One hot morning, Hilda finishes watering her garden and decides that she needs to rest for a while.
When Hilda needs to rest, she has a special place she likes to go – an old armchair that she keeps in a shed. She calls the chair her “restful chair.”
Hilda is joined in her restful chair by Osbert the wombat and Cadbury the cat. However, Osbert and Cadbury aren’t the only animals who enjoy the restful chair. Soon, a pair of rabbits ask to join the others in the chair.
As Hilda and her animal friends sit in the restful chair, other animals come to join them. As the chair becomes more loaded with animals, it starts to creak and groan.
Eventually, the chair just can’t take it anymore, and it falls over, dumping everyone onto the floor.
Still, all the animals decide that they had a good rest. As the animals leave, Hilda sets the chair up again, and she and her animal friends go inside to have some watermelon.
The book is available to borrow and read for free online through Internet Archive.
My Reaction
This is a cute, fun story about animals who enjoy a comfortable chair as much as a little girl. Kids like stories with repetition, and they would probably enjoy seeing the parade of animals who come to join Hilda in her chair. They would probably also see the ending coming, that the chair won’t be able to hold everyone. It’s just a question of which animal is going to be the last straw for the chair. Fortunately, no animals were harmed by this experience, and even the chair seems okay, even though it fell over.
Because there is a wombat in the story, I assumed that the story takes place in Australia. It probably does, but from the publication information, it looks like it was first printed in Great Britain. The author was originally from Israel, but she was living in London at the time the book was published.
The Secret at Sleepaway Camp by Laura Lee Hope (Stratemeyer Syndicate), 1990.
Before I begin, I’d like to acknowledge Sean Hagins, for supplying me with photos of this book! Usually, I take pictures of books myself, but I just couldn’t find a physical copy of this one. Sean is a big fan of the Bobbsey Twins, particularly the New Bobbsey Twins mysteries, and you can see some of his video reviews as well as videos about his photography work on his YouTube channel, SJHFoto. Thanks, Sean!
The Bobbsey Twins are headed to Camp Evergreen this summer! Before they leave for camp, their mother, who is a part-time reporter for the local newspaper tells them that she was just covering a story about a baby polar bear who disappeared from the local zoo. Flossie is upset about it because she’s fond of the polar bear, Snowflake, and likes to see her when she goes to the zoo. Nobody knows exactly how Snowflake got out of her enclosure. All they know is that the gate was found open, and Snowflake was gone. Mrs. Bobbsey recommends that the kids forget about it for now and concentrate on having fun at camp.
Nan and Bert are going to be counselors’ helpers at camp, and all the kids are looking forward to activities like swimming, horseback riding, and archery. The only downside is that Danny Rugg, local bully and troublemaker, will also be there as a counselors’ helper. (Danny is a long-standing nemesis in the Bobbsey Twins series, from the original incarnation of the series. See The Bobbsey Twins of Lakeport.)
Strange things start happening at camp right from the moment that the Bobbsey Twins arrive. Tanya, the head counselor, tells them that, for some reason, all of the camp’s rowboats are leaking. When the kids investigate, they discover that someone has deliberately drilled holes in all of the boats.
The first thought that the Bobbsey Twins have is that Danny is responsible because he has a history of playing mean pranks, although he denies it. Danny does say that he doesn’t see why everyone else at camp should have fun while he’s miserable. His job as a counselors’ helper is working in the kitchen, and he hates it because it’s hot in there, and he thinks the cook is weird.
When Freddie goes to unpack in his cabin, he meets another boy named Ian. Ian is from the city and has never been to the countryside before. He’s a little nervous and homesick, and he says that the camp’s cook has told him that the camp is haunted. Freddie says that he’s sure there’s nothing to worry about and that they’ll have fun at camp.
Arts and crafts goes fine, and the kids enjoy meeting the camp’s mascot, a tame raccoon named Bandit. Tanya explains that they found Bandit when he was just a baby and that the kids should never try to play with wild raccoons. However, when the kids arrive at the archery range, they discover that someone has snapped all the arrows in half! Because of the stories the camp cook has been telling everyone, some of the campers think that it’s the work of the camp’s ghost. The Bobbsey Twins still suspect Danny, and they offer their services to Tanya, to investigate and find out who’s really causing all the trouble at camp.
Danny isn’t the only suspect. Nan overhears the cook, Sal, telling the kids about a hungry, child-eating bear in the woods who is supposedly friends with the camp ghost. Does he just like scary stories, or does he have a special reason for wanting to frighten the kids at camp? Even Tanya seems to have something to hide, getting mysterious notes and meeting someone in secret.
Soon, other strange things happen at camp. Someone puts a snake in Freddie’s bed, and the kids see strange lights in the woods at night. Then, someone steals all the ponies out of the corral and smashes the kids’ clay art projects. Some of the kids think that it’s the work of the ghost Sal has been talking about, but the Bobbsey Twins are sure that someone only wants them to think that. What are all the pranks and sabotage really about?
The book is available to borrow and read for free online through Internet Archive.
My Reaction
I was pretty sure I knew right away who was behind the camp sabotage, but this is one of those stories where there’s more than one person doing things that are unrelated. Danny eventually admits to playing some of the pranks, like the snake in Freddie’s bed, but not all of them. I was also wrong about who the main villain was. The missing polar bear at the beginning does figure into the mystery of the things happening at camp. I figured it would be important, but I didn’t guess how and why.
One of the clues the kids find is a lucky rabbit’s foot keychain. The kids comment that those used to be popular good luck charms, but not many people have them anymore. I have to admit that I had a pink one when I was a kid that I got from a novelty shop. I don’t think I realized at first that it was a real rabbit’s foot. I think I assumed that it was fake because I bought it in a place that sold magic tricks and costume props, so I figured it was imitation, like everything else. I figured it out eventually, and then, I didn’t feel quite so lucky about it. I’m sure that those keychains fell out of popularity because other people felt the same way I did about them, and they were concerned about animal cruelty. I believe it’s still possible to buy real and faux rabbit’s foot keychains, but it’s been a long time since I last saw them displayed at a store, so I think the kids were probably right about them not being as popular as they once were.
The Bobbsey Twins’ Adventure in the Country by Laura Lee Hope,1907, 1961.
Before I explain the plot of this story, I have to explain that this is one of the early Bobbsey Twins books, originally published in the early 20th century, and like other Stratemeyer Syndicate books that were still in print during the mid-20th century, it was revised from its original form to update the language, culture, and technology in the story and, especially, to remove questionable racial terms and caricatures. The physical copy of the book I read as a kid was the revised version, and I didn’t know about the revisions until I was an adult. When I describe the plot at first, I’m talking about the revised version, but I’m also going to explain some of the differences between the original version and the revised version, so you can see what changed.
The two sets of Bobbsey Twins (Nan and Bert are the elder set of twins and Freddie and Flossie are the younger set) are enjoying their summer vacation at home when their mother receives an invitation for the family to visit the children’s aunt and uncle on their farm and to attend an auction that will be held somewhere nearby. The aunt says that there is something that will be sold at the auction that she thinks will interest the family, but the adults are keeping it as a surprise. The children are excited because they like visiting the farm, and they’ve never been to an auction before.
Mr. Bobbsey has to work at his lumber yard, so the children and their mother take the train to the farm ahead of him, accompanied by their cook/housekeeper, Dinah. (Dinah is black and is a recurring character in the series. The book refers to her as “colored.”) The train trip is a bit chaotic because they nearly forgot to bring their packed lunch, and then, Fred’s cat escapes from its carrier and is nearly left behind when they reach their destination. However, they do get there safely.
At the farm, the children enjoy seeing their cousin, Harry, and visiting all the animals. Freddie loses one of the calves when he tries to take it for a walk, like it’s a dog, and at first, the children fear that it fell in the river and drowned. Fortunately, someone from a nearby farm finds the calf and brings it home. These unrelated misadventures are just the beginning of the children’s summer because there is a mystery that seems to be unfolding at the farm.
On their first night at the farm, Flossie wakes up in the middle of the night because she hears someone playing the piano. She wakes Nan, and the two of them go downstairs, but by the time they get there, whoever was playing the piano is gone. At first, the children’s uncle thinks that it was just a dream, but Nan knows that it wasn’t because a piece of sheet music was knocked off the piano. Later, when they hear the piano at night again, there are smudges on the keys.
The auction is fun. The children each have a little money to buy something small for themselves, just for the experience of bidding on something at an auction. They all find something to buy, and some of the things they find are funny and eclectic. The mystery object that their mother is there to buy is a pony and cart. A neighbor of the aunt and uncle had a pony and cart that his grandchildren used, but they’ve moved away, and the Bobbseys have decided to buy it for their children. The twins’ aunt and uncle are willing to keep them at their farm because they can’t have a pony in the city, and their cousin can use them when the twins aren’t there. The children love the pony, and they have fun with him and the cart with some other kids. However, when they return to the farm after they auction, they discover that the family’s prize bull has been stolen!
The story is somewhat episodic, but there is a thread of mystery that runs through the whole book as the children try to find the missing bull. There’s a boy from New York City who was lost from a group heading to a nearby Fresh Air Camp (part of a charity that has existed since the 19th century to provide poor city children with enriching summer experiences in the countryside – I referred to it before in another vintage children’s book, Ruth Fielding at Sunrise Farm) who witnessed the theft but didn’t realize that the men he saw didn’t own the bull. There’s a Fourth of July celebration and a picnic with other kids, including a local bully. There is some real danger, where Flossie falls over the edge of a cliff and has to be rescued, and the family has to evacuate the farm temporarily when they fear that a nearby dam might break after a fierce storm. Along the way, the Bobbsey twins gather pieces of information that help them find the missing bull.
The book is available to borrow and read for free online through Internet Archive (multiple copies). The original edition of the book is public domain and available online through Project Gutenberg.
My Reaction
The Mystery
The mysteries in the story are pretty simple. The story is pretty episodic, and the nighttime piano-playing is unrelated to the theft of the bull. The reasons for that are partly related to the way the book was written in the original version. Originally, the book was more of a general collection of stories about how the Bobbsey Twins spend their summer on their aunt and uncle’s farm and have little adventures there, and it wasn’t really a mystery story. One of the features of Stratemeyer Syndicate books is that chapters are always supposed to end on cliffhangers to keep the stories exciting and encourage children to keep reading. That format lends itself well to the mystery genre, which is why some Stratemeyer series that originally started as more general fiction or adventure gradually evolved into mysteries, but some of the early books, like this one, kind of end up being somewhere between mystery and general fiction and read almost like collections of shorter, interrelated stories.
The theft of the bull didn’t occur at all in the original story, but there was a thread through the book about the piano playing at night. In both the new and the old versions, they eventually find out why, but there are different explanations between the versions. In both versions, the nighttime piano player is an animal, not a human.
Original Version vs. Revised
Like other Stratemeyer Syndicate books that were in print in the mid-20th century, the early Bobbsey Twins books were revised and reprinted around the time of the Civil Rights Movement, both to update the technology and slang in the stories and to remove inappropriate racial language. The 1960s edition of the book uses the word “colored” to refer to the housekeeper/cook who works for the Bobbsey family and her husband, which was an acceptable term in the early and mid-20th century (as in The National Association for the Advancement of Colored People, or NAACP), but the word “black” became the common accepted informal, generic term and “African American” became the accepted formal, specific term post-Civil Rights Movement because people were trying to distance themselves from racial words that, while they were not meant to be derogatory, had some emotional baggage attached to them. In the case of this particular book, the changes from the original version to the version I have include making Dinah more intelligent and eliminating the use of stereotypical black people speech. In the original book, even though she’s an adult, Dinah seems childlike in her reactions to things and seems to need the children to explain things to her, like the scale they see at the train station. When she speaks, her speech is spelled out with a strong accent (ex. “dat chile” instead of “that child”), and she throws out phrases like, “Lan’ o’ massy!” In the revised version, she acts and speaks more like the other adults.
Something else that changed from the original version is how much emphasis there was on poor people vs. upper middle class people, like the Bobbseys. The older version of the story emphasizes more how poor the kid from the Fresh Air Camp is and how charitable the Bobbseys are toward him. There are also other instances of charity toward the poor, like when Nan lends another girl a dress because they need to wear white dresses for the Fourth of July celebration, and the other girl doesn’t have a white dress. The book is careful to mention that nobody else knows that the other girl was borrowing a dress from Nan, with the implication that it would have been embarrassing or a mark of shame for people to know that it was a borrowed dress instead of one of her own. Things like this appear in many vintage children’s books from the 19th century and early 20th century, but it’s not something you find much in modern modern books, at least not described like that. Even when I was a middle-class kid in the late 20th century, it wouldn’t be assumed that a kid would necessarily have certain types of clothes for a special occasion or that their family would be able to just quickly buy something new for one-time use. It was also normal for people to borrow things from friends, even just on whims, so borrowing a dress for one-time use for a special occasion wouldn’t have been regarded as either an act of charity or anything to cause embarrassment, if other people just happened to know about it.
Even though there are things in the stories that were changed to make the stories contemporary with the time of the revisions, the 1960s, there are still aspects of the stories that would be out-of-date culturally by 21st century standards. One of those issues relates to how the adults in the story handle the children. One of the adults in the story tries to resolve the bully situation by letting Bert physically fight the boy who was picking on him, telling both the boys to wrestle with each other to settle their differences and get it all out of their systems. This is not advice that most modern adults would give to kids, and one good reason for not giving that advice is that it doesn’t work, not even in this book. First of all, the kid being bullied might not be the winner of the wrestling match in real life, and no kid should be forced to fight physically just because some bully wants to beat them up. In the book, Bert wins the wrestling match because he’s had wrestling classes before, but as the case would probably be in real life as well, it resolves nothing. The bully is resentful about losing the fight and continues to bully him and play mean tricks on the other kids. The bully episodes are basically there just to add conflict and excitement to the story, and they don’t do much more than that.
I was a little surprised that they left in the part from the original story where the kids put on their own circus, and they have an act they call the “Sacred Calf of India.” In the revised version, Nan wears an improvised sari for this act, and they teach the calf to do a trick. Animals doing cute little tricks are just fine, but adding in the exoticism seems in poor taste. I suppose that they left this part in the revised version because it’s not trying to be insulting to people from India, more that the kids are trying to play on the concept of circus acts and snake charmers, but it is another example of something that you find sometimes in vintage books but wouldn’t be likely to find in modern ones.
A farmer in the Balabadur Hills (the book doesn’t explicitly say that this story takes place in India, but it’s implied) has a good farm, but he also has a problem with the crows who live nearby. Whenever his wheat is ripe and about ready to harvest, the crows come and eat it.
Chasing the crows away doesn’t work because they always come back. The farmer decides to try building a scarecrow instead. It does frighten the crows, but with an unexpected result.
The crows decide that they must make their own scare-person, a kite that looks like a big, fierce bird, to scare away the scarecrow. When they fly over the field with their scare-person kite, the farmer gets scared and decides that he needs a bigger, scarier scarecrow.
The situation escalates, with the birds building an even bigger and scarier bird kite to scare the farmer.
Meanwhile, an owl who has been watching all of this unfold decides that it’s gone far enough and goes to talk to the farmer and the crows about the situation. The owl persuades both sides to speak to each other and work things out.
When they talk, the farmer and the crows realize that they don’t want to fight with each other. The crows depend on the farmer’s wheat for food, and the farmer realizes that he actually enjoys having the birds around. The owl fixes the mean-looking scarecrow to have a happy and friendly look.
I’m not sure that this is really a traditional fable because the book doesn’t provide any background information on the story and the author isn’t credited as doing a “retelling”, but the story is told in a folktale or fable format about conflict resolution. When the farmer and the crows are feuding, they continually escalate the situation with bigger and scarier “weapons” until the owl convinces them that the only way out of the situation is to talk it out and come to an agreement.
The book is available to borrow and read for free online through Internet Archive (multiple copies).
How Fletcher Was Hatched! by Wende and Harry Devlin, 1969.
Fletcher the dog is sad and upset because it seems like his owner, Alexandra, is forgetting about him. She’s been playing with the new baby chicks, which she thinks are cute, and she’s been forgetting to pet her dog or even fill his water bowl!
Distressed, Fletcher goes to see his friends, Beaver and Otter, at the pond. Beaver and Otter don’t have human owners, so they don’t understand Fletcher’s feelings about Alexandra, but they try to think of ways to get her attention. They think it would help if Fletcher could make himself more like the chicks Alexandra has been obsessed with. Aince he can’t make himself small and yellow, they decide that he should hatch out of an egg, like the chicks do. Fletcher is skeptical about this plan, but Beaver and Otter think that hatching out of an egg will be like having a new beginning in his relationship with Alexandra.
Beaver and Otter build an egg around Fletcher with reeds, grass, and clay from the river, leaving a little hole so they can give Fletcher water and food. When they’re done, it’s a very convincing but giant egg.
By the time they’re finished, it’s night. Fletcher is uncomfortable sleeping in the egg and wonders what Alexandra is doing. Meanwhile, Alexandra is having trouble sleeping because she’s worried about her lost dog.
In the morning, Beaver and Otto roll the egg over to Alexandra’s school to make sure that she sees it. The first person who sees the egg, though, is the school’s custodian. He’s shocked at the sight of such a giant egg and starts yelling for the science teacher to come look at it.
Soon, the egg is surrounded by children and adults, marveling over what kind of it could be and where it came from. The science teacher brings a friend who is a university professor, and the two of them are convinced that the egg must belong to a rare creature, although they disagree about the type of creature it is.
Fletcher waits to hatch until he hears Alexandra. Alexandra’s friends are excited about the egg, but she’s just upset and only wants to go looking for her lost dog.
Fletcher decides it’s time to hatch, and he busts his way out of the egg. Alexandra is happy to see him, even though Fletcher’s attempt at peeping is a little weak. Everyone is confused, but Alexandra is just relieved that she has her dog back. Fletcher feels better, realizing that he is important to Alexandra, and she really cares about him, even though he’s not yellow and doesn’t peep.
The book is available to borrow and read for free online through Internet Archive.
My Reaction
I read this book as a kid, but I had forgotten much of the story. I remembered that Fletcher hatched out of an artificial egg and that he did it to get his owner’s attention, but I couldn’t remember why he needed attention. I can understand Alexandra being temporarily distracted by the little chicks on the farm, but forgetting to give her dog water is really bad for a pet owner. I felt like her parents should have noticed and said something. But, mostly, the situation is just set up for the purposes of this humorous hatching of a dog from a giant egg. Because the egg was created by animals, the humans in the story never find out how or why Fletcher got in the egg, which is actually the funniest part for me as an adult.
This is the last book in the original Winnie-the-Pooh series. Although other authors later wrote other stories about Winnie-the-Pooh and his friends, at the end of this book, Christopher Robin goes away to school and has to leave his toys and animal friends behind. It’s implied that his friends will continue to live and play in the woods without him and that they’ll all continue to be friends, but the ending is a little bittersweet because Christopher Robin realizes that he’s growing up and that things are going to be changing.
Each chapter in the book is its own short story. I didn’t read the original Winnie-the-Pooh stories when I was a child, but I was already familiar with many of the stories in this book from the cartoon versions that I saw on tv when I was young. I still think of the Pooh Sticks game whenever I cross a foot bridge (although, living in Arizona, few of the ones I cross have water under them). I also still joke about what Tiggers like best from time to time. (Tiggers apparently like everything best until they actually try it, and then they discover that they don’t really like it at all, not unlike the way my dog feels when she begs for food I’m eating that she wouldn’t really like if she actually got some.)
The book is available to borrow and read for free online through Internet Archive (multiple copies).
Chapters:
Ch. 1: In Which a House is Built at Pooh Corner for Eeyore
On a snowy day, Pooh gets the idea of building a house for Eeyore because he’s the only one who doesn’t have a house. However, Eeyore had built a house for himself, and strangely, it has disappeared. When Eeyore gets Christopher Robin to help him investigate, they realize that Pooh and Piglet have mistakenly taken the materials Eeyore used for his house and used them to build a new house for Eeyore in a different location. But, the new location is better because Pooh and Piglet built the new house in a warmer part of the woods, and they did a better building job. Eeyore thinks that the wind blew it to its new spot, and the others let him think that.
Ch. 2: In Which Tigger Comes to the Forest and Has Breakfast
Pooh is woken up suddenly in the night by a strange noise. It’s Tigger, a very bouncy kind of tiger. They’ve never met before because he’s new to the woods, but Tigger knows Christopher Robin, so Pooh invites him to breakfast in the morning. However, Tigger doesn’t like the honey that Pooh serves for breakfast, so they go to see Piglet to see if Tigger likes acorns for breakfast. However, Tigger decides he doesn’t like those, either. They continue visiting friends to find things that Tigger will like. They finally find something Tigger likes when Tigger samples little Roo’s medicine, extract of malt, so Tigger decides that he will live with Kanga and Roo.
Ch. 3: In Which A Search is Organized, and Piglet Nearly Meets the Heffalump Again
Rabbit tells Pooh that he is organizing a search and tells him where to search without telling him what they’re supposed to be searching for. Confused, Pooh decides to look for Piglet to ask him what they’re supposed to be searching for. It turns out that Piglet has accidentally fallen down a hole, and Pooh falls into the same hole while looking for him. Pooh remembers that they dug holes like that as traps for Heffalumps, and they worry that they’re in a trap that the Heffalumps set for them. Fortunately, they accidentally find the person Rabbit was originally looking for.
Ch. 4: In Which It Is Shown that Tiggers Don’t Climb Trees
Tigger brags about all the things that Tiggers are good at doing, but it turns out that they’re not as good at climbing trees as he claims. Tigger and Roo get stuck in a tree, and the others have to help them get down.
Ch. 5: In Which Rabbit Has a Busy Day, and We Learn What Christopher Robin Does in the Mornings
Rabbit finds a note from Christopher Robin, but he has trouble reading it and figuring out what it means. Rabbit tries to figure out what Christopher Robin does every morning, and Eeyore tries to explain education to Piglet.
Ch. 6: In Which Pooh Invents a New Game and Eeyore Joins In
Pooh invents a game that involves tossing pine cones and sticks into the river next to a bridge and seeing which of them is the first to come out the other side of the bridge. While he and his friends are doing that, they find Eeyore floating on his back down the river because Tigger bounced him in. The others have to figure out how to rescue him.
Ch. 7: In Which Tigger is Unbounced
Rabbit has decided that Tigger’s bouncing has gotten out of control and that he needs to be taught a lesson. He tells Pooh and Piglet that they should take Tigger to a part of the woods he hasn’t been before, get him lost, and leave him there for awhile. Rabbit’s reasoning is that they can then rescue Tigger, and Tigger will be so grateful to them for rescuing him that he won’t be so bouncy. Pooh and Piglet have doubts about this plan, but they agree to help Rabbit. However, it turns out that Tigger’s don’t get lost, but Rabbit does, and Rabbit turns out to be the one who is grateful for a rescue.
Ch. 8: In Which Piglet Does a Very Grand Thing
One very windy Thursday, Pooh and Piglet decide to go around and visit their friends, wish them a happy Thursday, and have snacks with them. While they are visiting Owl, Owl’s tree falls over because of the wind. When the tree crashes, they’re trapped inside, and they have to figure out how to get out. Their plan requires Piglet doing something brave, which isn’t easy for such a small, timid animal.
Ch. 9: In Which Eeyore Finds the Wolery and Owl Moves Into It
With Owl’s tree down, Owl has to find a new place to live. Eeyore thinks that he’s found the perfect place: Piglet’s house. It’s a great house, but with Owl living there, where will Piglet live? Pooh says if Piglet’s house had fallen down, Piglet would come and live with him, so that’s what he can do now. Piglet is happy about living with his friend Pooh, so he decides that it’s okay for Owl to live in his house.
Ch. 10: In Which Christopher Robin and Pooh Come to an Enchanted Place, and We Leave Them There
All of the animals know that Christopher Robin is going away somewhere soon, although they’re not quite sure where he’s going and why. The story doesn’t exactly say it,but it’s implied that Christopher Robin is going away to boarding school. All of the animals say goodbye to him, and Eeyore writes a poem for the occasion. Christopher Robin and Pooh have a quiet walk and talk together. While Christopher Robin realizes that he’s growing up and things are going to be changing, the two of them agree that they’ll never forget each other, no matter how old they get. They’ll always have their favorite place and continue to go there, and some part of them will always be playing together.
A little boy named Matt goes to visit his grandfather on his farm. They notice a storm approaching, and Matt worries about where the animals will go when the storm comes. His grandfather tells him that the animals all know where to go.
The animals also notice the approaching storm. When the rain comes, Matt and his grandfather go inside the house with the cats. After the storm is over, Matt’s grandfather takes him outside to show him where all the animals went during the storm.
Matt watches as all of the animals, both the domesticated animals of the farm and the wild animals who also live there, emerge from their hiding places. Every animal has a place to go, and they’re all fine after the storm.
The book is available to borrow and read for free online through Internet Archive.
My Reaction
I like this story because it’s very calm. I think it could make a good bedtime story for young children. Although the boy in the story is concerned about the animals and where they will go during the storm, the animals are never in any danger. The grandfather knows that the animals will all be fine, and he reassures his grandson that they all have a place to go. It’s reassuring that the storm is natural, the animals know what to do when it happens, and the boy sees that everything is fine. The story ends with the boy and his grandfather watching the sun come out after the storm.
This book is a classic piece of children’s literature! This is the first book in a series of about the adventures of the Banks children with their magical nanny, Mary Poppins.
Mr. and Mrs. Banks of Cherry-Tree Lane have four children: Jane, Michael, and the infant twins, John and Barbara. When the story begins, the children’s nanny has just suddenly left her job with no real explanation. Mrs. Banks is beside herself, wondering what to do about this household upheaval, and Mr. Banks offers the practical suggestion that she should advertise for a new nanny in the newspaper. Mrs. Banks decides that’s a good idea, but a strange wind from the East brings an unexpected answer to this domestic problem.
When Mary Poppins arrives at the Banks’ house to take the position of nanny, it seems like she was blown there by the wind. When the children ask her, she says that’s indeed what happened, but she offers no other explanation. Mrs. Banks discusses the position of nanny with her, but it turns out that it’s more like Mary Poppins is interviewing her and evaluating the children to see if they’ll do. Mary Poppins refuses to provide references when Mrs. Banks asks for them (I would find that worrying), saying that people don’t do that anymore because it’s too old-fashioned. Mrs. Banks actually buys that explanation and doesn’t want to seem old-fashioned, so she stops asking. Mary Poppins basically grants herself the position of nanny as if she were doing the Banks’ family a favor. Maybe she is.
Jane and Michael can tell right away that Mary Poppins is no ordinary nanny. When she begins unpacking her belongings, it seems at first that her carpet bag is empty, but she soon starts pulling many different things out of it, including some things that should be too big to be in the bag at all. Then, she gives the children some “medicine” (she doesn’t say what kind of medicine it is or what it’s supposed to do) that magically tastes like everyone’s favorite flavor.
From there, the story is episodic. Each chapter is like its own short story.
On her day off, Mary Poppins meets up with the Match Man called Bert, who also paints chalk pictures, and when he doesn’t have enough money to take her to tea, they jump into one of his chalk paintings and have a lovely tea there. The children aren’t present for that adventure, but they do go to tea at Mary’s uncle’s house.
Mary’s uncle, Mr. Wigg, is a jolly man … maybe a little too jolly. It’s his birthday, which has filled him full of high spirits, and he literally can’t keep his feet on the ground. When they arrive, he’s hovering in the air. He says that it’s because he’s filled up with Laughing Gas because he finds so many things funny. It’s happened to him before, and he can’t get down to earth again until he thinks of something very serious. The whole situation is so funny that Jane and Michael begin to laugh and find themselves floating in the air, too. Even though Mary isn’t amused and doesn’t laugh, she makes herself float in the air also and bring up the tea table so they can all have their tea in midair. The merriment only ends when Mary Poppins finally tells the children that it’s time to go home, which is very serious indeed.
Mary Poppins understands what animals are saying, helping to sort out matters for a pampered and over-protected little dog who desperately wants a friend to come live with him. Then, when the children see a cow walking down their street, Mary Poppins says that cow is a personal friend of her mother’s and is looking for a falling star. On Mary Poppins’s birthday, she and the children attend a bizarre party in the zoo where the animals are their hosts.
There is an episode in the book which has some uncomfortable racial portrayals. It takes place when Mary Poppins shows the children how a magical compass can take them to different places around the world, and they meet people who are basically caricatures of different racial groups. (This episode has resulted in the book being banned by some libraries. P. L. Travers received complaints about it in her lifetime, and she revised the scene in later printings of the book, which is why you’ll see books labeled as “Revised Edition.” I have more to say about this scene, but I’ll save it for my reaction.)
Mary Poppins and the children visit a bizarre shop where the owner’s fingers are candy and grow back after she breaks them off and gives them to the children. (That’s actually pretty freaky.) The children save the gold paper stars from the gingerbread they buy at the shop, and later, they see Mary Poppins and the shop owner and her daughters putting the stars up in the sky.
There is a story about the babies, John and Barbara, and how they understand things that the adults and older children don’t, like what animals, the wind, and sunshine are saying. They are sad to learn that they will forget these things as they grow up.
Toward the end of the book, Mary Poppins takes the children Christmas shopping, and they meet Maia, one of the Pleiades (here she is considered to be a star as well as a mythological figure, and she looks like a young, scantily-clad girl), who has come to Earth to do her Christmas shopping as well.
In the end, Mary Poppins leaves the Banks family suddenly when the wind changes directions, flying off into the sky on the wind with her umbrella. She does not say goodbye, and the children are very upset. Mrs. Banks is angry with Mary Poppins for her sudden departure on a night when she was counting on her to be there to take care of the children. The children try to defend her, though, and say that they really want her back, even though she’s often cross with them. However, she does leave behind presents for the children that hint that she may come back someday.
The book is available to borrow and read for free online through Internet Archive (multiple copies).
My Reaction
In some ways, the Mary Poppins in the original books isn’t quite as pleasant as Julie Andrews in the Disney movie version. The Mary Poppins in the book is vain and stuck up. She can be intimidating in her manner, refuses to answer questions, and even gets rude and snippy with the children. She was a little like that in the movie, but in the book, she’s even more so. After any strange or magical thing happens and the children want to talk about it, Mary Poppins gets angry at them and denies that any such thing happened at all. I found that rather annoying because it’s kind of like gaslighting, denying things happened when they really did happen. I think we’re meant to assume that’s because the adults aren’t allowed to find out that magical things have happened because they might put a stop to it or because Mary Poppins realizes that the children can only enjoy this kind of magic for a brief phase of their lives and that they’ll have to grow up in the more mundane world, just like the little twins can’t help but lose their ability to talk to animals. It’s a little sad, but I think it’s meant to provide some kind of rational explanation about how magic can exist in the world but yet go unnoticed by most people.
I’d like to talk more about the racially-problematic episodes with the magic compass. A compass that can take people to different areas of the world just for asking is a good idea, but the people they meet in the places they go are all uncomfortable caricatures of different races. The one part that I’m not really sure about is how seriously these were meant. When I was trying to decide what to say about this, I considered the idea that aspects of this part of the story may have been meant as a parody of things from other children’s books and popular culture at the time. I have seen even older vintage children’s books that poke fun at concepts from earlier stories, so it occurred to me that this book might be making fun of concepts about people from around the world that young children of the time might have from things they’ve read in other books. There is a kind of humor throughout the book that involves puns and plays on certain ideas, like the way her uncle insists that he floats when he’s in a humorous mood because he’s buoyed up by “Laughing Gas”, which is not what real “Laughing Gas” is. It’s like what a child might picture as “Laughing Gas”, if they didn’t already know what that term means. It’s possible that part of this scene might be parodying other children’s fantasy books about magical travel, but it’s still very uncomfortable to read the original version of this scene, if you don’t have one of the revised editions of the book.
On the other hand, I suspect that the author isn’t really that thoughtful or self-aware by the way the adult characters speak throughout the book series. At the end of the book, when Michael is upset at Mary Poppins suddenly leaving and he throws a fit and argues with her, his mother tells him not to act like a “Red Indian.” I’m not entirely clear on what that comment was supposed to mean in that context, but Mrs. Banks uses it as if she does, so it seems that there is some implied insult there, maybe equating Michael’s behavior to being “savage” or “uncivilized” or something of that nature. Even Mary Poppins herself uses racial language throughout the series, using words like “hottentot” or “blackamoor” to criticize the children when they misbehave. It makes me think that the author was accustomed to that kind of talk herself. If Mary Poppins can get snooty as a character, I think I have the right to express my disapproval of her behavior as well.
While I like the basic character of a magical nanny who takes children on magical adventures, I don’t like either those comments or the compass scenes because the obvious caricatures are uncomfortable, and I don’t think they make good story material for children. I would recommend saving that version for adults who are interested in reading or studying nostalgic literature and use the revised versions for children, who would probably just prefer to have a story they can enjoy for fun without needing a lesson on racial attitudes of the past to understand it. If they’re curious, they can always have a look at the original later, when they’re old enough to understand it better and put it perspective. In the revised compass scenes in later books, some printings still have people but some of the offensive words removed, and in later printings, the children meet different types of animals instead of people.
Since the characters’ adventures in the previous book, Minabell Mouse has come to live with her Aunt Pitty Pat in their ancestral home, Mousehaven Manor. Just as Aunt Pitty Pat and Minabell have finished their spring cleaning, Minabell’s cousin Violet Mae arrives for a visit … apparently a long one, based on the amount of luggage that she brought with her.
Also, the prairie hawk who brought Violet Mae to Mousehaven Manor brings a package for Minabell, although there’s nothing to say who the package is from. Minabell finds the package disturbing and is afraid to open it. Instead, she stashes it in the music room. Still, the package leaves her feeling weak and unwell, as if it were somehow cursed.
That evening, their friend Percy the bat comes to dinner, and they are also joined by a mysterious stranger bat who calls himself Count Von Flittermouse. Count Von Flittermouse is a traveler, but he has no luggage except for a large box, which he declines to bring inside. They invite him to join them for dinner, but he says he’s already eaten, so he will just join them in conversation. Aunt Pitty Pat asks the Count if he’d like to spend the night at Mousehaven Manor, but the Count says that he’s a nocturnal creature, so he’s active at night. He asks for directions to Springfield because he says he wants to camp in the Oak Ridge Cemetery and visit Lincoln’s tomb. After dinner, the Count leaves, and they see he’s carrying a long box on his back. He’d mentioned that he brought his bed with him, so they figure that’s what it is. Percy seems a little uneasy about the Count, and Minabell notices that the Count left some odd kind of dust on the chair where he was sitting.
Minabell is in charge of security at Mousehaven Manor, but that evening, she accidentally leaves the music room window open. At night, Minabell hears someone moving around the manor, but she never sees the mysterious intruder, and in the morning, nothing is missing, so her aunt thinks it might have been her imagination.
Meanwhile, a country singer mouse called the Rhinestone Rodent arrives in town. (A joke on the Rhinestone Cowboy song.) Minabell is shopping when she stops to watch the singer perform. Then, an alarm goes up among the mice in town because Mousehaven Manor is on fire! Minabell rushes home, and Percy rings the bell at Mousehaven Manor to summon help. Others come to form a bucket brigade, and they successfully put the fire out. Aunt Pitty Pat is fine, but it takes them awhile to find Violet Mae. Violet Mae casually strolls downstairs and tells them that she was upstairs, having a nap and missing the whole thing.
Part of the mansion is damaged from the fire, and they have to clean everything up. Violet Mae meets the Rhinestone Rodent and develops a crush on him. While Violet Mae and Aunt Pitty Pat go to see the Rhinestone Rodent perform, Minabell and Percy inspect the site of the fire. They determine that the fire was set deliberately, but it was never intended to burn down the whole mansion. It seems like whoever set the fire was using it to cause a distraction while they did something else, but they’re not sure what.
The mysterious package that Minabell hid in the music room is still there, and Minabell finally opens it in front of Percy. It turns out that it’s from Wendell Weasel, a member of the local law enforcement agency, the Illinois State Ski Patrol. The mysterious package contains an equally mysterious ancient box, and Wendell’s letter explains that this box has been passed down in the Mouse family for generations, always held by the head of the family. Until recently, it was in the possession of Colonel Mouse, who was Violet Mae’s guardian but has recently passed away (something that Violet Mae has completely failed to mention to anyone, which is weird). Wendell says that Violet Mae doesn’t know anything about the box, but Colonel Mouse wanted Minabell to look after both the box and Violet Mae. Wendell says that there is a document in the box itself that will explain the purpose of the box, but each caretaker of the box is bound to use its contents to help others and not just for personal gain. Also, there are evil people who may try to steal the box, so Minabell is going to have to be careful.
In the mysterious antique box, Minabell finds a pile of sand surrounding a bottle holding something intensely cold and an old map written in Spanish. It seems like this is what their mysterious intruder was looking for, but what does it mean, and who wants it?
The book is available to borrow and read for free online through Internet Archive (multiple copies).
My Reaction and Spoilers
This story is more supernatural than the previous book in the series, which was an adventure story. I thought that the villain in the story was pretty obvious, although I did have a couple other suspects in mind for a more devious twist. It turned out to be the obvious choice, though.
Count von Flittermouse is not what he seems, in more ways than once. Percy figures out pretty quickly that the Count is a vampire bat, but what that seems to mean in this version of the animal world is not only different from what vampire bats actually are, but it’s also kind of confusing. I expected that he’d turn out to be like a human vampire, only with a bat as his main form – drinking blood, being immortal, etc. But, that’s not it. Count von Flittermouse is a shapeshifter. He can change into different scary animals, like wolf and spider. That’s his main super power. So, he’s not exactly what I think of as a “vampire”, he’s more like a werewolf, or werebat, or werewolf bat or something. We never see him drink blood or try to drink blood, although there are some bones in his lair that suggest that he might eat other animals. They don’t really go deep into the lore of it or outline the rules for vampire bats in their version of Illinois. You just have to take their word for it that vampire bats are shapeshifters, and that’s it. That’s their thing. Also, their vampire bats aren’t immortal vampires. That’s really the problem that Count von Flittermouse has. He’s actually a very old vampire bat and not likely to live much longer unless he can get his little winged paws on the package that Minabell received.
The bottle in the mysterious package turns out to contain water from the Fountain of Youth. Generations back, one of Minabell’s ancestors accompanied Spanish conquistadors on their search for the Fountain of Youth, and they not only found it but saved some water from it. Count von Flittermouse wants it to restore his youth and make him immortal. It wouldn’t be so bad if he wasn’t also evil and a werewolf bat.
Of course, our heroes are victorious. They find a way to use the special water so that it benefits everyone, except for the evil bat, and everything ends happily. I actually think that this book might make a fun Disney cartoon, something like a more supernatural version of The Great Mouse Detective. Even though I thought that the book’s version of what a vampire bat is and what it does is a little confusing, a movie version could clarify some of the rules regarding what vampire bats are supposed to be and what they do. The lore about human vampires varies depending on the source, although they usually do have the ability to shapeshift into bats, an ability which is kind of pointless if the vampire happens to already be a bat. It’s understandable that the story has to tweak the traditional vampire lore to fit into this animal society. I kind of picture that the vampire bat would only be able to change into things whose blood it sucked earlier, but that’s just my theory; the book doesn’t clarify that point. Still, it’s a fun story, and I think a movie version would also be fun.
The Case of the Waltzing Mouse by by George Wyatt (Charles Spain Verral), 1961.
The Crestwood Garden Club holds an animal show to raise money for their Community Camp Fund. Brains and Jimmy enjoy seeing all of Professor Gustave’s animals, but they become concerned when a seal knocks over a creel where its fish are stored, and they see that there is a large amount of cash concealed inside. Professor Gustave says that he carries that much cash with him because he is always traveling from town to town with his animal show and can’t depend on a single bank for his money.
Brains still seems concerned about the money and the way it’s concealed, but Jimmy is hoping that Brains won’t find a mystery that will disrupt their vacation plans. Every year, they spend a few weeks at a lakeside cabin that their families rent, and all Jimmy wants to do is go swimming and fishing.
However, while Jimmy’s older sister, Ann, is driving the boys to the cabin, they come upon the professor’s trailer of animals. The animals are very upset, and the professor is nowhere to be seen. After searching the area, they find the professor, and he tells them that he was attacked by a couple of men. One of them is a guy called Blackie, who used to work for the professor, but the professor fired him because he mistreated the animals. The men were trying to take the creel with the money in it, but the professor threw it into the bushes, and they didn’t find it.
It turns out that the professor is also going to be staying at a cabin by the lake for awhile. They help him to get settled there with his animals, but Brains is still concerned that the men will be back for the professor’s money. The concern is justified because the men later attack the professor while he’s in a boat on the lake, and the creel is lost overboard. The professor is very upset, not just because the money is now at the bottom of the lake but because the money actually doesn’t belong to him. The professor says that it really belongs to someone else, although he doesn’t say who.
Brains realizes that they can get the creel back because a policeman friend of theirs is also staying at the lake and has offered to teach the boys how to skin dive. Jimmy has wanted to learn to dive and is willing to dive for the creel. Unfortunately, the situation is complicated when the men kidnap the professor for ransom, saying that they’ll let him go if the boys bring them the money.
My Reaction
There were parts of this book that I didn’t really care for. I’ve noticed that the Brains Benton books sometimes include stereotypical attitudes of boys looking down on girls or discounting their abilities. Near the beginning of the book, Jimmy’s sister Ann is trying to get the boys to hurry getting ready to go to the cabin, but Brains wants some extra time to take care of a new device that he’s just gotten. Jimmy says, “But, after all, she is a girl, and girls and women just don’t understand how it is when a fellow gets interested in something highly scientific and technical.” No, Jimmy, I don’t think that’s the issue. It’s not about not understanding how someone can find science interesting; Ann’s just in a hurry to get going. She would probably be just an impatient if you were taking extra time to pick out a different shirt or get your hair combed just right. Granted, some of Jimmy’s comments are tongue-in-cheek. When Ann later tells them to stay out of trouble because she knows that they’ve gotten into trouble with their detective business before, Jimmy mentally lists the dangerous situations they’ve been in while denying that they were really that bad. “Women! Always exaggerating!”
The mystery wasn’t too bad. We do know who the villain is from the beginning, so like the other books that I’ve read in this series, it’s more of a “howdunit” than a “whodunit.” Readers get to watch Brains and Jimmy figure out how to rescue the professor and save his money. There is one other element of the story that is more of a mystery than the professor’s kidnapping. The professor says that the money isn’t really his, and the boys see a mysterious girl talking to Blackie. Is she the one who really owns the money, and if so, what is the relationship between her and the professor?
