brings it into the cabin. It turns out to be a terrible idea. The raccoon gets loose and knocks over an oil lamp that sets the cabin on fire! Kirsten makes her her little brother and sister get out safely, and when she realizes that the fire is spreading too fast for her to stop it, she manages to save the painted trunk with some of her family’s most important belongings. Unfortunately, the cabin is completely destroyed.
Kirsten’s aunt takes in Kirsten, her mother, and her siblings. It’s a little crowded in her house, but at least, they have a place to go. Everyone is understandably upset, although they are not too hard on Kirsten for causing the disaster. However, her mother says that they had been hoping that maybe they could buy a little land with the money Kirsten’s father is making at the logging camp, but she doesn’t see how they can now. They’re going to have to build a new cabin and replace some of essentials that they lost in the fire.
Then, John and Mary Stewart tell the Larsons that their family will be moving to Oregon because their father has found a new job managing a logging camp there. Kirsten is sorry to see the Stewarts leave because they’ve been good friends, but Aunt Inger points out that the Larsons’ problems will be solved if they can manage to buy the Stewarts’ house. The Stewarts’ house is much bigger than the little cabin where the Larsons lived, and the Stewarts will have to sell their home before they can move anyway. The problem is that the Larsons just don’t have the money to afford the Stewarts’ house.
All Lars can think to do is try to make more money through trapping. Kirsten goes along to help him, and one evening, they stay out much later than they mean to and get lost in the dark woods. When the spot some human tracks in the snow, they think that they are probably the tracks of Old Jack, the trapper hermit. Kirsten thinks that Old Jack sounds frightening, but with no one else to turn to for help and shelter, they decide to follow the tracks to where Old Jack lives. When they find Old Jack’s home in a cave that he has turned into a rough house, they make an important discovery that changes everything for the Larsons.
The book ends with a section of historical information that explains how new settlers moving westward turned frontier areas like the area where Kirsten’s family lived into more settled towns. The farms where people lived became less isolated, and railroads connected cities and rural areas across the country. The first transcontinental railroad in the United States was completed by the time Kirsten would have turned 24 years old, changing the ways that people and goods traveled.
The book is available to borrow and read for free online through Internet Archive (multiple copies).
My Reaction and Spoilers
This was one of the books that I remember I didn’t like in the Kirsten series when I was a kid because it’s just so painful when the family’s cabin burns. Reading the book again, I appreciated how the family wasn’t overly hard on Kirsten about bringing the raccoon into the cabin that caused the fire. I couldn’t really blame the others if they were upset with Kirsten because it’s a major disaster that destroys their home and leaves them in a very precarious position. However, even though they’re understandably upset at the situation, it is nice that they don’t lay a guilt trip on Kirsten about it because that would have made it a much sadder story.
It also helps that the situation works out for the best in the end. When they hear that the Stewarts are moving, they do want the Stewarts’ house, but they just don’t think they will be able to afford it. What changes for the Larsons is that they receive an unusual sort of inheritance from Old Jack. When Kirsten and Lars are lost in the woods and seek shelter from Old Jack, they discover that Old Jack has died. There doesn’t appear to be any foul play. Old Jack was an elderly man, and he seems to have died from natural causes in his house. It’s a grim discovery, but while Kirsten and Lars shelter in his house with the body overnight, they also realize that Old Jack has a hoard of fine animal pelts. Since Old Jack has no family and no one to inherit his property, there is no dispute that the Larsons can claim his pelts because they found his body and plan to arrange for his burial. With the money that Old Jack’s pelts bring, they are able to afford the Stewarts’ house, which is much better than their old cabin. The Stewarts also leave them some furniture and household supplies.
I do like it that the story worked out for the best, although I wasn’t fond of the theme of trapping animals for pelts. I remember that this was an aspect of other books that I read as a kid, like Where the Red Fern Grows, but I never liked hearing or reading about it. I understand hunting for food, and I know the family in the story traps animals for fur because they badly need money, but it’s not a subject that I enjoy hearing about. The metal traps the boys use for trapping animals are considered inhumane in modern times, and their use is now banned or restricted in many countries and states.
It’s winter, and Kirsten’s family is just starting to prepare for Christmas. Kirsten’s mother has her help make their Christmas bread. So many things have changed for their family since they came to America and moved to the frontier in Minnesota, Kirsten asks her mother if they will be celebrating Christmas just like they used to when they lived in Sweden. The family doesn’t have much money and can’t afford extra treats, but her mother says they will do the best they can.
When they arrived last summer, the family didn’t even have enough money to pay for a wagon to carry their belongings to their new house, so they had to leave them in storage in Riverton, including Kirsten’s doll, Sari. Since then, Kirsten has been using a stuffed sock as a doll. Kirsten’s mother tells her that her father has arranged for their trunks to be sent to Maryville, which is closer, but still 10 miles away. Kirsten is eager to retrieve them, but her mother says that will have to wait because there are too many other things they need to do now to get ready for winter. Kirsten worries that they won’t be able to get their trunks before the snows come. If the roads are blocked by snow, they won’t have their trunks until spring! The more Kirsten thinks about the trunks, the more she wishes that they had the things in them, the things that would remind her of her home in Sweden and make their cabin feel more like home.
One day, while she is playing with her cousins, Lisbeth and Anna, Kirsten mentions St. Lucia, and she is surprised when her cousins don’t know what she is talking about. In Sweden, families traditionally celebrate St. Lucia’s Day before Christmas. However, Lisbeth and Anna were too young when they left Sweden, years before Kirsten left with her family, so they don’t remember that tradition, and since they came to America, they only remember celebrating Christmas in December. They ask Kirsten what happens on St. Lucia’s Day. Kirsten explains that it’s the shortest and darkest day of the year. One girl in the family dresses up as the Lucia queen, wearing a white dress and a wreath of candles on her head, and she wakes her family, bringing them a special breakfast with coffee and Lucia buns. Anna is enchanted by this description, and the girl talk about surprising their families with their own St. Lucia’s Day celebration.
Then, Kirsten remembers that the long, white nightgown she used for her St. Lucia’s Day dress last year is in one of her family’s trunks, and St. Lucia’s Day (December 13th) is only five days away. The other girls are about to give up on the idea of celebrating St. Lucia’s Day, but Kirsten thinks maybe they should ask Miss Winston if she knows what to do. Miss Winston is their schoolteacher, and she’s still living with Lisbeth and Anna’s families. Miss Winston has mentioned that she misses the Christmas parties her family and friends had back East, so the girls think that she might enjoy helping them plan a special surprise.
Miss Winston is happy to give the girls some candles and help them make St. Lucia crowns, but Kirsten’s father is still too busy to get the family’s trunks. He gets so annoyed with Kirsten asking about them that he tells her not to ask about them again. Lisbeth says that, if their plan won’t work out for this year, they can do it next year, but Kirsten feels badly for getting their hopes up. Her own hopes are also set on having a St. Lucia Day, but she doesn’t know what to do without the dress in the trunk.
Then, one day, she finally hears her father say that he will have time to go for the trunks, and he thinks he had better do it soon because there will be more snow coming. Kirsten is excited and asks if she can go along with him to get them. At first, he doesn’t want to take Kirsten because there won’t be much room in the sleigh for her, and he thinks it would be better for her to go to school with the other children, but she persuades him to let her come.
The journey to Maryville is fun, riding through the snow and singing a Christmas carol. Kirsten even gets a piece of candy at the general store. When they retrieve the trunks, Kirsten wants to open them right away, but her father says they need to leave because it’s already snowing harder, and they need to get home.
The weather gets worse on their way home, and Kirsten wonders if they should turn back, but her father thinks they can make it home. As it gets worse yet, Kirsten’s father gets out of the sleigh to lead the horse through the snow, and he accidentally twists his knee. With her father injured, Kirsten gets out the sleigh to lead the horse. The situation is dangerous, but fortunately, Kirsten realizes where they are, and she knows that there is a cave nearby where they can take shelter.
When Kirsten and her father arrive home, they are greeted by their worried family, and it’s St. Lucia Day. With some help from Miss Winston and her cousins, Kirsten is able to give her whole family their St. Lucia Day surprise, but it has even greater meaning because of everything they’ve been through.
There is a section of historical information in the back of the book about how Christmas was celebrated on the American frontier in the mid-19th century and how it was different from the Christmases families like Kirsten would have experienced in Sweden.
The book is available to borrow and read for free online through Internet Archive.
My Reaction
This was my favorite of the Kirsten books! Although there is some danger to Kirsten and her father when they get caught in the snowstorm after retrieving the trunks, everything turns out fine, and Kirsten saves her father because she insisted on going with him on the trip. This book is also fun because it introduces readers to the concept of St. Lucia’s Day. I think the first book I read as a kid that explained about St. Lucia’s Day was the nonfiction book Christmas Around the World, but I liked seeing this frontier family celebrate their St. Lucia tradition.
thought that Kirsten’s parents impatience with her “pestering” them about retrieving the family’s belongings was realistic, just like parents in real life might act when a child repeatedly asks for something they can’t give them right away. However, at the same time, Kirsten’s mother seems to understand that Kirsten is asking for the trunks for deeper emotional reasons. Not only does Kirsten badly miss her doll, which has been stored in one of the family’s trunks since the beginning of the series, but the other things in the trunk are both useful for the winter season and have connections to the people the family left behind in Sweden. With Christmas coming, Kirsten and other members in the family are missing those connections and the feeling of home. Kirsten’s mother points out that people are more important than belongings, but she also agrees with Kirsten that some belongings represent ties to other people.
Kirsten also misses the tradition of St. Lucia’s Day because that tradition usually marks the beginning of the Christmas season for the family. When Kirsten surprises her family by dressing in her St. Lucia costume, it’s a happy surprise for everyone and really makes everyone feel like Christmas. However, Kirsten also feels the significance of the holiday more than she ever did before because, having been welcomed home by the lights of their house and her waiting and worried family, she better appreciates the tradition of St. Lucia welcoming others with light and food.
As with other historical American Girls books, I also enjoyed the detailed colored pencil drawings of the characters and scenes!
