This is the second book in the Bruno and Boots series (also called the MacDonald Hall series), which is about a pair of boys at a Canadian boarding school for boys and their humorous adventures and pranks.
Once again, Bruno and Boots are faced with a problem when Boots’s parents consider sending him to a different school. MacDonald Hall, unlike its athletic rival York Academy, doesn’t have its own swimming pool. MacDonald Hall is superior to York Academy in academics, but they often lose to them at swim meets because the MacDonald Hall team can only train at the local YMCA once week. Boots’s father is an athlete who once competed in the Olympics, and athletics are very important to him. Because of York’s superior athletic facilities, he’s considering sending Boots there instead. Bruno and Boots ask their headmaster why the school doesn’t have a pool, and he says that they want to build one but haven’t been able to raise the necessary money. Of course, Bruno, the idea man, immediately starts getting ideas.
Boots loves MacDonald Hall and doesn’t want to leave his friends, especially his best friend and roommate, Bruno. Although Bruno’s schemes often cause chaos, they do produce results in the end, so he is able to convince his friends to go along with them. While Boots writes letters home, talking about how great MacDonald Hall is and how much he loves it there, hoping to sway his parents’ minds, Bruno begins scheming for a way to raise the money so that MacDonald Hall can build a new pool.
First, Bruno gets the other students at the school to hold a rummage sale, selling things of their own and even some furnishings from their dorm rooms. The girls from Miss Scrimmage’s school across the road also join in their efforts, including donating some items that they liberated from their headmistress’s rooms. Mr. Sturgeon, the headmaster of MacDonald Hall is upset when he finds that the boys are holding a large public sale without his permission, and there are some complications because of the items that the girls stole from Miss Scrimmage, including the shotgun that she keeps for protection. While almost everyone would be relieved by someone else buying that gun and removing it from Miss Scrimmage’s dangerous hands, the purchaser turns out to be a robber, who uses the gun in a holdup. Chaos ensues when the police come to arrest Miss Scrimmage because the gun had her name and address engraved on it. However, Mr. Sturgeon manages to get the situation under control by explaining about the sale and giving Miss Scrimmage an alibi for the crime, and he is persuaded not to punish the boys by his wife, who is sympathetic to the boys, and a member of the school’s board of directors, who is impressed by the boys’ initiative and school spirit. However, Mr. Sturgeon tells the boys not to hold any more sales and that he needs to know about any future fundraising efforts.
Their next fundraising project is a talent show with students from both MacDonald Hall and Miss Scrimmage’s. It doesn’t go too badly, although there are complications. Mrs. Sturgeon’s attempts to take pictures of the performers startle the performers with bright flashes that cause a few accidents. Elmer’s bird calls accidentally attract an owl that flies away with Miss Scrimmage’s hat. Then, several of Miss Scrimmage’s girls modify their dancing costumes to make them skimpier, scandalizing Miss Scrimmage. In spite of the incidents of minor chaos, Mr. Sturgeon appreciates that the boys have managed to raise more money, and they’ve also managed to get some of the more shy students, including Elmer, to participate in school activities.
Mr. Sturgeon does put a stop to some of Bruno’s more inappropriate ideas. He refuses to let them hold a casino-themed fundraising event or bet on a race horse because he can’t condone gambling, and he won’t let them enter a fellow student in an eating contest out of concern for the student’s health. However, Bruno convinces his fellow students to enter any contest they can find with a cash prize. Unfortunately, some of the contests also have non-cash prizes, which is how they end up with a massive amount of jelly beans and a refrigerator. When Bruno asks Mr. Sturgeon for permission for them to hold a funny photo contest at the school, he agrees on the condition that the photos be tasteful enough for a school environment. Of course, the students’ attempts to deliberately produce humorous pictures also lead to some antics and bizarre pranks.
After that, the boys hold a kind of carnival that they call “Individual Effort Day” because each student gets to do their own kind of fundraising effort, making and selling things or producing some form of entertainment. While everyone, including the girls at Miss Scrimmage’s school, who are also participating, tries to come up with an original idea, some of the students try spying on each other and stealing ideas. Mr. Sturgeon particularly enjoys the game that Bruno and Boots are holding, where people pay to throw wet sponges at them. He accurately hits both of them and also hits Miss Scrimmage when she passes by. Cathy and Diane’s haunted house scares Miss Scrimmage, and Mr. Sturgeon gets hooked on an elaborate pinball game built by Elmer.
When Mr. Sturgeon points out that the boys have mostly been getting money from the students and parents of MacDonald Hall and Miss Scrimmage’s, Bruno takes his attempts to get money from the public too far by setting up a toll stop on the road that runs by the school. It’s illegal to get money under false pretenses, so Mr. Sturgeon calls a halt to all the fundraising efforts. However, he changes his mind when he finds out that some of the boys’ parents, including Boots’s parents, have been considering sending their boys to York Academy because of the pool issue. Realizing that the boys have been trying to save the school and continue going to school with their friends, Mr. Sturgeon lifts their punishment, although he still gives them a warning that if they do anything illegal again, it will jeopardize the rest of their lives.
The boys still have the problem that they are thousands of dollars short of their goal, even after Cathy wins a large cash prize in a recipe contest. There is still one student at the school who hasn’t contributed to all the fundraising efforts, though: Boots’s old roommate from the previous book in the series, the wealthy but stuffy and fussy hypochondriac, George. George has resisted getting involved in all the weird activities happening on campus because he considers them all “vulgar”, but when they finally explain to him that the point of it all is to raise funds for the school, he approves. If there’s one thing George knows how to do well, it’s manage money. George convinces them that they don’t need to raise more money from other people if they know how to put their money to work for them in the stock market. The other boys are a bit dubious about letting George invest their money, but George knows what he’s doing. Meanwhile, Boots’s parents have been taking all the letters he’s been writing them about how great MacDonald Hall is and how happy he is there to heart. In the end, they just want their son to be happy.
The book is available to borrow and read for free online through Internet Archive (multiple copies). It’s also one of the MacDonald Hall books that was made into a movie. You can sometimes see the trailer for the movie or clips of it on YouTube.
My Reaction
I always liked the Bruno and Boots series when I was a kid. The pranks aren’t quite as funny to me as when I was a kid, but I like it that the boys’ antics always have a purpose. I don’t like stories where people play pranks just to be mean, but the boys’ escapades in this series are always in support of their school and their friends.
There are also aren’t really any villains in the series, and there are no villainous characters in the story. Even when people are in opposition to the boys, they aren’t really evil. There is the rival school, which is snobby and rude to the boys, but other than giving the boys a motive for fundraising for the pool project, they don’t play much of a role in the story. The headmaster of MacDonald Hall is a good man who really cares for the boys, and even when he punishes them, he has their welfare at heart. The boys, especially Bruno, have a tendency to go too far with their schemes, and they do need someone to restrain them at times. George wasn’t a very likeable character in the previous the book, and even here, he’s kind of fussy and not too fond of Bruno and Boots. However, he also cares about the school, and this time, he has just the talents that they need. The other boys at the school also appreciate what George does for them, and they hail him as a hero.
I also appreciated that, in the end, Boots’s parents acknowledge that it’s more important for him to be happy with his school and his friends than for him to seriously train for the Olympics. Boots’s letters are overly enthusiastic about the things he’s been learning in class, and I’m sure his parents know that he’s not really that excited about his math lessons, but they can read between the lines and realize that the purpose of his letters is to indirectly ask them not to make him switch schools. Even if MacDonald Hall wasn’t able to get a swimming pool of their own, I think his parents would have agreed to let him stay there if he insisted that he just wouldn’t be happy anywhere else.
The Mystery of the Blue Ring by Patricia Reilly Giff, 1987.
When Dawn Bosco first joined Ms. Rooney’s class at Polk Street School, she stole Emily Arrow’s toy unicorn. Now, that incident has come back to haunt her. When the book begins, her theft of Emily’s unicorn was just weeks ago. Now, she and Emily are starting to be friends, although their friendship is a bit shaky.
At school, the teachers are talking about vegetables because it’s Good Vegetable Day. Everything is geared around vegetables all day, and the art teacher has the children make sculptures of vegetables out of clay. Dawn is bored because she’s been reading a mystery book, and she’d rather be finding mysteries and learning to be a detective than making silly vegetables out of clay.
Dawn gets irritated with Emily when she says that she’ll make a cucumber, which is what Dawn was going to make because it’s easy. The teacher won’t let Dawn make a cucumber because Emily already claimed that idea, so Dawn has to make a carrot instead. (Not that much different in shape, really, except one end is more narrow.) However, she still resents Emily for using the cucumber idea first.
As the girls push against each other by the sink, cleaning up from using the clay, Dawn spots a ring next to the sink. Later, Emily says that her ring is missing. It’s a special ring with a blue stone that she got for her birthday. Dawn is pleased that she’s found a mystery to solve. Remembering that she saw a ring next to the sink in the art room, Dawn proudly goes back to the art room to see if she can find the ring and return victorious. However, the ring isn’t there when she checks.
Then, suspicion turns to Dawn herself. After all, everyone knows that Dawn stole Emily’s unicorn before. Instead of being the hero detective, Dawn is turning into the main suspect in this crime. Now, she really needs to find the ring to clear her name!
Dawn’s grandmother, Noni, gave her a special detective kit for her birthday. Dawn uses it to turn into The Polka Dot Private Eye to hunt down Emily’s ring.
The book is available to borrow online through Internet Archive.
My Reaction
I liked the way the series returned to the subject of Dawn’s theft and used it to spark a spin-off mystery series. This is the first of the Polka Dot Private Eye books. In this series, Dawn becomes a more likeable character than she was when she first appeared in Fish Face, and she gets a little comeuppance for her earlier, unpunished theft of Emily’s toy unicorn in the form of her classmates’ suspicion of her. When I read this book for the first time when I was a kid, I hadn’t read the book where Dawn was first introduced, Fish Face, so I didn’t really understand the relationship between Dawn and Emily and how Dawn took Emily’s toy unicorn. We never really find out in either book exactly why Dawn took the unicorn, although in this book, she thinks of herself as having “borrowed” it instead of having stolen it.
Reading Fish Face isn’t necessary to understand the basic story in this book, but after having read it, I appreciate Dawn’s position in this book a little better. By now, everyone knows what Dawn did, and although Dawn thinks of “weeks ago” as a long time ago, it’s not really that long, and it’s still fresh in everyone’s mind. Dawn is still a relatively new kid in class, and one of the few things everyone knows about her is that she has a history of taking things that don’t belong to her. It is a logical conclusion that Dawn might have helped herself to another of Emily’s belongings when everyone knows that she’s done it before. As my grandfather used to say, it’s easier to keep a good reputation than to redeem a bad one, but Dawn works at it and learns that she likes being a detective and that she has a talent for figuring things out. After Dawn figures out where Emily’s ring is, the two of them become better friends. Solving the mystery also makes Dawn a class hero and begins to establish Dawn’s reputation as a person who likes to solve mysteries and crimes rather than commit them.
This book gets bonus points from me for mentioning jelly sandals. Jelly shoes were a regular part of my childhood in the 1980s and early 1990s, and I’ve seen some of them return again in the early 2000s, probably partly because people my age now have children, and they’re nostalgic for some of the things from their childhoods. Jelly shoes (or “jellies,” as we called them) are sandals and sandal-like shoes made from flexible plastic in different colors, some clear or with sparkles inside. They were cheap when I was a kid, and I used to get a new pair or two when the weather turned warm. Eventually, they wear out, and the plastic bits snap. I’d wear them around my backyard with my toes sticking out the front as they started breaking, and I started growing out of them. By the time they were too broken to use anymore, my toes were usually beyond the bottom of the shoes, and I was always kind of proud of that because it was a sign that I’d grown over the summer. It wasn’t much of a loss when the shoes wore out because they’d be too small for me at that point anyway, so we’d throw them away, and I’d wear more solid shoes when the weather turned cold. Jellies, flip-flops, and cheap canvas shoes were a major part of what I wore when I was young and growing out of shoes fairly quickly. They were all inexpensive, and while they didn’t last very long, they lasted about as long as they needed to before I needed the next size and weren’t much to lose when I was rough on them.
One moonlit evening, as Gail Foster walks home from the movies with her brothers, a pair of twins named Ted and Tim, and their friend, they pass the old house called Morgan’s Green. The old house was ruined by fire years before. The house hasn’t been repaired since the fire, but the owner, Miss Morgan, pays someone to maintain the grounds and to keep trespassers away. The old ruin bothers people in the neighborhood because Miss Morgan seems to have no intention of ever repairing it so anybody can live there again. For some reason, she seems to want it to just stand there, a ruined and empty eyesore.
As the children pass the house, Gail suddenly hears a knocking or rapping sound. She stops the boys and gets them to listen, but by the time they do, the sound has stopped. The children debate about what the sound could have been. One of her brothers worries that maybe someone has wandered into the old house and gotten hurt, but the other one thinks that maybe Gail just imagined the sound because she likes to write stories and recently wrote a scary one about a ghost. The brothers’ friend, a boy named Conan, has a job helping the groundskeeper at Morgan’s Green, and he says that he’ll check everything over when he goes to work there the next morning.
Gail feels uneasy about the idea of some unknown person being at the old house because the truth is that she has been secretly trespassing on the grounds herself. She went there one day when she was chasing her brothers’ dog, and she found an old, disused tool shed with a workbench inside. This forgotten shed struck her as a good place to go and write in secret. Her brothers have been teasing her about the stories she writes, so she could use a little privacy. Actually, she could use any privacy. Her brothers routinely sneak into her room, read her stories and her private diary, and even deface the diary and tell their friends what she wrote. Their father always tells Gail that the boys’ teasing and bullying is her fault because she makes it too easy and fun for them by showing her emotions, and her parents refuse for punish the boys for any of it or allow Gail to have a lock on her bedroom door to keep them out. It’s no wonder Gail feels the need to escape. Now, Gail worries that maybe someone (or some thing?) knows about her trespassing and that the knocking sound was some kind of warning for her to stop.
The next day, she reconsiders that idea, remembering that she has heard about thefts in the area lately. Maybe what she heard was actually thieves! Miss Morgan still has some furniture stored in part of the old house that might tempt a thief. Conan’s father is the local sheriff, and he hasn’t had leads on the robberies yet.
The next time that Gail goes to write in the old shed, Conan comes to talk to her. At first, she is worried that her secret hiding place has been discovered, but Conan tells her that he’s known about it for a while because he’s seen her going there before. Gail tells him how badly she needs a place with some privacy. He hasn’t told Gail’s brothers about it, and he says that he doesn’t care if Gail wants to continue using the shed.
Conan is also the only one who’s really taken the rapping that Gail heard seriously. Conan tells Gail that he’s looked around Morgan’s Green, but he hasn’t found any sign of whatever made the noise. However, he has some worse news. The groundskeeper at Morgan’s Green, Mr. Hopkins, has fired Conan, and he won’t even give Conan a reason. They’ve always gotten along well enough before, and Mr. Hopkins has never had any complaint about Conan’s work. Conan feels badly about getting fired, but all he can think of that’s changed lately is the rapping sound and the way he looked over the old house to see if he could find a source. It makes Conan wonder if Mr. Hopkins knows something about what caused the noise and wanted to keep him from finding out about it.
Gail wonders if Miss Morgan could be involved with the local thieves and told Mr. Hopkins to get rid of Conan to keep him from finding their secret hideout or something. The kids pause to consider what they really know about Miss Morgan. She does seem to have odd feelings about the old, burned house. It used to belong to her aunt and uncle, who didn’t used to socialize with the people in town much. After they died, Miss Morgan only lived in the house for a few years before it burned. Now, she doesn’t seem to want to either fix it up or sell it, and no one knows why or what she plans to do with it. However, the kids conclude that she has too much money of her own to get involved with thieves. Still, Conan wants to investigate the situation more because he’s sure something strange is going on at Morgan’s Green, and he wants to find out what it is and if it has something to do with him getting fired.
Gail volunteers to help him investigate, and Conan says that he wants to investigate with just her and not the twins. The twins don’t take things seriously and would be less likely to keep quiet about the whole operation. Conan and Gail do involve Gail’s friend, Lianne, because visiting her gives Gail a reason to walk past Morgan’s Green, both on her way to Lianne’s house and on her way back.
The kids see a strange young man hanging around Morgan’s Green with a sketch pad, and Gail learns that his name is Steve Craig. He’s an art student who makes custom Christmas cards to fund his education at design school. Even Gail’s parents have hired him to make a set of Christmas cards for them with a drawing of their own house on them. When Steve comes to talk to Gail’s parents about the sketches he’s made of their house, Gail mentions that she saw him at Morgan’s Green earlier and asks him why he was there. He says that he was fascinated by the house, but he doesn’t think it will do for his paintings. Gail asks Steve if he has a studio, and he says yes, that he has a room in the attic at his house where he had do his work and that it’s important to have a private place to work. Tim and Ted take this opportunity to jump in and publicly tease their sister about her writing again, the reason why she wants and needs some privacy (from them, specifically). Fortunately, Steve isn’t having any of that, and he makes it clear. The dinner guest speaks to the boys more severely than their father ever did, telling them the plain truth, for once, “You two boys don’t sound very understanding. I can see why your sister would need a place of her own for her writing. But then, you’re rather young. Gail will have to be patient with you.” (Oh, thank God! I hope those useless, idiot parents listened, too. I hated them by this point in the story.) The twins are stunned and embarrassed by this response because no one has ever said anything like this to them in their entire lives. (They would have if the parents weren’t useless twits with obvious favorites among their children. I enjoyed seeing someone tell the twins what they’re really like.) The parents say absolutely nothing. (Again, useless.)
Later that evening, Conan walks Gail home from Lianne’s house, and as they pass Morgan’s Green, they hear voices. They can’t catch everything the voices say, but they do hear one talking about “a few more days.” Who was it, and what’s happening for “a few more days”? When Gail tells Lianne what they heard, Lianne is afraid that maybe the place is haunted.
From Lianne’s parents, they learn that Mr. Hopkins has been moving furniture at the old house. Lianne’s parents think that Miss Morgan might have decided to sell the place after all. However, when Conan mentions that to his father, he talks to Miss Morgan, and Miss Morgan says that she didn’t know Mr. Hopkins was moving anything around at Morgan’s Green. She also doesn’t know anything about Conan being fired.
Mr. Hopkins looks kind of sinister when they hear this, but there are still other suspects and an interesting twist that reveals a secret that Miss Morgan herself has been trying to keep for years. There is a reason why she hasn’t wanted to sell Morgan’s Green, and the revelation of one mystery also reveals the other.
The book is available to borrow and read for free online through Internet Archive (multiple copies). This book is also still in print and available on Kindle through Amazon.
My Reaction and Spoilers
The Mysteries
I liked the layers of mystery in the story and range of possible suspects. First, there is the mystery of why Miss Morgan doesn’t want to fix up and sell the house, why she’s left it empty and ruined for years. There is a reason that is revealed toward the end of the book. I liked the reason, which opens up some intriguing elements in the story and a device that the kids themselves use, although I felt like there could have been a little more priming for the reason if people had talked a little more about the aunt and uncle’s history. They were involved in something that Miss Morgan didn’t want to reveal, but surely at least some people in the area should have known about their interests in spiritualism and seances. A good book along some similar lines is The Talking Table Mystery.
Then, there is the question of who, aside from Gail, has been sneaking around Morgan’s Green and why. There are some thieves active in the area, which provide logical suspects, and there are some valuable pieces of art in the possession of the Morgan family that could make targets for thieves. However, Mr. Hopkins has also been acting strangely, and Steve Craig, as an art student, would have a special interest in art. Even though Mr. Hopkins and Steve are usually nice, they behave suspiciously enough to give readers more suspects to consider, and each of them turns out to know more about the Morgan family than they initially let on. Overall, I really liked the setting and mysteries in the story.
Gail’s Family and Teasing
I have very strong feelings on the subject of teasing, and I was appalled at the way Gail’s parents allowed her brothers to treat her and her personal belongings. It wasn’t just that the boys were ribbing her a little about liking to write stories. They kept going into her room and not only reading her stories and making fun of what she says in them, but they also read her diary, actively deface her diary, and tell all of their friends about things in her private diary to invite public teasing. This is a serious privacy violation, and when she asks if she can have a lock on her door to keep them out, not only do the parents not punish the boys for any of this, her father says, “They only do it because you get so excited about it. You’re just too teasable, Gail.”
Oh, I see. It’s all Gail’s fault for having emotions and caring about her privacy and the fact that her parents are refusing either to help her or punish the boys for what they’ve done. Her parents always promise her that they’ll punish the boys “next time”, but each time “next time” arrives, they don’t! They’ve repeatedly broken promises, refused to actively parent their children, and enabled the twins’ bad behavior and abuse of their sister. They’re also gaslighting Gail, trying to make her think she is in the wrong for being a human. The father’s basically saying that it’s right for people to victimize others in any way they want as long as it’s easy and fun to do, and that the way bullies act is 100% the fault of the victim and 0% the responsibility of the bullies themselves. That’s the level of personal responsibility he teaches his sons. It’s the level of parental responsibility he shows for teaching his sons how to act and treat other people.
As I was reading, I couldn’t help but think that the father would probably be the first to holler if someone just walked into his room and started going through his drawers and finding those embarrassing things that adults often have hidden away from kids, and I can just imagine his response if that person told him they did it because he made it “too easy”, so it was all his own fault. I don’t know what things he might have hidden away specifically, although as an adult, I think I could make some decent guesses. (Just for starters, a search of the parents’ room would probably reveal what kind of birth control they use, if any, and whether or not they have any private reading material that would be unfit for kids and not safe for work. Should we also count the number of pairs of underwear the father has that have stains or holes?) I just know that everyone has something that they wouldn’t want the general public to see, whether it’s a private diary or clothes that we just can’t get rid of even if they might be embarrassing to wear or something that indicates much more personal habits that might change the way other people might see us if they were made public. The parents are either unable or unwilling to see how they would feel in Gail’s place and take an active role in teaching their sons how to act, imposing consequences for bad behavior.
Gail’s parents say that they worry that she spends too much time alone writing as it is to let her have privacy or a lock on her door, but privacy is also about trust. The fact is that Gail can’t really trust either her brothers or her parents, not with her private belonging and not even with her personal feelings. They repeatedly and deliberately disrespect and violate both and try to gaslight her like it’s her fault, and that’s deeply damaging to personal relationships. They say that they’re worried about her, but how can they be if they’re not in tune with her feelings and continually allow and support the boys in making her feel uncomfortable, embarrassed, disrespected, violated, and abused? The fact that they can’t figure that out or maybe do know it and just don’t care just makes me angry with them.
I don’t think the twins are bad for doing this kind of thing to their sister once, but I do think that they’re bad for doing it repeatedly, knowing that it causes her distress, because they enjoy her distress. Kids do act up and tease siblings, but it’s the parents’ job to lay down the house rules and enforce them and teach the children standards of behavior that they will carry out into the rest of the world with them. These parents are very deliberately not doing that and dodging every opportunity to do it, giving the twins the impression that what they’re doing it fine and fun and there’s no reason to ever stop. This father makes me sick because I can tell that he’s not stopping the boys from teasing their sister and violating her privacy because he identifies with them and is secretly enjoying his daughter’s distress himself.
Pain-in-the-butt people raise pain-in-the-butt kids, and if those boys don’t somehow get some personal awareness or get someone else to make them shape up, they’d be hashtag material in their later years and deeply offended that anyone sees a problem with their behavior because they’ve never had anybody give them consequences for their behavior in their entire spoiled lives. At every single misbehavior, they’ve experienced only excuses, justifications, and free passes from their parents. I’ve always hated this kind of attitude from people and every single person who does this because it does not get better with age alone. Without something to make them realize that there are reasons to restrain themselves, it just escalates until someone finally hits them with a consequence, and then, they’re stunned because it’s never happened to them before, just like the twins are stunned when Steve points out at dinner that they’re behaving badly and that they should think of their sister’s feelings. You can tell that nobody, certainly not the parents, has ever mentioned it to them before, ever. Just imagine them at age 50, explaining to a police officer, a set of angry parents, and a distraught teenager, that the 14-year-old girl they up-skirted made it “too easy”, they were “just having fun”, it was all her fault for being pretty and wearing the wrong clothes, and phones wouldn’t be equipped with cameras if there were any restrictions on how they could use them, no clue why everyone’s mad at them, because that’s the level of morality and personal responsibility, they were raised with. It’s good for people to get feedback on their behavior when they’re young and learning how to be around other human beings. If they don’t get any rules for behavioral standards or an emphasis on considering other people’s feelings during their formative years, they won’t have any basis for understanding behavioral standards, consequences, or human empathy later in life. The older they are when someone finally gives them a consequence for inappropriate behavior of any type, the angrier they typically get because they think they know what they’re entitled to as adults, and they just want the free passes and apparent tacit approval they always get.
The key is confrontation, facing behavior and the consequences of misbehavior directly and honestly. Maybe Gail’s parents are afraid to punish the boys because they think that punishing them would be a reaction to them and the volatile boys will just act up more, but that’s not really the case. The boys take their nonreaction as approval for what they’re doing and, in the father’s case, I think that might really be it. He strikes me as one of those awful people who thinks that nothing should matter when the boys are having fun, and it’s everyone else’s responsibility to deal with the situation because the people having fun shouldn’t be bothered. The mother at least says once that they shouldn’t be messing with Gail’s things, even though she does absolutely nothing at all about it, but I noticed that the father never says that even once and didn’t say anything to agree with his wife that the boys were doing something they shouldn’t.
The twins are shocked and embarrassed whenever anybody says something negative about the way they’ve behaved or even just calls it into question. They don’t know what to do when that happens because, apparently, nobody has ever said anything negative to them about their behavior or questioned them about it … certainly not their own parents. Even when Lianne is careful not to react much to one of the boys repeatedly taking her hat and throwing it in the gutter and in the street, the boy keeps on doing it three times in a row. The nonreaction doesn’t stop him. What finally stops him is Lianne asking him calmly what he’s trying to do. The boy is again shocked and embarrassed. It’s like he’s never had to think about his own actions before in his life. He probably hasn’t because his parents have never taught the twins that they should think about their actions, the consequences, and other people’s feelings before. It’s not just when people don’t react to them (like “Don’t feed the trolls”), it’s when someone actually says something to them that makes them take a hard look at what they’re doing that makes them realize that they’re just being mean and stupid and how that looks to everyone who sees them, and then, they get embarrassed. These are things that they need to hear from somebody, and they’re sure as heck not going to hear them from the people who are supposed to be raising them and teaching them how to function in life. The twins’ parents never say anything about how they should behave, never make them stop and think, and never talk to the twins about thinking of other people or thinking before they act. They let near strangers and other kids do that important piece of parenting for them, and at no point do they present any follow-up to these comments from other people to support the idea.
I found the twins and their parents to be the most stressful parts of the book. It’s partly by design because they represent obstacles for Gail to overcome and reasons for Gail to look for privacy and support outside of the family home. Her need to get away from them helps to move the action forward, but I still found them stressful because of how awful mean people and irresponsible parents are in real life. Like I said, they’re the kind of people who end up getting called out in hashtagged social media messages later and getting angry about it, like people haven’t been trying to deal with them for years, even decades, leading up to it.
The twins never become really great people by the end of the book, either. People are giving them direct messages and hints about their behavior, and there are brief moments when they show some effort to understand why peoples’ reactions to their bad behavior are embarrassing to them, but they never fully get the message, probably because the parents are still enabling them. They’re still kind of mean little twits at the end of the book. They also almost poison their dog by feeding her 21 pieces of chocolate, and they don’t seem very concerned about that, either. Apparently, that’s another thing that their parents never talked to them about. Gail is the one who is concerned about the dog and looks after it, not the boys or the parents. I get the feeling that even the twins’ friends are getting fed up with their babyish meanness, partly because Conan starts preferring to hang out with their more serious sister instead.
Fortunately, at least some of the other adults in the story are starting to get the idea that maybe Gail needs a little privacy, even though the parents aren’t caring enough and are deliberately ignoring Gail’s direct requests and other adults’ comments. Gail’s grandparents give her a diary with a lock on it, so they seem to know how much she likes to write and how much she needs a little privacy and protection from her brothers. She also finds a way to get a desk with a lock, so she can at least lock her work in her desk so the twins can’t get in the desk, even though they can still get in her room.
A group of friends in Summary, Indiana has had a club together for years, and they’ve always thought that their club would last forever. They call themselves the Silly Stuff Club because they collect all kinds of weird and silly things that they find at sales. However, when one of the girls, Sarah, finds out that her family is planning to move to another state, it looks like their club might come to an end. The club meets in the old carriage house on Sarah’s family’s property. If their family moves, where will the club go, and where will they store their collection of silly stuff? The other girls in the club aren’t just losing a friend but also losing their club’s home and maybe even the club itself.
Then, Lily gets an idea. Down the road, there is an old mansion that’s been abandoned for years. The Winston estate is the property of Melva Winston, who is something of a legend in their town. According to the story, the Winston heiress rode out of town on her motorcycle about 50 years earlier, and she hasn’t been seen since. Lily reasons that the Winston estate is huge and has outbuildings, and somewhere on the estate property, there is probably a place that they can claim for the club. Since nobody lives there or goes there anymore, who is to know or care if they move in?
Some of the other girls in the club don’t like that idea because they’ve been warned to stay away from the old Winston estate. An empty old house can be dangerous, and they might get in trouble for trespassing. Still, nobody has any better ideas, so they decide to sneak onto the property and have a look around.
When they do, they discover that the house isn’t quite as empty as they thought. After all these years, Melva Winston has returned to town. She now calls herself Annie, after one of her middle names, Anastasia. The girls’ sudden arrival startles her, but when she overhears them talking about needing space for their club, she becomes sympathetic. She also realizes that she could use their help. There’s plenty of space in her big house, and she agrees to give them some space in the attic for their club, and in exchange, she asks them to look after her cat while she goes out of town for a few days. She’s hired a local woman, Ms. O’Leary, to do some cleaning for her, but the woman is allergic to cats. The girls are eager to accept because the old mansion would be a fantastic place to have their club, and it would solve their problems … except missing Sarah when her family moves.
Then, one night, a couple of the girls see someone sneaking around the old mansion when no one is supposed to be there. Ms. O’Leary tells them that there were rumors that one of Annie’s ancestors, who made the family fortune in veterinary pharmaceuticals, became an eccentric toward the end of his life, and rumor has it that he hid a great deal of money somewhere on the property. Are the rumors true, and is someone looking for the hidden money?
My Reaction
This book is something of a mystery to me, even after reading it. It is clearly intended to be park of a series because it’s marked as being part of the Creative Girls Club Mystery Book Series, but when I looked up this series, there was only one other book in it. From the descriptions I’ve seen online, it might not even really be that there are two books in the series so much as one book with two different titles because the plots given for the two books sound alike. I’ve only ever seen one of the books, so I can’t be sure.
The book is clearly set up to introduce the set of six girls in the club and establish a basis for the rest of the series. Each of the girls in the club has her own section at the beginning of the book, providing her backstory. So, what happened?
The series had a web page that was given on the inside cover, so I looked it up. It still exists, after a fashion, but the Creative Girls Club is now a subscription box service with craft kits for girls ages 7 to 12. I think what probably happened is that the book series was meant to be a vehicle for marketing the craft kits, but they changed their minds and decided to just move forward with the craft kits in a subscription service without the associated books and characters. There are no actual crafts included in this book for readers to do, although that might have been planned for later books.
The craft kits are by Annie’s Attic, and Annie’s Attic published this book. The book incorporates Annie’s Attic by having the girls move their club to the attic of Annie’s mansion. Ha, ha. At the end of the book, Annie decides to open a craft store and studio in the old mansion, and the girls decide to reinvent their club as a crafting club in Annie’s attic, calling it the Creative Girls Club, and thus setting up the premise for the subscription box service.
Overall, I thought that it was a pretty nice mystery for kids. It kind of worked its way around to Annie’s Attic and the Creative Girls Club in a somewhat contrived way, but still, there are plenty of things in the stories for kids to like, from the club in the attic of an old mansion to a secret room and hidden treasure.
Encyclopedia Brown Takes the Cake by Donald J. Sobol with Glenn Andrews, 1982, 1983.
This book is a little different from other books in the Encyclopedia Brown mystery series. Like other books, it’s a collection of short solve-it-yourself mystery stories with the answers to the mysteries in the back. However, this book also has special sections with recipes and cooking tips after each story. The recipe sections are based on things that happen in each of the stories. It’s best to read the stories first to avoid some of the spoilers in the recipe sections.
The book is available to borrow and read for free online through Internet Archive (multiple copies).
Stories and Recipe Sections:
The Case of the Missing Garlic Bread
Encyclopedia Brown’s neighborhood nemesis, Bugs Meany, and his friends stole some garlic bread and a chocolate cake meant for a birthday party. They deny it, but Encyclopedia Brown knows how to prove that they’re the thieves.
Kitchen Basics
The birthday boy’s mother gives the kids kitchen tips, like how to peel and cut vegetables.
The Case of the Fourth of July Artist
On the Fourth of July, a local boy known for trying to cheat people attempts to sell a picture of the Liberty Bell supposedly painted by one of his ancestors on July 4, 1776. Encyclopedia explains why the painting is a fake. (It was a good enough painting that the guy should have just tried to sell it as an ordinary painting instead.)
The Fourth of July Party
Encyclopedia and his friends make oven-fried chicken, some side dishes, and a red, white, and blue shortcake for their Fourth of July party. All the recipes are provided.
The Case of the Oven Mitt
A friend of theirs has started working in her father’s kitchenware store. On her first day, while she’s helping their friend, Hermes, to decide on a present for his mother, someone sneaks in the back and steals a couple of mixers. She feels badly about it, and at Hermes’s birthday party, Encyclopedia realizes that the thief is one of the party guests.
Hermes’s Birthday Brunch
In honor of a friend’s tooth collection, all of the food at the birthday party has something to do with teeth or foods that resemble teeth, like corny chowder and tooth-collector’s chocolate cake with frosting and teeth in the form of bits of marzipan and slivered almonds.
The Case of the Overstuffed Pinata
Bugs Meany steals a pinata from another boy. He insists that it’s his, but Encyclopedia proves it’s not.
A Mexican Fiesta
Encyclopedia and his friends make Mexican food, including cookies called polvorones, which are also known as Mexican Wedding cookies.
The Case of the Missing Watchgoose
A girl’s pet watchgoose goes missing. I didn’t like the solution to this one.
An Italian Dinner
The goose’s name was Christopher Columbus Day, so the kids cook an Italian-themed dinner.
The Case of the Secret Recipe
A friend of Encyclopedia’s, Beauford Twitty, invites his friends to his private potato museum to see his exhibits and sample a new recipe he’s created with a new variety of potato that his grandfather developed on his farm. While they’re there, someone steals a potato autographed by Yankees pitchers.
Dinner at the Twittys’
As a reward for helping to recover the potato, the Twittys give a dinner with no potato dishes at all: cream of chicken soup, meat loaf, corn pudding, baked tomatoes, lemon-buttered green beans, and apple pie.
The Case of the Chinese Restaurant
Oliver, who is a fan of Chinese food and the treasurer of the Service Club, is suspected of stealing from the Letterman’s Club treasury that was entrusted to him. Encyclopedia proves that he’s innocent.
A Chinese Banquet
Encyclopedia and his friends make Chinese food, including egg drop soup, Chinese riblets, egg rolls, and sweet and sour meatballs.
Snacks and Lunches
This section isn’t a story, just a collection of additional recipes for things like pizza made with pita bread, a variety of sandwiches, Twitty’s recipe for French fries from the potato story, French toast, cookies, and brownies.
Pointers from Pablo
Pablo, a young artist, offers advice on how to present and serve food while helping himself to cookies that Encyclopedia and Sally made.
The Mystery of the Gulls by Phyllis Whitney, 1949.
Taffy Saunders and her mother are heading to Mackinac Island for the summer while Taffy’s father is in the hospital, recovering from a car accident. Taffy’s mother’s Aunt Martha has recently passed away, and she left the hotel she owned to Taffy’s mother. It’s a strange bequest because Aunt Martha hadn’t gotten along with her niece for years because she had disapproved of her marriage. There is also a condition on the inheritance. In order to retain ownership of the hotel, Taffy’s mother has to run it herself for a summer. Taffy thinks that it all sounds strange and mysterious, but her mother says that her aunt was an eccentric, and it was often difficult to understand why she did some of the things she did.
Taffy’s mother worries that something will go wrong over the summer that will prevent her from owning the hotel. It isn’t really that Taffy’s mother wants to be a hotel keeper, but since Taffy’s father’s accident, they’ve spent most of their money on medical bills. When he gets out of the hospital, he won’t be able to do his old job, which involved a lot of travel, so they’re going to have to settle down in a new city. Taffy is happy about living a more settled life than they used to live, but they’re going to need all the money they can get to buy a new home. Taffy’s mother is hoping to sell the hotel to pay their bills and buy a new home, but she can’t do that unless she can prove that she can manage the hotel first. Mrs. Saunders is hoping that her aunt’s long-time housekeeper, Mrs. Tuckerman, will help her make this summer a success, while Taffy is hoping that Mrs. Tuckerman’s daughter, Donna, will be a friend for her. Because their family has moved a lot, Taffy hasn’t had many opportunities to make and keep friends.
On the boat ride to Mackinac (which they point out is pronounced “Mackinaw” by locals), Taffy meets a boy about her age, David Marsh, who is going to Mackinac to visit his grandmother, and they talk about the sights to see on the island. There is an old fort on the island that is now a historic site for tourists, and David offers to show Taffy around. He tells her where his grandmother’s house is and says that she can come see him there, or he’ll come to the hotel, Sunset House, to see her.
When Taffy sees Sunset House, she thinks it’s charming. The hotel is a large, old house with turrets, cupolas, and a widow’s walk. Mackinac Island in general seems charming. Cars are not allowed on the island, so people get around with horses, carriages, and bicycles. Taffy’s mother talks about wanting to “wake this place up”, but Taffy thinks that the calm, sleepy atmosphere is right for the house and doesn’t want to disturb it. Since Taffy has moved a great deal with her parents because of her dad’s job, she has lived in many hotels and apartments, and she finds the old-fashioned and comfortable furniture at Sunset House to be homey. Taffy thinks that the home-like atmosphere of Sunset House is a nice change and that she will like it there. The room she shares with her mother is beautiful, also filled with old-fashioned furniture and a charming alcove with a lovely view.
It seems like Aunt Martha’s usual guests prefer the place quiet, too. The first guests that they meet are the Twig sisters, a pair of elderly ladies who are at first concerned about a new child in the house. Until Taffy arrived, the only child at Sunset House was Donna, who is described as a quiet child. Aunt Martha only rented rooms to adults with no children. Taffy learns that Donna, who is about her age, is usually never even allowed to bring other children to visit her. Taffy feels sorry for Donna and hopes that she will want to be friends as much as she does.
Besides Mrs. Tuckerman, the housekeeper, there is also a cook named Celeste. When Taffy and her mother first arrive, they are told that Celeste hasn’t prepared lunch because she’s been seeing “omens.” Apparently, this is something that she does periodically, and Mrs. Tuckerman thinks that, this time, it’s just because she’s upset about Mrs. Saunders arriving. There are three other people who also work in the kitchen, but they all seem pretty useless without Celeste’s direction. Fortunately, Mrs. Saunders is a woman of action, so she immediately takes charge of making sandwiches for lunch. To speed things up, she even offers to let guests come to the kitchen to make their own sandwiches, any kind they want, if they wish to. Although Mrs. Tuckerman isn’t sure that will work, lunch turns out fine. However, Taffy has a strange encounter with Celeste in the garden.
In the garden, Celeste asks Taffy what word the gulls are saying. Taffy did have the feeling before that the gulls are saying a word, and it sounds like the word “help” to her. Celeste says that’s what she thought, and she says that’s a sign that a storm is coming. Her fear of the bad storm coming is why she feels like she can’t cook, and it bothers her that nobody else seems to understand, implying that there is impending doom. Taffy shows Celeste a map that David drew to his grandmother’s house, which she is having trouble understanding. Celeste explains to her how to get to the house, and she also mentions a shortcut, but she warns Taffy not to take the shortcut after dark because it goes through a “goblin wood.”
Taffy meets Donna for the first time at lunch. Donna is a shy girl, but she is glad that Taffy is there because she has spent much of her time alone since children are not usually allowed at Sunset House. Taffy asks Donna about Celeste and what she means about the “goblin wood.” Donna explains that Celeste and her family have lived on Mackinac for a long time because they are descended from fur traders (this is why Celeste has a French name, although the book doesn’t mention it directly) and Native Americans (the book uses the word “Indians”). Because of this heritage, Celeste has a lot of superstitions about the island and the spirits that supposedly inhabit it. Taffy doesn’t believe in spirits, but she can’t resist taking the shortcut to David’s grandmother’s house, just to see what it’s like. She has an odd encounter in the woods with a Native American boy (called an “Indian”) wearing overalls, who refuses to speak to her and seems hostile toward her.
When Taffy sees David, she tells him everything about Celeste and her encounter in the “goblin wood.” David says that he’s taken the shortcut through the woods many times without a problem, and he never had any reason to think that it might be haunted. Taffy is a little insulted at his comment that maybe girls get scared easier than boys, and David explains that the boy might not have been as unfriendly as she thought because her imagination might just have been fueled by Celeste’s stories, so she was primed for something scary or sinister to happen. They reconsider that theory when the two of them walk back through the “goblin wood” and find a note left on a tree, telling her that she’s not wanted on the island and that her presence makes the “manito” angry. David says that the “manito” is one of the Native American gods or spirits who supposedly inhabit the island. (This is a real concept in Native American lore, but I’ve seen it spelled “manitou.”) Whoever wrote the note was trying to scare Taffy, but why?
David is intrigued by what Taffy has told him about Celeste and her “omens” and the “goblin wood”, the note left for Taffy, and the unfriendly boy in the overalls (who Taffy sees again, talking to Donna, when she and David try out his grandfather’s binoculars), and he says he is willing to help her investigate further. The two of them work out a code, where Taffy can hang things of different colors in the window of her bedroom to send him messages.
The mystery deepens when Taffy’s mother tells her that there are two vacancies in the hotel after Taffy heard Mrs. Tuckerman turn away a man who wanted a room. There is also a locked room off of Aunt Martha’s old office that Donna says no one is supposed to enter. She says that they can’t even find the key, that no one has seen it since Aunt Martha died. When Taffy talks to her mother, she says that the locked room is a library and that the boy in overalls she’s been seeing is named Henry and that he does odd jobs for the hotel. Taffy tells her mother that it seems like people don’t want them on the island, including Henry, Celeste, and Mrs. Tuckerman. Even Donna has been acting strangely. Even though she said that she was glad Taffy was there, she’s been strangely unfriendly, and she’s been telling her mother that Taffy is the unfriendly one! Taffy thinks that’s really unfair, but her mother thinks that it’s just because everyone is adjusting to the changes since Aunt Martha died. Donna isn’t used to being with other children, and Celeste and Mrs. Tuckerman may be worried about their jobs since the ownership of the hotel depends on how well Mrs. Saunders manages it this summer and what she plans to do with it when she takes full ownership. Taffy and her mother don’t even know what will happen to the hotel if Mrs. Saunders can’t prove that she can manage it well enough. Aunt Martha’s will deliberately keeps the alternate heir secret until the end of the summer.
This is only the beginning of the mysteries and puzzles. Taffy learns that the man Mrs. Tuckerman turned away from the hotel was actually an old friend of Aunt Martha who has worked in hotels in Asia and says he would like to own a hotel of his own. The storm that Celeste predicted comes, and a baby seagull crashes into the window of the Twigs’ room. Celeste thinks that’s another bad omen and that Taffy and her mother should leave. Then, someone leaves a bat skeleton in Miss Twig’s bed. Donna says that Aunt Martha used to collect things like that and that maybe her spirit put the skeleton in the bed because she’s not happy. Of course, Taffy doesn’t believe that. Too many living humans seem unhappy that she and her mother are there. Donna admits that Aunt Martha was originally going to leave the hotel to her mother before the two of them had a quarrel, and Aunt Martha changed her will. Whether Mrs. Tuckerman might still be the alternate heir to the hotel is still unknown. Donna thinks the alternate heir might be some bird society because Aunt Martha was an amateur naturalist with a fondness for birds. Could there be another heir who is hoping to drive Taffy and her mother away so they can have the hotel? Could Donna and her mother still be hoping that the hotel will come to them? Could Celeste or Henry be trying to drive them away for their own purposes?
The book is available to borrow and read for free online through Internet Archive. Like other Phyllis Whitney books, this book is something of a collector’s item now, and copies are not cheap through Amazon.
My Reaction and Spoilers
I’ve been to Mackinac Island before, when I was in my teens, and I didn’t know about the pronunciation until I read this book. I had even forgotten about the horses and carriages since I’ve been there (which might seem odd, but I only spent one day there and I was obsessed with the fudge), but Mackinac Island is still car-free today. Reading this book revived some old memories for me, and it makes me want to go back and spend more time there! I didn’t stay overnight while I was there last time, but there are plenty of hotels there, including ones that resemble the one in the story, with turrets, cupolas, and widow’s walks.
Culture and Folklore
The book mentions that there are many Native Americans living on Mackinac Island, but it doesn’t mention a specific tribe. Even though some of the spooky and ominous things that happen in the story appear to have their roots in Native American folklore and superstition, I’m not completely sure how accurate the descriptions of the folklore aspects are. From what I’ve read, it seems that manitous (or manitos) really are a part of Native American folklore in that region, but there are a couple of aspects of it in the story that I haven’t been able to verify. As a slight spoiler, we eventually learn that Aunt Martha used to collect not only animal skeletons but dead birds, which she would turn into taxidermy. Celeste didn’t think that this was fully respectful to the spirits of the creatures, although she did seem to think that Aunt Martha had some kind of special connection to the spirits of birds because she was so good with them, living, injured, or dead. Because the author, Phyllis A. Whitney spent her youth in Asia because of her father’s job, she also has a habit of introducing Asian elements to most of the books she wrote at some point. In this one, although the main focus is on aspects of Native American folklore, there is also an Asia folklore story about a Chinese gong in the hotel, which seems to have a connection to birds or winged creatures, and that complicates the situation. The effect is that Taffy sometimes feels like she is dealing with forces that she doesn’t understand, which adds some suspense, although she is also sure that there’s a person behind it all because she doesn’t really believe in all the folkloric superstitions and physical objects are being used for the strange things that are happening.
One thing that I like about Phyllis A. Whitney’s juvenile mysteries is that they do frequently include history and folklore of different places and people around the world, and they do seem generally well-researched and presented with empathy. This book and other she wrote were published in the middle of the 20th century, around the same time that other books I’ve read were also published. Some mid-20th century books for kids lean into racial or cultural stereotypes, but Whitney’s book often subvert that or show characters rethinking some of their preconceived notions. The book does use the word “Indian” instead of Native American, which isn’t preferred, but apart from that, Taffy’s attitudes and ability to look at things from someone else’s point of view are good. Taffy is characterized as a very imaginative girl, and one of the ways she uses her imagination is to picture what other people think or how they would feel about different things. At one point, David says that Celeste is crazy for all of her superstitious talk, but Taffy defends her, saying that she’s not crazy. Taffy doesn’t believe in Celeste’s superstitions, but she recognizes that Celeste believes and acts the way she does because she has spent her whole life being steeped in stories of the history of spirits. These stories don’t make sense to Taffy and David, but Taffy recognizes that they make sense to Celeste. Celeste is wrong about the spirits being responsible for everything weird that’s happening, but being wrong about something isn’t the same as being crazy.
Later in the story, the kids form a club for exploring the island and giving hotel guests tours of some of the scenic spots. Taffy, David, and Donna ask Henry to be their “Indian guide” for the tours, and Henry sarcastically asks if they’re expecting him to wear feathers. The others quickly reassure him that they’re not asking him to be the guide because they want him to put on a kitschy show for the tourists or anything embarrassing like that. They just think he would make the best guide because he knows the island better than the rest of them and all the history and stories of the island. They want to call him an “Indian guide” to emphasize his Native American heritage and provide a credential for his knowledge for the sake of the tourists, but they say they would still want him to be part of the tours even without that, just because they want to be friends and include him. This explanation satisfies Henry, and he joins their tour club. For those who would like to learn more about the history of real Native American life on Mackinac, I recommend the Biddle House Native American Museum.
Time Period and Atmosphere
This book is set contemporary to when it was written, the in late 1940s. Readers will notice that Taffy periodically mentions whether or not women are wearing slacks instead of skirts, and that’s because that was a modern fashion trend in her time. Taffy’s mother is very much a modern woman, and she wears slacks from the beginning. However, Taffy can see that many women who stay at Sunset House (although not all) are older and more old-fashioned women, who wear skirts, like the Twig sisters. At first Taffy worries about whether her mother is dressing appropriately for her new job, managing the hotel, but it works out fine.
Taffy and her mother have different views on the hotel from the beginning. Taffy thinks that the old-fashioned hotel is charming and that the quiet atmosphere really suits the place. However, Taffy’s mother thinks that the place seems depressing and wants to “wake it up” a little. Taffy worries that her mother’s attempts to “wake it up” might ruin the quietness and quaintness that appeals to their customers. This is one of the reasons why people who work at Sunset House are concerned about what Taffy’s mother plans to do with the hotel. On the one hand, they didn’t always like the way Aunt Martha did things, but Taffy’s mother is a newcomer, who might not understand which parts of the hotel’s atmosphere should be preserved.
It’s true that people often visit places like this hotel specifically for their atmosphere, and the kind of people who choose to stay at Sunset House are looking for exactly that quiet and quaint atmosphere. When she was alive, Aunt Martha cultivated that time of atmosphere and a client base who likes that. With Aunt Martha’s death, Sunset House is at a transition point, where the new ownership will set the tone for its future. I think Taffy is right that the old-fashioned charm of the house should remain because even modern people like to visit quaint and charming places that are very different from the places where they live the rest of the time, but at the time time, Aunt Martha’s ways were unnecessarily strict, and there is some room for relaxing the atmosphere without ruining the quaintness. Allowing families with children wouldn’t be bad, and when Taffy’s mother learns that Donna’s passion in life is dancing (something that Aunt Martha disapproved of), she arranges for Donna to do an evening show for the guests, which Donna and the guests love. A little live music and dancing is a way of adding some life to the old house without ruining the charm because Donna’s ballet and tap dance are also charming and tasteful.
For some context between Taffy’s mother and her Aunt Martha, I’d like to point out that, because this book takes place in the late 1940s, Taffy’s mother’s youthful visits to her aunt’s Mackinac Island hotel took place before her marriage, which was probably in the mid-1930s, given Taffy’s age. That means that she was there as a kid during the 1920s or early 1930s. Culturally, the 1920s and 1930s, post-WWI, was the beginning of the modern era, with flappers pushing the boundaries of women’s dress and behavior, and women needing to take on greater roles in working and supporting their families during the Great Depression and WWII. Taffy’s mother would have been growing up, coming of age, and marrying and having a child of her own during all of these changes, and I think this helps explain her practical, modern outlook on life and personal habits. (Remember, she wears slacks. Other women don’t, especially the older and more traditional ones.) As a member of the previous generation, Aunt Martha would have been a product of the late 19th century and early 20th century, which I think helps explain the Victorian/Edwardian style of her home and her apparent attitude that children should be seen and not heard, an attitude which seems to be shared by the Twig sisters. Not all Victorian era adults felt this way, and many parents genuinely loved and indulged their children whenever they could, but it seems like Aunt Martha clung to the strict aspects of Victorian upbringing. In fact, her resistance to listening to the needs of the young people is a central part of the mystery. In fact, it is the reason for the mystery, and we learn that Aunt Martha’s behavior wasn’t solely a matter of her upbringing but her own mercurial personality and moods.
Aunt Martha (Spoilers)
Understanding Aunt Martha is key to understanding the entire mystery because she is literally the one who set everything up. Although she is dead before the story begins, we actually do get more explanations of her thinking in her own words than almost anyone else, except for Celeste, because she left behind journals that explain everything. I got angry with Aunt Martha when I realized that her manipulation of everyone was deliberate and planned. Aunt Martha wasn’t just strict; she was controlling and vindictive. She expected everyone to consult her about everything going on in their lives and to do everything she said, just based on her say-so. Whenever anybody resisted that control because their lives were their business and not hers, she would get angry, and that’s when she would withdraw affection and support and renege on promises she had made, seeking to punish them for their resistance. As Taffy later observes, Aunt Martha was not a nice person, and in her journals, she even said that she distrusted people who were too nice and too liked by other people because she never was herself. Her hotel was charming, but she wasn’t.
The terms of Aunt Martha’s will were not so much designed to benefit someone as to punish them all. She didn’t leave the hotel to Mrs. Tuckerman, as she had originally planned, to punish her for not following her orders on how to raise Donna, even though Mrs. Tuckerman had previously let her control things for both her and Donna. Leaving the hotel to her niece wasn’t meant as a nice gesture, either. She thought her niece was an idiot whose decision to marry a man she didn’t approve of was a sign of ingratitude for all that she had done for her (whatever that was – apart from letting her visit during summer, we don’t know of anything else she did), so she expected that she would fail at managing the hotel and would be publicly embarrassed by the failure. Aunt Martha purposely set up a situation where some people would have to ensure that others would lose in order to “win” something because she liked the thought of them fighting among each other and having problems because of her.
While understanding other people’s thinking is important, I also think that it’s important to recognize that understanding does not equal approval. We can understand that Celeste’s superstitions make sense to her without believing that everything has a supernatural cause, and we can also understand why and how Aunt Martha decided to use her will to get back at everyone for defying her in some way while recognizing that everything she did was toxic and done out of malice. What eventually stops it all is the revelation of Aunt Martha’s thinking and the understanding of the motives of the people doing all the strange things at the hotel. Taffy and one other person realize that, in spite of Aunt Martha’s manipulation, there is still a way for everything to work out well for everyone, with no “losers” in the situation. Once they figure that out, they are able to explain things to the others and get them to cooperate.
There is a theme in the story about good people who do bad things, but that applies more to the people Aunt Martha manipulated than Aunt Martha herself. Aunt Martha was good to birds and helped them heal when they were injured, but she wasn’t so kind to her fellow human beings. Some of the characters in the story think that they have no choice but to do what they’re doing because of the way Aunt Martha set things up, and it’s very hurtful to Taffy because she thought they liked her and she liked them, yet they were plotting against her and her mother the whole time. Taffy’s mother says that they did like them and feel badly about what they did, that they just felt trapped. I was bothered by some of the characters talking about how likeable these characters were because I don’t like people letting others off the hook for doing harmful things just because they can be pleasant and charming sometimes. There are serious abusers who too frequently get off the hook for those reasons. Heck, people let Aunt Martha get away with many of the things she did because she was nice to birds and could be charming and helpful sometimes, but her journals explain detail how little she thought of other people and how she schemed to manipulate and control them. Her last act was to do something she knew would hurt and embarrass the people close to her and cause them problems with each other.
Fortunately, even though the offenders are otherwise nice and likable, the book doesn’t let them off the hook for their behavior. I was gratified that Taffy’s mother and other characters say that people need to take responsibility for their choices, even if they’re “all mixed up inside”, and that doing things that harm others can’t be excused. Even the miscreants just saying that they understand now that they were wrong about what they were thinking and doing doesn’t get them completely off the hook. Instead, the characters make the offenders each pick a way to punish themselves and make amends for the trouble they’ve caused, to show everyone that they’re genuinely sorry and really mean to make things right. I like it because, as Taffy points out, their behavior makes her wonder about their entire relationship. How much of their previous likeability was just an act while they were scheming against them behind their backs, and what is their relationship going to be now? Can they still be friends, or is that all over because they were plotting harm the entire time? The punishments they give themselves are a gesture to show that they really do regret what they did and that they are going to follow through on that regret and change for the better. Nobody gets away with causing problems just because they put on an outward show and come across as likeable. In the end, they’re not trying to insist on everyone letting them go because that’s what they want, and they’re not acting as though they’re entitled to anything or deserving of being treated as special exceptions. It’s just them, taking responsibility for themselves and owning their feelings and motivations, as Aunt Martha never fully did outside of her journals. As Mrs. Saunders says, “like anyone who does wrong, they’ll have to take their punishment.” Their willingness to do that and to admit that they were wrong and make amends is what paves the way to repairing their relationships with the others.
I was disappointed, though, that we don’t really get to see the miscreants explain themselves. The Taffy’s mother and others talk to them without Taffy being present, saying that they want to handle the matter privately, even though Taffy is the main character and the one who was investigating the mystery all along. It’s sort of weird that the main character was shut out of the final discussion. Because she’s not there, readers don’t get to “see” exactly what happened or hear the miscreants’ explanations in their own words. Taffy’s mother just tells her about it afterward, and that feels like a cheat. “Show” is generally better than “tell.”
A Touch of Cottagecore
I think this mystery story about a summer spent in an enchanting place, with an old-fashioned hotel and an island with horse-drawn carriages, might appeal to fans of the Cottagecore aesthetic. The kids in the story have some independence in where they go and what they do. Taffy is allowed to spend some time exploring the island with David, seeing the sights and enjoying the beauty of the island. The garden around the hotel has pretty flowers, and Taffy starts learning some of their names. She never had the opportunity before to learn much about flowers because she’s been living in hotels and apartments. She thinks that, when her family finally has their own house, she also wants her own garden with flowers.
Some characters in books make up their own special words which are only used in their story, and the word for this book is “exasper-maddening”, which Taffy and her father use to describe her mother’s behavior at times. The mother is a woman of action, which can be good when someone needs to take charge of the situation. However, she is also impulsive and stubborn, given to doing things as soon as she gets the notion to do them and sweeping everyone else along with her, and she also has a tendency to focus on whatever seizes her attention in the moment instead of what’s concerning someone else.
Ruth Fielding in Moving Pictures; Or, Helping the Dormitory Fund by Alice B. Emerson (Stratemeyer Syndicate), 1916.
One day, while Ruth Fielding is out with her friends, Helen and Tom, they see a film crew working by the river. (Because this is the 1910s, they are making a silent film and using the kind of old-fashioned movie camera that needs to be cranked, like the one shown in the picture to the right.) They talk about whether to not they would like to be in movies themselves. The girls think it sounds exciting, but Tom thinks that they’re too young. The girls say that they are not too young because the actress who is being filmed looks like she’s about their age. As they watch, the young actress accidentally falls into the river, which is freezing cold because it’s winter. Ruth and her friends hurry to help pull her out before she drowns. When they get her out of the river, Ruth is appalled at how unconcerned the director is for the actress’s health while she’s clearly suffering from the cold. Ruth and her friends take the actress, Hazel Gray, back to the Red Mill where Ruth lives, where she can warm up and recover.
While Hazel is resting at the Red Mill, she and Ruth tell each other about themselves. Like Ruth, Hazel is also an orphan. Her parents were actors, and some friends raised Hazel to be an actress after her parents died. Ruth tells Hazel that she has been thinking about writing a movie scenario (script) just for fun, and Hazel offers to show it to the director if she does. Ruth isn’t sure she likes the idea because she didn’t like the director, Mr. Grimes. Hazel explains that, while the director can be callous and abrasive, he is a famous director who really knows his business and can help actors and scenario writers make their careers.
The next day, Mr. Hammond, the manager of the film company, comes to the Red Mill to see how Hazel is and to ask Ruth about how the accident happened. He seems concerned about whether or not Ruth’s description of what happened matches what Mr. Grimes told him. Ruth explains what she saw to Mr. Hammond, and she also tells him what she thinks about Mr. Grimes’s lack of concern about Hazel’s welfare. Mr. Hammond says that it’s impossible to change other people, indicating that he knows how callous and unpleasant Mr. Grimes can be, but he promises to make sure that Hazel gets a fair deal for her acting and the accident she suffered.
While he is there, Mr. Hammond becomes fascinated by the quaintness of the Red Mill. He thinks that it would make an excellent setting for a movie. Ruth says that she would love to write a scenario about the Red Mill herself. Mr. Hammond asks her if she’s ever written a scenario before, and Ruth admits that she hasn’t, but there has to be a first time for everything. Mr. Hammond is amused and says that he would be very interested in any scenario that Ruth might write. However, he suggests to her that, before she writes a scenario about the Red Mill, she write a short story about something else, something exciting, so he can see what her writing is like. Ruth happily agrees, and after she returns to boarding school with her friends, she starts writing.
Ruth and Helen are now seniors at their boarding school, and they are starting to think nervously about their lives after graduation. They know that they want to go on to college, but they find the prospect intimidating, too. Neither of them is quite sure what they want to do with their lives. The idea of growing up in general sounds frightening.
The girls aren’t the only ones showing signs of growing up but feeling awkward about it. Ruth finds herself getting unexpectedly jealous about Tom having a crush on Hazel. Helen says that Ruth simply hasn’t been paying attention to the things the boys are doing. All of Tom’s friends at his school have crushes on actresses, and they’ve been collecting pictures of them from the newspapers and pinning them up in their rooms. At the same time, Tom seems oddly sullen that other people are starting to treat Ruth and his sister as young ladies. It’s one thing for him to have a crush on Hazel, who is a couple of years older than they are, but he doesn’t seem to like the idea of Helen and Ruth seeming too grown up.
These things are in the back of Ruth’s mind as she finishes writing her story. After she sends her story to Mr. Hammond, a fire breaks out in one of the dormitories at the school because of a neglected candle. The dormitory that is destroyed is the one where Ruth lives with her friends. Ruth is tempted to try to save their belongings, but the teachers tell her that it’s just too dangerous. They’re just thankful that all the girls are safe.
After the fire, there is the question of rebuilding the dormitory. At first, they think that the insurance money will pay for a new dorm, but it turns out that the school’s forgetful headmaster accidentally let the insurance policy lapse. Some of the girls at the school are from wealthy families, and they are sure that their parents would be willing to contribute to the building of a new dorm, but Ruth sees a couple of problems with that. First, while the wealthier students’ families would certainly be able to contribute sizable amounts toward the building project, the families of poorer students may hesitate to contribute at all because they may be embarrassed that they cannot possibly match the donations the wealthier families can contribute. Second, the girls are overly relying on their parents. While the parents may be glad to help, Ruth thinks it would be better to find a way that the students themselves can contribute to the building fund. The other students agree that they would all like to find a way for everyone to contribute.
An idea for a group project the entire school can participate in comes to Ruth when Mr. Hammond sends Ruth a check to pay for her first story. He thinks that Ruth has a great talent for writing, and he’s going to make her story into a short, one-reel movie! That makes Ruth realize that, if she can write a short story for a short movie, she can write one for a long, five-reel picture. If she can write a long scenario for a movie, all of the girls in the school can be in the film! She thinks that she can persuade Mr. Hammond to produce the picture and distribute it to the surrounding town, and the royalties from the movie can pay for the dorm reconstruction.
Mr. Hammond agrees to help Ruth and her friends make a movie on behalf of the school, and the school’s headmistress agrees to allow the students to participate in the project. The donations that the school has already received from the parents have paid for the removal of the ruins of the old dormitory and the beginning of the construction of the new one, and the money the girls earn from the movie can pay for the completion of the building project. Ruth already has an idea for the plot of the movie, one about girls at a boarding school, so they can film the movie on their own campus. Mr. Grimes turns out to be the film director, and he is still temperamental, but he shows more patience when dealing with the students than he had before.
There are complications, of course. Hazel Gray is one of the professional actresses helping with the movie, and Ruth is still jealous about how fond she seems of Tom. Then, there is drama when the other girls learn which girl left the candle unattended and vent their wrath on her. The girl, Amy, was already a troubled student with an unhappy home life. Then, Amy gets upset when the boy she likes seems to be getting too friendly with Ruth, and she runs away. Ruth and the other girls have to search for her, and they learn the embarrassing secret behind the dormitory fire and some other secrets that Amy has been hiding from them.
This book is now in the public domain and available to borrow and read for free online through Project Gutenberg.
My Reaction and Spoilers
Is There a Mystery in the Book?
Not exactly a mystery, but there are some things that Ruth and her friends discover some secrets about their prickly fellow student, Amy, and when she runs away, the other girls have to figure out where she went and rescue her. Although Ruth and the other girls are unhappy with Amy because of the dormitory fire and because Amy frequently has a sour attitude, but they become more sympathetic when they learn more about some secrets that Amy is hiding. The embarrassing secret behind the dormitory fire is that Amy is afraid of the dark. She doesn’t want to admit it to the other girls because she doesn’t want to be teased, but that’s why she left a candle burning in her room; she was afraid of returning to her room after dark. The school has electric lights, but she grew up in a more old-fashioned town and isn’t used to them.
Worse still, Amy is terrified that her father will find out that she caused a fire at school. He is already harsh with her, and it has gotten worse since he remarried. He seems to view the child from his first marriage as a nuisance, and it seems like he sent her to boarding school to get her out of the way as he starts a new life with her stepmother. Actually, Amy’s father’s reasons for sending her to boarding school were not just to get her out of the way. Ruth and the others learn that part of Amy’s difficulties with her stepmother have partly been because Amy behaved badly toward her because her aunts disliked her and were a bad influence on Amy. It wasn’t just that the boy she liked seemed to like Ruth that made her run away; she had gotten an angry letter from her father that not only accused her of doing something bad before she left home but also saying that he has heard rumors about her involvement with the fire. He is coming to the school to find out for himself what she’s been doing there, and Amy is terrified of what he will do when he gets there.
To find Amy, the girls and Curly (the boy Amy likes) have to think of all the things they know about Amy and the places she could have gone. Curly knows more than the girls do because Amy confides in him. I appreciated that Ruth and the other girls are much more active in this story in solving the problem of Amy’s disappearance than they often are in other books. In the earlier books in this series, Ruth and her friends frequently rely on chance and coincidence to reveal hidden information and other people to carrying out the final action, but this time, they use their own reasoning to figure out where to look for Amy and go after her themselves. In some ways, I think that the more active roles that Ruth and the others play in the story are because they are growing up. Amy is younger than Ruth and her friends, and they feel responsible for her. In earlier books, adults and others were looking after them and helping them, but now, they are older than someone else. I’m looking forward to seeing how this develops in other books in the series.
When they find Amy, she has had a bad reaction from poison oak or poison sumac, and everyone feels sorry for her. Amy gets the first sympathy that she’s had for some time. Amy straightens out her relationship with her father when he comes and realizes that she was unfair to her stepmother. The other girls at school forgive Amy for the fire when they find out what she’s been through, and her father makes a generous donation to the building fund.
Characters That Age
One of the most unique features of this book is that the characters are growing up, and it’s part of the story. That’s something that doesn’t happen in other, later Stratemeyer Syndicate books. In this book, Ruth and her friends graduate from their boarding school. As the girls think about their graduation and going on to college, they’re a little intimidated because they don’t know what they want to do with their lives, but Ruth discovers her talent for writing movie scripts/scenarios. (These are silent films in her time, so there’s no dialog for the “script.” Any dialog that the audience needs to understand would have been shown in text in the intertitles. I think that’s why they call this form of script a “scenario” in the book.) There is some awkwardness in the way the boys and girls in the story start looking at each other because they realize that they’re becoming young ladies and young men. They’re not used to thinking of themselves and each other in that way, and they’re developing crushes.
You won’t find this sort of thing much in the on-going Stratemeyer Syndicate book series, like Nancy Drew and the Hardy Boys. Those characters are frozen in age on purpose, and the Ruth Fielding series was part of the reason why. In early Stratemeyer Syndicate book series, like Ruth Fielding and the Rover Boys, the characters did age. They grew up, graduated from school, got married, and eventually, had kids of their own. The problem for the Stratemeyer Syndicate was that, when their characters got married and became parents themselves, they were starting to get too old to be teen detectives and young adventurers. Their child audiences wanted to read about kids like themselves or teenagers or young adults, not people who were more like their own parents. So, whenever characters started getting too old for the target audience, they would have to end that series and start a new one. After going through the Rover Boys and Ruth Fielding and some of their other popular series in this way, they realized that they could keep a book series going much longer if they just didn’t let the characters age.
That’s why Nancy Drew and the Hardy Boys are frozen in age somewhere in their late teens or early 20s, and the books typically leave it vague which it is. It’s mostly important that readers know that the characters are young but old enough to travel and have adventures by themselves. Nancy Drew is not going to school, and if she takes any classes in individual books, she isn’t studying for a degree. If she did, her series would eventually end because she would graduate and move on to adult life. Similarly, the Hardy Boys are learning to be private detectives by working with their father, who is a private detective, but they will always be in that apprentice phase, so their series can continue. There are times when the characters date other characters or have crushes, but their romances don’t progress to anything serious because that would also age the characters. Every decade or so, the books in those series get revamped or the characters get a new, updated series that incorporates modern technology and culture, but the characters stay roughly the same age throughout. It’s basically what happens with new Scooby-Doo cartoon series, but with books, and the Stratemeyer Syndicate did it with their characters first.
Part of the reason that I wanted to read the Ruth Fielding books was that I knew the characters would age, and I also knew that she was a kind of prototype for Nancy Drew. The Nancy Drew series started around the time Ruth Fielding’s series ended, as a replacement for Ruth Fielding. Fortunately, we’re not at the end of Ruth Fielding’s series yet. The series doesn’t end with her boarding school graduation. It continues through her time in college and into her career in the movies.
Ruth Fielding and the Gypsies; Or, The Missing Pearl Necklace by Alice B. Emerson (Stratemeyer Syndicate), 1915.
Just as a quick note before I begin to describe the plot of this book, this book is part of the Ruth Fielding series, an early Stratemeyer Syndicate, before they started writing some of their more popular and best-known series, like the Hardy Boys and Nancy Drew. Some books in early Stratemeyer Syndicate series are awkward because they use racial terms that polite people would not use now. During the mid-20th century, around the time of the Civil Rights Movement, the Stratemeyer Syndicate revised the books it had in print, updating the technology and slang terms in the stories to be more modern and removing or altering some questionable racial terms and attitudes. Unfortunately, the Ruth Fielding series had already ended by that time, and these books were not among those that were revised and updated. I’ve explained this before on the pages for some the Stratemeyer Syndicate book series and individual book reviews, but I have to explain it again here because some people might object to the word “gypsy.” I know that’s not really the correct or polite way to refer to the Romany or “Travelers”, as they’re sometimes called, but it can’t be helped here because the Stratemeyer Syndicate put it right in the title. This is one of those books where I just can’t avoid it, and it’s all through the book. Some of the attitudes and stereotypes around the characters are also likely to be objectionable, but I’ll address that further in my reaction section.
The Ruth Fielding series is interesting because it was kind of a precursor to Nancy Drew, with a similar type of heroine, but one that, unlike Nancy Drew, grew up, went through school, and had a career during the course of the series. There are some aspects of this series and the development of the characters that I think were better done in this series than in the Nancy Drew series. There are also times when the books are surprisingly thoughtful about the conditions of life and society in the early 20th century, when they were written, and this book and the next one begin to mark a turning point in the main character’s life. Ruth is a poor girl, and before her education is over, she will have to seriously consider her career options, which is something you don’t see much in the Stratemeyer Syndicate series that are still in print because those characters never age. The characters in the earlier series did, which is why those series ended. There are some things in the series that I don’t like, like the racial terms and attitudes and when the stories are more adventure than mystery because I really prefer mystery, but this is what the books are like. In these reviews, I’m just explaining what the books and characters are like. On the bright side, if you don’t like what the books are like, you can consider that I read and reviewed them, so you don’t have to. You can find out what they’re like from my reviews and save yourself some time.
The Plot
Ruth Fielding is with her Uncle Jabez in a boat on the river near the Red Mill where they live when the boat overturns. Uncle Jabez falls out and hits his head. He almost drowns, but Ruth holds his head above water. She can’t pull him out of the river by herself, but she calls for help and attracts the attention of a passing gypsy boy. The gypsy boy, called Roberto, pulls Uncle Jabez out of the water.
Uncle Jabez is grateful, but the incident brings back an earlier argument about whether boys are more useful than girls. Uncle Jabez argues that boys are more useful than girls because they are stronger and can do heavier work, and he thinks that his near-drowning proves that. Of course, Ruth, Aunt Alvira, and Ruth’s friend Mercy are all offended by that assessment. Aunt Alvira points out that the boy who helped Uncle Jabez wouldn’t have been able to do that if Ruth hadn’t already been holding his head above water and calling for help. Ruth says that not all work is heavy work. Uncle Jabez says that girls are costly because they need money for education, and they’re not likely to have careers afterward, like men do. Ruth says that the reason why she wants an education is so that she can have a career and support herself.
Ruth knows that a poor orphan like her is lucky that she can attend boarding school with her friends. Her friend, Helen, is from a wealthy family, who is willing to fund her education in anything she wants to study, whether it eventually produces money or not, but Ruth doesn’t have that luxury. Eventually, she will have to get a job of some kind. Aunt Alvira says that, when she was young, most girls got a basic education and then got married, which is probably what Uncle Jabez is expecting Ruth to do. However, Aunt Alvira knows that modern girls have more ambitions. (Keep in mind that this story is set around 1915, contemporary to the time when it was written.) Ruth’s music teacher at school thinks that Ruth has a promising voice, and she wonders if she can train as a singer, although that’s not the kind of thing that her uncle would think of as something useful.
Before returning to boarding school with her friends, Ruth goes on a car trip with Helen and Helen’s twin brother, Tom. It turns out to be an unexpectedly eventful trip. Not long after setting out on the trip, they meet up with Roberto again and begin talking with him. The others ask Roberto about being a gypsy and if he wouldn’t prefer a more settled life with a regular job. Roberto says that, while he could work as a farmhand easily enough, few people would hire him for other jobs because he’s a gypsy, and people don’t trust gypsies. Besides, he sees little use in such a life. Tom says that he could afford better food and better clothes if he had a better job. Roberto says that he does well enough traveling around with his family, taking odd jobs, and helping his uncle at horse trades. He tells the others a little about his family and his life with them. After he leaves, Tom makes jokes about the rumors of gypsies kidnapping people.
Further down the road, Tom accidentally hits a lamb in the road with his car. The lamb is still alive, but its leg is broken. The farmer is angry, says that the lamb is useless now, and demands that Tom pay for the lamb. The price he demands is about twice as high as it should have been, but Tom pays it anyway to avoid further trouble. Then, they learn that the farmer, who doesn’t want to be bothered nursing the lamb until it heals, plans to simply kill it and feed it to his dogs. The girls are upset about the poor little lamb, and they plead for its life. Ruth is sure that the lamb can be healed. The farmer says that the lamb is his to do with as he pleases, but Helen points out that the lamb isn’t his anymore because Tom just paid for it. The farmer protests, but they take the lamb anyway. At first, Tom says that he doesn’t know what else to do with the lamb except take it to a butcher, but the girls persuade him to let them keep the lamb and try to help it.
Later, there is a storm, and the group seeks shelter in an old, empty house. The girls go inside while Tom parks their car in an old shed. The girls find the house spooky and wonder if it could be haunted. In some books, investigating a haunting in an old, abandoned house like this would be the main mystery, but in this one, it’s just one episode that gives them a clue to something else. While the girls are exploring the upstairs rooms and Tom is still outside, two strange men enter the house. The girls don’t let the men know they’re there. They’re not sure of who the men are or what their intentions are, so they listen to their conversation. They can’t understand everything the men say because half of their conversation is in an unfamiliar language, but from what the girls understand, they have either committed a theft or are going to be involved in one. The girls don’t want the men to find them or Tom, so they scare them out of the house by spooking some bats, which take flight and frighten the men away.
All of this would be exciting enough, but as they all travel further, Tom’s car breaks down. Tom leaves the girls and sets out on foot to get some help. The girls wait at the car for him, but it starts getting dark, and they start to get worried. A group of gypsies passes by with their wagons, and although Ruth isn’t sure it’s a good idea, Helen asks the gypsies if they can give her and Ruth a ride to her parents’ house. The gypsies ask the girls some questions, and then, they agree that the girls can come with them. Helen leaves a note for her brother that they’ve gone with the gypsies, but when she isn’t looking, one of the gypsies takes the note and destroys it.
It turns out that Ruth’s concerns about the gypsies were justified. The leader of this gypsy band is an elderly woman, who the girls recognize from Roberto’s stories as his grandmother, although Roberto is not currently among the group. The grandmother is a greedy woman, and she has realized from the girls’ car that at least one of them is from a wealthy family. To her, that means that they have relatives who would be able to pay a ransom for the girls. The girls become captives of the gypsies. The old woman also has an ability to hypnotize people with her eyes, and Helen seems particularly susceptible to it. During the night, while spying on the old woman, Ruth also learns that she is involved with the thieves they saw in the empty house.
The girls try to escape from the gypsies, and Helen gets away, but Ruth is caught. The old woman makes Ruth disguise herself as one of the gypsies so no one will notice her among the others. Can Ruth find a way to escape, or will Tom, Helen, or Roberto manage to help her?
This book is now in the public domain and available to borrow and read for free online through Project Gutenberg.
My Reaction and Spoilers
The Mystery/Adventure
The story covers not only Ruth’s adventures but the adventures of Ruth’s friends while she is captive, including Tom’s encounter with a suspicious farm couple and Helen’s frightening experience on a whitewater river. In the end, Roberto does help Ruth to escape. By the time Ruth returns to her friends and is able to tell her story to the authorities, the gypsies are well out of the area.
However, there is still something that bothers Ruth. She knows that Roberto’s grandmother had a valuable pearl necklace in her possession, apparently the spoils of the theft that the men in the empty house were talking about. Ruth wonders who they robbed and where the necklace came from. At first, it seemed like this plot line was going to be left hanging, but when Ruth returns to boarding school with her friends, she gets the answer. A new student is joining the school, Nettie Parsons, and she is the daughter of a multi-millionaire who made his money in sugar. She is the one who was robbed of the pearl necklace, which really belongs to her aunt, and there is a $5,000 reward for its return. $5,000 would be a pretty decent reward even in the 2020s, but it went much further in the 1910s. Ruth realizes that she knows who has that pearl necklace, and if she can get it back for Nettie, she would not only be doing a good turn for a classmate but getting the much-needed reward for herself. $5,000 would be enough to give Ruth some monetary independence and could fund her continued education.
Like other early Stratemeyer Syndicate books, the story is more adventure than mystery, although there are some mystery elements. Ruth gets some of the clues to the theft that the gypsies committed, but it’s more by coincidence than investigation that she discovers who the pearl necklace belongs to. Ruth does get the reward in the end, which allows her to finish at Briarwood Hall and go on to college in later books. However, while the old woman was apprehended with the necklace on Ruth’s information, I think it’s important to note that Ruth does not chase her down and apprehend her herself. Ruth is still at boarding school when others do that on her behalf, and she is then summoned to identify the apprehended suspect. On the one hand, this would never happen that way in a modern, 21st century book. In modern books, the girl heroines are much more active and would insist on catching the bad guys themselves. On the other hand, I have to admit that the way the book did it would actually be the more likely way this situation would play out in the real world, with the boarding school kid just providing information and being kept at boarding school while others apprehend the criminals. I think if the book was rewritten in the 21st century, Ruth would be more active in catching the criminals and retrieving the necklace, but there is some realism in the way the book actually ends.
Ruth’s career ambitions are not resolved in this story but are addressed more directly in the next book in the series.
Stereotypes and Racial Attitudes
I was curious about the notion that gypsies kidnap people because I’ve read about that in other books, and I wondered where that idea came from. According to an article that I found, it seems to come partly from traveling gypsies being used as scapegoats for missing or murdered children (like in old movies, where the small-town sheriff is anxious to blame a “drifter” for a crime) or as “bogeymen” in stories parents told to scare their children into not wandering away from home and also partly from people noticing children among traveling Romany groups who did not seem to resemble the people raising them, particularly if the children seemed to be lighter-skinned or have lighter hair or eyes than the adults. The reasons for the children not looking like the adults have been proven in modern times to be because the children were either adopted or were simply biological children who didn’t look like their parents through quirks of genetics, which sometimes happens. Light-colored eyes and light-colored hair are recessive traits, while dark eyes and dark hair tend to be more dominant traits, but even a dark-eyed, dark-haired person can carry the recessive genes for light hair and eyes, and those recessive traits can come out in the next generation. Basically, the children resemble previous generations in the same family, such as grandparents or great-grandparents, and if observers could see all the generations of the family together, it would be more clear how the traits were handed down to the children. (People also used to think that it was impossible for two blue-eyed parents to have a brown-eyed child, but that also happens sometimes because genetics can be complicated, eye color can be influenced by combinations of multiple genes together, and genetic mutations sometimes take place.) Basically, some people overreact when they see a child who doesn’t match the adults they’re with and start imagining kidnapping, but often, there are other, logical explanations, and being too quick to scream “kidnap!” causes problems. Some people do this to families who have had interracial adoptions. Personally, my brain would be more likely to consider possible divorces or previous relationships or possible affairs or maybe that the adult was actually a hired caretaker rather than a parent to be the next most-likely explanations after adoption for children who don’t look like parents, and I wouldn’t be eager to publicly ask questions about the sexual or reproductive history of total strangers. Unless the child appeared to be in immediate physical danger or was screaming, “Help!” or “This isn’t my daddy!” or something similar, I would be unlikely to interfere. “If you see something, say something” can be helpful, but it also helps if what you see is the big picture.
I also noticed that the gypsies in the story are described as being non-white people because they have darker skin, and even Ruth seems to dislike them and be suspicious of them for that alone. Granted, these particular people are actually criminals in the story who kidnap Ruth and Helen, but Ruth was thinking that just from looking at them. While I would have understood Ruth being reluctant to trust them because they’re strangers and because they know from the men in the empty house that there are thieves in the area, it’s their darker skin that bothers Ruth first. When Ruth first meets Roberto’s grandmother, Ruth thinks that the gypsy woman is too dark and strange/foreign to be trustworthy, and she later hates that her gypsy disguise involves bare feet and her skin dyed darker. She is ashamed of the way she looks in that disguise and thinks that she would be embarrassed for Tom to see her looking like one of the gypsies. Ruth’s prejudices bothered me more than if another character had done it because, while the older Stratemeyer Syndicate books do have inappropriate racial language and attitudes, the characters who are outright racists are typically the ones the stories show to be unfriendly antagonists or outright villains. From what I’ve seen so far, it’s rare for a friendly main character to be outright disparaging of racial appearances even if they have stereotypical notions about other people.
It’s really an irony that Ruth has prejudices against non-white people because the beginning of the story involves an argument with her uncle about his prejudices about girls. If this book had been written, or at least revised, during the 21st century, the rest of the story would have involved overturning both sets of prejudices. In the book as it is, nobody’s prejudices seem to be proven wrong.
Uncle Jabez’s assertions about girls’ usefulness go largely unchallenged. The girls are kidnapped when they’re by themselves, after Tom leaves them alone. Ruth copes decently with her captivity by helping Helen escape, but she needs help to escape herself, and men apprehend the criminals in the end, not Ruth herself. If Ruth’s uncle has any rethinks about the relative usefulness of boys and girls, he doesn’t mention it, and he isn’t presented with any strong evidence in favor of girls. Ruth is just content that she got the reward money for the return of the necklace, so she isn’t solely dependent on miserly Uncle Jabez’s grudgingly-given support.
There are no prejudices about gypsies proven wrong in the story. While I’m sure that most real-world Romany are not kidnappers, the gypsies in the books are criminals and kidnappers. Roberto is fond of his family and their traveling lifestyle, but at the end of the book, he accepts a new job as a gardener at Ruth’s school. He cuts his hair more like mainstream American styles of the time, and he starts wearing more mainstream American clothes. Ruth notes that his skin is still darker, but she is happy about these other changes. It is revealed that Roberto’s family came from Bohemia (a region now part of the Czech Republic) about ten years before, and his grandmother will now be deported back there, but Roberto wants to stay in the United States. He Americanizes his name and starts having people call him Robert. That’s quite a conversion from his attitudes much earlier in the book. Granted, having relatives arrested for theft and kidnapping can have an effect on a person, but from his earlier descriptions of his grandmother, I’m pretty sure that these sort of situations are not new to Roberto’s grandmother and the rest of their group. Maybe getting caught is new, but there is an implication that his greedy grandmother has done shady things before for the sake of money. But, part of the happy ending of this story is that Roberto gets assimilated into mainstream American society and becomes less ethnic, which is bound to leave a bad taste in the mouths of modern Americans.
So, Did I Like the Book?
I liked parts of it. As I pointed out, there are things in this book that are highly problematic for modern people, and I think the book as it is would be more suitable to adults who are interested in nostalgic children’s literature or the evolution of children’s literature. However, there are parts of the book I did find interesting, and I can see ways in which the book could be rewritten to make it both more exciting and more acceptable to modern people. For example, I really liked the part with the empty house where they overheard the thieves talking and the way the girls scared the thieves with the bats. If I were rewriting the story, I would extend that scene and leave out the part with the lamb, which didn’t contribute much to the rest of the story.
Of course, I would just have the criminals be part of a random criminal gang, not Romany. (How common were traveling caravans in the early 20th century anyway? I’ve never seen even one in real life. Was that really a common thing at one point so that it ended up in so many children’s books? From what I’ve read about Romany populations and migrations in the United States, some of the stereotypes about them had some basis in fact, like that some of them occasionally resorted to stealing to survive, but were exaggerated in the press for the sake of sensationalism, so I’m thinking that the prevalence of gypsy caravans and fortune tellers were probably also greatly exaggerated in literature.) I picture the criminal gang organized with the two guys who hide out in the old house being the thieves, and the others being a seemingly-ordinary and pleasant-looking couple who act as the fences of their stolen goods. Then, the girls could hitch a ride from this nice-looking couple after their car breaks down. At first, they wouldn’t know there was a connection between the “nice” couple and the thieves, but they would later accidentally see the couple talking with the thieves and the thieves handing over their goods. The girls would get caught spying on them, so the criminals would kidnap them because the girls now know too much.
Later, after the girls get away from the criminals, Ruth could find out that the necklace they saw being handed over wasn’t among the thieves’ belongings when the police caught up with them. Thinking about the place where the thieves were caught and something she may have heard them say, she could then realize that the thieves doubled back on their trail after the girls escaped from them, returning to their hideout in the abandoned house to hide the necklace because they still don’t know that the girls were in the house when they were talking there before. Then, Ruth could sneak away from her boarding school for a day to go back to the house and look for the necklace, finding it in a clever secret hiding place. I think that arrangement of events would make Ruth more active in solving the mystery, better justifying her acceptance of the reward at the end.
The small cottage used to be a church rectory, but it when Dr. Tucker was hired as the new minister, his family with eight children was too large to fit in the old cottage. By that point, the old cottage was in disrepair anyway, so the people of the church decided it was time to build a new, bigger rectory. Some people consider the small, old rectory to be an eyesore, but Bettie, the only daughter of Dr. Tucker, is fascinated by it. It’s true that the old house is run-down and that some of the windows are broken, but to Bettie, it looks almost like a little playhouse.
One day, Bettie suggests to her friends Jean, Marjory, and Mabel that it would be great if they could have the old cottage, now known as Dandelion Cottage for all of dandelions growing around it, as their own special place to play. All of the girls have noticed that, when the four of them play together, they tend to get on the adults’ nerves, making too much noise or seeming to be underfoot. Marjory is an orphan who lives with a strict aunt, and Bettie has seven older brothers. There just never seems to be enough room for the girls anywhere or adults willing to put up with them for very long. Marjory thinks that the chances of them being able to use Dandelion Cottage for themselves are slim, but she suggests that maybe they could arrange to rent the cottage somehow. None of the girls has very much money, so they aren’t sure how they can rent the place.
Mr. Black, the church warden, sees the girls looking at the cottage and asks them what they’re doing. They explain that they want to rent the cottage so they’ll have somewhere to play. They tell him how Marjory’s aunt won’t let her make paper dolls because cutting paper in the house makes a mess, and Bettie says that her brothers like to play Indians and pretend to “tomahawk” her dolls. (The books in this series sometimes get criticism for racial stereotypes and language, and this is one example. I do understand the part about brothers and dolls, though. My older brother once held one of my dolls for ransom when we were kids.) Not having any money to rent the cottage, the girls offer to clean it up in exchange for being allowed to use it. Mr. Black knows that some of the neighbors have been complaining about how the place has been overgrown with weeds. The church could hire someone to take care of the weed problem, but that would cost money, and they don’t have a lot to spare. Mr. Black tells the girls if they’re willing to pull all the weeds, he’ll let them play in the cottage all summer. The girls aren’t enthusiastic about pulling weeds, but they’re very enthusiastic about having their own playhouse, so they agree to do it. Mr. Black says that he’ll turn over the cottage key to them after they’ve pulled the weeds.
While the girls are pulling weeds, some of them play pretend games, like they’re fighting soldiers or Indians (as in Native Americans, another one of the objectionable points), and finally, they get the job done. Mr. Black is satisfied with the job they’ve done and pleased with their willingness to sow grass seeds and flowers where the weeds once were, so he gives them the key to the cottage for the summer.
The girls are thrilled at having a whole house to themselves all summer, although it needs serious cleaning before they can really use it. Mr. Black, a lonely widower with a fondness for children, (especially Bettie, who reminds him of his own daughter, who died young) stops by to see how the girls are doing. When he finds them exhausted from cleaning and trying to decide if they can manage to clean the floor before they give up for the day, he gives them some peanuts to eat and finishes the cleaning himself. He tells the grateful girls that they can thank him by inviting him to dinner at the cottage some day.
The girls’ parents completely support them playing in the playhouse because it does mean less noise and mess at home, although they refuse to allow the girls to stay in the cottage overnight for safety reasons. They let the girls have some old furniture to furnish the house, including chairs that are missing legs, beds that sometimes have the slats falling out of the bottom, and six clocks, four of which don’t work. The little cottage soon begins to look cheerful and lived-in, although the girls have to warn their visitors about which chairs are unsafe to sit in.
The girls worry at first that they won’t be able to afford to buy food to give Mr. Black dinner as they promised. They know that they could ask their parents for supplies, and even nice Mr. Black would probably provide something for them to cook if he knew that they couldn’t afford anything, but they feel like they really should find a way to buy the supplies for dinner by themselves. They try holding a lemonade stand, which works for a little while, but then, they misplace the money they earned.
Fortunately, their money problems are soon solved when they receive a request for a room to rent from a nice young lady. She is the daughter of the traveling organ tuner who is working on the organs at some local churches. She has arranged to take her meals at the boarding house where her father is staying, but she was unable to get a room there herself, so she is looking for somewhere inexpensive to stay nearby. She will only need the room for three weeks. The girls explain their arrangement regarding the cottage to her, and they show her their best bedroom. Miss Blossom, their new boarder, says that it will suit her just fine. Because the furniture is old and the house is still not in very good repair, they only charge her half rate to stay there, but that’s still more money than the girls have ever earned before! When Dr. Tucker learns who their lodger is, he approves of the arrangement, and Mrs. Tucker and the other parents give the girls some proper bedding and a few other supplies for their boarder. Miss Blossom turns out to be a nice boarder, who sometimes joins the girls in their games, delighting at her stay in their playhouse.
Then, an older woman who lives nearby moves away, and a new family moves into the house next door to the cottage. The Milligans aren’t a very good family. Mr. Milligan swears (the girls’ mother tells them not to listen and to keep the windows of the cottage closed while he’s chopping wood because of the things he says), and Mr. and Mrs. Milligan argue frequently. Laura, the daughter of the family, is the same age as the other girls, and she plays with them for a time, but the other girls stop playing with her because she’s mean to them. She teases them meanly, tries to boss them around, and eventually, steals from them. The stealing ends their friendship. Laura lies to her mother about what happened, blaming the other girls for slapping her and her baby brother and throwing them bodily out of the cottage. Mrs. Milligan comes to the cottage to lecture the girls about their behavior and refuses to believe them when they tell her the truth about Laura. To get revenge on the girls, Laura kills a plant in the girls’ cottage garden. The girls hadn’t purposely planted the plant, and they had been looking forward to seeing what it was as it grew.
Laura continues to do horrible things to the girls, breaking a window of the cottage, throwing dirt through the window, messing up their porch, spreading molasses on their door, and sending her dog through their flower beds. One day, Laura starts a fight with the girls by yelling mean and insulting poems at them. Laura throws tomatoes at the girls, and Mabel throws apples back at Laura. Mabel isn’t normally good at throwing anything (something that Laura taunted her about), and she accidentally hits Mr. Milligan. Mr. Milligan, for once, sees his daughter misbehaving and is angry at her for throwing the tomatoes and wasting food, but he also threatens to have the other girls thrown out of the cottage for their misbehavior. Mrs. Milligan lies to their landlord, Mr. Downing, telling them that the girls have been playing with matches in the cottage. Mr. Downing manages the books for the church, so he evicts the girls from the cottage while Mr. Black is out of town.
The girls go to see Mr. Downing and argue that they’ve already paid their rent in full for the summer with their labor, but Mr. Downing says that their agreement with Mr. Black didn’t make good business sense and it’s “not binding”, so he’s breaking it. He wants to rent the cottage to a paying tenant, and Mr. Milligan himself has offered to rent it while someone else rents the house the Milligans are currently in.
The girls are heartbroken, but they have no choice but to move out. Although, the Milligans’ scheme backfires on both the Milligans and Mr. Downing. Mr. Downing wouldn’t believe the girls when they said that the cottage wasn’t in good enough condition to be anything more than their playhouse, and they were telling the truth. The cottage looked nice when the girls had their things there, but when they take them back and the girls’ brothers strip the house of some repairs that they had made for the girls’ sake, its real condition shows. The Milligans are stuck with a cottage that leaks in the rain, and they can’t move back into their own house because the new tenants have already moved in and don’t want to leave. The Milligans are forced to move out of the neighborhood entirely, so the girls never have to see Laura again. Mr. Downing, angry at the hassle the Milligans gave him over the whole issue, even blaming him for their furniture being ruined by the leaking roof, yells at the girls when they ask if they can move back into the cottage, which is now empty. However, when Mr. Black returns to town, he gives the girls the second key to the cottage, tells them that they can move back in, and has a talk with Mr. Downing about his treatment of the girls and their agreement about the cottage. The girls’ grateful families fix up the cottage even better than it was before, and Mr. Downing gives the girls an embarrassed apology and a peace offering, admitting that they are far better tenants than the Milligans.
The girls have made friends with a lonely older woman who lives near the cottage, Mrs. Crane. Mrs. Crane is a widow who has very little money, and she offers the girls friendship and sympathy during the time when they were evicted from the cottage. The girls feel sorry for her, having no children or other family to look after her. They try to help look after her themselves, and they become increasingly concerned about her when her boarder moves out. She relies on keeping a boarder for income, and she doesn’t know what she will do when he leaves. The girls wish that they were old enough to take her in themselves. One of the best things they do for her is to invite her to the dinner that they finally give for Mr. Black to thank him for all his help. The girls don’t know that Mrs. Crane and Mr. Black have a history with each other, but their parents realize that the two of them having dinner together is something that would be good for both of them.
My copy of this book was a present from my grandmother, who told me that she had read it and liked it when she was young. My grandmother was born in November 1918, so the book was already about 20 years old or more by the time she could read it. She grew up on a farm in Indiana, so she was accustomed to small town life in the Midwest, much like the girls in this story. It was very different from my own childhood in a city in the Southwest, but I thought the story was charming, and I wished that my friends and I could have a house all to ourselves!
The books in this series receive some criticism for racial terms. I haven’t read all the books yet, but the issues I’ve spotted in this particular book relate to stereotypes about Native Americans when the children in the stories are playing pretend. The issues I’ve seen so far seem pretty tame compared to some parts in the Little House on the Prairie series, so anyone who is okay with Little House on the Prairie would probably be okay with these books, but since I haven’t read all the books yet, I can’t be completely sure how the rest of the books are. I recommend that adults read through the books first before giving them to children and be prepared to talk about things with child readers. As long as child readers understand that they shouldn’t imitate everything that they read in old books, I think they will be fine. There are also instances of bullying and fat-shaming in the mean things that Laura says to the girls, which kids should know not to imitate, either.
Apart from that issue, this book is a pretty calm, charming story. The book fits with the Cottagecore aesthetic that has been popular in the early 2020s. Modern kids and adults may still enjoy the girls’ sense of independence in their own cottage and how they fix it up and give it new life.
The cottage in the stories is based on a real cottage in Michigan, in the author’s hometown, Marquette. My copy of the book has an About The Author section on the back, with a picture of the author. The girls in the story and their adventures are fictional, but the town did once have a dandelion problem that may have been the inspiration for this story.
Ruth Fielding on Cliff Island, or The Old Hunter’s Treasure Box by Alice B. Emerson (the Stratemeyer Syndicate), 1915.
Ruth Fielding and her friend, Helen, are waiting for their friend Jane Ann to arrive by train from her uncle’s ranch so they can all go off to boarding school together. Then, Helen’s brother, Tom, arrives with the news that the train has had an accident. They all get in Tom’s car and rush off to see if they can help Jane Ann.
When they reach the site of the train wreck, they discover that Jane Ann was rescued from the train by a young man named Jerry. Jane Ann is fine, but Jerry was hurt in the rescue. After a harrowing escape from a panther that was released during the train crash (Stratemeyer Syndicate books are like this. There has to be suspense and cliff hangers in every chapter.), they take Jerry to the Red Mill, where Ruth lives with her Uncle Jabez and have the local doctor come to treat him.
Jerry explains to the others that he wasn’t actually riding the train when it crashed. He had just been following the train tracks on foot while on his way to look for a job. Jerry used to live on Cliff Island with his Uncle Pete. Jerry is sure that his uncle actually owns the island because they always lived there, and he always said it was his. His uncle used to keep money and important papers in a lockbox hidden on the island because he didn’t trust banks, but there was a landslide that buried the box in its hiding place. After that, his uncle became distraught because the papers that proved he owned the island were in that box. Then, someone else, a man called Rufus Blent, claimed ownership of the land, and his uncle had trouble proving that the claim was false. Jerry’s uncle got into a physical fight with this man, and because he seemed so violent and unreasonable, the local authorities locked him up in an asylum, which is why Jerry is on his own now. Jerry is sure that Blent is on the island now, trying to find his uncle’s buried treasure box.
Jane Ann is touched by this story of injustice, and she immediately wants to write to her own uncle and get help for Jerry and his uncle, but Uncle Jabez urges caution, telling Jane Ann that they should verify Jerry’s story first before committing themselves to his cause. Uncle Jabez gives Jerry a job at his mill and a place to stay. Ruth and Jane Ann have plans to make for returning to boarding school and for preparing for Jane Ann’s first term there. Jane Ann doesn’t like her name, so they decide that when she starts classes, she’ll go by the name Ann.
Ann has a difficult time at school. She has never had formal education before, and she is behind the other girls her age. Some of the other girls at school tease her mercilessly about it, and after a particularly mean prank, Ann hits some of them until her friends finally restrain her. Ann is so upset that she thinks she can’t handle life at the school and doesn’t belong there. She thinks about running away, but she did that once before in a previous book, and after the last experience, she doesn’t want to do it again.
Ann later has a couple of opportunities to use some of the skills she learned from life on the ranch to save some of the other girls and an injured boy, and some of the girls who were mean to her apologize for the earlier prank. They say that they see her in a different light now and feel guilty about what they did earlier. The mean girls do start treating Ann better (their respect now having been bought), but the damage has already been done. Their belated improvement to the level of minimally-acceptable behavior isn’t enough to make Ann feel better before the school goes on winter break.
Mercy, who has been accustomed to being picked on by people because she uses crutches, understands Ann’s feelings and tells her that she should be mean back to people who are mean to her. Ruth thinks that sounds awful, but Mercy tells her that she doesn’t understand what it’s like. Mercy does use her disability to explain that she should have some allowances for her temperament and behavior, especially when people pick on her, although Ruth doesn’t think that’s quite right.
The conversation leads some of the girls to talk about their life goals. Mercy is glad that she’s able to go to school now because her disability made it difficult when she was younger. She’s determined to be the top of the class to show others that she’s as smart or smarter than they are, even if her legs don’t work as well. Mercy’s self-esteem suffered badly when she wasn’t able to walk, even with crutches, and people looked down on her (or at least, she felt like they did). Now that she can walk with crutches and go to school, she finds a new self-esteem in her ability to excel in her studies. That her ambitions are partly rooted in spite toward people who teased her in the past isn’t healthy, but she is determined to take her education as far as she can go and wants to get a scholarship to college. Other girls also start talking about their own ambitions and what they want from their education.
Rather than feeling better, Ann feels worse because she’s still not doing great at her studies, and she’s not sure about her own ambitions and what she really wants from her education. It makes her wonder what her real purpose is at the school and if she should really be there. The school friends are planning to spend the Christmas holidays together. Ann isn’t sure if she really wants to go with them after all, but they persuade her that she really does belong with them, and they want her.
Ruth hasn’t forgotten about Jerry and his situation. The family of a friend of hers at school, the Tingleys, has purchased some land on Cliff Island, where Jerry used to live, and they’re building a lodge there. The Tingleys have invited some of their children’s school friends, including Ruth, to the island over the Christmas holidays, and Ruth persuades them to hire Jerry to work at their lodge. Jerry is happy to be able to return to the island, and Ruth says that this will give him the opportunity to look for his uncle’s hidden box again. Jerry doesn’t have much hope of finding the box because it’s been buried, but Ruth thinks it could still be possible. Blent also seems to think it’s possible because he does everything he can to get Jerry fired and drive him away from the island.
The book is available to borrow and read for free online through Internet Archive (multiple copies) and Project Gutenberg (multiple formats).
My Reaction
Although books by the Stratemeyer Syndicate, especially the early ones, were criticized for being shallow and formulaic, I will say that they do have a way of making you care about the characters. In fact, I think that I found some of the characters in this book more personable than characters in the Nancy Drew books because there is more reflection on what people are feeling and why.
In particular, I really felt for Ann when she was being bullied, and I don’t blame her for hitting the ones responsible when she lost her temper. The other girls were deliberately mean and picked a fight. Learning that they get a fight when they pick one is a valuable life lesson. Actions have consequences, and these “girls” are too old to be doing this with any degree of innocence. I really wished that someone had made it clear to them that the situation was entirely their fault, not Ann’s, and that they failed in their obligations to behave respectfully to a classmate. A thoughtless prank that hurt someone unintentionally would be forgivable, but in this instance, it’s deliberate, calculated, and repeated cruelty. The book says that the mean girls pick on Ann even harder when they realize that they can hurt her and have hurt her, and deliberately hurting people who are obviously hurting for pleasure is really a very sick thing to do. I don’t like it that the book treats this behavior like it’s a normal thing for them to do. Even though I know this is something people do in real life, this type of behavior shouldn’t be normalized because causing pain for pleasure really is a disturbing thing to do when. The prank that broke Ann’s patience was dumb, but when you look at everything that led up to it and the emotions behind it, it says disturbing things about the nature of the people who did it. I always hate it when people give that sort of thing a pass without pointing out the full reality of their motivations to the people doing it.
I never really felt better about the mean girls during the course of the book, even after they started acting better because I didn’t like their motivations for fixing their behavior. The didn’t repent because they felt badly about hurting someone unfairly. Oh, no, they didn’t care that they had caused someone distress and hurt their feelings. No, they do it because Ann used her ranch skills to rescue people in danger. Not only that, but it took two such rescues, not just one, to get them shut their mean mouths. Yeah, it’s like in Rudolph the Red-Nosed Reindeer, if Rudolph had to do two missions to save Christmas instead of one. I now that the moral of Rudolph is supposed to be that people should be nice to other people because you never know if someone you don’t like might have something good to offer you later, but it leaves a bad taste in my mouth that they think that they’re entitled to be offered something in exchange for their good behavior instead of seeing good behavior and kindness as the minimal level of their own obligations. These mean girls (as all mean girls do) see themselves as being so self-important and such a high level of authority that other people have some obligation to prove themselves to them personally in order to be treated with even basic human respect, even though the reality from an objective observer is that the mean girls are nothing but a bunch of bratty, badly-behaved, immature children who should have their eyes opened to that reality. Their level of morality is that people have to buy their good behavior with some amazing deed or service. Otherwise, they’re fair game as bully prey. I’m not buying this, and I’m not buying their supposed reformation.
If relationships are really as transactional as the mean girls make them, someone should point out to them that they’re the most undeserving people of all because they have not offered Ann any sort of service to merit the payment she gives them. In fact, they are burdens to have around. If behavior is transactional, they’re actually in debt, and they’re not very good debtors. The whole thing about relationships being repaired when a victim becomes a hero to an abuser is a bad cliche. I think it sets terrible examples and warped views of human worth, but it’s admittedly a behavior I’ve seen in real life. When it comes to behavior, I prefer a line from an old Murder She Wrote episode, where a snobby man apologizes to being rude to Jessica Fletcher when they first met because he didn’t realize that she was “somebody” as a famous writer. She tells him that it’s perfectly acceptable to be polite to nobodies. Someone should really tell the mean girls that and make it stick. Fortunately, the mean girls do change their behavior for the long term. After they start treating her better, Ann has an easier time at school and can concentrate on her studies better.
There is a kind of parallel in the book between the way the mean girls at school treat Ann because they don’t think she’s good enough for “their” school (as if they owned it themselves instead of just being clients who have to pay money to go there) and how the local people, who are easily swayed by Blent, treat Jerry and his uncle. Mr. Tingley, who bought his property on the island from Blent, is appalled when Blent tries to not only drive Jerry away from the island but even gets together a posse to try to hunt him down with guns like an animal. The local authorities side with Blent because, first, they seem to be corrupt, and second, Jerry’s uncle was always a little strange, so they’re more than willing to believe that he was really crazy. Blent and his cronies even go so far as to kidnap Jerry and bribe the staff on a train to take him to another town, miles away. Tingley is horrified at the locals and what they’re doing. He recognizes that it’s difficult to fight them because they are presenting a united front in their wrongness and are laughing about his inability to stop them, so he has to call in some outside legal help. It’s not unlike the united school bullies, who think that their ability to get away with what they’re doing makes them superior and gives them the right to continue.
When Jerry’s uncle’s box is finally found, the papers inside establish the reality of the situation. Uncle Pete was in the process of buying the island from Blent, so Blent did originally own it. At the time of the box’s loss, Uncle Pete had paid most of the installments he owed to Blent, so although he hadn’t fully completed the transaction, it wasn’t true that he had no claim to the land, either. Blent covered up that he had already taken Uncle Pete’s money for the land or that they had been involved in a transaction at all, seeing it as his opportunity to not only keep Uncle Pete’s money but to make more by selling that same land to someone else. When his land fraud is uncovered, Mr. Tingley and Uncle Pete drag a humiliated Blent through the law courts. Since Mr. Tingley paid for the land he bought in good faith and with the entire amount, his sale stands, but Blent is forced to pay Uncle Pete back with interest. Mr. Tingley and Uncle Pete work out an arrangement where Uncle Pete will live on the island and work for Mr. Tingley, so Uncle Pete will be able to stay on the land he loves. Mr. Tingley also convinces Uncle Pete that banks are more trustworthy than hiding his money and important papers in a cave.
Jestress's Forgotten Books and Stories 