Stories of Rainbow and Lucky: Handie

Stories of Rainbow and Lucky

I’ve been wanting to cover this series for some time. It’s an unusual series from the mid-19th century, written on the eve of the American Civil War, by a white author with a young black hero. Rainbow is a teenage black boy who, in this first installment of the series, is hired by a young carpenter, who is only a few years older than he is, to help him with a job in another town. The entire series is really one long story, like a mini-series, and each book is an installment in the story. 

This first book focuses mostly on the young, white carpenter Handie Level, why he needs to take this job in another town, and why he decides to hire Rainbow to come with him. The rest of the series follows the two young men, particularly Rainbow, through their adventures, learning life lessons, even dealing with difficult topics like racism. (Lucky is a horse, and Lucky enters the story later.) It’s unusual for this time period for black people to be the heroes of books and for topics like racism to be discussed directly. It’s also important to point out that our black hero is not a slave, he is not enslaved at any point in the series, and the series has a happy ending for him. People don’t always treat him right, but he does have friends and allies, and he manages to deal with the adversity he faces and builds a future for himself.

I want to explain a little more about the background of this book, but it helps to know a couple of things before you begin. First, the author was a minister who had written other books and series for children, Jacob Abbott. He had a strong interest in human nature and the details of everyday life, so his books are interesting for students of history. He explains some of the details of 19th century life that other people of his time might have taken for granted, and he also liked to explain the reasons why his characters behave as they do in the stories, exploring their personalities and motivations. Second, as part of the author’s character studies and also just for the fun of it, he made many of his character names puns that offer hints to the characters’ roles or personalities, so keep an eye out for that when new characters are introduced. Some of these pun name or nicknames are obvious, but others require a little explanation. Rainbow’s employer, Handie Level, is a level-headed carpenter who’s good with his hands, so the meaning of his name is pretty straight-forward. “Rainbow” is the nickname of our black hero, not his real name. We are never told what his real name is. He apparently has one, but even the author/narrator of the story admits that he’s not sure what it is. He is nicknamed “Rainbow” because he is “colored”, and that may require a little explanation.

During the course of the books, the author explains that “colored” was one of the more polite words used for African Americans during the mid-19th century. The author wanted to make his stories educational for children of his time, so there are points when characters discuss how to address African Americans politely, explaining which terms are acceptable and which are not acceptable. The basic rule that the author establishes of not referring to anybody by a name you think they wouldn’t want to be called still holds true today, no matter who you’re talking about. It’s important to consider other people’s feelings in how you describe them, and it’s good to teach children to notice and care about other people’s feelings. However, some of the polite racial terms the author recommends in the books sound out-of-date to people today and might leave modern readers wondering if they really are polite. The answer to the question is that they were considered polite at the time the book was written, but since then, some of the conventions regarding polite racial terms have changed.

A major shift in the terms used took place during the Civil Rights Movement, around 100 years after this series was written. People were intentionally trying to distance themselves from the emotional baggage associated with the racial terms that had been used previously, so instead of using “Negro” and “colored”, they began using “African American” as the formal term and “black” as the generic, informal term. This change in terms was meant to help create a sense of a fresh start at a time when cultural attitudes were changing. Because this book was written in the 19th century, the terms they use as the polite terms are the ones that were formerly used as the polite terms before that cultural shift. Even though most people wouldn’t speak like that anymore, you can still see the use of these terms occasionally, particularly in the names of organizations that were created prior to the shift in racial terms, like the United Negro College Fund (UNCF, founded 1944) and the National Association for the Advancement of Colored People (NAACP, founded 1909). So, yes, “Rainbow” is a pun nickname because he is “colored” in the sense of the racial term. Apparently, the author was amused that the term made it sound like he was colorful, like a rainbow, although I think he is also a colorful personality.

The way a person speaks does offer hints to their background and character. Jacob Abbott had a fascination for analyzing the details of human behavior and the ways other people react to the other people around them them. He was aware of what was considered polite in his time and how the words people use affect other people. In these stories, he deliberately offers teachable moments to show child readers the differences between people who behave politely and considerately and the people who do not. As you go through the stories, feel free to study the characters and their behavior. The author meant for people to notice who these people are and why they do the things they do.

This book is easily available to read online in your browser through NINETEENTH-CENTURY AMERICAN CHILDREN & WHAT THEY READ, I’m going to do a detailed summary below. If you’d rather read it yourself before you read my review, you can go ahead, but some people might want to know in detail what they’d be getting into. There’s nothing here that I think would be racially offensive because it’s quite a gentle, sympathetic story. However, I can immediately see a couple of reasons why this book and its series hasn’t become a better-known children’s classic. 

I wasn’t kidding when I said that the author goes into detail about some aspects of daily life and society in the 19th century. This story and its series, like others by the author, was meant to be education, so there’s a lot of teaching going on, both in the form of moral advice and general life lessons and in the specifics about how to handle money and negotiate business arrangements. It could still be interesting for someone studying daily life and social attitudes in the 19th century, but 21st century children might find it a bit dull. There’s more explanation than there is action and adventure, although I wasn’t bored while reading it, and there are a few interludes with character backstories, stories that the characters tell each other, and a strange dream Handie has. In the middle of the book, there’s kind of a touching story about a little boy and his widowed mother that I enjoyed, and it explains some of the reasons why the characters are in the situation they’re in.

Handie and Rainbow are the two main characters of the series, although most of this book focuses on Handie and his family. Their money troubles, an inheritance that Handie receives, and the arrangements that he makes on behalf of his family create the situation that causes Handie to hire Rainbow to help him with some work, which requires traveling to another town to manage his inheritance. The entire series tells the story of why they’re doing this, what happens to them on the journey to this new town, what they find there, and what it means for their futures, but it’s told in five installments. There are some spoilers at the end of this story to future stories in the series, which ruins some of the suspense, but this isn’t really meant as a suspense story. It’s a story about a couple of promising boys in the teenage years and what they do that sets them up for their future. One of them just happens to be black, and that’s something that figures more in the later stories in the series. This particular book has a few moments when the characters discuss race and the difficulties and discrimination that black people encounter in life, but it’s not a major focus. There is going to be outright racism in the stories, but this book mostly sets up the backstory of the characters and their situation.

Handie Level (his first name is short for Handerson, we are later told) is a poor boy who is reluctant to go to school because his clothes are so poor, but yet, he is eager to learn. Our narrator, an unnamed neighbor of the Level family, describes how Mr. Level has difficulty earning much money because he is not very strong and is physically deformed. He manages to earn sufficient money to keep himself, his wife, and their son in a basic way as a kind of repair man. He is very good at fixing things in his little workshop. However, he isn’t very good at managing the little money he has, and his wife isn’t very attentive about maintaining the house or the family’s clothes, making them look more poor than they actually are. It’s true that they don’t have much, but they could do better if they managed their resources better. It’s partly because they feel sorry for their poor state and not very hopeful about it improving that keeps them from striving to do better. In reality, they’re not that much worse off than their neighbors, but this feeling that they are is what keeps Handie from going to school and letting others see his poor state. Since he has not been to school so far and can’t read, Handie worries that he would be embarrassingly behind the other children if he tried to go.

One day, the kind neighbor/narrator sees Handie trying to teach himself to read. Wanting to help the boy, the kind neighbor gives him a book that will help him learn to read better than what he was trying to use. (The author of the story is probably inserting himself here as the friendly neighbor, especially because he also wrote other books about children’s education, children’s readers, and series of simple stories aimed at teaching children to read.) Handie is grateful and begins making more progress in his learning.

Handie also becomes more helpful to his parents as he grows older and takes an interest in learning to mend his own clothes. When his mother helps him to mend his clothes, he looks much better, and Handie praises his sewing ability. His mother is pleased at the praise, and we learn that her husband has been more in the habit of criticizing her efforts at everything rather than praising her. This constant criticism and lack of encouragement is another reason why she has not been trying harder to maintain the household and the appearances of her family. Handie’s praise encourages his mother, and with Handie’s help, she begins making more effort around the house and doing more mending. With his clothes looking nicer and his new ability to read, Handie feels more comfortable going to school, and he begins progressing in life.

As Handie grows up, he becomes more and more helpful to his parents, both around the house and in his father’s repair business. He begins taking jobs of his own and bringing in a little money. He helps his family improve their circumstances. Then, a new opportunity comes along. The man at the mill says that if Handie or his father can buy a horse and wagon, he would pay them good money to haul lumber for him. It’s a tempting offer, and it could be a job that Handie’s father could do that would pay him more than what he’s doing now, but Handie doesn’t know where they would get the money for the horse and wagon for either of them to use. Handie has been good about saving money from what he earns, but the amount they would need is a large sum.

When Handie finally talks to his father about the job offer, Mr. Level is upset. He has been very worried lately, and he reveals to Handie the reason why. Even though they own their house, there is a mortgage on it, and the mortgage holder (a lawyer in the village) is now insisting that the Levels pay him the full sum or the family will be turned out. Mr. Level doesn’t know where he will get the money to pay the full amount, and he doesn’t know where they can possibly live if they have to leave. Handie and his mother had no idea that Mr. Level had taken out a mortgage on the house, and they are distressed about the looming threat of eviction. The amount of money they would need to save their house is about the same as what it would take to buy a horse and wagon.

While the Levels are debating about what they can do, the story flashes back a few years to a little boy named Solomon Roundly and the reason why Mr. Level is in such financial trouble. Solomon belongs to an industrious but poor family on the other side of the village from the Level family. The family is saving up to buy their own farm when Solomon’s father suddenly dies of an illness. The neighbors do their best to comfort Mrs. Roundly and young Solomon. Among the neighbors, there is a black lady and her 12-year-old son, who sometimes looks after young Solomon and plays with him or takes him fishing. (The book uses the term “colored” to describe the black boy and his mother because that was one of the more polite terms at the time. There is a point later in the series where the narrator specifically explains this.) The narrator says that he doesn’t remember the black boy’s real name because everyone has called him Rainbow for as long as anyone can remember, and they’re not even very certain whether he ever had another name.

One day, another local boy, called Josey Cameron, is accidentally injured when he tries to throw a stone into an apple tree to knock down an apple, and the stone comes back at him and hits him just above his eye. The boy cries with fright and pain, and Mrs. Roundly takes him inside and tends to the wound. Mrs. Roundly asks young Solomon to fetch Rainbow and see if Rainbow can take the injured boy home in his cart. Rainbow agrees to take Josey home, and Mrs. Roundly tells him to be sure to drop the boy off close to his house but not right in front of it and to let him walk the rest of the way so that his mother will see that he is not hurt too badly. If Mrs. Cameron sees them drop off her son right at the door, she might panic, thinking that he couldn’t walk at all. The reason why this little incident matters is that it happens shortly before Mr. Roundly dies, and it starts off a chain of events which explains Mr. Level’s mortgage.

Mr. Cameron is so grateful for Mrs. Roundly tending to his son’s wound and arranging for his ride home that he arranges a little present for the Roundly family. He is a daguerreotypist, meaning that he makes daguerreotypes, which is an early form of photography. Basically, he has a photography studio. He has Mr. Roundly pose for a daguerreotype as a reward to his family for their help. Mrs. Roundly is happy to see the picture of her husband when they receive it, but later, after her husband’s death, she finds it a painful reminder of the loss. Young Solomon, seeing his mother crying over the daguerreotype of his father, decides that if it makes her so unhappy to see it, maybe he should get rid of it.

Solomon takes the daguerreotype and goes to see Rainbow and asks him for a ride into the village. Rainbow is happy to give him a ride, but he asks him why he wants to go there. Solomon says he’s going there “on business”, which makes Rainbow laugh because Solomon is so little. Yet, Solomon insists that’s the case and tells Rainbow he’ll see it’s true when they get there. 

On the way, Solomon insists that Rainbow tell him a story. Rainbow tells him the only one that he knows, a story about a man who killed a bear. (I find hunting stories rather gruesome, although I suppose 19th century children might have found this interlude thrilling.) Rainbow knows this story because his mother read it in an almanac once. Solomon asks Rainbow if he can read. Rainbow says he can’t read very well. His mother is too busy working to teach him, and it’s hard to learn on his own. He wishes he could go to school, but he says that the local people don’t like him to go. The other boys don’t want to sit near him, and people make trouble for him. Solomon wishes he could do something that would help, but he can’t think of anything.

In the village, Solomon asks Rainbow to take him to Mr. Cameron’s. When they get there, Solomon asks Mr. Cameron to make a daguerreotype of him, just like he did with his father and to replace his father’s daguerreotype in its case with his instead. Mr. Cameron is surprised at the request, especially since Solomon admits that his mother didn’t send him and he wants the picture for free, but he agrees to do it as a favor to the little boy. When Mr. Cameron makes the daguerreotype, Rainbow is standing behind Solomon, and he ends up in the picture as well. When Solomon sees it, he says that he didn’t mean Rainbow to be in the picture with him, but Mr. Cameron says that he doesn’t see a problem with it. In fact, he thinks that Rainbow’s presence really improves the picture and makes it “prettier.” Rainbow is surprised and flattered that Mr. Cameron, as a man of artistic sensibilities, thinks his face could make a picture more beautiful, and Solomon decides that the picture will serve his purpose as well with Rainbow in it. 

When he gets home, Solomon puts his new daguerreotype in the place where his mother kept his father’s picture, and he puts his father’s picture away for safe-keeping. In the morning, his mother asks him about the new daguerreotype, and Solomon explains what he did. He says that he did it so that his mother would think of him now, and not his father, so she would be less sad. His mother agrees that’s a good thing to do, and she says that she doesn’t mind having Rainbow in the picture, either, because Rainbow has been so kind to Solomon.

Taking her son’s words to heart, Mrs. Roundly decides that she needs to start thinking of her son more and planning for the future again. She has some money that her husband left her, so she decides to see the lawyer in the village, Mr. James, about investing it on her son’s behalf, so her son will be able to buy a farm when he is grown. Mr. James is the same lawyer who holds the mortgage on the Levels’ property, and the money that Mr. Level borrowed from Mr. James is the money that Mrs. Roundly invested with him. Mr. Level was in debt at the time, and he promised to repay the loan with interest, using his house as collateral for the loan. The money that Mr. Level must repay is being managed by Mr. James, but it’s actually for young Solomon Roundly and his mother. 

Mr. Level is not good at managing his money, he has been careless about making his payments on time, and because he didn’t tell Handie or his mother about it, there was no one else to remind him or make sure that he repaid the money he borrowed. Mr. James has already extended the loan and given Mr. Level chances to make payments, and Mr. Level hasn’t done it. Mr. James can’t in good conscience allow Mr. Level to not repay a widow and a fatherless boy the money he owes them because he knows they really need it. That’s why he’s insisting on payment now or he’ll take the house.

When we return to the present after the flashback that explains the nature of the problem, Handie decides that the only thing to do is to see Mr. James himself and try to negotiate with him on behalf of his father and family. On his way, he meets Captain Early, who offers him a ride. Handie accepts and decides to ask Captain Early for advice about debts and mortgages. Because his father doesn’t understand much about money matters, Handie also doesn’t really understand mortgages or what the family’s options are. 

Captain Early says that if the property that’s mortgaged is worth more than the current mortgage, it could be possible to take out a second mortgage from a different person and use it to pay off the first one, thus buying some time to fully repay the debt. Handie has some misgivings about this approach. Captain Early doesn’t think it would be hard to find another investor who would be willing to lend money in the hopes of earning interest on it, but Handie now knows that his father isn’t good at paying his debts or even the interest on them. Still, it’s the only sensible solution that anyone has proposed so far, so he decides to discuss the possibility with Mr. James.

When Handie goes to see Mr. James, they discuss the situation. Handie explains that he didn’t understand the state of his father’s finances before or he would have helped his father pay the debt, and Mr. James explains why he’s reluctant to allow them more time to pay. The reason why the matter is so pressing is that Mrs. Roundly and her son are living in a rented house, and the man who owns it is in need of money and wants to sell the property. If Mrs. Roundly gets her money back, she could buy the home herself, and she and her son could continue to live there. If she doesn’t, she will have to worry about where she and her son will live. To let the Levels continue living in their home while not repaying the debt would result in the Roundlys being evicted, and that would hardly be fair, since it was really their money in the beginning.

Handie agrees that it would be unjust to not repay the debt to the Roundlys and put their situation in danger, and he promises to try to work things out so he and his father can repay the money. Mr. James appreciates Handie’s practicality and understanding, and he says that it’s too bad that Handie is only 19 years old. If he was 21, he would be a legal adult, and he would be willing to invest in Handie himself to repay Handie’s father’s debt. The only reason why he can’t do it now is that, until Handie is a legal adult, his signature on any agreement wouldn’t be legally binding. Also, technically, under the law, Handie’s time and money don’t belong to him but to his father. Even if his father would allow him to have time and money to himself, everything that belongs to Handie, and even Handie himself, legally belongs to his father until he’s a legal adult. 

As for what Captain Early said about taking out another mortgage or loan, even if Handie tried to arrange such a thing, any loan made to him would really, legally, be another loan to his father. Even if Handie gave his father the money to settle his debt or any other loan, there would be no guarantee that his father would actually use the money for that purpose. Legally, he can do what he wants with any money Handie gives him, even if Handie is the one who earned it, and even if he just wastes it instead of settling his debts. The truth is that Mr. James has already approached potential investors about making another loan to Mr. Level, but nobody wants to loan him money. Mr. Level has been complaining openly to people in the village about how unfair it is that he’s going to lose his house because he hasn’t repaid his loan. By doing all that complaining, he’s publicly outed himself as a bad debtor, and while people feel sorry for him, nobody wants to trust him with their money.

The situation looks hopeless to Handie. All he can think of is that his family will have to sell their house and move somewhere else. Because they can get more money from the sale of the house than they need to cover the debt, they could use that money to move somewhere else. Mr. James says that whoever buys the house might lease it back to them so they can continue to live there. They would just be paying rent to continue living in the house rather than paying the mortgage. It’s not a great solution, but it’s the only one open to them, and they will be left with some money from it. Handie explains the plan to his parents and to Mrs. Roundly, and they all agree to it.

It will take a couple of months to settle the sale of the house, so Handie tells his father that they must try to earn as much money as they can during that time. Mr. Level says that there’s no way they can earn enough to stop the sale of the house in that time, but Handie says that it doesn’t matter. Whatever money they can earn will help in setting them up with a place to live and improving their financial situation. Thinking again about the offer of a job delivering lumber, Handie decides that, rather than trying to buy a horse and wagon, maybe he could rent one. He does so, his father begins delivering lumber, and he and his father begin saving up money and paying down the debt.

Then, Mr. James sends Handie a message to come see him. Mr. James has received word that Handie’s uncle has died and left him a small farm called Three Pines. Because his uncle left the farm to Handie and not to his father, Mr. James is to hold it in trust for him until he is 22. (This is one year past the age of adulthood, but this is what his uncle specified.) There is money to go with the property, and as the executor of the estate, Mr. James is directed to use the money to fix up the property and rent it out to a tenant on Handie’s behalf until Handie is old enough to have it. The bequest would be helpful to Handie if he could use it immediately to pay his father’s debt, but there is still the issue that Handie is underage. While Mr. James can rent out the property and use the money on Handie’s behalf, it would be against the terms of the will to use the money to pay Handie’s father’s debts. While helping his father would indirectly help Handie, that’s not quite good enough to satisfy the terms of the uncle’s will.

What Mr. James suggests is that they follow the terms of the will that require him to use the money from the estate to hire someone to fix up the property, and to that end, he will hire Handie to do the work and pay him for it. It seems odd to be hired and paid to work on a house that’s technically his, but it’s a logical solution to the problem. Because of the lawyer’s strict interpretation of the will and his role in executing it, he doesn’t think it would be appropriate to give Handie an advance on his work so he can settle the debt right away, insisting that Handie must do the work before getting any money. Handie thinks he’s being too strict, which is not really in his best interests at the moment, but he doesn’t see how he can argue. The proposition that Mr. James makes for him would still allow him to earn more money than he is currently earning.

When he tells his parents about the bequest and Mr. James’s proposition, they are happy that Handie’s uncle left him something but disappointed that Mr. James is unwilling to use the situation to help them more immediately. Handie himself thinks that Mr. James should have made a little exception to the rules to give him an advance on the money, although he has a dream that night that gives him a different perspective. In his dream, a fairy argues with a clock, telling it that it would do some good for it to go a little faster sometimes and a little slower at others, according to people’s needs. The clock says that the trouble is that, if he speeds up for one person, he might go too fast for another person’s needs, and if he slows down too much, it might cause trouble for someone who needs time to go faster. Because changing the flow of time can hurt one person at the same time as it helps another, it’s better for him to just keep the correct time. 

When he wakes up, Handie thinks about his weird dream and realizes that Mr. James is like the clock because he has to go strictly according to the rules, stable and predictable, to keep the situation steady for everyone. Sometimes, he might be tempted to do someone a favor by tilting the balance for them, but that can throw off other people who are also depending on him to follow the rules. Handie also considers the purpose behind his uncle’s will. His uncle and his father didn’t get along well, and his uncle was aware that his father was terrible at handling money. Handie himself has now become acquainted with his father’s lack of money sense and how it affects the rest of the family. He realizes that his uncle left his farm to Handie because he had heard that Handie was a practical boy and a good worker and would be more likely to take care of it. Therefore, he skipped over Handie’s father and left the farm directly to Handie, to be held in trust for him until he was a full adult to make sure that Handie’s father couldn’t use it for his own purposes or that Handie wouldn’t sacrifice something that would make a real difference to his future in his efforts to help his father. His uncle was planning for the long term, not the short term, something which Handie’s father never does but which Handie will have to learn to do if he wants a better future. Mr. James understands this thinking as well as Handie does, and that’s why he’s so adamant that they follow the terms of the will exactly.

When Handie speaks to Mr. James again, Mr. James reminds him that his father has a legal right to Handie’s time and anything that he earns through the use of his time. Time is a valuable resource, and Handie’s father owns his as a piece of property until Handie turns 21 years old. (In the book, Mr. James says, “You see the law requires that children should do something to reimburse to their parents the expense which they have caused them in bringing them up. … . They are required to remain a certain number of years to assist their fathers and mothers by working for them or with them. The time when they are finally free is when they are twenty-one years old.” This isn’t how society or the law would look at it in modern times, but I’ll have more to say about that later.) What Mr. James proposes to Handie is that he literally buy Handie’s time from his father, the remaining 2 years until Handie is 21 years old, for enough money to pay off the mortgage and give him plenty of extra money. If he does that, Handie will be working for Mr. James instead of his father for the next two years, and whatever he does or whatever he earns in that time would be for Mr. James. Handie agrees to this proposal because it would take care of his father’s money troubles. 

However, Mr. James improves the offer by saying that Handie has the ability to buy his own time, in which case he will be working for himself, owning his own time and his own earnings. He has spoken to a gentleman in the village who is willing to establish a loan for Handie, which he can use to buy his time from his father. As long as Handie stays healthy and continues working during the next two years, he will have more than enough money to repay that loan. Handie asks what happens if he gets sick or dies. Mr. James says this arrangement will require him to take out life insurance as security, to repay the loan in case something happens to him. The farm Handie has waiting for him can also be security for the loan in case Handie is sick or injured, and Mr. James will also endorse the note, meaning that he will pay the debt if Handie is unable to do it. It’s suitable for Mr. James to do that as the trustee for Handie’s inheritance and more legally-binding because Handie is still a minor.

Handie explains this new proposal to his parents, and they all agree to it. Handie’s mother is worried that this arrangement will involve Handie leaving home, and she doesn’t know what they’ll do with out him, but Handie says it’s necessary for him to go to the farm he’s inherited and begin fixing it up. It will bring in more money in the long run, and he will come home to his parents when everything is order and the farm is ready to lease to a tenant until Handie is 21. When they accept the proposal, Mr. Level is able to pay off his mortgage and save his ownership of his house, and he has enough money left over to buy his own horse and wagon to use in his new delivery job. With the family’s fortunes looking much better, Handie prepares to go to farm and begin his work there.

Hiring Rainbow

So far, the story has mostly focused on Handie and his family, and we haven’t seen much of Rainbow since he was helping young Solomon, but this is a small village, and Handie does know who Rainbow is. This is the part of the story that establishes the relationship between Handie and Rainbow and how Handie decides to hire Rainbow to help him with the work on his new farm.

As Handie prepares to go to the farm, which is near another town, Mr. James talks to him about the arrangements he’s made to provide Handie with money to pay him the wages for working for his own estate and also to allow him to buy whatever supplies and hardware he will need for repairs around the farm. Because Mr. James won’t be there to oversee things directly, he’s made arrangements to send money to Handie through another lawyer who lives near the farm. 

Handie is young, but he’s had experience as a carpenter. He can handle most of the work himself, but carpenters frequently need assistants to act as an extra pair of hands, helping them by holding boards in place or handing them tools as needed. Mr. James says that it would be appropriate for him to hire an assistant to help him, and he will provide money from the estate for that purpose. Since Handie doesn’t know anyone in this new town and wouldn’t know who to hire there, he decides that it would be better to bring an assistant with him from his village. He chooses Rainbow because, even though Rainbow is only 14 years old at this point, he’s big and strong for his age and is a good worker. He hasn’t had any training in carpentry at this point, but he doesn’t really need any experience to be an assistant. Rainbow is good at following instructions and is eager to do a good job and please people, and that’s more important.

Before he asks Rainbow if he wants the job, Handie tells Mr. James what he’s thinking to see if he thinks it’s a good idea. Mr. James says that, before he talks to Rainbow, he needs to decide how much money he would be willing to pay Rainbow out of the estate and what his accommodations would be while they’re in the other town. Handie proposes what he thinks would be a decent wage for an assistant and says that he will pay for Rainbow’s room and board. They will have to board somewhere in town until the farm is suitable for them to live in. Mr. James says that may be difficult because not every boarding house would be willing to have a “colored” tenant. Tenants in boarding houses all eat together at the same dining table, and not everyone will want to see at the same table as a black person. (This is just like Rainbow said that the other boys at school wouldn’t want to sit with him and would make trouble.) Handie is confident that he can find a place for them to board anyway, so Mr. James says that the plan sounds fine to him, as along as Rainbow agrees to it and Rainbow’s mother approves.

Handie goes to Rainbow’s house, but Rainbow’s mother says that he isn’t home because he’s working in Mrs. Roundly’s garden. Deciding that he should offer the job directly to Rainbow first before talking to his mother, Handie goes to find Rainbow.

Rainbow is working with young Solomon in the garden, and when they stop to rest, Rainbow says that he has a new story to tell, besides his usual bear one. A man read it to him recently out of a newspaper. It’s about a thief who was caught trying to steal money from a miser, and there’s an interlude in the main story where Rainbow tells this story. (Actually, it’s more like the thief was trying to get the miser’s money through extortion because he writes the miser a threatening note, demanding that he leave a sack of money in a particular place.) The miser’s sons set a trap for the thief and catch him.

As Rainbow finishes the story, Handie comes along and explains his job offer to Rainbow. It would require the two of them living in another town about 30 or 40 miles away for about 2 or 3 months. Feeling like he should tell Rainbow the hardest parts of the job, he says that the work will be physically rough, and he’s not sure exactly where they will be staying or what the “fare” (food) will be like, but he promises that, if Rainbow comes with him, he will pay him and that Rainbow will eat as well as he does himself. The physically hard parts of the job don’t sound appealing, but like most boys his age, Rainbow is adventurous, and the idea of going to another town, exact destination unknown, sounds exciting. Young Solomon thinks it sounds exciting, too, and he says he wants to go along. Solomon tries to prove to Handie how much he can lift, and Handie says that’s pretty impressive, and he would take him, if he could.

Turning serious, Handie asks Rainbow what he really thinks of the job offer. Rainbow says that he likes the idea, but he’s not sure what his mother will think and if she will be all right at home without him. Handie says that Rainbow can talk it over with his mother, and Rainbow persuades him to come along to see her and explain the job himself. At first, Handie is worried about the objections that Rainbow’s mother, Rose, might make, but actually, Rose is a sensible woman and sees that this is a good job offer for her son. She will miss him while he’s gone, but she doesn’t want him to miss out on this opportunity because of that. Since they’ve all agreed that Rainbow will have the job as Handie’s assistant, Handie and Rainbow begin their packing and preparations for the journey to Handie’s farm.

Even though Rainbow’s latest new story was one told to him by someone else, we are told at this point that Rainbow has made progress in learning to read and is now doing well enough at it to find it enjoyable rather than a chore. He is now able to read from the New Testament. His mother laments that he can’t write as well as he can read. She hasn’t been able to teach him more because she’s not that good at writing herself. Because Rainbow can’t write very well, he won’t be able to write letters to her while he’s away. Rainbow says that Handie could help him with that, and his mother tells him that, while Handie is his employer, Rainbow should call him Mr. Level. Handie is almost a grown man, and he is acting as grown man, doing professional work and being Rainbow’s employer and supervisor. (The book uses the term “master”, but they don’t mean it in the slave sense. This story was written and published before the Civil War, and slavery is legal during this period, but Rainbow is a free person, who is being employed at his own consent and paid a salary. The term “master in this case is more in the sense of a supervisor, someone who will be directing Rainbow’s work and overseeing the results.) Rose tells Rainbow that, if he has any problems on this job or if he does anything that causes a problem, he needs to be honest and tell Mr. Level (Handie) about it. If Handie knows what the problems are, he can help fix them, and hiding them would only make them worse. She has a little rhyme about it:

“Wrong declared
is half repaired;
while wrong concealed
is never healed.”

She also tells him that if anyone in this new town tries to give him a hard time or tease him because he is “colored”, he shouldn’t mind them. Rainbow says that’s very hard sometimes. Rose says that she understands but that fighting people wouldn’t do any good. He is likely to be outnumbered (that’s literally what it means to be a “minority”), so it’s better to use patience and show as little reaction as possible. They’re more likely to stop their teasing if he doesn’t give them the reaction they’re trying to provoke. Rose uses some local dogs as an example, pointing out how each of them responds to teasing. The one that just responds to teasing with a look of contempt doesn’t get teased as much. Rainbow points out that the dog who doesn’t react could probably head off further teasing if he put a scare into the teaser, but Rose says that only works if someone is big enough to put a scare to a teaser without actually hurting him and if the bully doesn’t have a bunch of confederates backing him up.

She further reminds Rainbow that the Gospel says, “that we must study to show kindness to those that do not show kindness to us.” She says that, while he’s away, she wants him to continue reading the New Testament and saying his prayers. She also makes a point that she wants him to think about the meaning of what he’s reading and have it in his mind that he will follow it in his life. She hopes that perhaps, during his time with Handie, Rainbow will improve his reading and writing ability and that Handie will help him. Before Rainbow leaves the village, he goes around to say goodbye to some friends and neighbors, and one of them gives him an inkstand and pens so he can write.

This installment of the series ends with Handie and Rainbow leaving on their journey to the new town, Southerton. We are told that, “Handie and Rainbow had a very pleasant ride, but they met with an accident on the road which led to a singular series of adventures. They, however, at last arrived at Southerton in safety, and spent two months there in a very agreeable and profitable manner.” This is kind of a spoiler for the next book in the series, which is all about their adventures on their journey. We know that they eventually arrive safely and proceed about their business, but the narrator promises to tell everything in more detail in the next volume. Actually, there are also spoilers for the rest of the series because we are also told that everything goes well with Handie’s farm, Mr. James is able to find a good tenant to rent it, and when Handie eventually returns home, he finds that his parents have been doing well and that Handie is able to repay the loan that bought his time from his father. There’s no suspense about any of that, whatever else happens in the following stories. In fact, the book says that the loan worked out so well for Handie that Rainbow thinks that he’d like to try a similar arrangement when he’s older. Handie says that, by that time, he might have the money to make him a loan himself.

I covered some of this above, but there are a few more things I’d like to talk about. Although the plot is a little slow and must of it focuses on how business deals work and the importance of hard work and prudent living, I actually thought it was an interesting book. What I found most interesting about it was the look at the daily lives and concerns of people in the mid-19th century.

I was a little surprised at the way the lawyer explained the laws concerning the ownership of Handie’s time and the laws about the obligations between children and parents. The relationships between children and parents and how they should behave toward each other, specifically what children owe to their parents are central to the story. 

The parents in the story aren’t perfect people. Handie’s parents have some obvious flaws, particularly Handie’s father. Handie and his mother would have some justification for being upset with Mr. Level for getting their family into this financial hole and then depending on Handie to work out a solution, but they’re not really angry with him. Mr. Level is within his legal rights to use his money and theirs in whatever way he wants as the head of the household and Handie’s father, even though it’s obvious that he doesn’t really know what he’s doing. Nobody questions Mr. Level’s legal authority over his family’s financial affairs, although everyone knows he isn’t good at handling money, and they haven’t been able to get him to improve before. However, Mr. James and Handie recognize that whatever solution they work out together can’t violate Mr. Level’s rights to make decisions about his family’s affairs and must respect his authority over his son. What Mr. James suggests to Handie is a way of emancipating Handie’s financial affairs from his father’s while providing Mr. Level with generous compensation, which improves the circumstances of the entire family.

The part about children legally owing their parents some form of compensation for the costs of raising them surprised me. I’ve heard of that as a social convention, but I didn’t think there were actual laws about that. I’m not completely sure whether the author was right about that part or not because I had some trouble finding a source to verify that, but if anyone else knows the answer, feel free to comment below and tell us. 

In modern times, there are laws about the care of children, and parents can be charged with neglect if they fail to provide certain necessities for their children, but I don’t think I’ve ever heard of a modern law about children giving compensation to their parents. After all, children can’t choose their parents like they can choose from among possible employers and negotiate their terms, so it’s not quite like entering into a business arrangement. I can see the logic of children helping the parents who raised them as part of family loyalty and affection, but the amount of care that family members show each other is difficult to codify because it’s hard to measure and put a price tag on human feelings. Emotional support is a natural and important part of family life, and it occurs to me that might be difficult to prove how much family members might have shown to each other. People value it, and it’s hard to say how much of that might be a service that they render to each other in a family. 

It also occurs to me that individual families in the past may not have looked at their family through a legal lens, even if they had the legal means to do so. When Handie speaks to his parents about reorganizing their family’s financial affairs and about his new position, repairing the farm he inherited on behalf of his own estate, Handie tells his parents that, when he returns home from this job, he will live with them again but that he will pay them for his room and board. His mother tells him that paying to live with them won’t be necessary because he’s their son, but Handie insists because he will be working and earning money as an independent person, no longer a dependent of his father. 

What that exchange tells me is that Handie’s mother doesn’t view him as an economic resource for their family. He’s just their son, and she loves him and would care for him, even if he couldn’t pay her for it. Their family isn’t overly concerned about money, they hardly even know how to manage the money they have, but they do understand family and human feeling. There are upsides to that because they are prepared to support each other just out of love and family loyalty, even when that would hurt their financial situation. The downside is that Handie has realized that, for their family’s future security, they’re going to have to be a little more strict about the financial aspects of the life they share together. While he is grateful for his parents’ feelings for him, he thinks that insisting on upholding his financial obligations to his parents will be more beneficial to them in the long run. 

Maybe people in real life looked at it in a similar fashion, depending on their own family’s circumstances. Maybe there were times when they didn’t care that much about keeping track of each family member’s financial contributions and insisting on exact repayment from each other because their feelings for each other were in the balance and/or because some family members might not be in a position to compensate each other financially to the same degree because of health reasons or other issues. If the law is really as Mr. James says it is, the rules about children compensating their parents might have only been invoked in situations where there was some serious dysfunction in the family, like if a child resisted working or helping out at home at all, and the parents were desperate. If the parents were satisfied with their relationships with their children, they probably wouldn’t bother to keep strict accounting of their children’s monetary value or get petty about the laws with them. At least, that’s my theory. In the case of the story, the characters are in a pretty serious financial problem, with the threat of losing their home, so they seriously need to straighten out their finances according to the law.

So far, because most of the focus of the story is on the Levels’ financial woes and how they straighten out their affairs, the story hasn’t gone into detail about race relations. However, I already know that this becomes more of a central theme in later installments of the story. At this point, we know that Rainbow couldn’t go to school like Handie did because he wasn’t welcome there. Nobody uses the term “segregation”, but that’s basically what it is. Nobody explains the laws regarding this kind of segregation, so I’m not sure if there’s an official law about that for this village or not, but there seems to be at least a social convention about that. 

Rainbow says that people have teased and taunted him about his race, although when he’s about to leave home with Handie, many of the local boys say goodbye to him in a friendly way. The book says that many of the local boys like Rainbow because he is kind, which made me wonder how many of those boys were the ones who didn’t want Rainbow in school with them. The story isn’t clear on that point, although I have heard of that concept of some white people liking black people as long as those black people “know their place.” I suspect that the situation in this town may be something like that. Maybe most of the townspeople accept Rainbow in a general way, as a neighbor and a worker and someone they might wave to or chat with, but they can get offended or even nasty if he starts getting above the station that they think he should occupy in life. We don’t have any specific names of people who have harassed Rainbow, so we don’t know if any of them are also sometimes friendly, as long as they think they have the social upper hand. It just strikes me that many of Rainbow’s relationships with the people in this village are probably conditional ones, the condition being that he doesn’t seem like he’s trying to be as good as or better than they are.

Handie and Rainbow haven’t been far from home at this point in their lives, and going to this new town will be a major adventure for them. Mr. James knows that Rainbow may have some problems from the people they meet along the way and that Handie may have trouble finding places for them to eat and sleep on their journey because Rainbow is black. However, Handie decides that he really wants Rainbow and that he’s willing to take responsibility for the both of them and deal with whatever problems they encounter. When Handie promises Rainbow that Rainbow will eat as well as he does, he’s promising that either he will make sure that people give Rainbow the services that they both need or that he will forgo those services himself. He will only stay and eat in places that accept Rainbow as well, whatever that means for them both along the way. Handie is becoming a young man, and as befits a real man, he’s taking responsibility for someone younger and is determined to look after him as both an employer and friend. There will be more to say about this as we continue through the story.

Kiki’s Delivery Service

More Americans would probably recognize the title as the title of a Studio Ghibli animated film for children than as a book title, but the book came before the movie, and it is actually the first in a series, which continues the story about Kiki’s life and adventures, although I don’t think the later books in the series have been translated into English (at least, I haven’t found them in English). The original Japanese version of this book was written in 1985, and I read the English translation from 2003.

Kiki is a young witch, and in keeping with the traditions of young witches, she is expected to leave home at age 13 and live for a year in a city with no other witches.  It will be a test of her developing skills and a coming-of-age experience, helping her to recognize her talents and find her place in the world.

When Kiki sets out for her journey with her cat, Jiji, she doesn’t know exactly where she is going to go or what she will find when she gets there. Some young witches know early on what their talents are and how they plan to support themselves during their year away from home, but Kiki is less sure (like so many of us who “don’t know what we want to be when we grow up”).  The term “witch” just refers to a person’s ability to do magic.  It’s not a job title by itself, and witches are expected to develop a specialization, such as brewing potions or telling the future. Kiki’s mother has tried to teach Kiki her trade, growing herbs and making medicines from them, but Kiki hasn’t had much patience with it.  The only major ability Kiki has is flying, which is something that witches are expected to do anyway.  Still, she has an adventurous spirit and is eager to set out and see what life has to offer.

Once Kiki locates a city with no other witches, she has to find a place to stay and a job to earn money. She finds a city by the sea, which seems exciting to her.  As she explores the city, she meets Osono, a woman who owns a bakery with her husband. When she helps deliver a baby’s pacifier to a bakery customer who left it behind, flying to the customer’s house on her on her broom, Osono offers to let her stay in a small apartment attached to the bakery. Kiki feels a little overwhelmed by the big city at first, but she realizes that, in a large city like this, there are probably a lot of people who have small delivery errands that wouldn’t be covered by ordinary parcel delivery services.

Kiki opens a delivery service, delivering small packages and running errands for people around the city.  At first, business is slow, and some people are afraid of her as a witch. During a trip to the beach, a curious boy borrows her broom and breaks it. Kiki is distressed, and the boy apologizes. The boy’s name is Tombo, and he is part of a club of other kids who are interested in flying. He has made a study of flight and had hoped to learn more about how witches fly by trying Kiki’s broom, but Kiki expains that only witches can fly with brooms and that the ability is inherited. Kiki has to make a new broom, and it takes her a while to break it in, but it actually works to her benefit. People who were initially afraid of her for being a witch become less afraid of her and more concerned about her when they see that she is just a young girl, clumsily trying to master a new broom. Kiki gets some additional support and business from people who feel moved to help a struggling young witch. Tombo also makes it up to her and becomes a friend when he helps Kiki to figure out a way to carry a difficult object on her broom.

During her very first delivery assignment, Kiki was supposed to carry a toy cat to a boy who was having a birthday, but she accidentally dropped it. When she searched for it, she met a young artist, who was enchanted by Kiki as a young witch and painted a portrait of Kiki with Jiji. When the artist asks Kiki to take the painting to the place where it will be on exhibit, Kiki isn’t sure how to carry it at first. It’s kind of a bulky object to carry on her broom. Remembering that Tombo has made a study of flying, she asks him for help. Tombo ties balloons onto the painting to make it float and tells Kiki that she can now pull the painting along on a leash, as if it were a dog. The idea works, and when people see Kiki pulling a painting of herself along through the sky with balloons tied to it, it acts as advertising, bringing her more business.

Some of Kiki’s new jobs are difficult or awkward, and some customers are more difficult to deal with than others. There are times when Kiki finds herself missing home or trying to remember how her mother did certain things, wishing that she had been better at watching and remembering what her mother did. Still, Kiki learns many new things from her experiences and acquires new skills.

Kiki’s experiences also help her to realize a few things about herself and life in general. Like other girls, Kiki worries about how boys see her. When Tombo makes a comment that he can talk to her when he can’t talk to other girls, Kiki worries that he doesn’t see her as a girl at all. A job delivering a surprise present to a boy from another girl her age helps Kiki to realize that everyone is a little shy and uncertain about romance and even people who act confident feel a little awkward about first relationships.

As her first year away from home comes to an end, Kiki wonders how much she’s really changed over the year. Although she has successfully started a new business and done well living away from her parents, she still experiences a sense of imposter syndrome, where she doesn’t quite feel like she’s really done all of the things she’s done. Her first visit home to her parents reminds her that her new town has really become her new home. She has become a part of the place, and she feels her new business and friends calling her to return.

In 2018, the author, Eiko Kadono, was awarded the Hans Christian Anderson for her contributions to children’s literature.

My Reaction

I think of this story as one of those stories that takes on more meaning the older you get.  Young adults can recognize Kiki’s struggles to make her own way in the world and establish herself in life as ones that we all go through when we start our working lives and gain our first independence.  It can be a scary, uncertain time, when we often wonder if we really know what we’re doing. (Life Spoiler: No, we don’t, but no one else completely does, either, so it’s normal and manageable. Some things just have to be lived to be really understood, and that’s kind of the point of Kiki spending a year on her own, to see something of life and how she can fit into it.) However, it’s also a time of fun and adventure as we try new things, build new confidence, make new friends, and learn new things about ourselves. Like so many of us, Kiki doesn’t always do everything right, but she learns a lot and endears herself to the people of her new town.

The Miyazaki movie captures the feel of the story well, although the plot isn’t completely the same. There are incidents and characters that are different between the book and the movie. Tombo appears in both the book and the movie, but there are other characters who appear in the book who weren’t in the movie. In the book, Kiki makes friends with a girl named Mimi, who is her age, and the two of them discuss crushes on boys and how each of them was a little envious of the other because, while each of them is struggling with their own uncertainties in life, they each thought that the other acted more confident. The movie version developed the character of the young artist more. Kiki also didn’t lose her powers during the book, although that might be a part of one of the other books in the series, since I haven’t had the chance to read the others yet.

Crispin and the Cross of Lead

Crispin: The Cross of Lead by Avi, 2002.

The story begins in 1377 in England. It begins with the death of the boy’s mother, Asta. The boy is only known as “Asta’s son” at this point. Nobody has ever called him anything else for as long as he can remember. Even his mother only called him “Son.” He is 13 years old and has no knowledge of who his father was, although his mother told him that he died of the Plague before he was born. As a fatherless child, he was often taunted by others in their little village, and he noticed that no one really seemed to like his mother, although he never really understood why. The only real friend they’ve had is the village priest. With his mother gone and John Aycliffe, the steward of the manor of Lord Furnival that controls the area where they live, demanding his only ox as the death tax for his mother, the boy fears starvation.

As a bleak future lies before the boy, something happens which makes his situation even more dire. He witnesses a secret meeting between John Aycliffe and a mysterious stranger. The boy doesn’t understand the significance of the meeting, but Aycliffe catches him watching and tries to kill him. The boy escapes, but it soon becomes clear that he can’t go home again. Aycliffe has people hunting for him, and he overhears a couple of them talking, saying that the steward has accuse him of stealing from him. No one actually likes Aycliffe and they don’t really believe that the boy is a thief, but they have no choice but to follow the steward’s orders because he’s a relative of Lord Furnival’s wife, and that’s how he gained his position.

Not knowing why Aycliffe has framed him for theft and not having anywhere else to go, the boy turns to the village priest for help. He discusses the meeting he witnessed between Aycliffe and the mysterious stranger, and the priest reveals that Lord Furnival, who has been away, fighting, has returned home but is now dying. The stranger, Sir Richard du Brey, brought the news of Lord Furnival’s impending death, but the boy knows that Aycliffe and du Brey seemed concerned about another matter, something they said posed a threat to them.

The priest tells the boy that Aycliffe means to have him killed and that his only choice is to run away. The boy doesn’t see how he can do that or where he’s supposed to go because he has lived all of his life as a serf, bound to the land. The priest tells him that he needs to go to a big town and stay there for a year and a day to gain his freedom from serfdom (this was a true historical way for people to escape serfdom in the Middle Ages). The priest also tells the boy that his real name is Crispin, but his mother didn’t want anyone else to know, for reasons that he doesn’t explain. He asks Crispin if his mother ever told him anything about his father, but the boy just says that all he knows is that his father is dead. Crispin asks the priest if there’s something that he’s not telling him about his mother, but the priest doesn’t explain. Instead, he tells Crispin that the most important thing is for him to get away. He tells Crispin to hide in the woods while he gathers some things to help him on his journey, and he promises to tell him more about his father when they see each other again. He says that it would be safer for Crispin to know more right before he leaves. (You just know that when someone has something important to say but would prefer to say it later, that person is probably doomed.)

When Crispin waits for the priest to come for him later, a boy from the village shows up instead, saying that the priest sent him. The boy, Cerdic, guides him to Goodwife Peregrine’s house, and she advises him to go to the south because the steward’s men are searching the road to the north. She gives him some food and a cross made of lead in a leather pouch. Before Crispin leaves the village, however, Cerdic says that maybe he should head north after all because the steward might have been lying about searching the north, just to make Crispin think that he should go south. Cerdic says that the priest told him that the best way for Crispin to go would be west because that’s what everyone would least expect. It would be the last thing anyone would expect because the Lord Furnival’s manor house lies in that direction. However, Crispin soon discovers that he has been led into a trap and that the steward is waiting for him. He manages to escape, but he discovers that the priest has been murdered, preventing him from telling him whatever he knew.

Crispin wanders by himself until he finds an empty village where everyone was apparently killed by the Plague. However, there is one other person in the village, a traveling entertainer. The entertainer gives Crispin some food, but he also forces him to tell him his story. Realizing that the boy is a runaway, he forces Crispin to become his servant on the principle that a runaway serf can be taken by anyone. Crispin doesn’t want him for a master, but he has no choice because, if he refuses, the entertainer could easily turn him over to the steward at his former manor, where he would be killed.

The entertainer explains that his name is Orson Hrothgar, but his nickname is Bear because he is a large man. He shows Crispin his juggling and explains that’s how he makes his living. He asks Crispin what he can do, but all Crispin knows is the farming he did as a serf. Bear says that there is no way he could make a living on those skills in any city he went to and he’s going to have to acquire some new ones. Bear is a strange master, giving orders like a tyrant but at the same time claiming to hate tyranny and keeping Crispin firmly in his service while refusing to be called “sir” because he thinks that it makes Crispin sound too servile. As Bear and Crispin get to know each other, it starts becoming obvious that Bear is actually trying to help Crispin when he’s hard on him and even forcing him to serve him is actually in Crispin’s favor because Crispin doesn’t know how to survive by himself in the wider world and hesitates to make decisions for himself without guidance or orders from someone. The threat against Crispin’s life is real, and he’s gong to need help and guidance to survive.

Bear teaches Crispin how to sing and juggle so he can perform with him, but he also teaches the boy how to have some respect for himself and how to take charge of his own life. He can tell that Crispin has been badly neglected in his early life, taught only to obey orders and not ask questions. Because, for a long time, Crispin didn’t even know he own name, he thinks of himself as basically a nobody who doesn’t have a place in the world and isn’t worth anything to anyone. Bear takes Crispin in hand and shows him that his life and his own self are what he decides to make of them.

Bear’s own history is a strange story, and he tells Crispin how his father originally enrolled him in a Benedictine abbey at a young age to be a monk. While he was there, he learned to read and actually became a scholar, but before he took his final vows, he happened to meet a group of mummers, and he was charmed by the life of a traveling entertainer. He abandoned the abbey and traveled with the mummers for a time. He has also been a soldier, and during his time as a soldier, he met Lord Furnival. Crispin asks him what Lord Furnival is like because, even though he has always served on his land, he’s never actually met him. Bear describes Lord Furnival as a cruel man who used other men for his own gain and killed them when he had no use for them.

When they arrive at a new town, Bear assumes that Crispin will be safe to perform in public, having left his enemies behind because few people would pursue a poor boy of no important family or position over the theft that he was accused of doing back in his village. However, Crispin is alarmed to see Aycliffe as they enter the town. Bear realizes that there must be more to Crispin and his situation than even he knows. The murder of the priest back in the village is a shocking crime and must have been intended to silence him from telling whatever he knew. If Aycliffe poses a threat to Crispin, it seems that Crispin must also somehow pose a threat to him, a threat that he thinks must be eliminated. Discovering the reason for targeting Crispin also means unraveling the secrets of Crispin’s past and parentage, and along the way, Crispin also comes to a new vision of the future that he may build for himself.

There is a section in the back of the book which explains the history of this time period and some of the wider events that are a part of this story. The copy I read also had the text of an interview with the author.

This book is a Newbery Medal winner. It is available to borrow and read for free online through Internet Archive (multiple copies). There is also a sequel to this book called Crispin at the Edge of the World.

My Reaction and Spoilers

I read this book partly because I liked Midnight Magic by the same author, and I was pleased to see another mystery story by Avi set in Medieval times. However, the two books have a very different tone from each other. Midnight Magic featured palace intrigue and possible murder, but it was a spooky mystery adventure. Although there were dark themes, it had a sense of whimsy and fun adventure to it, playing with superstitions and a kind of spooky prank, even though it had high stakes. Crispin begins immediately with a mystery orphan who has people who are actively trying to kill him for reasons he doesn’t understand and who is forced to flee for his life. It’s much darker and more serious in tone, and there are parts where dead bodies are actually described in detail. This is definitely not a book for young kids!

The mystery in the story centers around the boy’s true identity and parentage. I thought it was obvious even from the beginning that the boy’s father would turn out to be someone important, whose identity might become known through the deaths of his mother and Lord Furnival and who might pose a threat to the villains in the story through whatever position and inheritance he might have.

It isn’t that much of a surprise that Lord Furnival is Crispin’s father. When he was alive (he dies during the story), he used women for his purposes as well as men. Crispin is not the only child he had by women other than his wife, who apparently, was unable to bear children. The story doesn’t explain who Crispin’s other half-siblings might be or where they are, but the other characters quickly realize that the reason why Lady Furnival and her kinsman, Aycliffe, want Crispin dead is that he might make a claim on his estate, or worse yet, other people might use Crispin to undermine their power. This is a dangerous time, and many people are competing for power and influence. Crispin’s mother was also no ordinary peasant girl. She has kin who are still alive and may be in a position to use Crispin and whatever inheritance or title he could claim to solidify their own positions. Even Crispin’s grandfather, if he became aware of the boy’s existence, might look at Crispin less as a beloved but previously unknown grandson, but more as an unexpected windfall that he could control and use to his advantage. Bear is really the only person who cares about Crispin’s welfare for his own sake, not for what he might be able to gain or achieve through him.

The plot is further complicated because it turns out that Bear is no ordinary entertainer. He turns out to be involved with a real historical character, John Ball, the priest who helped lead the Peasants’ Revolt of 1381. The pieces of philosophy that Bear discusses with Crispin throughout the story are not just academic, and for all of Bear’s apparent lightness as an entertainer, he is actually a deeply serious man who is participating in a clandestine organization that plans to put his principles into action in the form of a rebellion. In his travels, Bear acts as a kind of spy, carrying information to different leaders of his group. There are indications in the story of social unrest and the coming violence. Sadly, in real life, most of the leaders of this revolt were caught and put to death, including John Ball. This endeavor isn’t going to work out well for Bear’s associates and maybe not even for Bear himself, and that probably figures into the sequel to this book.

I particularly liked this book for the inclusion of many small historical details. Throughout the story, Bear and Crispin discuss aspects of Medieval law, social structure, and religion in England, and there are also some details about daily life and the Plague. The only Christian religion in the book is Catholic because the story takes place prior to the Reformation, so all of the religious talk in the book is from that perspective, although Bear and Crispin debate with each other about the role of God in determining a person’s position in life and human decisions (like when a person should wait to act on divine guidance vs making decisions for themselves) and the use of religious objects (like whether Crispin’s lead cross serves a purpose in prayer or if prayer should simply be private and mental, with no outside sign), which leaves room for readers to consider what they believe and their own views of the situation.

A small detail that I liked was Bear’s explanation of what the different colors of the robes of different types of monks mean. The different orders of monks and priests – Dominican (white robes), Franciscan (brown), and Benedictine (black) – still exist in modern times and still have a somewhat different focus from each other in their activities. As a Catholic, I know that Dominicans are usually (but not always) the priests who celebrate public masses in local churches (Bear describes them saying, “They preach well” because that’s a major focus of what that order of clergy does), and Jesuits (who don’t exist yet at the time of this story) are typically (but not exclusively) the ones who teach in Catholic schools (which I’ve never attended – I came up exclusively through public schools) and universities (Loyola Marymount University is an example). These are the two groups I’ve seen the most in my life in the modern southwestern US, but they are not the only orders of Catholic clergy. For example, the book didn’t mention the Cistercians, who also existed at the time of this story and are basically more strict, austere versions of the Benedictines. I like this particular detail because it shows how there is depth to every subject. A non-Catholic might not know that these different orders of clergy exist, and it matters because each of these groups does have a different focus in their views, methods, and lifestyles while still falling within the sphere of being Catholic. In Medieval England, because each of these groups would have performed somewhat different functions in society because of their different focus and people of the time would have been aware of the differences between them. If you’re a fan of Dungeons and Dragons, the concept of different subclasses of clerics have real-life parallels, not just in historical polytheistic religions but even in modern monotheistic religions.

It was common for Medieval monastic orders to support themselves through agriculture (when society was largely based on agriculture, abbeys kept their own lands and animals for support), but monks, priests, and nuns could also fulfill a variety of professions and services in society, some as charity and others as paid roles to support themselves and their orders. Aside from their basic religious functions, they could act as scribes, copying, writing, and illustrating religious and historical books and manuscripts on commission (essentially, the book publishers of their day, before printing presses were available). When Bear was young, his father enrolled him in a Benedictine abbey. He explains that he learned to read in different languages there, so this was probably the work they were preparing him to do if he had continued with his training there, rather than the public preaching he would have been taught to do if he had joined the Dominican order. It was one of the functions that Benedictines were known for, and it would have been a good order for someone to join if they wanted to lead an intellectual or academic life in the Middle Ages. Bear gets much of his philosophical attitude and reflection from his early Benedictine education, although he values the independent form of free thought that he developed through his years of travel to the more strict form of traditional scholarship the abbey would provide. Religious orders that emphasized reading, writing, and learning could also provide tutors to wealthy families to teach their children these skills and clerks (derived from the word “clergyman” or “cleric”), who would keep important financial, legal, and political records for influential people in society. Abbeys and monasteries might also provide lodging for travelers in places where there were no inns, hospitals for the sick and injured, and various forms of charity for those who needed it (the social services of their time). Although joining one of these orders involved strict rules and vows of chastity and poverty (any wealth they acquired was supposed to be used to support the group and their functions rather than mere personal gain), there were opportunities for intellectual as well as spiritual development and a chance to lead a more varied life than other parts of society might provide at the time.

In their travels, Bear and Crispin see many different types of people who would all have been part of Medieval English society. Not all of their jobs and positions are described in detail, but if someone was using this book with students working on a Medieval lesson unit, they could make notes about all of the different types of people Bear and Crispin meet and look up the details of their roles in society to get a more detailed picture of the world these characters are moving through.

A Pattern of Roses

Tim Ingram has been feeling depressed since his parents decided to move from London to an old house in the country that they’re fixing up. It’s hard for him being separated from his friends and living in this overly-quiet place, where it seems like nothing ever happens, but the truth is that he was depressed even before his family moved. A large part of Tim’s problem is not knowing what he wants out of life. He works hard in school to get good grades, and his school has a reputation for getting its students into good universities, but it all seems so futile because Tim doesn’t know what he really wants to study or what he’ll do when he gets out of school. His father quit school early and went to work, working his way up the ladder in an advertising firm and becoming monetarily successful. However, Tim doesn’t feel like he has either the wit or self-confidence for starting off from practically nothing and working his way up in a direction he’s not even sure he wants to go. His father’s plans and suggestions for the future don’t excite him or make him happy. They actually make him feel more stressed and depressed when he thinks about them. His father is in a position to just give him a job with his company, so Tim does have a guaranteed job if he can’t think of anything else, but advertising doesn’t appeal to Tim. He’s not sure what does appeal to him. He fears and dreads the future, specifically his own future. He doesn’t know what to do with himself, and in this new place, it seems like there isn’t a lot he can do.

Tim has also been arguing with his parents, discovering that he has different interests and priorities in life than they do. While they’re enthusiastic about expanding onto this country house with a new and stylish modern wing, Tim prefers the older part of the house and its simpler style. He thinks the modern additions his parents made look ugly and out-of-place, ruining the natural beauty of the countryside. His parents feel like he’s unappreciative of their standards and the sort of lifestyle they’ve worked hard to build, and his mother even goes so far as to call him “perverse and awkward.” He kind of feels that way, too. Tim often feels like he’s a nobody, not very outstanding at anything. His ambitious parents are disappointed in him because they’ve invested so much in his education to show him off as another one of their achievements in life, and he doesn’t think he’s much to show off. He’s even a little disappointed with himself because, not only does he not seem to live up to his parents’ expectations, he doesn’t even have it in him to stand out as a rebel or a troublemaker, like some of his friends. He’s not an aggressive person, and it’s just not his nature to fight or get into trouble, and that makes him feel like even more of a nobody. If he neither excels at meeting people’s expectations or at deliberately flouting them, what is he? Who is he? Where does he fit in? With all of this, Tim hasn’t been feeling well, and he fakes being sicker than he is so he doesn’t have to get out of bed and deal with any of it. Since he’s been unwell, he’s also excused from school until after Christmas, leaving him with nothing to do in this countryside house but lie in bed and think about all the things that are worrying him.

Then, one day, the builder who’s been working on their house finds an old tin box hidden in the chimney of the room that Tim has chosen for his bedroom. The box catches Tim’s attention. It looks like a very old biscuit (meaning cookie, this book is British) tin decorated with a faded pattern of flowers. The builder opens the box and is disappointed to see that it just contains papers, not anything that looks really valuable. However, Tim is curious and insists that he wants to see the papers.

The papers are drawings, quite old and done in black crayon. Most of them are landscapes and buildings, but there is also a girl, who is labeled “Netty.” Netty’s name is written in a heart, so the artist must have loved her. The date on one of the drawings is February 17, 1910 (the story seems to be contemporary with the time when it was written in the early 1970s because Tim thinks that was 60 years ago), and to Tim’s surprise, the author signed with his initials: T.R.I. Tim’s full name is Timothy Reed Ingram. Tim is intrigued that the artist who lived so long ago had the same initials and apparently lived in his room.

The builder, called Jim, asks Tim if he likes to draw or knows anything about art. Tim gets good grades in art, but he’s not very self-confident about his abilities. Still, he knows enough to tell that the artist wasn’t particularly great at his art. There are places where he got the proportions of his drawings wrong, but Tim is impressed that they convey a lot of feeling. Even though the drawing of Netty isn’t perfect, Tim feels like he can tell what kind of girl she was. She looks like she’s in her early teens and has a kind of proud, somewhat naughty or daring look. Tim asks the builder if he knows anything about the artist or the people who lived in the house back in the 1910s. The builder says that was before his time, but he thinks that he remembers hearing that the family name was Inskip, and he says that he could ask his father if he knows more. Tim wonders why the drawings were hidden in the chimney and begins to imagine what the first T.R.I was like, picturing a boy close to his own age.

Tim is surprised at how real the boy he imagines seems because he’s often found it difficult to imagine old people as once having been young. He’s seen old men and known that they were part of the generation that fought in WWI but is unable to picture them as once having been soldiers. In fact, he knows that his own father flew a Spitfire during WWII, but even though he knows it happened, he has trouble picturing that of the middle-aged advertising manager his father has become. Yet, somehow, T.R.I. seems incredibly real to him, someone he can connect with, even more so than his own father. Details of this past boy’s life flash through Tim’s head without him knowing quite where they came from. However, Netty seems even more real to Tim because of her picture.

When Tim’s mother makes him get out of bed and go visit the local vicar to get a copy of the parish magazine, Tim has a strange vision of the boy artist he imagines as being named Tom Inskip passing him in the lane. It’s so real that Tim feels like Tom is actually there. As he pauses to look around the churchyard, he spots some beautiful purple roses by a gravestone. Taking a closer look, he sees that the grave has the initials T.R.I., a birth date of March 1894, and a death date of February 18, 1910. Tim is shocked to realize that the artist was not only a little less than 16 years old when he died, just a little younger than Tim is now, but that he also died the day after he drew that last picture. It seems like the boy’s death was sudden and unexpected, more like an accident than a long illness.

Tim doesn’t meet the vicar, but the vicar’s daughter, Rebecca, spots him in the churchyard and asks him if he’s all right. Tim just says that he’s there to get a parish magazine. Rebecca isn’t too cheerful or friendly, and she just gives him one and sends him on his way. Tim later learns that Rebecca is the youngest of the vicar’s children and the only one still in school. Her older siblings are all grown up and have jobs working for good causes and charity organizations.

Tim talks to Jim the builder about the grave he saw, and Jim is interested. He suggests that, since T.R.I. is buried in the churchyard, there will be church records about who he was and how he died. Tim has another vision of the boy, and the boy says, “Find out. But be careful it doesn’t happen to you.”

Tim returns to the vicarage and talks to Rebecca about T.R.I. Rebecca says that she doesn’t believe in ghosts and that she thinks the visions he’s had are just his imagination. However, Tim’s guess that the artist’s first name was Tom turns out to be correct. His full name was Thomas Robert Inskip. The records don’t say how he died, but Rebecca suggests that Tim ask an old local man called “Holy Moses.” The old man says that he remembers Tom Inskip but he doesn’t know what happened to him because he left the village to work somewhere else and didn’t come back until after Tom was dead. When Moses shows them an old photograph of all the children at the local school, Tim recognizes Tom instantly as the boy from his visions and strangely even knows the name of Tom’s friend, Arnold, standing next to him in the photograph, without being told.

From this point forward in the story, scenes with Tom alternate with scenes with Tim. Tom’s scenes start with the day the photograph was taken, when Tom was eleven years old. It was also the day that Tom first met the new vicar of the parish, Reverend Bellinger, a fire-and-brimstone kind of preacher, very different from the gentle man who was the last vicar. Like Tim, Tom was bright, imaginative, and artistic, but he was not much of a worrier. Tom fails to impress the new vicar because he is not very good with religious knowledge and often doesn’t pay attention. Tom loves to draw, but after he gets out of school and starts working, he finds that he doesn’t have time anymore. The vicar’s daughter, however, is kind and encourages him to draw because it’s a talent from God and must be used. People often underestimate her and don’t appreciate her because she has a disability, so she understands what it’s like not to have the opportunity to use and develop her talents to the fullest. It’s only sad that a tragic accident cuts Tom’s life short before they can see what he might have developed into, although when Tim and Rebecca manage to contact the people who knew and remember Tom best, one of them points out that, if Tom hadn’t died when he did, he might have been sent off to fight and die with the other young men during WWI, and with his gentle soul, he might have suffered more from the war than he did from the accident that took his life, when died young in an act of self-sacrifice.

Tim’s scenes involve his parents and school discussing his future, asking for little input from him, not caring about how he feels or what he wants. Tim actually does love art, and his art teacher thinks he should go further with it, but his teacher realistically acknowledges that, with Tim’s good grades in his other classes, his family and the school will want to push him into more lucrative and higher-status fields. But, does Tim really care about money and status as much as his parents? Is that really what he wants?

Gradually, Tim begins to consider the idea of the legacies people leave behind. Few living people remember that there was once a boy named Tom Inskip who died young, and after those people are gone, no one will remember. It occurs to Tim that few people would likely remember either him or his father as advertising workers. If all you care about is just getting money to afford the good things in life, any job could do, and there are many well-paying jobs that make little lasting or meaningful impact on the world. On the other hand, if what you want is to leave a lasting and meaningful legacy, you have to think a little deeper and maybe sacrifice some material gain. Money comes, and money goes, and one coin or bill looks like another, but what lasts as long and has as much individual character as a collection of imperfect but evocative drawings hidden away in an old tin box?

The question of what Tim wants to do with his life becomes the question of what Tim wants to leave as his life’s legacy. The quietness of the country, rather than being the torture it initially seemed, gives Tim a chance to think and really consider what he wants. Through his search for Tom’s past and consideration of Tom’s legacy, Tim finds a new vision of his own future that makes him more hopeful instead of more frightened and that may lead him to find what one of Tom’s friends called Tom’s “perfect spiritual grace.”

The book is available to borrow and read for free online through Internet Archive (multiple copies). Some US versions of the book are titled So Once Was I.

That alternate title is fitting for the theme of the story. Tom was once a living boy with choices to make in his future, much like Tim is now. That phrase also appears in the story as part of an epitaph from another tombstone, which I’ve also seen elsewhere. That same epitaph has been used in different forms in real life. It refers to the inevitability of human mortality – all those living will someday die, like every other generation before. As one of my old teachers used to say, “Nobody gets out of life alive.” But, I would also like to point out that the sentiment also refers to growing up. Every adult used to be young (although Tim has trouble picturing it), and every child will someday be an adult (if they live to grow up – Tom was unfortunate). Every person in a profession of any kind was once a student and a beginner, struggling to learn and find or make their place in the world, and every student will one day find or make some place for themselves and try to make a mark on the world. Change is inevitable. Time passes, people grow and change, and everyone moves on in one way or another. Tim won’t always be a student with his parents controlling his education. He will eventually grow up, graduate, and become an adult. That part is inevitable. What else he becomes is up to him and whatever opportunities he seeks and finds for himself. His future legacy is still in the making.

There is also a made-for-television movie version that is available to rent cheaply online through Vimeo. The movie version is notable for being Helena Bonham Carter’s first movie role. She played young Netty.

I found this story very sad, particularly Tom’s death, trying in vain to rescue beloved hunting dogs but drowning along with them in an icy lake when they all fell in. The death of the dogs was as traumatic as Tom’s, and it is described in awful detail. I also hated a part earlier in the story, where one of the dogs kills a pet cat. I love animals, and that was hard to take. It’s all a tragedy, but Tim’s story has a more hopeful ending. Besides leaving behind a box full of drawings, Tom’s effect on Tim’s life becomes a part of his legacy. Even though they lived in different periods of time, Tom and his life story helps Tim, who has been going through a personal crisis, to realize what’s really important and what he wants out of life.

Through much of the book, both Tim and Rebecca are in a similar situation when it comes to their future lives and their family’s expectations for them. As Tim gets to know Rebecca, he discovers that she has hidden depths and is inwardly quite sensitive. She often uses a blunt and abrasive manner to keep people at a distance and hide how sensitive she really is. Like Tim, she is also unimpressed by the money and business-oriented priorities of the modern world and Tim’s parents, preferring things with an old-fashioned, natural beauty – things that, sadly, are often cleared away by modern people in the name of money, business, and being modern. Yet, Rebecca also doesn’t feel like she fits with the lives that her family lives. She doesn’t have the patience to deal with the people her family tries to help, many of whom are nasty and ungrateful instead of kind and appreciative of the help they get, and she feels like her parents don’t have time for her because they spend all of their time helping everyone else. Rebecca is considering a career in social work, but it’s mostly because it’s what her parents want and expect of her. As they compare their family lives, Tim and Rebecca both realize that neither of them quite fits their families’ lifestyles and expectations. They both feel pressured. Their families are also extremes: extreme business and high-achievement vs. extreme charity. Tim and Rebecca are looking for a happy medium that neither one of them knows how to achieve. They feel overwhelmed by a world full of choices, their parents’ expectations, and their own uncertainty about what path to choose.

It occurs to them that a boy like Tom in the 1910s would have limited choices in life and expectations from his family and community. Tom died young, but if he hadn’t, he probably would have been expected to do what other young men in his community did, which was mostly farming or joining the army. In some ways, Rebecca thinks life was probably much easier for those who had no choices than it is for modern people with many more choices and little to no guidance about how to use them. Tim and Rebecca aren’t really bound to their parents expectations because there is less social stigma with being different in their time, but being young, inexperienced, and uncertain of their options in life, they aren’t sure what to do with their relative freedom. They feel trapped, but not in quite the same way as each other and in a different way from people in the past.

Perhaps all people have limits and obstacles no matter when or where they live, and nobody is ever fully in control of their destiny because they are subject to limits in knowledge, ability, and available options. Maybe not everybody is even really suited to where they end up in life. They learn that the man who was the vicar in Tom’s time was more of a bully than a loving and charitable man. Tim’s art teacher comments that he used to work in a job similar to Tim’s father before he found his calling teaching art. Having followed two different professions in his life and seen the people who thrive in each, he thinks that Tim’s personality fits better in the art world than the business world, but he can also see that Tim is going to have to learn to fight and stand up for himself to get where he really needs to be.

But, happiness in life depends on more than fighting or earning money. May, the vicar’s daughter, who is still alive and has lived a happier life than anyone expected after the death of her father, says that one of Tom’s greatest gifts was “perfect spiritual grace.” She explains that Tom never asked a lot out of life and was satisfied with what he had. His life was tragically short, but he enjoyed it to the fullest as long as he lived. Tim thinks that Tom might have gotten less satisfied with his limited prospects in life if he had lived longer, but it’s difficult to say. However, May’s description makes Tim realize that he wants that same sense of “perfect spiritual grace”, making the most of the opportunities open to him and being satisfied that he pursued those opportunities to the best of his ability.

Life has a way of taking many people in directions that they never expected. People often don’t know what they want to do with their lives when they’re young, some of us still question our career choices when we’re older, and many of us end up doing things we didn’t expect or entering fields we didn’t originally study. Tim’s new home and new acquaintances and the inspiration that he receives from Tom’s life story cause him to consider different directions that his life might take. Tim finds a job in the country as the local blacksmith’s assistant. Blacksmithing appeals to Tim’s creative side, and there is enough demand for specially-crafted decorative metal objects that Tim is confident that he can build his own business around it. He’s confident enough about it that he finds the ability to stand up to his parents and insist on the future he really wants. He probably won’t make as much money at it as his father does in his advertising firm, but he’ll be independent and creating real things that will leave the lasting legacy that he now craves. He hopes that, along the way, he’ll also find the “perfect spiritual grace” that Tom had.

Tim also comes to realize that the company that his father built was his father’s act of creation, and that’s why he takes so much pride in it, wanting Tim to continue it as his legacy. However, Tim also realizes that what his father did with his life was his decision, done for his own reasons and his own sense of fulfillment, and he doesn’t need to stifle his own creative urges to validate his father. Tim is adamant that he wants to create something of his own, to know the satisfaction of that kind of creation for himself. His parents are angry with him, seeing his decision as throwing away all that they’ve given him and all they say that they’ve sacrificed for. Still, Tim points out that the lifestyle that his parents chose was their choice, not his. He didn’t ask them to do any of it, they did it because it was what they wanted to do, and he wants the right to make his own choices. It affects their relationship, but Tim already had the feeling that their relationship was strained because of his parents’ expectations for his future, which were making him unhappy. When they argue about it, it becomes apparent that his parents have been emotionally manipulative, and having a say in his own future isn’t an unreasonable thing for Tim to ask for, even though his parents claim that it is. His parents really have been selfish and even neurotic, planning to use Tim as something to show off, ultimately depending on him to make themselves feel successful and fulfilled and validating their life choices. They make it clear to him that their support for him hinges on him doing exactly what they want him to do. Their love is conditional and transactional. In an odd way, it feels like a relief to Tim to have it all out in the open and to take control of his destiny in spite of their opposition. Whether or not his parents will eventually accept Tim’s decision and independence or whether they will remain estranged is unknown.

I don’t think I’d read this book again because of the sad and stressful parts, but it does offer a lot to think about. I’d also like to point out that this story is not for young kids because of the subject matter, and there are also instances of smoking and underage drinking.

Two Are Better Than One

Two Are Better Than One by Carol Ryrie Brink, 1968.

This is a gentle coming-of-age story about two thirteen-year-old girls in Idaho during the early 1900s, but it’s told in a interesting format, as the reminiscences of one of the girls as an old woman and focusing on a story that the girls were writing together as teenagers. It’s like a story about a story within a story.

One Christmas, elderly Chrystal Banks receives a special present from her old friend, Cordelia Crump. The package contains two miniature dolls (she calls them “pocket dolls”) that Chrystal gave to Cordelia 60 years before. At first, Chrystal doesn’t remember giving her friend Cordy” these dolls but admits that her memory is starting to fail her. As she studies the little china dolls and their exquisite details, she begins to remember them and when she gave them to her friend. The dolls’ names are Lester and Lynette, and Chyrstal remembers how Cordy used to say that the little dolls were magical because any day she carried them seemed to become special and exciting. Even when Chrystal and Cordy grew older, supposedly too old for dolls, they still continued to love and believe in the magic of their special pocket dolls.

Before young Chrystal Reese (as she was known before her marriage) gave the dolls to Cordy, they were a Christmas present to Chrystal from her Uncle Dick. That was the Christmas when the girls were in seventh grade and were early thirteen years old. Uncle Dick had acquired a number of interesting presents for Chrystal on his trip to Europe. He doted on his niece because she had no parents or siblings, living only with her grandmother and Aunt Eugenia and their dog, Rowdy. All of the presents are wonderful, but the little dolls are something special. As she unwraps them, they are hidden within a small box inside another box inside of another box (not unlike the story itself). Chrystal loves the elegant, detailed, jointed dolls immediately and names them Lester and Lynette because they just seem like the right names for the dolls.

Immediately, she goes to see if the little dolls will work well in the dollhouse that she’s made out of orange crates. She has spent considerable time and most of her allowance money putting paint and wallpaper into the little house and making furniture for it. She made all of the dollhouse furniture to fit two small dolls that she already has, Elsie and Eileen. However, Elsie and Eileen are four inches tall, and Lester and Lynette are only about two-and-a-half inches tall, so they won’t work in the house. At first, Chrystal is unsure what to do with the tiny dolls. She loves them, but she’s going to have to figure out where to put them and how to play with them if they won’t fit into the doll house. Then, she gets the idea to give the little dolls to her best friend, Cordy. It’s a sacrifice to part with such a lovely present so soon after getting it, but she wasn’t satisfied that the little bottle of perfume she was going to give Cordy was really a good present. Besides, the girls are so close that they already share everything with each other, and as they like to say “Two are better than one.” Giving the dolls to Cordy won’t be like giving them so much as sharing them with someone who can help to make them even more fun.

Cordelia Lark (her maiden name) grew up in a well-off family with mostly boys. Her father was president of the local bank and president of the school board and a civic leader in other ways, and Cordy had four brothers and no sisters. Cordy and Chrystal are kind of like the sisters neither of them ever had. They like to call each other “Tween”, which is their special pronunciation of “Twin.” They justify being twins because their birthdays are only two weeks apart, so they’re almost exactly the same age.

On the way to Cordy’s house to give her the special Christmas present, Chrystal passes by the courthouse. When she and Cordy pass the courthouse, they can see the barred windows of the jail, and they make up stories to spook each other about how one of the prisoners might escape. On this particular day, Chrystal sees one of the prisoners gripping the bars of his window and looking out. He’s the first prisoner Chrystal has ever actually seen. She’s a little afraid of him, and when he starts talking to her, she doesn’t know what to say at first. The man first asks her what she’s staring at, and then he wishes her a Merry Christmas, even though he’s not having one. Not knowing what else to do, Chrystal murmurs “Merry Christmas” back and hurries on.

When Chrystal gets to Cordy’s house, the two girls exchange presents. It turns out that each of them almost got the other some perfume, but each of them changed their mind at the last minute and decided on something better. Cordy’s present to Chrys (as she sometimes calls her) is a book, which makes Chrystal happy because she loves books and didn’t get any for Christmas this year. But, it’s not just any book. This is Chrystal’s first grown-up novel instead of a children’s book. (They mention the Oz books, the Little Peppers, and the Little Colonel series as books they’ve read.) It makes Chrys feel grown-up. It’s a romantic story about a Southern girl during the Civil War who falls in love with a Northern soldier and eventually marries him. Chrys says that Cordy shouldn’t have told her the ending before she’s read it, but she’s still thrilled at having her first grown-up book.

Chrys worries that, since Cordy gave her a grown-up present, she’ll think that the little dolls are babyish, but Cordy loves Lester and Lynette immediately. She says nobody gave her a doll this year, and she felt disappointed because she loves dolls, and it just didn’t seem like Christmas without one. Chrys explains that these are pocket dolls, and they’re meant to be carried around in pockets, so they can go everywhere with the owner. Cordy says that they’re so tiny and perfect that they must be magic, and she decides to keep the names that Chrys gave them, Lester and Lynette. Cordy thinks that the little dolls are perfect to take along on adventures.

When Chrys tells Cordy about the prisoner, the two of them are nervous, although they don’t really think he can escape. Chrys asks Cordy to walk her home, but after they pass the courthouse, Cordy realizes that she’d have to walk past the courthouse alone on her way home. So, Chrys and Cordy turn around and walk the other way again, but then, they realize that they still have the same problem. No matter which way they go, they have to pass the courthouse, and no matter who walks who home, one of them will have to go alone at least partway. After they go back and forth a couple of times, they pause in front of the courthouse, and Cordy has an idea. She gives Chrys the Lester doll, keeping the Lynette doll for herself. That way, each of them will have someone to keep them company, and it will be like they aren’t alone. It gives each of them enough courage to go the rest of the way home, and it’s the beginning of their adventures with the dolls.

Chrys is inspired by her first grown-up book, and she thinks that maybe she’d like to write novels when she grows up. When the girls are in school, they like to write notes and funny poems with each other when they’re supposed to be studying, and Chrys suggests to Cordy that they start writing a novel together. Cordy agrees, and they decide to take turns writing chapters. They decide that the story will be about Lester and Lynette, and Chrystal writes the first chapter. Chrystal calls the story “The Romantical Perils of Lester and Lynette.”

However, the girls get in trouble for goofing off and not paying attention in class. Their strict teacher, Miss Hickenlooper, decides that the two girls can’t sit together anymore, and she confiscates Lester and Lynette and locks them in her desk. The girls are devastated. If the teacher wanted them to move desks, that was disappointing but justified, but she had no right to just take the dolls. The girls think that they’ll have to wait until the end of term to get them back, but they continue writing the story about the dolls. Chrystal had been going to write the first chapter about an elopement, but because the dolls are now imprisoned in the teacher’s desk, she decides to write it as a prison escape instead.

In the new version of the first chapter of the story, Lester and Lynette are brother and sister, and they are imprisoned in a castle overlooking the Rhine river in Germany (part of the the girls’ geography lesson in school) by their evil guardian, Baron von Hickenlooper. Lynette is rescued/kidnapped by a Viking pirate named Oskar, who carries her away from her brother, who still remains in the castle.

From this point on, the events in Chrys and Cordy’s lives alternate with new chapters of their tandem story about Lester and Lynette. Pieces of the girls’ lives work their way into the story. When the girls are ready to trade turns writing the story, they give each other what they’ve written so far and say “Muggins!” (The word comes from playing games like Dominoes and Cribbage where, if one player spots that another has missed a score or failed to count something properly, they can call “Muggins!” and add the overlooked points to their own score. I think what they’re implying is that this story is a game where one person picks up whatever the other one has left unfinished.) The girls also continue adding verses to an unflattering poem that they started writing about their teacher.

By accident, the girls loose track of the mean poem about their teacher, and Miss Hickenlooper finds it. At first, the girls are terrified that Miss Hickenlooper is going to be furious with them and do something horrible in punishment, but to their surprise, she starts crying. Miss Hickenlooper end up having a heart-to-heart talk about the girls’ experiences in Miss Hickenlooper’s class, what Miss Hickenlooper hoped for when she started teaching, and why she took Lester and Lynette from them. Miss Hickenlooper had wanted to be a teacher for a long time and was looking forward to it, but she had been away from it for a long time because she had to take care of her mother during a lengthy illness. Since she started teaching again, she can tell that her students haven’t been happy with her, but after reading the poem, she realizes that it’s worse than she thought. Even strict teachers can be respected by their students as long as they’ve taught their principles well and the students are learning valuable lessons. Miss Hickenlooper feels like she’s failed as a teacher because she hasn’t managed to connect with her students at all, and she’s making them miserable. The girls come to the surprising realization that their teacher really does care about her students and what they think of her.

The talk between the girls and Miss Hickenlooper was a little uncomfortable because the girls realize that they’ve done an injustice to Miss Hickenlooper by writing the mean poem about her, but I actually liked this part of the story because it’s the kind of honest communication that I often find missing in stories. Rather than anyone blustering or dodging or trying to save face, the girls and their teacher honestly discuss what happened and how they feel, and everyone involved learns something from the experience. The girls appreciate having this “human” communication with their teacher, and it earns their respect, more than any angry tirade or show of strength on their teacher’s part ever would have. It’s this very kind of open honesty and humanity with real feeling behind it that’s been missing from the class so far, and it’s what has prevented Miss Hickenlooper from really connecting with her students.

The girls apologize to Miss Hickenlooper about the poem, and Miss Hickenlooper admits the justice of some of their complaints. Miss Hickenlooper admits that maybe she went a little far in making Cordy turn out her pockets and taking her dolls from her for an extended period of time. Getting into someone’s pockets and taking personal possessions is a kind of invasion of privacy, and Miss Hickenlooper says that she only did it because the girls weren’t paying attention in class, which is true. In return, Chrys and Cordy acknowledge that they only wrote the poem to blow off steam because they were angry, but they also went too far, and they really should have considered their teacher’s feelings. The girls promise not to write any more poems like that, and Miss Hickenlooper gives Lester and Lynette back to them. Miss Hickenlooper says Cordy can keep the dolls in her pocket if she wants as long as the girls pay attention in class from now on. To further apologize, the girls make cards for their teacher and give her the two bottles of perfume that they almost gave each other for Christmas (“Two are better than one.”), and they start going out of their way to be nicer to her.

The girls’ talks with Miss Hickenlooper through the rest of the school year give her feedback that helps her to improve as a teacher. Later, when the girls are watching a lightning artist (someone who paints pictures very fast, not the more modern definition of someone who works in animation) at work and happen to see Miss Hickenlooper in the store as well, they point out that one of the artist’s pictures reminds them of the Rhine that they studied in class. Miss Hickenlooper doesn’t think much of the quality of the painting, but she admits that it does look like the Rhine and that another painting the artist did reminds her of Switzerland when she was there. The girls are amazed that Miss Hickenlooper has been to Europe because, other than Chrys’s Uncle Dick, they don’t know anyone who has. They ask her why she never talked about it in their geography lessons because that would have made them much more exciting, hearing about other countries from the perspective of someone who was actually there. Miss Hickenlooper is surprised. She says that she was only focused on teaching the lessons that she was assigned to teach and just never thought about including anything personal because she didn’t think her students would be interested in her personal stories. Again, it’s that personal element that Miss Hickenlooper needs if she wants to connect with her students on a personal level.

As the story continues, the girls also start to consider their attitudes about boys and men and future husbands. So far, most of their knowledge of boys has come from the boys at school and Sunday school and Cordy’s brothers, all pretty immature and rowdy. But, the girls are growing up, and so are some of the boys. New young men also come into the girls’ lives.

A friend of Chrystal’s grandmother asks her if she would be willing to rent a room to her 19-year-old son, who is looking for a place to stay as he takes his first teaching job at the local college. (That sounds young for a college teacher. In modern times, a nineteen-year-old would be a college student himself. Remember, this is the early 1900s, and education in the United States was very different then. Back then, teachers didn’t need to have the advanced degrees that they do now, and Mr. Banks later explains that he skipped grades when he was younger to get through school faster.) Chrystal’s grandmother agrees, although Chrystal isn’t anxious to have a teacher living in her house after her problems with her own teacher at school. Chrys also isn’t sure what to expect from a man living in the house because there’s never been a man in this house before. Cordy’s brothers are pretty rowdy. However, their new lodger, Mr. Banks, turns out to be quiet, polite, and very nice. (His last name is an indication that he’s going to be Chrystal’s future husband. There’s six years’ difference in their ages, but as times goes on, and Chrystal gets older, that’s not going to seem like as much of a gap.) He is the first person to ever address Chrystal as “Miss Reese”, which makes her feel grown-up.

Cordy’s family also has a boarder, Mr. Crump, who is attending the local college (obviously, Cordy’s future husband, based on her future last name). Mr. Crump is working his way through college by selling pots and pans, and Cordy goes with him to help carry things, bringing along Chrys because “Two are better than one.” The girls end up giving him some advice on his sales patter that helps him make more sales.

Meanwhile, the girls’ Sunday school class, which calls itself the Dorcas Club, decides to host a masquerade party with the boys’ class (who have dubbed themselves the Armored Knights) as their guests. Chrys and Cordy think of the boys as immature and uncouth and roll their eyes at the older girls who are boy-crazy. Then, because the party is on Presidents’ Day, all of the girls in the group want to go dressed as Martha Washington, and there’s a big argument about it. Originally, Chrys and Cordy wanted to be Martha Washington, too, but since that’s what all the others want, they decide that they want to do something completely original. Inspired again by the dolls, they decide to go dressed as dolls. However, because they don’t want to be like the prissy girls trying to be pretty and impress the boys, they decide not to go as elegant dolls but as old rag dolls in patched clothing.

The girls do win prizes for both the funniest and most original costumes at the party because they’re the only girls who don’t show up as some version of Martha Washington. However, the triumph turns against them because the girls who are in charge of the main entertainment for the evening have decided to turn it into the girls’ very first dance party with the boys, something that Cordy and Chrys weren’t expecting. Rag doll costumes are good for fun and games, but not so much for serious dancing and the possibility of budding romance. While all of the boys are wearing various fanciful costumes themselves, like pirates and clowns and cannibals, it turns out that they’re only interested in the girls who dressed in pretty clothes as Martha Washington, and none of them want to dance with the rag dolls. Chrys and Cordy were proud of themselves for being more original than the other girls, but it seems that the boys prefer “pretty” to “original.” At the end of the evening, none of the boys even want to walk Chrys and Cordy home. Chrys and Cordy feel embarrassed because their efforts to be “original” seem to have strayed a little into the outlandish at a time when the other girls and boys are starting to seriously get interested in each other.

Fortunately, their families guessed that something of the sort might happen and asked the young men boarding with them to go to the house hosting the party and walk the girls home if they had no one else to walk with them. Mr. Crump confirms to the girls that boys would prefer to walk with girls who made an effort to look pretty instead of girls who look like rag dolls. Mr. Crump says that there will be other parties, and next time maybe they’ll go as something more elegant, like Martha Washington, but the girls aren’t too thrilled about doing this type of party again. Mr. Banks takes a different view and says that he actually thought that the rag doll costumes were rather clever and that it was really better for the girls to be different instead of trying to be like every other girl in order to not stand out. “Sometimes it may hurt, but I think it’s better to be original.” Mr. Banks the college teacher is more mature than Mr. Crump the college student, and I think he has the right idea. Looks and clothing styles change, and people have different priorities when they get older, but original thinking and an interesting personality are hard to replace and never go out style. When Chrystal says that she doesn’t even know how to dance, Mr. Banks offers to teach her, so she can be more confident at future parties.

Having the boarders walk them home actually turns out to be an unexpected victory for Chrys and Cordy because, while the other girls were making fun of them for not having any of the boys dance with them or walk them home, Chrys and Cordy ended up being escorted by young men. Getting boys is all well and good for young girls, but being escorted by young men makes Chrys and Cordy look like young women, putting them on a higher level than mere girls. Chrys and Cordy don’t see it that way at first because Mr. Crump and Mr. Banks are just their families’ boarders and friends and treat them like younger sisters (at this point in their lives, anyway), but the other girls notice that the young men are more mature than the Sunday school boys, and it causes them to look at Chrys and Cordy with a little more respect for having their attention. In some respects, Chrys and Cordy might seem less mature than the girls who are excited about wearing makeup and getting boys because they’re into outlandish costumes and dolls and “romantical” stories, but in other respects, they may actually be a little more mature than the other girls for being confident in their individuality and the new awareness they’re acquiring of other people’s feelings. In the end, girls want to marry men, not little boys, anyway.

Through the spring, the girls have other adventures and continue writing their story with their dolls. Along the way, there are other signs that the girls are growing up. They notice that this is the first year when they’re more interested in getting new Easter bonnets than they are in their Easter eggs. Cordy’s family is heavily involved in the social life of the local college because two of their boys are students there, and Cordy even gets to go to some of the campus parties. She helps to serve punch there and sometimes gets to dance. She eventually arranges for Chrys to come with her to help with serving and have her first dance, too. Miss Hickenlooper also discusses the girls’ future with them, suggesting that they take exams to see if they can skip the eighth grade and go straight into high school because she thinks they’re smart enough to pass. The girls are uncertain if they want to go on to high school so quickly. They know they’re growing up, but they haven’t thought about high school yet (and this is a time period when not everyone even attended high school). There is also the horrible thought that one of them might pass the test while the other didn’t, and they might end up going to different schools and being in different grades. Miss Hickenlooper says that they don’t necessarily have to go on to high school yet, if they feel that they’re not ready, even if they’re offered the opportunity, but she urges them to take the tests anyway to see if they have the option. It makes the girls start questioning their future lives, what they really want, and where their education will take them.

At one point, Cordy’s brothers find their unfinished novel in Cordy’s room, steal it, and use it to make fun of the girls. The story isn’t really very well written because Chrys and Cordy are only thirteen years old. As readers will have noticed, there are spelling mistakes all through the story, and the girls also get mixed up about geography because they’re just focused on making the story exciting instead of really thinking about the setting. After their characters’ adventures on the Rhine, the girls send them floating in a boat to a tropical island with coconuts and palm trees because they don’t think about just how far away the tropics actually are. (Being shipwrecked on an island is also a common trope of vintage and antique children’s books, so they’ve probably read this type of story themselves. Just scroll through my lists of children’s books from the 1900s and earlier, and you’ll see what I mean.) Although Mr. Crump was laughing at the girls, too, he rescues the story from Cordy’s brothers and gives it back to them when he sees that the joke is going too far. However, the girls are somewhat dispirited, thinking that their story might be deeply flawed. At first, they don’t know if they really want to continue writing it, but in their desperation, they turn to the one person they know will be honest with them about what they’ve written and can not only tell them whether or not the story can be fixed but how to do it – their teacher, Miss Hickenlooper.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

Themes, Spoilers, and My Reaction

The story is one of those gentle, calm stories with a few funny episodes and some genuinely touching moments. Fans of slice-of-life historical books like the Betsy-Tacy series will like this book. It is a coming-of-age story for Chrys and Cordy, as they begin to develop new attitudes and come to a deeper understanding of themselves and other people and start thinking about the future. However, the girls’ adventures also teach other people around them some lessons.

One of the themes of the book involves how people let their personalities show. Although the girls were originally thought silly for their outlandish rag doll costumes at the party, they were more bold and creative than the girls who just wanted to look like everyone else. Even though their creativity wasn’t fully appreciated at first, it ends up working in their favor in the long run.

One of the biggest developments in the story is the relationship between the girls and their teacher, and the keys to that relationship are learning how to see other people as people, how to be open about showing their personal sides, and how to appreciate people with different personalities. The girls begin as thoughtless students, and their teacher is a strict disciplinarian with little patience for their goofing off, which is why the girls see her as their antagonist. However, the girls’ eventually realize that, through their mean and complaining poem, they’ve hurt their teacher’s feelings as much as she’s hurt theirs, maybe more. It leads them to see her in a new light, as a person and just just their jailer (the role of her alter ego in the girls’ story). The honest talks between the girls and their teacher not only helps the girls to become more thoughtful and considerate of others’ feelings but also show their teacher that the key to improving her teaching and developing a better relationship with her students is to be a little more personal with her students. She gradually learns that letting her students see her as a person with interesting life experiences earns their respect more than just acting like an unfeeling drill sergeant enforcing discipline. Inspired by the girls’ interest in her travels when she was younger, Miss Hickenlooper starts bringing postcards and souvenirs from her travels to class to show during geography lessons. The students are fascinated by her souvenirs and stories and start thinking of her as an a kind of intrepid explorer or sophisticated world traveler instead of a dull woman who focuses on dry memorization and gets mad at them for daydreaming in class. As she tries new ways of approaching her lessons and adding in personal experiences, Miss Hickenlooper takes on a whole new role in the children’s lives and sparks all of their imaginations. All of the students, not just Chrys and Cordy, start behaving better because they become genuinely interested in what Miss Hickenlooper has to say and show them. They don’t want to make her angry because she’ll stop telling the interesting stories if they don’t get their work done. Just because she’s gotten more interesting and personal doesn’t mean she’s gotten soft. Don’t be afraid to be interesting and different!

The girls never actually show Miss Hickenlooper their story because they’re a little embarrassed by what they’ve gotten wrong, but they ask her questions about some of the things that they put in their story to find out what’s right. They do end up finishing the story and giving Lester and Lynette a grand wedding, but they also acknowledge that they are getting too old and busy with other things to continue playing with dolls, even Lester and Lynette. They plan to put Lester and Lynette away for now as souvenirs of their childhoods. Later, they do tell Miss Hickenlooper about their novel, and while she hasn’t read it, she has the feeling that she knows what it’s like from knowing the girls and their writing. (The girls wrote about scenes from their novel when asked to describe places they know for their high school entrance exams.) She tells them that she appreciates their imaginations but that they should remember to focus on the real world around them and gaining real experiences to write about in the future.

There are also themes that focus on what growing up and maturity mean. Because the story focuses on one school semester in the girls’ lives, there are many questions that the book leaves unresolved about what happened in the girls’ later lives, but it seems that their lives turned out well, and they look back on their experiences with Lester and Lynette as a turning point when they really started growing up. Toward the end of the story, the girls begin appreciating some of the possibilities of life and the wider world that they never considered before. Through it all, there is also the girls’ constant friendship. At the very end, elderly Chrys writes a letter to elderly Cordy, thanking her for sending the dolls and reminding her of this special time in their lives.

The author of this book, Carol Ryrie Brink, was also a child around the time that Chrys and Cordy were children. There is a picture of her as a child above her biography on the dust jacket of the book. She is also the author of Caddie Woodlawn, which is better known than this book.

I love books that contain details about life in the past, and there are a lot of fun details included in this story. I’ve mentioned some above, but that’s just scratching the surface. At one point, Chrystal says that the only paper she has that’s good for painting pictures is the pieced of paper that separate pieces of Shredded Wheat in the box. The lined paper from the notebooks she uses for school isn’t as good. When she’s out of those pieces of paper, she has to eat more Shredded Wheat to get more. I don’t remember seeing any similar kind of paper in shredded wheat boxes in my lifetime, so this must be something that existed before modern packaging.

At the college dances, the girls have dance cards for the young men to write their names and initials in to secure spots for dances. There are also occasional mentions of food, and Chrys mentions having floating island pudding for dessert, which I’d never heard of before. It’s a kind of meringue that floats on a base of vanilla custard.

The Ravenmaster’s Secret

The Ravenmaster’s Secret by Elvira Woodruff, 2003.

Forrest Harper is the son of the Ravenmaster of the Tower of London in 1735.  The story begins by explaining the tradition of keeping ravens at the Tower of London because of the superstition that the Tower would be conquered by its enemies if the ravens ever abandoned it.  This superstition led to the creation of the job of Ravenmaster, who looks after a flock of ravens that live at the Tower with wings clipped so that they can’t fly away.

Forrest Harper lives at the Tower with his parents and sisters, training to become a Ravenmaster, like his father.  He likes the ravens, and they like him.  He is pretty good at caring for ravens, but there is something that bothers him: he thinks that he isn’t brave enough and that others think that he is a coward, too.  He is smaller than the other boys and is often teased.  He has trouble cutting up the squirrels that the rat catcher’s boy (his only real friend, although his mother doesn’t approve of him) brings to him to feed to the ravens.  Even though it’s necessary, Forrest doesn’t like the sight of blood and feels kind of sorry for the squirrels.  Worse still, when Forrest’s family attends the public hangings (which were treated as a kind of festival day with music and entertainment in Forrest’s time), Forrest is unable to look at the criminals who are being hanged.  The one time he does try it, he throws up, and again, the other boys tease him mercilessly for it.  Forrest’s problem, as readers will see, isn’t so much that he’s a coward as he has more empathy than the other boys, both for animals and people, and that isn’t really as much of a problem as he believes.  His father tells him to ignore the bullies because they are foolish, and their foolishness will show in time.

Forrest sometimes dreams of going out into the wider world, beyond the Tower, where he could do something brave that would impress everyone.  The rat catcher’s boy, whose real name is Ned although most people just call him Rat, also dreams of running away because he is an orphan, treated harshly by his master and always in danger of being turned over to the chimney sweep to be used as a climbing boy.  He doesn’t think that Forrest has a real problem because his life at the Tower is pretty good, living comfortably at the Tower with his parents, whatever the local bullies say.  Still, the two boys often imagine what it would be like to go to sea together and have adventures.  When there is an announcement that a new prisoner will be arriving at the Tower, a Scottish Jacobite rebel, Forrest thinks that helping to guard a dangerous rebel will make the Tower bullies respect him.

To Forrest’s surprise and embarrassment, this rebel actually turns out to be a girl.  She is the daughter of the rebel Owen Stewart, who is being held in a different tower at the Tower of London (the Tower of London is actually a fortress with multiple towers – she is imprisoned in Bloody Tower and her father is in Bell Tower).  She has been charged with treason, along with her father and uncle.  Forrest isn’t happy about being given the task of taking food to a girl prisoner. 

However, Madeline McKay Stewart, the girl prisoner, is pretty tough in her own right.  Although Maddy’s been separated from her father and uncle and all three of them are likely to be executed, she is being pretty brave about it.  She talks to Rat and Forrest.  She is interested in Forrest’s pet raven, Tuck, and tells him about how she used to feed baby owls back home.  She talks about her life and family in Scotland, and Forrest realizes that he’s starting to think of her as a friend instead of an enemy to be guarded.

While Forrest is used to hearing English people criticize the Scots for being “savage,” he is astonished and a bit offended when Maddy talks about English people being “evil.”  For the first time, it makes him think of the situation from the other side.  He knows that not all English people are evil and realizes, having seen that Maddy actually has refined manners, that Scottish people aren’t “savage.”  One day, at Maddy’s request, he takes a message to her father in exchange for her ring, which he plans to sell in order to buy Ned back from the chimney sweep after the rat catcher loses his term of indenture to the chimney sweep in a game of cards, sparing him from the horrible life and health problems that the young climbing boys suffer.  Then, Owen Stewart gives Forrest a message to take back to Maddy.  Without really meaning to, Forrest realizes that he has suddenly become a go-between for the rebels and could be considered a conspirator under English law.

As Forrest considers the fate that lies ahead for Maddy and the nature of war between England and the Scottish rebels, it occurs to him that the adults in his life have often done the opposite of the things that they have always taught him were important.  His father always emphasized fairness, yet the war and Maddy’s possible execution are unfair.  Maddy shares Forrest’s feeling that the world might be a better place if people didn’t become adults and abandon their values.

Then, Maddy’s father and uncle are shot while attempting to escape, and Maddy is left completely alone.  Forrest feels badly for Maddy.  Soon after, he is unexpectedly approached by a carpenter who seems to know that he has become friends with Maddy.  The carpenter, who is a stranger to Forrest, tells him that Maddy will soon be executed by beheading but that he has a way to save her life.  Forrest has to decide if he is willing to trust the stranger and save Maddy, knowing that doing so would make him a traitor himself.

One of the parts of this story that interested me was how Forrest noted the hypocrisy in the adults around him as he was trying to decide what he should do.  Qualities that adults often praise and try to instill in their children are often ignored in the way that the adults live and even in how they treat other children, like Ned and Maddy.  Abandoning values, even the ones that they really want their children to have, isn’t something that adults have to do as they grow older, but it is something that some adults do if they think they must in order to live as they want to live or accomplish something that they want to accomplish.  The adults who think that Maddy should be beheaded would probably say that they were doing it for the greater good in promoting their cause against the rebels.  However, treating Ned as a piece of disposable property is something that they mostly do because they can and because they know that there is nothing that Ned can do to stop them.  Ned actually tries to repay his indenture legally with money that Forrest gives him, but although the sweep accepts the money, he refuses to let him go, saying that no one will take Ned’s word over his and that he could always use the money to make sure that Ned is hung as a thief if he tries to make trouble.  It is this type of attitude and situation that make the children realize that they are on their own to solve their problems and that working within the law is not going to be an option for them because the law is not just and it is not on their side.  It’s a frustrating situation, and I often feel frustrated when I encounter this type of thing in books, but fortunately, things do turn out well in the end.

This is one of those coming-of-age stories where a boy must decide what he stands for and where he really belongs.  Through Maddy and the inscription on her ring, which means “Face Your Destiny,” Forrest comes to understand the destiny that is right for him as he helps both Maddy and Ned escape to a better life elsewhere. 

The book also includes some interesting historical information. There’s a map of the Tower of London in the front of the book, and in the back, a short history of the Tower with information about famous prisoners and escapes. There is also a glossary of English and Scottish words that modern children (especially American children) might not know, such as breeches, wench, loch, and tattie-bogle (scarecrow).


The book is currently available online through Internet Archive.  (To borrow a book through Internet Archive, you have to sign up for an account, but it’s free, and then you read the book in your browser window.)

Spoiler: In the last chapter of the book, it explains what happened to the characters after the story ends.  Forrest does become the Ravenmaster after his father, realizing that it is the right kind of life for him and that he no longer desires to have adventures outside the Tower.  He has a wife and daughter, and years later, he receives a message from Ned, who says that he has become a captain in the Royal Navy and that Maddy has gone to live in the colonies with other Stewarts (something that my own Jacobite ancestors did, which is how I got to where I am now).

River Quest

Dinotopia

#2 River Quest by John Vornholt, 1995.

Thirteen-year-old Magnolia and Paddlefoot, a Lambeosaurus, are apprenticed to the Habit Partners of Freshwater. Habitat Partners keep an eye on different aspects of the environment on Dinotopia and make sure that the environment is maintained and cared for. The Habitat Partners of Freshwater are specifically concerned with the bodies and sources of freshwater all over Dinotopia.

When Magnolia’s master, Edwick, is injured badly during the eruption of a geyser, he and his partner, a Saltasaurus named Calico, retire and leave the post to Magnolia and Paddlefoot. Magnolia thinks that she is still too young for the position, and she and Paddlefoot worry about whether they are ready to handle the job. However, they have no choice because a crisis has arisen, and Edwick is in no shape to handle it.

The Polongo River, which supplies the water for the waterfalls that power virtually everything in Waterfall City, is drying up. Magnolia and Paddlefoot must journey up the river to find out what is happening and restore the river to its proper course.  Along the way, they find friends who can help them, but completing their mission means coming perilously close to the Rainy Basin where the meat-eating dinosaurs live.

The book is currently available online through Internet Archive.

Fog Magic

Fog Magic by Julia L. Sauer, 1943.

Greta loves fog and always has, although other people can’t understand it.  When she is ten years old, she begins to get the sense that there is something in the fog that she should find.  One day, when she goes looking for a lost cow from her family’s farm, she sees a house in the fog that isn’t there when the fog is gone.  Apparently, there used to be a house on that site, but it’s gone now.  Except when there’s fog.

From then on, Greta loves to walk in the fog.  When she does, she meets people from the past.  One day, she meets a woman named Laura Morrill, who recognizes her as being from the Addington family and says that her name must be Greta.  According to Laura, there’s always a Greta in every generation of Addingtons and that there’s always a child in every generation who has a great love of fog.  Greta’s ability to use the fog to travel back in time and see her town as it once was is apparently inherited.

Greta makes friends with Retha Morill, Laura’s daughter.  However, when Mrs. Morrill gives her a piece of pie to take home, it disappears, making Greta realize that she can’t bring things from the past to the present.  Retha’s parents seem to realize it, too.  When Retha offers her a little silver egg cup to take home, Mrs. Morrill suggests that perhaps it would be better for Greta to leave it at their house and use it when she comes.  Greta also has the feeling that, when the fog starts to lift, she needs to go home, and Mrs. Morrill agrees.

On another day, Greta and Retha spot an older girl in the woods.  Retha seems to know who she is and calls out to her, but she runs from them.  They try to catch up to her, but she gets away, and Retha is upset.  It turns out that the girl is named Ann, and she was falsely accused of theft.  When it was discovered that she hadn’t stolen anything, the townspeople had tried to find her, but she’s been hiding from them ever since, too afraid to come back.  At first, people had thought that maybe she had gone to another town to find work, but now that they know that she’s been living alone in the woods, they’re worried about her.  The story also upsets Greta because she has heard a local ghost story about a girl who haunts the woods after being falsely accused, and Greta takes that to mean that Ann will die.  The Morrills assure her that they will look out for Ann.

Greta is tempted to talk to Retha about her mysterious time traveling in the fog, but Retha stops her from talking about it.  Retha says that even her mother doesn’t want to talk about where Greta goes while she’s not with them, only saying that both men who go to sea and the women who wait for them on shore “have to learn to be content and at peace shut in by their horizon.”  To Greta, that means that she should be content with wherever she is while she’s there and with the fog that allows her to see her friends in the past.

The more Greta visits the Morrills, the more she gets caught up in the lives and troubles of the people living in the past.  At one point, Greta and Retha talk about some of the sad things that have happened to people the Morrills know, and Retha asks Greta if there is sorrow where she lives.  Greta has to admit that there is.  People generally do have their troubles, no matter when they live.  Retha says that her mother says that living and dying are both natural things, so there is no use being sad about them, except when the death is an unnatural one, like in a war.  There is no war going on in Retha’s time, but Greta lives during the time this book was written, in the middle of World War II.  Greta is aware of the war and says that sometimes people have to fight whether they want to or not, but Retha doesn’t think so.  Greta realizes that she can’t make Retha understand the circumstances of the world in the future.

However, as Greta’s twelfth birthday approaches, she has the feeling that things are changing.  Her birthday will be the last time that she can visit her fog friends, but they give her a special present to remember them by.  Greta’s father seems to know what Greta has been doing in the fog, and he reveals to her, without actually saying it, that he once did the same thing himself.  He says that when people grow up, they leave the things of childhood behind, but each of them is able to keep a special birthday gift from the past as a reminder that some things do last.

The ending of the story implies that, although Greta’s adventures in the fog were real, not purely imaginary, she has to give them up to make room for the new things that will enter her life as she grows up.  Her life lies in her present and future, so she can’t keep going back to the past.  However, her experiences with her friends in the past are part of what has made her more mature, and they will stay with her forever.

The book is a Newbery Honor Book. It is available to borrow and read for free online through Internet Archive.

My Reaction

The idea of magic and magical adventures ending at a certain age, as the person begins to grow up, is a classic idea in children’s literature. Sometimes, in other books, it’s implied that the reason this happens is because the “magic” was all imaginary, and the child in the story grew out of that particular kind of imagining, but that isn’t the case in this story. The explanation in this book for why the magic has to end is simple but makes sense. The characters don’t really analyze the issue too deeply, simply taking it in stride. We never find out why this particular family seems to have this tradition of going back in time in the fog as children, and the characters seem to decide that there is no reason to find out why.

Unlike in some modern books, there doesn’t seem to be any particular mission for Greta (or her father or any other generations before her) to fulfill in her time traveling. Greta is mostly an observer of the events in the past, not really participating in them directly or changing them in any way. She doesn’t even seem to influence the thoughts or attitudes of people in the past much. When she talks about the concept of war with Retha, she doesn’t try to change Retha’s mind about it or tell her about World War II and other future events because she realizes that each of them really belongs to two different times and sets of circumstances, and each of them needs to live in their own time, dealing with their own situations. It is their differing situations which give them their attitudes. The Morrills seem to be aware that Greta comes from the future, but they treat the subject carefully, never directly stating where she is from, just hinting at it. From they way they act, it seems as though they’ve met other members of Greta’s family before, but again, the ties between their two families (if any) are never explained, and none of them seems to want to delve too deeply into the matter. For the most part, they just seem to take the whole situation as being a natural part of life in their families and in the area where they live, something just to be enjoyed and not questioned. In fact, some of their attitudes seem to imply that they fear questioning too deeply, as if that in itself might end the magic too soon.

Although the story leaves the reasons behind the time traveling very open and unresolved (probably, other children in Greta’s family will be doing this in the future, also not really knowing why), it is really a very calm story. Not having a special mission to complete in the past leaves Greta free to simply enjoy the company of the people in the past, observing their lives without the stress of needing to solve their problems for them, and readers can similarly enjoy the ride without worrying that anything really bad will happen. You do end up being interested in what happens to some of the characters, like the woman who is in danger of losing her family’s home, but events unfold in the way Greta knows they will. She’s sad when she knows that certain people are going to die (not the woman whose home was in danger, that works out well) and there is nothing she can do about it, but it all seems to be part of the natural circle of life, something that matures Greta when she realizes it.

One of the fun things that I liked about the book were some of the unusual first names of the characters, like Retha, Eldred (Retha’s father), and Ardis (Mrs. Stanton).

Are You There, God? It’s Me, Margaret

MeMargaretAre You There, God?  It’s Me, Margaret by Judy Blume, 1970.

This is one of the more controversial children’s books because parents raised concerns about the discussions of religion and puberty which are central to the story, and it has been banned or challenged in some libraries.  (Read to the end and see the spoilers before you decide if you agree with that.)

I wouldn’t recommend this book for young children because they wouldn’t understand the issues the story discusses, but it does speak to the concerns that pre-teen girls typically have about growing up, finding their place in the wider world, and fitting in with their friends as well as that haunting fear kids often have that they aren’t normal, compared to everyone else.  This isn’t a spoiler for the story (although there are plenty of those later on because I can’t really describe my thoughts about this book without them), but I just have to say that, in my experience, by the time people are done with college, maybe even by the time they’re done with high school, most of them come to realize that nobody out there is completely “normal.”  Some are just better at giving that impression.  Everyone out there has their quirks or issues, so if you think you’re a little odd in one way or another, or if you think your family is a little weird, you’re in pretty decent company.  Generally, it’s best not to worry too much about it and just get on with life.  In a way, I think that does fit in with the ending of the book.  But, I’ll talk a little more about my personal opinions about the controversial parts later.

When Margaret Simon is eleven years old, her parents decide to move from New York City to a suburb in New Jersey.  Margaret is accustomed to living in an apartment in a big city, and her new town and house seem a little odd to her.  She isn’t sure that she’s going to like her new home, and she knows that part of the reason why her mother wanted them to move was that she was worried that Margaret was becoming too close to her grandmother in New York and too easily influenced by her.

Margaret’s family is a little unusual in that her mother is Christian but her father is Jewish. (This is a little more unusual for when the book was first written than now because marriages of mixed religions are more common now than they were before, although they can still be complicated.)  The religious differences between her parents caused conflicts in their family even before Margaret was born.  Neither side of the family really approved of the match, so Margaret’s parents had to elope to get married.  Margaret’s mother’s parents disowned their daughter because of her marriage and haven’t seen or spoken to the couple in years or met their granddaughter.  However, Margaret’s father’s mother (his father is deceased) continues to spend time with the family, although she admits that it’s mostly for Margaret’s sake.  Margaret’s only close grandparent likes to spoil her and pays for her education at a private Jewish school, which is why her mother has become concerned that Margaret is influenced by her too much.  Margaret’s mother wants some separation so that she and Margaret can become closer as mother and daughter. The move and Margaret’s new friendships in New Jersey raise a number of troubling questions for Margaret about growing up, both physically and spiritually.

Because of the family religious conflicts, Margaret’s parents purposely raised her without a religion, telling her that she could choose for herself when she was old enough.  Until now, Margaret was not terribly concerned about it, but the move, the new friends she makes in New Jersey, and her increasing awareness of how religious differences have influenced her relationships with her family and other people cause her to question the choices she must make and what she really believes.  Throughout the book, she prays frequently in a casual, conversational fashion, telling God about the things that are happening in her life, the questions and problems she has, and what she really wants most.  Sometimes, she gets angry with God or disappointed when things don’t work out well, but the story makes it clear that her relationship with God is evolving, just as Margaret herself is changing as she grows up.  At one point, Margaret worries that, at age twelve, she is too old already to choose a religion and wishes that her parents had just given her one when she was little so she wouldn’t have this uncertainty.  However, growing up is a long process that Margaret is only beginning to appreciate.

The first new friend Margaret makes is a girl her age who lives next door, Nancy.  Nancy is eager to grow up and not at all shy about talking about things like boys, periods, bras, kissing, and even sex.  Sometimes, Nancy talks like she knows a lot about such things, although more mature people (and, eventually, Margaret) would realize that she doesn’t.  She introduces Margaret to two other girls, Gretchen and Janie, and the four of them form a kind of club that they call the Pre-Teen Sensations (PTS for short).  They give themselves secret names and hold meetings, talking about boys, people they know at school, and concerns that they have in their lives, especially related to growing up, periods, and sex (no one has any in the story, but the girls are fascinated by the idea).  One of the requirements of this club is that each of the girls has to wear a bra, and they feel each other’s backs at the beginning of each meeting to make sure.  Up until then, Margaret didn’t have a bra, so she has to buy her first one.  The girls worry about their breast size (none of them has much yet), and they try exercises to see if they can improve it (which is ridiculous, but it is the kind of thing that some pre-teen girls believe).  At the beginning, none of the girls has had their first period yet, and they’re looking forward to it with nervousness and anticipation, wondering what it’s going to be like.  They agree that whoever gets their period first has to tell the others about what it’s like.  Margaret nervously worries that she’ll be the last one to get hers or that she’ll turn out to be “weird” and never have one for some reason, although her mother assures her that it’s not likely and that it’s really just a matter of time.

Meanwhile, Margaret has some awkwardness at her new school, getting to know new people, sometimes making mistakes in the ways she relates to others, and figuring out which boys she likes the best. (She doesn’t get a boyfriend, just crushes.)  Her new teacher is also a little awkward because he’s young and this is his first teaching assignment, and he seems self-conscious that male teachers aren’t as common as female teachers.  Even adults can worry about being accepted by others.  He seems to be a good teacher, however, and he asks the students questions about themselves in an effort to get to know them better.  He learns early on that Margaret doesn’t have a religion and that it bothers her.  When he tells the students to choose a topic for a year-long research project into something that they care about, he allows Margaret to choose the topic of religion.

Margaret decides that her project for the year will be to learn about different religions and to finally choose one for herself.  Her focus is mainly on trying to decide between Judaism and Christianity because that’s what the two sides of her families are, that’s what most of the people her community are, and she says at one point that she doesn’t know anyone who is Muslim or Buddhist, so she can’t talk to them about their religions.   People in this community tend to belong either to the local YMCA or the Jewish community center, and Margaret thinks that if she figures out if she should be Christian or Jewish, she’ll be able to join one of those herself and fit in better.  Her friends help her in her project, some of them letting her come to church with them.  Each of the PTS girls is a different religion.  Janie is Jewish, and Nancy and Gretchen each attend a different Christian church.

Margaret’s friends aren’t particularly concerned about which choice Margaret will eventually make.  They find the story of her parents’ elopement romantic and are sympathetic to Margaret’s feelings.  However, Margaret notices that other people react differently to her project.  It seems like some of them view the idea of winning her to their side as some kind of personal victory for them, which hurts because she realizes that this is how her grandparents view her, even her beloved grandmother.  When her mother’s parents decide to visit them for the first time, there is an ugly scene where the family conflicts over religion come to a head, and Margaret feels so overwhelmed that she wants to give up on God and religion completely.  However, Margaret’s story isn’t over yet.  She’s really just started growing up, and whether she believes it or not at first, God hasn’t given up on her.  Getting what she wants most is really just a matter of time and patience.  Everyone grows up eventually.

So, what’s my overall opinion?  Generally favorable.  I read this book when I was about Margaret’s age and had the same concerns she did (or very similar, no two people are alike) and my friends and I were talking about the same kinds of things she and her friends were.  I think the key to this book is age-appropriateness.  Like I said, girls younger than about ten or eleven years old probably would not understand Margaret and her concerns because they just don’t share them.  It’s like Margaret and her friends themselves: they talk about the concerns that they all share, growing up and their new interests in boys and the idea of first periods.  If the reader isn’t a girl at that phase of her life, she just wouldn’t understand and connect with the story, and a few years later, those girls would likely move beyond all of that and on to other concerns (like whether or not they should go to college, what their major or career should be, etc. – life is full of things to figure out).  The things that seem so new and mysterious at age eleven, like real signs of growing up, later won’t matter so much because they’ve already lived it and found out that it’s not such a big deal.  Girls eager to get their first period or start shaving their legs at age twelve because they want to feel grown-up often start thinking of these things as hassles when they’re older and it’s all just become part of the routine of life.  They groan when a period starts on the day they want to go swimming or wear long pants on days when they’re too busy or just don’t want to bother shaving.  The novelty wears off, and you never look at it the same way again.  When older girls and women enjoy this book, it’s mainly as nostalgia for when they were Margaret’s age and still figuring things out.

The reason why this controversial story still remains popular even decades after its original publication is because it pretty accurately captures the thoughts and feelings of that pre-teen phase of life, when girls are just starting to grasp the complexities of life and the changes that lie ahead, alternately worrying about them and eager to get on with it and grow up.  It speaks to girls who are currently in that phase.  Reading it again as an adult, it reminds me of a time when I was in a similar place in life, although part of me now wishes that I could take young Margaret aside and tell her a few things that she eventually will come to realize:

  • That her friends are still finding their own way in life, just like she is, and even the ones who act like they know a whole lot really don’t (especially Nancy).
  • That growing up doesn’t end when you get your first period or even when you hit 18 or 21 because change is a life-long process and people mature at different rates, mentally as well as physically.
  • That many of the questions she’s struggling with are ones that everyone wonders about.  Some of them, like the religious issues and her own identity, are life-long struggles, even for people raised in more religiously-conventional households.  What human being can say that they thoroughly understand God and the mysterious ways in which He works?  It’s a worthwhile struggle, but not one that people resolve with complete certainty, certainly not by age twelve (Margaret’s age at the end of the book).  Margaret is far from being too old to consider these issues.  Philosophers and theologians have spent entire lifetimes on that subject.

But, even if I could say some of those things to young Margaret, they probably wouldn’t help completely because some things just have to be lived to be understood, which is the main reason why I would say banning the book is a mistake.  The issues Margaret deals with in the book are just common issues that come up in daily living, and the questions she asks about what she believes and what’s ahead for her are things that girls think about anyway and talk about with their friends, whether they read about them or not.  There’s no point in trying to get kids to stop thinking about these things because, at some point, they just have to because it’s a part of life, growing up, and the world around them.   Until they do consider some of these issues, it is difficult to move on to other, even more complex aspects of life, so I think it’s better to face them directly when the subjects come up instead of trying to dodge the subjects or put off thinking about them.

I think that Margaret’s elders were somewhat unhelpful in their approaches to Margaret’s religious life.  Her maternal grandparents are clearly selfish in their motives, caring only about winning the argument for their side, not really taking any interest in getting to know Margaret personally or caring about her feelings.  In fact, they only decide that they want to meet Margaret when they realize that she will be their only grandchild by blood, and even then, they make it clear that they expect the relationship to be on their terms alone.  Margaret’s paternal grandmother is better in her approach, nurturing Margaret from an early age in the hopes that she will grow up in the way she thinks best, but she endangers her relationship with her granddaughter when it seems like her previous nurturing and attention had the same selfish motive, wanting to win the argument in the same way that her other grandparents did.  Margaret wants them to like her for the person she is, not for what she might become or the ego boost they might get from her agreeing with their point of view.  Margaret’s parents are more interested in allowing her to develop her religious side on her own terms, loving her no matter what she chooses. However, Margaret might be correct in that they should have started discussing the issue honestly with her earlier in life, being a little too hands-off in order to avoid trying to win the argument or influence her too much one way or the other.

Even if the adults in Margaret’s life aren’t always the most helpful, children also learn the things that they don’t want to do from their elders.  Margaret at age twelve thinks that she’d like to raise any children she might have with a religion early in life so they won’t have to deal with the uncertainty and conflicts that she has, but she still has a lot of growing up to do, so anything can happen in her future.  Margaret’s future children (if any) will depend in equal measure on who Margaret’s eventual husband turns out to be and what he believes.  Life is a long journey, but Margaret seems headed for good things.

Many of Margaret’s growing-up issues will, like her first period, resolve themselves in time, and when she’s more experienced, part of her will look back and wonder why it all seemed so big and serious back then.  But, that’s just the phase of life she has to live through first.  Her religious issues will probably take a lot longer than physically growing up, but I think it’s important for readers to remember (as well as Margaret herself or anyone in a similar position) that Margaret is still young.  At the end of the story, Margaret still doesn’t know what religion she will choose (if any), but she’s still growing and changing, her life is changing, she’s becoming more aware of the larger world, and her mind may change many times with maturity and experience (like how many of us change majors about two or three times in college and then eventually end up in a completely different career).  Anything could happen in her life, and the range of possibilities in her life are part of the real magic of being young.  Because Margaret is a thoughtful person who seriously wants to understand the bigger issues in life, I think that she will probably be okay in the long run and that her personal relationship with God will continue to develop even if she finds it difficult to connect to an established religion.  That might not seem ideal to many people, but Margaret does the best she can with what she has in life, her circumstances and her understanding, and I think that’s a good sign.

Later editions of this book were revised to reflect new details of modern life, including how women and girls handle periods.  I’ve never actually seen the old belt-style of period pads that Margaret describes in the original version of the book, and later versions of the book describe the ones that are common today.  There is a movie version planned.

Tapenum’s Day

Tapenum's Day

Tapenum’s Day by Kate Waters, 1996.

This is about a day in the life of a Wampanoag boy living in the area around Plymouth, Massachusetts during the 1620s.  His life is reenacted by Issac Hendricks, who was a participant in the Wampanoag Indian Program at the Plimoth Plantation living history museum.

In the beginning, Tapenum introduces himself, explaining a little about his people and the strangers who have only recently come to their land, the English colonists, whom the Wampanoag call wautaconuoag (meaning “coat-men”).  Tapenum has just learned that he was not among those young men chosen to train as pniesog, a special kind of warrior among the Wampanoag who also possessed spiritual powers and acted as advisors and diplomats for their chief.  It has come as a great disappointment to him that he was not chosen for training.  To improve his chances of being chosen later, Tapenum has decided to train himself to improve his strength and hunting abilities.

Tapenum's Day Begins

Tapenum goes out hunting early in the morning, while his mother and sister are still asleep.  He starts before eating anything because he says that being hungry “makes the hunter more serious.”  Eventually, he catches a rabbit and a squirrel.  His mother is pleased with his catch, although his father has done even better by bringing home a wild turkey, which is even more difficult.

Tapenum's Day Hunting Trip

Later, Tapenum meets up with a friend, Nootimis.  The two of them go fishing in a canoe.  Nootimis knows that Tapenum is disappointed about not being chosen, but Tapenum says that at least he can still spend time with him before (hopefully) going away for training next year.

Tapenum's Friend

After fishing, Tapenum goes for a run as part of his training, and he sees smoke.  When he investigates, he finds an old wise man named Waban making a canoe.  Waban was a pniese himself when he was younger, and Tapenum offers him the fish he caught, hoping that Waban can tell him some things that will help him to be chosen for training.

Tapenum meets Waban

Tapenum ends up spending the rest of the day with the older man, learning and perfecting his skill at fletching arrows.  Waban also explains to him the importance of patience.  Tapenum is in too much of a hurry to grow up and begin serious training, but growing up takes time and so does developing the kind of strength and wisdom that he will need as warrior.

Tapenum learns some lessons

There is a section in the back of the book that explains more about the Wampanoag people, the the Wampanoag Indian Program, the Plimoth Plantation living history museum (now called Plimoth Patuxet), and the boy reenacting Tapenum’s life.

This is part of a series of books focusing on the lives of children in Colonial American history.  It is available to borrow and read for free online through Internet Archive.