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Samantha Learns a Lesson

American Girls

Samantha Learns a Lesson by Susan S. Adler, 1986.

This is part of the Samantha, An American Girl series.

Samantha attends Miss Crampton’s Academy for Girls in Mount Bedford. She is doing well and has some friends at school, but she misses her friend Nellie. She knows how poor Nellie’s family is and worries about how they are doing.

One day, Samantha comes home from school to a surprise: Nellie has returned to town with her family. Samantha’s grandmother recommended Nellie’s family to a friend, Mrs. Van Sicklen, who has hired Nellie’s father as a driver and Nellie’s mother as a maid. Nellie and her sisters will also be helping with household chores. They will also get the chance to go to school, although they will be attending public school and not the private school that Samantha attends.

When they begin attending school, Nellie’s younger sisters do fine in the first grade, where they are expected to be beginners, but Nellie herself has trouble in the second grade. Nellie is a little old for second grade, so the other children make fun of her for being there, and she is so nervous that she makes embarrassing mistakes in front of her teacher and the other students. Nellie thinks that perhaps she’s too old to start going to school, but Samantha realizes that what she needs is a little extra help.

Samantha talks to her own teacher and explains the situation. She says that she would like to help teach Nellie what she needs to know, but she is not sure what Nellie needs to know in order to pass the second grade. Samantha’s teacher, Miss Stevens, thinks that it is nice that Samantha wants to help Nellie and gives her a set of second grade readers to study with pages marked for assignments. Samantha tells her grandmother what she is planning to do, and she says that it is fine, as long as the extra tutoring doesn’t interfere with Nellie’s house work too much.

Nellie accepts Samantha’s help at their secret, private “school” that Samantha calls “Mount Better School.” During their lessons, Samantha discovers that Nellie is very good at math because she used to have to help her mother with shopping and had to keep track of her money. Nellie cannot always come for lessons because of her work, but Samantha’s tutoring helps her to improve.

One day, when Samantha is walking home from school with Nellie and her sisters, a mean girl from Samantha’s school, Edith, sees them and criticizes Samantha for spending time with servants. She says that her mother would never allow her to play with servants. Samantha asks her grandmother what Edith means, and her grandmother says that Edith is a young lady. When Samantha asks why she is allowed to play with Nellie, her grandmother says that they are not really playing, that Samantha is helping Nellie, which makes it different. That explanation doesn’t entirely satisfy Samantha.

However, her grandmother is both understanding of the help that Samantha has been giving to Nellie and serious about the need to help others. When Edith’s mother and other ladies of the neighborhood come to visit and complain about Nellie’s family and how Samantha is spending time with them, Samantha’s grandmother defends them and says that Samantha is doing good.

Meanwhile, Samantha’s school is preparing for a public speaking contest with the theme “Progress in America.” To prepare for her speech, Samantha asks her grandmother, her Uncle Gard, and other people what they think about progress and what the best inventions are. They mention inventions like the telephone, electric lights, automobiles, and factories. Samantha is fascinated by the idea of factories and the variety of products that they can make. However, when Samantha reads her speech to Nellie, Nellie is not nearly so enthusiastic about factories as a sign of progress. Nellie used to work in a factory herself, and she knows that they are not pleasant places. She tells Samantha how factories are noisy and how dangerous the machines are for the workers. The factory workers are also very poorly paid, which is why the products they make are so cheap.

Nellie’s stories about factories bother Samantha. When it is time for the public speaking contest, Samantha delivers a changed version of her speech in which she discusses the dangers of child labor and how some form of progress, particularly ones that endanger children, are not good forms of progress. Samantha’s thoughtful speech wins the contest, and her grandmother understands that Samantha has been learning things from Nellie even while teaching her.

In the back of the book, there is a section with historical information about education and child labor during the early 1900s.

The book is currently available to borrow for free online through Internet Archive.

Posted on by TracyC · 1 Comment

Meet Samantha

American Girls

Meet Samantha by Susan S. Adler, 1986.

This is the first book in the Samantha, An American Girl series.

Samantha Parkington is a nine-year-old orphan. She belongs to a wealthy family and lives with her grandmother, called Grandmary, in the Hudson Valley in New York. Grandmary is often strict with Samantha, trying to teach her to be a proper young lady, but Samantha finds it difficult. Samantha’s grandmother loves her, but she has very old-fashioned ideas about how girls should behave. When Samantha wants to try making and selling boomerangs in order to earn money to buy a doll, using instructions from The Boys’ Handy Book, her grandmother stops her, saying that young ladies do not earn money. She would rather that Samantha earn the doll as a reward for doing what she is told and practicing her piano lessons. Samantha also has an uncle, Uncle Gard, who has a girlfriend named Cornelia. Cornelia is a more modern woman, who would see nothing wrong with Samantha wanting to earn some money.

One of her grandmother’s servants, a black woman named Jessie, is kind and motherly to Samantha. Jessie often patches Samantha up after her various escapades and mishaps. Jessie’s husband, Lincoln, is a train porter, and Jessie tells Samantha exciting stories about the places that Lincoln has seen in his work, like New Orleans. Sometimes, Lincoln brings Samantha post cards from these places.

Samantha soon learns that a new girl her age is coming to a neighbor’s house. She has been wanting a playmate, so she goes over to the neighbor’s house to introduce herself. The new girl’s name is Nellie, but she has come to be a servant for the neighbors, the Rylands. Nellie’s family is poor, so Nellie needs to work as a maid help her parents earn money and support her younger sisters. Samantha is surprised when Nellie describes her family’s circumstances in New York City. Samantha has never been poor, and she doesn’t know what it’s like to be cold and hungry. Nellie says that the air in the countryside is better for her, and she gets better food working for the Rylands. Nellie tells Samantha that she has never been to school, and Samantha offers to teach her.

Then, Jessie suddenly announces that she is leaving her job at Grandmary’s house. Grandmary doesn’t seem surprised, but Samantha is. Jessie offers no explanation for leaving, and when Samantha tries to ask, Grandmary and the other servants do not want to talk about it. Samantha tells Nellie about Jessie leaving, coming up with fanciful reasons why she might leave her job, but Nellie offers the practical explanation that Jessie might be having a baby. Nellie knows more about it than Samantha because she has younger sisters, but she acknowledges that adults of this time period do not like to talk about people having babies, particularly in front of children. Neither Nellie nor Samantha entirely knows why.

However, Samantha is still concerned about Jessie. Samantha doesn’t know where Jessie lives, but Nellie does. The two girls sneak out one evening to visit Jessie and learn for themselves what the matter is. This is the first time that Samantha has been to the part of her town where black people live, further opening her eyes to the lives of people from lower classes of society. Nellie is a little surprised at how Samantha, who is more educated, sometimes knows so little about the ways that other people live.

It turns out that Jessie does have a new baby. Jessie reassures Samantha that she and the baby are fine, but since her husband needs to travel because of his job as a train porter, she needs to stay at home with her baby now. Samantha thinks of a way to help Jessie keep her job and care for her baby at the same time, persuading her grandmother to let Jessie come back. Unfortunately, Nellie soon has to leave because Mrs. Ryland doesn’t think that she’s strong enough to work as a maid and decides to send her back to her family in New York City. Samantha gives Nellie her new doll as a going-away present, and she is very concerned about how Nellie and her family will manage.

In the back of the book, there is a section with historical information about how wealthy people and their servants lived during the early 1900s.

Something that occurred to me later is that Jessie is about the right age to be Addy‘s daughter, from another American Girls series. I don’t think that there’s a real connection between Jessie and Addy because the Samantha books were written before the Addy series. However, when I stopped to think about their relative ages (Addy would be about 49 years old in 1904, and Jessie is probably in her 20s), it occurred to me that if Addy had a daughter, she would probably be an adult at this time, and she might be doing something very similar to what Jessie is doing, working as a seamstress.

The book is currently available to borrow for free online through Internet Archive.

Posted on by TracyC

Sarah, Plain and Tall

Sarah, Plain and Tall by Patricia MacLachlan, 1985.

This is a popular book to read in schools in the United States, the first in a series.  It’s a Newbery Award winner, and it shows aspects of farm life during the early 20th century and the concept of mail-order brides, a practice from American frontier days where men living in the West or Midwest, where there were not many available women in the population, would write to agencies or advertise for a bride from the East.  The process for arranging these marriages could vary, but it typically started with written correspondence before the man and woman would meet in person.  In this book, the man looking for a bride, Jacob Witting, is a widower with two children who has a farm on the Great Plains.  The story is narrated by his older child, Anna. The book isn’t very long, and it’s a pretty quick read, but it’s filled with colorful imagery and emotion.

Anna has had to help take care of her little brother, Caleb, since he was born.  Their mother died shortly after giving birth to him, and Caleb frequently asks Anna questions about what their mother was like.  Anna’s memories of their mother are fading because she was still very young when she died, but she really misses her.

Then, Jacob tells the children that he has advertised for a bride from the East, the way a neighbor of theirs did.  The children like their neighbor’s new wife and wouldn’t mind having a mother like her.  The father has received a reply to his advertisement from a woman in Maine, Sarah Wheaton.  Sarah has never been married, and now that her brother is getting married, she feels the need for a change in her life.  She loves living by the sea in Maine, but she is willing to move to start a new life.  She says that she would like to know more about Jacob and his children.

Jacob and the children write letters to Sarah, getting to know her better.  They come to like each other, but the children worry about whether Sarah will change her mind about coming to see them or whether she’ll like them or their farm when or if she comes.  When Sarah tells them that she’s coming during the spring, she says that they will know her because she will be wearing a yellow bonnet and describes herself as being plain and tall (the title of the book).

Sarah will stay with the family for a time while they decide if they can be a family together and if she will marry Jacob that summer.  There are adjustments that they will all have to make.  Life on the prairie is very different from what Sarah is used to, and the children still worry that she won’t want to stay.  Sarah brings seashells from Maine to show them, and they teach her about the local wildflowers.  One of my favorite scenes was where Sarah cuts Caleb’s hair, and they put the hair clippings out for birds to use in their nests.  Caleb was particularly concerned about whether Sarah would sing like their mother used to, and Sarah does. 

Through it all, the children can tell that Sarah really misses the sea.  Sarah does say that the land around the farm kind of rolls, a little like the sea, and they play in a haystack, like it was a dune by the sea.  When they visit their neighbors, Sarah talks with Maggie, the mail-order bride who came from Tennessee.  Maggie understands Sarah feels, missing her home in Maine, and it upsets Anna to hear them talk about missing their old homes.  However, Sarah says that things were changing at home, and Maggie comments that, “There are always things to miss, no matter where you are.”  What the women realize is that, although they miss their old homes, they have grown to love the new people in their lives and would miss them if they tried to go back to where they came from.

At one point, Sarah goes to town alone, and the children worry that she won’t come back, but she does.  She just went to town to buy colored pencils in her favorite sea colors.  Sarah does stay and marry Jacob, setting up the rest of the series.

The book is available to borrow and read for free on Internet Archive (multiple copies).

My Reaction

There is a movie version of this book, which follows the story pretty well. The book wasn’t specific about the time period, although it seems to take place during the early 1900s. The movie and its sequels are set during the 1910s, which makes sense for the rest of the series. The book also didn’t say exactly where the farm was, but the movie clarifies that it’s in Kansas. The movie also emphasizes how much the whole family, particularly Jacob and Anna, misses the mother who died.  In the movie, Jacob forbids the children to use any of his dead wife’s things and doesn’t want to talk about her.  However, when Sarah realizes that trying to avoid his wife’s memory is hurting Anna, she brings out some of the dead wife’s belongs to use, helping the family to make peace with the past and prepare for the future. 

In the movie, Jacob’s pain over his wife’s death is partly about guilt as well as grief. The book doesn’t really talk about why Anna’s mother died after childbirth, but in the movie, Jacob has a painful discussion with Sarah about how he blames himself for his wife’s death because the doctor had warned them that they shouldn’t have any more children after Anna.  Apparently, Anna’s birth had been difficult and caused complications because his wife was so young, and the doctor had said that having another child would be dangerous.  However, after a few years went by, they decided to try for a son to help run the farm, thinking that enough time had gone by for it to be safe.  When his wife died giving birth to Caleb, Jacob felt terrible, thinking that he should have taken the doctor’s warning more seriously and not tried to have another child.  Confessing all of this to Sarah helps Jacob to make his own peace with what happened.  However, none of this discussion appears in the book.

In both the book and the movie, Jacob also has to adjust to Sarah’s different personality.  Sarah is more stubborn and independent than his first wife, with her own way of doing things.  Living with her is different from living the mother of his children.  However, Jacob comes to love Sarah for the person that she is.

Posted on by TracyC

Tomorrow’s Wizard

TomorrowsWizardTomorrow’s Wizard by Patricia MacLachlan, 1982.

In a way, this story is a collection of shorter stories, but they are all tied together. In the beginning, Tomorrow’s Wizard (that’s actually his name, he’s also called Tomorrow) has just been given an apprentice wizard named Murdoch. Their job is to listen for important wishes to grant. Each of the shorter stories in the book involves a different wish and how Tomorrow and Murdoch grant it.

The First Important Wish – Rozelle is a pretty girl but wild and given to fits of temper. Her parents had her later in life and never disciplined her, so she has never had a reason to learn to control herself. However, her tantrums drive everyone else crazy. Rozelle’s father, acknowledging how difficult it is to deal with Rozelle, wishes that he could find a man who was willing to marry her. Tomorrow hears the wish and sends a variety of suitors to meet Rozelle, but she doesn’t like them, and none of them really like her, either. Then, another possibility occurs to the wizards: the villagers have been complaining that they are afraid of a nearby giant. Tomorrow knows that he giant is really harmless and gentle, just lonely. Could it be possible that Rozelle is the company that he needs?

Three-D – Miller Few and his wife, Mona, are nasty people, two of a kind. Because he’s the only miller in town, Miller Few (known to his neighbors as Three-D for Dreadful Dastardly Demon) freely cheats his customers. He and his wife have no friends because they’re so awful. Then, one day, Three-D saves Murdoch’s life. To reward the miller, Murdoch agrees to grant him a wish. The miller and his wife decide that they want a nice, sweet child who would do their work for them. The child Murdoch grants them is indeed sweet. A little too sweet. Not only does little Primrose look pretty and do the housework, but she helpfully reminds the miller about his debts and the other things her parents do wrong. The miller and his wife become more careful and agreeable and gain new friends because of Primrose, but they aren’t very happy. They aren’t really being themselves, and they’re tired of being on their best behavior all the time. But, perhaps there is one thing that can stop Primrose from being overly sweet: the miller’s old cat, Clifford.

The Comely Lady and the Clay Nose – Geneva is a very beautiful young woman and has many admirers, but she knows that they are more in love with the way she looks than with who she is. It worries her, and she wishes for someone who would love her for the person she is. To help solve her problem, Tomorrow makes an ugly clay nose for Geneva to wear, telling her that it will help her to find the person she is looking for. When she puts it on, her former admirers flee, and for awhile, Geneva is very lonely, but she perseveres and ends up finding the love that she is looking for.

The Perfect Fiddle – Bliss, the fiddle-maker, is ironically an unhappy man. The reason is that, no matter how good his fiddles are, he can never make one that’s completely perfect. After Bliss tries several crazy schemes to capture perfection in his fiddles, Tomorrow goes to visit Bliss’s wife, Maude. Like Tomorrow, Maude has seen the problem with Bliss’s approach to his fiddles and finally asks Bliss the question that makes him reconsider whether perfection should be his goal.

The Last Important Wish – Although Tomorrow is impatient with his apprentice, Murdoch, he does like having him live with him, and he has also grown attached to the horse that lives with them both. However, he has come to see that the life of a wizard isn’t the one that Murdoch is really suited for. More than anything, Murdoch wants the experience of being born and living among humans. The horse, too, wishes for a kind master and a family. Tomorrow sees that it’s time to grant both of their wishes, giving the horse and Murdoch (as a baby) to a kind farmer with a wife and other children.

The book is currently available online through Internet Archive.

Posted on by TracyC · 1 Comment

The Whipping Boy

The Whipping Boy by Sid Fleischman, 1986.

Jemmy is an orphan who lives in the royal castle as the prince’s new whipping boy.  Prince Horace, or Prince Brat, as the prince is commonly called, is known for constantly misbehaving, playing mean pranks, and refusing to do his lessons (he tells his tutor that he doesn’t need to learn how to read because he could always get someone else to do his reading for him).  However, in their land, it is illegal for anyone to use any kind of physical force or punishment on a prince.  Instead, the royal family employs a whipping boy to take the prince’s punishments for him.  As you can imagine, seeing someone else whipped in his place does little to correct the prince’s bad behavior.  In fact, the prince usually likes the spectacle of the whipping boy yelling.  He doesn’t like it that, unlike the others, Jemmy never yells when he’s whipped.

Jemmy was recruited for the role of whipping boy off the streets, where he survived by being a mudlark and rat catcher.  There are benefits to living in the palace, even if his purpose in being there is to take the prince’s punishments.  Jemmy gets food to eat and nice clothes to wear and attends the prince’s lessons with him, where he pays attention when the prince does not.  Jemmy actually loves the books and learning he receives.

After about a year, though, the prince suddenly comes to Jemmy in the middle of the night and tells him that he’s running away from home and wants Jemmy to come with him as a manservant.  When Jemmy asks him why he wants to leave, the prince says that he’s bored.  Jemmy wonders why Prince Brat wants him to come along instead of a friend, but then he realizes that, as nasty as he is, Prince Brat doesn’t have any real friends.

When the two of them are outside of the palace, Jemmy is tempted to run off and leave Prince Brat to fend for himself, but before he can make up his mind about it, the two boys are taken prisoner by bandits, Cutwater and Hold-Your-Nose Billy (named for all the garlic he eats).

Prince Horace tries to pull rank on the bandits, telling them who he is and ordering them to go away.  It’s a mistake.  When the bandits see the royal crest on the saddle of the horse that the boys are riding, they decide that they can probably get a good ransom for the prince.  Since neither of the bandits can write, they try to make the prince write his own ransom note, but of course, Prince Brat can’t write because he’s refused to learn. 

Jemmy, seeing an opportunity to turn the situation around, offers to write the note instead.  As Jemmy suspected, when the bandits realize that he can write and Horace can’t, they start assuming that he’s actually the prince and that the two boys have switched places.  After writing the note, Jemmy suggests that they let the “whipping boy” (Horace) take it to the castle, thinking that not only will Horace get safely away but that he’ll be rid of Horace after that.

To Jemmy’s surprise, Prince Horace ruins the whole scheme by refusing to return to the castle.  Jemmy tries to reason with him, but Horace says that he won’t go home until he’s ready.  The boys to manage to slip away on the bandits, and Horace insists on following Jemmy even though Jemmy wants to be rid of him.

Although Jemmy can’t understand why, Horace says that he’s having the time of his life.  For once in his life, he doesn’t have people fussing over him and telling him to keep his clothes clean.  Horace has found palace life stifling and boring, and he feels like his father hardly notices him or cares.  Part of the reason why Horace acts up is to get his father’s attention.  Jemmy is surprised by these insights into the prince’s life and character, and he is also surprised that, when he finally gets the chance to slip away and leave Horace behind, he can’t do it.  He knows that Horace isn’t used to life outside the palace, and Jemmy worries about what might happen to him if he’s left alone, although he tells himself that Horace could always return to the castle.

Before their adventures are over, Horace gets to experience what it’s like to do chores for himself and even to be whipped by the bandits, when they think he’s the whipping boy.  Being whipped himself shows Horace what he has subjected others to on his account.  Jemmy is surprised that Horace bears the punishment without crying or complaining, something which Horace says that he learned from watching Jemmy, who made it a point to take whippings with quiet dignity.  Horace also learns what other people really think of him when a woman at a fair comments on the prince’s disappearance, using the “Prince Brat” nickname and saying that the young prince is a “terror” and bound to be a terrible king when he’s older.  Usually, people are careful about what they say in front of the prince, and Horace is shocked to find out how disliked he is because of his bad behavior.  However, Horace’s new experiences and realizations bring a change in his outlook and personality that make him more sympathetic and likeable.  There is also the realization that what Horace really needs in his life isn’t a whipping boy to take his punishments for him but someone who can be a real, honest friend with him, like Jemmy.

In the end, Jemmy becomes the prince’s companion, not his whipping boy, so that the prince will be less lonely and stop acting out to get attention.  The king promises that Horace can keep Jemmy as his companion and his responsibility as long as Horace himself can behave responsibly and do his lessons as he should.

Although the country and characters in the story are fictional, the practice of keeping a whipping boy so that princes wouldn’t have direct physical punishment was a real practice.  Even today, the term “whipping boy” can stand for a person who takes blame or punishment in the place of someone with higher rank or authority, even when the person of higher rank is the one at fault.  For example, if a business manager or CEO makes a bad decision and orders one of his employees to do something they shouldn’t and the employee gets the blame for it as if what they did was their idea and not the boss’s, that employee can be considered the “whipping boy.” Another example would be if a stepchild in a family was given blame or punishment in place of a biological child because of favoritism on the part of the punishing parent (similar to the crude saying “beaten like a red-headed stepchild“). In fact, depending on the circumstances, a “whipping boy” might not even be a person, but a thing or a concept that is blamed instead of the person or thing that is the true cause of a problem, such as blaming “modern society” or “kids these days” for an individual’s bad habits or behavior, “the government” or “the system” for a business’s bad decisions or policies, or “millenials” for practically everything they’ve been blamed for by older people. It is similar to the concept of the “scapegoat” or “fall guy” but with the connotation that the person who is really at fault, the one who is trying to avoid blame or punishment, succeeds because of higher rank, authority, seniority, or some other form of favoritism among those who will assign blame or punishment.

This book is a Newbery Medal Winner and is available online through Internet Archive (multiple copies).

There is also a movie version of the book, sometimes called Prince Brat and the Whipping Boy.  The movie follows the concept of the original story pretty well, but it elaborates more on Jemmy’s life before he became the whipping boy and on how Horace feels neglected by his father.  In the movie, Jemmy is pressed into service as whipping boy by the king’s soldiers, who don’t bother to find out if he has any other family.  Although Jemmy is an orphan in both the book and movie, in the movie, he also has a younger sister he looks after, and part of what he wants to do when he leaves the palace is to find her.  The boys together learn that the younger sister was arrested for attempting to steal a handkerchief in Jemmy’s absence, and they have to rescue her from prison, a side adventure that didn’t occur in the book.  In the movie, Horace also explains to Jemmy that his mother died in a riding accident when he was young and that his father pays more attention to affairs of state than he does to him.  Horace is shown multiple times trying to get his father’s attention, only to be brushed off because his father is too busy.  In the movie, the king almost declares war on another country, thinking that Horace was kidnapped over a border dispute, something that didn’t happen in the book.  In both the book and the movie, Jemmy’s new friendship with Horace brings about a change in the prince.  At the end of the movie, both Jemmy and his sister are taken in to the palace as companions for Horace. Sometimes you can find this movie or clips of it on YouTube. Although it was originally released on VHS, it is currently available on DVD.

Posted on by TracyC

King Bidgood’s in the Bathtub

King Bidgood’s in the Bathtub by Audrey Wood, 1985.

King Bidgood loves being in his bath, but one day, he just doesn’t want to get out!  When the young page realizes that the king is refusing to leave the bath, he calls out to the courtiers, asking what to do about it.

One by one, they try to interest the king in other activities, but each time, he keeps inviting them to join him (fully clothed, although he apparently isn’t, just mostly hidden by bubbles) in order to prove that absolutely everything can be done in the bath.

When the knight says it’s time for battle, they end up having a battle with toy ships in the tub.  When the queen tells him that it’s time to eat, they have a fancy feast right there in the tub.  The king’s activities eventually include a fishing trip and a dance.

In the end, the page is the one who figures out how to put an end to this never-ending bath.

I love the pictures in this book, and the repetition as each person steps forward with a suggestion should appeal to young children.  This book is a Caldecott Honor Book. It is currently available online through Internet Archive.

Posted on by TracyC

Talking to Dragons

Talking to Dragons by Patricia C. Wrede, 1985.

This is both the fourth book in the Enchanted Forest Chronicles and the first book in the series that was written.  The author wrote this story before the others and then wrote the other three to explain how the characters got to this point.  The first three books in the series focus on Princess Cimorene and her adventures, but this book focuses on her son, Prince Daystar.

Partly because this series is kind of backwards, with the last book being the first written, I’m going to start with a spoiler.  When the book begins, Daystar is unaware that he is a prince and that his father is the king of the Enchanted Forest.  He grew up in an ordinary cottage on the edge of the forest, so he is accustomed to the presence of all kinds of fantasy creatures and fairy tale characters.  He thinks of himself and his mother as ordinary poor folk.  However, his mother has taught him not only reading and writing but other skills that are more unusual for peasants, like music, fighting, and even a little magic.

When Daystar is 16 years old, a wizard named Antorell comes to their house.  Daystar’s mother, Cimorene, seemed to know him, and he knows her.  Antorell demands “the sword” and the boy, and Cimorene casts a spell to melt him.  (“’No! Not again!’ he screamed.”  If you’ve read the other books, you already know why.  But, again, this book was written first.)

The next day, Cimorene gives Daystar a sword that he’s never seen before but which seems to draw him to it, and she starts giving him instructions.  The instructions are vague, but Cimorene insists that Daystar is to go into the Enchanted Forest and not to come back until he can explain why he had to go in there in the first place.  Also, he is not allowed to draw the sword from its scabbard unless he really needs to use it.  Cimorene says that she can’t explain more because it might “ruin everything.”  Not knowing what else to do, Daystar starts into the Enchanted Forest.  When he glances back, Cimorene and the cottage have suddenly disappeared.  Daystar has no idea why, but he has no choice but to keep going.

In the forest, Daystar meets a talking lizard called Suz, who claims to know everything about the Enchanted Forest and what goes on there (a tall claim, considering everything that goes on there).  When Daystar asked him if he knows anything about the mysterious, magical sword that his mother gave him, Suz tells him that it’s the Sword of the Sleeping King and that everyone has been looking for it.  Daystar knows nothing about it, which surprises Suz.  To Daystar’s surprise, both the sword and Daystar’s lack of knowledge agitate Suz, who says that he must get Kazul, who will know what to do.  Before he then runs off, leaving Daystar wondering who Kazul is, Suz tells him that he’s going to have to learn about the sword by himself because there are certain rules associated with magic, but that he should follow the sword to find out.

The next person Daystar meets is a red-haired girl who is stuck in a hedge.  She is surprised by how easily Daystar can get into the magical hedge, and at first, she thinks that he is a wizard.  She is relieved when she finds out that he’s not.  The girl, Shiara, tells Daystar that wizards have been chasing her because she burned the Head Wizard’s staff.  Most people could never accomplish that because wizards’ staffs are extremely powerful and have protective spells on them, but Shiara is a fire-witch.

As the two of them talk, Daystar learns that, while fire-witches are extremely rare and powerful come by their powers naturally, Shiara’s abilities are more unpredictable than most.  She has trouble casting spells on purpose, but when she gets mad, she can do some extremely powerful ones without really trying.  Fire-witches tend to have tempers, and Shiara is no exception.  Because of that, she doesn’t have many friends.  Most people are afraid to be around her because they never know when she’ll lose her temper and accidentally set things on fire.  Even worse, for Shiara, is knowing that most fire-witches are able to do very impressive spells and are almost invulnerable, but yet, she can’t even burn her way through a hedge when she tries it.  The wizards are very interested in her because most fire-witches are immune to their spells.  When they learned that she was a fire-witch who couldn’t cast her own spells, they tried to kidnap her in order to study her magic, which she how she ended up setting the Head Wizard’s staff on fire.

Daystar and Shiara finally get out of the magical hedge when Daystar suggests that Shiara try being polite to it instead of losing her temper.  Creatures and objects in the Enchanted Forest tend to respond well to politeness.  When they’re out of the hedge, a wizard shows up and tries to kidnap Shiara again, but Daystar defends her with his sword.  However, Daystar’s hand is injured when he tries to pick up the pieces of the wizard’s staff, and it explodes.

Daystar and Shiara seek help from Morwen, a witch who lives nearby.  It is from Morwen that Daystar begins to get a sense of what his sword is capable of doing.  He also meets up with Suz again, who tells him that he should go to the castle and that Kazul will meet him there.  Daystar still doesn’t know what he’s walking into, but missions in the Enchanted Forest can’t be ignored, and he has a mission to complete that everyone has been waiting for since before he was born.

By the end of the story, Daystar has learned what he needs to do to rescue his father, and Cimorene and Mendanbar are reunited.  Shiara ends up getting what she wants, partially, because she gains the ability to use her powers, but is forced to be polite in order to do so, which really irritates her.  She becomes Kazul’s new princess, where she will learn both the personal skills and magical skills she needs to control both herself and her ability.  Cimorene believes that Shiara will end up marrying Daystar eventually and becoming the next queen of the Enchanted Forest.  However, the series ends here, and the future is left to the imagination.  Morwen also decides to marry Telemain, a character from the previous books.

Like other books in this series, this book contains a lot of humor and parodies on popular fairy tales and fairy-tale creatures. Personally, I like the first two books in the series the best, but this one is also fun. There is a mild touch of romance to it, which is also nice.

The book is currently available online through Internet Archive.

There is one more story after this series, a short story in the collection Book of Enchantments that features Daystar and both of his parents but does not have Shiara.

Posted on by TracyC

Do-It-Yourself Magic

Do-It-Yourself Magic by Ruth Chew, 1987.

Rachel and her younger brother, Scott, stop by the discount store on the way home to admire the model kits.  Most of the model kits are too expensive for them to buy, but one kit has been put on discount, The Build-Anything Kit.  The kids think it’s a good deal because they can use it to build more than one kind of model. 

When they get it home and begin to play with it, they are confused at first.  Scott tries to build a model stock car racer, but all the wheels and other pieces are all different sizes.  Then, Rachel finds a double-headed hammer labeled, “sizer.”  The kids discover that when they hit the model pieces with the hammer, they can make them bigger or smaller.  Besides working on pieces, the sizer can also make people bigger or smaller.  Rachel makes Scott smaller so that he can drive his stock car model around the room.  Then, when he drives outside, she makes both him and the car bigger, so the car is the size of a normal car.  A neighbor spots them in this strange car and calls the police, so the children are forced to shrink the car again quickly. 

When they get home, they discover that they left the door open and that a man is trying to steal their tv set.  Without thinking, Rachel hits him with the sizer and shrinks him.  Now, they have to decide what to do with him before the situation gets worse!

At first, the kids keep the thief in a glass, but then they let him out and allow him to drive around in the stock car model.  While they are trying to decide what to do with him, they take a look in the model box again and notice some pieces that weren’t there before.  They look and feel like stone blocks, so they begin building a castle with them.  To their surprise, the man they shrunk runs into the castle.  They are worried about him, so they hit the castle with the sizer to make it bigger.  Suddenly, the castle is as large as life, and they go inside to discover that they are back in medieval times. What will happen to the thief in the past, and will the kids get back home?

The book is currently available online through Internet Archive.

Posted on by TracyC

The Time of the Forest

The Time of the Forest by Tom McGowen, 1988.

The story takes place in the prehistory of Denmark, among its earliest inhabitants.  It shows the conflict between the hunter-gatherers, who are native to the forests of that land, and the farmers, who have traveled to the area to build a new home on the edge of the forests.

When the two groups learn of each other’s existence, they become frightened of each other. The hunters are afraid that the new people will take over their hunting grounds, and they are offended that the newcomers cut down the trees to build their homes and clear land for farming. The farmers are afraid of the forest, the wild animals inside it, and the hunters, who they fear might start hunting them.

A young hunter, Wolf, watches the farmers to learn more about them, and he is fascinated by what he sees. In some ways, the two groups are alike, and Wolf finds himself wanting to know more about the ways of the farmers and maybe even make friends with the pretty girl, Bright Dawn, who he sees tending the farmers’ goats.

However, the son of Wolf’s chief has decided that the newcomers must be destroyed. When Wolf saves Bright Dawn from the chief’s son, the two of them must learn to work together and combine the skills of their different peoples in order to survive.

In the end, after a bloody clash between their respective peoples, both Wolf and Bright Dawn are each exiled from their tribes.  However, their exile actually gives them the freedom to start their own tribe that combines aspects of both of their societies.

The book is available to borrow and read for free online through Internet Archive.

My Reaction

This story was somewhat speculative about the early days of Europe, when societies were starting to shift from hunter/gatherer groups to more settled agricultural groups.  The author says that he was theorizing about the cultural clashes that may have taken place during this time.

Something I noticed about the story is that the groups, particularly the hunter/gatherer group, somewhat resembled some Native American groups around the time that they first encountered European settlers.  The author didn’t say anything about using their lifestyles as inspiration or drawing any parallels between them and early Europeans, but it did make me think about the similarities between groups that are living similar lifestyles but in different places.  In other words, it does seem reasonable that hunter/gatherers living in Europe would be living in circumstances that would be very similar to hunter/gatherer groups in the Americas.

Posted on by TracyC

The Quilt Story

The Quilt Story by Tony Johnston and Tomie dePaola, 1985.

A woman (at some point in the 1800s, from the pictures) makes a special quilt for her young daughter, Abigail.  It has Abigail’s name on it and a pattern of falling stars.  Abigail loves it!

Abigail uses the quilt all the time, not just in bed.  She has tea parties with her dolls on the quilt, hides under it when playing hide-and-seek, generally taking it everywhere and playing all kinds of games with it.  The quilt gets worn and torn in the playing, but her mother mends it when necessary.

Eventually, Abigail and her family move to a new home, traveling in a covered wagon.  Everything in their new home seems strange to Abigail, but her old quilt comforts her.

Eventually, when Abigail is older, she puts the quilt away in the attic, and people forget about it.  Still, animals use the quilt.  A mouse makes a nest it in.  A raccoon hides food in it, and a cat naps on it. Then, one day, another girl finds the quilt in the attic.  She loves it and brings it to her mother to be repaired. 

Like Abigail, though, the modern girl’s family soon moves to a new home, where everything seems new and strange.  However, the old, familiar quilt comforts the girl once again.

This is a gentle, comforting story that would make nice bedtime reading or a story that could be read to a young child who is moving or has recently moved, reminding them that, even in a new place, you can bring a sense of home and the familiar with you.

The book is currently available online through Internet Archive.