Six-year-old Emma has to stay home from school during the summer term because she has measles. By the time her quarantine period is over, Emma is feeling better but is bored and restless, eager to get back to school. However, the doctor thinks she should take an extra week off school to recover further.
As Emma continues to sit at home, she knows the other children are back at school, and she can’t help but think about all the things she’s probably missing and wonder if anybody there misses her. Her mother urges her to find something to do so she’ll be happier and the time will pass faster, but Emma is in a disappointed mood and doesn’t feel like trying to make herself happy. She resists all of her mother’s efforts to cheer her up or get her involved in some activity.
Finally, her mother suggests that she could go to Streamcross, a little area with stepping stones across a stream, where Emma has been with her father before. Emma loves the spot, but she’s never been there alone before. Now, her mother thinks she’s old enough to go alone. Emma takes along her doll, Annabel, and some biscuits (cookies, because this is a British book).
Along the way, Emma has adventures. She has to rescue Annabel from a farm dog. She picks wildflowers. She falls when trying to get a look at a bird’s nest, and she gets stung by nettles. When she tries to clean her doll and the doll’s dress in the stream, she ruins the dress and almost loses Annabel in the stream!
Then, Emma meets up with, Billy, a boy from school. She hides from him because of the state she and Annabel are in, but he spots her because she’s left a few things behind, and Billy plays detective, following the clues. Fortunately, Billy doesn’t laugh at her or her doll. The two of them discover that they share a love for this special spot in the stream, and they trade secrets about it. Emma shows Billy a bird nest she found, and he shows her a hidden spring. Then, he helps Emma to get home, past the farm dog, and stays to tea at Emma’s house.
The book is available to borrow and read for free online through Internet Archive. The American title for this book was Betsy’s Afternoon. The only part of the story that was really changed for the American version was the name of the little girl.
My Reaction
At the end of the story, Emma looks back on the afternoon as being lovely. Not all of it was lovely, like her frightening encounter with the dog or ruining Annabel’s dress and almost losing her completely. During the course of the afternoon, Emma falls down, gets muddy, and is stung by nettles. Still, even when things go wrong, Emma enjoys having an independent adventure, and when she has a friend to share it with her, it gets even better. She also learns that people did miss her at school.
Emma’s adventures are relatively low-key, slice-of-life adventures, but they’re the kind of small adventures that are meaningful, especially to a young child. None of the problems she encounters are very serious, and Emma doesn’t really have any lasting consequences from them, except for ruining her doll’s dress. The dog part was a little scary at first, but Emma isn’t bitten, and Billy later explains that he knows the dog, and it never leaves its farm, so they’re in no danger. Billy is a nice friend, and the two of them appreciate the natural beauties of their favorite spot. In the end, Emma’s adventures and her meeting with a friend who feels the way she does about Streamcross are just what she needs to cheer herself up!
I enjoyed the way the author connected with Emma’s feelings and thought processes. Readers really see through the eyes of a young child – her thoughts, her frustrations, the way she solves problems, and her joy at small discoveries and accomplishments. This is a short chapter book that would be appropriate for children in early elementary school but can still be pleasing to adults.
The Briggs family moves to a new house in July, and the three Briggs children are upset about leaving their old home and friends. Their father tries to reassure them that they’ll make new friends in their new home, but ten-year-old Dilys isn’t so sure. She knows that her mother is also not happy about the move, but it can’t be helped. Her father used to be a cowman on an estate in their old town, but the estate has been sold to be turned into an army training camp, so he has to go somewhere else for a new job.
Their new home will be a cottage near a “flash”, which is a kind of salt lake. Flash Cottage, as their new house is called, turns out to be an ugly modern brick house, not at all like the charming old cottage where they used to live. Their old cottage had a beautiful garden, but this little house doesn’t have much at all. Most of the views from the house are also ugly. The embankment behind the house, where the train tracks are, makes parts of the house dark and blocks the view, and there’s a chemical plant a couple of miles away. There isn’t much else in the area to see. The bright spots of their new home are the lake and the train tracks that run near the house. The fast-moving trains make Dilys a little nervous and they also make the house kind of loud, but eleven-year-old Arthur finds them fascinating. Arthur takes a yellow bedroom at the back of the house, where he can see the trains. Dilys shares a blue bedroom with their little sister, Megan, with a view of the chemical plant in the distance. All three of the children find the house strange and ugly and wonder how they’re ever going to feel at home there.
Dilys doesn’t think she’ll ever like the new house, although she thinks it might be nice if they could go rowing on the lake. Their mother worries about the children falling in the flash because they have to travel across an unfenced causeway when coming to or leaving the house. The children will have to catch a school bus to go to the local school, and Arthur wonders what the other children in the area are like. The children hope to find some friends because, if they don’t, they don’t really know what they’ll do with themselves. There doesn’t seem to be much in the area to do for fun.
The Briggs children meet a boy and girl about their age on their first day at the new house, but the meeting doesn’t go well at first. Arthur stops the other boy and girl from throwing rocks at some ducks. Dilys warns him about making enemies of people because they need some friends in their new home, but Arthur can’t stand to see people being cruel to animals. The other boy and girl already know who the Briggs children are because they were told they would be coming, but Arthur surprises them with a Welsh phrase. The Briggs children’s mother is Welsh, and they grew up near Wales. The boy, whose name is Dan Brown, thinks at first that Arthur was speaking French, but his sister, Edith, recognizes the phrase as Welsh because someone told her that the family was part Welsh. Dan and Edith argue about it, and Arthur asks them if they often argue with each other. The Brown kids admit that they do because there just isn’t that much else to do in the area. Boredom is also the reason why they tease animals, and because they tease animals, they’ve been banned from Colonel Melling’s farm, where Mr. Briggs will now be working with the cows. Sometimes, when they have money, they can take a bus to town to find other things to do, but they don’t always have the money to do that.
Mr. Briggs tells the children that the Brown children are the nearest children in the area. Their mother is dead, and they have an aunt looking after them. Their father also works at Colonel Melling’s farm. The Briggs children aren’t sure that they like the Brown children or want to be friends with them, but they might be their best or only option for friends at all. Their father persuades them to give the Brown children a chance, but Dilys wonders if, before long, they’ll all be so bored that they’ll start throwing rocks at ducks, too.
School isn’t too bad once it starts. Dilys meets another girl she likes, but unfortunately, the other girl lives too far away to see easily when they’re not in school. Some other kids at school tease another new boy named Brian because he’s partially blind. Dan and Edith turn out to be among the worst bullies, and Arthur and Dilys get so angry with them that they get into a fight. Dilys tells Edith that she’s ashamed of how she acts, she thinks it’s disgusting, and she wishes Edith would turn deaf so she can see what it’s like to live with a disability. The other kids back down rather than fight Arthur, and surprisingly, Edith is actually a little embarrassed when she sees how angry and disgusted Dilys is with her. It seems like the behavior of the local kids is as rough and ugly as the area where they live, but Dilys finds herself interested in Brian because he seems to be a different type of person.
Mrs. Briggs is as homesick as the kids for where they used to live, but she starts to make friends with Miss Brown, the aunt looking after Dan and Edith. Mrs. Briggs says that Miss Brown is a nice lady, but she doesn’t entirely know how to cope with the children, and Dan and Edith often misbehave and make trouble. She’s only been living with her brother and the children since their mother died last year.
One day, Dilys and Arthur go exploring, and they find an unexpected green area down a road that makes them feel more like home. They get caught in a sudden storm, so they take shelter under a railway bridge, where they meet Dan and Edith, also taking shelter. They start talking more about the area and places to explore, and Dan and Edith say that they can’t go down by Mr. Lowe’s farm anymore. Arthur asks them why, and they admit that they stole some plums from him and left his gate open, so the livestock got out. Arthur and Dilys can see why Mr. Lowe would be angry, but Dan and Edith defensively add that they didn’t leave the gate open on purpose. They just forgot to close it because Edith got stung by a wasp and was upset, but Mr. Lowe won’t believe them. They say it’s a pity because the area is much more interesting over there. There’s an old manor house, a stream, and a ruined mill over that way.
Things change for the children when Dilys, Arthur, and Megan befriend an artist who lives in a cottage nearby, John Zachary Laurie, and he’s a friend of Colonel Melling. He takes them out rowing on the flash and talks to them about how they like their new home. The Briggs children confide in him how unhappy they’ve been since they moved to the area because everything is so ugly, but the artist points out that it’s not really an ugly place. He says he finds it fascinating to paint because it has certain “dramatic effects.” When he shows them his pictures, they’re very different from the kind of pictures that the children are accustomed to seeing. Rather than conventional flowers and pretty landscapes, they are filled with angles and a lot of grays and browns, but with unexpected dashes of color. They’re unmistakably pictures of the area, but not in a way the children usually see it. The landscape in the paintings is familiar but strange, ugly but also oddly enchanting. John Laurie even gives them one of his paintings, the one he did of their new house, Flash Cottage. He says he knows the children hate the house now, but he thinks it has interesting angles, and if they learn how to look at things a little deeper, they’ll see more than they do now.
Although Dilys isn’t quite sure that she understands it, she begins to feel what the artist is talking about. Things that are strange start to feel familiar, and even in the ugliness of the landscape and the picture of their house, she begins to feel a sense of fascination and attraction. It’s not exactly pretty, but it is compelling.
When school lets out for the summer, the Briggs children once again find themselves bored and lonely. The few other children they like don’t live close to them, like Dan and Edith, and the Briggs children still think Dan and Edith are pains and troublemakers. Looking for something to do, Arthur, Dilys, and Megan decide to explore the old manor house that Dan and Edith mentioned.
It turns out to be a beautiful place, although it’s old and deserted. To their surprise, they discover that the property actually belongs to Brian’s family, the Pelverdens. They live in a little cottage behind the old manor house. Brian has a little sister, Mellie (short for Melinda), who would be a good friend for Megan, but Brian seems less than pleased that Arthur and Dilys have discovered where he lives. Brian’s father explains that they haven’t been living here long. The manor house has been in the family for generations, but it’s fallen into ruin because they haven’t had the money to maintain it for a long time. They only recently inherited the place themselves when Brian’s grandfather died. The Pelverdens don’t expect to ever live in the manor house themselves, but their hope is that, if they get it sufficiently repaired, they might have it registered and preserved as a historic building and get a grant to maintain it. The Briggs children eagerly volunteer their services to help with the project over the summer. They have nothing else to do, and they still miss the garden from their old cottage, so helping to replant the manor garden would be fun for them. The Pelverdens’ cottage and the crumbling old manor house are more beautiful to them than anything else they’ve seen since they moved, and they feel more like home.
Mellie is immediately happy to have found a friend in Megan, but Arthur and Dilys find it harder to make friends with Brian. Brian has known all of his life that he’s different from other kids because of his vision problems, and he’s used to people treating him differently or making fun of him. He tries very hard to be as “normal” as he can and prove to everyone that he can do things other kids can do. Because he feels like he has something to prove to everyone, he’s often less friendly than he could be, but Dilys is determined to earn his trust.
However, Dan and Edith are still problems. The Briggs children fight them off one day when they catch them teasing the Briggs’s cat. Edith is offended that the other kids keep telling them everything they do is wrong. Then, another day, they show up at the old manor house and break a window by throwing rocks. When the Briggs children and Mr. Pelverden confront Dan and Edith about what they’ve done, Dilys come up with a plan that might solve the Dan and Edith problem and prevent them from making further trouble.
The book is available to borrow and read for free online through Internet Archive. There is a sequel to this book called The Flash Children in Winter, which is about the children experiencing their new home in autumn and the lead up to their first Christmas there.
My Reaction and Some Spoilers
I thought this book was interesting because it has aspects of a cottagecore style story, but there are parts of it that contrast with the typical cottagecore aesthetic. The main characters in the story, the Briggs children, have come from an environment that would be like a cottagecore dream: an actual old cottage with a beautiful garden attached to an old manor house, where they were allowed to help out. Then, they have to move to a far more plain and conventional house in an ugly area with a view of a chemical plant. It’s understandable that they would feel badly about the move. Moving and starting over again would be difficult for anybody, but most people would find their new environment downright depressing, especially after hearing what their old home was like.
When they find out that Brian’s family lives in a cottage and is renovating their old manor house to turn it into a historic site, the story goes back to the charming sort of environment the children come from. However, it’s not just about the children finding a way back to the kind of environment that has the beauty and charm they crave but also learning to see what makes different types of environments fascinating, even enchanting. The Flash Cottage isn’t a real cottage, and it’s not as pretty as their old home, but after talking to the artist and looking at things from an artist’s viewpoint, taking into account the features of a place that make it unique, Dilys comes to see how a shift in perspective can make many different environments more attractive, in their own way.
Learning to get along with Dan and Edith also involves finding a different perspective and a different way of dealing with them. It’s not just about seeing the good side of Dan and Edith as they are. Frankly, the two of them are pain-in-the-butts. Dilys realizes that their problem is that they are thoughtless. They don’t think about other people, how the things they do affect anyone else or make them feel. Their thoughts begin and end with themselves. They’re bored and feel unwanted at home since their mother’s death, so they cause trouble because they just can’t seem to think anything else to do. Personally, I don’t think either Dan or Edith is very intelligent or imaginative because intelligence could be used to reason out why people react to them the way they do and a little imagination would help them put themselves in other people’s position or help them think of different things to do or ways to approach other people. However, Dan and Edith don’t do any of those things on their own. It never even seems to occur to them that they could. They only get upset when other people are unhappy with them and seem totally unable to understand why.
Even though Dan and Edith don’t seem either very bright or very considerate, it does occur to Dilys that they could learn to be helpful if someone actually set them tasks to do to keep them busy. At her persuasion, Mr. Pelverden and the other children allow Dan and Edith to join their efforts to clean up the manor. Dan and Edith are actually eager to accept the opportunity to help out with the others because they are incredibly bored and seriously need something to do and people to be with. When the others are dubious about whether they’ll actually do any helping or if they even know how to help, they try to prove that they can do things that are useful for a change. It also proves educational for Dan and Edith because, in helping to clean up the manor, they’re also forced to face damage they have caused themselves and begin to realize how things they’ve been doing have caused trouble and made extra work for other people. They’re not used to seeing themselves as other people see them or dealing with the consequences of their actions, and it’s an eye-opening experience for them. Later, they all have to face off against a motorcycle gang that comes to vandalize the manor, and Dan and Edith have come to see where their loyalties really lie and what menaces people can be when they act like they used to.
The story ends happily for the children and for the manor, which is going to be preserved. The Briggs children feel more at home in their new home, Dan and Edith have greatly reformed, and Brian has learned to be more open with people about his disability, so other people come to understand him better and treat him more kindly. Some of the people who made fun of him before admit that they didn’t understand just how bad his vision was, so they didn’t know why he seemed to struggle so much. Dilys still tells off those kids for not having figured it out, but at the same time, she is the one who tells Brian that he has to make things clear to people and not try to pretend that his condition doesn’t exist or that he doesn’t need some help when he actually does.
The author, Mabel Esther Allan is also a very interesting person. During her life, she wrote more than 100 books for children, under different pen names. She struggled with vision problems of her own when she was young, which was part of the inspiration for Brian in the story. During WWII, she worked was part of the British Women’s Land Army, and she also worked as a teacher.
The Mother Goose Cookbook by Frances Sheridan Goulart, 1970.
I remember reading this book from my local library when I was a kid, and I had to look it up again because there were a couple of things that stuck in my mind about it. First, the recipes in this book are also based on songs and fairy tales, not just nursery rhymes, and second, while there are other cookbooks that use nursery rhymes and fairy tales as themes, this one chooses some of the more unusual ones. There are some common rhymes and references in the book, like using Humpty Dumpty for an egg recipe and referencing Little Miss Muffet for Curds and Whey, but there also less common ones, like Aiken Drum. Overall, I liked the variety of nursery rhyme and fairy tale references in the book, and I think the recipes generally fit the references well.
Second, some of the recipes sound a bit fancy for a child’s cookbook, but as a kid, I found them intriguing because they had a kind of old-fashioned quality that I thought made them seem more like nursery rhyme and fairy tale foods. Because, as a kid, I rarely ever had the patience to read the introductions to books before plunging right in, I missed some of the historical information behind some of these recipes and rhymes that the book explains in its introduction. Rereading this as an adult, though, I really appreciated the thought that the author put into the history of food in nursery rhymes.
The introduction begins by posing the question that many children have asked when hearing or reading nursery rhymes, “What are curds and whey, anyway?” I certainly wondered that when I was a kid, and the book notes that many parents also don’t know the answer. It goes on to explains that the “Mother Goose Era” (not really defined but probably the era when the rhymes were first composed) spans roughly from 1600 to 1800, and the foods mentioned in the rhymes is a mixture of real foods and imaginary ones. The author researched real, historical recipes and adapted them for modern use, while trying to remain as faithful as possible to the original nature of the dishes. In the cases where the author couldn’t find information about the dishes or where the foods mentioned seem to be imaginary, she created original recipes to represent them.
Although the author intends this book for children, I personally thought that the nature of some of the recipes and the difficulty of some of them make them more suitable to nostalgic adults.
The recipes in the book are sorted in alphabetical order, skipping a few letters of the alphabet that they didn’t have recipes to match. Each of the recipes is accompanied by a pen-and-ink picture of the nursery rhymes or fairy tale connected to the recipe, and the pictures are on backgrounds of varying shades of purple and light green.
The book is available to borrow and read for free online through Internet Archive.
The recipes in the book are:
A is for:
Aiken Drum’s Glum Gallimaufry – This is a kind of stew made with mutton and vegetables, one of the dishes that I would think more suitable to an adult than a child. Stews in general aren’t too hard if you start with pre-chopped meat and veggies, but I don’t think many modern children are accustomed to eating mutton or would be interested in doing so. At least, in the United States, mutton isn’t a very common food.
B is for:
Betty Pringle’s Pastry Pigs
Bubble and Squeak, a la Bo-Peep – This is a dish made with lamb and cabbage.
C is for:
Cock Robin en Cocotte – I never liked this rhyme, and the recipe is for cooking small poultry.
Curds and Whey, One Way – It doesn’t precisely define what “Curds and Whey” are, but it’s a dairy dish made with soured milk and oatmeal.
Curds and Whey, Another Way – There’s a second method for making it.
D is for:
Daffy-Down-Dilly’s Jolly Jelly
Dappled Grey’s Farthing-a-Mare Gingerbread
E is for:
Elsie Marley’s Nine O’Clock Barley
F is for:
The Fatted Figs from Budleigh Fair – This one asks you to fry figs in fritter batter, but it doesn’t give you the recipe for the batter.
Four-and-Twenty Blackbird Pye – This is another recipe that I think only an adult might try. The “blackbirds” are made from beef liver.
G is for:
Good Pulled Bread for Tommy Tucker
H is for:
Hickory Dickory Flummery – A flummery is a type of old-fashioned dessert.
I is for:
Intery Mintery Cutery Corn
J is for:
Jack-a-Dandy Kissing Candy – This is a very old-fashioned candy – candied rose petals and violets. I think I have had candied flowers at a living history museum, but I’m not sure where to get the rose petals and violets to make any myself.
Jack and Jill Johnnycakes – This recipe is accompanied by a vinegar pudding sauce.
K is for:
King Arthur’s Bag Pudding en Croute
King Boggen’s Three-Farthing Turnips
L is for:
Little Betty Botter’s Better Butter Batter – This is a shortbread recipe
L’Orangerie St. Clemens
M is for:
Margery Daw, Petit Pois – This is a dish of peas, but there’s a little game as a twist. You add either a corn kernel or a small onion to the peas, and whoever gets the corn or onion on their plate has good luck.
O is for:
Oeufs a la Humpty Dumpty – “Oeufs” is the French word for eggs. This recipe wants you to serve it with Bechamel sauce, but there’s no recipe for the sauce.
P is for:
Pease Porridge Chaud-Froid – This porridge is made with oatmeal instead of peas.
Peter’s Pickled Peppers
Pippin Hill Ladyfingers – This is a dessert made with apples.
Punch and Judy Rolling Pin Pie – This is an apple pie recipe.
Q is for:
Queen of Heart’s Purloined Tarts – These are heart-shaped cherry tarts.
R is for:
Rowly Powly’s Roly-Poly – The name of this rhyme is unfamiliar to me, but I know a variation of it under the name Georgie Porgie.
S is for:
A Salamagundi for Solomon Grundy – This is a dish with potatoes, carrots, and onions.
St. Dunstan’s Belfry Bacon
St. Swithin’s Rainwater Tea – This is a recipe for an herbal tea made with actual rain water. I’m not sure that I would recommend people actually gathering and drinking rain water, but the herbal tea sounds nice, and this section does explain a little about St. Swithin and the tradition behind the rhyme that goes with it.
Simple Simon’s Ha’Penny Buns
Slitherum Slatherum Soul Cakes – I was fascinated by the recipe for Soul Cakes, an old tradition from Halloween, All Saints Day, and All Souls Day. The book says that they should be made on the eve before All Souls Day (evening of November 1) rather than Halloween. However, from my earlier Halloween research, I know that different countries and regions had their own traditions and their own recipes for Soul Cakes. There is no single, universal recipe for Soul Cakes.
T is for:
Three Men in a Tub Pommes de Terre – This is basically a recipe for french fries, using three potatoes soaked in a tub of ice water before being fried in hot fat. (The book doesn’t explain why, but I know that doing that makes them crispier.)
Tuppeny Rice – This is a sweet rice dish made with cinnamon and sugar and marmalade.
Tweedle Dee’s Dumplings a Deux – These dumplings include cow’s liver.
Kate Sutton and her sister, Alicia, live in the household of Princess Elizabeth in the year 1558. Alicia hates the Hatfield palace because it’s dreary and poorly maintained, apparently on purpose because Queen Mary Tudor resents Princess Elizabeth and wants her and her household to be uncomfortable. Kate and Alicia are maids in the household, and Alicia decides to write a complaining letter to Queen Mary about the condition of the house. Alicia thinks of herself at trying to help Princess Elizabeth by explaining how bad the conditions there are, but her letter gets heated and insulting toward the queen. Alicia is accustomed to getting away with things and with people not being angry with her because she’s pretty. However, Kate has to be the one with a brain, and she sees immediately that Alicia’s letter is bound to cause trouble.
When Princess Elizabeth receives a reply to Alicia’s letter, she summons the sisters to see her. Queen Mary is very direct in her letter about what she thinks of Alicia Sutton’s letter, but she ultimately blames Kate for it because Alicia is a favorite of hers and Kate reminds her too much of her father, who she never liked. She believes that Alicia is only a sweet innocent and that Kate is a corrupting influence, which is unfair. Queen Mary has decided to separate the sisters, taking Alicia into her own household and sending Kate to Sir Geoffrey Heron at his house, Elvenwood Hall, in Darbyshire. The queen wants Kate to stay at Elvenwood Hall and out of her sight or hearing from now on. Kate has no idea where Elvenwood Hall is, other than in Darbyshire, and she doesn’t know Sir Geoffrey Hall. Although Alicia is initially pleased that the queen doesn’t blame her, she becomes remorseful when she realizes that Kate is taking the blame for the letter, when she knew nothing about it. She offers to write to the queen again and confess everything, taking full responsibility for the letter, but Princess Elizabeth, Roger, and Kate herself all tell her not to. The queen’s mind is made up, and another of Alicia’s letters might make it worse.
Princess Elizabeth asks her tutor, Roger, if she knows anything about Sir Geoffrey Heron, and he says that he’s heard of him. The house, Elvenwood Hall, has another name, Perilous Gard. The word “gard” indicates that the place was once a castle, but Roger knows that the house has been rebuilt with old parts cleared away. The other part of the name “perilous”, indicates that there is a superstitious element to the place, like places rumored to be inhabited by fairy folk or associated with pagan religion. One of his old pupils told him some stories about the place, but Roger would rather not repeat them. The accounts that Roger has heard of Sir Geoffrey say that he is an honorable man, so he thinks that Kate will be safe in his household.
Other than that, Kate has little idea of what to expect from Elvenwood Hall. She doesn’t think that Alicia’s dire fears that Kate will be thrown into a dungeon are true. The queen wants her out of her sight, and that’s why she’s sending her to a relatively remote area where she won’t have to deal with her and putting her under the supervision of a supporter of hers, who is supposed to keep her out of trouble. Kate isn’t actually under arrest.
The journey to Elvenwood Hall is rough. On the way, the traveling party meets an old harper, Randal, who Sir Geoffrey says is a little addled since he suffered from a serious illness. When they tell the harper that Kate is coming to stay at Elvenwood, Randal asks if she might be lost like the last girl. Sir Geoffrey seems upset about what Randal says and hurries Randal away to get some food. Then, Kate hears a laugh and sees a strange woman looking at them from the hill. Then, her horse acts up, and when Kate looks again, the woman is gone.
When Kate sees Elvenwood Hall, it doesn’t seem to be very old due to the recent rebuilding, and its interior is luxurious, compared to the house where Princess Elizabeth is living. It is surrounded by ancient stone walls and battlements, and the older parts of the house are more castle-like and crumbling. Sir Geoffrey is still in the process of renovating the castle and turning it into a luxurious manor. The elderly Dorothy, former nurse to Sir Geoffrey’s wife, is the manor’s housekeeper, and Master John is the estate’s steward. Master John seems cold and unfriendly, but he is in charge whenever Sir Geoffrey is away.
Much to Kate’s dismay, Sir Geoffrey will be leaving Kate under Master John’s supervision while he makes a trip to Norfolk. Kate gets the impression that Sir Geoffrey doesn’t like being at Elvenwood, in spite of its renovations, but under the queen’s orders, Kate is required to stay at Elvenwood and not to travel away from it. Sir Geoffrey also tells her that the queen will not allow her to write to anyone or communicate with anyone outside of Elvenwood without Sir Geoffrey’s permission, of in his absence, Master John’s permission. Sir Geoffrey says that he will not be back at Elvenwood until All Saints’ Day, so Kate will be under Master John’s authority for months.
Elvenwood used to belong to Sir Geoffrey’s wife’s family, the Wardens, and old Dorothy doesn’t like Sir Geoffrey or any of the Heron family. Dorothy says that Sir Geoffrey’s brother, Christopher Heron, was responsible for the death of Sir Geoffrey’s daughter, that he had admitted it, and that Sir Geoffrey never punished him for it. Sir Geoffrey knows that Dorothy has been gossiping with Kate, but he is not upset with Kate for it. He also doesn’t offer any further explanations about what Dorothy said before he leaves on his trip to Norfolk.
Elvenwood Hall is pretty comfortable and nobody there mistreats Kate, but she is often lonely because the place is isolated. The farthest Kate is allowed to go from Elvenwood Hall is to the nearby village, but there isn’t much there. When Kate visits the village, people stare at her and act like they’re afraid of her. Even the village priest makes the sign of the cross at her, as if he thinks that she is something evil. Mostly, Kate has Dorothy as her companion.
Then, one day, she notices a pair of visitors, and Dorothy says that they are pilgrims, coming to visit the holy well on the grounds. Kate knows that some people believe that holy wells have the power to heal or make people more beautiful. Dorothy says that the holy well in the cave here will take away sorrow and pain, if a visitor offers a gift in exchange. The gift is for “those who rule over the well”, who Dorothy says were in this land long before saints and Christianity, but she hesitates to say more about it. She says that Kate can ask Master John, if she wants to know.
When Kate decides to take a look at the well herself, Christopher Heron finds her, grabs her, and hauls her away from it. Kate is startled, and he explains that he thought that she would fall in and be lost in the chasm under the rocks there. Kate thinks that’s silly because the well has a wall around it, but Christopher explains that’s what happened to Sir Geoffrey’s daughter, Cecily. At least, that’s what Christopher thinks happens to her.
He explains that Cecily was a little girl and that her mother was dead when he and his brother came to live at Elvenwood. One day, Sir Geoffrey left on one of his trips, and Christopher was responsible for Cecily. Cecily liked playing a kind of hide-and-seek game, but that day, Christopher found her antics irritating. He left her with Master John and went for walk to visit the well. However, he spotted Cecily following him, so he made a mock wish at the well that Cecily, being a spoiled child, would be in the care of someone else. And, that was the last time he saw Cecily. He supposes that she must have fallen when he wasn’t looking, although he didn’t actually see her fall, and they never found her body. They only found one of her shoes on the path. Christopher feels horribly guilty about losing Cecily, and he knows how her loss has hurt his brother, who has been the only person who loved and cared of him since his mother died giving birth to him. For him to lose Cecily when Geoffrey trusted him to take care of her was terrible, and he knows that his brother has not looked at him in the same way since. As a penance, Christopher has been living in the old leper’s hut on the estate whenever his brother is not in residence.
It’s sad, but Kate thinks that Christopher has been spending too much time feeling sorry for himself. She thinks it would be more sensible if he made a confession to the local priest to clear his conscience rather than brooding over what he could have done or should have done. Christopher says that it’s none of her business what he does, and he will give himself whatever penance he thinks is fitting. Kate thinks that Christopher is indulging in pride and self-pity over what was merely an accident.
When Kate helps to rescue a local boy from a flooded river, his grateful mother talks to her about the guardians of the well, insisting that it’s really the fairy folk. She says that they live in a cave under the hill, that the strange woman Kate saw on the hill is their queen, and that they sometimes steal away children to be their slaves … or worse. She and others in the village think that’s what really happened to little Cecily and that the people at the castle know it, too. She thinks they’re purposely letting Christopher blame himself so that Sir Geoffrey won’t learn that his daughter is really alive and a captive of the fairies.
It does seem to Kate that everyone but the Herons genuinely believes in the fairies and that’s what Dorothy was talking about when she was talking about the guardians of the well being older than the saints. She reflects that Roger believed that the stories about fairies are just references to pagan gods and religious practices, and she starts to wonder if the people of Elvenwood, or the Perilous Gard, are secretly practicing pagan rituals with their traditions about the well. If the fairies are only superstition and the remnants of old religion, though, who was the mysterious woman who was watching Kate’s arrival? Could that have actually been a real fairy queen?
Kate tries to discuss it with Christopher, but he’s convinced that he knows what must have happened to Cecily. Then, they have an encounter with Randal, who tells them that the fairies have stolen away his wits. He knows he’s a bit addled and missing some memories, but he insists that the fairies did it to him because they couldn’t use a musician as one of their sacrifices, so they sacrificed his wits instead. Then, he claims that he has seen a little golden-haired girl dancing with the fairies and that she gave him her slipper to show to someone. To their astonishment, Randal produces a little girl’s slipper that matches the one Cecily lost on the path the day she disappeared! This slipper is much more worn than the other one, indicating that the girl who wore it continued to wear it after she disappeared.
Realizing that Cecily is still alive, Christopher wants to make a thorough search of the chasm beneath the well, but Kate urges caution. Whatever is going on at the well and whatever happened to Cecily, she’s sure that the people at the castle know about it, like the woman from the village said. If they don’t want to find and rescue Cecily themselves, it’s because they have something to hide. Sir Geoffrey’s wife seemed eager to leave this place, where Kate is now trapped by the queen’s orders, after her marriage, and Sir Geoffrey only returned here after she was dead, apparently unaware of the dark things that have happened here and still may be happening. Whatever is going on, the people of Perilous Gard are involved, and Kate and Christopher cannot expect any help from anyone in the castle.
People leave coins and gold as gifts to the well when they ask it for something, and Christopher wonders if that could be the secret source of money for the estate that has funded all the luxurious renovations. Master John could be secretly taking all of the offerings the pilgrims leave. On the other hand, the name of the family that once owned this estate was “Warden”, a name that indicates the caretaker for something. Were they once the caretakers of the well, of a remaining cult of pagans that still practices the old religion and its rituals … or perhaps of actual fairies? What was Sir Geoffrey’s wife afraid of in her old family home, and where is little Cecily now? Was she taken as a hostage to ensure that Sir Geoffrey wouldn’t interfere with whatever the people at the castle are doing … or as a potential sacrifice to fairies or pagan gods? They reflect that the story of Tam Lin, about a lover who rescued her beloved from the fairies, was set on All Hallow’s Eve (Halloween). Cecily’s father plans to return on All Saint’s Day, the day after All Hallow’s Eve (November 1). Kate and Christopher need to get word to Sir Geoffrey or rescue Cecily themselves before it’s too late!
This is a Newbery Honor Book. It is available to borrow and read for free online through Internet Archive (multiple copies).
My Reaction and Some Spoilers
This book was fascinating and suspenseful! From the beginning, I wasn’t really sure whether or not this was a fantasy story. It turns out that it’s what I call pseudo-fantasy. It has all the trapping of fantasy, and there are points when it seems like something supernatural might be happening. However, it seems that, in the end, the “fairies” are humans practicing pagan rituals and who have convinced themselves that they are somehow different from the other humans who live above ground, out of the caves. There may be things that indicate that they might be more than that, but overall, Kate believes from the very beginning, that they are merely humans with strange and dangerous practices. As she puts it, “There were never any heathen gods, only heathen people who believed in them.”
Ancient Religion and Folklore
In their attempts to free Cecily, Christopher and Kate become the captives of the “fairies”, and Christopher is in danger of being used as one of their sacrifices. During their captivity, Kate gets to see some of their practices, and she realizes that they control people through things they give them to drink that affect their minds, and she learns what she needs to know about their rituals and beliefs to thwart their plans. In real life, there are a lot of gaps in our knowledge of pre-Christian religion in Britain because the practitioners didn’t leave written records. Mostly, what know about them is based on archaeology and accounts left by the Romans, which may not be entirely accurate. In the story, the “fairies'” beliefs are based around the idea of sacrifices, energy from humans and the earth, pieces of folklore, and probably the use of some kind of psychedelics. The most interesting and revealing part of their beliefs comes when Kate discusses the need for sacrifice with the fairy queen, and the two of them face off with their respective religious beliefs. During their discussion, they compare their beliefs on the subject of God/gods, power, and the purpose of sacrifice.
The fairy queen says that sacrifice is necessary to take the power from a human life and put it into the land and people through to keep them alive. In spite of her group’s isolation and life in the caves, she seems to understand some of the basics of Christianity, and she says that Kate should understand the notion of sacrifice because Christianity is built around one particular sacrifice. The fairy queen compares Christ’s sacrifice to the sacrifices that her cult holds – one person must give their life for the sake of the others as a way of transferring their life energy. Kate is a Christian, and she knows this description of Christ’s sacrifice isn’t completely accurate, but she tries to convince the queen that Christ’s sacrifice makes other sacrifices unnecessary. She says, since Christ gave Himself for the sake of humanity, He has guaranteed humanity’s safety so no others need to pay the price He paid. The queen argues that Christ’s sacrifice happened a long time ago, that His life energy has passed, and their cult holds a sacrifice on All Hallow’s Eve every seven years to renew the energy. Kate argues that Christ was special as the son of God, the only God that truly exists, and that His energy never dies, that it has transferred to living humans. She uses the story of Christopher’s namesake, St. Christopher, as an example of Christ’s power extending to humans. Unfortunately, the queen takes that to mean that Christopher holds some of Christ’s power in him, so sacrificing Christopher would not only give them the power of his life force but the power of Christ as well. Kate realizes that she can’t persuade the fairy queen or make her understand because the queen will just take everything she says and try to fit it into her views and what she has already decided needs to be done.
The philosophical and theological discussion between the two of them was fascinating, but the only way Kate can disrupt the sacrifice and save Christopher is to use the power of stories these people already believe. Kate never cared much for folk tales and ballads before, but she knows that the queen believes in the legend of Tam Lin and that the method the heroine from that story is the only one that can save a sacrifice like Christopher. When Kate finds out that the queen completely believes in that story, she realizes that she has to use the heroine’s solution from the story to rescue Christopher.
This is a point where the actual ritual differs from the magic in the story of Tam Lin. In the story of Tam Lin, he is physically changed into various forms that are frightening or difficult to hold onto, but his lover has to keep hold of him for him to be released from the magic. In this story, Christopher is not actually transformed into anything. It’s more psychological. The fairies believe that people who are going to be sacrificed need to give themselves to the sacrifice willingly, so they use psychological manipulation to convince Christopher that he has nothing to live for, playing on his feelings of guilt for not protecting his niece better and other traumatic pieces of his past, like his mother dying while giving birth to him and his father resenting him because of it. To hold on to him, like the heroine in the story, Kate has to speak up and convince him that the fairies are lying to him and that he does have things to live for. She needs to hold on to his mind and get him to assert his own will to survive while the fairies try to convince him that the only purpose he has left is to offer himself for sacrifice. “Holding on” in this case means holding on to one’s sense of self and one’s purpose, even in the face of doubts, insecurities, personal trauma, and the toxic influence or manipulation of other people.
Personal Growth
In her arguments with Christopher to get him to see that his life is worth living, Kate also confronts her own inner demons and insecurities – that everyone prefers her pretty sister, that she was blamed for things her sister did, etc. Their experiences with the fairies and confronting their personal demons are traumatic for Christopher and Kate, but they grow through them and come away with a better sense of self and greater self-assurance. Kate’s growth shows in the end both because she other women realize that she no longer fits into her clothes and will need new ones and in her maturity with dealing with her old insecurities when she sees her sister again.
There is a point when, because Alicia is thoughtless in the way she talks and has a habit of giving people the wrong impression about things, Kate thinks that Christopher has fallen in love with Alicia as the prettier sister and that he is going to marry her. This is crushing for Kate because Alicia is often favored by people and because she has fallen in love with Christopher through their shared experiences. The fairy queen makes a last appearance in which she offers to give Kate something to make Christopher fall in love with her, but Kate rejects it. While it would hurt for Christopher to reject her in favor of Alicia, and it would add to past hurts she’s had about Alicia being the favored girl, Kate has grown emotionally through the story. She is above the manipulations of the fairies, and whatever she encounters in her life that might cause her hurt, she has the emotional strength to handle it and do the right thing in spite of it. Her rejection of using dirty tricks is rewarded when Christopher proposes to Kate. Her doubts of his love were only because Alicia is thoughtless in the way she says things to people and because of Kate’s remaining insecurities. Kate is happy that she can accept Christopher’s honest love for what it is without attributing it to any manipulation. They’ve been through the worst together, they’ve seen each other’s insecurities, and they love each other all the more for it.
It isn’t just Christopher and Kate who grow through their experiences. Sir Geoffrey realizes that his own bad decisions and blindness to what was going on contributed to the danger his daughter was in. He had no idea what his steward was involved in and what was going on around the castle. He also realizes that little Cecily needs the attention of someone who can devote herself more to the little girl without distraction and a life in a more settled place with greater access to broader society, so he sends Cecily to her aunt’s house in London. Sir Geoffrey’s acceptance of his own failings absolves Christopher of the last of his guilt over Cecily’s disappearance/abduction.
I also appreciated that characters in the story didn’t hate each other even when they had suffered hut because of them. Sir Geoffrey didn’t stop loving his brother when he thought that Christopher had failed to protect Cecily. He found the loss of his daughter difficult to take, and his brother’s role in that was hard on his feelings for his brother. However, Sir Geoffrey never sought to banish or punish Christopher for it, and when he finds out that Christopher is in trouble, he races to the rescue! In the end, Kate also cares about Alicia. Even when she was punished for the letter that Alicia wrote and thought that she might lose Christopher to her, she didn’t let spite and resentment take over. I appreciate the characters’ growth, and I also liked the way they dealt with their emotions when they were hurt and things were difficult. They still care for their family members because, deep down, they still love them and want to do right by them, even when it isn’t easy.
The Berenstains’ B Book by Stan and Jan Berenstain, 1971.
This book is called the “B Book” because everything in it start with the letter ‘B’. There’s a big brown bear, a blue bull, and a beautiful baboon dressed like a ballerina.
They blow bubbles on a bicycle and bump into a black bug with boxes of bananas and a bunny with a basket of bread because they’re going backward.
The chaos continues with a bus full of baseball players and beagles playing banjos and bagpipes. Where will it all end?
The book is available to borrow and read for free online through Internet Archive (multiple copies).
My Reaction
At first, it seems like there’s no plot to the book, more about emphasizing all the words that start with ‘B’, but there is a point at the end. All of the chaos is what broke baby bird’s balloon. That’s what everything is building up to! The plot/punchline at the end of the story is cute, and it gave me a chuckle. It isn’t really important, though. It’s just a nice touch at the end. Overall, it’s a cute book with a lot of things for young children to spot in the pictures, and adults can use the story to emphasize ‘B’ words and sounds for small children.
This book is by the authors of the Berenstain Bears series, but even though they have their last name in the title, as they do with all the Berenstain Bears books, the characters from the Berenstain Bears don’t appear in the book. There is a bear in the style of the Berenstain Bears riding the bicycle and blowing bubbles, but that’s it. In this case, the name “Berenstain” just refers to the authors, not their best-known series.
When Clay Sings by Byrd Baylor, illustrated by Tom Bahti, 1972.
This children’s picture book is a salute to the ancient makers of Native American pottery, dedicated to these makers and the museums that preserve their work. It’s written as free form poetry with images of the American Southwest and designs from Native American pottery.
The story sets the scene on a desert hillside, where pieces of ancient pottery are buried. Sometimes, Indian (Native American) children dig up pieces of old pottery, and their parents remind them to be respectful of what they find because they are pieces of the past and of lives that went before. Sometimes, they’re lucky enough to find pieces that fit together or even a bowl that isn’t broken.
They reflect on the time and skill that went into making the pottery and how strong the pottery would have to be to last well beyond the lives of the people who made it. They think about the people who painted the beautiful designs on the pots and what their lives were like. Could their own children have requested favorite pictures painted on their bowls?
Some designs show animals or bugs or hunters, but others show bizarre creatures that might be monsters or spirits. Others show a medicine man trying to cure a child, ceremonies, dancers in masks and costumes, or the traditional flute player. People can reflect on the lives of those long-ago people and how they compare to the lives of people today.
There is a map in the back of the book which shows the areas of the American Southwest (Arizona, New Mexico, Utah, and Colorado) where the pottery designs the book uses originated from and the tribes that used them.
This is a Caldecott Honor Book. It is available to borrow and read for free online through Internet Archive (multiple copies).
My Reaction
I grew up in Arizona, and I remember our school librarian reading books by Byrd Baylor to us in elementary school during the late 1980s or early 1990s. She wanted to introduce us to this author because she wrote about the area of the United States where we lived. In fact, this book about pottery was fitting because, when they were building our school in the 1970s, they found some ancient pottery. They used to have it on display in the school library. Even to this day, it’s common for people creating buildings in this area to have the site surveyed by archaeologists. Finds are fairly common, and the usual procedure is to thoroughly document everything that gets uncovered before burying it again in the same location and constructing the building over it. One of the reason why they usually rebury finds is that, in this dry, desert climate, putting them back into the ground will actually preserve them very well. It’s possible that later generations will find them again (especially with the location documented) when the building is gone or no longer necessary, but they may have better instruments or techniques for analyzing them.
I’m a little divided on how much I like this book, though. On the one hand, I like books about folklore and traditional crafts, and this book focuses on a geographical area that’s very familiar to me. On the other hand, the free verse poetry that reflects on the feelings of people about the pottery doesn’t appeal to me quite as much as books which show the process of making it, like The Little Indian Pottery Maker. I like to see the process and learn more of the known background legends of some of the designs than just try to imagine what things might have been going through the minds of the designers. Toward the end of the book, they show the legendary humpbacked flute player, but they don’t tell you that this figure is called Kokopelli and that there are legends about him. It’s a nice book, but I just felt like there was potential to include more background information.
This book uses the word “Indian” for “Native American” or “America Indian”, which is common in older children’s books.
#21 The Secret of the Haunted Mirror by M. V. Carey, 1974.
Mrs. Darnley has collected mirrors for years, and she has some pretty impressive ones in her collection. Her strangest mirror by far is the goblin mirror that her friend in another country, the Republic of Ruffino sent to her. There is a legend surrounding the mirror that says it was once owned by magician who used it to communicate with goblins under the earth. Supposedly, the magician went inside the mirror himself and now haunts it.
A man called Sr. Santora has been pestering Mrs. Darnley to sell the mirror to him, claiming he’s a descendant of the magician who created it. He insists that the legends about the mirror are true and that terrible things have happened to previous owners of the mirror. Mrs. Darnley didn’t believe these stories at first, but now, she and her grandchildren have seen this ghost in the mirror and heard unearthly laughter in the night. That isn’t the only strange phenomenon they’ve experienced. Someone tries to steal the mirror from Mrs. Darnley’s house, and Mrs. Darnley, not knowing what to do, asks the Three Investigators to find out what the mirror’s secret really is.
The Three Investigators are pretty sure from the beginning that someone is faking the ghost, although they don’t know exactly how. At first, they think that Sr. Santora hired the man who tried to steal the mirror, but when they follow the attempted thief, Pete sees him attack Sr. Santora!
Jupiter spends a stormy night at Mrs. Darnley’s house and has an encounter with the “ghost” that reveals how the haunting was accomplished and reveals connections to another magician who once owned Mrs. Darnley’s house and to the president of the Republic of Ruffino. It seems that the mirror contains secrets that aren’t entirely magical. There are two competing forces trying possess these secrets.
When Mrs. Darnley’s grandson is kidnapped, the kidnapper demands that she turn over the mirror in an abandoned warehouse. The Three Investigators must hurry to find the kidnapped grandson, discover which side in this power struggle is responsible for the kidnapping, and what the real secret of the mirror is before it’s too late!
The book is available to borrow and read for free online through Internet Archive (multiple copies).
My Reaction
The part I enjoyed the most about this mystery was the creepy legend and haunting of the mirror. One of the features of the Three Investigators books that I like is that they have some spooky mysteries in the pseudo-ghost story fashion of Scooby-Doo, and some of their supposed ghosts and supernatural creatures are much more original than in other series. The idea of a haunted goblin mirror and Jupiter’s encounter with it on a spooky, stormy night are delicious to a Scooby-Doo style mystery fan!
There are echoes of the first Three Investigators book in this one because there are secrets to Mrs. Darnley’s house that she doesn’t fully understand, and the haunting is based on magic tricks. There is some political intrigue to the story, too. The Republic of Ruffino isn’t a real place, so readers find out about its circumstances along with the Three Investigators. There is also a secret room and a clever hiding place for something in the solution to the mystery.
Cranberry Mystery by Wende and Harry Devlin, 1978.
Antiques are being stolen from the people of Cranberryport, and no one knows who is responsible. People are looking at each other with suspicion.
After Annabelle, an old figurehead that used to belong to Mr. Whiskers’s grandfather, is stolen from Mr. Whiskers’s house, Mr. Whiskers sees a light on Sailmaker’s Island. He believes that the thieves are hiding on the island, but the sheriff will not listen to him. The only person who listens to Mr. Whiskers and believes him is young Maggie.
When Mr. Whiskers and Maggie set out to the island to find the thieves by themselves, they are captured! How can they escape and get the authorities?
The book includes a recipe for Grandmother’s Famous Cranberry Pie-Pudding.
My Reaction
The story is more adventure than mystery. The thieves are strangers, not anybody from the town, so there’s no evaluation of different suspects, and Mr. Whiskers has a pretty good idea where the thieves are hiding, so there isn’t much searching for them. It’s more about how Maggie and Mr. Whiskers escape from the thieves and alert the authorities. It’s a nice story, but I just think that the “mystery” could use a little more mystery. The best part is when Maggie uses the old figurehead, Annabelle, as an improved raft to reach the authorities.
The season in this story is “Indian summer“, which is when it’s technically fall, but there’s a warm period. There are different names for this phenomenon, but the term “Indian summer” might be based on the concept that this is the time of year when Native Americans prepared food stores for the coming winter.
Danny Dunn and the Swamp Monster by Jay Williams and Raymond Abrashkin, 1971.
Professor Bullfinch receives a cryptic message, which he says is written in the style of a telegram (he calls it “cablese” – a way of shortening messages because people pay for telegrams by the word). As Professor Bullfinch and Danny study the message further, they can draw more conclusions about the sender, who is not specified. They know it’s someone with money because the hotel it was sent from is expensive. From one of the terms used, they think the sender is a scientist, and because he sent a message written to be a telegram as a letter, he’s probably absent-minded. That description seems familiar to Professor Bullfinch.
Then, a strange man comes to the door who seems oddly distracted and confused. He greets Danny as if he were an old friend, but Danny has no idea who he is. He thinks the man is crazy, but Professor Bullfinch recognizes him as his old friend Dr. Benjamin Fenster. Of course, Dr. Fenster is the person who sent the confusing message. It turns out that Dr. Fenster meant to send that message to Dr. Ismail at the University of Khartoum, but he accidentally got it mixed up with the message he was going to send to Professor Bullfinch. Dr. Fenster is an absent-minded professor type, and he’s always doing things like that. Although, he does correct Danny when he mentions this, saying that he’s not actually a professor, and it’s not so much that he’s absent-minded so much as that he has a lot to think about and can’t think of everything at once.
Their conversation is interrupted when something goes wrong with the experiment that Professor Bullfinch and Danny were working on before Dr. Fenster arrived. A warning goes off, and Professor Bullfinch yells to Danny to shut off the machine. However, Danny can’t find the shut off switch, so he panics and pulls an electrical cord, sending an electrical current through the project before Professor Bullfinch turns off the switch. When they examine the results of the experiment, they’re surprised. Professor Bullfinch was trying to develop a new polymer, but the accident with the machine and the electrical current have turned the polymer into a superconductor and a very powerful ring magnet with a circular magnetic field.
While they’re examining the results of the experiment, Dr. Fenster wanders off, lost in thought. Danny worries if he’ll be okay, wandering around on his own, but Professor Bullfinch says that he’ll be fine. Dr. Fenster often does this when he’s thinking something through. Danny’s friends, Joe and Irene, arrive, commenting on seeing a man who was acting strangely and wondering if there’s something wrong with him. Danny explains to them who Dr. Fenster is and tells them about the ring magnet. Then, Dr. Fenster bursts back in, very excited, because he’s figured something out. He thinks the magnetic polymer ring might be the solution to a problem he’s been trying to solve.
Dr. Fenster is a zoologist, and one of his projects is to investigate accounts of legendary animals. Although many scientists tend to disregard stories of unknown animals as purely legendary, sometimes, they turn out to be previously unreported/undiscovered species. (“Undiscovered” in the scientific sense. Obviously, people have seen them, or they wouldn’t tell stories about them. These are species that haven’t been officially documented as having been discovered among the scientific community.) Investigating rare or possibly unknown species is what Dr. Fenster does.
Dr. Fenster is currently investigating reports of a creature called the lau, which apparently lives in swampy areas around the source of the Nile River in Uganda. The lau is supposed to be an enormous serpent with tentacles on its head. The legend around it says that if a person sees the lau first, the lau will die, but if the lau sees the person first, the person will die. When the others ask him if he thinks that’s real, Dr. Fenster says that he thinks that’s more metaphorical, like when someone says they felt petrified, it doesn’t mean that they literally turned to stone, or if someone says that their blood froze, it just means that they felt horrified. He thinks that the idea is that a serpent could kill a person, if they didn’t see it and disturbed it, but if the person saw the serpent first, they would kill it to avoid the threat.
The problem that Dr. Fenster has been trying to solve is how to move around the swamp and keep the area under observation during the night as well as the daytime, without possibly disturbing the creature he’s trying to find. It’s difficult to get around that swampy area in daylight, but it’s even more difficult at night, and he doesn’t want to use lights because that could frighten away the lau. He’s been thinking that he would like to mount some specialized cameras in certain strategic areas, but he couldn’t figure out how to mount them, and the cables he would have to use would be long and heavy. Having seen what the magnetic polymer can do, though, he thinks that could be the solution to the problem. It doesn’t weigh much itself, but when they test it, they discover it can support the weight of a grown man.
Dr. Fenster invites Professor Bullfinch and the children to join him on his expedition. He’s independently wealthy, and he can afford to pay for all them to come along. However, Danny’s mother has reservations about how safe this expedition is, and she can’t imagine that Joe or Irene’s parents will allow them to go on the trip, either. It takes time for Dr. Fenster to persuade the children’s families that the trip is safe enough for them. Eventually, they give in and allow the children to travel to Africa as a special Christmas present. Dr. Fenster doesn’t have any time limit on his own investigations, but the parents limit the children to only two weeks.
When they get to Africa, the first place that Dr. Fenster takes them is to Khartoum University in Sudan, where he introduces them to Professor Ismail, the Director of the Department of Zoology. Professor Ismail has helped Dr. Fenster with travel arrangements, equipment for the expedition, and the necessary government permits. Danny asks Professor Ismail what he thinks about the stories of the lau and whether it could be something like a dinosaur that has somehow survived. Professor Ismail says that many things are possible because there known oddities among animals, like the platypus, which lays eggs even though it’s a mammal. He shows them a fish called clarias lazera, which has the rare ability to leave water and live on land for a period of time.
The children get something to eat at a local cafe and talk excitedly about what the lau could really be and how its discovery could be “the most important discovery of the century.” Irene notices that a man in the cafe looks very interested in what they’re saying and follows them when they leave.
When the expedition reaches the site Dr. Fenster wants to investigate, they persuade some of the Nuer people who live there to show them where they’ve see the lau. They are initially reluctant and warn them that the lau is dangerous, but they do show them an area, and the members of the expedition start setting up cameras to watch it. As they begin exploring, they do find large trenches that are like the paths supposedly left by the giant serpents.
Dr. Fenster explains to the disappointed children that he won’t take them along to confront the lau directly, even if they do find it because of the possible danger. He and Professor Bullfinch will handle the creature, using the tranquilizer gun that Dr. Fenster brought along. They plan to have the children watch on the monitors and keep an eye on the base camp. However, the children see something unexpected when they’re looking at the monitors: the same strange man who was following them in Khartoum. Who is he and why has he followed their expedition?
When the children tell Professor Bullfinch and Dr. Fenster about him, they meet up with the man, and he introduces himself as a rare animal collector. He offers to join their expedition and help them, but Dr. Fenster refuses. One of the Nuer recognizes the man as a disreputable character who would do anything for money, and Dr. Fenster thinks he’s a poacher, who would try to capture rare animals and sell them, rather than simply study them scientifically. It seems that, aside from protecting themselves from the possibly dangerous lau while they study it, they might also have to protect the lau.
The book is available to borrow and read for free online through Internet Archive (multiple copies).
My Reaction and Some Spoilers
The lau is a cryptid in the real world as well as in the story, and the details Dr. Fenster offers about where it supposedly lives and historical mentions of the creature are accurate. Accounts of what the lau might actually be in real life vary. It could be a type of python or a very large fish, like a catfish. In the story, when they do find the lau, it turns out to be an enormous catfish, the kind that can live without water for a time and move on land, but it also turns out to be electrical, like an electric eel. Professor Bullfinch and Dr. Fenster decide that it’s related to the malapterurus, which is in keeping with real world theories about the lau.
The story makes some good points about known animals in the real world that are considered oddities because they have qualities that don’t normally apply to other animals of their type, like how the platypus is an egg-laying mammal. Just because something sounds unusual doesn’t mean that it’s impossible. There are wide variations among creatures in the animal kingdom. I thought it was interesting that they brought up the clarias lazera, which is a type of catfish that can live and move on land. A similar type of catfish that can live and move on land appeared in the children’s mystery book The Mystery of the Other Girl.
I’m not sure whether the accident that produced the magnetic polymer makes any reasonable scientific sense, but there a few interesting facts in the story. When they get to Africa, Dr. Fenster explains to them that there are actually two Nile rivers – the White Nile and the Blue Nile. They get their names because the soil they pass through gives them each a different color.
There are some words of another language included in the story when they reach Uganda, but I’m honestly not sure whether they’re real words or just made up to make it seem like Dr. Fenster can speak the local language. I tried putting them through Google translate to see if it could recognize them as anything, but it came out as nonsense. However, it’s supposed to be a language spoken by the Nuer people, so it might be something that Google translate doesn’t know.
Sometimes, I’m a little suspicious when I encounter obscure foreign words in old children’s books. I’ve read other old children’s books which use made-up words in place of an actual foreign language, probably because the writers didn’t know how to write something in a real foreign language but they wanted something that looked like it could be from another language. They were probably also acting with the assumption that kids wouldn’t know the difference, so it wouldn’t matter. I could be doing these authors a disservice by being a little suspicious here. Perhaps they did some extra research to learn a few phrases in a language that would be very obscure in the United States. It’s just that, having seen fakery elsewhere, it’s something I find myself looking for when I see instances of languages that would be difficult to fact-check.
Faking words in a real spoken language is less tolerated in the 21st century than it used to be, especially in a book that’s supposed to have educational qualities, so I hope they didn’t attempt to do that. Faking lesser details in a fiction book that’s supposed to have some real facts tends to cast suspicion on just how many of the other “facts” in the book are fake. This is an adventure story, not a textbook, so it’s true that some creative license is allowed. I still don’t know if their magnetic polymer concept is at all plausible, but the Danny Dunn stories are science fiction adventures, so some creative license there is allowed. However, readers like to feel that they can trust a certain amount of supporting detail to be correct. It’s also considered a cultural insult to use fake nonsense words in place of actual words from a language people really speak. Hopefully, that’s not the case here, but I wanted to point out the concept so readers can see how the use of real words strengths a story while faking them weakens it.
The story offers about the Nuer people, but I’m not sure how accurate they are. I don’t know where the authors got their information. They say that Nuer people don’t have chiefs and don’t follow orders from anybody, but according to the eHRAF World Cultures collection through Yale University, their clans do have headmen, and they also have sub-chiefs.
This picture book is unusual because there are no words in it at all until the very end. It’s all pictures, except for the part that explains the inspiration for the story. The author/illustrator, Mitsumasa Anno, depicts himself as a traveler, traveling through the countryside and towns of Europe. The “story” is the story of his journey, but it’s all in the pictures.
In the first pages of the book, we see Anno arriving by rowboat and either buying or renting a horse. The following pages are a little like the Where’s Waldo/Wally books, showing Anno’s travels. Anno appears somewhere on every page, riding his horse, but readers have to look for him. There are also other things to look for, but readers don’t get that explanation until the very end.
The scenes start out in the countryside, and as Anno goes through towns and cities, they can be very busy, with many people and lots of things happening. Toward the end of the book, Anno goes through the countryside again, and it ends with him riding off toward the horizon.
Along the way, there are interesting, detailed scenes that show various aspects of countryside and town life. There are people working in farm fields, people packing up to move house, some men carving tombstones for a churchyard, some children playing and running a race near their school, and a busy market square.
There are also special occasions and very busy scenes, from a wedding in front of a town church to a circus scene and a parade through a city. Aside from the main event in each scene, there are also other things happening in the background, from people working to repair a roof to a prisoner escaping from a castle. Through it all, Anno is always somewhere in the scene, riding the horse.
There is hidden depth to the pictures. There is a section at the back which explains the story behind the book. The author and illustrator, Mitsumasa Anno, is from Japan, but he has always been fascinated by European culture, art, and architecture. Twice, during the 1960s and 1970s, he visited Europe, taking in the sights and producing his own art. This book is based on his travels, and the pictures incorporate the types of towns, fields, and churches he saw. However, they also include many hidden details, including details from famous paintings, characters from books and folktales (and also Sesame Street), and the stories of some of the characters in this book, carried across multiple pages, for readers to notice.
The book is available to borrow and read for free online through Internet Archive, along with a couple of other books by the same author, in a similar format, Anno’s Italy and Anno’s Britain.
My Reaction
I enjoy books with detailed pictures, especially ones that contain details for readers to notice, like a game. I didn’t see many of the details that are hidden in plain sight until after I read the explanation of what to look for, but there is quite a lot to see in this book. It’s the kind of book that you can look at many times and notice something new every time! Although this is considered a children’s picture book, I think that there are many things that adults might see in it that would go over the heads of children. Children wouldn’t be likely to get all of the art references, for example. It’s a book that can appeal to a variety of people of different ages!
Jestress's Forgotten Books and Stories 