Posted on by TracyC

Megan’s Island

Megan’s Island by Willo Davis Roberts, 1990.

School will be out soon, and eleven-year-old Megan and her best friend, Annie, are making plans for the summer. Megan’s family doesn’t have much money because her father died when she and her brother, Sandy, were very young, and her mother struggles to find a job that will pay enough to support the three of them. They’ve moved around multiple times in the last several years while her mother looks for better work, and they get by with some help from Megan’s grandfather. This summer, Megan’s family is planning to visit her grandfather at his cottage by the lake. Her grandfather is already staying there, recovering from an injured foot, and Megan’s mother agreed that Annie can come with them on the trip.

However, before school lets out for the summer, something happens that suddenly changes their plans. One evening, while their mother is in the kitchen, clearing up from dinner, she suddenly drops her favorite salad bowl, cutting herself on the glass. Megan and Sandy help her clean up the mess and bandage her cut, but they can tell that it wasn’t just clumsiness that made their mother drop the bowl. She really seems to be upset and even afraid of something. Since they didn’t have any phone calls or mail that could have given her upsetting news, they can only think that it must have been something she heard on the tv news. Their mother had been listening to the news on the small tv in the kitchen before she dropped the bowl, and she quickly turned it off when the children came to see what was wrong.

Their mother refuses to explain what upset her, and she tries to pretend that nothing is wrong, but she quickly tells the children to pack their things because she’s taking them to their grandfather at the lake early. Megan protests that school isn’t out yet, but their mother says that they’ve already finished their tests, so they won’t be missing anything important. Megan also worries that they’re leaving without Annie or even telling Annie that they’re going early, but their mother says it can’t be helped. Then, Sandy overhears their mother asking a friend of hers on the phone, asking her to put their things in storage for her while they’re gone, making the kids worry that they’re leaving for good and not just for vacation. Refusing to answer any more questions from the children, their mother hurries them through their packing and out of the house that very night. She drives them all through the night to get to the lake.

When they get to their grandfather’s cottage at the lake, he is surprised to see them, showing that their early arrival wasn’t something he had arranged with their mother. Later, Megan overhears them talking. Her grandfather urges their mother to tell them the truth about what’s happening because kids are more resilient than they seem, and whatever they’re imagining might be worse than the truth. However, their mother says that the truth really is upsetting, and while she knows that she has always insisted that her children tell the truth, telling them the truth now would mean admitting that she has already lied to them.

Megan is shaken by what she hears. What has their mother lied to them about? Is it something to do with her father? Megan barely remembers him, and their mother gets upset when she asks questions about him. Her mother seems to be hoping that this whole matter will just blow over, but her grandfather comments about how what happened eight years ago didn’t just blow over. He implies that whatever secret their mother is hiding is the real reason why the family has moved around so much, that it wasn’t just because she needed to find new jobs. Megan worries about what her mother could be hiding and what terrible thing could have happened eight years ago that would affect her family today. Then, Megan remembers that eight years ago is about when her father died.

Megan tells Sandy what she overheard and that their mother is hiding a secret, something that might have to do with their father’s death. Before either of the children can talk to their mother and ask her what’s going on, she tells them that she’s leaving them with their grandfather at the lake for a few days because there’s something she has to do. She won’t say where she’s going or what she needs to do, but she says that they’ll be safe there with their grandfather. Megan finds it disturbing that her mother made it a point to say that they’ll be safe because it implies that the reason why they left home so suddenly was that, for some reason, they weren’t safe at home. Megan also begins to wonder whether whatever danger there was at home might find them at the lake.

Sandy seems to find it easier than Megan to put aside whatever worries and secrets are following the family and just enjoy being at the lake, going fishing with their grandfather and exploring the area with Megan, although he later admits that he tried to ask their grandfather some questions while they were fishing that he refused to answer. Megan can’t stop wondering and worrying, though. She and Sandy agree that coming to the lake wasn’t just a vacation. Their mother brought them there to hide from something … or someone.

Megan remembers that, every time they’ve moved before, their mother refused to let them even write letters to friends they were leaving behind. Sandy says that she didn’t tell them not to write any letters this time, and with no phone at the cottage, there’s no other way for Megan to tell Annie what happened and to apologize for their ruined summer plans. Megan decides to go ahead and write to Annie. That letter to Annie changes everything for Megan and her brother.

Megan and Sandy go rowing out on the lake and find an island with a beautiful hiding place beneath an overhanging rock that’s almost like a cave. It becomes a special place for Megan, and she goes there to think. Then, one day, they meet a boy named Ben who’s also staying at the lake for the summer with his divorced father and has been exploring the island that Megan has started to think of as hers. Megan doesn’t like Ben at first because he’s bossy, but he proves to be someone she and Sandy can confide in when the adults won’t give them answers, and he become a useful ally in their troubles.

Ben tells the Megan and Sandy that his father said that someone in the nearby town is looking for a couple of kids with red hair, matching Megan and Sandy’s description. This man claims to be their uncle, but Megan and Sandy don’t have an uncle. Then, Megan spots a strange man prowling around the outside of their grandfather’s cottage. A letter that Megan receives from Annie says that people have been asking about them since they left town, and Ben correctly realizes that someone has traced them through Megan’s letter to Annie. Whatever trouble their mother has been hiding them from has found them. With their mother still away and their grandfather having gone to town for some x-rays on his injured foot, Megan and Sandy hide out with Ben in a tree house they’ve built on the island. The island seems to be their last safe place to hide while they wait for their mother and grandfather to return. But, when they do, will they finally get the answers they need? What terrible secret has their mother been hiding from them all these years?

The book is a winner of the Edgar Allan Poe Award.

My Reaction and Some Spoilers

I didn’t read this book when I was a kid, but I did read others by the same author, The View From the Cherry Tree and Baby-Sitting is a Dangerous Job. I really liked this book. I think one of the author’s strengths is her ability to create suspense. This story is very compelling. Right from the beginning, readers as well as Megan know that her mother is behaving oddly and that what she is doing has sinister or troubling implications. There isn’t a wholesome or happy reason why anybody decides to skip town suddenly in the middle of the night. I could hardly put the book down, wanting to get into the details of the situation. It was hard for me not to skip to the end to see what happened and what it was all about, but I made myself slow down a little to appreciate the journey.

I guessed, at the beginning, that this was going to turn out to be a case of a non-custodial parent kidnapping their own children after a messy divorce. We are told that Megan’s father died when she was very little and that she barely remembers him, and then, we are told that the family moves frequently because the mother has trouble getting work as a single parent. That, by itself, isn’t necessarily sinister, but after we see the mother rush her children away in the middle of the night and we learn that she has never allowed them to keep in touch with old friends after any of their other moves, it starts to look like a suspicious pattern. I had guessed that what upset her mother while she was watching the news was that there was an announcement about the father looking for his missing children. My other thought was that maybe they were in the Witness Protection Program, possibly because their father was murdered and the mother needed protection from the people who killed him, and that what alarmed the mother on the news was that his killer was being released from prison. That second theory of mine was way off. The first one was closer, but that’s still not quite the situation, although elements of that are close to what happens in the story.

Because the suspense in this was so good, I don’t want to spoil the ending entirely. The custody of the children is the reason for the mother’s panic, but there’s a twist on it that I wasn’t quite expecting, and as the story goes on, it becomes apparent that there are two sets of people hunting for the children instead of one. One set of searchers is who the mother was expecting, but the other set is someone else who has different motives and is an even bigger threat.

I thought it was interesting that the story brought up the question of a person’s right to disappear and whether that disappearance can sometimes be justified. The fact is that it’s not a crime if an adult decides to go voluntarily missing. It’s only a crime if the adult has committed a crime prior to disappearing or in the process of their disappearance or if the person is missing because they’re the victim of a crime. Otherwise, any adult has the right to walk away from their old life, cut off old relationships, change their name, and reestablish their identity somewhere else. People can do this for a variety of reasons, but it usually has something to do with overwhelming problems in the person’s life, mental health issues, and/or abusive relationships. It occurred to me that the mother in the story might be afraid of her ex-husband because he was abusive, and she was afraid of what he might do to the kids if she had to either give him custody of them or share custody with them. Again, that’s not quite the case here, although I was thinking about it through a good part of the story because it would explain the mother’s behavior.

If the mother was a non-custodial parent or had violated custody arrangements with the children’s father, then she would have committed a crime by taking the children. However, that doesn’t turn out to be the case here. The mother hasn’t committed any crime, but the fact that she has the children with her is the reason why someone is looking for them. Missing children is a matter of legal concern and can be a matter of humanitarian concern, although even then, the issue can be complicated. Not all runaway children are “saved” by being found or returned to legal guardians, and some of them have had very good reasons for leaving toxic or abusive home environments. The sad fact of real life is that, sometimes, the people who are searching for missing children can be the very threats those children are escaping. People who disappear have reasons for doing so, but giving them the type of help they need means discovering what those reasons are.

To be honest, I’m not completely sure of the legality of the person looking for the particular children in the story or publicizing their search for them, but it is telling that this individual is using a private investigator to look for them, not the official police. The official police are not looking for the family because the mother hasn’t committed a crime. She is their real mother and has legal custody of the children. The person who is searching for the children does not. When their mother reveals the truth to the children, Megan is forced to consider that a person might have good reasons or at least a compelling motive for wanting to get away from their past and not be found by people who are looking for them.

Part of the issue related to that is that Megan and her brother Sandy were never consulted about whether or not they wanted to separate from their old life or to live the kind of lifestyle they’ve been living. Up to this point, they’ve taken for granted that they’ve had to move and lose contact with friends repeatedly because their mom needed to look for work and had trouble finding jobs as a single parent. When they realize that what’s been happening to their family isn’t normal, that their lives have been disrupted, and that their mother has lied to them about important pieces of their past and even their own identities, the children are understandably shocked and upset. Megan is angry with her mother for the position she’s put them in, and she is right that she needs answers.

Fortunately, things do work out for the best for the kids and their mother in the end. It is a relief that the mother has not actually committed a crime because of what she’s doing. She apologizes to the kids for not explaining things to them sooner, but she explains that, when the whole thing started, they were only little toddlers and couldn’t understand the seriousness of what was happening or what was at stake for them. When Megan learns the full truth, she does come to understand her mother’s motives, and she realizes that it has also changed the way she’s always felt about her father, whose life and death turn out to be very different from what she’s always assumed. Perhaps, if she had found out the truth earlier, when she was much younger, it would have been harder for her to take. Now that she and her brother are old enough to speak up for themselves and the situation they were running from has changed somewhat, things are likely to be much better for them. We’re not entirely sure at the end how things will be for their family or where they will be living, but it seems like their days of hiding and running are over.

The addition of Ben as a character not only gives Megan and Sandy an ally during their worries and evading the people searching for them, but he also provides a different perspective on their situation, in more ways than one. While Megan struggles to come to terms with her family’s secrets and the idea that both she and her family are not quite what she’s always believed they are, she also considers how her situation compares to Ben’s situation with his family.

Ben isn’t a happy kid. He’s been in trouble at different schools and behaves badly because he’s deeply troubled about his parents’ divorce and his mother’s remarriage to a man who isn’t thrilled to be his stepfather. Part of Ben’s troubles with his parents and stepfather are because he’s been acting out, and they don’t know how to deal with him, but deep down, he feels like his parents don’t love him. In fact, he admits that he’s been getting into trouble at school on purpose to get his parents’ attention. He had hoped that things would be better while he was staying with his father over the summer, but his father is a writer and absorbed in his work. He doesn’t seem to care much about what Ben does as long as he doesn’t disturb him while he’s writing. Ben feels like neither of his parents really loves him or wants him.

One thing that Megan has always been sure of is that her mother loves her, and even though her mother hasn’t told her the truth about everything before, Megan can tell that she still cares about her, takes time for her, and does things to ensure her safety. Megan’s family has their problems, but they are still a family. Even though Ben still has two parents and a stepfather, he doesn’t feel like he’s part of a family or that he can really rely on his parents. Megan’s realization that she feels very differently about her mother is part of what convinces her to listen to her mother and understand her side of the story.

Things start working out for Ben by the end of the story, too. He admits that he knows the way his dad acts is because he’s also upset about the divorce. He hadn’t really wanted to divorce his wife, but Ben’s mother wanted to marry someone else. He also hasn’t meant to neglect Ben. He’s just been preoccupied. Before the end of the story, he finishes the book he’s been working on and apologizes to Ben about being so busy. He’s not a bad father, and he and Ben usually get along better with each other. Now that he’s finished with his project and has more time to concentrate on Ben, Ben will get more attention. Ben also reassures Megan and Sandy, who are worried about how other people will look at them when the truth about their family’s past gets out, that he doesn’t see them any differently because of what he knows and that real friends will know and like them for who they are, not judge them for what their family members did.

Posted on by TracyC

Spiderweb for Two

The Melendy Family Series

Spiderweb for two by Elizabeth Enright, 1951.

Randy Melendy is feeling morose because the three older Melendy siblings (Mona, Rush, and their adopted brother Mark) have all gone away to school. Rather than attending the local school as they used to, Rush and Mark have gone away to boarding school for the first time this year, and Mona is attending a school in New York City, where they used to live. Since Mona has started acting professionally on the radio, she’s been commuting back and forth from the family’s house in the country to her acting job in the city. This year, her father decided that, rather than continuing to commute back and forth, it would be best for her to remain in the city and go to school there, staying with a family friend, the wealthy Mrs. Oliphant, who is fond of the children. That leaves only Randy and her younger brother, Oliver, at the big Melendy house in the country, known as the Four-Story Mistake.

Since Randy is accustomed to having her very active siblings around her, always doing something interesting, Randy thinks that life is going to be boring and lonely from now on. She recognizes that the older siblings going away to school is just the first step in growing up and moving away from the family. She knows the next likely steps for them are college and marriage, and they will likely never really live all together again, at least not all the time. The housekeeper, Cuffy, tries to reassure Randy that she still has Oliver for company, but Randy isn’t reassured. Oliver is a few years younger than she is, and she doesn’t think they have much in common or much that they would like to do together. However, the two of them are about to be involved in a special shared adventure.

Cuffy sends Randy and Oliver to get the mail, and they are surprised to find an envelope addressed to the both of them in handwriting they don’t recognize. Inside the envelope is a poem that seems to be some kind of puzzle or riddle – the first clue to a treasure hunt! The mysterious letter writer tells them to keep it a secret, and the clue seems to point to a place where the shadow of a tree falls.

It takes Randy and Oliver a little time to decide which tree is supposed to cast the shadow, and their treasure-hunting is delayed by rain. However, when they dig in the correct spot, they find a tin box. Inside the box, there is a little golden walnut box with another clue. This time, the clue indicates that the next clue is being held by someone who loves them, although they don’t know it. It takes some effort for Randy and Oliver to solve this one. At first, they think it’s probably Cuffy or Willy, and searching their pockets or getting them to reveal what’s in their pockets without the kids explaining why they need to know is tricky. Eventually, it turns out that the next clue is hidden on the collar of Isaac the dog.

The treasure hunt continues in this way for the whole rest of the school year. The clues are written as poems on blue paper and send them various places around their own house, the houses of people they know, and various other landmarks, including a grave yard! Randy and Oliver figure out that this treasure hunt must be something their older siblings have created to keep them busy and entertained during their absence. The treasure hunt breaks off periodically when their siblings are home from school for Christmas before resuming after Christmas with another letter.

In between solving the riddles of the treasure hunt, Randy and Oliver do get to spend some time with their siblings. Over Christmas, the family decides to go caroling and visiting friends. For Easter, the girls make Easter bonnets, and Rush makes a special one for their horse. Randy and Oliver never discuss the treasure hunt with their siblings, though, because secrecy is part of the game.

Sometimes, Randy and Oliver get into trouble following clues, and sometimes, they accidentally make the hunt tougher than it has to be because they misinterpret where they’re supposed to go next. Eventually, the hunt leads them to a special surprise from an old family friend, and everyone shares in the surprise!

My Reaction and Spoilers

I liked the treasure hunt in this book because I always like books with treasure hunts that have riddles to solve and clues to follow. I’ve read other reviews of this book online, and other people remember this book fondly for the treasure hunt, although it does have a different feel from the other books in the Melendy Quartet, for several reasons. It’s partly because only two of the Melendy siblings are present for most of the story, although the others do appear sometimes and make their presence felt, even when they’re away. Readers will probably figure out before Randy and Oliver that their absent siblings have set up this treasure hunt for them to keep them busy and give them something to think about so they won’t be too lonely without the others.

This is also the only book in the series that doesn’t make references to WWII because it’s the only book in the series written after the war ends. The war wasn’t a main part of the plot of the other books, but it was always present in the other stories, with the children taking part in activities to help the war effort. The war also affected the attitudes of the children, making them want to do their parts for their family as well as their country. This book never mentions it once, and the focus is on how the children are growing up.

Randy knows that seeing her siblings go away to school is just the first step to them all growing up and moving away. When the older siblings come home for Christmas, they’re already showing signs that they’ve been doing more growing up during the few months they’ve been away from home. When Mona comes home for Christmas, she has a new haircut and is wearing lipstick, and Rush’s voice is starting to change. Eventually, Randy and Oliver will do these things, too, but for now, they’re the ones left behind as kids at home. Through their shared adventures with each other without their siblings, they grow closer to each other than they were before. Oliver was too young to join Randy and the older siblings on some of their previous adventures, but he is growing up, too, and he’s now able to join Randy in shared activities. During the course of their treasure hunt, they have adventures in the countryside, like the siblings did in other books.

Like other books in this series, there are also stories within stories. Sometimes, the main story departs from Randy and Oliver when other people tell them stories about exciting or interesting episodes from their own lives. This books has stories about how Cuffy saved a boy from drowning when she was young, their father’s search for a lost dog, and Mrs. Bishop remembering when she first noticed the patterns of snowflakes.

There’s only one full page picture in the book. The other illustrations are smaller ink drawings at the beginnings of chapters.

Posted on by TracyC

Then There Were Five

The Melendy Family Series

Then There Were Five by Elizabeth Enright, 1944.

It’s summer, and the four Melendy children have some big plans! They’ve already started building a dam to make the swimming area on the property of their new house bigger. Their father, who travels frequently, giving lectures, tells them that he’s going to be away for most of the summer. He has to work hard to provide for his big family, and he has also taken a government job that will help the war effort. Mr. Melendy isn’t going to be a soldier because he’s a little old for that and the father of four children. He says that he can’t tell the children about his job, but it will keep him away in Washington for long periods of time. While he’s away, the children will be in the care of the housekeeper, Cuffy, and the handyman, Willy. They will also largely be left to entertain themselves, which is something they definitely know how to do.

Aside from swimming and enjoying themselves this summer, the kids decide that they should also do something useful, to help the war effort. Because of the war, patriotism is running high, and the children feel like they should take on some serious responsibilities. They’ve held events to help the war effort and bought bonds before. This summer, Rush and Randy decide that they’re going to go door to door, collecting scrap metal. Their collecting efforts help them to further get to know their neighbors, and they make friends with the Addison children and a nice, older man named Mr. Titus, who likes to spend his time fishing and baking things and invites the kids to join him sometimes.

However, there is a nasty man called Orin who yells at the children and scares them away when they come to ask him for scrap metal. Soon after this unpleasant incident, Rush and Randy meet Mark, the nice boy who lives with Orin. Mark is an orphan, and he lives with Orin because he’s a distant cousin. Orin’s wife was a nice lady, and Mark liked her, but she died a couple of years before. Orin is mean to everybody, and he mainly sees Mark as a source of unpaid labor on his farm. The Addison children, who know Mark from school, confirm that all of this is true. Orin doesn’t even let Mark go to school very often because he wants to keep him working most of the time. Their teacher and the school superintendent both tried to go see Orin and insist that Mark go to school regularly, but Orin is a violent and frightening man. He chased them both away and sent his mean dogs after them. Nobody really knows what to do about Orin, and most people are afraid to try. He also locks Mark in his room to keep him from running away, although Mark has found a way out and sneaks out sometimes.

The Melendy children feel sorry for Mark, although they try not to be too pitying so they won’t make Mark feel too self-conscious. Rush and Randy start meeting with him secretly to go swimming and fishing and hunt for arrowheads left by the Iroquois who used to live in the area. Rush and Mark also play at being soldiers on a secret mission and go stargazing. Mark knows about the constellations, and the boys watch the Perseid meteor shower in August.

Then, Mark reveals to Rush that Orin and his few friends are making illegal alcohol in a still. They do it because it costs less than buying alcohol. Orin’s friends include a couple of brothers who live in the woods and hardly ever come to town and a man who’s been suspected of bank robbery and murder although nobody was ever able to prove it. The boys spy on Orin and his friends at their still one night, and they hear Orin talking about selling his farm and maybe getting one of the new defense jobs. His friends ask him what he’ll do with Mark if he moves out, and Orin says that he’ll probably just turn him over to the county. One of his friends say that giving Mark to the county might not be so easy because they’ll ask questions, but Orin says he’s thinking of changing his name. The suspected criminal says that he might take Mark because he has trouble keeping workers around his place. Mark tells Rush that he’d rather run away that go live with that criminal, and Rush says that Mark can come stay with his family. The men almost catch the boys listening because the boys are wearing citronella to keep the mosquitos away, but the boys manage to get away before the men catch them.

Rush tells Mark that he’ll talk to his father to see if Mark can stay with the Melendy family or if he knows what else Mark can do. Then, a series of events happen that change everything. First, Cuffy has to go away for awhile to take care of an injured relative, leaving the children even more to their own devices, with Willy and the older children in charge. Then, the in the middle of the night, Rush wakes up to realize that something is on fire. It turns out that Orin’s farm is burning! Rush wakes Randy, and the two of them hurry down to Orin’s farm to see if Mark is safe. They find Mark hurrying to get the animals out of the barn, and neighbors and firefighters are already working on the blaze, but it’s a loosing battle. They manage to save the animals, but both the house and barn are destroyed. Willy, who was also there to help fight the fire, take the Melendy children and Mark back to the Melendy house. Later, Willy informs them that they have discovered that Orin was still in the house and was killed in the fire. (A short flashback informer readers, although the characters in the story don’t know it, that Orin accidentally started the fire when he returned home from his still, drunk, and passed out in the kitchen with a lamp too close to a wall calendar.)

Mark was never fond of Orin because Orin treated him badly, but without Orin, Mark’s custody is in doubt. Mark doesn’t have any other relatives. He’s still only 13 and not old enough to live alone. Rush decides to call his father to ask if Mark can live with them. Mr. Melendy tells Rush to keep Mark at their house for now, and when he returns home from Washington, he’ll straighten things out.

The Melendy children make Mark welcome at their fascinating house, the Four-Story Mistake, and Mark begins to enjoy all the new experiences they give him. He gets to try their books, enjoying classics like Tom Sawyer, Robin Hood, Eight Cousins, and various fairy tales. Mark also likes listening to Rush playing music on his piano. Above all, Mark gets the new experience of living with a family that really cares for him. Mark becomes part of the Melendy family’s idyllic summer, but the children worry about whether or not their father will allow them to stay with them permanently.

This is the third book in The Melendy Family series. The book is available to borrow and read for free online through Internet Archive, as part of a collection.

My Reaction and Some Spoilers

The Darkest Book in the Series

This book is different from the earlier two books in the series because, while the other adventures were all just treated as fun adventures without anything truly tragic happening when things go wrong, this book actually contains some serious issues. Mark is an orphan living with a violent and abusive guardian who frightens all of the local adults who have tried to intervene on Mark’s behalf. Mark’s guardian is also involved with some seriously shady people and illegal activities. The sudden death of Mark’s guardian frees him from the abuse but also leaves his future in doubt. This is the darkest book in the Melendy series. The book doesn’t shy away from Mark’s feelings and the sadness of Orin’s death, even though he was an awful person. Fortunately, because the tone of this series is optimistic, things work out for the best.

Of course, Mr. Melendy agrees that Mark can stay with the family, but in a realistic touch, adopting him isn’t as simple for the family as taking in a stray dog. Some of the local farmers offer Mark a place working on their farms, including the disreputable man and possible criminal who was one of Orin’s friends. Social service agencies want to know about the home and family Mr. Melendy has to offer Mark before they decide whether or not to allow Mark to remain with them, and a social worker comes to interview him. The social worker sees a taste of the family’s boisterous children and eccentric hobbies (at one point, Mona enters the room, practicing the part of Ophelia from Hamlet), but she is charmed by them and sees that Mark loves being with them, and she decides that the Melendy family will be good for him. There is extra legal work for Mr. Melendy to officially adopt Mark after Mark is allowed to stay with them as a ward or foster child, and the local bank is also interested in Mark’s custody because Orin had a mortgage on his farm, and there are financial issues to be arranged.

In the end, the bank claims Orin’s property because of the mortgage, but Mark inherits the animals because he’s Orin’s only relative. Mark keeps a few animals that can live on the Melendy property, and the Melendys help him sell the others in an auction held on their property. They turn the livestock auction into a fair to raise money for the war effort. Some of them make baked goods to sell, Mona dresses up as a fortune teller, and they hold a talent show with other children from school.

The element of raising money for the war effort continues a theme from earlier books in the series and emphasizes the point that this book was set contemporary to the time when it was written, during WWII. I find books that were written during major events and that take those events into account interesting because it shows how people felt about those events and what they wanted children to understand about them. The kids sometimes make references to the war in casual conversation in a way that seems realistic for a child’s observations, such as when they describe someone as having “teeth like a Japanese general”, although I know that what they’re probably referencing is anti-Japanese propaganda cartoons at the time rather than actual pictures of them. That isn’t mentioned in the story, but I’ve seen those cartoons before, so I can envision what kind of teeth the kids in the story are probably picturing.

The Lighter Side

In spite of the dark parts of the story, the book still has qualities of idyllic life in a big house in the country and the outdoor fun the children have. Some of the images in the story would fit well with cottagecore themes today, such as Mona weaving a strawberry plant in her hair. Oliver collecting caterpillars and watching moths. On Oliver’s 8th birthday, the whole family, including Mark, goes on a picnic to a cave that Mark knows.

There is also a theme around cooking and baking in the story. Mona develops an interest in cooking and baking, and Mr. Titus teaches her recipes and helps her and Randy when they experiment with canning vegetables from the garden. Mona had told her brothers to leave her and Randy alone in the kitchen when they were canning because it was women’s work, and Rush thinks it’s funny that it’s Mr. Titus who rescues them when the job gets too much for them and it becomes obvious that the girls don’t know what they’re doing. Mr. Titus tells the kids at one point that, when he was younger, he was a little embarrassed about his interest in cooking because it didn’t seem like men’s work, but now, he doesn’t care anymore, and he just appreciates doing what he really loves to do.

Another fun note is that the Melendy children like to play a game they call the Comparison Game. One child leaves the room, and the others think of a person they all know or know about. When the other child returns to the room, the others say whether they thought of a male or female person, and the other child starts asking them what that person is like. The child who left the room earlier asks the others what color the person is like, what animal the person is like, what type of weather the person is like, etc., until the child can guess which person they’re talking about by the comparisons made about the person.

Posted on by TracyC

The Four-Story Mistake

The Melendy Family Series

The Four-Story Mistake by Elizabeth Enright, 1942.

The Melendy family is moving out of their brownstone in New York and going to live in a house in the country. The children aren’t happy about moving because they’ll miss their old home. They’re sure that no other house would ever be as good as their old one.

However, when they arrive at the house in the country known as the Four-Story Mistake (because it was originally supposed to have four stories but the original owner ran out of money and only could manage three floors and a cupola at the top), they are fascinated and charmed by its size and peculiarities. For the first time, each child in the family can have their own room instead of having to share, and there’s also a room that they can turn into an office (really a playroom), like the children had at their old house. Their father takes them up into the cupola and points out the different directions the windows face and how they resemble the outlooks of each of the children. He reminds Randy, the one who misses the old house the most, of the importance of looking ahead.

The children start to enjoy exploring their new house and the countryside around it. Seven-year-old Oliver finds a secret room in the cellar with some old things that belonged to past children who lived in the house. He keeps it to himself for a while, enjoying his secret, but he gradually lets the other children in on it. It takes Randy more time to learn how to ride her bicycle than the others, but she is thrilled when she finally masters it. However, the others are still doing better than she is. When she is separated from them on a bike ride and crashes in town, knocking herself unconscious and getting a cut on her head, she causes a stir. She is tended to by a traffic cop and his wife, who have a house full of plants and a pet alligator named Crusty, among other pets.

Gradually, the children settle in at the house and start feeling more at home there. They start making friends at the nearby school, and Rush builds a tree house with help from the family’s handyman, Willie. One day, when Rush is home with a sore throat and a fever, he gets restless and sneaks out of the house to hide in his tree house. He falls asleep and gets trapped there during a storm when the ladder falls, and he can’t get down. Eventually, his family realizes that he’s missing and rescues him, but he ends up with a case of bronchitis from the hours he spent in the tree house in the rain. Even that isn’t so bad, though, because they bring him food and let him read in bed until he gets better.

As winter starts, the kids play in the snow and use the sleds that Oliver found in the secret basement room. They also discover a hidden door behind some wall paper upstairs. It leads to a hidden room with blue wall paper that they had never noticed before even though they realize that they should have noticed that there were windows on the outside of the house that should have told them there was an extra room. The children decide to keep the hidden room secret from the adults until they can explore it themselves. Inside the room, they find a portrait of a girl labeled “Clarinda.” The kids secretly clean up the room and try to learn who Clarinda was. It takes some time before they learn what happened to Clarinda, but it’s a fascinating and inspirational story rather than a tragic one.

Meanwhile, WWII is still going on, and Mona comes up with a plan to help the war effort. She enlists the other kids to help collect scrap materials, learn to knit, and buy war bonds. They’re a little dubious about some of Mona’s plans, but they get more interested when she says that she wants to put on a play and charge admission to raise money. Mona is writing the play herself. It’s a fairy tale type story called The Princess and the Parsnip. Of course, Mona will also play the leading role as their resident actress. She almost quits the play when she accidentally gives herself a bad hairdo, but fortunately Cuffy helps her fix it. In fact, the play is such a success and Mona does so well that she gets her first real acting job – a role in a radio play.

Her father knows that she’s young, and he talks to her seriously about accepting the job. He makes sure that Mona understands that an acting career will involve hard work and some odd hours. He expects her to keep up with her school work and also take some time to be a real person and family member and not to put on airs. Mona acknowledges that and is really happy when she gets the part.

Rush becomes a little temperamental when Mona gets her job, and he admits to Randy that it’s because he feels bad that he isn’t making real money, like Mona is. The war has been on his mind, and he feels like he wants to do something serious and important and to also feel like he’s earning money for the family. The problem is that he can’t think of anything he can do. Out in the countryside, there aren’t as many job opportunities, so he feels useless. Then, Randy gives him a suggestion: he can teach piano lessons. Rush has always had a special talent for the piano, and they know that there hasn’t been a music teacher in town since the last one left to get married. Rush isn’t sure he likes the idea, but Randy says that if he isn’t interested in the job he could do best, maybe he wasn’t really serious about wanting a job at all. Thinking it over, Rush decides to give it a try, and he’s actually more successful at it than he expected. He almost quits after a particularly difficult student causes him to lose his temper and hit the other boy, but a talk with the boy’s father straights things out between them.

The book covers most of the children’s first year at their new house, with changing seasons and changes in the children’s lives. They have a Christmas with homemade Christmas presents and a few special surprises from their father and Mrs. Oliphant (a wealthy woman who’s an old family friend). There are adventures with ice skating, and in the spring, Randy finds a diamond at the brook. They acquire some new pets, including Crusty the alligator, who becomes another of their Christmas presents, having outgrown the bathtub where he was living with the policeman. Crusty later escapes and takes up residence in the brook before apparently migrating to Pennsylvania. Besides Mona and Rush finding their first jobs, the children begin showing other signs of growing up. Mona attends her first dance, although the children make a point that they’re not too grown-up yet. By the end of the book, the children are well-settled in their new home and are starting to become comfortable with the changes in their lives that come with moving and starting to grow up.

This is the second book in The Melendy Family series. The book is available to borrow and read for free online through Internet Archive, as part of a collection.

My Reaction

This story starts out as a story about kids adjusting to moving to a new house but also turns into a humorous story with Cottagecore elements. The house in the country known as the “Four-Story Mistake” is the stuff of many children’s dreams. It’s large enough for every kid to have their own room plus the room they call the “office”, which is a play room or activity room that all the kids in the family share. Their fabulous house has plenty of rooms to explore, including a cupola and a hidden room with a mysterious backstory.

One of the things I like about this book and others in the series is that there isn’t anything tragic or upsetting in the stories. They’re good books to relax with. When the kids hear the story of the secret, hidden room in their house, there’s an element of drama to the story (one of the stories-within-the story that often appear in this series), but nothing truly tragic. At first, I had thought maybe the original owner of that room had died young, and her family had sealed it up out of grief, but that’s not the case. It turns out that she had dreams of becoming a dancer, so she ran away to pursue her dreams. Her father disowned her and closed up her room after she left, but she actually did achieve her dream, so things worked out for her, and the Melendy kids find that inspiring.

There are woods and a stream nearby, so the kids have outdoor adventures. Even when something goes wrong and the kids have a hard time, like when Rush is sick and gets trapped in his tree house during a storm, it doesn’t end too disastrously, and the hardships are treated more as part of their exciting adventure. Even though Rush suffered during the incident, and Rush’s illness gets worse from being out in the storm, he kind of enjoys the fussing he gets afterward and the time when he’s allowed to stay in bed, reading, while he recovers.

The part where Rush lost his temper with a piano student and hit him surprised me, although how the student’s father reacted to it was even more of a surprise. I think most modern parents would be angry about Rush using physical violence against the other boy, no matter how he was provoked, but that’s not how the father in the story feels. The father knows his son very well, and he understands how he provoked Rush into losing his temper. He also knows why the son was being provoking. The boy wanted Rush to quit as his piano teacher because the boy doesn’t really want to take piano lessons at all. He’s only having piano lessons because his mother wants him to learn to play the piano. Rush handles his loss of temper as professionally as he can, admitting to the boy’s father what happened and offering to resign from the job, but the boy’s father, knowing his son and his son’s motives, refuses to accept that offer. If the father allowed his son to get away with provoking someone else to a fight and then rewarded him by giving the son what he wanted (the end to the piano lessons), the son would learn a bad lesson, that he could get what he wants by behaving badly and being too difficult to handle. It isn’t a good idea to give a kid the idea that acting out gets rewards because it provides an incentive for the kid to continue acting out to get his way.

Instead, the father acknowledges Rush’s professional authority as the piano teacher and says that the boy’s mother wants the piano lessons to continue. Because Rush is the professional authority here, he authorizes Rush to use whatever methods he deems necessary to deal with his student. The father says that he will have a word with his son about this. We never hear exactly what he says to his son, but the son at least grudgingly behaves himself from that point onward, so it seems that the father made it clear to him that bad behavior wouldn’t get him what he wants. It’s true that hitting people isn’t good, but neither is provoking people to a violent reaction, and I was glad that the father acknowledged the provocation and didn’t let it slide. Considering the context of the situation and the character and motives of the people involved, the father’s solution to the problem seems to have been an effective one.

There are coming-of-age elements in the book, partly because the kids are settling into a new home, but also because they’re generally growing up. Some children’s book series have characters who never age, but the Melendy children do age throughout their series. In this book, the two oldest Melendy children get their first jobs, and Mona attends her first dance. I did like it how, after Mona gets home from the dance, she and her siblings run outside to have fun because they want to make the point that they’re not too grown-up yet.

As in the first book in the series, WWII is happening in the background because the series is set contemporary to the time when it was written. The children undertake activities to support the war effort, and their knowledge that the war is happening does cause them to think a little more seriously about life, about doing their part, both for their country and their family. I thought it was an interesting choice for the author to write about children’s thoughts concerning the war while it was happening and the outcome of the war was still unknown. The author seems to be promoting children taking part in civilian activities to support the war, like raising funds, buying war bonds, and collecting useful scrap materials. I think that was probably the attitude of many adults in the 1940s, wanting children to make themselves useful and to show patriotism, and I can see those motives in the choice to let the war be part of the children’s reality. With the story’s other themes of moving, exploring the countryside, growing up, and finding fun and adventure in a new home, I can see how the author could have chosen to focus on those elements and left the time period of the story vague, but I appreciated how the author faced the reality of child readers, acknowledging the war and giving them suggestions for how they could handle their feelings through useful support activities. The countryside in the story isn’t a place where the children hide from the troubles of the world around them but where they can find their own way dealing with them creatively.

Posted on by TracyC · 2 Comments

The Saturdays

The Melendy Family Series

The Saturdays by Elizabeth Enright, 1941.

The four Melendy children live in a brownstone townhouse in New York City during the early 1940s. Their mother is dead, but they get along well with their father, and their housekeeper, Cuffy, is a motherly woman and helps look after the children. Each of the children has their own responsibilities in the house and distinctive talents and ambitions in life. Mona is the eldest at age 13, and she wants to be an actress. Rush, age 12, wants to be a mechanical engineer and a pianist. Miranda, who is 10 years old and usually goes by the nickname “Randy”, loves dancing and painting. Oliver, the youngest at 6 years old, wants to be a train engineer.

The children have a room at the top of the house which is a sort of playroom, although they call it the “office.” It has the children’s toys and books and plenty of things that they’ve gathered for their various hobbies, activities, and experiments. However, one rainy Saturday, the kids are bored. It isn’t that they don’t have anything to do. It’s more that the day is so wet and miserable that they have trouble getting interested in anything. While they debate different things they could do or wish they could do and complain about the weather and the size of their allowance, Randy comes up with an interesting idea.

Each of the four children has something that they wish they could do, but they’ve never been able to afford to do it because it costs more than the allowance they receive. Randy suggests that they form a kind of Saturday club. Every week, they will pool their allowances, and one of them will use the collected money to do something they’ve always wanted to do. To make it worth the investment from the others, they all have to agree that they won’t just blow the money on something they could do any time, like buy a bunch of candy. Each child’s special Saturday should be something really exciting and worthwhile. All of the kids are interested and have ideas about what they could do if they had a lump sum equal to four allowances and one free Saturday to do whatever they want by themselves.

When they explain the plan to their father and Cuffy, they agree that the children can do what they like with their allowance money, including taking turns pooling it and sharing it with each other. They also agree that the children can go off by themselves for their adventures as long as they agree to some basic safety rules. Over the next several Saturdays, the children take turns having their own special days with their pooled allowance money.

Randy is the first one to have her turn. As an art lover, she goes to an art gallery. To her surprise, Randy also sees an elderly woman she knows, Mrs. Oliphant, who is an old friend of the Melendy family. Mrs. Oliphant is a kind woman, but the Melendy children never thought of her as much fun. Randy loves the art and the ways the paintings make her feel, almost as though she could step into them and experience what the people in the paintings are experiencing. There is one particular picture that interests her, a picture of a girl who looks like she’s the same age as Randy is now. Randy finds herself wishing that she could meet the girl in the painting, like the girl might be someone she could have been friends with.

Then, Mrs. Oliphant approaches Randy and asks her about whether or not she likes the painting. Randy is surprised when Mrs. Oliphant tells her that it was painted 60 years ago and that she was the girl in the picture. Randy’s artistic afternoon takes an unexpected turn when Mrs. Oliphant invites Randy to have a snack with her, and she tells Randy about her youth in Paris, when she was a lonely only child being raised by a strict father, elderly aunts, and a governess. The artist who painted her was a friend of her father’s, who thought that she looked like a little princess. It was at the inspiration of the artist that young Mrs. Oliphant snuck out of her house to visit her first carnival when her overprotective family wouldn’t let her go, and she was kidnapped for ransom by a gypsy fortune teller. Fortunately, she was found again by the artist at another carnival where the fortune teller was performing. The artist persuaded her father to let him paint her after the rescue. Randy loves that exciting story and is surprised at how romantic and fascinating Mrs. Oliphant really is. Mrs. Oliphant invites her to visit her sometime and see some of the fascinating things that she’s collected over the years, and she buys a little box of petite fours (fancy little cakes that the children have never had before) for Randy to take home to her siblings.

When it’s Rush’s turn for a special Saturday, he decides that he wants to go see an opera because he loves music. He goes to see Wagner’s opera Siegfried (part of a series of operas based on the Nibelungenlied epic poem that helped inspire Tolkien‘s The Lord of the Rings), about a hero and a magic ring made by dwarves and a fearsome dragon. On the way home, Rush rescue’s a stray dog and brings him home. He tries to clean up the dog before showing him to his father and Cuffy, but the dog gets loose before he’s done washing him. Fortunately, the dog manages to charm the rest of the family, so the family gains a pet.

Mona’s turn is next. She really hates her long braids, so she decides to use her Saturday for her first trip to a beauty parlor and asks for a hair cut. She isn’t really sure that her father or Cuffy would approve of it, but nobody has told her not to (because she didn’t ask). At the beauty parlor, they ask her if she’s really sure that she wants a hair cut because her braids are almost down to her waist, but she insists. While she works on Mona’s hair, the stylist tells her a story about how she and her brother ran away to New York as children and how she got into the beauty business.

When she’s finished, Mona is impressed with how beautiful she looks, and she even lets the stylist paint her nails. However, the reception she gets at home is about as bad as Mona might have expected. Her father and Cuffy are pretty conservative on the subject of girls’ hair and makeup. They disapprove of her trying to be too grown up and not consulting them about her hair, and they want to get the nail polish off her fingers as soon as possible. Even her siblings think that she’s been too daring with her appearance.

When Cuffy sees how upset Mona is about their criticism and disapproval, she comforts her, and she admits that the hair cut is actually practical because it will be easier to wash and brush shorter hair than long hair. Mona’s father admits that he might also get used to the hairstyle and come to like it. He further admits that it can be hard for parents sometimes, when they see signs that their children are growing up. Randy also says that Mona really does look like a movie star.

The children continue taking turns with their special Saturdays. Oliver, being only 6 years old, can’t go out into the city alone, like the others can, so the others spend their Saturdays at home with him whenever it’s his turn. Then, on one of Oliver’s Saturdays, he disappears. Sneaking out of the house by himself, he takes the money that he’s saved and asks a policeman the way to the circus, which is at Madison Square Garden.

While his siblings panic when they realize that Oliver is missing, Oliver has a great time at the circus, watching all the animals perform and buying cotton candy and other treats. However, when it’s time to leave, Oliver gets lost on his way home, and he starts feeling sick from everything he’s eaten. He gets a ride home from a friendly policeman on a horse, and looking back on it, Oliver decides that was the best part of his day. He decides that maybe, instead of being a train engineer, he’ll become a policeman on a horse when he grows up.

After Oliver’s circus adventure, the siblings decide that they want to do a shared adventure, so they go on a picnic. Their new dog, Isaac, later saves them from a disaster caused by a careless mistake that could have killed them all at home. The children’s father decides on some home repairs, and the children realize that they won’t be able to go away for their usual summer trip and that they’ll have to economize on their Saturday adventures. Fortunately, Mrs. Oliphant has an idea for a summer adventure for the family. She owns a lighthouse, and she invites the Melendy family for a summer visit!

This is the first book in The Melendy Family series. The book is available to borrow and read for free online through Internet Archive, as part of a collection.

My Reaction

I like this series because it’s set contemporary to the time when it was written, in the early 1940s. This first book sets the time period with a comment about a mark on the floor left by one of the children trying out roller skates on Christmas 1939 and one of the children commenting that a stain on the wall looks a lot like Hitler because it looks like a man’s face with a mustache. (One of the other children comments that he’s going to turn the stain into a bearded man, like George Bernard Shaw, because he doesn’t want to see Hitler.) Toward the end of the book, the children talk about the war a little with Cuffy. The war has definitely been going on because they mention bombs and blackouts in London, and Randy asks Cuffy what it was like when the world was peaceful. Cuffy says that it seemed lovely, at least on the surface, but the peace didn’t last. There was another bad war before this one, and a peaceful time in between the two wars when people could travel freely. When Mona was a baby, their parents took a trip through Europe, and Cuffy was there to look after Mona. Because the children live in New York, they never see the war directly, but they’re aware that it’s happening, and they have feelings about it.

Apart from the historical war references, this book is just generally fun to read. It’s fun to see what each of the children does when they have a little money and the freedom to go where they want and do what they want in the city. The kids have minimal adult supervision on their adventures, and it’s the sort of thing that kids today might dream about doing. In general, kids love stories about other kids with the freedom to do what they want to do, although because this family likes the arts and culture, many of their chosen activities, like going to an art gallery or an opera, are things that many other children might not think to do. I was thinking that, probably, one adventure that many kids in my area could do or might do unsupervised might be to get their hair cut and/or nails done in some fancy way, like Mona did.

I was a little surprised that the father of the family reacted as strongly as he did to Mona having shorter hair because shorter hair for women and girls had become more acceptable by the 1940s. I think that regarding short hair as scandalous was more common when the style was new in the late 1910s and the 1920s (see the story Bernice Bobs Her Hair by F. Scott Fitzgerald from 1920). On the other hand, the real issue here seems to be that the father and Cuffy think that Mona is trying to act too old for her age (which is a way of saying too attractive or too sexy for a girl who is still too young to date). The father somewhat admits that it can be a shock to a parent to see how much his daughter is growing up. In that case, it’s not so much about short hair in general but now grown-up and attractive Mona looks in a more adult hairstyle.

Something else I’ve noticed about books in this series is that they frequently contain mini-stories told by other characters to the Melendy children. In this book, we get the story told by the hairdresser about how she and her brother ran away to the city when they were young and the story of Mrs. Oliphant’s adventures when she was kidnapped by a gypsy as a child. Children kidnapped by gypsies is a theme in vintage children’s books, although this is considered a stereotypical depiction in the 21st century. The stereotype of the child-stealing gypsy was probably based in prejudice, the use of community outsiders as scapegoats, and erroneous conclusions drawn from observing family members who do not physically resemble each other. (For example, I remember being told as a child that two blue-eyed parents would not produce a brown-eyed child because blues eyes are a recessive gene, yet it actually does happen, although it’s relatively rare. It’s just that human genetics are complex and produce more variations or throw-backs to earlier generations than some people might expect.) The main character in another book by a different author, The Girl in the Window, challenges the prejudices of adults in her community when they start to blame the disappearance of a local girl on a gypsy.

Posted on by TracyC

The Invisible Island

The Invisible Island by Dean Marshall, 1948.

The four Guthrie children (Dit, Allen, David, and Winkie – short for Winifred) find it difficult to play in their family’s apartment, where they always have to be careful not to disturb the neighbors. One rainy day, while their mother is at a dentist appointment, the children act out a scene from The Swiss Family Robinson, where they’re throwing the animals overboard from the shipwreck to swim to the desert island when they accidentally break part of the floor, which is also the same as breaking part of the ceiling for the neighbors underneath. When they get a knock at their door, shortly after, they figure that the neighbors have come to complain.

However, it turns out that their visitor is the neighbors’ cousin, who is staying with them. The children explain about The Swiss Family Robinson, the shipwreck, and how they were throwing particularly heavy ducks overboard from their wrecked ship. The neighbors’ cousin is a good-natured man who enjoys talking to the children. When the children’s mother comes home, she apologizes for the damage and explains that she and her husband are currently looking for a new house with more room for the children to play, but they haven’t found a place yet. The cousin says that he comes from a smaller town himself, Anchorage, Connecticut, and he might be able to help them find a place to buy there.

The Guthries do rent a house in that town that has some land attached to it, and the children are excited about the move. They want to be able to camp out on their land, like castaways from their favorite book. When they stop in town to buy some supplies before heading to their new house, they are surprised that there don’t seem to be any children around. The shopkeeper explains that there’s a measles epidemic going around town, and most of the children have it right now. He asks the Guthries if their children have had measles before, and their mother says they have … except for the youngest, Winkie. She decides that, for safety’s sake, she should keep the children close to home until the epidemic is over, and the kids should wait to try to make some new friends in town.

The children are hoping to find some new friends, but there’s plenty to do at their new house in the countryside to keep them occupied for a while. On their first day there, they are delighted to find out that there’s a brook and a lake on their property. The children convince their father to come exploring with them, and he has them help him to make a map of the area, knowing that they will want to camp out later. After walking around a piece of land that’s bordered by the lake and the brook, they realize that it’s actually an island because it is bordered on every side by water. The lake is on one side, the brook on another, and there are two more brooks or streams on the other sides that separate it from the land around it and make it into a sort of oblong-shaped island. They call it “The Invisible Island” because it isn’t obvious that it is actually an island until someone walks all the way around it and realizes that it’s actually surrounded by water on all sides. As far as they know, nobody else besides them is even aware that it’s an island.

The children’s mother has some reservations about the children camping out on the island, but the children agree to some safety rules and bringing along some practical camping supplies. They make a raft to carry their supplies across the water to the island. The children begin calling their new house “The Wreck”, imagining that they are rescuing supplies from a shipwreck, like The Swiss Family Robinson. They create a hiding place for their tents, and they find a spring on the island, although their father won’t let them drink from it until he has the water tested to make sure that it’s safe.

The children have enough supplies to camp on the island for a week, and they begin having an idyllic summer, with little adult supervision. They swim and bathe in the lake, using colorful soap on a rope that Winkie found when the family bought supplies at the store in town. They feed the birds, explore, and pick wild strawberries. They get ideas for how castaways are supposed to act from The Swiss Family Robinson and The Mysterious Island.

Their parents do come to visit them and check on them, playing along with the shipwreck theme by calling themselves friendly “savages” when they visit the camp. Their father helps the children to bring stones from a quarry to build a hut. Their mother tells them that she has started to meet the neighbors, and they have some nice children who could make good friends for the Guthries, once they’re out of quarantine from the measles. Both the nice man who helped them find the house to rent and the local doctor have nieces and nephews. The children don’t care that their mother thinks the children are well-mannered. They’re more concerned about whether or not they’ll be adventurous types, who would have fun with them on their special island. They think that they would hate to share their island with “apron-string children” who would be too tied to their parents and home and wouldn’t appreciate the independence and adventure the island allows. The truth is that the children have been enjoying their freedom on the island so much that they’re not sure that they want to give it up yet to make friends with the local children, and in a way, they’re grateful to the quarantine for giving them this time to explore by themselves.

However, there are some strange things that the children have started to notice about the island. One day, Winkie’s soap on a rope disappears and reappears in a different place, strangely looking less used than when they last saw it. The children’s wishes also seem to be granted by a mysterious, unknown person. When they wish aloud for a book about castaways that they haven’t read before and book about birds so they know more about the birds they’ve been seeing, they soon find a wooden box that contains books matching that exact description. When they wish that they had more strawberries, they suddenly find more strawberries in their icebox that they can tell came from a store instead of the wild strawberry patch. Winkie has a bizarre encounter with a “dryad”, and the footprint of a 6-toed giant suddenly appears on the beach. Maybe they’re not as alone on the island as they thought, but who else is there with them?

The book is available to borrow and read for free online through Internet Archive (in audio form!)

My Reaction and Spoilers

Copies of this book are difficult to find now. It’s become a collector’s item, and copies go for hundreds of dollars on Amazon at the time of this writing. It’s a shame because it’s really a charming story, and I think it would really appeal to fans of Cottagecore. If I hadn’t found a copy on Internet Archive, I couldn’t even talk about this book at all.

There were many children’s book series published in the mid-20th century about children having adventures in the countryside and independent of their parents and guardians, like The Boxcar Children series or many of the books by Enid Blyton. Some of these books and series seem a little more realistic than others. Most require the children’s families to be at least middle-class or wealthy to be able to set the children up for their adventures. Some books, particularly the ones by Enid Blyton, feature parents who are preoccupied with their own problems or activities and seem less concerned with the children’s welfare than about getting the kids out of their hair. I thought The Invisible Island had a good balance of independence for the children and adult supervision.

The adults in this book know that the children have been camping before, so they have some basic camping skills, and they come to visit the children about every two days, to see how they’re doing and make sure they aren’t having any problems. The kids pride themselves on their independence (they brag that they’re “not apron-string children”), but at the same time, their parents do regularly check on them and are aware of developments on the island, sometimes more so than the children realize. The children confide to their parents some of the strange things they’ve noticed on the island, but not everything because they’re enjoying their adventure so much that “the castaways” don’t want to be “rescued.” Eventually, readers come to understand that the parents know who’s been hanging around the island and that the children are not in any danger.

Adults will probably realize pretty quickly that some of the neighbor children are also camping out in the area, and that these children are the ones moving things around, giving them things, and staging fantastical stunts, like the appearance of the “dryad” and the giant’s footprint. It’s just that they can’t introduce themselves to the Guthrie children yet because the quarantine is still on, and they have to stay mostly separate. As the quarantine ends, they’re able to let the Guthrie children see them and interact with them more, although the game doesn’t completely end until the official end of the quarantine and the surprise party they hold to celebrate. The book ends with the children and their new friends making plans for more adventures that summer.

One of the great things about this book is that it’s one of those children’s books that reference other children’s books. There are other vintage children’s books like this, where the child characters take their inspiration for their games of imagination from their favorite books. The books are named throughout the story, and presumably, child readers from the time when this book was originally printed, would also know these stories and identify with the children’s pretend play. The main favorite book of the Guthrie children is the classic The Swiss Family Robinson, which inspires them not just to camp out but to turn their camping trip into one big game of imagination in which they’re shipwrecked. Most of the things they do in the story are based around that concept, although some fantasy elements also creep in, like fairies and dryads and granted wishes, because the children also enjoy fantasy books and poems. The new friends they make in the area turn out to enjoy similar stories, so some of the mysterious incidents they stage are also based on those stories, further appealing to the children’s imaginations as well as their sense of adventure.

I wasn’t completely sure if the book that their new friends gave to the Guthrie children was meant to be a real book because there are many books with titles like The Smuggler’s Island, and I had trouble locating a book from before 1948 with that exact title. Since the other books and poems they reference are real, The Smuggler’s Island might be real, too. If anybody knows what it is and who wrote it, please let me know. On the other hand, that book, because the children say they’ve never read it before, might just be invented by the author to represent that general genre of children’s fiction.

Other real books, stories, and poems referenced by this story include The Mysterious Island by Jules Verne (which is a sequel to both his Twenty Thousand Leagues Under the Sea and In Search of the Castaways), The Hunting of the Snark by Lewis Carroll (at one point, David recites the lines from the poem, “His intimate friends called him “Candle-ends”, And his enemies “Toasted-cheese”), and the poem Overheard on a Saltmarsh by Harold Munro (which was the inspiration for the dryad scene because it contains a nymph and a goblin and a necklace of green glass beads).

The concept of a quarantine probably would have made this an excellent story for the coronavirus pandemic, but the setting is idyllic and enchanting for any time. The children are clever in the way they set up their camp, trying to keep it as secret as possible. Their island also includes a spring (which is safe to drink from) and a cave, and they start building a stone hut in this book.

There’s only one thing I can think of to complain about in this book, and that’s the concept of the “savages.” When the parents describe themselves as “savages” when they visit the children, they’re playing on themes from earlier vintage books with islands and shipwrecks. “Natives” and “savages” in those stories can either be helpful or, more commonly, threats to the castaways. I’ve complained about this before in previous book reviews with similar themes because there are stereotypes around these generic “natives” and “savages”, and modern children should be taught not to talk about people in those ways. However, there is no malice behind it in this story. The characters aren’t making fun of anyone or disparaging anybody for being “primitive.” It’s just that they’re playing a game of imagination built on these earlier stories, and they’re using this concept as a plot device to work themselves into the story as something other than visiting parents, preserving both the children’s sense of independence and the imaginary world of the children’s game. Anybody who can understand that should be fine with this book.

My only other complaint is that this book is so rare and so long out of print. I really do think it would appeal to modern audiences, especially fans of cottagecore.

Posted on by TracyC

Just William

Just William by Richmal Crompton, 1922.

William Brown is an imaginative young boy who gets into trouble in various ways. People often don’t understand why William does the things he does because they don’t know what books he’s been reading or movies he’s been watching that inspire him to his various escapades.

William isn’t an example of how anybody should behave. He frequently lies to get his way, and he and his friends have formed a kind of club that they call the Outlaws, and they play at being outlaws. William is a scamp and a troublemaker, who sometimes means well and sometimes doesn’t because, after all, he thinks of himself as an outlaw. His family well know what William is like and the scrapes he’s likely to get into unsupervised, yet he is often left unsupervised and even given some responsibilities, which inevitably go horribly wrong.

This is the first book in a series, and each chapter in the book is a short story. Most of the books in the series are also collections of short stories. The stories are funny, but there are some things modern readers should be aware of, especially before sharing them with modern children.

This vintage British children’s series is well-known, although it has faced criticism for the ways the children in the stories treat animals. There are multiple incidents in this book – from the things the kids do with their pets when they have a circus to the lizard William accidentally kills in his pocket to the pet rat that gets killed when William tries to teach it to be friends with his dog.

There are also instances of inappropriate racial language, especially related to Native Americans because William finds them fascinating, at least in the way that books and movies portray them. At one point in this book, William pretends to be an American Indian, and the girl his brother likes plays along with him. William darkens his face with cork for the game, and the language they use with each other is stereotypical of old stories and movies with American Indians, like “paleface”, “red Indian”, and “squaw.” Various people use the phrase “Honest Injun” in the story.

The Just William series has been popular in Britain for decades, and stories from it have been made into films and television series multiple times.

Stories in the Book

1. William Goes to the Pictures

William has a little extra money, so he buys some candy and goes to the picture shows. (These are silent pictures because of the time period, and William notes how exaggerated the actors’ facial expressions and gestures are.) William is inspired by the movies he’s seen, and he spends the rest of the day acting out what he’s seen, producing some embarrassing results because real life aren’t like movies.

2. William the Intruder

William’s older brother, Robert, has a crush on a girl. Robert gets their mother to invite her to tea, but he worries that William will mess things up because William often does. Their mother says that William will need to have tea with the family, but William is under strict instructions to spend the rest of the time playing outside and staying out of the way. However, the girl turns out to be a good sport who likes children, and she joins William in a game of pretend, where they pretend to be American Indians. Robert is disappointed that the girl seems to like William better than she likes him.

3. William Below Stairs

William gets into trouble at home, and feeling hurt and misunderstood by the just criticisms of his latest escapades with a balloon and inspired by a book that he’s been reading, he decides that the thing to do is to set out into the world to seek his fortune as a poor but deserving young man. He figures that everyone will be sorry when he gets rich with gold nuggets (like in the story) and won’t share them. Deciding that he will start out as a beggar and approaching a wealthy house to beg, William is mistaken for a boy who is supposed to be a new servant and gets his first taste of domestic labor. It turns out that being a poor but deserving young man requires more work than William is willing or able to do.

4. The Fall of the Idol

William gets a crush on his teacher and tries everything he can think of to impress her, including (gasp) actually studying for a change. Unfortunately, his teacher definitely doesn’t feel the same way about him.

5. The Show

William and his friends, a group called the Outlaws, decide to hold a circus. Aunt Emily, a hypochondriac relative who’s been making an unwelcome long stay with the family becomes an unwitting side show as the “fat wild woman” when William charges viewers to see her sleep and snore loudly. When the aunt wakes up and catches William and his guests, it ends her visit, but William’s father is actually relieved.

6. A Question of Grammar

William is bored on a rainy day, his family members all have something to do, and he doesn’t know what to do with himself. His mother’s suggestions are all boring ideas, his siblings have friends over, and his father just wants to be left alone. William asks his mother if he can have a friend over, but she says it’s too late to ask anybody. His family is all relieved when the rain is finally over, and they can send William outside to play.

However, William is still thinking about the idea of having friends over and having a party. His father emphatically refuses to consider the idea of William having a party, but later, a lesson at school about double negatives convinces William that his father’s refusal can actually be taken as approval. He knows the rest of his family will be going to visit an aunt soon, so he invites the children from his class at school to a party while his family is gone. The cook refuses to believe that William really has approval to have all of those children over, so she locks them outside, but William turns the party activity into a storming of the castle and a wild game of hide-and-seek!

7. William Joins the Band of Hope

When William’s mother makes him get cleaned up and try reading a book for a change, he accidentally convinces a visitor that he’s a serious and shy little darling. The visitor is a socially prominent woman who is involved with good works, and she persuades William’s mother to have him participate in one of her projects because children of their “class” are a good influence on others. William’s mother has doubts about how well that description fits William, but she is anxious to please this socially prominent guest, so she agrees to let William participate. William tries to get out of it by faking sick and pretending that he has a sprained ankle, but his family is unconvinced by his charades. However, it turns out that William’s other friends, part of a group they like to call the “Outlaws”, have also been recruited for the project. They make the meeting more interesting for the other children by teaching them a variation of William’s favorite game – one that his mother has forbidden him to play because it’s too rough.

8. The Outlaws

William’s mother volunteers him to take a neighbor’s baby for a walk as a favor, in spite of William’s brother pointing out that William might not be the most responsible person to look after a baby for any length of time. Unfortunately, William’s brother refuses to take care of the baby himself, so William is left with the chore that people should know he isn’t likely to carry out responsibly. William resents his mother giving him this task on his half day off school, and he dreads what his friends will say if they see him pushing a baby carriage. Then, William gets an idea. He takes the baby along to a meeting of the Outlaws as a kidnap victim to be held for ransom. The other Outlaws are thrilled with the idea, but the baby turns out to be too much for all of them.

9. William and White Satin

William is enlisted to be a page boy at a relative’s wedding, very much against his will. The bride thinks the idea of him being a page boy is sweet and romantic, but William knows all of his friends will make fun of him, seeing him dressed in the white satin outfit he has to wear. What saves the day for William is that the young girl recruited to be the bridesmaid thinks the whole thing is as sickeningly sweet as he does. When the two of them get too dirty in their outfits to take part in the ceremony, they are mercifully left at home to play their own games, and they think that’s much more fun and romantic than any wedding!

10. William’s New Year’s Day

Mr. Moss, who runs the store where William buys candy, says that he’s been asking the same woman to marry him every New Year’s Day for 10 years. William thinks that’s too many years to ask anybody over and over again, and he can’t understand who would turn down somebody who owns a sweet shop. On New Year’s Day, Mr. Moss has to run to catch his train to meet the lady, so he leaves William in charge until his nephew shows up to manage the shop. Mr. Moss thinks that William will only be in charge for a few minutes, but his nephew is sick and doesn’t come. William, left in charge, takes far more candy than Mr. Moss said he could have and attempts to overcharge another customer to cover the difference while he is overwhelmingly generous to a pretty girl he likes. Then, he generously hosts his friends and makes a mess. When Mr. Moss returns around lunch time, he would be more angry except that the lady finally agrees to marry him, and in the end, William has to cope with a serious stomach ache.

11. The Best Laid Plans

A young man has a crush on William’s sister, so he recruits/bribes William to be his confederate in a scheme to impress Ethel, getting him to fake sick on a trip with his sister so the young man can step in and “rescue” them by carrying William home. However, William turns out to be more of a handful (literally) than the young man expects, and the pet white rats that were William’s bribe cause chaos in the Brown household. (One of the rats meets a sad end from William’s dog when he tries to teach the two to be friends.)

12. ‘Jumble’

Although William’s dog, Jumble, appears in earlier stories in the book, this story is about how William acquired Jumble. Jumble the dog follows William home one day. He has a collar with his name on it but since he’s loose by himself, William thinks he’s a stray. His family tells him to take the dog to a police station to see if he has an owner, but William just can’t bring himself to leave Jumble there, so he brings him back home and tells his family that the dog followed him again. Eventually, Jumble’s owners do find him again with William. William insists that he didn’t steal Jumble, and he reluctantly asks if the family who owns him if they want him back. The girl in the family, who is William’s age, decides to give Jumble to William because she’s decided that she wants a Pomeranian instead, and the father of the family, who is an artist, sketches William with Jumble because he thinks that William has such an interesting expression.

Posted on by TracyC · 1 Comment

Danny Dunn and the Swamp Monster

Danny Dunn

Danny Dunn and the Swamp Monster by Jay Williams and Raymond Abrashkin, 1971.

Professor Bullfinch receives a cryptic message, which he says is written in the style of a telegram (he calls it “cablese” – a way of shortening messages because people pay for telegrams by the word). As Professor Bullfinch and Danny study the message further, they can draw more conclusions about the sender, who is not specified. They know it’s someone with money because the hotel it was sent from is expensive. From one of the terms used, they think the sender is a scientist, and because he sent a message written to be a telegram as a letter, he’s probably absent-minded. That description seems familiar to Professor Bullfinch.

Then, a strange man comes to the door who seems oddly distracted and confused. He greets Danny as if he were an old friend, but Danny has no idea who he is. He thinks the man is crazy, but Professor Bullfinch recognizes him as his old friend Dr. Benjamin Fenster. Of course, Dr. Fenster is the person who sent the confusing message. It turns out that Dr. Fenster meant to send that message to Dr. Ismail at the University of Khartoum, but he accidentally got it mixed up with the message he was going to send to Professor Bullfinch. Dr. Fenster is an absent-minded professor type, and he’s always doing things like that. Although, he does correct Danny when he mentions this, saying that he’s not actually a professor, and it’s not so much that he’s absent-minded so much as that he has a lot to think about and can’t think of everything at once.

Their conversation is interrupted when something goes wrong with the experiment that Professor Bullfinch and Danny were working on before Dr. Fenster arrived. A warning goes off, and Professor Bullfinch yells to Danny to shut off the machine. However, Danny can’t find the shut off switch, so he panics and pulls an electrical cord, sending an electrical current through the project before Professor Bullfinch turns off the switch. When they examine the results of the experiment, they’re surprised. Professor Bullfinch was trying to develop a new polymer, but the accident with the machine and the electrical current have turned the polymer into a superconductor and a very powerful ring magnet with a circular magnetic field.

While they’re examining the results of the experiment, Dr. Fenster wanders off, lost in thought. Danny worries if he’ll be okay, wandering around on his own, but Professor Bullfinch says that he’ll be fine. Dr. Fenster often does this when he’s thinking something through. Danny’s friends, Joe and Irene, arrive, commenting on seeing a man who was acting strangely and wondering if there’s something wrong with him. Danny explains to them who Dr. Fenster is and tells them about the ring magnet. Then, Dr. Fenster bursts back in, very excited, because he’s figured something out. He thinks the magnetic polymer ring might be the solution to a problem he’s been trying to solve.

Dr. Fenster is a zoologist, and one of his projects is to investigate accounts of legendary animals. Although many scientists tend to disregard stories of unknown animals as purely legendary, sometimes, they turn out to be previously unreported/undiscovered species. (“Undiscovered” in the scientific sense. Obviously, people have seen them, or they wouldn’t tell stories about them. These are species that haven’t been officially documented as having been discovered among the scientific community.) Investigating rare or possibly unknown species is what Dr. Fenster does.

Dr. Fenster is currently investigating reports of a creature called the lau, which apparently lives in swampy areas around the source of the Nile River in Uganda. The lau is supposed to be an enormous serpent with tentacles on its head. The legend around it says that if a person sees the lau first, the lau will die, but if the lau sees the person first, the person will die. When the others ask him if he thinks that’s real, Dr. Fenster says that he thinks that’s more metaphorical, like when someone says they felt petrified, it doesn’t mean that they literally turned to stone, or if someone says that their blood froze, it just means that they felt horrified. He thinks that the idea is that a serpent could kill a person, if they didn’t see it and disturbed it, but if the person saw the serpent first, they would kill it to avoid the threat.

The problem that Dr. Fenster has been trying to solve is how to move around the swamp and keep the area under observation during the night as well as the daytime, without possibly disturbing the creature he’s trying to find. It’s difficult to get around that swampy area in daylight, but it’s even more difficult at night, and he doesn’t want to use lights because that could frighten away the lau. He’s been thinking that he would like to mount some specialized cameras in certain strategic areas, but he couldn’t figure out how to mount them, and the cables he would have to use would be long and heavy. Having seen what the magnetic polymer can do, though, he thinks that could be the solution to the problem. It doesn’t weigh much itself, but when they test it, they discover it can support the weight of a grown man.

Dr. Fenster invites Professor Bullfinch and the children to join him on his expedition. He’s independently wealthy, and he can afford to pay for all them to come along. However, Danny’s mother has reservations about how safe this expedition is, and she can’t imagine that Joe or Irene’s parents will allow them to go on the trip, either. It takes time for Dr. Fenster to persuade the children’s families that the trip is safe enough for them. Eventually, they give in and allow the children to travel to Africa as a special Christmas present. Dr. Fenster doesn’t have any time limit on his own investigations, but the parents limit the children to only two weeks.

When they get to Africa, the first place that Dr. Fenster takes them is to Khartoum University in Sudan, where he introduces them to Professor Ismail, the Director of the Department of Zoology. Professor Ismail has helped Dr. Fenster with travel arrangements, equipment for the expedition, and the necessary government permits. Danny asks Professor Ismail what he thinks about the stories of the lau and whether it could be something like a dinosaur that has somehow survived. Professor Ismail says that many things are possible because there known oddities among animals, like the platypus, which lays eggs even though it’s a mammal. He shows them a fish called clarias lazera, which has the rare ability to leave water and live on land for a period of time.

The children get something to eat at a local cafe and talk excitedly about what the lau could really be and how its discovery could be “the most important discovery of the century.” Irene notices that a man in the cafe looks very interested in what they’re saying and follows them when they leave.

When the expedition reaches the site Dr. Fenster wants to investigate, they persuade some of the Nuer people who live there to show them where they’ve see the lau. They are initially reluctant and warn them that the lau is dangerous, but they do show them an area, and the members of the expedition start setting up cameras to watch it. As they begin exploring, they do find large trenches that are like the paths supposedly left by the giant serpents.

Dr. Fenster explains to the disappointed children that he won’t take them along to confront the lau directly, even if they do find it because of the possible danger. He and Professor Bullfinch will handle the creature, using the tranquilizer gun that Dr. Fenster brought along. They plan to have the children watch on the monitors and keep an eye on the base camp. However, the children see something unexpected when they’re looking at the monitors: the same strange man who was following them in Khartoum. Who is he and why has he followed their expedition?

When the children tell Professor Bullfinch and Dr. Fenster about him, they meet up with the man, and he introduces himself as a rare animal collector. He offers to join their expedition and help them, but Dr. Fenster refuses. One of the Nuer recognizes the man as a disreputable character who would do anything for money, and Dr. Fenster thinks he’s a poacher, who would try to capture rare animals and sell them, rather than simply study them scientifically. It seems that, aside from protecting themselves from the possibly dangerous lau while they study it, they might also have to protect the lau.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction and Some Spoilers

The lau is a cryptid in the real world as well as in the story, and the details Dr. Fenster offers about where it supposedly lives and historical mentions of the creature are accurate. Accounts of what the lau might actually be in real life vary. It could be a type of python or a very large fish, like a catfish. In the story, when they do find the lau, it turns out to be an enormous catfish, the kind that can live without water for a time and move on land, but it also turns out to be electrical, like an electric eel. Professor Bullfinch and Dr. Fenster decide that it’s related to the malapterurus, which is in keeping with real world theories about the lau.

The story makes some good points about known animals in the real world that are considered oddities because they have qualities that don’t normally apply to other animals of their type, like how the platypus is an egg-laying mammal. Just because something sounds unusual doesn’t mean that it’s impossible. There are wide variations among creatures in the animal kingdom. I thought it was interesting that they brought up the clarias lazera, which is a type of catfish that can live and move on land. A similar type of catfish that can live and move on land appeared in the children’s mystery book The Mystery of the Other Girl.

I’m not sure whether the accident that produced the magnetic polymer makes any reasonable scientific sense, but there a few interesting facts in the story. When they get to Africa, Dr. Fenster explains to them that there are actually two Nile rivers – the White Nile and the Blue Nile. They get their names because the soil they pass through gives them each a different color.

There are some words of another language included in the story when they reach Uganda, but I’m honestly not sure whether they’re real words or just made up to make it seem like Dr. Fenster can speak the local language. I tried putting them through Google translate to see if it could recognize them as anything, but it came out as nonsense. However, it’s supposed to be a language spoken by the Nuer people, so it might be something that Google translate doesn’t know.

Sometimes, I’m a little suspicious when I encounter obscure foreign words in old children’s books. I’ve read other old children’s books which use made-up words in place of an actual foreign language, probably because the writers didn’t know how to write something in a real foreign language but they wanted something that looked like it could be from another language. They were probably also acting with the assumption that kids wouldn’t know the difference, so it wouldn’t matter. I could be doing these authors a disservice by being a little suspicious here. Perhaps they did some extra research to learn a few phrases in a language that would be very obscure in the United States. It’s just that, having seen fakery elsewhere, it’s something I find myself looking for when I see instances of languages that would be difficult to fact-check.

Faking words in a real spoken language is less tolerated in the 21st century than it used to be, especially in a book that’s supposed to have educational qualities, so I hope they didn’t attempt to do that. Faking lesser details in a fiction book that’s supposed to have some real facts tends to cast suspicion on just how many of the other “facts” in the book are fake. This is an adventure story, not a textbook, so it’s true that some creative license is allowed. I still don’t know if their magnetic polymer concept is at all plausible, but the Danny Dunn stories are science fiction adventures, so some creative license there is allowed. However, readers like to feel that they can trust a certain amount of supporting detail to be correct. It’s also considered a cultural insult to use fake nonsense words in place of actual words from a language people really speak. Hopefully, that’s not the case here, but I wanted to point out the concept so readers can see how the use of real words strengths a story while faking them weakens it.

The story offers about the Nuer people, but I’m not sure how accurate they are. I don’t know where the authors got their information. They say that Nuer people don’t have chiefs and don’t follow orders from anybody, but according to the eHRAF World Cultures collection through Yale University, their clans do have headmen, and they also have sub-chiefs.

Posted on by TracyC

The Mystery of the Eagle Feather

Three Cousins Detective Club

#9 The Mystery of the Eagle Feather by Elspeth Campbell Murphy, 1995.

Timothy is excited because he has a chance to meet his pen pal, Anthony Two Trees, for the first time. Anthony is a Native American, and he will be dancing at a powwow. Timothy’s cousins get to come along on the trip, too.

Soon after they arrive, though, they learn that someone has been taking pieces of the dancers’ costumes, like fans or headdresses made of eagle feathers. Who could be taking the costume pieces and why?

The costume pieces and the eagle feathers they contain are very expensive, and the kids realize that the thief might be thinking of selling them. It is illegal to deal in eagle feathers because eagles are an endangered species. Even the Native American dancers have to write to the government in order to get eagle feathers for their costumes from eagles that died in zoos. Therefore, the costumes are expensive and require a lot of effort to put together, and losing them is a real blow. The rarity and cost of the feathers might prove to be a temptation to a thief.

The theme of the story is self-control.

The book is available to borrow and read for free online through Internet Archive.

My Reaction

I wasn’t sure if I was going to like this story. I understand the fascination kids have with Native Americans and their costumes and dances. I felt like that when I was a kid, too, but there’s also an element of cringe to it. The cringiness comes from kids (and even adults) who get wrapped up in the fascination of the appearance of other people’s traditions and treat them more like playing dress-up than traditions with deeper, underlying meaning and significance or depicting Native Americans as being stereotypes from old movies and books rather than real, living people.

Fortunately, I was pleased at how this story shows that Timothy’s friend, Anthony, is a regular boy who shares his interest in baseball. They emphasize that Native Americans don’t live in tepees any more, and they don’t treat the Native American characters like stereotypes. I enjoyed some of the facts the story provided about Native American dances and costumes, like the regulations regarding the use of eagle feathers.

Posted on by TracyC

Moonflute

Moonflute by Audrey Wood, illustrated by Don Wood, 1980, 1986.

One night, a little girl named Firen can’t sleep. It’s a hot summer night, the moon is full, and Firen feels like the moon has taken away her sleep, so she must go out into the night and look for it.

Outside, Firen raises up her hands to the moon and asks for her sleep back. The magical moon sends her a moonbeam, and when Firen touches it, she realizes that it’s solid. It’s actually a flute. When Firen plays the flute, it makes magical music that doesn’t sound like any normal flute, and it brings all sorts of wonderful smells of things that Firen loves. As she continues to play, she feels light and tingly, and she realizes that she is rising into the air!

Firen flies over the countryside, looking for her sleep. As she journeys through the night, she sees various animals and wonders if they have her sleep. She sees cats in a patch of catnip, whales playing in the ocean, and bats and monkeys in a jungle.

When Firen sees a couple of monkeys soothing a baby monkey to sleep, she thinks about her own parents and uses the flute to return home. Is the moonflute helping her find her sleep at home with her parents, or has she actually been asleep all the time?

The book is available to borrow and read for free online through Internet Archive.

My Reaction

This book follows the “It was all a dream” theme, where the main character experiences something fantastic, but they were dreaming all the time. While Firen was wondering where her sleep was, she apparently fell asleep. It isn’t definite that’s what happened, but it’s implied when her parents go to her room, and she’s in bed, without the flute. If readers would like to think of it differently, that Firen really did have her flying adventures, it’s possible to read it that way, too.

The pictures really make this book! The illustrations are oil paintings, and they are beautiful and ethereal. Firen witnesses some stunning scenes, like whales leaping in the ocean, with everything bathed in glowing moonlight.

I was intrigued by the name “Firen” because I don’t think I’ve heard it before, and I like unusual names. I couldn’t find much information about the name online, so it seems like it isn’t very common. I thought at first that it might be a modern, invented name, although one name site says that it has Arabic origins.