A little boy named Matt goes to visit his grandfather on his farm. They notice a storm approaching, and Matt worries about where the animals will go when the storm comes. His grandfather tells him that the animals all know where to go.
The animals also notice the approaching storm. When the rain comes, Matt and his grandfather go inside the house with the cats. After the storm is over, Matt’s grandfather takes him outside to show him where all the animals went during the storm.
Matt watches as all of the animals, both the domesticated animals of the farm and the wild animals who also live there, emerge from their hiding places. Every animal has a place to go, and they’re all fine after the storm.
The book is available to borrow and read for free online through Internet Archive.
My Reaction
I like this story because it’s very calm. I think it could make a good bedtime story for young children. Although the boy in the story is concerned about the animals and where they will go during the storm, the animals are never in any danger. The grandfather knows that the animals will all be fine, and he reassures his grandson that they all have a place to go. It’s reassuring that the storm is natural, the animals know what to do when it happens, and the boy sees that everything is fine. The story ends with the boy and his grandfather watching the sun come out after the storm.
This book is a classic piece of children’s literature! This is the first book in a series of about the adventures of the Banks children with their magical nanny, Mary Poppins.
Mr. and Mrs. Banks of Cherry-Tree Lane have four children: Jane, Michael, and the infant twins, John and Barbara. When the story begins, the children’s nanny has just suddenly left her job with no real explanation. Mrs. Banks is beside herself, wondering what to do about this household upheaval, and Mr. Banks offers the practical suggestion that she should advertise for a new nanny in the newspaper. Mrs. Banks decides that’s a good idea, but a strange wind from the East brings an unexpected answer to this domestic problem.
When Mary Poppins arrives at the Banks’ house to take the position of nanny, it seems like she was blown there by the wind. When the children ask her, she says that’s indeed what happened, but she offers no other explanation. Mrs. Banks discusses the position of nanny with her, but it turns out that it’s more like Mary Poppins is interviewing her and evaluating the children to see if they’ll do. Mary Poppins refuses to provide references when Mrs. Banks asks for them (I would find that worrying), saying that people don’t do that anymore because it’s too old-fashioned. Mrs. Banks actually buys that explanation and doesn’t want to seem old-fashioned, so she stops asking. Mary Poppins basically grants herself the position of nanny as if she were doing the Banks’ family a favor. Maybe she is.
Jane and Michael can tell right away that Mary Poppins is no ordinary nanny. When she begins unpacking her belongings, it seems at first that her carpet bag is empty, but she soon starts pulling many different things out of it, including some things that should be too big to be in the bag at all. Then, she gives the children some “medicine” (she doesn’t say what kind of medicine it is or what it’s supposed to do) that magically tastes like everyone’s favorite flavor.
From there, the story is episodic. Each chapter is like its own short story.
On her day off, Mary Poppins meets up with the Match Man called Bert, who also paints chalk pictures, and when he doesn’t have enough money to take her to tea, they jump into one of his chalk paintings and have a lovely tea there. The children aren’t present for that adventure, but they do go to tea at Mary’s uncle’s house.
Mary’s uncle, Mr. Wigg, is a jolly man … maybe a little too jolly. It’s his birthday, which has filled him full of high spirits, and he literally can’t keep his feet on the ground. When they arrive, he’s hovering in the air. He says that it’s because he’s filled up with Laughing Gas because he finds so many things funny. It’s happened to him before, and he can’t get down to earth again until he thinks of something very serious. The whole situation is so funny that Jane and Michael begin to laugh and find themselves floating in the air, too. Even though Mary isn’t amused and doesn’t laugh, she makes herself float in the air also and bring up the tea table so they can all have their tea in midair. The merriment only ends when Mary Poppins finally tells the children that it’s time to go home, which is very serious indeed.
Mary Poppins understands what animals are saying, helping to sort out matters for a pampered and over-protected little dog who desperately wants a friend to come live with him. Then, when the children see a cow walking down their street, Mary Poppins says that cow is a personal friend of her mother’s and is looking for a falling star. On Mary Poppins’s birthday, she and the children attend a bizarre party in the zoo where the animals are their hosts.
There is an episode in the book which has some uncomfortable racial portrayals. It takes place when Mary Poppins shows the children how a magical compass can take them to different places around the world, and they meet people who are basically caricatures of different racial groups. (This episode has resulted in the book being banned by some libraries. P. L. Travers received complaints about it in her lifetime, and she revised the scene in later printings of the book, which is why you’ll see books labeled as “Revised Edition.” I have more to say about this scene, but I’ll save it for my reaction.)
Mary Poppins and the children visit a bizarre shop where the owner’s fingers are candy and grow back after she breaks them off and gives them to the children. (That’s actually pretty freaky.) The children save the gold paper stars from the gingerbread they buy at the shop, and later, they see Mary Poppins and the shop owner and her daughters putting the stars up in the sky.
There is a story about the babies, John and Barbara, and how they understand things that the adults and older children don’t, like what animals, the wind, and sunshine are saying. They are sad to learn that they will forget these things as they grow up.
Toward the end of the book, Mary Poppins takes the children Christmas shopping, and they meet Maia, one of the Pleiades (here she is considered to be a star as well as a mythological figure, and she looks like a young, scantily-clad girl), who has come to Earth to do her Christmas shopping as well.
In the end, Mary Poppins leaves the Banks family suddenly when the wind changes directions, flying off into the sky on the wind with her umbrella. She does not say goodbye, and the children are very upset. Mrs. Banks is angry with Mary Poppins for her sudden departure on a night when she was counting on her to be there to take care of the children. The children try to defend her, though, and say that they really want her back, even though she’s often cross with them. However, she does leave behind presents for the children that hint that she may come back someday.
The book is available to borrow and read for free online through Internet Archive (multiple copies).
My Reaction
In some ways, the Mary Poppins in the original books isn’t quite as pleasant as Julie Andrews in the Disney movie version. The Mary Poppins in the book is vain and stuck up. She can be intimidating in her manner, refuses to answer questions, and even gets rude and snippy with the children. She was a little like that in the movie, but in the book, she’s even more so. After any strange or magical thing happens and the children want to talk about it, Mary Poppins gets angry at them and denies that any such thing happened at all. I found that rather annoying because it’s kind of like gaslighting, denying things happened when they really did happen. I think we’re meant to assume that’s because the adults aren’t allowed to find out that magical things have happened because they might put a stop to it or because Mary Poppins realizes that the children can only enjoy this kind of magic for a brief phase of their lives and that they’ll have to grow up in the more mundane world, just like the little twins can’t help but lose their ability to talk to animals. It’s a little sad, but I think it’s meant to provide some kind of rational explanation about how magic can exist in the world but yet go unnoticed by most people.
There is a Timeline documentary that discusses the life of P. L. Travers and how she felt about the Disney movie version of Mary Poppins. Although many people came to know and love the character through the Disney movie, and it made the books much more popular, P. L. Travers thought that the animated portions were silly and the characters weren’t represented as she wrote them.
I’d like to talk more about the racially-problematic episodes with the magic compass. A compass that can take people to different areas of the world just for asking is a good idea, but the people they meet in the places they go are all uncomfortable caricatures of different races. The one part that I’m not really sure about is how seriously these were meant. When I was trying to decide what to say about this, I considered the idea that aspects of this part of the story may have been meant as a parody of things from other children’s books and popular culture at the time. I have seen even older vintage children’s books that poke fun at concepts from earlier stories, so it occurred to me that this book might be making fun of concepts about people from around the world that young children of the time might have from things they’ve read in other books. There is a kind of humor throughout the book that involves puns and plays on certain ideas, like the way her uncle insists that he floats when he’s in a humorous mood because he’s buoyed up by “Laughing Gas”, which is not what real “Laughing Gas” is. It’s like what a child might picture as “Laughing Gas”, if they didn’t already know what that term means. It’s possible that part of this scene might be parodying other children’s fantasy books about magical travel, but it’s still very uncomfortable to read the original version of this scene, if you don’t have one of the revised editions of the book.
On the other hand, I suspect that the author isn’t really that thoughtful or self-aware by the way the adult characters speak throughout the book series. At the end of the book, when Michael is upset at Mary Poppins suddenly leaving and he throws a fit and argues with her, his mother tells him not to act like a “Red Indian.” I’m not entirely clear on what that comment was supposed to mean in that context, but Mrs. Banks uses it as if she does, so it seems that there is some implied insult there, maybe equating Michael’s behavior to being “savage” or “uncivilized” or something of that nature. Even Mary Poppins herself uses racial language throughout the series, using words like “hottentot” or “blackamoor” to criticize the children when they misbehave. It makes me think that the author was accustomed to that kind of talk herself. If Mary Poppins can get snooty as a character, I think I have the right to express my disapproval of her behavior as well.
While I like the basic character of a magical nanny who takes children on magical adventures, I don’t like either those comments or the compass scenes because the obvious caricatures are uncomfortable, and I don’t think they make good story material for children. I would recommend saving that version for adults who are interested in reading or studying nostalgic literature and use the revised versions for children, who would probably just prefer to have a story they can enjoy for fun without needing a lesson on racial attitudes of the past to understand it. If they’re curious, they can always have a look at the original later, when they’re old enough to understand it better and put it perspective. In the revised compass scenes in later books, some printings still have people but some of the offensive words removed, and in later printings, the children meet different types of animals instead of people.
Since the characters’ adventures in the previous book, Minabell Mouse has come to live with her Aunt Pitty Pat in their ancestral home, Mousehaven Manor. Just as Aunt Pitty Pat and Minabell have finished their spring cleaning, Minabell’s cousin Violet Mae arrives for a visit … apparently a long one, based on the amount of luggage that she brought with her.
Also, the prairie hawk who brought Violet Mae to Mousehaven Manor brings a package for Minabell, although there’s nothing to say who the package is from. Minabell finds the package disturbing and is afraid to open it. Instead, she stashes it in the music room. Still, the package leaves her feeling weak and unwell, as if it were somehow cursed.
That evening, their friend Percy the bat comes to dinner, and they are also joined by a mysterious stranger bat who calls himself Count Von Flittermouse. Count Von Flittermouse is a traveler, but he has no luggage except for a large box, which he declines to bring inside. They invite him to join them for dinner, but he says he’s already eaten, so he will just join them in conversation. Aunt Pitty Pat asks the Count if he’d like to spend the night at Mousehaven Manor, but the Count says that he’s a nocturnal creature, so he’s active at night. He asks for directions to Springfield because he says he wants to camp in the Oak Ridge Cemetery and visit Lincoln’s tomb. After dinner, the Count leaves, and they see he’s carrying a long box on his back. He’d mentioned that he brought his bed with him, so they figure that’s what it is. Percy seems a little uneasy about the Count, and Minabell notices that the Count left some odd kind of dust on the chair where he was sitting.
Minabell is in charge of security at Mousehaven Manor, but that evening, she accidentally leaves the music room window open. At night, Minabell hears someone moving around the manor, but she never sees the mysterious intruder, and in the morning, nothing is missing, so her aunt thinks it might have been her imagination.
Meanwhile, a country singer mouse called the Rhinestone Rodent arrives in town. (A joke on the Rhinestone Cowboy song.) Minabell is shopping when she stops to watch the singer perform. Then, an alarm goes up among the mice in town because Mousehaven Manor is on fire! Minabell rushes home, and Percy rings the bell at Mousehaven Manor to summon help. Others come to form a bucket brigade, and they successfully put the fire out. Aunt Pitty Pat is fine, but it takes them awhile to find Violet Mae. Violet Mae casually strolls downstairs and tells them that she was upstairs, having a nap and missing the whole thing.
Part of the mansion is damaged from the fire, and they have to clean everything up. Violet Mae meets the Rhinestone Rodent and develops a crush on him. While Violet Mae and Aunt Pitty Pat go to see the Rhinestone Rodent perform, Minabell and Percy inspect the site of the fire. They determine that the fire was set deliberately, but it was never intended to burn down the whole mansion. It seems like whoever set the fire was using it to cause a distraction while they did something else, but they’re not sure what.
The mysterious package that Minabell hid in the music room is still there, and Minabell finally opens it in front of Percy. It turns out that it’s from Wendell Weasel, a member of the local law enforcement agency, the Illinois State Ski Patrol. The mysterious package contains an equally mysterious ancient box, and Wendell’s letter explains that this box has been passed down in the Mouse family for generations, always held by the head of the family. Until recently, it was in the possession of Colonel Mouse, who was Violet Mae’s guardian but has recently passed away (something that Violet Mae has completely failed to mention to anyone, which is weird). Wendell says that Violet Mae doesn’t know anything about the box, but Colonel Mouse wanted Minabell to look after both the box and Violet Mae. Wendell says that there is a document in the box itself that will explain the purpose of the box, but each caretaker of the box is bound to use its contents to help others and not just for personal gain. Also, there are evil people who may try to steal the box, so Minabell is going to have to be careful.
In the mysterious antique box, Minabell finds a pile of sand surrounding a bottle holding something intensely cold and an old map written in Spanish. It seems like this is what their mysterious intruder was looking for, but what does it mean, and who wants it?
The book is available to borrow and read for free online through Internet Archive (multiple copies).
My Reaction and Spoilers
This story is more supernatural than the previous book in the series, which was an adventure story. I thought that the villain in the story was pretty obvious, although I did have a couple other suspects in mind for a more devious twist. It turned out to be the obvious choice, though.
Count von Flittermouse is not what he seems, in more ways than once. Percy figures out pretty quickly that the Count is a vampire bat, but what that seems to mean in this version of the animal world is not only different from what vampire bats actually are, but it’s also kind of confusing. I expected that he’d turn out to be like a human vampire, only with a bat as his main form – drinking blood, being immortal, etc. But, that’s not it. Count von Flittermouse is a shapeshifter. He can change into different scary animals, like wolf and spider. That’s his main super power. So, he’s not exactly what I think of as a “vampire”, he’s more like a werewolf, or werebat, or werewolf bat or something. We never see him drink blood or try to drink blood, although there are some bones in his lair that suggest that he might eat other animals. They don’t really go deep into the lore of it or outline the rules for vampire bats in their version of Illinois. You just have to take their word for it that vampire bats are shapeshifters, and that’s it. That’s their thing. Also, their vampire bats aren’t immortal vampires. That’s really the problem that Count von Flittermouse has. He’s actually a very old vampire bat and not likely to live much longer unless he can get his little winged paws on the package that Minabell received.
The bottle in the mysterious package turns out to contain water from the Fountain of Youth. Generations back, one of Minabell’s ancestors accompanied Spanish conquistadors on their search for the Fountain of Youth, and they not only found it but saved some water from it. Count von Flittermouse wants it to restore his youth and make him immortal. It wouldn’t be so bad if he wasn’t also evil and a werewolf bat.
Of course, our heroes are victorious. They find a way to use the special water so that it benefits everyone, except for the evil bat, and everything ends happily. I actually think that this book might make a fun Disney cartoon, something like a more supernatural version of The Great Mouse Detective. Even though I thought that the book’s version of what a vampire bat is and what it does is a little confusing, a movie version could clarify some of the rules regarding what vampire bats are supposed to be and what they do. The lore about human vampires varies depending on the source, although they usually do have the ability to shapeshift into bats, an ability which is kind of pointless if the vampire happens to already be a bat. It’s understandable that the story has to tweak the traditional vampire lore to fit into this animal society. I kind of picture that the vampire bat would only be able to change into things whose blood it sucked earlier, but that’s just my theory; the book doesn’t clarify that point. Still, it’s a fun story, and I think a movie version would also be fun.
The Case of the Waltzing Mouse by by George Wyatt (Charles Spain Verral), 1961.
The Crestwood Garden Club holds an animal show to raise money for their Community Camp Fund. Brains and Jimmy enjoy seeing all of Professor Gustave’s animals, but they become concerned when a seal knocks over a creel where its fish are stored, and they see that there is a large amount of cash concealed inside. Professor Gustave says that he carries that much cash with him because he is always traveling from town to town with his animal show and can’t depend on a single bank for his money.
Brains still seems concerned about the money and the way it’s concealed, but Jimmy is hoping that Brains won’t find a mystery that will disrupt their vacation plans. Every year, they spend a few weeks at a lakeside cabin that their families rent, and all Jimmy wants to do is go swimming and fishing.
However, while Jimmy’s older sister, Ann, is driving the boys to the cabin, they come upon the professor’s trailer of animals. The animals are very upset, and the professor is nowhere to be seen. After searching the area, they find the professor, and he tells them that he was attacked by a couple of men. One of them is a guy called Blackie, who used to work for the professor, but the professor fired him because he mistreated the animals. The men were trying to take the creel with the money in it, but the professor threw it into the bushes, and they didn’t find it.
It turns out that the professor is also going to be staying at a cabin by the lake for awhile. They help him to get settled there with his animals, but Brains is still concerned that the men will be back for the professor’s money. The concern is justified because the men later attack the professor while he’s in a boat on the lake, and the creel is lost overboard. The professor is very upset, not just because the money is now at the bottom of the lake but because the money actually doesn’t belong to him. The professor says that it really belongs to someone else, although he doesn’t say who.
Brains realizes that they can get the creel back because a policeman friend of theirs is also staying at the lake and has offered to teach the boys how to skin dive. Jimmy has wanted to learn to dive and is willing to dive for the creel. Unfortunately, the situation is complicated when the men kidnap the professor for ransom, saying that they’ll let him go if the boys bring them the money.
My Reaction
There were parts of this book that I didn’t really care for. I’ve noticed that the Brains Benton books sometimes include stereotypical attitudes of boys looking down on girls or discounting their abilities. Near the beginning of the book, Jimmy’s sister Ann is trying to get the boys to hurry getting ready to go to the cabin, but Brains wants some extra time to take care of a new device that he’s just gotten. Jimmy says, “But, after all, she is a girl, and girls and women just don’t understand how it is when a fellow gets interested in something highly scientific and technical.” No, Jimmy, I don’t think that’s the issue. It’s not about not understanding how someone can find science interesting; Ann’s just in a hurry to get going. She would probably be just an impatient if you were taking extra time to pick out a different shirt or get your hair combed just right. Granted, some of Jimmy’s comments are tongue-in-cheek. When Ann later tells them to stay out of trouble because she knows that they’ve gotten into trouble with their detective business before, Jimmy mentally lists the dangerous situations they’ve been in while denying that they were really that bad. “Women! Always exaggerating!”
The mystery wasn’t too bad. We do know who the villain is from the beginning, so like the other books that I’ve read in this series, it’s more of a “howdunit” than a “whodunit.” Readers get to watch Brains and Jimmy figure out how to rescue the professor and save his money. There is one other element of the story that is more of a mystery than the professor’s kidnapping. The professor says that the money isn’t really his, and the boys see a mysterious girl talking to Blackie. Is she the one who really owns the money, and if so, what is the relationship between her and the professor?
Somewhere in Africa by Ingrid Mennen and Niki Daly, illustrated by Nicolaas Maritz, 1990.
I didn’t read this book when I was a child, although it’s old enough that I could have, but I was fascinated when I found it in a Little Free Library because this is an American edition of a book that was originally from South Africa. I enjoyed the colorful painted pictures, and I think it’s a good book for explaining to American children what it would be like to be a kid in South Africa. For a child living in a city, life actually wouldn’t be too different from the lives of American children living in cities. Africa isn’t all savannas and animal safaris.
A boy named Ashraf lives in Africa. He doesn’t live in a place with lions, crocodiles, and zebras, though. He lives in a very busy city. Ashraf likes animals, and he reads about them in his favorite library book.
As Ashraf goes to the library, he sees all of the busy traffic of the city and passes by shops with fascinating things in their windows. In the market, there is a fruit seller singing about his products. Other people are selling flowers, and there are street musicians.
When Ashraf gets to the library, he checks out the same book about African animals again.
The book is available to borrow and read for free online through Internet Archive (multiple copies).
My Father’s Dragon by Ruth Stiles Gannett, illustrated by Ruth Chrisman Gannett, 1948.
This is a fantasy book where the author tells a story about her father’s adventures rescuing a dragon when he was a boy.
It all starts when the boy, Elmer Elevator, brings home an alley cat that he found. However, his mother doesn’t like the cat and doesn’t want Elmer to keep her. When he tries to feed the cat secretly, she throws the cat out and punishes Elmer. The boy and the cat take a walk in the park together, and the boy confides his wish to learn how to fly airplanes when he grows up. The cat says that he doesn’t have to wait until he grows up to learn how to fly.
The cat explains that she has traveled a great deal, and not too long ago, she visited the Wild Island, which is inhabited by wild animals. The island is divided in half by a river inhabited by crocodiles. Normally, the animals have to take the long way to get around the river to avoid being eaten by the crocodiles, but a few months before the cat visited the island, a baby dragon fell of his cloud and landed next to the river with an injured wing. The other animals on the island captured the poor baby dragon, and when his wing healed well enough for him to fly, they started forcing him to carry passengers and cargo over the river. They work the poor baby dragon too hard and mistreat him. The cat made friends with the little dragon and wanted to help him but didn’t know how because she couldn’t untie the rope that holds the dragon prisoner. The cat suggests to Elmer that the dragon would probably be happy to give him a ride if he helps to free him, and Elmer decides to do just that. Besides, he’s angry with his mother for mistreating the cat and doesn’t mind leaving home for awhile.
The cat decides that she’s too old to travel, so she stays behind, but she helps Elmer to prepare for the trip. Elmer stows away on a ship to the nearby Island of Tangerina and gets to the Wild Island by climbing over the rocks between them. When he reaches the Wild Island, he decides to look for and follow the river, but he has to be careful of the animals on the island.
Elmer is found by some tigers who say that they’re hungry and curious to know what little boys taste like. However, remembering some of the cat’s advice, he offers the tigers some chewing gum because (apparently) tigers love it. He also tells them that it’s special chewing gum that will change colors when they chew it, and then, they’ll be able to plant it in the ground to grow more chewing gum. The tigers fall for it and forget about Elmer, who sneaks away.
Elmer also has a dangerous encounter with a rhinoceros after he drinks from his “weeping pool.” The rhino wants to toss Elmer into his pool to drown him, but Elmer asks him what he has to weep about. The rhino says that he’s upset that his tusk is no longer as white and pretty as it used to be, and Elmer gives the rhino his toothbrush and toothpaste. The rhino lets Elmer go and begins using the toothbrush to clean his tusk, but by now, the boars have realized that there is someone on the island who doesn’t belong.
Elmer continues onward, helping a lion with a messy mane and a gorilla with fleas and befriending the crocodiles by offering them all lollipops, until he finally finds the dragon and rescues him. They fly away from the island together, but it’s not the end of their adventures.
There’s a reason why the author and illustrator’s names are very similar but not identical. If you read their short biographies, they explain that the illustrator was the stepmother of the author.
This book is a Newbery Honor Book, and it’s also the first in a trilogy about Elmer and the dragon and their adventures together. It’s available to borrow and read for free online through Internet Archive (multiple copies).
Peter and the Wolf by Walt Disney Productions, 1974.
This is the picture book version of Disney’s cartoon from 1946 based on Peter and the Wolf, which was originally a musical symphony for children, written by Sergei Prokofiev in 1936 for the Central Children’s Theatre in Moscow.
Young Peter lives with his grandfather near a forest in Russia. Peter’s grandfather warns him to stay away from the forest because there are hungry wolves there, but Peter thinks that he can catch a wolf himself. One day, while his grandfather is asleep, Peter sneaks out of the house to go catch a wolf.
Along the way, Peter’s friend, Sasha the bird, also warns him that there really are dangerous wolves in the woods and that he can’t hope to catch one with his toy gun. Peter insists that he’s going to try anyway, and Sasha says he’ll go along and help.
As they venture further, they are also joined by Sonia the duck. Ivan the cat tries to eat Sasha, but Peter makes him let Sasha go. Then, suddenly, a wolf appears!
The wolf chases Sonia, and at first, the others think he actually caught and ate her. They manage to catch the wolf by the tail. Sasha attracts some help from some passing hunters.
At first, the hunters want to shoot the wolf, but Peter asks them to take the wolf to the zoo instead, realizing that the wolf was just hungry. It tuns out that Sonia is safe after all, and they all take the wolf to show Peter’s grandfather.
The book is available to borrow and read for free online through Internet Archive (multiple copies).
Stone Soup retold by Marilyn Sapienza, illustrations by Hans Wilhelm, 1986.
This is a retelling of a traditional folktale, sometimes called Stone Soup and sometimes Button Soup (and other names). The basic story is the same, but sometimes, it uses a stone and sometimes a button. All of the characters in this particular version of the story are represented by animals. Some of the pictures are in color, and some are black-and-white.
Max and Molly are backpacking across country, and they are getting tired and hungry when they spot a village. Hoping to get something to eat there, they decide to approach the villagers and ask for food.
However, the villagers are not friendly, and the last thing they want is to share their food or anything else with strangers. As soon as they see Max and Molly coming, they quickly hide their food and anything else the travelers might want them to share. (I’m not sure why the innkeeper closes his hotel as soon as he sees potential customers coming. You can’t stay in the hospitality industry very long like that.)
When Molly and Max get into town, all of the villagers pretend like they’re starving and refuse to help Molly and Max. However, they see through the villagers’ act and come up with a plan of their own.
They ring the village bell to call of the people in the village. At first, the villagers are irritated because the bell is only for use in emergencies, but Molly and Max say that having no food is an emergency and that they have a plan to solve it. They are going to teach the villagers to make Stone Soup.
The villagers say that they’ve never heard of Stone Soup, and Molly says that it’s a secret recipe that she’s willing to share. It starts with a pot of hot water and some stones. Molly makes a show of tasting the “soup” and says that it’s good, but it’s even better if you make “the fancy kind.”
When the villagers ask how to make the fancy kind, she asks for some salt, pepper, and herbs. After the mayor’s wife supplies those, Molly asks for some carrots and onions. When she says that she supposes that they’ll have to do without them, the farmer’s wife steps up and offers some.
Little by little, Molly and Max coax the villagers into supplying other ingredients, almost without realizing what they’re doing. In the end, the Mayor of the village says that it’s the best soup he’s ever tasted, and it’s amazing, considering that it was only made with stones and water.
The moral of the story is that everyone benefits when people are wiling to share. Everyone gets a share of the soup, but when they start serving it, the villagers also provide other food to eat alongside it, and they all have a feast. The innkeeper gives Molly and Max a room for the night, and when they leave in the morning, they remind the villagers to “Share Stone Soup with everyone.”
In the back of the book, there is the complete recipe for Stone Soup, with rhyming steps. It doesn’t have details, like amounts and cooking times and temperatures, but I suppose someone could use these general guidelines to make an improvised soup. Really, I think the meat should be precooked if you’re adding it as a final ingredient. Otherwise, the veggies would be overdone before the meat is fully cooked.
There are many different versions of this story that have been made into picture books. I haven’t been able to find a copy of this particular book available to read online, but you can find various versions other versions of the same story online through Internet Archive.
Night is an owl who likes to go out hunting for food at night, and Day is a poodle who lives with family called the Pennyfeathers. Because Day is usually only out during the day and sleeps in the family’s house at night, they don’t usually meet. However, by chance, Day rescues Night from a fox.
Night is grateful, and the two of them become friends. However, because they are normally active at very different times, they can’t easily meet to talk to each other.
They sometimes leave each other little treats, like a bone with some meat or something from one of Night’s hunts.
They also begin meeting at the kitchen door at night to talk to each other.
However, Day’s barking and Night’s hooting is too loud, and they start keeping the Pennyfeathers awake at night. At first, they can’t figure out why Day keeps barking every night, but their son, Bobby, sneaks out one night and sees the way Day seems to be talking to the owl.
Bobby correctly realizes that Day and the owl are friends and that they’re just trying to talk to each other. To solve the problem, Bobby builds a dog house for Day so that Day can comfortably sleep outside and talk to his owl friend without disturbing everyone.
Day likes the new dog house, and Night meets him there every night so the two friends can talk whenever they want.
My Reaction
This is a cute picture book that I’ve liked since I was a kid. I like the way that Day and Night talk to each other and some of Day’s misconceptions about what his humans are thinking. When Mr. Pennyfeather yells at them to be quiet, Day tells Night that he thinks Mr. Pennyfeather is barking at the moon.
Some of the pictures are in black-and-white and some are in color. It seems to be common in older picture books to have a mixture of black-and-white and color images. I think it might partly have been done to save money on printing.
Spot’s friend Steve, who is a monkey, is in the hospital with a broken leg. Spot and some of their other friends decide to go visit him and take some presents to cheer him up.
Steve likes their presents, and Spot and his friends sign Steve’s cast. They play in the hospital’s playroom, where they have toys, games, and books for child patients.
Spot’s friend Helen decide to play doctor, and she puts a bandage on Spot’s leg, as if his leg is broken, like Steve’s. They start pushing Spot around in a stroller, like it’s a wheelchair.
Their friend Tom hides, and they all go looking for him, finding him in an x-ray room. In real life, they would probably get in trouble for goofing off around the x-ray equipment, but in the book, nobody catches them doing it. I think the reason why the book has this episode in it is to have a reason to show readers the x-ray equipment and explain how the doctors used it to examine the break in Steve’s leg.
Spot is fascinated by what he sees in the hospital and tells his mother that he might like to be a doctor someday.
This story could encourage children who find the idea of studying medicine and helping people interesting, but it also makes a visit to the hospital seem less scary for children who may worry about what happens there and what all the big machinery, like the x-ray machines, are for.
The book is available to borrow and read for free online through Internet Archive.
Jestress's Forgotten Books and Stories 