Posted on by TracyC

Annie and the Old One

Annie and the Old One by Miska Miles, illustrated by Peter Parnall, 1971.

Annie is a Navajo girl who lives with her family in a traditional hogan. Her family keeps sheep, and Annie helps to tend them when she’s not at school. She also likes to listen to her grandmother’s stories.

One evening Annie’s grandmother tells the family that, by the time the new rug that Annie’s mother is weaving is finished, she will “go to Mother Earth”, meaning that the grandmother knows she is going to die. She asks each member of the family what they would like as a gift from her. When Annie looks at her grandmother’s weaving stick, her grandmother gives the weaving stick to Annie as a gift.

Annie asks her mother how her grandmother can know when she is going to die, and her mother says that many Old Ones like her grandmother can tell. Annie doesn’t want her mother to finish weaving the rug she is weaving, wanting to put off the rug being finished so her grandmother will live longer, but her mother knows that is useless, and the family needs to make rugs to sell.

To stop her mother from weaving, Annie tries to misbehave in various ways to distract her from her work. Then, she tries secretly undoing some of her mother’s weaving to delay the rug being finished.

When Annie’s grandmother realizes what she’s doing, she has a quiet talk with Annie. She explains that nobody can hold back time. The cycles of nature, life, and death must continue. Her grandmother’ talk helps Annie to understand and accept that her grandmother’s life and impending death are all part of a cycle. Rather than fight against the cycles of nature, Annie becomes part of the cycle by learning her grandmother’s craft of weaving.

The book is a Newbery Honor Book. It is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction

I vaguely remember this book from when I was a kid, but I didn’t really remember the story, even when I reread it. I’m not entirely sure whether I actually did read it when I was young or if it was just a book that teachers or librarians recommended when I was young. I grew up in the Southwestern United States, not far from where the Navajo live, so it was common for us to read books of this type about Native Americans of the Southwest when I was young.

The story is a little sad, but in a gentle way. We don’t see the grandmother die, but the family, especially Annie, is starting to prepare for her loss. Annie’s grandmother also recognizes that part of her role is to help her family to understand and accept her own death. She tries to do this in a gentle but matter-of-fact way, and she gives each member of the family something from her belongings to use and to remember her by.

Part of Annie’s confusion about her grandmother’s impending death comes from the colorful way Annie’s grandmother expressed that she doesn’t expect to live much longer, saying that she will die by the time the rug is finished. The adults understand that this is a rough estimate of the amount of time the grandmother thinks she has left to live, but being a child, Annie takes it literally. She loves her grandmother and tries to keep her alive longer by delaying the completion of the rug until her grandmother helps her understand that it’s not the rug that really matters. Time will move forward, regardless, and changes will come with it. There is nothing Annie can do to change that. I liked it that, although this is hard for Annie to understand and accept, she does come to accept it.

By comparing the cycles of life and death to the cycles of nature, her grandmother helps Annie to see that what is going to happen is natural and that nature’s cycles have beauty to them. Earlier in the story, Annie’s grandmother and mother urge Annie to learn to weave and ask her if she’s ready. She wasn’t ready before, but at the end of the story, she decides that she is. Annie’s acceptance of the cycles of time and life help her to recognize her own growth and change and that she has a place in the cycle of her family as the next one to learn her family’s craft. Annie learning the craft continues the cycle of of her mother and grandmother. Her grandmother passing on her weaving stick is like passing the torch to Annie, making Annie part of her legacy and giving Annie a new role as one of the family weavers. Annie’s life will move forward through the loss of her grandmother, and she will have new roles to fill as she takes her place in the cycle of life.

Posted on by TracyC

The Trouble with Miss Switch

The Trouble with Miss Switch by Barbara Brooks Wallace, 1971.

Rupert is a budding young scientist, just entering the fifth grade, and his new teacher is an unusual woman called Miss Switch. A lot of teachers say they’ve got eyes in the back of their head, but it seems like Miss Switch really does. Right from the first, she seems to know what kids in class are doing when she’s definitely not looking. She even seems able to read minds at times, and when kids act up in class strange things happen. A spit ball thrown by a student ends up coming back and hitting him, and a class bully seems to get stuck while getting a drink from the drinking fountain.

In spite of the strange things that happen around Miss Switch, the kids in class like her, though. She makes their lessons interesting, and their grades improve. She’s also much more fair than most of their other teachers. Other teachers play favorites in class, having “teacher’s pets” or treating the girls much better than the boys, but Miss Switch treats everyone the same. That means, when she’s in a bad mood, everyone suffers, but when she’s happy, everyone benefits. The students appreciate the equality, but Rupert can’t help but wonder how Miss Switch is able to do some of the odd things she does.

Rupert tries to put his scientist’s mind to the question to figure out what’s going on with Miss Switch, and he comes to a startling conclusion: Miss Switch is a witch! Before telling anybody what he suspects, he decides that he has to satisfy himself that this is the case and then discuss it with Miss Switch herself. That would only be fair, and since Miss Switch has been fair with her students, Rupert thinks he should be fair with her. He does some research at the library about witches and plans a midnight excursion to the school to have a look around his classroom for clues. However, when Rupert sneaks into the classroom at night, he is started to find Miss Switch waiting for him.

Miss Switch isn’t angry that Rupert is in the classroom at night. In fact, she was hoping that he would do just that because she needs to talk to him. Miss Switch admits that she is a real witch, but she also tells Rupert that she’s in trouble. The whole world has become more modern, and computer-oriented, and the witches are no exception. They’ve recently started using a special computer to evaluate their performance as witches, and the trouble is that the computer gave Miss Switch a bad grade. It says that she isn’t “original” enough with her magic. The computer assigned her to teach Rupert’s class at school while she’s coming up with ways to make her magic more “original”, but if she can’t find a way to do it, she’ll have to spend the next 150 years sweeping the witches’ mountain with her broom. Miss Switch knows that Rupert has a creative and scientific mind, and she’s hoping that he can help her come up with some ideas.

Rupert’s first idea is for Miss Switch to improve the school’s next football game. The school’s team always loses to their rivals, and the school band is terrible. If Miss Switch can improve the band and make the team win for a change, that would be original. Unfortunately, Miss Switch’s attempt is only half successful. She definitely improves the band, but because she enchanted the number of the school’s quarterback instead of the quarterback himself, the other team also benefits because they have another player with the same number. Miss Switch gets a good rating but an F for successful completion. (Personally, I didn’t think that was fair because she was half successful. I think that should actually give her a C average.)

Meanwhile, Amelia, an old friend and fellow classmate of Rupert, has also figured out that Miss Switch is a witch and confronts Rupert about what he knows. Rupert brings Amelia along to his next meeting with Miss Switch, and she asks them for another idea for original magic. While they’re thinking it over, Rupert suddenly realizes that Miss Switch has already been using her magic in successful and original ways in her role as their teacher. To prove it to the other witches and their computer, Rupert persuades Miss Switch to take him and Amelia to the witches’ mountain on Halloween so he can make his case to the computer itself.

This is the first book in a series about Miss Switch, and it’s available to borrow and read for free online through Internet Archive (multiple copies). There’s also a cartoon movie based on the book that you can see sometimes on YouTube.

My Reaction

I remember both the book and the cartoon movie from when I was a kid! The copy of the book that I have uses a picture from the cartoon on the cover. The cartoon movie is a shorter version of the book, and there were parts of that I remembered better than the book.

I completely forgot the part in the book about Rupert doing experiments on his pets, overfeeding one and underfeeding the other. That sounds cruel, and I’m surprised that his parents knowingly allowed him to do that. Fortunately, when Miss Switch’s magic causes his pets to talk, they tell him how they really feel about his experiments and that he’ll probably kill them if he continues. When Rupert realizes that he’s harming them, he listens to them and stops the experiments.

One of the parts of the book that I remembered the best was the punch cards that they use for the computer. Most kids in the 21st century probably aren’t familiar with punch cards. They were still around when I was a young child in the 1980s, but they were on the way out. My father was a computer programmer, and he told us that punch cards were what he used when he first learned programming. When I was in first grade, we also used some as bookmarks and reading guides (holding them horizontally across the page, just under the line we were currently reading). I have no idea what the punch cards we used as reading guides were originally for. They were just left over from some old project. Even though I never actually used punch cards for their original purpose, I’m still a little nostalgic about them just because they were around when I was young.

I like the part at the end about how Rupert manages to convince both the computer and the other witches of Miss Switch’s original use of magic by simply describing what Miss Switch has done with her magic at school. The idea of a supernatural or magical teacher who uses their abilities to keep order in the class and/or make learning more fun is a great topic for a children’s book, and it’s also explored in other children’s books, such as Vampires Don’t Wear Polka Dots. Kids like stories that combine familiar, ordinary school life with something fantastic.

However, there are parts that I think adults can also appreciate, both because of the nostalgic pieces of the story (like the computer punch cards) and because the computer that the witches use to evaluate their performance seems like the type of performance evaluation that adults encounter in their own jobs. Like some forms of work performance evaluation that are initially touted as “innovative”, this one also proves faulty and unpopular, even among the witches who have been receiving passing grades up to this point. When Rupert accidentally gives the computer a nervous breakdown, many of the witches are actually relieved to be done with it!

Posted on by TracyC

The Worst Witch

The Worst Witch by Jill Murphy, 1974.

Mildred Hubble is a girl at Miss Cackle’s Academy for young witches, but she can’t seem to do anything right! It’s only about halfway through her first term, and it seems like she’s always getting confused and making the wrong potion in her potions class. Then, when she gets into a fight with a snobby girl named Ethel, she accidentally turns Ethel into a pig instead of a frog. When the girls at school receive their black cats, they run out of black ones, so Mildred gets a tabby cat, who seems to have even more trouble learning to ride on broom than Mildred did, and that’s saying a lot! Miss Cackle, the headmistress, is kind and tries to be understanding with clumsy Mildred, but Miss Hardbroom, the potions teacher, seems to think she’s a lost cause.

On Halloween, Mildred’s class at school is selected to make a special display. Miss Hardbroom decides that they will do a broom formation. Mildred is nervous about how she will do on her broom, and the mean Ethel sees an opportunity to get revenge on her for the pig incident. Because Mildred accidentally damaged her own broom, Miss Hardbroom orders Ethel to lend Mildred her spare broom for Halloween. Ethel puts a spell on the broom that causes it to act up in the middle of the formation, ruining the whole thing.

Everyone is mad at Mildred, thinking the incident was just more of her clumsiness and inattention. She knows that she will be called to a conference with Miss Cackle and Miss Hardbroom the next day. Unable to face them, Mildred decides to run away. However, outside the castle, she comes across a group of strange witches, talking about an evil plot to take over the school. Mildred is the only one who knows that the school is danger. Can the worst witch at the school manage to save it?

The book is available to borrow and read for free online through Internet Archive (multiple copies). This is the first book in a series. There was also a movie from 1986 (also on Internet Archive) and a tv show based on the series. (You can sometimes find the movie or some of the tv episodes on YouTube.)

The 1986 movie is fun and and contains a very trippy scene where Tim Curry, as a wizard, sings a song about Halloween. In the movie, Mildred is played by Fairuza Balk, who later played in the more serious witch movie The Craft in 1996.

My Reaction

When I was in high school, and the Harry Potter books were popular, a friend of mine pointed out that The Worst Witch was basically Harry Potter before Harry Potter existed. It’s true, too. I wouldn’t say that Harry Potter is a rip-off of The Worst Witch because there are many differences between the two series. Harry Potter has much more serious themes about death, prejudice, and oppression that you won’t see in The Worst Witch. The Worst Witch is definitely much lighter in tone. However, it is fun to notice some of the parallels. Both series are about a kid attending a magical school, and there’s a nasty potions teacher, a more privileged student who’s a snob and bully, and a villain who plots to take over the school. (Could the fact that the nasty teacher is always the one teaching the potions class possibly be an indication that many of us still carry traumatic memories from our chemistry teachers?)

I enjoyed The Worst Witch, although the stakes are much less serious than in Harry Potter. It’s a good series for younger children, combining boarding school style antics with magic and villains that aren’t overly scary but still threatening enough for Mildred to be a hero in defeating them. Mildred is a lovable misfit who constantly messes up (sometimes through her own fault and sometimes through someone else’s) but who always manages to come out on top!

Posted on by TracyC

No Such Thing as a Witch

No Such Thing as a Witch by Ruth Chew, 1971, 2013.

A new neighbor moves into one of the apartments in the brownstone next door, and the first sign that Nora and her brother Tad notice that this new neighbor isn’t a normal person is when they spot a squirrel who appears to be reading a tiny newspaper. The “newspaper” turns out to be one of the neighbor’s business cards. Maggie Brown has a business taking care of people’s cats and other animals. She seems to have a strange ability to communicate with animals and get them to do what she wants.

Nora begins to suspect that Maggie Brown might be a witch when she seems to communicate easily with their dog and when her brother starts getting along with Maggie’s cat, Henry, when he normally doesn’t like cats. The secret turns out to be Maggie’s fudge, which she says she makes from an old family recipe. A person who eats one piece loves animals, even if they didn’t before. Two pieces allow a person to talk to animals and understand what they say.

Tad has little restraint when it comes to the fudge, and when he eats too much, the kids understand just how powerful the fudge really is. Eating three pieces makes a person act like an animal, and four pieces will turn the person into whatever animal they were thinking of at the time. Tad accidentally turns himself into a cat, and Nora has to help cover for him until he turns back into himself. The effects of the fudge are always temporary, no matter how many pieces a person eats, so Tad doesn’t suffer any ill effects.

The children are intrigued by Maggie Brown and become friends with her, although Nora is unsure at first how much they can trust her. She is sure that magical Maggie must be a witch,her fudge can cause problems when their animal escapades go too far, and she doubts whether Maggie is even taking care of her animals when she finds that Maggie has been plucking out a bird’s feathers. She changes her mind after a trip to the zoo, where Nora learns that the bird has a problem with its feathers and Maggie has only been plucking out the bad ones to allow new ones to grow.

However, other people have problems with Maggie. A local shopkeeper resents Maggie after she confronts him about a cat he tried to abandon, and her landlady, who is not an animal lover, becomes concerned about the animals she’s been keeping in her apartment. When the landlady decides to call the health department and get someone to inspect Maggie’s apartment for health violations, Nora and Tad decide to see if they can turn her into an animal lover with the help of Maggie’s fudge.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction

It’s a fun story about a magical neighbor and her magical fudge, which allows people to talk to animals or even turn into animals, if they eat enough. The two kids in the story enjoy having a little magic enter their lives in their otherwise ordinary neighborhood. Maggie never actually admits to being a witch, but she comes to realize that the kids understand that her fudge is magical, and she trusts them with the secret. The adults in the story never figure it out, even though some of them also eat the fudge.

Although the effects of the fudge are temporary, they do help change people’s attitudes about animals even beyond when the effects wear off. Tad continues liking Henry the cat after he gets used to him, and Nora develops better feelings for Maggie’s pet lizard once she gets to know him. The fudge allows them to get to know the animals better, look at them in a different light, and generally give them a chance. The kids hope that, once the landlady has had some samples of Maggie’s fudge, she will also develop better feelings for animals over the long term.

One other thing I wanted to mention is that, while the kids refer to Maggie casually, their mother is always trying to correct them, insisting that they call her Mrs. Brown instead, because she’s an adult. It’s traditional for children to address adults in a formal way as a sign of respect, although people in general have become much more relaxed about that. When I was a kid in the 1980s and early 1990s, I was always taught to refer to adults formally, by last name, although when I was in college in the early 2000s, that habit weakened. I had professors who preferred to be called by their first names, in spite of their academic credentials, and friends’ parents starting wanting to be called by their first names. People in Arizona are largely informal anyway, and many people even have business acquaintances call them by their first names. As a now middle-aged adult in the 21st century, I also prefer people to call me by my first name, partly because I feel more relaxed with the informality, partly because it’s what I’ve been called for most of my life, and also because my last name is a little long and some people find it difficult. I don’t care if kids even call me by my first name because that’s just who I am, and I think they probably have an easier time if they just think of me by first name.

Posted on by TracyC

What the Witch Left

What the Witch Left by Ruth Chew, 1973, 2013.

Katy and her friend Louise are bored one day at Katy’s house. They start snooping around a drawer that contains things that Katy’s Aunt Martha left behind after her last visit, even though Katy’s mother told her not to mess with them. At first, they seem pretty ordinary. There’s a pair of boots, a bathrobe with a pretty design, a pair of flesh-colored gloves, and a mirror. Katy tries on the pair of gloves, but to her surprise, they fit so well that they can’t be seen or felt once they’re on her hands. Then, Katy’s piano teacher shows up to give Katy a lesson, and Katy starts the lesson without taking the gloves off. To everyone’s surprise, Katy plays unusually while she’s wearing the gloves. Everyone else just assumes that Katy has been practicing more or trying harder than she usually does, but Katy wonders if the gloves have something to do with it.

She becomes more sure that the gloves are magic when she discovers that she can do other things unusually well while wearing them. She was never very good at sewing before, but while wearing the gloves, she mends a tear in her dress so well that it’s difficult for anyone to see that it was ever torn. Katy tells Louise that she thinks the gloves are magic and offers to let her try them, too. Louise points out that she’s left-handed while Katy is right-handed, so they can each wear one of the gloves on their dominant hands to test their magic. Like Katy, Louise finds that she can do things unusually well while wearing one of the gloves. She likes to draw chalk pictures on the sidewalk, and while wearing one of the gloves, she makes a drawing so realistic that total strangers stop and tell her how amazing it is. When the girls get to school, they both easily pass their spell test with perfect scores, and they have no trouble writing an essay in class, even though they don’t really understand or remember everything they wrote when they’re done.

It seems like Katy is right that the gloves are magic, but they soon realize that there are drawbacks to relying on magic to do all of their work for them. It turns out that the girls not only wrote the essay too easily but, because they were sharing the pair of gloves, they wrote identical essays. Their teacher accuses one of them from cheating in class and moves Katy to a different seat. Since Katy had more trouble pronouncing the words in the essay that she didn’t really write herself, the teacher also decides that she was the one who copied and assigns her an extra punishment. However, Katy admits to Louise that she’s not really angry about being punished because, although she didn’t cheat in the manner the teacher thought she did, wearing the gloves and making them do her work for her was still a kind of cheating. The girls decide not to wear them to class anymore, although they do wear them while working on their costumes for the school’s Thanksgiving play because they need help with sewing.

Before the play, Louise’s mother tells her that she took the wrong blanket for her Indian (Native American) costume and tries to give her another one to use that doesn’t look as good. Louise is upset because she had gotten her costume looking so good, and she doesn’t want the old army blanket her mother gave her. Katy offers to let Louise use Aunt Martha’s colorful bathrobe for her costume instead, but unbeknownst to the girls, the bathrobe is also magical. They realize it for the first time when Louise walks out on stage during the Thanksgiving play and is completely invisible except for her head, the only part of her not covered by the bathrobe. Some people panic when they see Louise as just a floating head, while others assume that it’s a magic trick to spice up the play. Katy and Louise let everyone think it was just a magic trick and are mysterious about how they accomplished it, but this incident makes them realize that everything Aunt Martha left behind is probably magical in some way.

Louise asks Katy more about her Aunt Louise, but Katy admits that she doesn’t really know much about her. She’s not really a relative, just a friend of her grandmother’s, and she and her mother call her Aunt Martha out of habit. They decide to investigate the rest of the items in the drawer, but they know they have to be careful about how they do it to avoid causing chaos or attracting too much attention from other people.

Investigating Aunt Martha’s magical items leads the girls on fun adventures. The boots turn out to be seven-league boots, and Louise and Katy decide to test them by walking to Florida to go swimming in November. However, they go the wrong way and end up in Mexico instead. There, they meet a girl named Pilar. They help Pilar to weave some straw place mats with the help of their magic gloves, and Pilar lets them ride on her donkey, Pepe.

The girls start to suspect that Aunt Martha is actually a witch, based on her magical objects and Katy’s mother’s description of her. The girls panic when they accidentally lose the key to the drawer with all the magical objects in it down a drain, and Katy’s mother gets a letter saying that Aunt Martha is coming to visit. What will the girls do if Aunt Martha discovers that they’ve been using her magical objects, and what if they have to admit that they lost the key to the drawer?

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction and Spoilers

Ruth Chew is known for writing stories about magic and witches for kids, but what I like about these stories is their gentleness. I think that’s also part of what makes other people nostalgic for these books because they’re very gentle and comforting to read. The kids in the stories have magical adventures, and they get into some minor trouble because of them, but nothing really stressful or dangerous happens. It’s a relatively low-stakes adventure, but sometimes, that’s exactly what you want when you want to relax. Things generally work out well in the end, and it wouldn’t be a bad story to read to kids as a bedtime story.

Aunt Martha is a witch, but she’s a nice witch. She knows what the girls have been doing, and she doesn’t mind. In fact, it is implied that she left these items there for Katy to use one day. It isn’t fully explained why she did this or just how much she knows about the girls’ activities. It seems like their adventures were basically the end in and of themselves, like Aunt Martha just wanted Katy to have some magical fun. That’s typical of Ruth Chew’s magic books. They don’t often explain much about the origins of the magic, and things are often wrapped up at the end without the characters really knowing everything. The characters don’t really seem to mind not getting all the answers because they’ve had their fun, and they’re satisfied with that.

This book has a typical Thanksgiving play of the kind held by many American schools in the mid-to-late 20th century. I’m not sure what schools do in the 21st century, but I also remember plays with Pilgrims and Indians (Native Americans) from when I was a kid in the 1980s and early 1990s. By the time I was in school, teachers were urging kids to use the term “Native Americans” instead of “Indians”, although people were still saying “Indians” as the generic because it was what kids heard from tv, books like this, and things other people said. As an adult, I really do prefer “Native Americans” to “Indians.” It’s a little longer to say when you’re speaking out loud, but it does help to distinguish “American Indians” from Indians from India, and it can be awkward if someone has to ask what kind of Indians you’re talking about. It’s also generally what Native Americans seem to prefer, if someone isn’t naming their specific tribe, and it’s best to call people what they prefer to be called. Nobody in the book discusses this because the Thanksgiving play is just background, an opportunity for the girls to try on the bathrobe and discover that it’s magical because they need something for a costume.

Posted on by TracyC

Listen for the Singing

Listen for the Singing by Jean Little, 1977.

This book is the sequel to From Anna. In the previous book, Anna’s family moved from Germany to Canada both to claim an inheritance from a relative and also to escape the Nazis, whose hold has been increasingly tightening on their country. The inheritance isn’t large, mostly just a house and a small grocery store, but it offers the family a chance to start over, away from the Nazis. Anna, the youngest of her siblings was often clumsy and had learning difficulties that her family did not understand. They were often rough, critical, and impatient with her. However, in Canada, Anna has her first thorough physical with a doctor, who reveals to Anna’s startled parents that Anna has an extremely low level of vision, to the point where she is almost blind. For the first time, Anna gets powerful glasses and special classes that help her to cope with her disability and catch up on the learning she’s missed. Anna’s family repents of how hard they were on her when they didn’t understand her problem, and Anna realizes that she is capable of more than she had ever imagined possible.

The sequel begins about 5 years after the previous book, in the fall of 1939. Anna has been wearing glasses for years now, and she’s adjusted to them well. However, changes are coming for her and her family. She is about to leave the special program that she’s been in for students with vision problems and attend a regular high school. She remembers that she used to have problems in regular classes when she lived in Germany, and she worries that she won’t be able to cope with regular classes. Her family, friends, and teacher all remind her, though, that she’s learned things in the last few years that will help her to do much better now. Her teacher says that she’s ready to move on. Anna gets upset when she learns that her friend Isobel from her old school will be going to a different high school, but Anna’s oldest sister, Gretchen, points out that she won’t be alone in high school. Rudi has already graduated from high school, but Gretchen will still be there, and so will the twins. Gretchen says that she will help Anna register on the first day and help her find her way around.

Anna has also begun to worry about her father, who has been distracted by the news they’ve been hearing about the impending war. Her family left Germany partly because they were worried about the direction it was heading under Hitler and the Nazis, and it seems that everything they worried about is now coming true. Then, they hear on the radio that Britain has now declared war on Germany (marking the beginning of the book as September 1939). The onset of war changes things for the family and creates tensions for them among the people in Canada.

When Anna goes to the first day of high school, she learns that her homeroom teacher will be Mr. Lloyd. Her siblings have had Mr. Lloyd as a teacher, and Anna already knows that he’s mean. He plays favorites in class, even though he teaches world history, he doesn’t actually know much about history. Rudi embarrassed him when he was a student, pointing out things he got wrong, and Mr. Lloyd has no love for him or any of the other Solden siblings. Worse still, Mr. Lloyd has a severe prejudice against students with German last names, asking them in class where they were born and if they were proud of their “Fatherland.”

Anna is upset when she is one of the students he singles out, and she’s not sure what to say, but a couple of other students in class speak up to shut him down. Paula voluntarily tells him that, while her mother is Scottish, she was born in Austria … the same place where Hitler comes from. Mr. Lloyd is taken aback, and Anna is surprised both at how bold Paula is and that Mr. Lloyd doesn’t punish her for talking about. Paula later tells her that her mother works for the local school board and has a reputation for standing up for kids who are bullied by teachers, and Mr. Lloyd knows who she is. He has to be careful what he says to Paula or in her presence, or her mother will deal with him. The other student who spoke up is the son of the local alderman, so his father also has influence. Mr. Lloyd could be risking his job if he pushes them too far or says too much in front of them that they might report to their parents.

Anna is grateful to Paula for her intervention, and she also appreciates some help she gets from Paula’s best friend, Maggie. The girls and their other friend, Suzy, make it a point to walk with her to their next classes when Anna explains that she’s been having trouble getting around because she can’t see well. The four girls become friends, and Anna is happy that she already has a friend group at school on the first day.

However, Anna is still troubled about Mr. Lloyd and his targeting of kids with German backgrounds. When she gets home from school and tells her oldest brother, Rudi, what happened, Rudi gets so upset that he goes to his room and refuses to talk anybody. When Anna walks down to the store that her parents manage, she sees Gretchen upset and arguing with their parents about her name. One of her new teachers is also targeting students with German names and gave her a hard time about being called “Gretchen” when the English version of her first name is “Margaret.” At first, Gretchen tries to persuade her parents that she should change her name to Margaret, but after she calms down a little, Gretchen realizes that a name change isn’t really going to solve the problem. There isn’t really anything she could do to make this teacher like her because the teacher is severely paranoid about Germans and talks about how there are German spies everywhere.

Dr. Schumacher, Anna’s family’s doctor and friend, has also experienced some of the same sentiment that the children are experiencing at school. He’s lost at least one of his patients, who no longer trusts him because of his German background, and Anna overhears some of his other patients gossiping about him and speculating on whether or not he’ll serve in the armed forces. Dr. Schumacher tells Anna and his wife that he isn’t overly concerned about these gossipy women, and he doesn’t consider the patient who switched doctors to be a big loss. He, like other young men, feels called to do something about the situation happening around them, but he cannot join the army because he has a heart murmur from having had rheumatic fever when he was younger. His wife (who is also Anna’s former teacher) is relieved that the army has rejected him because they are also expecting a baby.

As Anna and her new friends get to know each other better, Maggie and Paula ask Anna questions about her vision problems. At first, Suzy doesn’t think it’s kind to ask too many questions about it, and the talk of disabilities seems to make her uncomfortable, but the others let her know that she’s misread the room. Rather than finding it uncomfortable to talk about who vision problems, Anna is actually relieved that she can open up about it and that having these problems isn’t regarded as a shameful secret, and Maggie and Paula say that they genuinely want to know what Anna is experiencing so they can help her when she needs it. Anna admits that, sometimes, she’s not even entirely sure when she needs help because, not being able to see certain things, she doesn’t always know what she’s missing. When Anna needs to use alternate materials in class because of her vision problems, she is nervous that Mr. Lloyd will yell at her or bully her, knowing how he feels about students with German backgrounds, but to her surprise, he doesn’t. In fact, he proves very helpful and supportive to her. Mr. Lloyd treats Anna with more consideration than other students because he understands the nature of Anna’s visual problems better than most.

When Anna has trouble in algebra, her father suggests that she talk to her brother, Rudi, who is a math whiz. However, Anna hesitates to ask him for help because Rudi always used to tease her about her awkwardness, worse than her other siblings. She finds it hard to admit to him that she needs help with anything else. When she does ask him, though, Rudi enjoys teaching Anna about his favorite subject, and he even helps her with other things to help her fit in at high school, like teaching her how to dance and encouraging her to get her hair done.

As the story continues, the war increasingly becomes a larger part of everyone’s life. Anna’s father is upset because word reaches him that his sister was arrested in Germany for being a housekeeper for an elderly Jewish man, who was also arrested. At school, the principal makes a speech on Armistice Day where he acknowledges that the war is going to have a profound effect on all of the students and that they will have to grow up faster because of it. As part of the speech, he quotes a preacher who said, “Faith is when you hear the bird singing before the egg is hatched.” This phrase is what gives the book its title because the principal urges the students to “listen for the singing”, to look to the potentials of the future and have faith that they will get through the crisis that is enveloping the world and that the world contains better things.

Anna tries to discuss the idea of imaging how things will be or could be, like hearing the bird sing before the egg hatches, with Rudi, but he doesn’t understand. Rudi seems like he has a promising future ahead of him. He’s already started college and has a talent for mathematics and engineering. He really enjoys college, but at the same time, with so many other young men like himself preparing for war, he feels the pull to join them. When they hear of their aunt’s arrest in Germany, it only makes it worse. Rudi can’t stop thinking about people he knows back in Germany whose lives have already been affected by the Nazis – people who have fled, been arrested, or simply disappeared. He also thinks of the headmaster of their old school back in Germany, who was known to be a Nazi, and how afraid all the children were of him. Rudi decides that he can’t stand back and let people like that win, so he joins the navy against his parents’ wishes.

It turns out to be a disastrous decision. Rudi is still in Canada when he suffers an accident where cleaning fluid is splashed into his eyes, leaving him blind. The doctors don’t believe that Rudi will ever regain his sight. Although Rudi tries to act brave and calm about his new disability, Anna can see that he’s suffering. Having learned to come out of her shell and cope with her own disability, she has a sense of how difficult this is for Rudi, who is usually accustomed to being able to do things pretty easily. Anna realizes how serious Rudi’s mental state is when she hears him crying one night and even praying to die. Anna knows that Rudi needs help, both physically and mentally. He’s suffered a terrible loss, and he feels like his life is over because he can’t see a way forward. Anna has to help him “listen for the singing”, to envision the possibilities.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction and Some Spoilers

From Anna told a complete story by itself, but I still enjoyed this new story with Anna and her family. It was nice to see Anna making progress in school and life, finding new friends, and her family treating her better. Because her mother and siblings treated her badly for years before they realized that Anna was slow and clumsy because she couldn’t see, there are some lingering feelings that affect their relationships. Anna’s mother and siblings have repented about their treatment of Anna and have become much more helpful, supportive, and considerate, but Anna still has some lingering fear of Rudi, who was always the one who was the meanest to her. However, even he admits that he regrets his past behavior. Even before he is afflicted with his own disability, he makes it a point to help Anna with her math lessons, learning to dance, and going to her first hair appointment.

Rudi becomes much more thoughtful and mature in this book. He especially comes to appreciate Anna when Anna helps him through the shock and depression after the accident that leaves him blind. When the story ends, it’s still at the beginning of the war, and we don’t know the ultimate fates of many of the characters. The war is just starting to change people’s lives. We know that, like Rudi, many of them will end up marked for life in some way by the things that are about to happen. Some of the other characters in the book see family members going off to war, and we have no idea whether they will come back or not. Mr. Lloyd comes out of his shell a little around Anna because they come to understand one another, thanks to their shared disability. It turns out that Mr. Lloyd’s vision is also very poor, much more than most of his students know, making him sympathetic to Anna. At the end of the story, things are looking brighter for Rudi, as he realizes that his life isn’t over, and there are ways he can cope with his new blindness and continue the studies he initially abandoned to join the navy. We only get to see the beginning of the war, but it’s enough to show us that it’s going to have a profound change on people in many ways before it’s over. Like Anna, readers must also “listen for the singing” to imagine how the characters will continue forward from this point. There will be hard things because of the war, but also hopeful developments in the character’s lives.

I enjoy the literary references in the story. During the story, Anna is reading the book A Girl of the Limberlost, and Anna enjoys studying Emily Dickinson’s poems. Anna also mentions other books she’s reading and bits of poetry or book characters, like Little Lord Fauntleroy. The movie The Wizard of Oz is playing in theaters at the time of the story, and Anna and her friends go to see it.

People With Visual Impairment

As in the first book, there’s information about people coping with forms of visual impairment, based on the author’s own experiences, growing up with low level vision. There’s also a lot about the attitudes the main character witnesses toward people with disabilities and her own feelings about the ways people treat her and how she wants to be treated. Some people, like Suzy, try too hard to shield Anna from public scrutiny by trying to avoid mentioning her disability or shutting down questions about it, but Anna actually prefers to discuss her vision with people who genuinely care and are trying to help her.

Anna is surprised at how much Mr. Lloyd helps her when everyone knows that he has anti-German sentiment. In fact, he goes out of his way to make sure that Anna has what she needs, sometimes even before she asks. Anna realizes why he is so helpful to her when she looks at the notes on his desk, which are printed larger for him, the way that he ensures Anna’s test materials are printed. The truth is that Mr. Lloyd also has low level vision. He covers up for his disability, but he privately admits to Anna that he also struggled when he was young. His parents got him a private tutor because his vision was so bad, and he admits to Anna that he’s impressed at how well she does in a standard school. Mr. Lloyd has strong feelings about some things, but Anna realizes that he’s also a bit shy and socially awkward. The two of them bond over their shared disability and experiences they’ve had in common.

When Rudi becomes blind, he initially feels like his life is over. He can’t continue in the navy, and he doesn’t know how he can return to his studies. Although he tries to cover up how hopeless he feels, Anna realizes that he feels like he can’t do anything anymore. He even lacks the will to use the resources he’s being offered. Anna pushes Rudi to “see” things differently, showing him how he can do things besides sit around and feel sorry for himself. She introduces him to recorded books (on records, not tapes or CDs, because of the time period) and Braille. When Rudi begins to see that he can still think and study, even if he can’t see, he begins to feel more hopeful and see new possibilities for his future. The part of the story about Rudi’s blindness doesn’t come until the end of the book, about the last third or quarter, but it serves to illustrate the point about envisioning hopeful possibilities for the future, even in the midst of misfortune and the chaos of the world around them.

Anti-German Sentiment

Anti-German sentiment was common among the Allied countries during both World Wars. People were paranoid about spies being among them. In most cases, it was just paranoia, but as with many conspiracy theories, it’s the odd case where it actually turned out to be true that kept people in that constant state of paranoia. Realistically, most average schools during this period did not have enemy spies in them, but the possibility that a spy could be anywhere haunts the characters, and that’s behind some of the prejudice that Anna’s family experiences in the story. (See also Charlotte Sometimes for an example at a boarding school for girls during WWI.) In the story, Mr. Lloyd’s prejudice isn’t just about the rise of the Nazis but also about his own brother’s death in the previous war against Germany. To him, the war that’s just starting brings back painful memories of the last one.

Later in the story, after Anna and Mr. Lloyd come to an understanding with each other over their shared vision troubles, Anna speaks to Mr. Lloyd about his prejudice against Germans. She points out to him that a lot of Germans don’t support the Nazis, and they are also at their mercy. She doesn’t know whether or not she’s ever going to hear from her aunt again after she was arrested by the Nazis. Mr. Lloyd admits to Anna that he’s probably not going to be able to let go of all of his feelings about Germans because he’s had years of resentments about them, but he also apologizes to her that his feelings have made things harder on her. This is a small concession, but it may be a turning point in Mr. Lloyd’s attitude. He tells Anna to give his regards to Rudi and is nice to Anna’s father when they meet. Seeds of change have been sewn for Mr. Lloyd, and we see the beginnings in the story. It’s another point where we see the beginning of something and can imagine how it might play out over time.

Posted on by TracyC

A Stitch in Time

A Stitch in Time by Penelope Lively, 1976.

It’s summer, and 11-year-old Maria Foster’s parents have rented a house near the sea for their summer holidays. Maria is an only child, quiet and given to daydreaming. Maria is shy and socially-awkward and her parents are often preoccupied with their business and thoughts. It often seems like their parents are socially-awkward and don’t know quite what to do or say to Maria as a child, which is why she doesn’t always know what to say to other people. Because she frequently doesn’t have anyone else to talk to and doesn’t always know what to say to other people, Maria often finds herself having imaginary conversations with objects or animals.

The seaside house where the Fosters are staying is an old one, built about 1820. It’s lovely and has a beautiful view. The interior has brown wall paneling. The furniture is old-fashioned, Victorian, and rather grand. When Maria chooses a bedroom for herself, she finds a collection of labeled fossils in a small chest of drawers, which she finds fascinating. The only modern touches are just a few bits and pieces left behind by the family that had rented the house before them and left the week before, like some half-eaten boxes of cereal. There’s also a tabby cat who appears to come with the house, and Maria begins to imagine conversations with it.

When they first arrive, Maria is sure that she hears the creaking of a swing and a dog barking, but when she goes looking for them, she can’t find them. When she begins exploring outside, she finds some small fossils in the rock, and her mother says that they’re ammonites and that the area is famous for them. She accidentally breaks one while trying to get it out, and she decides that it’s better to leave the others where they are. Exploring further, she finds some loose fossils and fossil fragments that she can collect more casually without hurting them. She begins making her own fossil collection, and she uses the old fossil collection and some books she finds in the house to begin labeling her own specimens. She begins to think that the fossil notes and sketches she finds were written by a girl around her age, and she tries to imagine what she was like.

When they meet the landlady who rented the house to them, Mrs. Shand, she says that she grew up in the house herself with several brothers and sisters. She says that the room that Maria chose for herself was once the old nursery. Mrs. Shand now lives in a small flat in the old guesthouse nearby, and she invites them to call on her if they have any questions about the house.

Maria observes a family with several children at a nearby hotel, and she even briefly speaks to a boy her age, but she doesn’t know how to ask them if she can play with them. Later, she and the boy, Martin, meet again and realize that they have a mutual interest in the natural world. Martin tells her the names of some plants and birds, and Maria impresses him with the name of a fossil she’s learned. Martin warns her about the cliffs nearby, which have a tendency to crumble after rain.

Mrs. Shand invites Maria to her house to get a book that she would like to loan her. Maria doesn’t really know what to say to Mrs. Shand, but Mrs. Shand tells her about the collection of stopped clocks she has. She says that they belonged to her grandfather, who was a scientist, and that they have been stopped as a gesture of respect to her grandfather since his death. Maria notices a stitched Victorian sampler on the wall, and Mrs. Shand says that she can look at it because the girl who made it was about her age. It has a the typical alphabet and an embroidered quotation about death, but it also has the image of a house with a tree and a swing, a little black dog, and some fossils. Maria realizes that it’s the house that she is now staying in and that it confirms that there was once a dog and a swing there, like she keeps hearing! An inscription says that the sampler was started by a ten-year-old girl named Harriet in 1865 and completed by her sister, Susan.

Maria begins to think about time and how the lives of people who had once lived in the house where her family is staying, like Harriet, have left traces behind, not unlike the fossils in the cliffs or Mrs. Shand’s stopped clocks, full of past times. Maria begins to wonder about Harriet and what happened to her. She lived over 100 years ago, so she would be dead by Maria’s time (the 1970s, contemporary to the writing), and Martin says that Harriet probably grew up, got married, and had children, like most girls. Yet, Maria finds herself thinking that maybe Harriet didn’t grow up and get married. When Mrs. Shand lets her and Martin look at her old photo albums, Maria notices that, after a certain age, Maria doesn’t seem to appear in family photographs. Mrs. Shand says that her own mother was Susan. The lack of Harriet in the photographs and the fact that Susan finished the sampler leads Maria to conclude that something tragic happened to Harriet.

Then, one day, Maria thinks she hears the dog again, barking frantically with the sounds of a landslide and shouting children. Nobody else can hear it, but Maria is sure that she’s hearing an echo of a past tragedy, and she becomes convinced that Harriet was killed in that past landslide. The existence of the metal swing that once hung in the tree is confirmed when she and Martin find it and restore it. When Maria swings on it, she feels like she’s gone back in time, almost like she was Harriet with her dog and sister Susan nearby.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction and Spoilers

I enjoyed the themes of time and what people leave behind. There are comparisons all through the story between clocks, fossils, and echoes of the past, and it all relates to the passage of time. More specifically, Maria starts seeing changes in herself, emotionally and mentally, as she matures.

Some of this story obviously takes place in Maria’s imagination. As a shy, socially-awkward introvert with parents who are also introverted, Maria tends to live in her own head much of the time. She often has imaginary conversations with objects and animals, and many of these are reflections of Maria’s concerns at the time. Through much of the story, Maria isn’t happy with herself as she is, realizing that she is socially-awkward and doesn’t know how to approach people and connect with them. When Maria imagines conversations with the tabby cat at the house, the cat tends to be critical of her. It’s a reflection of Maria’s own insecurity and self-criticism.

Maria’s parents love her, but they interact with her in a kind of off-handed way, which feeds her insecurity and social awkwardness. Maria knows that her parents love her, but she can tell that they don’t always know what to say to her or do with her, which makes it harder for Maria to learn how to interact with other people. Maria’s parents are both very introverted and try to avoid social occasions, if they can. However, Maria has realized that she needs to connect with other people and make friends. Through her experiences with Martin and his siblings, Maria becomes more outgoing and confident, and she finds it easier to interact with other people.

In some ways, Maria doesn’t entirely fit in with her parents because she’d like to be a little more outgoing than they are. Similarly, Martin sometimes doesn’t fit in with his family, either. Martin’s family is boisterous, and he is something of an intellectual. There are times when he likes doing quieter activities with Maria, talking about plants and fossils.

When Maria visits a local museum with Martin, and they look at the fossil exhibit, they talk about evolution vs. creationism. Maria decides that she doesn’t believe in the Noah’s Ark story about animals in the Bible, but at the same time, she thinks that studying animals through time makes it look like someone was experimenting with different designs of creatures and improving them with each generation. Martin says that’s nonsense and that it’s just evolution. Maria and Martin both seem to believe in evolution, but the difference between them is that Maria thinks that it seems like there’s a hand guiding it, and Martin credits just natural, scientific forces. In some ways, Maria and Martin are kindred spirits in their thinking, but Maria leaves a little more room in her personal understanding for feelings and the supernatural. Maria seems to be the only person in the story who is sensitive to the sounds and echoes of Harriet’s past.

At the end of the story, Maria decides that she’s going to give up imagining the conversations with the cat because she’s feeling a little more confident in herself through her friendship with Martin, her new understanding of the echoes of the past, and her realization that she herself is moving forward into her own future. She has a sense that she is leaving her past self behind, much like Harriet did. A part of Maria may always be young in this particular summer, but like Harriet, Maria herself is moving on.

What Really Happened to Harriet? (Spoilers)

As Martin guessed, Harriet did grow up and get married. She didn’t die young as Maria thought, based on the echoes of the past she’s been hearing, although she is correct that there was a landslide by the beach and that a tragedy occurred there. Before Maria’s family leaves at the end of the summer, Maria finally asks Mrs. Shand about Harriet and the landslide. Mrs. Shand explains that Harriet and her sister managed to escape the landslide, but their dog was killed. They were very upset about it and buried the dog near the old house. When Maria visits the grave, she discovers that this is the anniversary of the dog’s death.

Because I love dogs, I was still upset about the dog’s death, but Maria is at least reassured that Harriet herself survived. She asks Mrs. Shand why there aren’t any pictures of Harriet with the family after that summer, and she says that there are pictures of Harriet grown up, just not many because she wasn’t living at home anymore. The fall after her dog died, Harriet went away to boarding school. Her sister finished her sampler, both because Harriet was leaving for school and because Harriet never liked sewing. After Harriet graduated from her school, she got married and moved away. She did visit with her family after that, but because she was living somewhere else, she just wasn’t present for all the occasions when her family had their photographs taken.

So, because Maria guessed wrong about Harriet’s fate, readers might wonder if she just imagined everything she experienced related to Harriet’s memories and the landslide. However, the book indicates that Maria didn’t imagine it all. She drew the wrong conclusions about what was sensing, but she did sense things that she would have had no reason to know about, hearing the dog’s bark and the sounds of the swing before she had reason to know that either of them were ever there. When she’s on the swing and feels like she’s becoming Harriet in the past, she also manages to come up with the dog’s name before anybody tells her what it is. Because Maria is an introvert who often interacts with things in her environment more than she interacts with living people, it seems that she has a kind of sensitivity to her environment. At the end of the summer, though, when she senses that she’s changing as a person, she considers that, even if she were to return to this place again, she probably wouldn’t experience it in the same way. She’s moving on, mentally and emotionally, and that changes her perceptions of things.

Posted on by TracyC

The Girl Who Owned a City

The Girl Who Owned a City by O. T. Nelson, 1975.

A disease has killed off all of the adults on Earth, leaving only children. In a world without adults, all of the laws, rules, and structure of society are gone, and the children struggle to survive by themselves. When they run out of food in their own homes, they raid the grocery stores and other people’s homes to get more. However, even those sources of food are starting to run out, and they need to find new sources of food. Children are starting to form gangs and raid each other, desperate for food and resources.

In one particular neighborhood, a girl named Lisa Nelson, struggles to look after her little brother, Todd. She also begins to realize how much her friends in the neighborhood are struggling and the dangers around them posed by other kids. Lisa is more practical and organized than many of the other children, and she begins to emerge as the leader of their neighborhood.

Lisa considers where food comes from before it ends up in grocery stores, and she reaches the conclusion that it’s usually transported from farms and stored in warehouses before being shipped to individual stores. Since the adults died, nobody has been taking food from the warehouses to restock stores, so there are warehouses somewhere that are still filled with food and supplies. She recruits help from other kids in the neighborhood to find a warehouse of food and raid it. However, to maintain control and keep the other children organized, she claims ownership over the warehouse and the distribution of food from it. She even threatens to burn the whole thing down if people start raiding it for food without her permission.

If the children manage their resources wisely, they will be secure for a long time while they figure out how to begin producing new food themselves. However, a gang of children from another neighborhood led by a boy named Tom Logan have been raiding the area and attacking children from Lisa’s neighborhood. The children in the neighborhood struggle to defend themselves from Tom’s gang, but Lisa realizes that their neighborhood doesn’t provide adequate defense. The only way the kids from Lisa’s neighborhood will be safe is if they relocate to a place that offers more protection and will easier to defend.

Lisa chooses the high school, Glendbard, as the children’s new home. It’s an ideal location to create a fortress because it’s surrounded by fences and has a limited number of entrances and exits. It’s self-contained, offering many rooms with indoor corridors with facilities in place for the children to use. Lisa persuades the children from the neighborhood to relocate there, set up organized defenses, and move stores of food into their small fortified city.

Under Lisa’s leadership, the new little city of Glenbard is run efficiently, and it offers the children improved safety, but nothing for them is entirely secure. When Lisa is injured in a battle with Tom’s gang and retreats to a farm outside of town with some of her friends, the children consider what the future of the civilization they want to rebuild will be. Tom and his gang are the immediate threat, but sooner or later, there will be others. Tom knows how to raid and conquer, taking things from other people, but he doesn’t have Lisa’s ability to organize, govern effectively, produce new food and supplies, and inspire real loyalty. If everyone is going to survive, they need an effective leader, someone who can organize everyone and make use of their individual talents to grow and protect their society. If Lisa is going to be that leader, she has to not only learn to fight people like Tom but also help them to see her vision of the future.

The book is available to borrow and read for free online through Internet Archive (multiple copies). The book has also been made into a graphic novel, although some of the details from the original story were changed in the graphic novel.

My Reaction

I remember reading this book in a middle school English class when I was about 13! It has always reminded me of the episode from the original Star Trek series, Miri, about a planet of children living without adults because all of the adults were killed off by a disease that only affects people adolescents and adults. The Star Trek episode is from 1966, older than this book, so if there is a connection between them, it would have been the Star Trek episode that inspired the book.

In the Star Trek episode, when any of the children gets too old, they also start showing signs of the disease, and it eventually kills them, until the crew of the Enterprise figures out a way to cure it. In this book, it isn’t clear whether or not any of the children are going to be at risk as they get older. The implication seems to be that the disease died off with the last of the adults. Presumably, the children who are alive now will live to grow up and will rebuild their society, as long as they can figure out how to manage their resources, develop new food production, and maintain order well enough that they don’t kill each other off.

Dealing with their own fears is as much of a struggle for the children as simply finding food and supplies, and it fuels much of the violence between them. Children who lack resources more than the others and don’t have the imagination, knowledge, or skill to figure out how to get more turn to bullying and violence to get what they need. They are simply desperate for survival and doing what they know how to do, which for some kids, is more about taking from others rather than scavenging for themselves or about using violence and destruction instead of creating and building. Lisa is more successful than most because she’s a thinker and planner, and she has some knowledge about how the world usually works, which she can use to fill in the gaps left by the adults (like realizing the connection between farms, warehouses, and stores and that what’s missing now is people to produce food and transport it to the places where it’s usually stored and accessed by others, so she can trace resources back through the supply chain). Lisa realizes that thinking things through is the key to survival. She has her worries, like the others, but she manages her emotions and directs her focus on making plans and accomplishing things rather than panicking and taking out her feelings and needs on others.

Around the time this story was written, in the 1970s, there were a number of other dystopian books about people needing to rebuild society after a disaster. (See In the Keep of Time Trilogy for an example.) What makes this particular book different from other dystopian books of its time is that other books tended to focus on nuclear war as the reason for the society-ending disaster. The 1970s were part of the Cold War, and nuclear threats were on people’s minds. In this book, though, the cause of the disaster is a disease, and children are the only people left on Earth. All of the infrastructure is intact, and the primary challenge is for the children to figure out how to use it. The focus on children trying to build a society of their own is great for keeping children interested in the story!

One of the things I liked about this book when I was young was how the children adapted the school into a city. Sometimes, I used to imagine how it would be to live in other unconventional places – a library, a museum (like From the Mixed-Up Files of Mrs. Basil E. Frankweiler), or a shopping mall. Some of the features of the school do lend themselves to communal living or a small city. The school’s gates offer them protection from outsiders, the classrooms provide living space, and they have a library, an infirmary, and a cafeteria.

The school in the story is based on a real school. The story is set in Glen Ellyn, Illinois, which is a suburban area near Chicago, where the author lived, and the school, Glenbard, is a real high school there. The children in the story, Lisa and Todd Nelson, are named after the author’s own children.

There is a new graphic novel version of this book. I haven’t read the entire the graphic novel version yet, although I’ve read selections of it. In some ways, what I’ve read so far bothered me because it seemed to me that they made Lisa meaner in the beginning. In the original book, Lisa shares the spoils from her scavenging with other kids, telling them that she would be willing to help them, if they ask her. In the graphic novel, she makes it a point to tell Todd that they got everything they have because they’re smart and work hard, and other people should just learn to do the same. It’s a very conservative/libertarian attitude, but it isn’t completely faithful to Lisa’s original character or the themes of the original story. I have to admit, though, that there are strong connections in the story to libertarian/Ayn Rand philosophy that didn’t occur to me when I was 13 years old because I hadn’t heard of Ayn Rand at that age. As an adult, it jumps out to me more now, and there’s another book reviewer who has noted the connection. The original author was a firm libertarian, which is something else I didn’t know until I was an adult. It just seems to me that the graphic novel version of the book bore down on the callousness of libertarian attitudes, that “I’ve got mine, and screw everyone who doesn’t get their own because I don’t owe you anything that’s mine” kind of attitude, than the original book did.

In the original book, Lisa realizes that she is proud of herself and Todd for learning to survive by their own efforts rather than by resorting to violence and stealing, like other kids have, but that didn’t mean that she wasn’t also willing to share whenever she could or thought someone really needed help. The times when she was reluctant to share were when someone had already stolen from her, and she no longer trusted them, not merely because she thought that they weren’t smart enough, not hard-working enough, or too undeserving to merit help. In the original book, Lisa wants to rebuild community and society, and you just can’t be part of a community or society with people who would hurt and betray you if they thought they could get something they wanted for doing that. She does realize that working toward survival is useful for building community and also provides an individual sense of purpose. Like she points out to Jill, who has made it her mission to look after the youngest children, having chores to do and feelings of accomplishment are important to making the younger children feel less afraid because they can see that they have agency (although the book doesn’t use that term), that they are capable of making a difference in their own lives. Lisa works through her own fears and develops her own sense of self-confidence by realizing that she is capable of handling situations, and she wants to help the other kids build that sense of agency and capability. Lisa’s vision for building a new society is for the mutual protection and welfare of everybody, not just self-promotion or personal enrichment. At one point, she thinks to herself how she and her brother can’t focus on just their own survival alone or just getting things for themselves because, for the other kids to be willing to listen to her ideas, they have to be part of the same community with them, sharing their concerns and looking after their mutual welfare. She says to herself, “All the brilliant ideas in the world will be useless if the world collapses around me and I’m the only one left to steal from.”

That’s an issue that I often have in real life with fans of Ayn Rand. Ayn Rand focused a lot on how special her main characters were and that society didn’t appreciate how brilliant and how much better they were than other people and didn’t acknowledge how much more deserving they were than anybody else. Frankly, Ayn Rand’s characters strike me as a kind of wishful thinking Mary Sue. As others have pointed out, the only characters considered “good” in any respect in Rand’s books are the ones who agree with her philosophy, and she just completely trashes everyone else. It’s not that Randian heroes are never compassionate, but they only seem compassionate to people who support them or provide personal validation. To everyone else, they’re ruthless, and anybody who disagrees with them is a villain with no positive traits on purpose.

Lisa kind of represents an Ayn Rand type character in the sense that she has more vision of what is possible for the children as they attempt to rebuild society and better organizational skills, but the focus of the original book isn’t about “look how great Lisa is and other people should acknowledge her greatness as the superior person and defer to her.” Lisa has a sense of communal welfare and an understanding that, while she and Todd have managed so far on their own, they really do need other people. She doesn’t want only rugged individualism and competition with everyone else to prove her own worth or place herself above others. Lisa doesn’t seem to see her position as leader of her new society as some kind of reward for being special or better than other people, and she isn’t trying to hoard all she has for herself as the rewards of her hard work or some kind of token that she’s the most deserving of having things. What she gathers has a purpose beyond simply enriching herself and securing her own future welfare.

She is definitely not laissez-faire in her leadership style, either. When she reveals the existence of the warehouse to the other kids and claims ownership of it, she lets everyone know that she can supply them with things they need but she would rather destroy it all if any of them abuses or misuses it. She uses its existence as a tool to gain and keep their loyalty and get them to do what she tells them, which seems a bit authoritarian. However, there are no adults left, and it seems that Lisa has realized that there always has to be an adult in the room to provide guidance and direction. Although she might not realize it, she effectively creates a kind of welfare state that provides housing, mutual protection, food, and other essentials in exchange for labor and cooperation. Providing for everyone is necessary because they’re going to have to keep everyone alive while they’re preparing for their future. The warehouse has a lot of food in it, but it will run out eventually or things will expire, and to provide for their future, they’re going to have to study food production and get crops growing again. It’s going to take time, and for them to make it to that point, they need to regulate their usage of food and supplies. Lisa is acting as the adult to guide that process.

The other kids are expected to participate and contribute in their new society, although not all kids can contribute in precisely the same way or to the same degree because some of them are much younger than the others. This is something that she discusses with Jill, who thinks that younger kids need more protection. In some ways, they’re both right and wrong in their approaches. Lisa proves correct that younger kids are sometimes capable of more than Jill thinks and that they start to feel better about themselves and the frightening loss of their parents when they realize that they can accomplish small tasks. However, Lisa does sometimes expect too much of them, and Jill is correct that little children would be frightened to patrol as night guards and wouldn’t really make intimidating guards against the bigger kids anyway. Lisa has high expectations of others and high ambitions, but her friends help to keep her more realistic about what other kids can do and what their priorities as a new society should be. When Lisa gets carried away with their accomplishments so far and excited about all the things they can do now that they’re free to do anything they want without adults, she talks about learning to fly an airplane, and one of her friends has to remind her that their first priorities should be to secure sources of food and restore water and electricity.

It seems that Lisa provides goods equitably (she doesn’t seem to provide extra to special favorites, elites, or people she deems as more deserving than others in her society) as long as everyone is willing to go along with her plans. Her primary reason for wanting to be in control is to keep the system functional and equitable. She also relies on people like Jill, who have some altruistic motives and are willing to provide nurturing care for the very young and people who are sick or injured, those least able to help themselves without help from someone else. Lisa and Jill don’t have quite the same philosophy, but building a society requires different people with different types of focus. Both of these characters are necessary for building the new society. Jill even takes in Lisa and Todd after their house burns, so Lisa benefits from Jill’s altruism, which gives her the support she needs while she recovers and makes other plans.

In the original book, her leadership and the resources that she has gathered are treated largely as tool that Lisa uses to achieve her ultimate goal of rebuilding a society. Lisa doesn’t seem opposed to the concept of “common good”, and she really wants to be part of a society. She especially wants a society that actually cares about all of its members and provides what all of its members need, and she recognizes that any society that doesn’t care for its members or provide for them sufficiently isn’t going to survive because nobody’s going to want to join something that doesn’t care about them or provide what they really need. Many of these other kids are also her long-term neighborhood friends, so she has some personal feelings for them. They’re not just there as underlings, and they have worth beyond just serving the system or proving themselves as earners.

The original book’s philosophy has some strong libertarian leanings, but it didn’t strike me as being purely libertarian in the way that the graphic novel seems to. From what I’ve read, it seems like the graphic novel doubled down on the more callous and self-centered form of individualism and took away at least some of Lisa’s consideration for other people. For me, it made her a less likeable, sympathetic character and less inspiring as a leader, and these are frequently requirements of mine when I consider literary characters. Just as people don’t tend to join societies with nothing to offer them, I lose interest in books and characters that don’t offer me what I’m looking for. The graphic novel didn’t grab me in the same way the original book did because it took out some of the aspects that appealed to what I was looking for.

Because of the subject matter, this book is best for older children. According to Wikipedia, it’s recommended for ages 12 to 15, and that estimate seems about right to me. There is real violence in the story. The children start using weapons against each other, and Lisa gets a gunshot wound. When her friend is treating her wound, she gives Lisa alcohol to drink because they don’t have any better painkiller.

Posted on by TracyC

Emma’s Afternoon

Emma’s Afternoon by Pamela Sykes, 1970.

Six-year-old Emma has to stay home from school during the summer term because she has measles. By the time her quarantine period is over, Emma is feeling better but is bored and restless, eager to get back to school. However, the doctor thinks she should take an extra week off school to recover further.

As Emma continues to sit at home, she knows the other children are back at school, and she can’t help but think about all the things she’s probably missing and wonder if anybody there misses her. Her mother urges her to find something to do so she’ll be happier and the time will pass faster, but Emma is in a disappointed mood and doesn’t feel like trying to make herself happy. She resists all of her mother’s efforts to cheer her up or get her involved in some activity.

Finally, her mother suggests that she could go to Streamcross, a little area with stepping stones across a stream, where Emma has been with her father before. Emma loves the spot, but she’s never been there alone before. Now, her mother thinks she’s old enough to go alone. Emma takes along her doll, Annabel, and some biscuits (cookies, because this is a British book).

Along the way, Emma has adventures. She has to rescue Annabel from a farm dog. She picks wildflowers. She falls when trying to get a look at a bird’s nest, and she gets stung by nettles. When she tries to clean her doll and the doll’s dress in the stream, she ruins the dress and almost loses Annabel in the stream!

Then, Emma meets up with, Billy, a boy from school. She hides from him because of the state she and Annabel are in, but he spots her because she’s left a few things behind, and Billy plays detective, following the clues. Fortunately, Billy doesn’t laugh at her or her doll. The two of them discover that they share a love for this special spot in the stream, and they trade secrets about it. Emma shows Billy a bird nest she found, and he shows her a hidden spring. Then, he helps Emma to get home, past the farm dog, and stays to tea at Emma’s house.

The book is available to borrow and read for free online through Internet Archive. The American title for this book was Betsy’s Afternoon. The only part of the story that was really changed for the American version was the name of the little girl.

My Reaction

At the end of the story, Emma looks back on the afternoon as being lovely. Not all of it was lovely, like her frightening encounter with the dog or ruining Annabel’s dress and almost losing her completely. During the course of the afternoon, Emma falls down, gets muddy, and is stung by nettles. Still, even when things go wrong, Emma enjoys having an independent adventure, and when she has a friend to share it with her, it gets even better. She also learns that people did miss her at school.

Emma’s adventures are relatively low-key, slice-of-life adventures, but they’re the kind of small adventures that are meaningful, especially to a young child. None of the problems she encounters are very serious, and Emma doesn’t really have any lasting consequences from them, except for ruining her doll’s dress. The dog part was a little scary at first, but Emma isn’t bitten, and Billy later explains that he knows the dog, and it never leaves its farm, so they’re in no danger. Billy is a nice friend, and the two of them appreciate the natural beauties of their favorite spot. In the end, Emma’s adventures and her meeting with a friend who feels the way she does about Streamcross are just what she needs to cheer herself up!

I enjoyed the way the author connected with Emma’s feelings and thought processes. Readers really see through the eyes of a young child – her thoughts, her frustrations, the way she solves problems, and her joy at small discoveries and accomplishments. This is a short chapter book that would be appropriate for children in early elementary school but can still be pleasing to adults.

Posted on by TracyC

The Flash Children

The Flash Children by Mabel Esther Allan, 1975.

The Briggs family moves to a new house in July, and the three Briggs children are upset about leaving their old home and friends. Their father tries to reassure them that they’ll make new friends in their new home, but ten-year-old Dilys isn’t so sure. She knows that her mother is also not happy about the move, but it can’t be helped. Her father used to be a cowman on an estate in their old town, but the estate has been sold to be turned into an army training camp, so he has to go somewhere else for a new job.

Their new home will be a cottage near a “flash”, which is a kind of salt lake. Flash Cottage, as their new house is called, turns out to be an ugly modern brick house, not at all like the charming old cottage where they used to live. Their old cottage had a beautiful garden, but this little house doesn’t have much at all. Most of the views from the house are also ugly. The embankment behind the house, where the train tracks are, makes parts of the house dark and blocks the view, and there’s a chemical plant a couple of miles away. There isn’t much else in the area to see. The bright spots of their new home are the lake and the train tracks that run near the house. The fast-moving trains make Dilys a little nervous and they also make the house kind of loud, but eleven-year-old Arthur finds them fascinating. Arthur takes a yellow bedroom at the back of the house, where he can see the trains. Dilys shares a blue bedroom with their little sister, Megan, with a view of the chemical plant in the distance. All three of the children find the house strange and ugly and wonder how they’re ever going to feel at home there.

Dilys doesn’t think she’ll ever like the new house, although she thinks it might be nice if they could go rowing on the lake. Their mother worries about the children falling in the flash because they have to travel across an unfenced causeway when coming to or leaving the house. The children will have to catch a school bus to go to the local school, and Arthur wonders what the other children in the area are like. The children hope to find some friends because, if they don’t, they don’t really know what they’ll do with themselves. There doesn’t seem to be much in the area to do for fun.

The Briggs children meet a boy and girl about their age on their first day at the new house, but the meeting doesn’t go well at first. Arthur stops the other boy and girl from throwing rocks at some ducks. Dilys warns him about making enemies of people because they need some friends in their new home, but Arthur can’t stand to see people being cruel to animals. The other boy and girl already know who the Briggs children are because they were told they would be coming, but Arthur surprises them with a Welsh phrase. The Briggs children’s mother is Welsh, and they grew up near Wales. The boy, whose name is Dan Brown, thinks at first that Arthur was speaking French, but his sister, Edith, recognizes the phrase as Welsh because someone told her that the family was part Welsh. Dan and Edith argue about it, and Arthur asks them if they often argue with each other. The Brown kids admit that they do because there just isn’t that much else to do in the area. Boredom is also the reason why they tease animals, and because they tease animals, they’ve been banned from Colonel Melling’s farm, where Mr. Briggs will now be working with the cows. Sometimes, when they have money, they can take a bus to town to find other things to do, but they don’t always have the money to do that.

Mr. Briggs tells the children that the Brown children are the nearest children in the area. Their mother is dead, and they have an aunt looking after them. Their father also works at Colonel Melling’s farm. The Briggs children aren’t sure that they like the Brown children or want to be friends with them, but they might be their best or only option for friends at all. Their father persuades them to give the Brown children a chance, but Dilys wonders if, before long, they’ll all be so bored that they’ll start throwing rocks at ducks, too.

School isn’t too bad once it starts. Dilys meets another girl she likes, but unfortunately, the other girl lives too far away to see easily when they’re not in school. Some other kids at school tease another new boy named Brian because he’s partially blind. Dan and Edith turn out to be among the worst bullies, and Arthur and Dilys get so angry with them that they get into a fight. Dilys tells Edith that she’s ashamed of how she acts, she thinks it’s disgusting, and she wishes Edith would turn deaf so she can see what it’s like to live with a disability. The other kids back down rather than fight Arthur, and surprisingly, Edith is actually a little embarrassed when she sees how angry and disgusted Dilys is with her. It seems like the behavior of the local kids is as rough and ugly as the area where they live, but Dilys finds herself interested in Brian because he seems to be a different type of person.

Mrs. Briggs is as homesick as the kids for where they used to live, but she starts to make friends with Miss Brown, the aunt looking after Dan and Edith. Mrs. Briggs says that Miss Brown is a nice lady, but she doesn’t entirely know how to cope with the children, and Dan and Edith often misbehave and make trouble. She’s only been living with her brother and the children since their mother died last year.

One day, Dilys and Arthur go exploring, and they find an unexpected green area down a road that makes them feel more like home. They get caught in a sudden storm, so they take shelter under a railway bridge, where they meet Dan and Edith, also taking shelter. They start talking more about the area and places to explore, and Dan and Edith say that they can’t go down by Mr. Lowe’s farm anymore. Arthur asks them why, and they admit that they stole some plums from him and left his gate open, so the livestock got out. Arthur and Dilys can see why Mr. Lowe would be angry, but Dan and Edith defensively add that they didn’t leave the gate open on purpose. They just forgot to close it because Edith got stung by a wasp and was upset, but Mr. Lowe won’t believe them. They say it’s a pity because the area is much more interesting over there. There’s an old manor house, a stream, and a ruined mill over that way.

Things change for the children when Dilys, Arthur, and Megan befriend an artist who lives in a cottage nearby, John Zachary Laurie, and he’s a friend of Colonel Melling. He takes them out rowing on the flash and talks to them about how they like their new home. The Briggs children confide in him how unhappy they’ve been since they moved to the area because everything is so ugly, but the artist points out that it’s not really an ugly place. He says he finds it fascinating to paint because it has certain “dramatic effects.” When he shows them his pictures, they’re very different from the kind of pictures that the children are accustomed to seeing. Rather than conventional flowers and pretty landscapes, they are filled with angles and a lot of grays and browns, but with unexpected dashes of color. They’re unmistakably pictures of the area, but not in a way the children usually see it. The landscape in the paintings is familiar but strange, ugly but also oddly enchanting. John Laurie even gives them one of his paintings, the one he did of their new house, Flash Cottage. He says he knows the children hate the house now, but he thinks it has interesting angles, and if they learn how to look at things a little deeper, they’ll see more than they do now.

Although Dilys isn’t quite sure that she understands it, she begins to feel what the artist is talking about. Things that are strange start to feel familiar, and even in the ugliness of the landscape and the picture of their house, she begins to feel a sense of fascination and attraction. It’s not exactly pretty, but it is compelling.

When school lets out for the summer, the Briggs children once again find themselves bored and lonely. The few other children they like don’t live close to them, like Dan and Edith, and the Briggs children still think Dan and Edith are pains and troublemakers. Looking for something to do, Arthur, Dilys, and Megan decide to explore the old manor house that Dan and Edith mentioned.

It turns out to be a beautiful place, although it’s old and deserted. To their surprise, they discover that the property actually belongs to Brian’s family, the Pelverdens. They live in a little cottage behind the old manor house. Brian has a little sister, Mellie (short for Melinda), who would be a good friend for Megan, but Brian seems less than pleased that Arthur and Dilys have discovered where he lives. Brian’s father explains that they haven’t been living here long. The manor house has been in the family for generations, but it’s fallen into ruin because they haven’t had the money to maintain it for a long time. They only recently inherited the place themselves when Brian’s grandfather died. The Pelverdens don’t expect to ever live in the manor house themselves, but their hope is that, if they get it sufficiently repaired, they might have it registered and preserved as a historic building and get a grant to maintain it. The Briggs children eagerly volunteer their services to help with the project over the summer. They have nothing else to do, and they still miss the garden from their old cottage, so helping to replant the manor garden would be fun for them. The Pelverdens’ cottage and the crumbling old manor house are more beautiful to them than anything else they’ve seen since they moved, and they feel more like home.

Mellie is immediately happy to have found a friend in Megan, but Arthur and Dilys find it harder to make friends with Brian. Brian has known all of his life that he’s different from other kids because of his vision problems, and he’s used to people treating him differently or making fun of him. He tries very hard to be as “normal” as he can and prove to everyone that he can do things other kids can do. Because he feels like he has something to prove to everyone, he’s often less friendly than he could be, but Dilys is determined to earn his trust.

However, Dan and Edith are still problems. The Briggs children fight them off one day when they catch them teasing the Briggs’s cat. Edith is offended that the other kids keep telling them everything they do is wrong. Then, another day, they show up at the old manor house and break a window by throwing rocks. When the Briggs children and Mr. Pelverden confront Dan and Edith about what they’ve done, Dilys come up with a plan that might solve the Dan and Edith problem and prevent them from making further trouble.

The book is available to borrow and read for free online through Internet Archive. There is a sequel to this book called The Flash Children in Winter, which is about the children experiencing their new home in autumn and the lead up to their first Christmas there.

My Reaction and Some Spoilers

I thought this book was interesting because it has aspects of a cottagecore style story, but there are parts of it that contrast with the typical cottagecore aesthetic. The main characters in the story, the Briggs children, have come from an environment that would be like a cottagecore dream: an actual old cottage with a beautiful garden attached to an old manor house, where they were allowed to help out. Then, they have to move to a far more plain and conventional house in an ugly area with a view of a chemical plant. It’s understandable that they would feel badly about the move. Moving and starting over again would be difficult for anybody, but most people would find their new environment downright depressing, especially after hearing what their old home was like.

When they find out that Brian’s family lives in a cottage and is renovating their old manor house to turn it into a historic site, the story goes back to the charming sort of environment the children come from. However, it’s not just about the children finding a way back to the kind of environment that has the beauty and charm they crave but also learning to see what makes different types of environments fascinating, even enchanting. The Flash Cottage isn’t a real cottage, and it’s not as pretty as their old home, but after talking to the artist and looking at things from an artist’s viewpoint, taking into account the features of a place that make it unique, Dilys comes to see how a shift in perspective can make many different environments more attractive, in their own way.

Learning to get along with Dan and Edith also involves finding a different perspective and a different way of dealing with them. It’s not just about seeing the good side of Dan and Edith as they are. Frankly, the two of them are pain-in-the-butts. Dilys realizes that their problem is that they are thoughtless. They don’t think about other people, how the things they do affect anyone else or make them feel. Their thoughts begin and end with themselves. They’re bored and feel unwanted at home since their mother’s death, so they cause trouble because they just can’t seem to think anything else to do. Personally, I don’t think either Dan or Edith is very intelligent or imaginative because intelligence could be used to reason out why people react to them the way they do and a little imagination would help them put themselves in other people’s position or help them think of different things to do or ways to approach other people. However, Dan and Edith don’t do any of those things on their own. It never even seems to occur to them that they could. They only get upset when other people are unhappy with them and seem totally unable to understand why.

Even though Dan and Edith don’t seem either very bright or very considerate, it does occur to Dilys that they could learn to be helpful if someone actually set them tasks to do to keep them busy. At her persuasion, Mr. Pelverden and the other children allow Dan and Edith to join their efforts to clean up the manor. Dan and Edith are actually eager to accept the opportunity to help out with the others because they are incredibly bored and seriously need something to do and people to be with. When the others are dubious about whether they’ll actually do any helping or if they even know how to help, they try to prove that they can do things that are useful for a change. It also proves educational for Dan and Edith because, in helping to clean up the manor, they’re also forced to face damage they have caused themselves and begin to realize how things they’ve been doing have caused trouble and made extra work for other people. They’re not used to seeing themselves as other people see them or dealing with the consequences of their actions, and it’s an eye-opening experience for them. Later, they all have to face off against a motorcycle gang that comes to vandalize the manor, and Dan and Edith have come to see where their loyalties really lie and what menaces people can be when they act like they used to.

The story ends happily for the children and for the manor, which is going to be preserved. The Briggs children feel more at home in their new home, Dan and Edith have greatly reformed, and Brian has learned to be more open with people about his disability, so other people come to understand him better and treat him more kindly. Some of the people who made fun of him before admit that they didn’t understand just how bad his vision was, so they didn’t know why he seemed to struggle so much. Dilys still tells off those kids for not having figured it out, but at the same time, she is the one who tells Brian that he has to make things clear to people and not try to pretend that his condition doesn’t exist or that he doesn’t need some help when he actually does.

The author, Mabel Esther Allan is also a very interesting person. During her life, she wrote more than 100 books for children, under different pen names. She struggled with vision problems of her own when she was young, which was part of the inspiration for Brian in the story. During WWII, she worked was part of the British Women’s Land Army, and she also worked as a teacher.