Danny Dunn and the Homework Machine

Danny Dunn

At the beginning of the book, Danny develops a device that allows him to do his homework and his friend Joe’s homework at the same time by using a system of pulleys and a board that holds two pens at once. (This seems like an unnecessarily complicated device, since he and his friend could accomplish the same thing just by sitting next to each other and talking over their answers as they both write them down at the same time, although Danny says that he plans to build a second pen board so Joe can work on their English homework at the same time as Danny does their math homework.) Danny thinks that it would save even more time if he could find a way to build a robot that will just do the homework for them, but Joe warns him to be careful because things often go wrong with his inventions.

Joe leaves to get more materials for their homework device, and suddenly, Danny is surprised by a tapping at the window, and he sees a girl’s face looking in at him. It’s surprising because Danny is on the second floor of his house. At first, he thinks that this girl who seems to be hovering in the air must be from outer space or something, but it turns out that she’s just an ordinary girl on a ladder.

The girl tells Danny that her name is Irene Miller and that her family just moved in next door. Her father, Dr. Miller, is an astronomer who will be working at Midston University. The reason why Irene is up on a ladder is that she’s built a weather balloon, and now, it’s stuck on the roof of Danny’s house. Unfortunately, she’s just discovered that her ladder isn’t quite long enough to reach the roof. Danny, who loves science, is intrigued by Irene’s weather balloon, and he helps Irene retrieve it by climbing out an attic window and onto the roof.

Danny shows Irene his device for doing homework, but Irene says it doesn’t seem quite honest because it’s basically like copying from someone else. Danny defends his idea, saying it’s not really cheating if the second person actually does know how to do the homework and would give the right answers anyway. He just sees it as a time-saving device. He also says that Professor Bullfinch, an inventor and physicist at the university, says that homework isn’t relevant to the learning kids do in the classroom. Danny’s father is dead, and his mother is Professor Bullfinch’s housekeeper, so Danny and his mother live with him.

Danny is surprised at how much Irene knows about science because he didn’t think girls would be into science. Irene says that there have always been female scientists, like Marie Curie, and she also wants to study physics. Although Danny has learned a lot from Professor Bullfinch, he’s a little intimidated that there are things that Irene knows that he doesn’t.

When Joe returns, he isn’t enthusiastic that Danny has made friends with a girl. When Joe is derisive about women and girls, Danny even defends Irene and how much she knows. Irene confesses to Danny that getting her weather balloon stuck on the roof wasn’t an accident. Her mother had already talked to Danny’s mother, so she knew Danny was interested in science. She purposely got the balloon stuck on the roof to get his attention and give them a reason for meeting. Joe uses that as part of his assertion that women are trouble.

Irene joins Danny and Joe’s class at school, and she starts making some other friends there. There is one boy in class, Eddie, who seems to have a crush on Irene. She’s a little flattered that he thinks she’s pretty, but she begins to feel uncomfortable with his attention because he keeps staring at her. Danny explains to Irene that people call Eddie “Snitcher” because he’s always telling on somebody for things they do, seemingly out of spite.

When Danny invites Irene to come to his house for cookies after school, Professor Bullfinch surprises them by telling them that he’s going on a business trip, and while he’s gone, he’s going to let Danny take care of his new computer. The computer is called Miniac, which is short for “miniature automatic computer.” It’s much smaller than most computers of its time. During the 1950s, computers could take up an entire room. The Miniac is about the side of a large sideboard.

Joe asks Professor Bullfinch how the Minaic works, and he explains that they can ask it questions through a microphone. The computer prints out answers with an electric typewriter. Irene asks if they can ask it a question to see how it works, and she asks the Miniac a question from their homework. Joe is amazed at how quickly the computer answers the question, and Professor Bullfinch explain a little more about how computer work, with a memory unit that stores information. He says that facts are stored on magnetic tape. (This was true at the time this book was written, although 21st century computers are constructed differently, in ways that allow them to be made much smaller than 1950s computers. What he says next about the nature of computer intelligence is still true, although I’m going to have some things to say about AI in my reaction section.)

Irene marvels at how the computer seems almost like something from science fiction (for her time) and how amazing it is to have a device that can give you the answers to everything. Professor Bullfinch explains to her that’s not quite true, and that there’s something more amazing: the human mind.

It is only a kind of supertool. Everything in this machine is inside the human head, in the much smaller space of the human brain. Just think of it — all the hundreds of thousands of switches, core memory planes, miles of wire, tubes — all that’s in that big case and in this console — are all huge and awkward compared to the delicate, tiny cells of the human brain which is capable of doing as much as, or more than, the best of these machines. It’s the human brain which can produce a mechanical brain like this one. … The computer can reason … It can do sums and give information and draw logical conclusions, but it can’t create anything. It could give you all the words that rhyme with moon, for instance, but it couldn’t put them together into a poem. … It’s a wonderful, complex tool, but it has no mind. It doesn’t know it exists.”

Danny’s assignment while the professor is away is to feed data to the computer. The professor has laid out the information and code tables that Danny will need, although the professor says that Danny can add some extra information if he comes across something new and interesting in Scientific American or one of the other science magazines he reads. Irene asks if she can help with this task because she finds it interesting, and the professor gives her permission. Before he leaves, he warns Danny not to get too carry away with his enthusiasm. He knows that Danny likes to experiment, and sometimes, he gets carried away when he has an idea, without stopping to think first. The computer is a tool, not a toy, and the professor wants him to treat it as such.

However, a few days after Professor Bullfinch leaves, Irene has a question about their homework that Danny and Joe can’t answer because they also don’t really understand the subject. Then, Danny gets the idea of asking the computer about it. Inspired by how easily the computer answers the question, Danny suggests to the others that they use the professor’s computer as a “homework machine.” After all, it can answer questions and supply them with information, and Danny thinks he could even program it to write short compositions. Irene is a bit dubious about it, but Danny amends his idea to say that the computer would “help” them with their homework.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

One of the interesting things about reading a vintage book like this that focuses on the technology of its time is seeing how things have changed and how people’s perceptions of technology have changed. The kids in this book are amazed by the professor’s computer, which is cutting edge for their time, although 21st century children grow up accustomed to computers in their homes that they are allowed to use. Modern children do use computers as toys, playing computer games, and they are also tools for doing homework.

However, even though things have greatly changed in the decades since this book was written, some of the issues surrounding the ethical use of technology are still concerns in the modern world. This story brings up the issue of how much a reliance on technology to do homework borders on cheating and keeps students from gaining the skills they’re supposed to use. This has become a major issue in modern education in the 2020s, with the rise of AI technology. In the story, Professor Bullfinch says that a computer cannot write poetry, which might get a smirk from modern readers because AI has achieved compositional writing skills. What I’d like to point out, though, is that there are still limits on that. As of this writing, the ideal way to use AI in writing is as a starting point for writing and research but not as a replacement for human writers or the human mind to edit and control the content of the writing. AI also uses human writing as the basis for its compositions, not writing everything from scratch:

“… an AI writing tool will gather information based on what other people have said in response to a similar prompt. The bot will search the internet for information about what you’ve asked it to write, then compile that information into a response. While this used to come back as clunky and robotic, the algorithms and programming for AI writers have become much more advanced and can write human-like responses. … AI writers are, so far, limited in their abilities to create emotional and engaging content. Humans, by nature, are storytellers. We have been since the beginning. Robots, however, are not. They are limited by what they’re programmed to do, and AI bots are programmed to gather information and make an educated guess about what you want to hear.”

(AI Writing: What Is It And How Does It Work?, July 2023)

Computers, even those in the 21st century, which are both smaller and more efficient than the ones from the 1950s, still rely on input from human sources to do anything. AI work is not original, it only builds on what humans have given it to use. In spite of the word “intelligence” in the name “artificial intelligence”, it still “has no mind“, as Professor Bullfinch put it. It’s literally artificially intelligent. It knows nothing independently of human beings, and one of the current problems with AI is that, although it can write convincingly and sound almost human, it not only does so only because it’s basing its writing on human writing that has been supplied to it but also, it has no idea whether or not anything it says is true or not. As the Microsoft article points out, it’s only using predictive technology to guess at what you want to hear and just tell you what you want to hear. It still takes a human being to reason out how much sense AI writing actually makes or whether or not it’s accurate.

One of the current problems with AI in the 2020s is AI hallucinations. Sometimes, AI seems to make things up that aren’t true at all because the way it processes information sometimes produces errors, and by itself, AI has no way of knowing when this has occurred. It has no understanding of the subject its writing about. It’s only attempting to predict and supply what it thinks the human who supplied the prompt wants it to supply.

“AI hallucination is a phenomenon wherein a large language model (LLM)—often a generative AI chatbot or computer vision tool—perceives patterns or objects that are nonexistent or imperceptible to human observers, creating outputs that are nonsensical or altogether inaccurate.

Generally, if a user makes a request of a generative AI tool, they desire an output that appropriately addresses the prompt (that is, a correct answer to a question). However, sometimes AI algorithms produce outputs that are not based on training data, are incorrectly decoded by the transformer or do not follow any identifiable pattern. In other words, it “hallucinates” the response.”

There are currently problems with students relying too much on AI to do both their thinking and writing for them, and even professionals who rely too much on AI tools to get through their work faster sometimes fail to notice when the AI writing says things that don’t make sense or are just blatantly untrue. The AI doesn’t know what’s true or not, it’s just telling you what it thinks you want to hear, based on information given to it, put together, and rearranged in its logic programming. Because it doesn’t actually understand the information fed into it, it has no idea when it gets the story wrong. Computers are faster at processing data than a human, but actual understanding of information is still entirely a human quality. A computer cannot understand anything on behalf of a human mind because it “has no mind” of its own to do the understanding.

There have been cases where professional lawyers who have relied on AI writing instead of doing their writing themselves have been sanctioned when AI hallucinations included information that was not only inaccurate but actually fictitious, citing court cases that never actually existed. The lawyers who received disciplinary action about this did not proofread the writing produced by AI, just trusting it to do all of their writing and thinking for them. Yet, the errors jumped out immediately when actual humans read the writing.

The more complex the writing is, the more the limitations of AI become apparent. AI can sound convincing in a short article (especially if you’re not doing any fact checking to see whether it’s talking about something real or not), but it isn’t always consistent or coherent in longer writing. The drama department of one of the local colleges where I lived put on a performance of a play written entirely by AI as a kind of thought experiment, and the results were hilarious. It was a mystery play, and the script was confusingly written. The AI had trouble keeping track of which characters were currently on stage and which were not, so actors who were not actually present in particular scenes had dialogue. At one point, when the detective was questioning everybody, he even talked to the person who was murdered, and the corpse responded. The play didn’t make sense because the AI doing the writing didn’t really understand the story it was telling. It just told a story in the pattern that was requested of it. It was, technically, a complete play, and if you gave it a cursory glance, it would have looked like a fully written play. It’s just that it had absent people and dead people talking. Perhaps at some point in the future, AI can do its own proofreading and learn to catch these types of problems, but for it to do so with the accuracy of an actual human, it would have to have a human level of understanding about the world and the subject matter it writes about. That is, it would have to have real intelligence, not just artificial intelligence.

This video from Wired on YouTube features AI and machine learning professor Graham Morehead from Gonzaga University, answering common questions about the nature of AI. In the video, he explains some of the differences between how AI “thinks” and how a human brain thinks, which help explain why AI can do some things that a human being would find pretty stupid. AI often thinks in terms of two-dimensional images as opposed to the three-dimensional world we live in as humans, and it doesn’t always understand the consequences of actions because, to AI, everything comes down to simple numbers and data as opposed to a physical world where actions have context and consequences.

Overall, I think this story did a good job of evaluating the differences between the human brain and the electronic brain at a point in history where the technology was relatively new and evolving. It also did a surprisingly good job of anticipating some of the developments and problems associated with the use of artificial intelligence, although the form it takes in this story isn’t quite what we’ve seen in the 21st century, and the kids in this story encounter an issue that modern students attempting to use AI to do their homework aren’t likely to encounter.

At the end of this story (spoilers), Danny and his friends come to realize, to their surprise, that they’ve actually been doing more homework than their classmates in order to make their wonderful homework machine function. They had to teach the machine the subjects they’re studying in order to have it do the assignments because the machine doesn’t innately understand the subject matter. The kids have to supply the knowledge base for the machine learning to function, and that ultimately takes more work and study for them than simply understanding the subjects in their own minds and just doing the assignments themselves. Danny’s mother and his teacher allow the kids to continue using the machine once Danny’s mother explains to the teacher how the process works so the kids can experience how a seeming shortcut can actually take more effort.

This is a little different from the 21st century AI tools, where someone else has already done the basic programming work, and students don’t have to actually understand the subjects themselves to use the AI tools. Of course, if the student doesn’t understand the subject matter of the assignment, there’s less chance that they’ll even notice when the AI produces an AI hallucination and says something that isn’t true or doesn’t make sense. There is an incident in the book where the computer messes up and outputs something that makes no sense, and the kids have to figure out why it did that.

The kids also consider the issue of whether or not using the machine to do their homework is cheating or not. Irene has serious reservations about it at first, and their teacher and some classmates think it gives them an unfair advantage when they find out. Danny, on the other hand, defends it, thinking of the computer as just a time-saving tool, like a typewriter, although the computer is doing more for them than a typewriter does. Danny is only focused on the idea of saving time so he can do things other than homework because he’s confident in his own ability to understand the academic subjects and thinks that practicing his skills or proving his knowledge through homework is a waste of his time.

The only reason why the teacher agrees to let them continue using the computer is that Danny’s mother figures out before he does how much extra work he and his friends are doing to teach the computer how to do their homework. This becomes obvious after the teacher gives them a special assignment, beyond what was covered in class, so Danny and his friends have to work extra hard and spend far more time to understand the material themselves and then teach the computer to understand it well enough to do the work. The first assignments weren’t so hard for Danny and his friends to teach the computer how to complete because the kids are at the top of their class, and they do know the material. However, the more difficult the assignments get, and the less familiar they are with the subject matter, the harder it gets to program the computer to handle the assignments. This exposes the flaws in their system and highlights the need for them to understand the material themselves rather than depend on the computer to do their work for them or even necessarily do it more efficiently. The great use of computers is to do tasks more efficiently, but that depends on the task and whether or not the computer has accurate instructions and an efficient knowledge base to draw on to do it. Building the programming and the knowledge base takes the work of a human mind that knows what it’s doing and is willing to put in the effort to do it correctly and to troubleshoot errors.

In this book, we get a glimpse of school in the 1950s. Something that stood out to me was when the teacher mentions that the class sizes have grown considerably in recent years, meaning that she has less time to work with individual students than she used to. This was a real problem in the 1950s, due to the effects of the Baby Boom. This generation of children was much larger than previous generations, so there were shortages of teachers and class space, and teachers and students did complain that students got less individual attention. (This documentary on YouTube shows some of the overcrowding.)

The focus on science and technology in the Danny Dunn stories is also important to the 1950s because that was the beginning of the era of the Cold War technology race, exemplified by the Space Race. The capitalistic United States and its allies competed against the USSR and its allies for world supremacy following WWII, and one of the ways they did that was by trying to develop superior technology and technological skills. This need to compete in the areas of science and technology led to changes in the US public education system, emphasizing the skills that we would call “STEM” skills today (science, technology, engineering, and mathematics). Echoes of those changes still influence the way we think about education in the 21st century.

This technological and scientific focus also influenced children’s entertainment, as adults tried to encourage children to take an interest in science and technology. The Danny Dunn series is one example of this, showing children who are interested in science and new inventions and portraying them as fun and exciting. Another example was the educational tv show Watch Mr. Wizard, which was being broadcast at the time the Danny Dunn books were written and published. Watch Mr. Wizard featured the title character performing experiments in his laboratory and demonstrating scientific concepts to child visitors. It was very popular, and in the 1950s, there were science clubs for children based around this show. This show also helped inspired new generations of shows with a similar premise, such as Bill Nye, the Science Guy, which was popular when I was a kid.

Last Stop on Market Street

After church, CJ and his grandmother have to wait for the bus while other people just get in their cars and leave. CJ is annoyed because it’s raining. He asks his Nana why they have to wait in the rain and why they don’t have a car. His Nana says that they don’t need a car because they have the bus.

The bus is interesting because many interesting people take the bus. The bus driver does little tricks, like pulling a coin from behind CJ’s ear, and there are interesting passengers, like the lady with a jar of butterflies and a man with a guitar.

While CJ’s friends, whose families have cars, go straight home after church, CJ and his Nana have somewhere else to go. CJ wishes that he could just go home, too, but Nana points out that the boys who just go straight home miss meeting so many interesting people. CJ does enjoy listening to the man with the guitar playing music on the bus.

CJ and his grandmother get off at the last stop on Market Street, which is in a bad neighborhood. CJ comments about how dirty it is, but his grandmother points out that people who surrounded by dirt know how to see what’s beautiful.

The reason why CJ and his grandmother are here is that they help out at a soup kitchen. CJ recognizes the faces of people he’s seen there before, and he realizes that he’s glad that he came.

This book is the winner of multiple awards. It’s a Newbery Medal winner, a Caldecott Honor book, and a Coretta Scott King Award honor book for its messages about appreciating and helping other people in a diverse community.

This is one of those picture books that I think can speak to adults as well as kids, maybe even more so because adults might understand some of the broader context of the story. CJ and his grandmother probably don’t have as much money as some of CJ’s friends and their families, which is why they don’t have a car. When CJ comments about why do they have to wait for the bus in the rain, his grandmother could have given him a straightforward answer about how they can’t afford a car, but that would have been depressing. Instead, she points out the positives of the bus and the people they meet. All through the book, she points out the positives about situations that both CJ and the readers can see are not entirely positive. It’s noticing these positives that help make the situation better.

CJ and his grandmother don’t have much money themselves, but Nana is teaching CJ how to help other people and build relationships with them. The people they meet are often poor people or people who are unfortunate in some way, but they still enjoy meeting these interesting people with colorful lives. There are times when CJ wishes that he could be somewhere else or doing something else, but yet, he also enjoys parts of where he is and realizes that what he’s doing is better than other things he could be doing. CJ and his grandmother experience the enrichment of life experiences and relationships with other people.

The Shoemaker’s Boy

Jem’s father is a shoemaker, and Jem is learning his trade. However, things take a bad turn when his mother suddenly becomes ill. It’s a strange kind of illness. She sleeps all the time, can’t eat, and is hardly breathing. The doctors can’t seem to help her, so Jem’s father decides to go on a pilgrimmage to St. James in Spain and pray for his wife to get better.

While he’s gone, Jem has to mind the family business and look after his mother. Jem’s father has a reputation as a incredible shoemaker, with people coming to see him even from other kingdoms, and Jem is worried that he won’t be able to maintain the business on his own because he’s still learning the trade. However, since nothing else seems to help his mother, it seems like his father’s holy pilgrimage is their last hope.

While his father is away, Jem tries his best, but he finds it difficult to keep up with the orders that come in for shoes. He falls behind on his work, and money is running short. Then, one day, he has a strange encounter with three little men, who are only the size of young children. They are all dressed in green, and they ask Jem for the three silver keys. Jem doesn’t know what they’re talking about, but the men say that they were sent to ask him for them because someone was supposed to leave the keys with him. Jem says that nobody has left any keys with him, and suddenly, the little men vanish! At first, Jem thinks that maybe he imagined the whole thing, but this is just the beginning of a series of strange happenings.

Late that night, there is a knock on the door, and when Jem answers it, he is confronted by a knight wearing black. The knight says that he wants Jem to make him a pair of boots because he’s heard that the boots from this shop are the best. Jem doesn’t want the knight to be disappointed, so he explains to him about his father being away and that he is not as good as his father at making boots. The knight appreciates his honesty and says that he will try Jem’s work anyway. He promises Jem an excellent fee for his services if the boots are ready by morning, and to Jem’s surprise, he also asks Jem if someone has left three silver keys for him. Jem tells him that nobody has left any keys with him, and the knight says that someone may leave them by the time the boots are ready, and he asks Jem to take good care of them.

Jem works on the boots through the night, and he’s making good progress when, in the middle of the night, a second knight arrives. The second knight is dressed in white. This knight doesn’t want any boots or shoes. Instead, he asks Jem to take care of a little packet for him while he runs an errand. He says that he has heard that Jem is very trustworthy, and he says that if he doesn’t return by morning, Jem can keep the packet. Jem agrees that he will take care of the packet and make sure no one else touches it.

The rest of the night is very strange. While Jem works hard on finishing the last boot, he hears strange sounds outside, and he thinks that he can hear the little men and the black knight calling out for the mysterious keys. What does it all mean? Are the keys in the packet left by the white knight, and if so, what are they for?

The book is available to borrow and read for free online through Internet Archive (multiple copies).

This is a short, easy beginning chapter book, and it’s a nice story with a Medieval setting, written in the style of an old fairy tale. The story leaves a few questions unanswered at the end. We never really find out who the two knights are or who the little men are, although there are implications that they are supernatural. I think that they also have religious significance, tying them to Jem’s father’s pilgrimage. The contents of the white knight’s packet are not obvious, but it is the solution to Jem’s main problem. When Jem’s father returns home, he also has some information about Jem’s mysterious visitors, although he doesn’t have all the answers, either. Readers know enough at the end to appreciate that Jem made the right decision when he handled the packet and that his experiences were partly a test of his character.

The book mentions Jem’s father putting a scallop shell on his cap when he’s about to begin his pilgrimage. The scallop shell is a symbol of St. James, one of the original Twelve Apostles. The place where Jem’s father was going on his pilgrimage, the shrine of St. James at Santiago de Compostela in Spain is a real place that has been a popular site of religious pilgrimages for centuries. After Jesus was crucified, His disciples traveled to other places to spread the word about Jesus and gain new converts to the new religion of Christianity. St. James went to what is now Spain, and after teaching there, he eventually returned to Jerusalem. It isn’t entirely clear what happened to his body after he died, but one of the stories is that his followers brought his body back to Spain and buried it at the site now known as Santiago de Compostela. St. James is now the patron saint of Spain, and pilgrims who visit Santiago de Compostela often collect a scallop shell as a souvenir of their journey. Actually, that is the one complaint that I have about this book. In the story, Jem’s father puts on a scallop shell as he begins his journey, but in real life, Medieval pilgrims usually used the shell as a sign of completion of their journey.

The Reluctant Dragon

This picture book, with its illustrations, is from the 1980s, but the story by Kenneth Grahame is much older, from 1898. It was always a short story, originally published in a collection called Dream Days. In the original version, there’s an opening part that isn’t included in this picture book, where a girl name Charlotte finds large footprints from a reptile, and a man tells her the story of the dragon.

There is a shepherd whose son loves to read, borrowing books from a friendly member of the gentry who lives nearby. Not all parents from their class value book learning, but the boy’s parents appreciate it and support their son for spending time reading. One day, the shepherd comes home and tells his wife and son that he’s had a terrifying experience. While he was out with his flock, he heard a strange snoring nose, and when he went to investigate, he found a frightening-looking creature with scales, with its head sticking out from the cave.

The shepherd’s son isn’t as alarmed as the shepherd. He merely identifies the creature his father saw as a dragon. He knows about dragons because he’s read about them, and he’s thought for some time that the cave was probably a dragon’s cave. Rather than being surprised or alarmed about the dragon, his father’s discovery merely confirms what the boy already suspected, that a dragon might have lived in the cave once and that it would be a suitable dragon’s home. Furthermore, the boy says that dragons are quite sensitive creatures, so he might look in on this one at some point.

When the boy goes to visit the dragon, the dragon tells him he won’t put up with any rough stuff, like hitting or throwing stones. The boy says he wasn’t going to do any of that, and the two of them start to talk. The dragon hasn’t been staying in the cave for very long, and he’s not sure if he’s going to stay or not. It’s a nice place, but he’s not sure if he’s ready to settle down or not. He admits that he’s lazy, compared to other dragons. Other dragons do things like rampaging, chasing knights, and eating damsels, but this dragon would just prefer a quiet life with regular meals and time to snooze and make up poetry. The boy and the dragon talk about poetry and how it seems like nobody else around them appreciates it the way they do or understands why they like it.

However, the boy can see that there would be problems with the dragon settling in this area. Dragons and humans just don’t mix, even though this dragon isn’t interested in rampaging or doing the other things that would be likely to make enemies of the local population. Once word has gotten around that there’s dragon here, there are bound to be people who will try to hunt it with spears and swords because they’ll only see the dragon as a monster. The dragon has trouble grasping the idea that he could even potentially pose a risk to the human population or that anybody might see him as a danger.

Eventually, word does get around that there’s a dragon living in the cave. The people in the village are both thrilled at this exciting thing happening to their village and plotting to rid their land from this supposed scourge, although the dragon has spent the entire time with his poetry and hasn’t been scourging anything. The village attracts the attention of St. George, the famous dragon slayer, and he comes to deal with the apparent problem.

The boy goes to the dragon and warns him that St. George is in town and that he’s got to prepare to face him and fight. Everyone in town is expecting him to, and they’re all excited about it because it’s the most exciting thing that’s ever happened there. However, the dragon says that he doesn’t like violence, and he doesn’t want anything to do with St. George. The boy worries that, if the dragon won’t take the threat seriously and fight, St. George will simply kill him, but he can’t seem to impress on the dragon just how much danger he’s in.

The boy tries to go to St. George and explain the truth about the dragon, but St. George doesn’t take him seriously at first. Everyone else in the village has been telling him tales of horror about the terrible things the dragon has been supposedly doing. The boy explains that the people in the village aren’t telling the truth because the truth is that they only want a fight. This is a quiet, boring little village, the villagers want excitement, and fights are a primary source of excitement for them. They don’t care at all that the dragon doesn’t like fighting and doesn’t want to be involved; they just want to stir things up with their stories and give St. George a reason to go over the dragon so they can watch the entertainment. When the boy explains that, right now, the villagers are taking bets on the upcoming fight, and so far, they’re favoring the dragon to win, St. George begins to think that maybe he’s been too quick to believe the villagers. He agrees to go with the boy to meet the dragon and talk things over.

Both St. George and the boy think the best thing might be to have a fight and get it over with because that’s how things typically go with dragons, and it’s what everyone is expecting. St. George even says that he wouldn’t have to hurt the dragon much in the course of the fight, as long as it looks good to the spectators. The dragon isn’t thrilled with the plan because he still doesn’t like violence, and he doesn’t want to be hurt or even kind of hurt. The boy realizes that the dragon won’t be getting out of the experience, either. St. George would get the glory for the fight, but what’s in it for dragon? Fortunately, the dragon knows what he wants – to be the guest of honor at the victory banquet!

The book is available to borrow and read for free online through Internet Archive. The original story of The Reluctant Dragon was made into a cartoon film (with some slight changes to the story) by Walt Disney in 1941, and it was used as a vehicle for a film tour of the new Walt Disney Studios in Burbank, California.

This story is fun because it’s sort of a parody on folktales, especially St. George and the Dragon, subverting everyone’s expectations. The dragon in this story isn’t particularly fearsome and just likes poetry and a peaceful life, and the villagers, who are supposedly being terrorized, are actually the bloodthirsty ones. St. George is rather disappointed when he realizes that the villagers have been duping him with their stories, but he also realizes that they have to find a way to give the people what they want while sparing the dragon and making it so the dragon won’t be victimized later. Although the boy feels like they have to have a fight of some kind to appease the villagers, he also doesn’t want his dragon friend hurt, and he realizes that they have to consider what the dragon really wants.

The three of them work out a way to give the villagers a good show during their “fight” without the dragon getting really hurt. Then, St. George declares that the dragon has been defeated, and there is no need to cut off his head as the villagers have asked because the dragon has seen the error of its ways and repented, so there is no further need for vengeance. St. George’s victory speech also makes it clear to the villagers that he won’t put up with any more stories about the dragon’s terror because he knows that they can’t be true, that they should drop their prejudices because it’s pretty clear that they don’t know everything even if they act like they do, and that it’s wrong to make up stories about things that haven’t actually happened just for the excitement of doing so. I particularly like that last part of his speech/lecture: “And he warned them against the sin of romancing [in the sense of dramatizing and romanticizing things], and making up stories and fancying other people would believe them just because they were plausible and highly coloured.”

I feel like this is a lesson that more people could stand to remember this modern era of conspiracy theories, social media, and Internet rumors. Yeah, I’m particularly thinking of the stories about immigrants eating animals in Ohio. I’m never going to let that one go because everyone who fell for that and helped spread it was acting like the villagers in this story. They were irresponsible and attention-seeking, causing trouble and danger for people who did nothing to deserve it just for their own excitement and hysteria. It doesn’t help if people based some of their belief on old stories about other groups of immigrants eating pets. That actually makes it much worse because I know those stories were debunked decades ago, so they have even less of an excuse to fall for that now.

If you’re thinking at this point that the matter of rumors of pet-eating immigrants is unrelated to the story, I would argue that it fits in very well because, in both the story and in the real-life rumors, social acceptance is a major issue. The dragon wants to be socially accepted so he and stay in the cave that he now considers his home. He wants to be left in peace to compose his poetry but at the same time have the ability to have company and join in local festivities so he won’t feel too lonely. The problem is that the village people have their own expectations and plans to use the dragon as their personal source of excitement, uncaring about whether that costs the dragon his life or if it costs the knight his life while attempting to kill the dragon. They honestly don’t care who gets hurt or even killed as long as they get to see it, knowing that the stories they invent to tell St. George are necessary to make it all happen. Immigrants also want social acceptance and to be allowed to live their lives peacefully and go about their business in their new homes. People sometimes tell wild stories about them, things they made up themselves, knowing that they’re untrue and uncaring about the consequences for other people, for their own purposes.

The very first time I heard of the Springfield pet-eating hoax, I immediately thought of Janie’s Private Eyes, which I reviewed here years ago and contained references to similar accusations about immigrants. I read Janie’s Private Eyes when I was a kid, and since it dealt with the dangers of rumors and prejudice, specifically rumors about immigrants eating pets, I grew up figuring that these were things that adults should just understand and that only had to be explained to kids, who hadn’t heard about them yet. I don’t suppose everyone has read Janie’s Private Eyes, but I always thought, surely, by adulthood, they would have read something or had somebody clue them in at some point.

There was just no chance of me ever being impressed about humors of Haitian immigrants supposedly eating pets as an adult after hearing about long-debunked rumors about Chinese immigrants supposedly eating pets and Vietnamese immigrants supposedly eating pets and Mexican immigrants supposedly eating pets (I live in a border state, so other parts of the US may or may not have gotten around to that one). After all, how many sets of immigrants can you hear this about before it just becomes eye-rolling routine, like those dumb chain emails that used to be popular in the early 2000s or those supposedly shocking but highly improbable kidnapping stories you’re supposed to warn every young woman in your life about but which are almost direct rip-offs of badly-misspelled fan fiction from Wattpad that was written by teens around that same time period? In all those cases, they’re the some wild stories, just retold with a few minor details and the names of the characters changed.

Stories do matter. The ones we hear when we’re young live in our heads and influence the way we look at things when we’re older and how we respond to some of the questionable things that other people are bound to tell us later in life. In a way, I think it really helps to hear some of this bunk when you’re young, under circumstances where you can tell it’s bunk or with someone cluing you in, so you can get some of these ideas out of your head earlier in life and be better able to tell what’s old-fashioned, sensationalist bunk from someone playing up for attention when you’re an adult. I think that The Reluctant Dragon, although it can be taken in a lighter fashion as parody or satire by people who know the type of stories that are being parodied, also offers the opportunity to talk about the power of stories, how they change people’s views and motivate people to action, and the serious consequences of rumors.

Maybe some of the people spreading the Internet rumors really were ignorant and gullible, easily alarmed and manipulated by a wild story, and maybe some of them just wanted in on the excitement to get attention for themselves and never cared whether it was true or not as long as they could latch on to the attention the story was getting and make themselves part of it. I’m pretty sure that the people starting them and passed them on wanted excitement and attention. There is a certain thrill to passing on rumors, feeling special because you “know” something other people don’t know yet and maybe even wanting praise as well as attention for passing the story along. Maybe some of those people also wanted to get some kind of petty revenge on the immigrant population by saying something bad about them, they expected that people would believe them if they made the stories seem dramatic and plausible (like St. George said in the story), and like the villagers in the story, they did not think or care about what would happen to the people who were the subjects of their libel.

It’s the same sort of thing with most social media rumors, which often contain little truth and can do a lot of harm by people believing them and continuing to spread them, which is why I’m against them all in principle. I urge everybody, when you hear any sensational story through Facebook or any form of social media, to pause and do a little fact-checking before you send that story to anyone else. If you can’t verify it or if you find evidence against it, make no other comment on it other than a link to the evidence against the story (if possible) and a message saying that you don’t want to see any more rumors or conspiracy theories. (At least, I sincerely hope you don’t. I’m telling you, they’re only trouble, and real people get hurt because of fake news.)

In real life, I doubt most people, being told off, even in a nice way, for making up stories and getting caught in lies, would behave with as much grace as the villagers in the story. In real life, people get defensive when they know they’ve been caught and “fight back”, but the villagers just accept it as part of the excitement they wanted and focus on getting to the party they know they’re going to have. During his speech, along with his other admonishments, St. George lets the villagers know, subtly, that he’s discovered that they’ve also been staging animal fights and that this practice is going to have to end, and the villagers all know that he’ll personally be checking on that. At the end of St. George’s speech, there is “much repentant cheering”, and they all go to enjoy the banquet. If people are feeling a little awkward about their behavior or the situation, they’re still determined to enjoy themselves and this remarkable event as much as possible. Everyone relaxes at the banquet because the major event is over, everybody has had a taste of excitement and the spectacle they were craving, and St. George’s speech is over, so there’s nothing left for anybody to plan or worry about. Everybody has a good time at the party, and the dragon is pleased that he’s been accepted into society, so he will be allowed to stay in this peaceful place and even have some company, which was what he really wanted.

Emma in Winter

This is the second book in the Aviary Hall Trilogy. Each of the books in the series could be read independently of each other, but this book in particular makes more sense if you have read both the first book, which is The Summer Birds, and the third book, Charlotte Sometimes before reading this one. People in this book directly reference events in The Summer Birds, something with Charlotte Sometimes does not. Although Charlotte Sometimes was written and published after this book, it actually takes place during the autumn before this story and it does inadvertently contain a spoiler for Charlotte Sometimes because Charlotte appears at the beginning of the book. It’s just my own preference that it’s better to read this book after Charlotte Sometimes because it makes Charlotte Sometimes more suspenseful. Like Charlotte Sometimes, this book also involves time travel, and the characters do some research on the subject of time and how it works.

At the beginning of the story, Emma Makepeace is upset because her older sister, Charlotte, will be leaving early for the new term at her boarding school after Christmas. At this point, Charlotte has already had her first term at boarding school (which is where and when Charlotte Sometimes takes place, although there are no references to the events of that story here), and she has been invited to visit one of her new friends from boarding school before they return to the school together. All through Charlotte’s first term at boarding school, Emma has been lonely without her and has been finding life at their home, Aviary Hall, increasingly difficult. 

The girls are orphans (although the books never explain what happened to their parents) who live with their grandfather and his housekeeper. Between the two of them, Charlotte is the more serious and responsible and Emma is the more mischievous and thoughtless. Up to this point in their lives, Charlotte has acted the part of the caring older sister, trying to teach Emma to behave herself and covering for her when she doesn’t. Charlotte has realized that their grandfather has little patience for misbehaving children and that Emma pushes the limits, so she has frequently intervened and smoothed things over when Emma tries his patience. 

Emma has often thought of Charlotte as a kind of spoilsport for trying to act grown-up and mature, but during Charlotte’s absence at boarding school during the previous term, Emma has suddenly come to see how much Charlotte has been helping her and saving her from the consequences of her own actions and the realities of their home life. Without Charlotte there to be the motherly big sister, providing some warmth and affection and acting as a buffer between Emma and the adults, the grandfather has become more impatient with Emma’s immaturity. Both he and the housekeeper have been more direct with Emma about her behavior and bad habits, and there’s no one there to shield Emma from it. Emma is lonely for Charlotte’s company and feels picked on by the adults, so when Charlotte cuts her time with Emma short after her first visit home to go visit one of her school friends, Emma is angry and resentful. Charlotte is tempted to back out of her friend’s invitation for Emma’s sake, but she feels like she can’t, and their grandfather tells her that she must go ahead with the visit.

Emma is in a state of emotional turmoil through most of the story, adjusting to Charlotte’s absence, the new expectations of the adults in her life for her to mature and improve her behavior, and her own resentment about these things. While all this is happening, something else strange happens. Emma begins having strange dreams about flying. They remind her of the children’s flying adventures from two years previously, as described in The Summer Birds. It has been so long since she last flew that she struggles to remember how in her dreams, and when she wakes up, her muscles feel sore from the effort. However, at first, she can’t remember what happened in her dreams.

At school, when the new term begins, Emma is made head girl because she is the eldest girl in the class. A boy called Bobby Fumpkins is made head boy because he is the eldest boy. Emma is embarrassed and uncomfortable about being the head of the class in partnership with Bobby. She hates Bobby because he is fat, awkward, and spoiled. Before his mother gave birth to Bobby’s younger sister, who is still a baby, she babied Bobby more than she really should have at this age. Their family also has their own tv set, something most of the other children’s families don’t have at this time, and which Bobby bragged about when they got it. For these reasons, most of the other children in the class don’t like Bobby, either, and they’ve teased him mercilessly for years. They think he’s a sissy and a baby because of his mother’s attention and because he’s milder-mannered than they are and never stands up to them. Because of his awkwardness, they like to call him Jemima Puddle-Duck after a character from a children’s book by Beatrix Potter. Bobby tells himself that his classmates mean all this teasing good-naturedly, but they don’t really. Emma is particularly adamant within herself that she genuinely hates Bobby.

However, like it or not, Emma’s life has become intertwined with Bobby’s. Their teacher expects the two of them to work together at school during the day, and at night, she gradually begins to realize that he is sharing in her same dream of flying. Other children at school tease Emma about being friends with Bobby, particularly one girl who really wants to cause trouble for Emma because, as the next eldest, she would be next in line for the head girl position herself. Emma denies being Bobby’s friend, partly because he still gets on her nerves and partly because she’s still lonely without Charlotte and is worried by being shunned by the other children at school. However, she gradually begins to feel guilty about the way she and others have been treating Bobby, and she begins to feel the impulse to try to be nicer to him. 

As her relationship with Bobby improves, Emma begins remembering more of their shared dream, and the two of them talk about the dream together. Bobby was one of the children at school who shared in their flying adventures two years before, and the two of them discuss their past adventures with each other and how they compare to the dream they’re now having. There are a few things that they begin to notice that are different from their past flying adventures. One is that they both have the feeling that someone is watching them. It seems to be a stern or hostile presence, a pair of eyes that belong to some unknown person, but they don’t know who it is. They also begin to notice that it looks like plants are growing backward as they fly over the countryside. That is, grown plants seem to be returning to small plants and seeds. They gradually notice that the land seems to be going back in time. Eventually, they start seeing dinosaurs in their dreams, and it looks like they might be going back to the beginning of the world. What will happen to Emma and Bobby in their dream when they eventually reach the beginning of everything?

The book is available to borrow and read for free online through Internet Archive.

I’ve already explained my reasoning about the reading order of the books. The Summer Birds is the first book in the trilogy, and you really have to read it before you read this book because the characters directly reference events from that story. Actually, I thought that was a really interesting choice, to have Emma and Bobby talking openly with each other about the summer when they learned to fly. They just accept that event as a common event in their lives that they shared and that everyone who shared it with them openly acknowledges. Sometimes, in children’s fantasy stories, the characters later downplay magical events, feeling like they were dreams they had or games of pretend they played because they seem too strange to have really happened, but no, in this book, the characters all know what happened to them and just accept it as a part of their lives. I thought it was interesting that this book acts as a bridge between the theme of flying and the themed of time travel in Charlotte Sometimes, although I still think that Charlotte Sometimes keeps more of its suspense if you don’t know that Charlotte safely returns to her own time before you read it. 

I still think that Charlotte Sometimes is the best book in the trilogy. It is the best known, and unlike this book, it can be read independently of the others in the trilogy. It doesn’t reference either of the other two books at all. There are no references to Charlotte having participated in any previous magical adventures in that story. That may be partly because she is among strangers at her new boarding school who wouldn’t know anything about her flying adventures, but even her private thoughts don’t give any hint to that. What I think that The Summer Birds and Emma in Winter add to Charlotte Sometimes are some further insights into Charlotte and Emma’s personalities and the relationship between them. I still think that Charlotte Sometimes is the best book in the trilogy. It is the best known, and unlike this book, it can be read independently of the others in the trilogy. It doesn’t reference either of the other two books at all. There are no references to Charlotte having participated in any previous magical adventures in that story. That may be partly because she is among strangers at her new boarding school who wouldn’t know anything about her flying adventures, but even her private thoughts don’t give any hint to that earlier adventure. What I think that The Summer Birds and Emma in Winter add to Charlotte Sometimes are some further insights into Charlotte and Emma’s personalities and the relationship between them. Emma in Winter also adds some thoughts about the nature of time and time travel, which add some further insights into Charlotte’s time travel experiences.

Emma and Bobby do some research about time in her grandfather’s study, a room where Emma is usually forbidden to go. One of the theories they find is that time moves in a coiled pattern, like a spring, and that the coils of the spring can be pushed together so different points on the coils can touch each other. This theory really relates better to Charlotte Sometimes than to Emma in Winter, but what is more relevant to this story is the idea that human thought can be the force that pushes the coils together and makes them touch. This is also a part of Charlotte Sometimes, and I explain in my review of that story about how Charlotte and Clare having many similarities and being in a similar state of mind as well as sharing the same physical space at different times allowed them to switch places with each other. However, the emphasis in Emma in Winter is Emma and Bobby realizing that their own thoughts and feelings influence their dreams and, therefore, their time travel.

This story is rather metaphysical and a little difficult to follow during the dream phases. I noticed that some other reviewers seemed confused about the point of the time traveling. I found it a little confusing, too, but it seems like this is a coming-of-age story, like the other books in the trilogy. The Summer Birds focused on Charlotte and how her more mature outlook helped the other children make an important decision that would alter their lives forever. Charlotte Sometimes raises the question about what defines a person’s identity and how a person’s identity can be tied to someone else’s even when they’re separate people. Emma in Winter focuses on emotional understanding.

Both Emma and Bobby are going through major changes in their lives, particularly ones that require them to become more mature than they once were. Bobby has been somewhat spoiled and coddled by his mother, but he’s no longer the center of attention at home, now that he has a little sister. At first, Bobby finds it hard to cope with his mother no longer giving him the attention she used to give him, but it does give him the opportunity to become more independent and mature. Emma despises Bobby for being babyish because he was spoiled and overprotected by his mother when he was younger, but the truth is that Emma is also babyish. She’s not accustomed to being accountable for her own behavior and bad habits because Charlotte usually takes responsibility for her and shields her from some of the reactions of the adults and other people. 

When Charlotte goes away to boarding school, Emma is left on her own for the first time to deal with the consequences of her actions and other people’s reactions to them. It’s a bit of a shock for her at first, and she realizes that she hasn’t fully appreciated what Charlotte was doing for her for the whole time. She also comes to the disquieting realization that, even thought she feels like the adults are picking on her over her behavior, she doesn’t like the way she behaves, either. She comes to feel guilty about the way she treats Bobby, and when she draws some nasty pictures of her teacher, she is startled to realize how much she has hurt her teacher’s feelings and how badly she feels about doing that. For the first time in her life, Emma has to face her own behavior and see how her behavior truly affects other people. She is shocked and troubled when she realizes that she doesn’t like what she sees and it’s her own fault. Only Emma can decide how nice or how mean she is and who she really wants to be.

The children’s time traveling adventures that they have while dreaming lead them to explore their relationship with each other. Emma realizes that she has to be nice to Bobby and learn to get along with him for them to be able to function with each other in the dream. Their final dream together is confusing and rather surreal, but it also involves the two of them confronting aspects of themselves, their lives with other people, and their own behavior. 

When they move all the way back in time as far as they can go, they’re confronted by a vision of their teacher, not as she actually is, but as Emma drew her in a mean drawing. Emma has to remind herself and tell the figure that it’s only a drawing she made; it’s not reality. They also see visions of other people in their lives and even of themselves at their worst and most frightening, but they have to hold on to the reality of themselves, as they are now, the people they’re becoming, not who they used to be or how other people see them. I took it to mean that neither of them can go backward in their lives anymore, to their old habits and who they were or how they were as younger children, but they have to accept the changes taking place in their lives and in themselves to return to the real world, their own time, and the lives they have ahead of them. They discover that the key to traveling through time is thinking, so they have to think themselves out of their time travel dreams, focusing on their real selves and the real lives, accepting and even loving themselves as they are. Change has been coming for both of them, but they have to make the decision to face it and embrace it and to let go of their past selves to move on in time and in their lives.

The Little Fir Tree

A little fir tree feels lonely among the large trees in the forest, but something happens that changes his life forever – he is chosen to be a living Christmas tree for a little boy!

One winter, the boy’s father carefully digs up the tree and brings it home to his young son, who cannot walk because of a lame leg. The boy has been wanting to see the trees in the forest, but since he can’t go to the forest himself, his father has brought a free to him. The little fir tree loves being decorated, and the next evening, guests come and gather around him, singing Christmas carols.

In the springtime, the boy’s father takes the tree back to the forest, where he found it, and he plants the tree again so it will continue to grow. However, the following winter, the boy’s father returns to dig up the tree again and take it back to the boy for Christmas.

The little fir tree loves this ritual of visiting the boy and his family and being their Christmas tree every winter, but the next winter after that, the man doesn’t come to dig him up. The little tree is disappointed and lonely, but he is in for a surprise. This winter, the boy and his family come to see him in the forest!

The book is available to borrow and read for free online through Internet Archive, although that copy has different illustrations.

I mainly know Margaret Wise Brown for Goodnight Moon and The Runaway Bunny, but I found this Christmas story charming. I don’t like Christmas stories from the point of view of trees that are cut down, like the Hans Christian Andersen story, The Fir-Tree, which has a really depressing ending. I like it that this family in this book keeps the tree alive, returning it to the forest every year to continue growing. Things change for both the boy and the tree over the years, as they both continue to grow, but they change for the better, and they continue to be fond of each other and a source of inspiration for each other.

When I was a kid, our elementary school had a large tree on a hill on the kindergarten playground, and the story behind it was that it was once a living Christmas tree from the very first kindergarten class at the school. That tree is still there and alive today, about 50 years after it was first planted there and more than 30 years after I used to play under it. I like to imagine that it will be true of the little fir tree, too, that it will continue growing over the years.

Earlier versions of this book had different illustrations, but personally, I love the illustrations in this printing because they’re detailed and realistic. The version on Internet Archive has illustrations by Barbara Cooney, who is known for Roxaboxen and Miss Rumphius. Cooney’s illustrations are also good, but not as realistic as Larmarche’s, and they’re in a limited color range.

One other difference between versions of the book is that the earlier version also included the musical notes for the carols that the children sing and additional songs that aren’t included in the later version of the book. I enjoy books that include actual music and lyrics, like books that include recipes, because they are fun extras and add an extra dimension to the story by providing an accompanying activity. Although I like the more detailed and realistic illustrations of newer edition of this book, I do prefer the actual music and wider range of songs from the older version.

The Halloween Play

Halloween is coming, and the students in Roger’s class at school are preparing for their Halloween play. The class rehearses their play every day, and they make invitations to the play to send out to people in town.

On the night of the play, the school’s auditorium is full of people waiting to watch the play, and Roger waits backstage for his turn to go on stage. He doesn’t have a big role in the play, but his role is important.

The other students in Roger’s class go on stage, dressed as witches, ghosts, and skeletons. They perform the songs and dances they’ve rehearsed. The audience laughs at the funny parts, and everyone is enjoying the play.

All the time, Roger is backstage, listening and preparing for his part. He counts down the lines until the moment comes when Roger steps on stage for the play’s finale!

The book is available to borrow and read for free online through Internet Archive (multiple copies).

I remember reading this book when I was a little kid, and it was a Halloween favorite of mine! Felicia Bond is better known today as the illustrator (but not the author) of If You Give a Mouse a Cookie, which was originally published two years after this particular picture book. The art style between the two books is noticeably similar, but the book about the Halloween play is different because this is about mice who live like people and do not interact with humans. I was also amused that one of the student mice in this book was dressed in an orange shirt with a black zig-zag and black shorts, like the cartoon character Charlie Brown, who wears a yellow shirt with a black zig-zag and black shorts. The tv special It’s the Great Pumpkin, Charlie Brown was known for popularizing the concept of Halloween tv specials, and Roger the mouse plays a large pumpkin in his class’s Halloween play, although Roger isn’t the mouse wearing the Charlie Brown style clothes. Roger is the one in the sweater with an R on the front. I was just amused by this little detail in the pictures of his class.

This picture book is a sweet little story about a mouse boy and the Halloween play given by his class. School plays on a wide variety of themes are a common experience for human children attending both public and private schools, and they are often memorable points in children’s school experiences. They can also be very emotional experiences. Students can be nervous about plays and being on stage in front of an audience, and sometimes, there are conflicts about which students get the best parts. This cute little picture book doesn’t have any drama in it and doesn’t talk about stage fright, although there are other children’s books that address these issues.

Instead, the story is more about a magical evening and the small but important role played by one particular student. Much of the story shows the build-up to the play, and when the play begins, Roger only appears on stage at the end of the play. The rest of the time, he’s listening to the other students from back stage, waiting for his cue to step into the spotlight. We don’t know exactly what the play is about, but it’s not that important. Those quiet moments of anticipation backstage are magical, and Roger will never forget how exciting this evening has been!

The Case of the Phantom Frog

McGurk Mysteries

Mrs. Kranz, an elderly sculptor, has been looking after her nephew’s 7-year-old son, Bela, because his parents were in a car accident and are still in the hospital. She consults the McGurk Organization because strange things have been happening since Bela came to live with her. At first, she is reluctant to say what is really bothering her. She was referred to the McGurk Organization by Willie’s mother, and she frames her request as hiring the kids to watch Bela while she’s working. McGurk turns down the offer, saying that the oldest members of the McGurk Organization are only 10 years old, not really old enough to babysit, and babysitting isn’t the kind of job they handle anyway. Wanda tries to refer Mrs. Kranz to a regular babysitter she knows, but Mrs. Kranz is strangely desperate and insists that she wants the McGurk Organization.

Because they’re reluctant to accept the job, Mrs. Kranz finally admits that there is a mystery connected to Bela. She starts by telling them that she’s afraid of frogs, like some people are really afraid of bugs or rats or other creatures. Ever since Bela came to stay with her, Mrs. Kranz has been hearing an unusually loud frog sound in her house, particularly in the evening, after Bela is in bed. Bela insists that he never hears it, but it’s giving Mrs. Kranz the creeps. She’s tried to search the house as best she can, but she can’t find the frog anywhere. It’s not the kind of thing that she can go to the police about, but it’s driving her crazy. The real reason why she wants the McGurk Organization to spend time with Bela is to see if they hear the frog, too, and if they can figure out where it is.

This time, McGurk is intrigued enough to accept the case, plus Mrs. Kranz offers them a larger fee for their services than they usually have. They consider the idea that Mrs. Kranz could be making up the story about the phantom frog she hears just to get them to accept her babysitting job, but they decide that isn’t likely, both because of the generous amount of money she’s paying them and because she seems genuinely frightened.

When they get to Mrs. Kranz’s house, it’s a big place that looks almost castle-like, and it’s surrounded by trees. Mrs. Kranz invites them in and introduces them to Bela. Bela was born in Hungary, where Mrs. Kranz was from originally. He doesn’t seem glad to meet the members of the McGurk Organization. In fact, he tries to ignore them and talk to them as little as he can. He doesn’t really want to talk to them about the frog when they ask him about it. He just says that maybe he’s heard a frog and that his aunt has frogs on the brain.

McGurk is annoyed with the kid, so he teases him about his name, saying that Bela sounds like a girl’s name. Bela defends his name, saying it’s Hungarian. Joey tries to defuse the situation, saying that Bela Lugosi was a famous actor in old horror movies, and he was also Hungarian. McGurk is intrigued by the mention of old horror movies because he loves them, and he starts asking Bela about whether there are things like vampires and werewolves in Hungary. Bela says that monsters are just stupid kid things. Brains is inclined to agree with Bela because there’s no scientific evidence that such things exist, and McGurk gets irritated with both of them.

When McGurk consults with the other members of the organization about Bela, he says that he thinks Bela is hiding something. His theory is that Bela is making the frog sounds himself to scare his aunt as a prank and that his hostility toward their presence and their questions is to cover up for what he’s doing. Wanda takes a different view because she thought that Bela seemed scared of something when they were talking to him, and she thinks that Bela is covering up his fear. Maybe he’s afraid of the frog or the frog sound and doesn’t want to admit it. Brains thinks that the sound could have some ordinary explanation, like sounds from the plumbing system that have been misidentified.

Aside from his hostility toward their questions, Bela seems like a well-behaved kid to watch. When it’s time for bed, he doesn’t argue with the older kids or make a lot of special requests or excuses to stay up later. In fact, he seems eager to go to bed. His only requests are that they leave the lights on and the window slightly open for air. As soon as Bela is in bed, the members of the McGurk Organization station themselves at strategic points around the house, waiting to see what they can hear and where it seems to be coming from.

They do hear the frog, and it sounds unnaturally loud, like it’s a monster frog! Most of them aren’t sure where the sound came from, but Brains is pretty sure that it came from Bela’s room. When they go inside, Bela seems like he’s asleep, and they don’t see a frog anywhere. They’re convinced that Bela is faking that he’s asleep, although Bela puts on an act like he was really asleep. McGurk knows that he must have been awake while they were out of the room because they left the light on for him, and when they first entered the room, the light was off. At some point, Bela must have gotten up and turned it off himself, although they don’t know why he would do that. For some reason, he also shut his window.

It seems pretty clear that Bela has something to do with the frog noise. The next night, they rig up a microphone in Bela’s room so they can monitor the sounds there. When they hear a loud frog sound, they hurry up to Bela’s room and find a frog sitting on his pillow .. and there is no sign of Bela! McGurk stuns the others when he makes the announcement that Bela is a werefrog! McGurk thinks that Bela has the transformation powers of a werewolf, but he’s turning into a frog instead of a wolf. They go to the kitchen, where McGurk finds some garlic, and when they return to Bela’s room, the frog is gone, and Bela is back in bed. Is Bela really a werefrog, or is there another explanation for what’s happening?

The book is available to borrow and read for free online through Internet Archive.

I remember reading this book when I was a kid, and I did a book report on it for school. I even did a little diorama about the story that looked like Bela’s bedroom, with a little frog made out of modeling clay. It was cute, but I can’t show it because I don’t have it anymore.

I found the story pleasantly creepy when I first read it as a kid. Even though I was sure that there must be some logical explanation for the phantom frog and Bela’s apparent transformations, I honestly wasn’t sure what it was at first. The mystery isn’t that complicated for an adult, but it’s creepy and mysterious for a child.

It sometimes seems to me that kids in the McGurk books are a little mean to each other and call each other names too much. I didn’t like it that McGurk was teasing Bela about his name in this book. However, it does serve a purpose in this story because the discussion of Bela’s name is what introduces the mention of Bela Lugosi and the idea that there might be a supernatural explanation for the phantom frog and that Bela might be a werefrog. Mrs. Kranz doesn’t suggest that idea to the kids when she first consults them about the frog. McGurk is the one who thinks of it because he’s really into old horror movies, and Bela being Hungarian, like Bela Lugosi, suggests a connection to the supernatural to him.

Not all the others are really as convinced as McGurk is, but they are creeped out by the phantom frog that appears and disappears and Bela’s odd behavior. Brains is the least convinced of everyone that there’s a supernatural explanation for the frog, reminding everyone that he invented an “invisible dog” in a previous book. He knows that it’s possible to create some pretty convincing illusions. He’s the one who convinces McGurk to investigate the possibility that Bela is faking everything somehow.

I like to take note of times when characters in books reference pieces of pop culture from the time when they were written. At one point, the kids in the story are watching a Peanuts special on tv, based on the characters from the comic strip. That comic strip was still being written and published at the time this book was written, and I remember watching Peanuts specials on tv myself as a little kid in the 1980s.

The Case of the Bicycle Bandit

A Jigsaw Jones Mystery

Jigsaw Jones and his friend, Ralphie, have to go to the library to get books for a book report at school. While they are at the library, somebody steals Ralphie’s bike!

First, it’s strange that Ralphie’s bike was stolen because Ralphie is sure that he locked it up using the same chain that he used to also lock up Jigsaw’s bike. How could someone take a bike that was chained up, and since the two bikes were chained together, why is Jigsaw’s bike still chained up, as if the lock was never opened?

Second, if someone could get the chain open to take one of the bikes, why did the thief take Ralphie’s bike? Jigsaw’s bike is new and in good condition, while Ralphie’s bike, which he calls “Old Rusty”, is old, beat-up, and always breaking in some way. Ralphie is fond of “Old Rusty”, which was a hand-me-down from his older brother, but if some stranger had a choice of stealing one of two bikes, wouldn’t it make more sense to take the one that’s in better condition?

Jigsaw Jones calls his friend, Mila, to help him investigate and find Ralphie’s missing bike, and they get some help from a classmate who is good at drawing portraits to interview witnesses and do sketches of suspects. Their most likely suspect is a skateboarder whose face nobody saw clearly. But, how did the skateboarder know how to open the lock on the bike chain, and why did he take only the old bike and lock up the newer one again?

The book is available to borrow and read for free online through Internet Archive (multiple copies).

Books in this series are easy, beginning chapter books with pictures that accompany the story. The mystery in this book is pretty simple, although it might seem more difficult to younger readers. I liked the way the characters reasoned it out, logically confronting the problem of how the thief opened the bike chain and why the thief took the older bike instead of the new one. I also enjoyed their use of an amateur sketch artist to find one of their suspects.

Even after Jigsaw does a stakeout and realizes who is responsible for taking the bike, he doesn’t seem to quite understand the motive until the thief explains it, although the motive was what I figured it was. Revealing the culprit in this book also includes a spoiler for an earlier book in the series.

I was amused when Jigsaw said that he charges a dollar a day for his detective services. At first, I thought that shows the inflation that’s happened since Encyclopedia Brown charged his clients a quarter. Then, Jigsaw checks out an Encyclopedia Brown book from the library, showing that Jigsaw is familiar with the books and also giving kind of a nod to an earlier boy detective who may have somewhat inspired this series. I always appreciate children’s books that reference other books.

The Puzzling World of Winston Breen

Twelve-year-old Winston Breen loves puzzles! He looks for puzzles to solve everywhere, and he also loves to make to give puzzles to other people to solve. Usually, on his sister’s birthday, he likes to set up some kind of puzzle or treasure hunt to lead her to her present. However, the year his sister Katie turns ten years old, Winston almost forgot about her upcoming birthday party, so he didn’t have anything planned. In fact, he was lucky to find a nice present in time for the party, buying a pretty box that he saw in a curio shop at the last minute.

When Katie opens his present at the party and sees an empty box, she’s sure that the empty box must be another of his puzzle tricks. Winston tries to explain to her that it’s just a nice box, and there’s no puzzle this time, but to his surprise, Katie finds a puzzle in the box that Winston didn’t make or put there. It turns out that there’s a secret compartment in the box that contains thin strips of wood with letters on them. It looks like the kind of puzzle Winston loves and one he might have made if he had planned better this year, but as Winston explains to everyone, this isn’t his work. So, whose puzzle is it, and what does it mean?

Everyone at the party tries to guess what the puzzle means, and Winston has to reassure everyone multiple times that it’s really not one of his puzzles. In the end, they all decide to let Winston try to solve the puzzle and tell them the answer. However, Winston can’t seem to solve the puzzle! When he’s unable to solve it, his relatives really begin to believe him that he didn’t make it. Winston’s cousin, Henry, questions him about who had access to the box and where he got it in the first place. When Winston says that it got it at the curio shop, Henry points out that the curio shop owner also likes puzzles and has shared puzzles with Winston before. It seems logical that he’s the original source of this particular puzzle.

When Winston talks to the owner of the curio shop, he says that he had no idea that there was a puzzle in the box that Winston bought. The box was part of a larger set of items that came from the estate of a woman who died recently. The lady was one of the daughters of a wealthy inventor who was one of the founding members of their town, Walter Fredericks. One of Winston’s friends is doing a report about Walter Fredericks for school. The owner of the curio shop says that the last living member of the deceased lady’s family is her sister, who is the town’s librarian, and that maybe Winston should ask her about the puzzle. Winston’s friend needs some information about the inventor for his report anyway, so they decide to go to the library and talk to the librarian. However, when the boys try to talk to the librarian, she suddenly becomes upset when she sees Winston holding the pieces of the puzzle. She starts to cry, asks why “you people” can’t leave her alone, and yells at them to leave the library!

The boys have no idea what made the librarian react like that. Later, they are approached by a strange man who introduces himself as David North. He says that he saw what happened in the library, and he thinks that he can help. He calls himself a treasure hunter and explains that the reason why Winston hasn’t been able to solve the puzzle is that he’s missing some of the pieces. David North shows the boys that he has more of the pieces to the puzzle, and he suggests that they become partners, sharing their pieces with each other to solve the puzzle.

Before talking to Mr. North, the boys didn’t even know that the puzzle was the key to a treasure. They don’t know exactly what this treasure is or how Mr. North knew about it, and they’re not sure that they can trust him. Soon after meeting Mr. North, they are also approached by a man who calls himself Mickey Glowacka. This man explains that he’s also looking for the treasure. The boys ask him what treasure that is, and Glowacka says that the inventor hid a large sum of money. Glowacka also has a set of puzzle pieces, and he says that there is also a fourth set, the set that belongs to the local librarian.

Although Glowacka is more forthcoming than North was, Winston isn’t sure that he’s trustworthy, either. Then, the town librarian comes to see Winston to apologize for her fit at the library, and she explains the rest of the situation to Winston and his family. Walter Fredericks had four children. Except for the librarian, Mrs. Lewis, who was the youngest of his children, the others are all deceased. Their father was a fun-loving man who enjoyed games and puzzles, but the siblings never got along with each other. Mrs. Lewis says that her entire childhood was full of petty squabbles that she and her siblings never knew how to resolve with each other, so they just increased over the years. Before their wealthy father even died, she and her siblings argued over their eventual inheritance. There was one item in particular that all four of them wanted: a valuable ring that was given to their father by a prince to thank him for one of his inventions. After their father died, the four siblings went to claim their shares of the estate, but the lawyer informed them that the ring was not included with the rest of the estate. Instead, their father arranged one last puzzle for his four children to solve together. Each of his four children received a set of puzzle pieces, and they were told that they would have to work together to solve the puzzle and claim the ring. Mrs. Lewis realizes that her father was making one last effort to get his children to stop arguing and join forces, but a single puzzle would never be enough to resolve years of arguments and fighting. Instead, the siblings turned their backs on each other and on the puzzle, so it has gone unsolved for more than 20 years, and the ring is still hidden somewhere.

Since her other siblings died, one by one, their shares of the puzzle pieces have been purchased by other people as their estates have been sold off. That is how North and Glowacka acquired their sets of puzzle pieces from the estates of Mrs. Lewis’s brothers, similar to the way Winston accidentally bought the set that once belonged to Mrs. Lewis’s sister, Livia. Since Livia’s death, someone has become desperate to get as many of the remaining puzzle pieces as possible. Someone broke into Livia’s house soon after her death, before items from her estate were auctioned off, but this person was unable to find Livia’s set of puzzle pieces because they were hidden in the secret compartment in her box. Someone has also broken into Mrs. Lewis’s house to find her set of pieces, leaving her a threatening message. She has also received threatening phone calls and demands for her puzzle pieces, which is why she was so upset when she saw Winston approaching her with puzzle pieces. It seems logical that either North or Glowacka could be the one breaking into houses and threatening Mrs. Lewis, or it could even be both of them.

Mrs. Lewis has decided that the most sensible way to resolve this situation is to do what she and her siblings should have done years ago with each other: arrange for all the interested parties to work together to solve the puzzle and find the ring, then sell the ring and split the money. Winston’s father points out that doing this would mean including whoever it was who’s been threatening her for a share in the treasure, and it doesn’t seem right to reward that person. Mrs. Lewis decides that she’s willing to do that just to settle the matter and remove the reason for the person to keep harassing her. To keep everyone in line and ensure that everyone plays fair with each other, she has recruited a friend of hers who is a retired police officer to act as her representative and a referee for this game. North and Glowacka grudgingly agree to abide by the rules of the game.

Winston’s sister, Katie, declares that the puzzle pieces that were in the box are hers since they were part of her birthday present, and Winston reluctantly agrees, even though he’s the main puzzle person in the family and feels a little possessive of the puzzle because he’s driven to solve it. Of course, he is included in the game, both as his younger sister’s chaperon at group meetings and the family puzzle expert. At first, Katie is reluctant to split her share of the treasure with Winston because of his participation, but their father points out that she will be relying on his help in this game. As the owner of the puzzle pieces, she has the right to decide what Winston’s help is worth to her, so she will control how much of her share Winston will receive, but it’s only right that she let him have something in exchange for his help.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

I enjoyed this book both for the mystery story and for the puzzles that appear throughout the book. Because Winston loves puzzles so much, he creates little puzzles and brain teasers for readers to solve throughout the book, and some people also give him puzzles and brain teasers of their own. Readers have the opportunity to solve these puzzles themselves, and the answers are in the back of the book.

The main mystery of this book was good. It has a particular set of suspects, everyone who is participating in the search for the ring and the solution to the puzzles. They must work together at the same time as they look at each other suspiciously. However, there is a twist to this story because there are more people involved with this series of puzzles than the obvious ones. There are people who are on the scene and have access to at least some of the clues who are not immediately obvious suspects, and I admit that I didn’t suspect these people at first.

There is a point where Winston himself becomes a suspect for a break-in at Mrs. Lewis’s house. I think the author meant this accusation against Winston to ramp up the suspense in the story, but it just irritated me because Winston is still a kid. He’s not old enough to have a driver’s license, and he’s still in that age where his movements are still limited and monitored by parents. It would have been more credible if he had been a teenager, with more ability to get around on his own, unsupervised and with less accountability.