Wise Child

Juniper is an unusual woman in the community where she lives. Wise Child knows that she originally came from Cornwall, and now, she lives alone and unmarried. People also know that she practices magic and doesn’t go to church. Yet, although people are a little suspicious about her for that, they still call on her for help when someone is very ill because she is an excellent healer and can frequently help when others can’t.

Wise Child (a nickname given to her by her family) finds herself alone at the age of nine. Her mother, Maeve, had left her with her grandmother years before and her father, Finbar, is a sailor who is often away. While her father is away, Wise Child’s grandmother dies, and the community has to decide where Wise Child will live until her father returns. She wants to live with her aunt, but her aunt and uncle are poor and already have trouble providing food for their children. After church one day, the village priest asks the villagers if anyone else is willing to give Wise Child a home. Few people are willing to take on an extra responsibility and an extra mouth to feed. At first, the only people who are interested in taking Wise Child are people who want to use her as a little servant or extra worker. Wise Child fears going to live with them because she knows they use their own children as hard workers, feeding them little and beating them for discipline. Then, Juniper speaks up and says that she would like to have Wise Child.

The priest is reluctant to let Juniper take Wise Child, knowing that she isn’t a Christian. Juniper suggests letting Wise Child decide where she wants to live, but Wise Child isn’t sure what to answer. She fears the other families and how they would treat her. Juniper has been kind to her in the past, but Wise Child also fears her because of the stories people tell about her. However, Wise Child’s aunt sees that Juniper would take better care of her than the other families, so she lies and says that her father had previously said that, if anything happened to his mother, he would like Juniper to take care of Wise Child. Nobody contradicts this, so Juniper takes custody of Wise Child.

Wise Child is nervous when she goes to live in Juniper’s house, fearing that she will cast spells on her or that she has dead bodies hidden in her cupboards, like her cousins claimed. When Juniper asks her what’s worrying her, Wise Child surprises herself by admitting that she’s heard all of these stories about her and that she’s afraid. To her surprise, Juniper isn’t angry at her or at the people who have told Wise Child these stories. Instead, she says that she thinks Wise Child is brave for coming to her house even while fearing all of these things, and she reassures her that these stories aren’t true. As Wise Child becomes familiar with her house and with her, she will see that she and her house aren’t as scary as the stories say.

Wise Child finds that this is true. Juniper’s cupboards are full of very ordinary things, and the broom that people say Juniper uses for flying is just an ordinary broom. Juniper also doesn’t beat Wise Child, even when she does things wrong. Juniper promises that she will never beat her.

Wise Child finds that she likes living with Juniper. She had always wanted to go to school, like some of the other children, and Juniper teaches her many things. She teaches her some practical household skills, and she also begins teaching her about herbs and medicines. Juniper also promises to teach Wise Child Latin, although girls in their area don’t usually learn Latin because they’re mostly expected to be wives and mothers and to learn to take care of households. However, Juniper says that all truly learned people learn Latin. When her cousin, Coleman, comes to visit to see if she’s all right with Juniper, Wise Child assures him that she’s doing fine.

Juniper does have secrets, though. Wise Child isn’t sure what Juniper keeps in the attic of her house or what she does there. She begins learning Juniper’s secrets when Juniper gets a visit from an older woman called Yuni, who insists that Wise Child undergo a bizarre ritual. Yuni and Juniper smear some kind of smelly ointment on Wise Child’s skin that gives her a vision of flying on Juniper’s broomstick!

The next day, Wise Child questions Juniper about this ritual and whether the things she saw in her vision really happened. Juniper explains that she and Yuni are both magic-users. Some people might call them witches, but they refer to themselves as “Doran”, based on the word for “door” or a way into something. It has to do with people who see into things in ways that other people don’t. Dorans “live in the rhythm” of life, nature, and the changing seasons. Wise Child’s vision means that she has the ability to use magic and become a Doran as well.

As Wise Child begins to understand Juniper’s kind of magic, it awakens memories of her mother in her mind. Wise’s Child’s mother used to beat her and eventually abandoned her, leaving Wise Child with her grandmother while she ran away with another man. Wise Child feels hurt that her mother abandoned her instead of taking her along, wherever she went. However, she also begins to remember things her mother had and things she used to do that seemed strange. Wise Child asks Juniper if her mother was also a Doran, but she says no. Maeve practices magic, but it’s a very different kind of magic.

Wise Child comes to understand what Juniper means when Maeve returns and uses her magic to persuade Wise Child to come live with her for a while. She promises Wise Child a life of ease and luxury with no difficult or boring lessons, but when Wise Child sees what Maeve does and how she takes advantage of other people, she comes to appreciate Juniper’s way of life and lessons more. Maeve has even taken advantage of and hurt Wise Child and her father.

Gradually, Wise Child begins to learn the secrets of her own family’s past, the long rivalry between Juniper and Maeve, and other secrets about the land they live in, the things people who have lived there believed, and the things people have done for power and to control other people or the forces of nature. Wise Child feels conflicted between her beliefs in Christianity and the new knowledge that she’s been gaining about the Dorans. She doesn’t want to have to choose between them, although Juniper says that there’s no need. Juniper says that Christianity and the beliefs of the Dorans don’t really conflict with each other, and she also believes in Jesus. However, she admits that not everybody sees it that way. The village priest in particular is suspicious of Juniper and thinks that Juniper has corrupted Wise Child.

During a particularly bad winter, the priest blames Juniper for bringing on the famine and sickness. He brings in an inquisitor to question Wise Child and Juniper, and Wise Child fears what he and the people of the village will do to them. Will they find a way to escape, and if so, where will they go where they can be safe?

The book is available to borrow and read for free online through Internet Archive. It is the first book in a series about the Dorans, although the second book, Juniper, is a prequel to this one, and it focuses on Juniper’s early life.

I remember reading this book in my early teens, but there were many things about the lore it draws on that I didn’t understand back then. For me, it was just an interesting fantasy book. The story draws on witchcraft lore, but it’s not entirely historically accurate. To begin with, the term “doran” to describe witches or magic users is unique to this book and its series. It’s not an historical term.

The time period of the story is never explicitly defined, although it’s set in a small village in Scotland. I think, when I was younger, I took it to be sort of Medieval, and I think that’s probably what the author intended, but if so, there are various anachronisms for the Middle Ages. For example, Wise Child describes Juniper as giving her a kind of tea, but tea didn’t arrive in the British Isles until the 1600s and didn’t really become popular until the 1700s, so Wise Child shouldn’t have had that concept. Because the story’s time period isn’t really defined, I considered that the story could be as late as the 17th or 18th centuries, except that the village is clearly Catholic, with a priest and a monk serving as the inquisitor at the end of the story. There are no mentions of Protestants, and there should be if the story was set in the 16th or 17th century.

To be fair, Medieval people did make hot tea-like drinks of herbs or grains infused with water, but I don’t think they referred to these drinks as being “tea” because they weren’t familiar with the concept of “tea” then. In modern times, we refer to “tea” to mean a variety of infused drinks, but “tea” itself is a specific plant, the one used for black teas and green teas. Herbal teas don’t contain this plant, so they’re technically tea-like, not actually “tea.” I know it’s a technicality, but it’s the kind of thing I notice now that went past me when I was younger. When Medieval people made infused drinks, they didn’t have the tea plant in them, and they called them “waters”, not “teas”, like barley water or sage water.

Returning to the issue of whether or not this is pre-Reformation times or not, while the story seems to be set in pre-Reformation times, the type of witchcraft trial depicted at the end of the story is more in keeping with Reformation and post-Reformation Scotland than Medieval Scotland. The Witchcraft Act of 1563 made witchcraft illegal and led to a period of witchcraft trials that lasted until 1736. This is really the period of intense persecution of supposed witches, not the Middle Ages. Prior to the Witchcraft Act, it was more common for people to skeptically dismiss “witches” as being merely superstitious, delusional, or frauds rather than staging witch hunts and witch trials.

The type of witchcraft lore that the story uses is also somewhat anachronistic based largely around Wiccan lore and feminist sensibilities that had their basis in the 20th century rather than the type of herbal remedy healing that would have been found in the Middle Ages. (This documentary of the life of Gerald Gardner, the founder of Wicca, is fascinating and explains some of the background lore.) Juniper has a sense that there’s a connection between psychology and emotional health and physical health that’s more modern than Medieval, and her notions of what to teach Wise Child wouldn’t have just been unusual as concepts to teach a girl vs. a boy but also generally unusual for anyone of their time and location, a small village where people primarily make their living in farming.

She is correct that, to be truly considered a learned person in the Middle Ages, Latin would be expected, but this is the reason why truly literate people were considered so rare during that time. It wasn’t that nobody knew how to read during this period, but books were highly uncommon, being expensively and painstakingly produced by hand. More people could read and write in a vernacular way during the Middle Ages (spelling also not standardized during this period) than most people suppose, using basic writing for utilitarian purposes like keeping business accounts or sending occasional personal messages, but only clerical scholars and those who trained with them knew Latin. What I’m saying is that what Juniper teaches Wise Child wouldn’t have been shocking in Medieval Scotland for being inappropriate for girls and ruining them for being wives and mothers, as portrayed in the story, so much as it should have been shocking as a thing that a woman who lives as a simple folk healer in a small farming community shouldn’t have known in the first place to teach anybody. The prequel book, Juniper, explains that there’s far more to Juniper’s past than most of the characters in this book know and that she was far better educated than most people of her time because she came from a royal family.

The part about the psychedelic ointment that produces the illusion of flying is based on witchcraft lore, and there is a scene in the book that involves the sacrifice of a willing deer that is eaten after the ritual is based around concepts of pre-Christian rituals in the British Isles. Most of the details we have of pre-Christians rituals in the British Isles comes from Roman writings, and details are sometimes questioned. I had forgotten about that part of the story since I read the book the first time, and I didn’t like it the second time around. Even if the animal seemed willing to be sacrificed and was eaten afterward, making it a public meal and not just a wasteful sacrifice, it was still a disturbing scene.

The Lancaster Witch

The Lancaster Witch cover

The Lancaster Witch by Carol H. Behrman, 1993.

Thirteen-year-old Maddie Stoner is startled when her parents suddenly tell her that she has an English cousin named Clive who is going to be arriving for a two-week visit on Saturday. Maddie has never even heard of Clive before and wants to know who he is and what’s behind his sudden visit. Her parents explain that Clive is more like a second or third cousin, the son of her mother’s cousin, who moved to England years ago and married a British man. Her mother’s cousin has only occasionally kept in touch since her marriage, but her son, Clive is just a little less than a year older than Maddie and wants to visit the US. His mother has asked Maddie’s mother if she’s willing to have him at their home in New Jersey this summer, and her mother said yes.

Maddie gets the feeling like there’s something more behind this mysterious cousin’s visit than her parents are admitting, but they dodge her questions on the subject. When she tells her friend, Chloe, about her cousin, Chloe theorizes that maybe Clive is some kind of juvenile delinquent or is otherwise in trouble or into something his parents don’t approve of, so they want to send him overseas to get him away from his problems. (Chloe says that she read somewhere that people in England use the term “teddy boy” to describe boys involved in gangs. I looked it up, and it seems to be an older term from the 1950s and 1960s. It seems more associated with the aesthetic of certain types of rock and roll fans, although there were gangs associated with it as well. It’s just kind of an old concept for a 1990s book.)

When Maddie and her parents go to meet Clive at the airport, Maddie sees a creepy woman in black with a very pale face following Clive, her hand on his shoulder. Then, a traveler hurrying past accidentally bumps into Maddie with his suitcase and knocks her down. When she gets up and looks around, the woman is gone. She asks Clive who the woman was and where she went, and he says that there’s nobody with him. Maddie’s parents think she was just mistaken, that she just saw another traveler who happened to be near Clive at the time. Maddie is sure that she wasn’t mistaken, but Clive refuses to acknowledge that the woman in black was with him and her parents don’t want her to keep talking about it.

As Maddie and Clive start getting to know each other, Maddie decides that she likes Clive. Neither of them has any siblings. Clive and his parents live in a resort town called Morecambe outside of Lancaster in northern England. When Maddie asks Clive what made him want to visit the US, he’s a little evasive, just saying that his mother thought it would be good for him to get away for a while, making Maddie more suspicious that there’s something about Clive that no one wants to tell her. However, they discover that they have similar tastes in music, and when Maddie invites him to come to the community pool with her and her friends, Clive eagerly accepts, saying that he likes to swim.

At the pool, something happens that convinces Maddie that something truly sinister is happening. Clive and her friends all go swimming while Maddie takes some time to sun herself. Maddie is dozing in a lounge chair when someone starts yelling that someone is drowning! Clive is the one who almost drowns, but fortunately, he is rescued in time by the lifeguard. When he’s pulled out of the water, he tells Maddie that “she” pushed him into the water and made him hit his head and that “she” almost killed him. When Maddie looks around to see who “she” is, she sees the woman in black leaving the pool area. However, when the lifeguard starts asking Clive questions, he changes his story, saying that he just made a clumsy dive and hit his own head. Maddie later confronts him about what he told her, saying that she saw the woman in black, but Clive just gets upset and denies it all.

Maddie talks to her mother, and her mother confirms that Clive’s mother said that he’s been having a few problems lately that he needs to get away from. Clive’s mother was vague about what kind of problems Clive has been having, and Maddie’s mother assumes that Clive’s problems are just typical kid problems. She discourages Maddie from talking it about with Clive because she wants his visit to be pleasant and doesn’t want him to be upset.

Still, Maddie suspects that something much more serious is happening with Clive. Unable to shake the feeling that something bad is happening and that Clive is in real trouble, she snoops in his belongings, finding a letter that he started writing to his parents, saying that “it” followed him to the US. Clive also has books about ghosts and has written some notes about ghosts. Maddie wonders if Clive could be crazy, but she saw the woman in black herself. Clive’s panicked notes about ghosts might not be the imaginings of an unbalanced person but the reasonable fears of a person experiencing something truly unearthly.

Eventually, Maddie gets Clive to admit that the woman in black exists, but he refuses to tell her more about it until she promises that she won’t tell anyone else. Maddie promises, and Clive tells her that it’s the Lancaster Witch. In the 1600s, a group of women were executed for witchcraft in Lancaster, England. One of them, a woman named Elizabeth Device, was supposedly the head of a family of witches, and she cursed the judge in the trial and his descendants. Clive is one of those descendants. He’s been aware of her presence, following him around for about a year, and that was why he wanted to leave England, hoping to get away from her. His parents don’t seem to see her, so he hasn’t been sure whether she was real or just a ghost in his imagination. There have been stories about people in his family being haunted, but his father thinks that’s just superstition. Even though Maddie assures Clive that she’s seen the Lancashire witch, too, and that he isn’t imagining things, Clive says he can’t be sure. Maybe his imagination is now influencing her imagination.

For a while Maddie is persuaded that maybe the woman in black is all their imagination, and she tries to distract Clive from thinking about it. However, everywhere they go and everything they do, she always seems to be lurking around them, causing bad things to happen. She shatters a mirror in Maddie’s room at night and shoves Clive down the stairs. When Clive goes out for a bike ride with Maddie’s friend Tommy on a day when Maddie isn’t feeling well, he mysteriously disappears. Everyone assumes that he just got separated from Tommy and got lost because it’s an unfamiliar town for him, but Maddie is sure that it’s the ghost of Elizabeth Device and her curse!

As they search for Clive, Maddie and Tommy have to confront some truly dangerous things, both conventional and supernatural. There is a real ghost in the story, but there is also a more conventional form of danger. Dealing with the physical danger provides a solution for ridding Clive and his family from the curse of the Lancaster witch forever.

My Reaction and Spoilers

I remember reading this book when I was about 10 or 11 years old. A friend of mine had a copy, and I borrowed it from her. I remembered that I really liked it, but I had forgotten many of the details over the years. Now that I’m an adult, I understand more about the history behind the events in the story than I did as a kid. As a kid, I knew about witch trials, so I understood the basic concept behind the witch’s ghost, but I now know much more about the specific witch trial the story references.

There is a note in the back of the book about the historical basis for the story. In 1612, ten women were hanged for witchcraft in Lancashire, England, in front of Lancaster Castle, including Elizabeth Device. There have been many non-fiction books written about this case, and there are video documentaries on YouTube about the Lancashire witches, also known as the Pendle witches or Pendle Hill witches. One of the more shocking elements of that witch trial was that Elizabeth Device’s own nine-year-old daughter, Jennet, testified against her.

In the story, when Clive and Maddie are discussing the witches and witchcraft trials, they compare the Lancashire witch trials to the Salem witch trials, although Clive is wrong about the Salem witches being burned to death. It’s sloppy scholarship on the part of the author. The notion of witches always being burned is prevalent in popular culture, and it makes for dramatic scenes in movies, but that’s not how it went in real life, at least not in Colonial American. Nobody was burned in Salem because it was a British colony, and the British punishment for witchcraft was hanging, like in the Lancashire trials. Most of the Salem “witches” were hanged, and one person was pressed to death. It’s been a pet peeve of mine to point that out since I did some reports about witchcraft trials in college. It’s one of the first things people get wrong about Salem when they haven’t really researched the events there.

Maddie and Clive discuss some of the motives people had for accusing others of witchcraft, which could vary from suspicion that a neighbor was causing misfortunes to outright spite against someone they hated or envied for other reasons. Clive says that some of the people accused and executed for witchcraft believed that they were actually casting spells themselves. Whether they actually could do magic or if they were actually just following old superstitions is debatable, and Clive acknowledges that. Of course, since this is a ghost story with a witch’s ghost, the presumption here is that the witch had some kind of real power.

The story is suspenseful, but it has a good ending. Most people don’t know that the ghost is real, and they think that the danger Clive is in comes from another source. There is a conventional source of danger in the form of some criminal activity. Dealing with that situation helps to resolve the matter of the witch’s ghost because the ghost decides that Clive has repaid her family for what happened during the witch trial.

In the story, Maddie and her friends enjoy talking with Clive about differences between American and British teenagers, and they point out the differences in the ways each of them talk. Maddie also wonders if British kids play Monopoly, and the book says that she and her friend Tommy teach Clive how to play. However, I know that Britain has had its own versions of the game of Monopoly for decades, long before this story was written, so Clive should have at least known the premise of the game, even if he didn’t usually play.

Listen for the Singing

This book is the sequel to From Anna. In the previous book, Anna’s family moved from Germany to Canada both to claim an inheritance from a relative and also to escape the Nazis, whose hold has been increasingly tightening on their country. The inheritance isn’t large, mostly just a house and a small grocery store, but it offers the family a chance to start over, away from the Nazis. Anna, the youngest of her siblings was often clumsy and had learning difficulties that her family did not understand. They were often rough, critical, and impatient with her. However, in Canada, Anna has her first thorough physical with a doctor, who reveals to Anna’s startled parents that Anna has an extremely low level of vision, to the point where she is almost blind. For the first time, Anna gets powerful glasses and special classes that help her to cope with her disability and catch up on the learning she’s missed. Anna’s family repents of how hard they were on her when they didn’t understand her problem, and Anna realizes that she is capable of more than she had ever imagined possible.

The sequel begins about 5 years after the previous book, in the fall of 1939. Anna has been wearing glasses for years now, and she’s adjusted to them well. However, changes are coming for her and her family. She is about to leave the special program that she’s been in for students with vision problems and attend a regular high school. She remembers that she used to have problems in regular classes when she lived in Germany, and she worries that she won’t be able to cope with regular classes. Her family, friends, and teacher all remind her, though, that she’s learned things in the last few years that will help her to do much better now. Her teacher says that she’s ready to move on. Anna gets upset when she learns that her friend Isobel from her old school will be going to a different high school, but Anna’s oldest sister, Gretchen, points out that she won’t be alone in high school. Rudi has already graduated from high school, but Gretchen will still be there, and so will the twins. Gretchen says that she will help Anna register on the first day and help her find her way around.

Anna has also begun to worry about her father, who has been distracted by the news they’ve been hearing about the impending war. Her family left Germany partly because they were worried about the direction it was heading under Hitler and the Nazis, and it seems that everything they worried about is now coming true. Then, they hear on the radio that Britain has now declared war on Germany (marking the beginning of the book as September 1939). The onset of war changes things for the family and creates tensions for them among the people in Canada.

When Anna goes to the first day of high school, she learns that her homeroom teacher will be Mr. Lloyd. Her siblings have had Mr. Lloyd as a teacher, and Anna already knows that he’s mean. He plays favorites in class, even though he teaches world history, he doesn’t actually know much about history. Rudi embarrassed him when he was a student, pointing out things he got wrong, and Mr. Lloyd has no love for him or any of the other Solden siblings. Worse still, Mr. Lloyd has a severe prejudice against students with German last names, asking them in class where they were born and if they were proud of their “Fatherland.”

Anna is upset when she is one of the students he singles out, and she’s not sure what to say, but a couple of other students in class speak up to shut him down. Paula voluntarily tells him that, while her mother is Scottish, she was born in Austria … the same place where Hitler comes from. Mr. Lloyd is taken aback, and Anna is surprised both at how bold Paula is and that Mr. Lloyd doesn’t punish her for talking about. Paula later tells her that her mother works for the local school board and has a reputation for standing up for kids who are bullied by teachers, and Mr. Lloyd knows who she is. He has to be careful what he says to Paula or in her presence, or her mother will deal with him. The other student who spoke up is the son of the local alderman, so his father also has influence. Mr. Lloyd could be risking his job if he pushes them too far or says too much in front of them that they might report to their parents.

Anna is grateful to Paula for her intervention, and she also appreciates some help she gets from Paula’s best friend, Maggie. The girls and their other friend, Suzy, make it a point to walk with her to their next classes when Anna explains that she’s been having trouble getting around because she can’t see well. The four girls become friends, and Anna is happy that she already has a friend group at school on the first day.

However, Anna is still troubled about Mr. Lloyd and his targeting of kids with German backgrounds. When she gets home from school and tells her oldest brother, Rudi, what happened, Rudi gets so upset that he goes to his room and refuses to talk anybody. When Anna walks down to the store that her parents manage, she sees Gretchen upset and arguing with their parents about her name. One of her new teachers is also targeting students with German names and gave her a hard time about being called “Gretchen” when the English version of her first name is “Margaret.” At first, Gretchen tries to persuade her parents that she should change her name to Margaret, but after she calms down a little, Gretchen realizes that a name change isn’t really going to solve the problem. There isn’t really anything she could do to make this teacher like her because the teacher is severely paranoid about Germans and talks about how there are German spies everywhere.

Dr. Schumacher, Anna’s family’s doctor and friend, has also experienced some of the same sentiment that the children are experiencing at school. He’s lost at least one of his patients, who no longer trusts him because of his German background, and Anna overhears some of his other patients gossiping about him and speculating on whether or not he’ll serve in the armed forces. Dr. Schumacher tells Anna and his wife that he isn’t overly concerned about these gossipy women, and he doesn’t consider the patient who switched doctors to be a big loss. He, like other young men, feels called to do something about the situation happening around them, but he cannot join the army because he has a heart murmur from having had rheumatic fever when he was younger. His wife (who is also Anna’s former teacher) is relieved that the army has rejected him because they are also expecting a baby.

As Anna and her new friends get to know each other better, Maggie and Paula ask Anna questions about her vision problems. At first, Suzy doesn’t think it’s kind to ask too many questions about it, and the talk of disabilities seems to make her uncomfortable, but the others let her know that she’s misread the room. Rather than finding it uncomfortable to talk about who vision problems, Anna is actually relieved that she can open up about it and that having these problems isn’t regarded as a shameful secret, and Maggie and Paula say that they genuinely want to know what Anna is experiencing so they can help her when she needs it. Anna admits that, sometimes, she’s not even entirely sure when she needs help because, not being able to see certain things, she doesn’t always know what she’s missing. When Anna needs to use alternate materials in class because of her vision problems, she is nervous that Mr. Lloyd will yell at her or bully her, knowing how he feels about students with German backgrounds, but to her surprise, he doesn’t. In fact, he proves very helpful and supportive to her. Mr. Lloyd treats Anna with more consideration than other students because he understands the nature of Anna’s visual problems better than most.

When Anna has trouble in algebra, her father suggests that she talk to her brother, Rudi, who is a math whiz. However, Anna hesitates to ask him for help because Rudi always used to tease her about her awkwardness, worse than her other siblings. She finds it hard to admit to him that she needs help with anything else. When she does ask him, though, Rudi enjoys teaching Anna about his favorite subject, and he even helps her with other things to help her fit in at high school, like teaching her how to dance and encouraging her to get her hair done.

As the story continues, the war increasingly becomes a larger part of everyone’s life. Anna’s father is upset because word reaches him that his sister was arrested in Germany for being a housekeeper for an elderly Jewish man, who was also arrested. At school, the principal makes a speech on Armistice Day where he acknowledges that the war is going to have a profound effect on all of the students and that they will have to grow up faster because of it. As part of the speech, he quotes a preacher who said, “Faith is when you hear the bird singing before the egg is hatched.” This phrase is what gives the book its title because the principal urges the students to “listen for the singing”, to look to the potentials of the future and have faith that they will get through the crisis that is enveloping the world and that the world contains better things.

Anna tries to discuss the idea of imaging how things will be or could be, like hearing the bird sing before the egg hatches, with Rudi, but he doesn’t understand. Rudi seems like he has a promising future ahead of him. He’s already started college and has a talent for mathematics and engineering. He really enjoys college, but at the same time, with so many other young men like himself preparing for war, he feels the pull to join them. When they hear of their aunt’s arrest in Germany, it only makes it worse. Rudi can’t stop thinking about people he knows back in Germany whose lives have already been affected by the Nazis – people who have fled, been arrested, or simply disappeared. He also thinks of the headmaster of their old school back in Germany, who was known to be a Nazi, and how afraid all the children were of him. Rudi decides that he can’t stand back and let people like that win, so he joins the navy against his parents’ wishes.

It turns out to be a disastrous decision. Rudi is still in Canada when he suffers an accident where cleaning fluid is splashed into his eyes, leaving him blind. The doctors don’t believe that Rudi will ever regain his sight. Although Rudi tries to act brave and calm about his new disability, Anna can see that he’s suffering. Having learned to come out of her shell and cope with her own disability, she has a sense of how difficult this is for Rudi, who is usually accustomed to being able to do things pretty easily. Anna realizes how serious Rudi’s mental state is when she hears him crying one night and even praying to die. Anna knows that Rudi needs help, both physically and mentally. He’s suffered a terrible loss, and he feels like his life is over because he can’t see a way forward. Anna has to help him “listen for the singing”, to envision the possibilities.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

From Anna told a complete story by itself, but I still enjoyed this new story with Anna and her family. It was nice to see Anna making progress in school and life, finding new friends, and her family treating her better. Because her mother and siblings treated her badly for years before they realized that Anna was slow and clumsy because she couldn’t see, there are some lingering feelings that affect their relationships. Anna’s mother and siblings have repented about their treatment of Anna and have become much more helpful, supportive, and considerate, but Anna still has some lingering fear of Rudi, who was always the one who was the meanest to her. However, even he admits that he regrets his past behavior. Even before he is afflicted with his own disability, he makes it a point to help Anna with her math lessons, learning to dance, and going to her first hair appointment.

Rudi becomes much more thoughtful and mature in this book. He especially comes to appreciate Anna when Anna helps him through the shock and depression after the accident that leaves him blind. When the story ends, it’s still at the beginning of the war, and we don’t know the ultimate fates of many of the characters. The war is just starting to change people’s lives. We know that, like Rudi, many of them will end up marked for life in some way by the things that are about to happen. Some of the other characters in the book see family members going off to war, and we have no idea whether they will come back or not. Mr. Lloyd comes out of his shell a little around Anna because they come to understand one another, thanks to their shared disability. It turns out that Mr. Lloyd’s vision is also very poor, much more than most of his students know, making him sympathetic to Anna. At the end of the story, things are looking brighter for Rudi, as he realizes that his life isn’t over, and there are ways he can cope with his new blindness and continue the studies he initially abandoned to join the navy. We only get to see the beginning of the war, but it’s enough to show us that it’s going to have a profound change on people in many ways before it’s over. Like Anna, readers must also “listen for the singing” to imagine how the characters will continue forward from this point. There will be hard things because of the war, but also hopeful developments in the character’s lives.

I enjoy the literary references in the story. During the story, Anna is reading the book A Girl of the Limberlost, and Anna enjoys studying Emily Dickinson’s poems. Anna also mentions other books she’s reading and bits of poetry or book characters, like Little Lord Fauntleroy. The movie The Wizard of Oz is playing in theaters at the time of the story, and Anna and her friends go to see it.

People With Visual Impairment

As in the first book, there’s information about people coping with forms of visual impairment, based on the author’s own experiences, growing up with low level vision. There’s also a lot about the attitudes the main character witnesses toward people with disabilities and her own feelings about the ways people treat her and how she wants to be treated. Some people, like Suzy, try too hard to shield Anna from public scrutiny by trying to avoid mentioning her disability or shutting down questions about it, but Anna actually prefers to discuss her vision with people who genuinely care and are trying to help her.

Anna is surprised at how much Mr. Lloyd helps her when everyone knows that he has anti-German sentiment. In fact, he goes out of his way to make sure that Anna has what she needs, sometimes even before she asks. Anna realizes why he is so helpful to her when she looks at the notes on his desk, which are printed larger for him, the way that he ensures Anna’s test materials are printed. The truth is that Mr. Lloyd also has low level vision. He covers up for his disability, but he privately admits to Anna that he also struggled when he was young. His parents got him a private tutor because his vision was so bad, and he admits to Anna that he’s impressed at how well she does in a standard school. Mr. Lloyd has strong feelings about some things, but Anna realizes that he’s also a bit shy and socially awkward. The two of them bond over their shared disability and experiences they’ve had in common.

When Rudi becomes blind, he initially feels like his life is over. He can’t continue in the navy, and he doesn’t know how he can return to his studies. Although he tries to cover up how hopeless he feels, Anna realizes that he feels like he can’t do anything anymore. He even lacks the will to use the resources he’s being offered. Anna pushes Rudi to “see” things differently, showing him how he can do things besides sit around and feel sorry for himself. She introduces him to recorded books (on records, not tapes or CDs, because of the time period) and Braille. When Rudi begins to see that he can still think and study, even if he can’t see, he begins to feel more hopeful and see new possibilities for his future. The part of the story about Rudi’s blindness doesn’t come until the end of the book, about the last third or quarter, but it serves to illustrate the point about envisioning hopeful possibilities for the future, even in the midst of misfortune and the chaos of the world around them.

Anti-German Sentiment

Anti-German sentiment was common among the Allied countries during both World Wars. People were paranoid about spies being among them. In most cases, it was just paranoia, but as with many conspiracy theories, it’s the odd case where it actually turned out to be true that kept people in that constant state of paranoia. Realistically, most average schools during this period did not have enemy spies in them, but the possibility that a spy could be anywhere haunts the characters, and that’s behind some of the prejudice that Anna’s family experiences in the story. (See also Charlotte Sometimes for an example at a boarding school for girls during WWI.) In the story, Mr. Lloyd’s prejudice isn’t just about the rise of the Nazis but also about his own brother’s death in the previous war against Germany. To him, the war that’s just starting brings back painful memories of the last one.

Later in the story, after Anna and Mr. Lloyd come to an understanding with each other over their shared vision troubles, Anna speaks to Mr. Lloyd about his prejudice against Germans. She points out to him that a lot of Germans don’t support the Nazis, and they are also at their mercy. She doesn’t know whether or not she’s ever going to hear from her aunt again after she was arrested by the Nazis. Mr. Lloyd admits to Anna that he’s probably not going to be able to let go of all of his feelings about Germans because he’s had years of resentments about them, but he also apologizes to her that his feelings have made things harder on her. This is a small concession, but it may be a turning point in Mr. Lloyd’s attitude. He tells Anna to give his regards to Rudi and is nice to Anna’s father when they meet. Seeds of change have been sewn for Mr. Lloyd, and we see the beginnings in the story. It’s another point where we see the beginning of something and can imagine how it might play out over time.

Treasures From Grandma’s Attic

The Grandma’s Attic series by Arleta Richardson is based on her grandmother’s reminiscences about life growing up on a farm in Michigan during the 1800s.  This is the fouth book in the series, and like the first three, it’s a collection of short stories.

Usually, the stories are framed as grandmother, Mabel, telling her granddaughter some story about herself or her family when she was young, but in this book, the stories don’t have the framing element of the grandmother talking to her granddaughter. Instead, each story is just Mabel, talking about something that happened when she was young. Many of the stories in this book focus on things that happen at the small local school and lessons that they learn. The books don’t always say exactly how old the children are or what the year is, but the beginning of this book says that the year is 1886, and Mabel and Sarah Jane are thirteen and a half years old. The stories that follow the first one take place in order because characters and situations introduced in the earlier stories are referenced in the later ones.

Many of the scrapes the Mabel and her friend Sarah Jane are relatable, the kinds of minor trouble that many children (and even some adults) get into. I particularly liked the story about the fortune teller because it’s similar to something my mother told me about someone who heard something frightening from a fortune teller (or someone who claimed to be able to read palms). Even as an adult, this person similarly couldn’t get the idea out of their head once they heard something that they dreaded would happen, even though it never did. Fortunately, nothing truly tragic happens in any of the stories in this book or in the series in general. The stories are pretty calm, and many of them have a moral to them, many of them Christian-based.

The book is available to borrow and read for free online through Internet Archive.

Cousin Agatha

Mabel’s father’s Cousin Agatha invites herself to join the family for Thanksgiving, further inviting herself to stay through Christmas. Cousin Agatha is highly critical and difficult to get along with, so the family starts getting nervous when she talks about wanting to stay with them for the long term. Mabel and her brothers consider doing things to irritate her so she won’t want to stay, but Mabel comes to realize that part of the reason why Agatha acts the way she does is that she’s a nervous and insecure person, starved for attention and affection.

A New Friend

A new girl named Mary comes to school, and when she gets a crush on one of Mabel’s brothers, she tries to make herself into Mabel’s best friend. However, when Mabel refuses to help her scheme to ingratiate herself to Mabel’s brother, Mary turns spiteful and tries to get Mabel in trouble.

Christmas Spirit

The children at school draw names for a gift exchange at Christmas. However, one girl, Hannah, is sour and grouchy, and she says that, if she doesn’t draw a name she likes, she won’t bring a gift. Mabel gets Hannah as her name, and she gives Hannah a gift, but when Mabel doesn’t get a gift herself, she blames Hannah. She later realizes that she’s misjudged the situation.

The Perfect Paper

Warren is a boy at school who shows off how well he does at school, and he makes it a point that he thinks boys are smarter than girls. Mabel prays that she’ll do better than Warren on their next math test to teach him a lesson, and at first, it seems to work. However, her father notices that one of the problems was marked incorrectly, meaning that Warren actually got a better score than she did. Mabel finds herself in the position of having to tell the teacher about it, but both she and Warren learn lessons about qualities that are more important than perfect test scores and the relative worth of boys and girls.

Wesley’s Lesson

Wesley is a big boy at school, and the others sometimes tease him or scold him about how much he eats. Wesley’s eating habits can sometimes be a problem when he eats things that everyone was supposed share (as in the Christmas story), but his size is mainly a problem when he’s careless. One day, he runs hard into Sarah Jane while playing, knocking her to the ground. He’s apologetic, but Sarah Jane is angry and embarrassed. She persuades Mabel to help her get some revenge and teach Wesley a lesson, but their teacher ends up teaching the girls a lesson about respecting their classmates’ feelings.

The Seamstress

Mabel wants a new dress for the ice cream social, but her mother doesn’t have time to make one. Mabel insists that she’s old enough to make a dress on her own, but her mother knows that’s harder than Mabel thinks.

The Autograph

Cousin Agatha sends Mabel a special present, a book autographed by the author. Mabel is eager to take it to school to show everyone, but her mother doesn’t think it’s a good idea. It turns into a problem when Warren offers to buy the book from Mabel. She loves the gift, but the money Warren promises her could mean more because she wants to buy something for her mother. Then, Sarah Jane suggests forging the author’s signature in a cheap copy of the same book. Does Mabel have it in her to be a forger?

The Farewell Party

The children learn that their teacher, Miss Gibson, will be leaving, and she’ll be replaced by another teacher, Mrs. Porter. The children at school aren’t happy about it because they like Miss Gibson, and they worry that Mrs. Porter might be mean or that she wouldn’t like them. The children decide that they can’t let Miss Gibson leave without having a farewell party for her, but they learn that the adults are planning a surprise of their own.

Really Responsible

Mabel starts thinking of all the things she’d like to do with her future. Sarah Jane thinks getting married is the best thing to do, but Mabel wants to do something that she can do on her own rather than having her role in life defined by the man she marries. Sarah Jane doesn’t think that she can do anything big like that on her own because she isn’t always reliable and responsible, and Mabel complains that nobody has any faith in her, but she worries that maybe Sarah Jane is right. Mabel’s mother uses a lesson from the Bible to show Mabel that, if she wants to prove that she’s responsible in big ways, she should prove herself responsible in small ones first. However, Mabel’s absent-mindedness soon gets her into trouble again!

The Tangled Web

Mabel is looking forward to a birthday party, but everything goes wrong from the moment she wakes up. It’s a rainy day, and Mabel is sick. Mabel’s mother insists that she stay home. Sarah Jane says that’s fine because the party has been rescheduled. The problem is that the party has been rescheduled to Sunday, and their families believe that Sunday should always be a day of rest. When the girls sneak out to the party without permission, they get caught up in their own scheme.

Gypsies

Mabel’s mother takes in a gypsy family temporarily because their baby is sick, and they need help. Their neighbors ask her if she’s doing the right thing because they think that gypsies can’t be trusted, and even Mabel’s brothers have heard that they’re thieves. However, Mabel’s father says that they shouldn’t assume things about other people because good and bad people can be found among any group, and Mabel’s mother points out that, whatever else they are, they’re human beings who need help. The gypsies themselves prove their own character when it’s time for them to leave, and they repay their hosts’ generosity.

The Expensive Bookcase

When Sarah Jane’s father makes a new bookcase for her, Mabel decides that she’d also like one for her birthday. Mabel’s father agrees on the grounds that it will help Mabel to be more neat and tidy. However, the project turns out to be bigger than they thought when Mabel’s mother decides that Mabel could also use new curtains and new paint in her room, and then, Mabel decides that she would like her bed spread dyed to match. Mabel ends up owing her brother a surprising amount of favors in exchange for the work.

Monday’s Child

Mabel is fascinated by the poem about the days of the week that children are born on. Since Mabel was born on a Monday, according to the poem, she should be “fair of face.” Sarah Jane was born on a Friday, so she’s supposed to be “loving and giving.” Mabel’s mother says that it’s only a poem, not something to live by, and that beauty is as beauty does. The person who does the right thing is the most beautiful person. Mabel has trouble believing that until she sees a lovely girl at the general store who demonstrates the concept that beauty doesn’t bring happiness or character.

The Fortune-Teller

Mabel and Sarah Jane wonder about the future and what the fortune teller in town might have to say to them. Mabel’s mother warns her that curiosity can lead to trouble and that if she tries to have her fortune told, she might hear something she won’t like. However, the girls can’t resist seeing the fortune teller. Although the girls promise themselves that the fortune telling is just for fun and that they won’t take it seriously, when Mabel hears something that she doesn’t like, she has trouble getting it out of her head. Because she’s been primed to believe the prediction, she misinterprets something that she overhears.

Revenge

Mabel can’t find her cameo pin, and she blames her brother Roy because of his teasing and tricks he plays. Later, a comb disappears from her room, and Mabel again blames Roy. He doesn’t exactly deny that he didn’t take these things, although he implies that Mabel probably lost them herself. When a quarter disappears from the money that Mabel has been saving to buy a present for her mother, Mabel is sure that Roy is responsible, but she can’t spoil the surprise for her mother by admitting that she’s been saving money for a present. Mabel decides that she needs to take matters into her own hands and teach Roy a lesson but ends up teaching herself one.

Still More Stories from Grandma’s Attic

Still More Stories from Grandma's Attic cover

The Grandma’s Attic series by Arleta Richardson is based on her grandmother’s reminiscences about life growing up on a farm in Michigan during the 1800s.  This is the third book in the series, and like the first two, it’s a collection of short stories. Each of the stories are framed as a story being told by the grandmother to the granddaughter about something that happened when she was young, inspired by something the granddaughter is experiencing in her life. Some of them are funny stories, others are though-provoking, and many of them have a moral or life lesson to them. The grandmother, Mabel O’Dell, has two older brothers and a best friend, named Sarah Jane, and many of the stories center around things they did as children. There are Christian themes in the stories, and some of them contain Biblical references.

What I like are the small details about life in the past. We get to see children going about their farm choices and attending school in a one-room schoolhouse, and we get to see what was important to the children back then. The children in the story have their own wishes and plans, fun things they like to do in their spare time, things that worry or frighten them, and special occasions that they look forward to.

One thing that I would like address, though, is the religious aspects of the stories. Something that would probably stand out to modern readers is that the Bible readings and lessons aren’t restricted to home and church but are also taught in the school every day. There are some people in the 21st century who seek out private schools that still do this, and some people who wish public schools still did, but there’s an important aspect of this that I’d like to make clear to everyone: This is a small rural community with only a one-room schoolhouse and around 15 or so children at a time and a single church that everybody in the area attends.

Everybody there is the same religion, which is why this school and others from this time period, particularly in small communities, were completely comfortable incorporating Bible readings into their school lessons. There was nobody around whose beliefs were different from theirs. They could happily take it for granted that was the case because it definitely was. They didn’t have to give it a second thought or even much of a first one because they’d all see each other every Sunday in that one little church. There is no need to to accommodate diversity in communities where there isn’t any. We don’t see how the characters in these stories respond to people of different religions because they never meet any, at least not during the course of the stories in this book. I think some people who are nostalgic about that element forget that this is the primary reason why modern public schools don’t do things like that anymore, and there are definite trade-offs.

If you accommodate a group of diverse people, it’s true that you can’t concentrate on religious sub-groups in the same way and don’t get the reinforcement of beliefs that those people also receive at home and at church that make life seem consistent across all channels, but at the same time, if you live in a community that intensively studies its own beliefs and customs and has nothing else to accommodate, you have to forfeit the experience of learning more about the variety of people that exist in the wider world or the lessons that diverse groups learn about getting along with people who are different, not taking social agreement or a shared vision of life for granted, and learning to understand and accommodate people with concerns that you don’t necessarily share just because you care about how someone else feels and need to find a way work with each other. Nobody gets to have everything in life or learn everything in life, and putting all of your emphasis on one thing means passing up other opportunities. It’s just the way life is. Mabel and her friends learn many valuable things about life and the choices they make, but how to live in a diverse community with people who have different beliefs just isn’t one of them. They don’t talk about any of that because they don’t need to.

The books in the Grandma’s Attic series cater to a sense of nostalgia, which is pleasant, but I just wanted to remind readers that there are reasons why most people don’t live this way anymore and that most schools aren’t run this way anymore, and there are some benefits to new ways doing things that are a better fit for the world that 21st century people live in. Enjoy this “simpler time” for what it is, but just understand that there are things modern people experience that are worth something, too, and things we get to do with people who 19th century people who were being educated in one-room schoolhouses might not have even imagined meeting!

That being said, I do find this book charming and cozy. It makes for a relaxing read, and I think the morals and life lessons in the stories are positive ones. The characters in the stories do have some consequences for their childhood escapades, but nothing tragic or overly serious. It’s fun to see them getting into childhood scrapes, enjoying simple pleasures, and planning parties and special surprises for friends and family.

The book is available to borrow and read for free online through Internet Archive.

Still More Stories from Grandma's Attic girls making face cream

Face Cream from Godey’s Lady’s Book

Mabel and her best friend, Sarah Jane, attempt to make face cream from a recipe in a women’s magazine, with unexpected results!

It Rhymes with Mop

Mabel was often a careless and sloppy child, but she learns her less when her family has dinner with the minister and his wife.

High Society

Mabel is invited to come with Sarah Jane on a visit to her cousin’s house in the city. Sarah Jane’s relatives are more wealthy, and they have a big house with servants, but the girls come to realize that the high life in the city isn’t really the life that they want to live.

Still More Stories from Grandma's Attic girl climbing tree

The Dog Who Could Spell

Mabel proves to Sarah Jane that her dog is smarter than she thinks when the girls get into trouble, and Mabel gets the dog to understand and fetch help.

The Wrinkled Stockings

Mabel and Sarah Jane are tired of wearing their heavy long underwear under their clothes because it wrinkles their stockings and makes them feel uncomfortable. Since it’s nearly spring, they decide to modify their long underwear for better comfort, but they’re sorry when they realize just how changeable the weather can be.

Whenever I’m Afraid

Grandma remembers a time when she was a child and found herself home alone while she was sick and how she comforted herself with prayer and the thought that God was looking after her.

Grandpa Hobbs

Grandpa Hobbs is a neighbor whose memory has become confused in his old age. He sometimes lives in the past and confuses past events and people with present ones. When he stays with Mabel’s family for a time, though, they are surprised at some of the things that he does remember!

The Spelling Bee

Mabel and her brother have a habit of leaving things where they don’t belong because they forget to put them away. When Mabel’s father decides that he will confiscate anything that’s not in its proper place, he takes something important of Mabel’s. However, in driving home the lesson about personal responsibility and accountability, Mabel’s father learns that he also needs to teach the children about forgiveness and mercy by demonstrating some himself.

Still More Stories from Grandma's Attic ink stain on dress

The Prettiest House in the Country

Mabel’s mother says that the house needs to be repainted, but Mabel’s father keeps putting it off. When she learns that he’s making plans to repaint the barn instead of the house, Mabel’s mother takes matters into her own hands.

My Own Boss

Mabel is tired of her parents always telling her what to do and insists that she wants to make some decisions about things herself. When her parents allow her to make some choices on her own, she learns that making choices means learning to live with the results.

The Harvest Home Festival

The kids in Mabel’s class at school each have to memorize something from the Bible to recite at the Harvest Home Festival. Mabel, being a procrastinator, puts off memorizing her piece until a couple of days before she recites it. However, when she has last-minute doubts about whether or not she’s really committed it to memory

The Surprise Birthday Present

Mabel’s father needs a new suit, but the family needs to raise the money to buy one for his birthday. At first, they don’t think they’ll be able to raise enough money to get him a new suit in time for his birthday, but Mabel finds something other than money that gives them what they need. The moral of this story is that God sometimes answers prayers in unexpected ways.

The Perfect Party

Mabel and Sarah Jane decide to throw a surprise birthday party for their teacher at school. They think they’ve got everything planned well, but they forget that, even at a surprise birthday party, sooner or later, someone has to tell the birthday person when to arrive.

Windfalls

Mabel and Sarah Jane are allowed to take apples that have already fallen from a neighbor’s trees (the “windfalls), but one day, they see what they think is the perfect apple to give to their teacher and try to make it fall on purpose. In the process, they end up getting into a scrape that Mabel knows she won’t be able to hide from her parents.

Coat of Many Colors

It’s fall, and a little girl needs a new coat. Her family doesn’t have much money, but someone gives her mother a box of rags, which her mother sews into a patchwork coat for the girl.

As she sews, the mother tells the girl the Bible story of Joseph and the Coat of Many Colors. The little girl loves her new coat, associating it with the Bible story and her mother’s love for her.

When the girl goes to school in her new coat, other kids tease her because having an improvised coat made from other people’s rags is a sign of poverty. The other kids know that her mother made her that coat because she couldn’t afford to buy one.

However, the girl looks at the situation differently. Rather than focus on what her family couldn’t buy, she loves what they gave her. The coat is a sign of her mother’s love and sewing skill. Whether a person is rich or poor depends not just on what they have but on their feelings about what they have. When a person looks at the good points of what they have rather than what they don’t have, they feel rich.

The reason why I put multiple copyright dates for this book is that the story has been printed in multiple versions. The text of the book is from a song called Coat of Many Colors written by Dolly Parton in 1969 (listen on YouTube). The text is literally the words of the song, and it’s fun to listen to the song and read the book together! The other two copyright dates are because the story has been printed as a picture book more than once, with different illustrators. The illustrations I show here are from the latest version, from 2016.

There’s a very similar story to this one that I reviewed earlier, The Rag Coat, which is also a picture book about a girl with a patchwork coat who is teased by other kids at school. The Rag Coat was published a few years before Coat of Many Colors was first published as a book, but years after Coat of Many Colors was published as a song, and a note in The Rag Coat acknowledges the song as part of the inspiration for the story. The story in The Rag Coat doesn’t take quite the same turn as Coat Many Colors because it doesn’t relate the girl’s coat to the Bible story and because the way the girl in that book reconciles herself and the other students at school to her rag coat is pointing out that the rags that make up her patchwork coat came from their families and that she knows the stories behind each of them, the stories of her classmates’ lives. It’s a little longer story with a little more depth and backstory behind the coat, but I like Coat of Many Colors for its lighthearted approach to the idea of what makes a person rich or poor and depths that are more implied than stated.

The connection to the story of Joseph and the Coat of Many Colors is important because, in the Bible story, Joseph’s colorful coat was a sign of his father’s love for him, and in this picture book, part of what makes the patchwork coat made of rags important to the girl is the fact that her mother made it for her and it’s a sign of her mother’s love. There is a section in the back of the book where Dolly Parton explains that the story is based on a real incident from her life, and that’s why the song she wrote about it has always been special to her. She also wants people to consider what it really means to be rich or poor. In both the story and in real life, Dolly’s attitude was focusing on the richness of what she had (like an original coat, handmade by a loving mother) rather than the things she couldn’t afford, and that’s what she recommends to other people.

Actually, it occurs to me, too, that in the early 21st century, a bespoke patchwork coat might actually be considered both more stylish and more valuable than any ordinary coat bought off the rack from any store. It’s the stuff of cottagecore fans and Etsy aficionados! Sewing is a time-consuming hobby that requires skill and can cost considerably more than buying a cheap coat at Walmart. People who can do it really well can charge a fair amount for their work. The only ways to get something like that these days are either to do it yourself, know someone who’s willing to make it for you, or be willing to pay for it. (I wrote this in July 2025, and I checked the going rate for a patchwork coat on Etsy. It was about $100 at that time. The cheapest options were about $84 dollars, and some were more than $200, with some vintage coats priced at more than $300.)

I find this hilarious, that what the kids who went to school with Dolly Parton back in the day teased her about as a sign of poverty would cost quite a lot to buy from someone else these days, with older “vintage” ones costing the most of all. With the rise of cottagecore and other pop culture influences, some of their grandkids would probably have begged to own something like that. (Remember when Harry Styles wore a patchwork sweater, and a bunch of people made their own versions or sold patterns to make them? I do!) Their families might not have the skill to pull off making such a thing themselves, which may be yet another way of looking at who’s poor and who’s rich. Remember this the next time someone’s wearing something that seems a little odd or improvised. It might turn out to be ahead of its time, a smarter use of money, a unique demonstration of real skill, and a far more interesting or timeless fashion statement than something that’s more generically trendy that will look cringy in yearbook photos in 5 to 10 years. Take the long view!

Dolly Parton said that the original “coat of many colors” that her mother made for her when she was a child wore out long ago and was probably remade into something else, like a quilt, because her family never wasted anything. However, there is still a picture of young Dolly wearing the coat, and after she wrote her song about it, her mother made another one similar to it, as best she could remember, to show what it was like. This replica coat, made by her mother, is the one on display in Dolly’s Chasing Rainbows Museum. In 2015, this story was made into a television movie, although the movie had some darker themes in it, with the family coping with the death of Dolly’s baby brother.

Jamie and the Mystery Quilt

Money has been tight in the Huddleston family since Jamie’s father died. The family lives in a big, old house that’s been in the Huddleston family for generations, but it has gotten run down because the family doesn’t have enough money to fix it. The local historical society is interested in the house because of its age, but Jamie’s mother doesn’t know if the family will have enough money to hold on to it. Even heating the house has gotten expensive, and there are two girls in the family to raise and educate. Jamie’s mother is seriously considering selling the big house so she and the girls can move to a smaller, less expensive house, but Jamie can’t stand the idea of losing this house, which she loves. To help earn some extra money, Jamie takes on a part-time tutoring job, and she is thrilled when her first tutoring assignment is a popular boy from school, Kevin Parker.

When Jamie discovers a chest of old quilts in the attic that were made by her great-grandmother, she is thrilled to find one that is actually a map of their house! She shows it to Kevin, who is fascinated. His mother has an antiques shop, and he has an interest in antiques because he helps his mother. Unfortunately, the realtor who is trying to convince Jamie’s mother to let him sell their house also sees the quilt and immediately becomes interested in its monetary value. Jamie tries to make it clear to him that the quilt is not for sale.

Then, one day, the quilt is stolen while it was hung out for an airing! Just about anybody could have taken it because it was outside, but when Jamie’s mother reports the theft to the police, the policeman who takes the report says that there have been other thefts of antiques in the area. Their case is a little unusual because the quilt is the only item missing, whereas the other thefts involved houses being completely cleaned out of truckloads of antiques.

There is something unusual about the quilt. Not only is it unusual to find a quilt that’s a perfect map of a house, but it seems like the quilt also contains a secret, hidden message. Was the quilt stolen for its monetary value or just because it’s a fascinating-looking quilt, or does someone else also have the sense that there’s a secret meaning in the quilt?

The book is available to borrow and read for free online through Internet Archive.

I remember liking this story when I was a kid. I remembered that the rainbow in the quilt was the clue to where the treasure was hidden, but I didn’t remember the story behind why the treasure was hidden. Jamie’s ancestors didn’t do anything illegal or unethical. It was more that they were going through hard times and resorted to an unappealing job that they didn’t really want to discuss with other people.

I didn’t think there was much secret about who the villain in the story was. There’s a person in the story who is both an unlikable character and who would have access to people’s homes to be able to steal from them. In some ways, I thought that the characters didn’t seem to realize that as soon as they should have. The mother in the story seemed a little too trusting.

The story seems a little slow, now that I’m rereading it as an adult, but I still have nostalgia for it. The quilt map is still a fantastic addition to a children’s mystery.

The Sherwood Ring

When Peggy Grahame’s father dies, she goes to live with her Uncle Enos in upstate New York, at their ancestral home, which goes by the whimsical name Rest-and-Be-Thankful. The family has lived there since the family arrived in America, fleeing their old home in Scotland after their support for Bonnie Prince Charlie failed. Uncle Enos loves history and tends to live in the past of their old home. Peggy’s father has sarcastically
said that Uncle Enos keeps “a pack of ghosts” at the old home and dedicates his life to making them feel comfortable by never changing anything there. Although, before he dies, he admits that the place is actually haunted, after a fashion, although neither he nor Enos has ever seen the ghosts themselves. Knowing that he is about to die, he sends word to Enos that Peggy is coming, and he says that Peggy will understand what
he means about the ghosts when she gets there. He also says that Peggy will largely be looking after herself at the house because Enos is too preoccupied with studying history to take much notice of her.

After the reaches New York, Peggy has to ask for additional directions to her uncle’s house. She meets a young man from England, Pat Thorne, who’s in the United States on a scholarship, doing some historical research. Strangely, when he came in pursuit of the papers he had hoped to find, his cousin Mildred denies their existence, although he’s sure that they actually do exist. He suspects that Mildred is covering it up for some reason because a picture that he remembers his cousin had is mysteriously missing. He has now come to the region where Uncle Enos lives in search of additional historical material, and he is hoping to see Uncle Enos himself because he’s the local authority on the region’s history. He has heard that Uncle Enos welcomes young scholars, but he’s been having trouble getting in touch with him. He gives Peggy a ride to Rest-and-Be-
Thankful, although they have car trouble on the way.

However, when they arrive at Rest-and-Be-Thankful, Uncle Enos is strangely angry that Pat Thorne is there. He says that he has nothing to say to Pat and that he doesn’t want Peggy associating with him. Both Peggy and Pat insist that Uncle Enos explain why he’s so angry, but he refuses to explain anything. He only wants Pat to leave the house. Pat replies to Uncle Enos that he will leave but that he will also be seeing Peggy again,
no matter what Enos says. Peggy can tell that Enos is distressed at the idea of Pat hanging around, but there’s a second shock for Peggy as she begins settling into the house. She sees a picture of one of her ancestors, a girl called Barbara, and she realizes that this girl looks exactly like a girl on a horse who she met before she met Pat and who directed her to talk to him. Peggy wonders if she’s seen her first ghost.

It’s some time before Peggy hears from Pat again, and she meets her second ghost one day when she’s fuming about Pat not coming to speak to her or get in touch with her and saying that she’ll “show him.” A young man in a continental army uniform is suddenly sitting in an armchair near her, and Peggy recognizes him from his portrait as Richard, the brother of Barbara. Richard tells Peggy about his life during the American Revolution and how personal pride got him into an embarrassing and dangerous situation.

He had been given a special mission by George Washington to apprehend a man called Peaceable Sherwood, who was leading a gang of people who were sabotaging the Revolutionaries’ war efforts. To his surprise, Richard received a letter from Peaceable Sherwood himself while he was staying with some neighbors. The letter was sealed with a seal from Sherwood’s signet ring, and it told Richard that he was aware that Richard was looking for him, promising that Sherwood and his men would make things interesting for him. Sherwood proved an elusive person to find. Eventually, Richard discovered evidence that pointed to a place where Sherwood would be waiting to meet some of his gang. He admits that he should have gone for reinforcements, but he was so eager to prove himself by capturing Sherwood as quickly as possible, so he confronted Sherwood alone. There was a fight in which he was almost killed, and he had to admit his humiliating mistake to the young woman he loved.

Ghostly Richard says that he’s telling this story to Peggy as a warning to her about hot-headed pride. He doesn’t know the young man Peggy was talking about, but he says that hot-headed pride also kept him and the girl he loved, Eleanor Shipley, from admitting their real feelings for each other for some time, until his humiliation at the hands of Sherwood caused them both to drop their pride. Peggy is touched by the story,
and she asks Richard what eventually happened with Sherwood, if he ever caught him. Richard refuses to answer and disappears. Later, when Peggy begins delving more into her family’s past and her uncle’s collection of heirlooms, Eleanor Shipley appears to her and continues the story of Richard and
Sherwood.

As Peggy tries to settle in to life at Rest-and-Be-Thankful with Uncle Enos and to learn what it is he has against Pat Thorne, ghosts of the past continue to appear to her, all connected to the events of the American Revolution. Eleanor explains her budding relationship with Richard, and Barbara appears again to tell her how she and Richard were both captured by Sherwood and his men at Rest-and-Be-Thankful but managed to escape and Sherwood. Sherwood was going to be executed, but while Peggy is given the dull task of serving punch at her uncle’s Fourth of July ball, the ghost of Peaceable Sherwood himself shows up to tell the story of his escape and how he decided that the only woman he could marry was Barbara. Even though they were on opposite sides of the war, he’d never known a girl as clever and resourceful as she was. Even though Barbara initially says that she has no intention of marrying Sherwood, she also appreciates his cleverness, and she had tried to intervene to prevent him from being executed when he was in prison and can’t bring herself to turn him in when he escapes. Sherwood tells Barbara that the men in his family are known for their stubbornness and that it’s actually the motto on their family crest that they always get what they want, so he’s already making plans for their future wedding.

Not long after the Fourth of July ball, Uncle Enos falls seriously ill. The doctor says that it’s a virus, but he can tell that there’s something wrong with him because the treatments he’s giving Uncle Enos aren’t working as well as they should. Uncle Enos has made himself ill before by bottling up his emotions, and everyone who knows him can tell that there’s something on his mind that’s seriously troubling him, something he doesn’t want to say. However, Uncle Enos cannot get better until he finally admits what’s troubling him and deals with it. It’s his stubborn personal pride that’s getting in the way. Peggy is sure that the problem is about the conflict between him and Pat Thorne. It also possibly has to do with the story of Sherwood and the events that took place at Rest-and-Be-Thankful during the Revolutionary War.

When Barbara appears to Peggy one more time to finish the story of Sherwood and Peggy calls Pat to come to Rest-and-Be-Thankful, many things are cleared up. Sometimes, ghosts call on the living to right the wrongs of the past, but sometimes, ghosts of the past are concerned about loved ones who are still alive and help them to right the wrongs of the present.

The book is available to borrow and read for free online through Internet Archive.

I was curious about this book for some time because it has ghosts and visions of the past. It has similar themes to other books I’ve read, and I enjoyed The Perilous Gard, which is by the same author.

Partway through, I was a little hesitant to finish the book because I liked the characters of the past, and I didn’t want to see anything horrible happen to them. Because they are all dead and because of Uncle Enos’s animosity over something that happened in the past, I was bracing myself for something tragic to happen to one or more of the characters in the story. I thought, at first, that maybe Sherwood actually killed Richard at some point, maybe before he could marry Eleanor. Then, I thought maybe Barbara and Sherwood turned into a kind of Romeo and Juliet romantic tragedy because they’re on opposite sides. Fortunately, none of that happened in the story.

The best part of this, for me, is that the people from past (spoilers) all survived the Revolutionary War, and they apparently lived normal lives after that. Richard and Eleanor are married during the course of the story of past events, and Barbara tells Peggy that she did marry Sherwood after the war, when there was no more conflict of interest between them. Unlike many other ghost stories, the ghosts of the past in this story aren’t there to ask their living relatives to make things right for them. They don’t have any unresolved problems themselves; they are there to provide comfort and support to Peggy. They know that Peggy hasn’t had much attention or affection from her relatives. Her father didn’t pay much attention to her, and her uncle is too wrapped up in his historical research to pay much attention to her. Peggy needs some attention and information from her family to figure out what’s going on with Uncle Enos and how to help him as well as herself. The ghosts say that they cannot give her all the answers, but what the ghosts tell her gives her the clues she needs to work out the rest herself. Peggy also comes to see that some of her ancestors can relate to things that have happened to her, from the deaths of parents to dealing with disagreeable relatives to falling for someone that her family might not approve of. It helps her to see that she’s not alone, and her experiences help her to understand some of theirs.

I didn’t expect to hear any part of the Revolutionary War story from Peaceable Sherwood’s perspective, but when he showed up as a ghost to tell his part of the story, it helped me see that the story might have a happy ending after all, with no tragedies left for the historical characters. Although Sherwood is an antagonist to the other characters for much of the story, he reveals that what he’s doing isn’t entirely of his will. In some ways, he is a “poor little rich boy” – someone who comes from wealth but hasn’t had much affection or close relationships in his life and is stuck in some unfortunate circumstances. He comes from a wealthy family in England, but he was orphaned at a young age and put under the guardianship of an uncle who didn’t like him. It was his uncle who got him a commission in the army, and he did that mainly to get rid of him rather than for Sherwood’s personal advancement in life. Sherwood’s been doing the best he can with the position he’s given, and he and Richard both understand and accept that their respective roles put themselves at opposition to each other. They have to alternately fight each other and defend themselves from each other, but they also respect each other because they are somewhat similar to each other and pretty equal in their skills and intelligence. There are times when either of them could have killed the other, but they don’t because they are gentlemen and behave honorably, and they also have some fondness for each other. When Barbara starts to get to know Sherwood and his history more, she also begins to feel some fondness for Sherwood and finds him charming. Personally, I would have been put off by a grown man saying that he always gets what he wants because that sounds so bratty, but Barbara later explains that Sherwood usually gets what he wants because of his cleverness and determination in pursuing what means the most to him, not just pure entitlement.

When I first started reading the book, I had some suspicions about how Pat Thorne is connected to the Grahames and to Peaceable Sherwood, but the answer and type of problem that he represents to Uncle Enos were a little unexpected. The connection was somewhat what I expected, but it goes deeper than that, and the problem between them is very much a modern one, made by the living members of the family, not one left over from a past tragedy. It’s not an insurmountable problem, either. It’s not a family feud but a kind of misunderstanding that got out of hand, leaving Enos torn about how to handle it. He did something he probably shouldn’t have because someone else did something that she really shouldn’t have. Enos apparently was acting in good faith, but admitting the facts of the matter would mean giving up something that has meaning for him and historical significance. Now, he’s torn between wanting to deny what he did and what he’s got and wanting to make things right. Once Peggy and Pat compare notes, the matter becomes clear. Things work out very well between Pat and Peggy at the end, and they seem to understand each other very well, partly because of Peggy’s knowledge of the past and partly because Pat himself is very perceptive about what Peggy’s life has been like. He knows that things have been hard for Peggy because of how her father and uncle have been. She hasn’t had much attention or affection, but he’s determined to provide that for her. Pat completes the story of Peaceable Sherwood and brings it full circle. Pat doesn’t hold back about his own circumstances and the kind of life he expects to live with his future wife, but both he and Peggy are sure thinks will work out for them. Even though his family doesn’t have the money they once did, they still have a tendency to get what they set their hearts on.

Lucy Beware!

This book is the sequel to Come Back, Lucy (Mirror of Danger). Come Back, Lucy was the original title of the first book, when it was published in Britain, and Mirror of Danger is the US title. Because copies of Lucy Beware are very difficult to find these days, I’ve made this review especially detailed and included detailed spoilers at the end for the sake of people who want to know how this story goes and what happens to the characters but just can’t find a copy to read.

The story is set two years after the events of the first book. Orphaned Lucy has settled in nicely with her cousins since that first frightening Christmas when she lost her elderly Aunt Olive, who raised her, and she connected with Alice, the malevolent girl ghost who haunts the old Victorian house where Lucy and her cousins now live. In the previous book, Alice used Lucy’s feelings of sadness and loneliness after Aunt Olive’s death and the difficulties she had fitting in with her cousins to try to trap her in the past with her. Lucy was finally able to free herself from Alice by passing the 100th anniversary of the end of Alice’s time in the house and by finally telling her relatives the truth about Alice and how Alice manipulated her.

Since that time, Lucy hasn’t seen Alice, but the family has been secretly uneasy about her. When Aunt Gwen, her cousins’ mother and Lucy’s new mother figure, falls ill, Lucy becomes distressed. It brings back her memories and feelings from losing Aunt Olive and makes her worry about the future again. Although people keep assuring her that Aunt Gwen will be fine and that she just needs to go to the hospital for some tests, Lucy secretly worries about what will happen if Aunt Gwen also dies. Her cousins can see that she’s uneasy, and they wonder if they should talk to her about it.

Rachel reminds her brothers that leaving Lucy too much alone with her own feelings was what allowed Alice to get hold of her last time, but her older brother, Patrick, says that’s all nonsense. He still believes that Alice was a figment of Lucy’s troubled imagination because she was dealing with her grief and all of the sudden changes in her life. Bill, the youngest, saw Alice himself, and it was a disturbing experience, although he now expresses doubt about what he actually saw. Deep down, he knows that he saw a ghost, but he tries to convince himself and others that maybe he was wrong because he’s afraid to admit the truth, even to himself.

The time when Aunt Gwen has to stay in the hospital for some tests coincidentally happens at the same time as parent/teacher conferences at the children’s school. Since Gwen is ill, Uncle Pete goes to the meetings himself, and when he comes home, he has bad reports to deliver to each of the children. Patrick has failed his exams, Rachel is struggling in math, and Bill’s teachers say that he’s not even really trying because all he cares about is football.

When it’s Lucy’s turn to receive her report, Uncle Pete says that her teachers say that she’s putting in effort, but she’s still behind in some subjects because, until she came to live with her cousins, Aunt Olive didn’t send her to school but tutored her at home according to her own standards rather than the curriculum used in modern schools. Lucy has been trying to catch up in her studies over the last couple of years, but one of her teachers is unhappy because Lucy hasn’t been working on an important report about home life in the late Victorian era. Lucy still has a love of Victorian homes, partly because, in her early life, Aunt Olive brought her up in an old Victorian era house as if she were a Victorian girl herself and partly because the house where she now lives with her cousins is from that period. When Uncle Peter speaks to her about her report, Lucy finds her mind traveling back to her previous connections with the Victorian era, what she loves about it, … and what now makes her uneasy about it. Then, she hears a familiar voice from the back of her mind. Alice is trying to connect with her again! Lucy finds Alice putting words into her mouth again, asking for Uncle Peter’s help with her report because he’s an architect who understands old houses, but Lucy can now distinguish between her own voice and Alice’s.

When Lucy is alone in her room, she sees Alice again, but although the connection between them hasn’t been severed as much as she thought, she also realizes that she has come to a deeper understanding of it, of Alice, and of herself since their last encounter. Lucy can see, just from looking at Alice, that Alice has been crying. Both of them are in a similar emotional state in their lives right now, which they each acknowledge has called each to the other’s mind again and reactivated their connection. The reason why they were each able to connect with each other before was because they were both extremely lonely, and now, they’re also each troubled about something in their lives and education. However, Lucy reminds Alice that she now understands what kind of a friendship they had before. Alice tries to brush her concerns and the real seriousness of the previous situation aside, but Lucy reminds her, without Alice actually allowing her to use the words “kill” and “death” out loud, that she knows that Alice tried to kill her, more than once, so she would be trapped in the past with her as a ghost.

Alice is still sly and manipulative, and Lucy knows how to read her, letting her know that she’s on to her tricks. Alice tries to forcibly pull Lucy into the past once again, but Lucy not only resists but demonstrates that she can now forcibly pull Alice into the present! Lucy makes it clear that Alice won’t be dictating terms this time because they are more equals now than they used to be. In fact, in some ways, Lucy has matured much more in the last two years than spoiled Alice. Lucy knows that she could walk away from Alice now, if she really wanted to … yet, she does feel a kind of bond with Alice. Alice is correct that both of them are trouble, and Lucy also realizes that Alice is in a unique position to help her with her report on Victorian home life, since she is actually living it herself. Lucy finds herself wondering if she could be able to get Alice’s help without getting too badly used by Alice or endangered in return.

Lucy tells Alice that she’s willing to hear her out about her troubles, and Alice says that she’s worried about her future. Alice is aware enough of Lucy’s time to realize that women have more options in their lives than they did during the Victorian era, and she tells Lucy that she’s been inspired by Florence Nightingale to become a famous nurse. Lucy is surprised by that ambition because she knows that being a nurse requires someone to be caring and willing to work hard and under conditions that can be rather rough. Nothing about that sounds like anything that would appeal to Alice.

Lucy knows that Alice is selfish, shallow, and spoiled. She is not accustomed to working particularly hard at anything, and her chief interests in life seem to be parties and clothes. Lucy says that she thought Alice would be more likely to want to marry a handsome man than work at building a career. Alice says that’s just what she wants to do, but she says that she doesn’t want to marry just anyone. She has her eye on marrying royalty and becoming a princess! Her interest in Florence Nightingale and nursing comes from the fact that the queen is interested in Florence Nightingale, so Alice thinks that becoming a famous nurse could be a path to getting the attention of the right people. Lucy thinks this is a hopeless plan because most nurses don’t get that kind of fame, and she also doubts whether Alice has it in her to become any kind of nurse, let alone a famous one. Alice says maybe she could if Lucy could give her some advanced knowledge from her time, things that other young women of the Victorian era wouldn’t know, so Alice will stand a chance of outshining others with her advanced knowledge. Basically, Alice is only interested in chasing fame rather than knowledge and achievement, and she has realized that Lucy is in a position to help her cheat on the knowledge part to get ahead of other people in the field.

Lucy makes it clear to Alice that she thinks her plan is ridiculous. She doesn’t think Alice has what it takes to be a nurse. Even if she manages to get into the field, it’s unlikely that she would become famous in it, at least not famous enough to get the attention of royalty. However, she is willing to help Alice find out more about nursing in exchange for Alice helping her with her school project on the Victorian era. Alice isn’t thrilled at the idea of helping Lucy with anything, but Lucy makes it clear that they’re going to deal on equal terms in this situation or not at all, so Alice reluctantly agrees. Alice admits that the Victorian home life project was actually her idea, and that she had subtly suggested it to Lucy because she wanted to reestablish her connection with her. She can only do that when Lucy thinks about her, so she needed something to remind Lucy about her. Alice has a way of getting into people’s minds and giving them suggestions.

Lucy is uneasy about the deal she’s made with Alice. She reminds herself that Alice is a ghost and a dangerous one at that. It’s only because she is so worried about her school project and because she feels like nobody else can help her that she is willing to try working with Alice. Everyone else in their family seems caught up in their own problems with school and with Aunt Gwen’s health. With the risks in mind, Lucy takes some steps to protect herself from Alice, if necessary, like always carrying a small pocket mirror with her, knowing that reflective objects are key to traveling through time and meeting Alice. Last time, Alice tried to trap her in the past by removing mirrors from around the house, so it’s important for Lucy to have something small and reflective with her all the time.

Something that makes this time with Alice different is that Alice no longer seems interested in trapping Lucy in the past. In fact, it’s only with great reluctance that she agrees to meeting Lucy in her own time at all. Part of what makes the difference is that there’s a young man named Eric Summers who is romantically interested in Alice. They’ve known each other for a long time because their mothers are friends. Lucy asks why Alice doesn’t just marry Eric if she likes him so much and forget all this nonsense about nursing, but Alice is ambitious and still has a dream of marrying royalty. Eric is fond of her, but he doesn’t have a title of any kind.

To fulfill her part of the bargain with Alice and to help finish her own report for school, Lucy borrows some old books about nursing in the Victorian era from their family doctor. Doctor Brown was an important character in the first book, and he has always been aware of Lucy’s troubles fitting in with her relatives after Aunt Olive’s death and the fact that she’s behind in her schooling, so he’s happy to help her. However, although Lucy gives Alice information from those books and is willing to let her look at them when she comes to Lucy’s time, Alice steals the books and takes them to the past with her! It’s a real problem because Lucy knows that the books are old, collector’s items, not easily replaceable, and Doctor Brown says that he will need them back for some lectures he’s planning.

To retrieve the books (and to get some final, first-hand information for her school project), Lucy makes a daring trip back into the past to confront Alice one last time.

I was thrilled to get hold of a copy of this book through an interlibrary loan! It’s very difficult to find these days, much more difficult than Come Back, Lucy (Mirror of Danger). In fact, I’ve repeatedly checked all the major book-selling sites, and I have yet to see even one copy for sale, and some appear to having waiting lists for people looking for a copy. According to other reviews, Lucy Beware isn’t as popular as the first book in this two-part series. Other people who have read the book have said that they really like the first book better.

The end of the first book did seem like it pretty well settled the issue of Alice. At the end of the first book, Lucy survives past the 100th anniversary of Alice’s last day in the house before leaving to go to a house in the country with her parents and with Lucy establishing a new bond with her relatives. When Lucy bonds with her relatives, she no longer feels the need for Alice as a toxic friend or to connect with the past because she can now look to the future without being afraid. With things being pretty settled at the end of the first book, a sequel might not be necessary, although there were a few unanswered questions from the first book that was I wondering if the sequel might answer. For example, we never learn in the first book how Alice died or what made her into the lonely ghost that she became in the house. What was it that made her cling to the house and try to trap Lucy there with her?

Personally, I was surprised in this book that, not only does Alice make a reappearance, but that she isn’t dead yet. Originally, I had expected that Alice became a ghost because she had died on her way to the new house in the country that her parents bought, which was why she left the house where Lucy now lives with her relatives. My original theory about why she was so lonely and haunting the house where she used to live was that she died before she could get to her new home and rejoin her parents. However, this book reveals that not only didn’t that happen but that she is anticipating a longer future to plan for. I was disappointed that this book doesn’t explain the circumstances of Alice’s death or a offer an explanation of her apparently ghostly powers.

I was also a little disappointed that this book changes the dates of Alice’s life and Lucy’s previous experiences with her to accommodate Alice’s interest in Florence Nightingale. Originally, in the first book, the date when Alice moved from her old house to the house in the country was given as 1873. In this book, which is supposed to take place after both Lucy and Alice have aged a couple of years, it’s the mid-1860s because Florence Nightingale gained her reputation for nursing during the Crimean War in the 1850s, and when Lucy makes a reference to Alice’s Adventures in Wonderland, which was published in 1865, Alice calls it a “new” book in her time. Changing the dates feels like cheating, although I suppose a lot of readers who didn’t know the when Florence Nightingale was famous or when Alice’s Adventures in Wonderland was published might overlook that. However, for me, it makes this sequel feel more artificial than a naturally-following progression of the story from the first book.

Alice’s character as a lying, manipulative, dangerous girl hasn’t altered, but although Lucy still thinks of Alice as a ghost, the story is presented more as a time traveling story rather than a haunting. The first book also involved time travel, but it was much more definitely a haunting. Alice’s ability to travel through time or to pull Lucy back into the past in the first book were pretty obviously based around her being a ghost. When she appeared in house in the present time, she was either invisible to people other than Lucy (because Gwen saw doors open and close by themselves when Alice was searching for Lucy) or gave the person who saw her an eerie feeling (like she did when Bill saw her).

There is also one thing that Alice can do that Lucy can’t, which might be due to her status as a ghost – she has a way of putting ideas into other people’s heads without them being aware that she’s doing it, almost a form of possession. In this story, she admits that the reason why Lucy chose home life in the Victorian era as the subject of her school project was that she suggested the idea to her to make Lucy start thinking about her again so she could reestablish her connection with Lucy. That kind of supernatural ability or possession only really makes sense if she’s a ghost instead of just a time traveler. We are never given any other explanation for it.

While Alice still has the ability to manipulate Lucy’s mind and put thoughts into her head or words into her mouth in this story, the supernatural aspects of the time travel seem to be altered or suspended in this book because Lucy has figured out how to use her mental state and connection to Alice to do her own time traveling or summoning Alice. Also, Alice apparently didn’t die in the year she left her old home or soon after that, so the original issue of why she was haunting her old house at that particular time is unresolved. In the original story, she said that she’d been waiting a long time for someone to come and play with her, indicating that she hadn’t been anywhere but her own house since her death and hadn’t moved on from being a lonely child in the years since her death, but this story contradicts that idea, showing Alice moving forward both in age and emotionally. In spite of that, Lucy still thinks of Alice as being a ghost in her time, and she considers that it would make her a kind of ghost from the future when she’s in Alice’s time.

Because this book is extremely difficult to find outside of a library these days, I’m going to offer some detailed spoilers for it for the benefit of people who can’t find a copy.

Far from Alice dying at any point in the story or revealing her eventual cause of death, Alice seems headed for marriage at the end of the story! Lucy witnesses Eric speaking to Alice, and it seems like he’s about to propose to her! I felt a little sorry for Eric at this point because, although he’s apparently known Alice for years, he may not be fully aware that she’s a narcissistic, manipulative liar who has traveled through time as a ghost and tried to kill another child while she was still a child herself. However, Eric seems like a bit of a snob, so they might be more alike than I’m giving him credit for.

When Lucy confronts Alice about the books and demands them back, Alice seems a little conflicted about returning them. Alice has soured on the idea of nursing after seeing some of the things that nurses have to do in those books. She’s definitely more the dressing up and giving dinner parties socialite type. Besides, she can tell that she has a definite prospect for marriage with Eric, and he’s promised to keep her in the lifestyle that she’s accustomed to. Even if she never gets a title, she can still live like a spoiled princess, and that might be good enough for her. Still, Alice has trouble giving up anything she’s set her mind and hands on, and she has admitted to Lucy that she plans to get her governess, Mademoiselle, fired by framing her for theft!

To get one last revenge on Lucy and to keep her from foiling that rotten plan against Mademoiselle, Alice tricks Lucy into hiding in a shed on their property (they call it an “outhouse”, but it’s really more of a gardening shed or outbuilding than a privy) and locking her in, telling her parents, who have just returned home, that she has trapped a burglar. Because Lucy can travel through time and space by looking at her reflection, she manages to make her escape before the police can apprehend her, and she gets away with Doctor Brown’s books and a few useful but inconsequential items from the past that she can use for her project. Before making her final escape back to her own time, Lucy hears some conversations between Alice and her parents that clear up a few lose ends.

Mademoiselle does get fired, but it’s for something she actually did herself – she shirked her duties to watch Alice while her parents were away so she could spend time with her secret boyfriend. (That’s something she did in the first book, too.) However, that’s fine, as far as Mademoiselle is concerned, because she and her boyfriend are going to get married and move to France. Before she leaves, she tells Alice’s parents exactly what she thinks of them for never spending time with their daughter and never knowing what she’s up to. Alice’s mother is offended at the impertinence, and she tells Alice that she’s decided that Alice is too old for another governess. Instead, they are going to arrange for her to have a Coming Out party and for her to be Presented at court, which meant for a wealthy girl of her time, that she was being acknowledged as being of marriageable age, so she would be able to accept Eric’s proposal. Basically, she’s becoming a debutante.

Alice is excited by the glamor of that, and she completely gives up the idea of being a nurse because all she ever wanted that for was a way to impress someone important so she could make a good marriage. Now that she has her love interest and will soon be the belle of the ball, she doesn’t have any use for that plan anymore. Surprisingly, though, Lucy herself realizes that she finds the idea of nursing appealing, and for the first time, Lucy finds a life ambition of her own. Part of her worry about the future in the previous book was that people expected her to think of the future and have life ambitions, but Aunt Olive had never raised her to think that way or have any ideas about a career. Now, she has a goal for her future that appeals to her and gives her a focus for her studies. She confides her interest in Doctor Brown, her family’s physician, and he promises to help her and lend her more books.

At the end of the story, Lucy confides everything about her latest adventures with Alice to her family and Doctor Brown, and they all believe her. It’s kind of hard for them not to because, when she returns to the present from her latest journey into the past, she is disheveled and dirty from her experiences. They’re all worried about her, but Lucy sees this as a maturing experience. Alice might be headed for marriage, but Lucy realizes that, inside, Alice is still the same immature, self-serving brat she always was. Lucy acknowledges that she isn’t entirely grown up herself, but she is getting there, and she’s much further along than she was before. She realizes that she and Alice are now headed in very different directions with their lives. The story leaves it open for another possible interaction between Lucy and Alice again, but if they ever do meet again, it will probably be for the last time. Lucy is far more confident in herself and the direction she’s chosen for her life, and she sees the beginning of divides in their lives and attitudes that will further separate her from Alice in the future.

Oddly, Rachel realizes toward the end of the book that Patrick has become particularly attached to Lucy, like he might have a crush on her. That might sound weird because they’re cousins, but as I recall from the first book, the relationship is actually a little more distant than that. When the cousins are first introduced, they are referred to as “distant” cousins. (The original description was, “Distant ones, but definitely related.”) Lucy calls Pete and Gwen her aunt and uncle, and other people call them Lucy’s aunt and uncle as well, but the relationship might not be literally that one of them was a sibling of one of Lucy’s parents.

My impression from the first book was that either Pete or Gwen is a distant cousin to Lucy, but because they are old enough to be her parents, people just call them her aunt and uncle. We were told in the first book that they were unaware of Lucy’s existence before Aunt Olive’s death, which I don’t think would have been the case if either was a direct sibling to one of her parents. Neither of the books ever clarifies exactly how distant they are as cousins, and in fact, I don’t think they even explain which of the two of them is actually related to Lucy by blood and which by marriage. (I think, because Gwen and Lucy are more attached to each other and Gwen was the first family member to contact Lucy through a letter after Aunt Olive died, it’s implied that Gwen is her blood relation, and her children are related to Lucy through her, but that’s never clarified.) Somehow, one or the other of them was related to Lucy through some connection to Aunt Olive, who I think was actually a great-aunt to Lucy, given her age, old enough to be her grandmother. However, if it helps, it means that Lucy and Patrick are likely not first cousins. They’re probably more like nth cousins once or more removed from each other in the family tree. It could be third cousins or fourth cousins or third or fourth cousins once or twice removed. I don’t know exactly because the books are vague about that.

It’s still a little odd for Patrick to get a crush on Lucy since they’re living together as cousins now. What Rachel notices is that Patrick has become increasingly protective of Lucy. Now that he and other family members fully believe in Alice and the threat she poses to Lucy, Patrick has expressed a desire to get his hands on her and make her pay for what she’s done or almost done to Lucy. Lucy confidently says that he won’t have that opportunity, but Patrick seems a little grimmer about it. Rachel notices that Lucy doesn’t seem fully aware of the depth of Patrick’s feelings or what that might imply. Lucy is light-hearted at the end of the story, confident that she and Alice are growing out of each other because their lives are diverging and neither one is really interested in seeing the other again. However, the book’s ending leaves the possibility open for one more encounter because Alice’s ultimate fate isn’t settled. Alice is apparently still considered a “ghost”, but she’s oddly not dead yet in her time and is showing every sign of being able to grow up and get married.

One of the other reviewers on Goodreads said that she could imagine what might happen if there was a third book in the series, but there isn’t one. It’s possible that the author left that possibility open on purpose, but this is only a two-book series. I could see that there’s room left for one more chapter in the story, a truly final encounter between Alice and Lucy. If that happened, I would expect that the story would have to end with something that would make it truly impossible for Alice to come back, which for me, would mean that we would have to finally have an answer to why there seems to be this bond between Lucy and Alice, and we would have to know when and how Alice eventually died.

For me, the first book was stronger because it seemed to imply that Alice died young and that she knew that she would never rejoin her family at their new home or have the opportunity to have a friendship or attachment outside of the memories of her lonely life in the past. In the first book, she seemed to need Lucy to die in order to join her in her past or at least the memories of her past, making them both ghosts with each other for company. (I did wonder whether Lucy actually went to the real past in the first book or just Alice’s memories of it.) When Lucy survived Alice’s final attempt on her life and passed the 100th anniversary of Alice leaving her house, I thought it was implied that Alice died on her way to her new home in the country, severing her link with her old house and, by extension, her last hold on Lucy. However, this second book, which shows Alice living past that point in her own time, treats the connection between Lucy and Alice more as a sympathy of feeling, similar to the connection between the girls who switched time periods in Charlotte Sometimes. Lucy thinks that the time traveling is over because both of them have experienced changes of feeling and are headed in different directions in their lives, so that might truly be the end of their story, although part of me thinks, as others do, that there’s room for one more story. Since there are no more books, any continuation would only be in the reader’s imagination!

Since I was disappointed that this story was more time travel than haunting and that Alice isn’t being treated as the ghost she was in the original story, I started writing my fanfiction version of this book in my head. I really wanted the story to be more of a ghost story rather than just time travel and to explain more about Alice’s background and why she’s a ghost. If you’re not interested in my imagined version, you can skip this because it’s pretty long.

In my imagined version of the story, I’d keep the parts about Lucy and her cousins struggling in school and Aunt Gwen getting sick because those are important sources of Lucy’s inner turmoil. However, I decided to add an extra character, another distant cousin who has been living in the United States and has only recently returned to England. This new character, who I’m calling Margaret, is now a middle-aged woman, but (because these stories are set in the 1970s), was sent away from England as a child evacuee during WWII. I thought of her as a character because she’s someone who can reveal some hidden parts of Lucy’s family’s past, including some things she’s rediscovering herself upon her return to England. There were many children sent from England to the US by ship in the summer of 1940, although that stopped in September of that year when a ship carrying child evacuees sank. Many of the children from that torpedoed ship were killed although some were rescued, an incident of real-life children never arriving at their destination that could help foreshadow Alice’s demise on her way to her “new life in the country” as she called it in the first book.

The way I see it, Margaret has decided to move back to England, partly out of a restlessness she was already feeling about her life in the United States and partly because, since Aunt Olive’s death, she realizes that she is losing her last connections with her own past and the few remaining members of her biological family. She explains that the reason why there are so few members of their family left (aside from Aunt Olive, it is established in the books that Lucy has no other biological relatives other that the cousins she’s living with now) is that many of them were killed during WWII, including Margaret’s parents. Her parents died during the bombing of London known as the Blitz, and the house where she once lived was completely destroyed. If Aunt Olive hadn’t persuaded Margaret’s parents to send her to the US as a very small child because she had a friend who was helping to organize the evacuation effort and arranged for Margaret to be fostered by an old school friend of hers who was married and living in the United States, Margaret would also have been killed. Because she was living in the US with a foster family when her parents died and had no way of returning to England due to the war, her American foster family adopted and raised her. She probably would have forgotten all about her English relations except that Aunt Olive stayed in touch with the school friend who adopted Margaret and wrote to Margaret and explained everything to her years later.

When Aunt Olive died, Margaret didn’t hear about it right away because Aunt Gwen and Aunt Olive’s friends didn’t know much about Margaret, but after not hearing from her for some time, Margaret started making inquiries and reconnected with Aunt Gwen. She wrote to Aunt Gwen and talked with Uncle Peter about how she was considering returning to England, and when Aunt Gwen gets sick, she comes for a visit, staying with the family and helping with the house and the children while further considering whether or not she wants to move back permanently.

In some ways, Margaret’s presence can be helpful for Lucy because both of them have the experience of being orphaned and having to move forward in their lives in a new home with a foster family and a somewhat tenuous connection to their own pasts. In other ways, Margaret could unintentionally reawaken Lucy’s interest in the past and her uneasiness, reminding her strongly of Aunt Olive. Margaret has been Americanized and is much more modern than Aunt Olive was, but she could still resemble a younger version of Aunt Olive (about 30 or 40 years younger than Aunt Olive was) and have some household skills that are similar to Aunt Olive’s, like her cooking. Margaret might take over most of the household cooking in an effort to help the children focus on their studies, which might also unintentionally remove a source of relaxation for Lucy, who likes cooking, forcing her to focus more on things she doesn’t really want to think about.

I see Margaret as having worked as a librarian in both school and public libraries, which would also make her similar to Aunt Olive, who used to be a teacher at a private school for girls. Because she is an academic person, she helps to tutor Lucy and her cousins through the problems they’ve been having with school, something else that reminds Lucy of Aunt Olive, who used to tutor her at home. Margaret approves of Lucy’s proposed project about Victorian homes, saying it’s perfect because she has many of the resources that she’ll need already, living in a renovated Victorian home and with Uncle Peter’s books on architecture and interior decorating. She takes the children on trips to their local library and helps them find further resources for their various projects, but I’m adding another twist to the story here with a special project for Patrick.

Let’s say that Patrick also has to do a project for history, and Margaret asks if he’d also like to do one about the Victorian era because he and Lucy could share resources and work together. However, Patrick, who is a Young Socialist and deep into the idea of Socialism (as established in the first book of the series) had actually wanted to do a report about that instead. He’s upset because his teacher won’t allow him to do the report that he wanted to do originally, and he thinks it’s discrimination because his teacher doesn’t approve of Socialism. Actually, it’s because Socialism is all Patrick ever talks about. It is what he’s most motivated to learn about, but his teacher wants him to learn about and talk about something else for a change. Because of that, his teacher assigned him the topic of WWII, and Patrick hates the idea of doing a report about war. Margaret asks him what about WWII, specifically, he’s required to talk about, and Patrick shrugs and just says the teacher didn’t say, only that the project needs to be about WWII.

Margaret points out that WWII was a world-wide war that took place in many different countries and also involved the Home Front, civilian volunteers who helped the war effort and government-run programs that helped to protect and feed civilians during the war. Those programs, including the child evacuation programs that saved the lives of children like Margaret were social programs, so doing a report about the Home Front of WWII and child evacuees would fulfill the teacher’s requirements and also be an example of successful social programs, which would please Patrick. Since Margaret herself was an evacuee, he could interview her for the project, and she would even be willing to come speak to the class about her experiences when Patrick has to do his presentation to the class. She was very young when she was evacuated, but there are some things that she still remembers sharply about the experience and others that she’s come to appreciate more in the years since. Patrick is interested, and even Rachel, Bill, and Lucy get pulled into the topic when Margaret starts telling stories about it because it has a connection to their own family.

During moments of worry and melancholy about Aunt Gwen’s illness and when Lucy has to work on her own Victorian project alone rather than share in Patrick’s one about WWII evacuees, Lucy starts to feel the tug of Alice’s time again. She finds Alice’s old scrapbook again, the one where she said that she was leaving to start a new life in the country, hidden among Uncle Peter’s architecture books, and after reading in a book about Victorian Christmas celebrations (something she witnessed in Alice’s time), she looks up and into her bedroom mirror, finding herself in Alice’s time again! Lucy’s bedroom was once the old school room of Alice’s house, and Lucy finds herself face-to-face with ghostly Alice. But, to her surprise … Alice hasn’t changed in the two years since Lucy last saw her. Alice hasn’t aged at all. Also, it’s Christmas again!

It didn’t seem as weird to Lucy the last time she experienced Alice’s Christmas because it was also Christmas for Lucy in her cousins’ household. It’s extra weird now, though, because it’s October in Lucy’s own time. In fact, as Lucy looks around and hears Mademoiselle talking about Alice’s upcoming birthday, she discovers that it’s the exact same Christmas that she experienced before in Alice’s house, the last one she experienced there before her family decided to move to the country. Alice remembers Lucy from before and dodges Lucy’s questions about why it’s the same Christmas. Lucy wonders if she might accidentally run into her past self in this house, since she’s been to this exact place and time before, but Alice makes a cryptic comment about nobody else having done so the other times. Lucy tries to ask what she means about other people and “other times”, but Alice tries again to persuade Lucy to stay with her because she must have returned for a reason. Lucy escapes from Alice using a mirror, because she now knows how to do that, but she’s troubled and confused.

At the end of the first book in the series, Lucy had planned to do some research about Alice to find out about her as a person so she wouldn’t have to be so scared, thinking of her as a ghost, but she put it off. Now that she’s doing this report about the Victorian era, she realizes that she has the perfect excuse to learn more about what happened to Alice and how she became a ghost, stuck in one particular Christmas. Because Margaret knows about records and research from her career as a librarian, Lucy shows her Alice’s old scrapbook and asks her if she can help her find out more about who Alice Becket was and what happened to her. Margaret finds the idea intriguing and helps Lucy track down Alice’s records. They learn that Alice died in an accident on the same day she left the house to travel and meet her parents in the country and is currently buried in a churchyard not far from the house. Margaret even takes Lucy to see the grave and is surprised at how affected Lucy is at Alice’s grave and the idea of Alice’s death.

This leads to a heart-to-heart talk between Lucy and Margaret on the subject of loss. Lucy confides her worries about losing Aunt Gwen, like she lost Aunt Olive. Margaret reassures Lucy that she knows a little more about Aunt Gwen’s condition than Lucy does, and without going into specifics (because, from something Aunt Gwen said in this story, I think she’s having some women’s troubles), she says that Aunt Gwen is going to need some treatment but that she’s going to be all right. They talk a little more about Aunt Olive, revealing a little more of Aunt Olive’s backstory as a professional teacher who never married because the young man she loved died in WWI, something Lucy never knew before because Aunt Olive never talked about it with her. (I invented this part. It’s not something addressed in the author’s original stories.) Margaret says that, perhaps, Aunt Olive thought Lucy was too young to understand how she felt before she died, but also, it was probably something very painful for her talk about. Margaret herself heard the story from Aunt Olive’s old friend, who adopted her, rather than from Aunt Olive herself.

Lucy and Margaret talk about how difficult it can be to talk about emotionally painful things, something Margaret understands from her own past and something that Lucy experienced in the first book. Lucy asks Margaret if her discussions with Patrick about her past as an orphaned evacuee are painful to her, and if it will be difficult for her to talk to Patrick’s class about her past. Margaret says it’s not as painful to her now as it once was because so many years have passed since the war and her parents’ deaths. Since then, she’s come to terms with what happened and has built a new life and identity for herself. She has realized that life also comes in phases and is full of changes. She senses that her life is changing once again, and she’s feeling something pulling at her to return to England and her relatives there again because she feels like the time is right somehow. The idea of returning to London would have once frightened her because the London she remembered as a young child was a sad and scary place, but it has done her good to visit with her young cousins and see that London is now a happy, busy, living place filled with young people and is very different from what she remembers. Revisiting her past has helped her to make peace with it, even more so than she had before.

However, Lucy realizes that visiting Alice’s grave hasn’t brought her the peace that she had hoped for because there’s something very wrong with Alice’s death and the way she keeps returning as a ghost. Lucy no longer looks at Alice as being a “friend” as she did when they first met. Alice is spoiled, selfish, and dangerous, and Lucy knows she can’t trust her. Yet, she also finds Alice a tragic figure, and she doesn’t know what to do about it. That night, she reflects on everything that everything Margaret said and accidentally looks at herself in the mirror. Suddenly, she finds herself in the old schoolroom again, and she thinks that she’s returned to Alice’s time, but to her surprise, the room is different from both the way it looks as her modern bedroom or Alice’s Victorian schoolroom. It’s something in between. It has the old Victorian wallpaper, a little worn and shabbier than it was in Alice’s time, but there are now two small beds in the room because it’s being used as a bedroom. Lucy turns around and is shocked to see two girls with red hair and freckles staring at her, also in shock.

After that first shocked moment, the girls introduce themselves to each other. The two girls are a pair of sisters: Janet and Alice Becket. Lucy is surprised that there’s a second Alice Becket, and Janet explains that it’s a family name. Every generation of their family has an Alice, ever since the first Alice Becket died tragically young. Lucy explains to them about meeting Alice, and the girls are eager to hear what she has to say. They’ve met Alice, too, since they arrived at this house. Janet and Alice the younger don’t normally live here. It’s the summer of 1940, and their lives have changed since the war started. Their father is away, in the army, and their mother is involved in war work. The girls are staying with their aunt and uncle in this old house, preparing to leave soon on a ship that will take them to stay with other relatives in the United States. Right now, they feel neglected and abandoned by their parents and fearful about the journey ahead of them. Young Alice is frightened that they might not make it to the US because their boat might sink. Janet is less afraid of sinking than she is that they might not be able to come back to England again or that their parents might not want them back. Victorian Alice has gotten hold of these younger relatives of hers, pulling them back into the charming Victorian Christmas, where everything is peaceful, no war, and Alice is surrounded by luxury, servants, and pretty dresses.

Seeing these other girls falling into Alice’s trap, with Alice trying to persuade both of them to join her forever in the past, Lucy warns them about what Alice is really like and that Alice herself seems to be a prisoner of her own past. She reminds them of Alice’s tragic fate and that, if they join her, they will have to share that fate, too. That reminder that Alice died young helps to ground Janet and Young Alice in their own time and reality, giving them something to use to fight against Alice. At the same time, though, the girls admit that all three of them feel an attachment to Alice and that they want to do something to help her. Young Alice, fearing that maybe she and her sister will die at sea anyway, on their journey, still finds herself tempted to share in Alice’s past. If she has to die young and be a ghost, she thinks she’d rather haunt a familiar house and live in a charming Victorian Christmas forever.

I have in mind that there would be a series of time jumps where Janet and Lucy have to follow Young Alice into Victorian Alice’s past, seeing again Victorian Alice singing Christmas carols and having her birthday party, just as Lucy did before, only with Young Alice in the place Lucy previous occupied. Alice lies to people, as she always does, and she calls Young Alice “Abigail” because she can’t explain to others why there are two Alice Beckets. (This is also a callback to the first book, where Alice lies about Lucy’s name, for no apparent reason other than Alice is a pathological liar.) Young Alice confides to Janet and Lucy again about her fears of dying at sea and admits that she’s long had a fear of dying young because she was named after Alice, who died young. Janet admits that there was another Alice in the family before her who also died young, and there is some speculation about whether Victorian Alice may have had a hand in that, in another of her failed attempts to trap a companion in the past with her, or if that was just a coincidence.

It occurs to Lucy that, if the three of them can somehow save Victorian Alice’s life, they can stop this time loop from occurring. Alice would no longer be a ghost because she could finally go forward into the new life she always wanted, and other generations of children in the family and others who occupy this house will be safe from her. However, there are complications. First, they have to learn exactly how Alice died and figure out what, if anything, they can do to prevent it. Second, Lucy’s cousin Margaret, without knowing about the hauntings yet, raises the question of how tampering with the past can change the present.

While they’re considering whether and how they can save Alice, Lucy considers whether or not she can use her presence in 1940 or get Janet and Young Alice to do something to save Margaret’s parents from being killed. She asks Margaret for a few more details about her parents and what their address was. Margaret says that she no longer remembers the address of her old home, and then, she tells Lucy that it was a very unhappy place for her. Even if it still existed, she wouldn’t want to visit again. Lucy is surprised and asks her why. Margaret says that, when she said that London was a sad and scary place for her, she wasn’t talking about the bombings, which hadn’t started before she left. The bombing of London started in September 1940, and she left for the US that summer.

The period from the official entry of Britain into WWII in September 1939 to May 1940, when Germany invaded France was called “The Phoney War” because the general public didn’t feel the effects of the war too much and wasn’t taking it seriously, feeling like it was basically a non-event. Some people in London who had sent their children away as evacuees before London was actually bombed in September 1940 had brought them back home again, thinking that the whole thing was a false alarm, and Margaret explains, sadly, some of those children were injured or killed because they came home too early. This brings up the topic of how people, even when they’re trying to be safe, don’t have a complete guarantee of safety. If Margaret had left England later, on the boat that was carrying child evacuees that sank, she could have been killed anyway, like many of them were. Those children were trying to leave one dangerous situation only to be killed by another. Lucy finds that idea terrifying, understanding why Janet and, especially Young Alice, are afraid. Margaret gently tells her that life can be frightening and unpredictable. We all do the best we can and make the best decisions we know how to make, but unfortunate things can happen to anyone. There is no complete cure for that but to continue to do the best you can and to love and appreciate the people and place where you are while you’re there and while you’re with them.

The full truth about Margaret is that Aunt Olive arranging for her to be evacuated was to save Margaret from her own parents as much as to save her from the war. Margaret’s parents’ marriage wasn’t a happy one. According to both her adoptive mother and Aunt Olive, her parents were very immature people who probably got married too young. They liked to party when they were young, and the idea of marriage sounded romantic to them, but the truth was that neither of them understood the realities of maintaining a mature relationship, running a household, or raising a child. There was a nanny called Sally who was the only person who really took care of little Margaret. Her mother was a vain woman who still wanted to go out dancing and to parties all the time, and her father was a man of violent temper who drank too much and would hit or slap his wife or young daughter when he was angry. Margaret’s few memories of her parents include her father screaming at her and slapping her and her mother brushing her hair and ignoring her while she was crying. Other times, she remembers hiding from her parents or hearing them fighting with each other in the middle of the night. If Margaret had been old enough, Aunt Olive would have arranged for her to attend the boarding school where she was teaching, but Margaret was still too young to be admitted. The evacuation effort gave Aunt Olive another way to rescue Margaret. Sending Margaret away saved her life twice, first from her parents’ bad treatment and then from sharing her parents’ sad fate.

Lucy is shocked at this story of Margaret’s original, unhappy home life, and Margaret reassures her that her adoptive family was much happier. They were kinder, more patient people, and her older, adoptive siblings sometimes spoiled her. Even the journey by ship to the US, while frightening at first, was a delight. In fact, Margaret describes how she made friends with a couple of girls on the ship who were older than she was and how they looked after her and reassured her during the voyage. She had forgotten their last name, but she now realizes why Alice Becket’s name seemed so familiar to her while they were researching her. The other girls were Janet and Alice Becket. Margaret starts to ponder whether or not there’s a connection there, but before she can continue the thought, Lucy asks her what happened to Janet and Alice. Margaret says that they went to live with some relatives near the place where she lived in the US, and she would continue to see them sometimes while they lived there. She lost touch with them after the war, when they returned to England to rejoin their parents. This news cheers Lucy, who realizes that she can now tell Janet and Young Alice, with confidence, that they will be fine during their voyage to the US and they will return to see their parents again. She leaves Margaret musing about her old friends and wondering if she can trace them and see how they are now.

Janet and Young Alice are reassured by what Lucy tells them about their future. Janet promises to keep an eye out for little Margaret when they board the ship and that they’ll be her friends, and Young Alice is relieved by their promises that the journey will be safe for her, too. Lucy decides there’s no point in attempting to warn Margaret’s parents about what’s coming. The bombings haven’t started happening yet, and if any of them tried to tell them that they’re going to be killed by something that hasn’t started happening yet, they would think their warnings were “phoney.” As with others, they will have to be left to make the best decisions they know how to make to protect themselves, which Lucy uncomfortably knows will ultimately fail.

Although it’s sad to think about it, Lucy realizes that their loss was best for Margaret in the long term, and she also has to face another uncomfortable thought that she’s been trying to ignore: Aunt Olive’s loss, occurring when it did, was also best for Lucy. Lucy still misses Aunt Olive because Aunt Olive was kind and truly loved her, but Lucy has come to realize that Aunt Olive wasn’t teaching her everything she really needed to know to succeed in school and life. Her vision of life has expanded since she came to live with her cousins, and although school is sometimes a struggle, it’s ultimately the best thing to prepare her for her future. Aunt Olive lived a full life, and it was her time to go. Even though Lucy couldn’t see it at the time, it was also time for her to move on from her old, sheltered life. This realization allows Lucy to let go some of lingering sense of loss for Aunt Olive, although she knows she will always love her, and of her desire to return to that part of her life. She begins to understand what Margaret was talking about, how life moves in phases and there are times when you’re ready to move on to the next.

This brings the children back to Victorian Alice, who wasn’t ready to leave her life just as she was promised a new life in the country and who hasn’t been able to move on ever since. Maybe not all tragedies are unforeseen and unpreventable, and sometimes, someone has to intervene before someone can move on. I decided that, since Alice and her governess left the house to journey to the countryside on December 21, the shortest day of the year, Alice’s death was caused by a carriage accident because they left too late and tried to travel further in the dark, partly at Alice’s impatient insistence and partly because the governess feared Alice’s parents’ reaction if they didn’t arrive on the promised day. I envision that Lucy recruits her cousins, who have noticed that things are starting to happen with her and Victorian Alice again, and her new friends from 1940 to help her intervene to save Alice’s life. Lucy is worried about what else they might change by doing so, but Alice is clearly a suffering child who is terrorizing other generations, and it must be stopped. I decided that they find the location where they accident occurred and find a way to stop the carriage together and convince the governess and their driver to break the journey and rent a room at a nearby inn for the night. Alice, recognizing them and realizing that they’re there to help, persuades the governess that she also doesn’t want to continue the journey until morning.

When the children all return to their own times, they’re not immediately certain that the cycle has been broken, but they know that Alice at least survived December 21. When Lucy gives her presentation to her class about the Victorian era and describes the scene at a Victorian Christmas, just like the caroling and party she experienced with Alice, she worries at first that she’s going to suddenly find herself transported there again and shuts her eyes while she describes the scene so she won’t accidentally see anything reflective. When she opens her eyes, she’s still in her classroom, and her classmates applaud her presentation. Her teacher praises her detailed descriptions, which make them all feel almost as if they were there themselves.

Lucy thanks her and modestly says that her distant cousin, Margaret Emerson, helped her with the research for her presentation so people won’t get too suspicious about how she knows so much about this topic. Suddenly, Lucy’s teacher, Mrs. Morrison, looks at her intensely and asks her the name again. Lucy repeats Margaret’s name and explains how Margaret has come to stay with them and right now, she’s in Patrick’s class, helping with his presentation about WWII evacuees because she was an evacuee herself. To everyone’s surprise, Mrs. Morrison rushes out of the room and runs down the hall. Some of the students look out into the hallway to see what’s going on, and they see Mrs. Morrison hugging Margaret in the hallway and crying. After a few words, the teacher returns to her room with Margaret, wiping her eyes, and explaining that she and Margaret are old friends. They were child evacuees together, and they haven’t seen each other for years. Mrs. Morrison was Janet Becket, who is now grown up and married. After Mrs. Morrison introduces Margaret to the class, they promise to get together for lunch on Saturday to catch up, and Margaret says that she would be happy to join her in talking to her class in the spring, when they cover WWII.

When Mrs. Morrison comes to visit Margaret at the cousins’ house after Aunt Gwen recovers and returns home from the hospital, she is surprised (or claims she is) that their house is the same one that used to belong to her uncle years ago. It was in their family for generations, and some cousins of hers lived in it after her aunt and uncle died, but her relatives have all moved on to other places, while is why the house was eventually sold. She recounts the story of how she and her sister, Susan, stayed there for awhile before being evacuated to the US. She emphasizes the name Susan while looking at both Lucy and Margaret. Margaret is a little confused at the name, like she still remembers the sister being “Alice”, and Janet quickly explains that there used to be a tradition in their family of naming girls after other relatives but her parents changed that. Her mother originally wanted to name her sister “Alice” after an earlier relative, but her father was against it because that earlier Alice was such a scandalous person, so he insisted on giving Susan a completely different name. Janet also emphasizes that having an original name probably helped Susan to become more confident in life, indicating that it changed her fears of dying young, like the first Alice. Lucy looks around and realizes that her cousins, who met both Alices in the past when they helped to save the first Alice’s life, have also noticed the name change and recognized its significance. Janet’s comments about the “scandalous” (rather than “tragic”) first Alice have proved that their efforts to save her were successful.

Yet, Lucy wonders why it is that she and other people can still remember the old past, with the ghostly Alice and the other Alice’s original name if they successfully changed everything. Later, Margaret has a private talk with Lucy, where she says that Janet has told her everything about the ghost and what they did to save her. Margaret praises her for her compassion and bravery, although she says she wishes that Lucy had told her about it all before. Lucy says that she didn’t know how to explain and still doesn’t know whether or not saving Alice was the right thing to do. In some ways, she feels like Alice the child no longer haunts her, but she’s not so sure whether Alice lived to be an adult or what she did as an adult, since Janet calls her “scandalous.” She also says she doesn’t understand why they can all remember the past that existed when Alice died or her haunting if they really saved her life. Margaret says that, even when the past is the past, pieces of it last and can come back to haunt you. Alice, both living and dead, had an effect on other people’s lives, and when you affect other people that profoundly, the effects will last, even after the other person or the situation has changed in some way. When they think about it, if Alice hadn’t been a ghost and a particularly insistent and malevolent one, none of them would have known about her death or been moved to save her life, so her “ghost” phase was oddly necessary and is what enabled her to finally move on in the way she wanted.

Margaret and Janet have visited the churchyard together and confirmed that Alice isn’t buried there, as she was before. Janet says that the family story is that Alice, being Alice, grew up vain and selfish. She remained a liar and schemer throughout her life, and it became more obvious as she grew up. I envision that she married for money, multiple times, and was a thrill-seeker, losing large amounts of money gambling on horses and at card games and having a string of scandalous relationships and a few possible crimes to her name.

Since Alice’s childhood was the 1870s and into the 1880s, she was an adult during the 1890s, known as the “Gay ’90s” (“gay” as in “happy”, not homosexual) in the US or the “Naughty Nineties” in the UK. It was a period when society was becoming a bit more liberal, and some members of high society were particularly decadent in their lifestyles and behavior. I could see Alice being one of the scandalous set of that period, keeping company with a few big-name theatrical types like Oscar Wilde while it was fashionable to do so or even the young Edward VII (who was known as Albert or Bertie before becoming king in 1901, after his mother, Queen Victoria’s death). Edward VII was a scandalous figure himself, in his youth, known for gambling and keeping mistresses. I could see social-climbing and excitement-chasing Alice meeting him at a horse race and becoming one of his lesser-known lady friends and perhaps receiving a few gifts of jewelry from him (I wouldn’t go into too much detail on that for a kids’ book). At some point, Alice may have even stolen some money or jewelry that she claimed was a “gift”, and her family had to help her settle the matters as quietly as they could so Alice wouldn’t be turned into a spectacle in court. She may have also blackmailed some of her other scandalous friends for money. Because Alice was a manipulative and terrifying ghost child without empathy for others, I picture that she would probably be just as manipulative and almost as terrifying as an adult.

I haven’t fully decided how Alice eventually died because she couldn’t possibly be alive in Lucy’s time, but I imagine something colorful, dramatic, and suitably scandalous. Maybe she sank on the Titanic in 1912, when she would be in her early 50s. At least, she was believed to have been killed in the sinking. She might not have actually died then but allowed people to think that she died so she could escape from her scandalous life along with some ill-gotten gains because her schemes had been exposed, her latest wealthy husband left her, and her family had grown tired of bailing her out of her escapades. That would leave Alice’s final fate a bit of a mystery, which seems fitting. It sounds dark, but Alice herself has always had a dark personality.

That Alice, as an adult, left a trail of scandal, chaos, and maybe a crime or two in her wake as she made her way through life, could leave the option open for her to reappear again as a different type of ghost or for some more time travel so the kids can unravel another problem or two caused by Alice’s survival because they feel responsible for saving her life and unleashing her on the world. Then again, as Margaret pointed out, you can’t know everything that might occur in life, and sometimes, you have to let people try to sort themselves out as best they can, dealing with problems as they arise. Alice isn’t accustomed to accepting responsibility and consequences for her actions, but there may come a time when she’ll have to in order to survive.

Epilogue: Mrs. Janet Morrison tells Margaret that the librarian at the kids’ school will be retiring at the end of this school year, so Margaret applies for the job and gets it, having impressed the school’s headmaster with her help on the students’ historical projects and her talks about her life and experiences as a child evacuee. Margaret returns to the US for a while to quit her old job and prepare for the move back to England. Lucy asks her about her adoptive American family and if she’ll miss them when she moves. Margaret says she plans to return sometimes to visit them, and they’ll keep in touch. Right now, her adoptive siblings and nieces and nephews are busy with their own lives, and so is Margaret. They’ll all get together again when the time is right for them to do so. Until then, she’s satisfied that returning to England and spending time with her relatives there is the right thing to do. There are also hints that a relationship might be developing between her and Patrick’s history teacher. The kids are surprised because both of them are older than they would think for romance, but then again, Lucy has come to see that some things happen when it’s the right time for them to happen. Although the past has left its mark on all of them, they’re all now moving forward, even Alice (in her unique and frightening way).

Anyway, that’s my really long and detailed summary of the type of sequel I envisioned but which doesn’t actually exist outside of my imagination and this summary I wrote. Bringing in the new, previously-unknown relative from the US with her WWII info might seem like a departure from the Victorian vs. modern thing, but I thought that the addition of a third time period might allow the characters to view the situation from another perspective that’s somewhat in between the other two. The addition of the other relative, Margaret, is also an opportunity to show someone who was orphaned at a young age and raised by an adoptive family and now has an adult perspective on the situation. She can also help explain aspects of the family’s past, including some of the sad and difficult parts. Above all, I think it’s important to preserve Alice as the little horror we all know, love, and dread.

Imaginary Third Book

I don’t have an entire plot worked out for a third book, if there was one, but I was intrigued about what the other reviewer said about imagining how a third book would go, if there was one. In my imagination, the third book would deal with the fallout of saving Alice’s life and might take Lucy (and possibly her cousins) to another time period in the past, where they have to intervene to save someone else from an adult, living Alice because Alice is no longer a child ghost. This third book might deal with the possible/impending death of another child in Alice’s family who was named after Alice.

Alice is still immature, selfish, and dangerous, and before the book is over, the characters would discover how and when adult Alice died, to put an end to her entirely. To make sure that Alice cannot come back to haunt anyone else as a ghost, they decide that, because she was always an immature spirit, she needs a companion spirit to act as kind of an eternal governess. Lucy wonders what happened to Alice’s Mademoiselle, but Margaret (to work in the character I added for my imaginary second book) suggests Aunt Olive instead. Mademoiselle wasn’t really the best governess for neglected young Alice, often sneaking off to see boyfriends, even in the first book, when Alice needed someone more loving and attentive. Aunt Olive spent years as a teacher at a girls’ boarding school and would know how to handle wayward girls.

Lucy has never tried to travel to the past to see Aunt Olive as a ghost, even though she spent the first book half living in memories of her past, but at Margaret’s insistence, she summons up Aunt Olive by revisiting her strongest memories of her. For the first time, Lucy’s cousins get to meet Aunt Olive, who they’ve heard stories about, and this is the first time that any of them have seen an adult ghost. Aunt Olive greets Margaret and Lucy and lets them know that she is aware that she is a ghost and that their lives are continuing. To give Lucy some final closure about Aunt Olive’s death, Aunt Olive lets her know that she is glad that she is living with relatives who love her and care for her. Aunt Olive herself is at peace, not a restless ghost, because she lived a full life and has reunited with the man she once loved and all of the relatives she has lost over the years, including Lucy’s parents. Lucy has been curious about them during the course of this story, and with some help from Margaret and Aunt Gwen, has learned more about who they were and what happened to them because she was too young when they died to have memories of them herself. Aunt Olive tells Lucy not to dwell on them or grieve for them because they are also at peace. They are happy and proud that Lucy is living her life and becoming her own person. Lucy doesn’t need to worry about them or following in their footsteps because they are proud of her and love her, no matter what she decides to do with her life. (This theme might play into some of the characters they meet during their trip back into the past, but I haven’t sorted out how yet.)

Margaret explains to Aunt Olive about Alice, although she says that, if Aunt Olive is at peace now, perhaps they shouldn’t have disturbed her to deal with Alice. Aunt Olive says that’s nonsense. Time means nothing to her now, she always loves and cares about Lucy and wants to help her when she needs it, and this Alice herself also needs help. Aunt Olive knows exactly how to deal with her. There would be a final confrontation scene between Aunt Olive and Alice’s adult ghost form. Alice has seen glimpses of Aunt Olive before, through Lucy’s memories, and she demands to know what Aunt Olive is doing here. As the two of them argue, Lucy and her cousins see their spirits change form. Elderly Aunt Olive’s spirit becomes younger, taking more of the form of the age she was when she used to be a teacher, and immature adult Alice begins turning back to the child she was when Lucy first met her, because that’s who she really has been all along, on the inside. When Alice fully shows herself as the spoiled, immature child she’s always been, Aunt Olive the teacher gently but firmly takes her in hand and marches her through a wall mirror, where they vanish. After that, none of the cousins sees either of them again. Presumably, Alice will now be supervised by Aunt Olive and other relatives (Lucy’s and her own) and given the loving discipline she never had when she was alive. She won’t be lonely anymore, and she definitely won’t be left to her own devices.

The wrap-up for the story would be that Lucy is done with ghosts. She never saw her parents’ spirits because she has no memories of them that she can use to summon them, and what Aunt Olive’s spirit said about them has convinced her that she doesn’t need to see them. She now knows who they were and that they’ve always loved her, and she is free to live the rest of her life, knowing that the people she’s loved and who love her are always with her and proud of her, no matter what she does.

This final book would be where Lucy settles on her first career ambition, possibly deciding to become a nurse, like she did in the real second book. I think the subplot for the story could be that Lucy is now her in early teens, and with her older cousin, Patrick, approaching graduation and considering what he’s going to do for college and career, Lucy begins to worry that she has no plans and ambitions. It’s already established that Aunt Olive didn’t raise her to have any, bringing her up in the old-fashioned style with the idea that she would probably marry eventually and run a household. It seems to Lucy like everyone else knows what they want out of life, but she doesn’t. Throughout the book, Lucy considers different ideas and asks Uncle Pete, Aunt Gwen, and Margaret about their careers. None of them really excite her, so she asks them if they know what her parents did. This gets her delving into who her parents were and what they were like. However, in this case, revisiting the past helps Lucy move forward in her future. She finds out that her mother was a nurse, something she hadn’t known before, and she becomes interested in that as a career. She knows that she doesn’t have to do that as a job to follow in her mother’s footsteps, and she has the freedom to change her mind if she wants, but there are things about nursing that actually interest her, and it gives her a direction for her life.

A Stitch in Time

A Stitch in Time by Penelope Lively, 1976.

It’s summer, and 11-year-old Maria Foster’s parents have rented a house near the sea for their summer holidays. Maria is an only child, quiet and given to daydreaming. Maria is shy and socially-awkward and her parents are often preoccupied with their business and thoughts. It often seems like their parents are socially-awkward and don’t know quite what to do or say to Maria as a child, which is why she doesn’t always know what to say to other people. Because she frequently doesn’t have anyone else to talk to and doesn’t always know what to say to other people, Maria often finds herself having imaginary conversations with objects or animals.

The seaside house where the Fosters are staying is an old one, built about 1820. It’s lovely and has a beautiful view. The interior has brown wall paneling. The furniture is old-fashioned, Victorian, and rather grand. When Maria chooses a bedroom for herself, she finds a collection of labeled fossils in a small chest of drawers, which she finds fascinating. The only modern touches are just a few bits and pieces left behind by the family that had rented the house before them and left the week before, like some half-eaten boxes of cereal. There’s also a tabby cat who appears to come with the house, and Maria begins to imagine conversations with it.

When they first arrive, Maria is sure that she hears the creaking of a swing and a dog barking, but when she goes looking for them, she can’t find them. When she begins exploring outside, she finds some small fossils in the rock, and her mother says that they’re ammonites and that the area is famous for them. She accidentally breaks one while trying to get it out, and she decides that it’s better to leave the others where they are. Exploring further, she finds some loose fossils and fossil fragments that she can collect more casually without hurting them. She begins making her own fossil collection, and she uses the old fossil collection and some books she finds in the house to begin labeling her own specimens. She begins to think that the fossil notes and sketches she finds were written by a girl around her age, and she tries to imagine what she was like.

When they meet the landlady who rented the house to them, Mrs. Shand, she says that she grew up in the house herself with several brothers and sisters. She says that the room that Maria chose for herself was once the old nursery. Mrs. Shand now lives in a small flat in the old guesthouse nearby, and she invites them to call on her if they have any questions about the house.

Maria observes a family with several children at a nearby hotel, and she even briefly speaks to a boy her age, but she doesn’t know how to ask them if she can play with them. Later, she and the boy, Martin, meet again and realize that they have a mutual interest in the natural world. Martin tells her the names of some plants and birds, and Maria impresses him with the name of a fossil she’s learned. Martin warns her about the cliffs nearby, which have a tendency to crumble after rain.

Mrs. Shand invites Maria to her house to get a book that she would like to loan her. Maria doesn’t really know what to say to Mrs. Shand, but Mrs. Shand tells her about the collection of stopped clocks she has. She says that they belonged to her grandfather, who was a scientist, and that they have been stopped as a gesture of respect to her grandfather since his death. Maria notices a stitched Victorian sampler on the wall, and Mrs. Shand says that she can look at it because the girl who made it was about her age. It has a the typical alphabet and an embroidered quotation about death, but it also has the image of a house with a tree and a swing, a little black dog, and some fossils. Maria realizes that it’s the house that she is now staying in and that it confirms that there was once a dog and a swing there, like she keeps hearing! An inscription says that the sampler was started by a ten-year-old girl named Harriet in 1865 and completed by her sister, Susan.

Maria begins to think about time and how the lives of people who had once lived in the house where her family is staying, like Harriet, have left traces behind, not unlike the fossils in the cliffs or Mrs. Shand’s stopped clocks, full of past times. Maria begins to wonder about Harriet and what happened to her. She lived over 100 years ago, so she would be dead by Maria’s time (the 1970s, contemporary to the writing), and Martin says that Harriet probably grew up, got married, and had children, like most girls. Yet, Maria finds herself thinking that maybe Harriet didn’t grow up and get married. When Mrs. Shand lets her and Martin look at her old photo albums, Maria notices that, after a certain age, Maria doesn’t seem to appear in family photographs. Mrs. Shand says that her own mother was Susan. The lack of Harriet in the photographs and the fact that Susan finished the sampler leads Maria to conclude that something tragic happened to Harriet.

Then, one day, Maria thinks she hears the dog again, barking frantically with the sounds of a landslide and shouting children. Nobody else can hear it, but Maria is sure that she’s hearing an echo of a past tragedy, and she becomes convinced that Harriet was killed in that past landslide. The existence of the metal swing that once hung in the tree is confirmed when she and Martin find it and restore it. When Maria swings on it, she feels like she’s gone back in time, almost like she was Harriet with her dog and sister Susan nearby.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction and Spoilers

I enjoyed the themes of time and what people leave behind. There are comparisons all through the story between clocks, fossils, and echoes of the past, and it all relates to the passage of time. More specifically, Maria starts seeing changes in herself, emotionally and mentally, as she matures.

Some of this story obviously takes place in Maria’s imagination. As a shy, socially-awkward introvert with parents who are also introverted, Maria tends to live in her own head much of the time. She often has imaginary conversations with objects and animals, and many of these are reflections of Maria’s concerns at the time. Through much of the story, Maria isn’t happy with herself as she is, realizing that she is socially-awkward and doesn’t know how to approach people and connect with them. When Maria imagines conversations with the tabby cat at the house, the cat tends to be critical of her. It’s a reflection of Maria’s own insecurity and self-criticism.

Maria’s parents love her, but they interact with her in a kind of off-handed way, which feeds her insecurity and social awkwardness. Maria knows that her parents love her, but she can tell that they don’t always know what to say to her or do with her, which makes it harder for Maria to learn how to interact with other people. Maria’s parents are both very introverted and try to avoid social occasions, if they can. However, Maria has realized that she needs to connect with other people and make friends. Through her experiences with Martin and his siblings, Maria becomes more outgoing and confident, and she finds it easier to interact with other people.

In some ways, Maria doesn’t entirely fit in with her parents because she’d like to be a little more outgoing than they are. Similarly, Martin sometimes doesn’t fit in with his family, either. Martin’s family is boisterous, and he is something of an intellectual. There are times when he likes doing quieter activities with Maria, talking about plants and fossils.

When Maria visits a local museum with Martin, and they look at the fossil exhibit, they talk about evolution vs. creationism. Maria decides that she doesn’t believe in the Noah’s Ark story about animals in the Bible, but at the same time, she thinks that studying animals through time makes it look like someone was experimenting with different designs of creatures and improving them with each generation. Martin says that’s nonsense and that it’s just evolution. Maria and Martin both seem to believe in evolution, but the difference between them is that Maria thinks that it seems like there’s a hand guiding it, and Martin credits just natural, scientific forces. In some ways, Maria and Martin are kindred spirits in their thinking, but Maria leaves a little more room in her personal understanding for feelings and the supernatural. Maria seems to be the only person in the story who is sensitive to the sounds and echoes of Harriet’s past.

At the end of the story, Maria decides that she’s going to give up imagining the conversations with the cat because she’s feeling a little more confident in herself through her friendship with Martin, her new understanding of the echoes of the past, and her realization that she herself is moving forward into her own future. She has a sense that she is leaving her past self behind, much like Harriet did. A part of Maria may always be young in this particular summer, but like Harriet, Maria herself is moving on.

What Really Happened to Harriet? (Spoilers)

As Martin guessed, Harriet did grow up and get married. She didn’t die young as Maria thought, based on the echoes of the past she’s been hearing, although she is correct that there was a landslide by the beach and that a tragedy occurred there. Before Maria’s family leaves at the end of the summer, Maria finally asks Mrs. Shand about Harriet and the landslide. Mrs. Shand explains that Harriet and her sister managed to escape the landslide, but their dog was killed. They were very upset about it and buried the dog near the old house. When Maria visits the grave, she discovers that this is the anniversary of the dog’s death.

Because I love dogs, I was still upset about the dog’s death, but Maria is at least reassured that Harriet herself survived. She asks Mrs. Shand why there aren’t any pictures of Harriet with the family after that summer, and she says that there are pictures of Harriet grown up, just not many because she wasn’t living at home anymore. The fall after her dog died, Harriet went away to boarding school. Her sister finished her sampler, both because Harriet was leaving for school and because Harriet never liked sewing. After Harriet graduated from her school, she got married and moved away. She did visit with her family after that, but because she was living somewhere else, she just wasn’t present for all the occasions when her family had their photographs taken.

So, because Maria guessed wrong about Harriet’s fate, readers might wonder if she just imagined everything she experienced related to Harriet’s memories and the landslide. However, the book indicates that Maria didn’t imagine it all. She drew the wrong conclusions about what was sensing, but she did sense things that she would have had no reason to know about, hearing the dog’s bark and the sounds of the swing before she had reason to know that either of them were ever there. When she’s on the swing and feels like she’s becoming Harriet in the past, she also manages to come up with the dog’s name before anybody tells her what it is. Because Maria is an introvert who often interacts with things in her environment more than she interacts with living people, it seems that she has a kind of sensitivity to her environment. At the end of the summer, though, when she senses that she’s changing as a person, she considers that, even if she were to return to this place again, she probably wouldn’t experience it in the same way. She’s moving on, mentally and emotionally, and that changes her perceptions of things.