Annie and the Old One

Annie is a Navajo girl who lives with her family in a traditional hogan. Her family keeps sheep, and Annie helps to tend them when she’s not at school. She also likes to listen to her grandmother’s stories.

One evening Annie’s grandmother tells the family that, by the time the new rug that Annie’s mother is weaving is finished, she will “go to Mother Earth”, meaning that the grandmother knows she is going to die. She asks each member of the family what they would like as a gift from her. When Annie looks at her grandmother’s weaving stick, her grandmother gives the weaving stick to Annie as a gift.

Annie asks her mother how her grandmother can know when she is going to die, and her mother says that many Old Ones like her grandmother can tell. Annie doesn’t want her mother to finish weaving the rug she is weaving, wanting to put off the rug being finished so her grandmother will live longer, but her mother knows that is useless, and the family needs to make rugs to sell.

To stop her mother from weaving, Annie tries to misbehave in various ways to distract her from her work. Then, she tries secretly undoing some of her mother’s weaving to delay the rug being finished.

When Annie’s grandmother realizes what she’s doing, she has a quiet talk with Annie. She explains that nobody can hold back time. The cycles of nature, life, and death must continue. Her grandmother’ talk helps Annie to understand and accept that her grandmother’s life and impending death are all part of a cycle. Rather than fight against the cycles of nature, Annie becomes part of the cycle by learning her grandmother’s craft of weaving.

The book is a Newbery Honor Book. It is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction

I vaguely remember this book from when I was a kid, but I didn’t really remember the story, even when I reread it. I’m not entirely sure whether I actually did read it when I was young or if it was just a book that teachers or librarians recommended when I was young. I grew up in the Southwestern United States, not far from where the Navajo live, so it was common for us to read books of this type about Native Americans of the Southwest when I was young.

The story is a little sad, but in a gentle way. We don’t see the grandmother die, but the family, especially Annie, is starting to prepare for her loss. Annie’s grandmother also recognizes that part of her role is to help her family to understand and accept her own death. She tries to do this in a gentle but matter-of-fact way, and she gives each member of the family something from her belongings to use and to remember her by.

Part of Annie’s confusion about her grandmother’s impending death comes from the colorful way Annie’s grandmother expressed that she doesn’t expect to live much longer, saying that she will die by the time the rug is finished. The adults understand that this is a rough estimate of the amount of time the grandmother thinks she has left to live, but being a child, Annie takes it literally. She loves her grandmother and tries to keep her alive longer by delaying the completion of the rug until her grandmother helps her understand that it’s not the rug that really matters. Time will move forward, regardless, and changes will come with it. There is nothing Annie can do to change that. I liked it that, although this is hard for Annie to understand and accept, she does come to accept it.

By comparing the cycles of life and death to the cycles of nature, her grandmother helps Annie to see that what is going to happen is natural and that nature’s cycles have beauty to them. Earlier in the story, Annie’s grandmother and mother urge Annie to learn to weave and ask her if she’s ready. She wasn’t ready before, but at the end of the story, she decides that she is. Annie’s acceptance of the cycles of time and life help her to recognize her own growth and change and that she has a place in the cycle of her family as the next one to learn her family’s craft. Annie learning the craft continues the cycle of of her mother and grandmother. Her grandmother passing on her weaving stick is like passing the torch to Annie, making Annie part of her legacy and giving Annie a new role as one of the family weavers. Annie’s life will move forward through the loss of her grandmother, and she will have new roles to fill as she takes her place in the cycle of life.

The Talking Earth

The Talking Earth by Jean Craighead George, 1983.

Billie Wind is a Native American girl from the Seminole tribe in Florida. When the story begins, Billie has been brought before the tribe’s elders because she doesn’t believe in the tribe’s legends about talking creatures, nature spirits, and other supernatural phenomena. It was her older sister Mary who reported her to the elders, and many of the elders are also her relatives, including her uncles. At first, Billie doesn’t take it seriously. She’s always been a very practical, literal-minded girl who has questioned all of the things that her elders have told her since she was small, and she doesn’t expect their response to be very different from any of the ways they’ve responded to her youthful doubts and questions. However, this time, the elders ask her what she thinks would be an appropriate punishment for her. Billie, thinking the whole thing is ridiculous, suggests that they send her out into the Everglades alone until she finds some animals who talk to her. She expects that the elders will veto that idea because she is probably too young to go out there alone for an indeterminate period, and it’s ridiculous for anyone to expect her to find talking creatures. To her surprise, they approve of the idea and begin preparing for her journey.

Although it was her suggestion, Billie is angry because she doesn’t really want to make this trip. She asks her sister why she reported her to the elders in the first place. Mary says that, ever since she started attending the school at the Kennedy Space Center, she’s been too scientific and that, someday, she’s going to be the head of her family. When that happens, Billie will need more than science to lead a family wisely. Still, Billie is resentful.

As she sets off in her little boat, Billie reflects on what makes her different from her sister. Billie takes after her mother, who is a very practical woman (while her uncle wants to send her off on the trip with a good luck blessing, her mother provides her with food and useful tools), and her father works for the Kennedy Space Center. Both Billie and her brother chose to attend the school there, which is very modern and whose scientific principals appeal to Billie’s practical side and her desire for facts and real answers to her questions about how the world works. Billie is very concerned with the major world issues of the day, which include the possibility of nuclear war (the book was written during the Cold War) and environmentalism. These issues are far more real to her than anything in her tribe’s folk tales, and she believes in her father’s assertion that the development of space travel is important because humans may eventually need to find another planet to live on. By contrast, Mary has refused to attend the Kennedy Space Center school and is deep into the folk tales and traditions of their people. Billie looks to the future, science, technology, and the possibilities that lie out among the stars for answers, while Mary immerses herself in ancient legends and her people’s strong connection to nature and the Earth.

Alone in the Everglades, Billie listens to the calls of birds, wondering if that qualifies as “talking animals”, but she decides it doesn’t. She can make hooting noises at an owl, but it can’t speak back to her in any human language. Looking around for a place to camp, she finds a cave by noting geographical features that indicate that there is probably a cave nearby. Does that qualify as the Earth speaking to her? Then, animals around her become frightened and flee! She wishes that the animals would actually speak and tell her what frightened them, but the smell of smoke soon tells her: there’s a wildfire! Realizing that she can’t possibly paddle her boat fast enough to outrun the spreading fire, she does the best she can to wet herself down with water and take refuge in the cave.

Huddled in the cave during the terrifying fire, Billie thinks about what she knows about wildfires. She knows that occasional fires are necessary for the environment because they clear out underbrush, and that they don’t normally burn hot enough to burn the trees. She also knows that white people, who aren’t as familiar with the environment, try to clear out underbrush to fight fires, which inadvertently makes them burn hotter and makes them more dangerous. Billie also wonders whether her tribe will see the fire and try to rescue her, but they probably don’t know that she’s caught up in it because they probably think she went in a different direction.

As Billie explores the cave a little more, she finds an ancient clay bowl. At first, she thinks that means that the cave was once used as a burial place by her people, but then, she realizes that the bowl is intact. If it was meant to be placed in a burial, it would have been broken. Exploring a little further, she realizes that someone once used this place as a home, and there are other artifacts and the remains of a bed that may have belonged to a distant ancestor. She lies down to keep herself safe from breathing too much of the smoke until the fire dies down.

When it’s safe, Billie explores further, finding carved steps in the stone. She thinks about what she knows about her people’s history and her ancestors. When she goes home and tells everyone where she’s been, she plans to bring her uncle, Charlie Wind, and maybe an archaeologist to investigate this place. However, she also discovers that the ground outside the cave is still hot from the fire, too hot for her to leave. She doesn’t have much food left, and she worries that she might die in the cave before she can manage to leave. Then, she thinks about the turtle and snakes that sought refuge from the fire in the pool nearby. They could be a source of food.

Hearing a sound that makes her think that it’s a call that Charlie Wind makes, she looks around, thinking maybe he’s come to rescue her. It’s not a human, though. At first, she thinks that she sees a little person looking out of the ground, like something from one of her people’s folk tales. It turns out to be a young otter in a hole. She befriends the little otter and manages to catch some fish from the little pool that helps them to survive in the cave. The little otter shows her that the little pool is deeper than she thought, and the little otter catches another fish. It explains to Billie what happens to the fish during fires. They take refuge in underground rivers and pools. She considers whether her ancestors carved these underground rivers on purpose to bring fish to her people. Searching the cave further, she finds many more ancient artifacts from her people, including an old, forgotten medicine bundle.

The destruction of the fire makes Billie think that her father and the other scientists must be right about the Earth dying and people needing another planet to live on. Yet, she soon finds growing plants in an unexpected place. Because the trees burned, light is reaching a place where it couldn’t reach before, and new plants are growing. In some ways, nature turns out to be more resilient and adaptable than Billie expected.

When Billie finally gets the opportunity to leave the cave and go home, she realizes that her boat has burned. She salvages what she can and a few useful artifacts from the cave, and she and her otter friend set out to find another way home. Billie manages to carve a new boat for herself, witnesses the destruction of the little island with the cave that sheltered her because of white people’s development, comes to understand more about the environment and cycles of nature, and befriends an orphaned panther cub and a turtle. The longer Billie has to learn to survive by herself in the natural environment, the more she comes to appreciate her friendships with animals and to understand that she needs a connection with nature itself. She talks to them and learns to read some of the signs nature gives her. Perhaps, after a fashion, animals and the forces of nature do speak to people who are prepared to listen.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction

This story is marvelous blending of coming-of-age and survival!

Some other reviewers on Goodreads took offense to the repeated criticism of white people ruining things. I didn’t feel the same way. For one thing, although the main character is a Native American girl, the author, Jean Craighead George, was a white woman. I don’t doubt that real Native Americans feel the way the main character does, but the author is still the one delivering the criticism. Jean Craighead George came from a family of naturalists, so it’s understandable that she would be critical of anybody who disregards or damages the natural environment, and she might well take issue even with the society/culture she was born into because of its treatment of nature.

That leads me to my second point, which is that the criticism delivered in the story isn’t about white people ruining everything and doing everything wrong but focuses, repeatedly, on two things that white people do that trouble the main character. First, the white people accidentally disrupt the natural environment, sometimes while trying to do things that they think will help, because they haven’t studied the environment well enough to understand the effects that their choices have. The way the character notes that clearing underbrush in an effort to stem wildfires actually makes the fires worse when they happen is an example of that. Second, white people destroy parts of the environment and what should be archaeological sites because they prioritize other things, especially development and urbanization. These things, while unpleasant, are true. The story isn’t inventing these problems, just noting them.

Billie doesn’t entirely give up her belief in science. However, through her experiences in the Everglades, she does learn to understand and appreciate the world where she lives more than she did before. Although space and the possibilities of the future are fascinating, so is the Earth, and Billie comes to realize that people need to understand and take care of the world they have rather than expecting to find another one. She doesn’t believe now that there is another planet exactly like Earth anywhere in the universe, and she realizes that, rather than searching for a new, more ideal world in space, people can find what they’re looking for by changing the way they look at the world where they live.

Throughout the story, Billie combines aspects of her people’s legends with scientific concepts that she understands, like “oxidation” and “air pressure”, and she sees how scientific disciplines, like archaeology, can help people to understand the past and how life has changed. Her new knowledge of the natural world doesn’t eliminate her understanding of science but augments it. She learns to read the body language and behavior of animals, realizing that this is a form of “talking.” By the time she encounters a Native American boy on a name quest of his own, Billie realizes that she believes in her people’s stories more than she thought she did. Explaining it to the boy, who also has a very modern view of life, helps her to clarify and share what she’s learned.

Jessie’s Island

Jessie cousin, Thomas, thinks that life must be dull on the island where she lives because there are so many things to do in the city that her island doesn’t have, like arcades, museums, and concerts. However, Jessie’s mother decides to invite Thomas for a visit so he can see what life on the island is really like.

Much of the story takes the form of letters between the two cousins, first where Thomas brags about all the things there are to do in the city and then a letter from Jessie to Thomas, telling him all the things she will show him when he comes to visit.

Jessie describes animals, like bald eagles, seals, and killer whales. There also an old, abandoned cabin to explore that has trees growing through the roof. They can also climb trees, pick berries, go out in a canoe, dig for clams, and go fishing.

The book is available to borrow and read for free online through Internet Archive.

This book is fun because it points out that, no matter where you live, there are things to do and see that you can’t do and see everywhere else. It’s true that the island doesn’t have the shopping malls and museums that the city where Thomas lives has, but it has other things that Thomas can’t experience in the city. The natural environment provides interesting sights, entertainment, and scope for the imagination! Just because their environments are different doesn’t mean that there’s less to do or appreciate.

The pictures in this book are beautiful watercolor paintings that take up whole pages. I love the way the illustrator captured the colors and scenery of the island!

The Curious Garden

A boy named Liam lives in a dreary city where there aren’t any gardens or green spaces. Most people in the city spend most of their time inside. However, Liam likes to explore outside.

One day, while exploring some disused train tracks, he finds a few plants struggling to survive. Liam doesn’t know much about plants, but he decides to help them by giving them water. Gradually, he begins to learn more about what will help the plants, and they begin to grow and spread into a small garden.

As Liam helps the plants, they begin to spread all along the old railroad tracks. During the winter, the plants are covered in snow, and many of them are killed or have suffered badly from the cold. However, because Liam spent the winter studying about plants and gathering some gardening tools, he is able to restart the garden.

As the garden spreads through the city, other people begin to notice, and they start joining Liam in tending the garden. Greenery begins taking over places and things that are disuses and abandoned, and people encourage the plants to grow where they can enjoy them. Because of their efforts, the city is transformed!

There is an author’s note in the back of the book about the inspiration for the story. There was an elevated train in Manhattan that was shut down in 1980, and plants took over the abandoned tracks. The author, Peter Brown, considered what it would be like if the phenomenon took over an entire city.

The pictures in the book are great, and some pages are full pictures with no text, just showing how the garden grows and spreads through abandoned places in the city. I love how this story was inspired by the way plants take over abandoned places in real life. Plants can grow in some unlikely places, when nothing interferes with them, and in the story, the boy discovers that they can spread further with a little help.

By the end of the story, his entire city is completely transformed into a greener, more eco-friendly place. It’s not just that there are more plants and green spaces in his city, but the factories that we see in early scenes are no longer putting out all that smoke by the end, and we see windmills in the pictures as alternative forms of energy production. We aren’t told exactly why some things are changed about this city, but it seems like the increasing presence of the green spaces has caused people to change aspects of their lives and businesses to accommodate and preserve them. It’s an idyllic solution that doesn’t show a lot of the conflict that occurs in real life, when some people are ready for a change and others just don’t want to change. Still, I like this mage of a hopeful future because it comes as an antidote to the dystopian quality that we see in many forms of modern entertainment.

Basket Moon

An eight-year-old boy lives in the countryside with his parents, and his father makes baskets to sell in the town of Hudson in New York. The boy has never been to town before, and he wants to go, but his father always says he’s too young.

His father has taught him which trees are best for wood to make baskets, and he watches his father and the other men who live in the area gathering it. He’s also watched his father weaving baskets, and he starts to weave baskets of his own. When he turns nine years old, his father decides that he’s old enough to go to town with him to sell the baskets.

They sell their baskets to a hardware store, and they buy some supplies their family needs. The boy marvels at all the new sights around him. However, as he and his father are heading home, a man teases them about being hillbillies who only know how to make baskets. The boy’s father ignores them, but the boy is bothered by what the man said.

For a time, the boy no longer wants to make baskets, thinking that it’s something that only hillbillies do, like the man in town said. However, when the boy kicks over stacks of his father’s baskets in anger, they don’t break when they fall, and he sees that his father makes strong, high quality baskets. His mother and one of the other men who works with the boy’s father talk to him about how they learned the art of basket making from the trees and the wind. The trees and the wind never seemed to talk to the boy before, but when he really listens, he begins to understand what the men mean.

The book is available to borrow and read for free online through Internet Archive.

I like books about traditional crafts and lesser-known pieces of history. In the back of this book, there’s an author’s note about the history of making baskets among the country people around Hudson, New York. Sometimes, these country people came into town to sell their baskets, but the townspeople were also somewhat leery of them. The wooded countryside around the town was spooky to the townspeople, and there were a lot of stories about frightening things that lurked there. The author points out that this is the area where the stories of Rip Van Winkle and The Legend of Sleepy Hollow were set. The time period of the story is indefinite although it looks like it might be set around the late 1800s or early 1900s. The author’s note says that the art of making baskets in the area started dying out in the mid-20th century because people were using different types of containers, such as paper bags, plastic containers, and cardboard boxes. However, the traditional baskets were made very study, and surviving examples of this functional folk art still exist in collections and museums.

One of the themes of book is being in touch with nature, which is what the adults in the story really mean when they talk about hearing the wind and the trees speak to them. In the end, the boy thinks he literally hears the wind calling to him, but I think it’s supposed to be a metaphor for him getting in touch with nature and with his craft. His family and the others around them are country-dwelling people, and some of the townspeople look down on them for living out in the countryside, away from the society, amenities, and business of the town, but the country-dwelling adults are comfortable with themselves and with their lives. They realize that they know things about nature and about their craft that the townspeople don’t know.

It did occur to me that the townspeople probably wouldn’t know how to make their own baskets if they had to do it themselves. We don’t think that much about baskets today, although we still use them sometimes, frequently as a form of decoration. In those days, though, the baskets were functional home necessities for carrying and storing food and other items. The townspeople in the story buy their baskets from these makers in the countryside because they are the ones who have necessary skills and knowledge to make strong, high-quality baskets that the people in the town need, whether or not the townspeople truly appreciate the work and skill that went into them. Part of what the author’s note points out is that the baskets were of such high quality that some of them have long out-lived their original makers and users. Things of quality last.

Whose Garden Is It?

This is a cute picture book, told in rhyme, about who is the real owner of a garden.

One day, Mrs. McGee goes for a walk and passes a beautiful garden. She wonders aloud whose garden it is. Of course, the owner of the garden, who is tending the plants speaks up, but he’s not the only one.

A small rabbit also tells Mrs. McGee that the garden belongs to him because he’s lived there his whole life, and he eats the vegetables. Then, a woodchuck says that’s nothing because he eats everything that grows in the garden. A bird chimes in, saying he eats the worms from the garden. Then, a worm says that worms are there to make the soil in the garden better, so he’s the real owner of the garden.

Various other creatures, big and small speak up, each of them pointing out that they live in the garden, what they’ve done for the garden, and what the garden has done for them. The bees and butterflies pollinate the flowers.

But what about the plants in the garden? They have a strong argument that they are what makes the garden a garden. Then again, the soil is where the plants grow, and the plants need the sun and rain to grow. Also, all plants grow from seeds, so the garden exists for the seeds that will be the future plants.

It seems that the answer to Mrs. McGee’s question isn’t as easy as she might have thought.

This is a charming story about how various plants, animals, creatures, and forces of nature are interconnected. The book doesn’t use the word “ecosystem“, but that’s the concept being described here. The garden’s ownership and the reason for its existence is much more than the gardener who owns the land and planted and tended the garden; it’s everything that’s growing in it, everything that contributes to its growth, and everything that depends on the garden. Without all of these creatures and natural forces put together, the garden wouldn’t be what it is.

The book doesn’t attempt to get scientific about the details of this garden ecosystem, and the animals wear clothes and talk, so the story isn’t meant to be entirely realistic. However, it is thought-provoking about how many different parts of nature affect each other. It could be a good book for introducing the topic to young children before teaching them about the science of ecosystems later. The rhyme scheme makes the story fun to read.

Isabel’s House of Butterflies

The story begins by explaining that the forests of Michoacan, Mexico are a sanctuary for monarch butterflies, but that sanctuary is in danger because of logging activities. The large-scale industry is a major threat, but sometimes poor people living in the area also chop down trees because they need to sell the wood. The author notes that there have been efforts to preserve these trees, but it’s difficult to enforce laws protecting them, and no one is sure what will happen to the monarch butterflies if the trees disappear.

Isabel is an eight-year-old girl living with her family on a small farm, and the tree outside their house attracts butterflies on their migration route. She calls it, “La casa de las mariposas,” which means “The House of Butterflies.” Her family is poor, but they can’t bring themselves to chop down their special butterfly tree, like other families in the area have done. They love it that the butterflies appear there every autumn, and they think it’s a beautiful miracle to see them return every year. Sometimes, tourists come to the area to see the butterflies, and that brings the family a little extra money.

However, one year, there is very little rain, and they have a very bad harvest. The family sells their pigs and continues on as best they can, but their money is running low. They don’t have many resources left for money, and Isabel’s father is reluctantly considering cutting down their butterfly tree. He doesn’t want to do it, but he doesn’t know what else to do.

Isabel is distressed at the loss of the tree and the butterflies, so she suggests another plan to her parents. She often helps her mother to make tortillas, so she tells her mother that maybe they can set up a stand selling tortillas to the tourists who come to see the butterflies. The family decides to give Isabel’s plan a try.

The book is available to borrow and read for free online through Internet Archive.

The story ends on a somewhat hopeful note, but it bothered me a little because it’s not definite that Isabel’s plan is going to work. Isabel is hoping that they’ll be able to make enough money that they won’t need to cut down the tree, but we only see them getting set up, so we don’t know if they’re successful or not. I would have preferred to see them succeeding so we would know that things are going to get better, but the story just ends at that point, and it’s left up to the minds of the readers whether they were successful or not.

I think that hopeful but slightly worrying note at the end of the story is meant to reflect how people trying to preserve natural resources often feel – they have ideas and plans to help preserve natural areas and resources, but nobody knows for sure what will work or how well their plans will work. It’s realistic, if a little bit of a let-down. However, while nothing is guaranteed to be successful and life has its uncertainties, there is hope in the people who are willing to try different approaches to problems rather than simply giving up. The book does speak to the concerns that modern people, even children, have about the environment and the search for systems that work better than the ones that we already have.

The pictures in this book are soft, colorful, and lovely. Although the family is poor, they appreciate the small pleasures in their lives, like making the tortillas and the yearly appearance of the beautiful butterflies. I did also feel a little sorry for the butterflies the pigs ate, but the story doesn’t dwell on that part too much.

This book was published by Sierra Club Books for Children, and there is a small note with the publishing information about the origins of the Sierra Club, which is dedicated to protecting scenic and ecological resources.

The Girl Who Loved Caterpillars

The Girl Who Loved Caterpillars adapted by Jean Merrill, illustrated by Floyd Cooper, 1992.

This story is a rendition of a 12th century folktale from Japan.

Izumi is the daughter of an important man, a provincial inspector who serves the emperor in Kyoto. Court life is full of elegance, and Izumi is a pretty and clever girl. Her parents have high hopes that she might become a lady-in-waiting or marry a nobleman, but she is mainly known for one thing: her peculiar love of caterpillars.

A beautiful and elegant woman who lives nearby is known for her love of butterflies, and she is considered to be The Perfect Lady. She has all of the skills that a noblewoman could aspire to, and Izumi’s parents think of her as a great role model for their daughter.

However, Izumi doesn’t see the appeal of beautiful butterflies. After all, they come from caterpillars, and caterpillars are much more interesting. Izumi also loves worms, toads, insects, and other things that most people would find unappealing. She likes to keep them as pets and observe how they live and grow. Izumi’s parents don’t approve of the lower-class boys who bring Izumi new creatures for her collection, and nobody else understands her fascination with these creatures.

Izumi just loves the natural world. To her, court life and the beauty standards for women there are too artificial. She also believes in reincarnation and the idea that any person might have been one of these unusual creatures in a past life or could be one in the next. Her parents love her, and they understand how she feels when she explains her reasoning to them, but they also worry about her future. If she doesn’t conform more to the standards of the court and develop more “normal” interests, will she ever make a desirable marriage? People at court gossip about Izumi and her odd tastes.

However, the rumors about Izumi reach a young nobleman who is as clever as Izumi, and he is fascinated at the idea of a pretty girl who isn’t afraid of the creeping creatures of the Earth.

The book is available to borrow and read for free online through Internet Archive.

My Reaction

I remember this story from when I was a kid! When I was a kid, I didn’t bother to read the Afterword of the book, which explains more about the origins of the story. Izumi’s story actually seems to be part of a much longer story about court life in Medieval Japan. The original author of the story is unknown, and Izumi’s part of the story is incomplete. It ends with the promise that what happens next will be revealed in the next chapter, but the rest of the story is unknown. We don’t know if she ends up marrying the nobleman who has developed a fascination with her or not.

I have a theory, based on a comment that Izumi made, comparing caterpillars to their adult forms and asking why people are only interested in the adult forms, that Izumi’s love of caterpillars is based both on her young age and perhaps a hidden affinity for children. Perhaps Izumi will grow to love butterflies as well as she grows up and be viewed as more of a butterfly herself, or maybe the nearby lady who loves butterflies will admit to a secret love of caterpillars as well. None of us stay young, and we all evolve as we grow, but part of us always remembers being in those early, awkward stages. Maybe everyone has a secret soft spot for the young, even when they’re fuzzy or grubby crawling things, and a desire to see them become the best form of themselves.

Whatever her future brings, readers get the impression that Izumi is happy and at peace with herself as she is, whether anyone else agrees or not. We can hope that the young nobleman will also love her for the person she is, but Izumi seems to believe that being true to her own nature is the way to achieve inner peace.

In other times and places, as the Afterward observes, Izumi might have been a scientist, naturalist, or philosopher. The traits that make her seem odd for her time and place are actually desirable ones that could make her more successful in other circumstances. In the early 21st century, Izumi’s sense of individualism and her value of the natural world would probably win her many friends. People who enjoy the aesthetic of Goblincore would probably relate to her feelings about caterpillars and other crawly creatures.

Kirsten Saves the Day

Kirsten, An American Girl

It’s summer, and for a frontier family, the summer chores can be the most fun! Kirsten and her younger brother, Peter, are going fishing. They’re hoping to get enough fish for their family and their Uncle Olav’s family to have for supper. There is plenty of trout in the stream, and they should be able to get enough fish, although sometimes, disasters happen on their fishing trips. Once, Peter chased a skunk, and their mother also warns them to be careful of snakes and bears. Kirsten wears a whistle around her neck that she can blow if they get into trouble. Kirsten thinks her mother worries too much.

The children take their dog, Caro, fishing with them. Kirsten is a little concerned because Caro likes to chase things, but Peter insists that he can watch the dog and fish at the same time. When they don’t seem to have much luck getting big enough fish in the stream, they decide to go upstream to the pool. The fishing goes well, but Caro is stung by a bee.

Kirsten realizes that Caro must have found a “bee tree”, a tree where bees have built their hive. Kirsten is interested in finding the tree because it’s a source of honey and honeycomb that their mother can make into special treats. If they can collect enough honey, their father might even be able to sell some and buy some of the things the family needs. They need to be careful while looking for the tree, though, or they might get stung themselves. Kirsten is pleased when she finds the tree, but she notices that there are marks on it from a bear’s claws, so it looks like a bear was trying to get the honey, too. Kirsten could ask her father how to get the honey and get him to help, but she wants to figure out how to do it herself and surprise everyone. She asks Peter to keep the bee tree a secret while she tries to figure out how to get the honey, and Peter reluctantly agrees.

Meanwhile, Kirsten’s cousins tell her about the town’s Fourth of July celebration. Kirsten’s family hasn’t lived in America for very long, so her cousins have to explain the significance of the holiday to her. Every year, the nearby town holds a parade and picnic with music and games. A lot of the local farmers also bring things to sell, like pies, butter, or preserves, and they use the money they make to buy things they need. Kirsten thinks again about the honey tree and the things her family could buy. She really wants a straw hat, like her cousins wear.

Later, when Kirsten is picking berries with her cousins, she sees a little black bear cub. She thinks it’s adorable, but Lisbeth says they have to leave the area immediately. If the baby is near the berries, its mother is sure to be somewhere nearby, and mother bears get dangerous if they think someone might hurt their cubs. Kirsten doesn’t really take the warning seriously until she tries to take Peter and Caro back to the bee tree with her to get the honey, and they meet the mother bear face-to-face!

The book ends with a section of historical information about the wilderness on the American frontier in the 1800s. Wild plants and animals were sources of food, but they were also sources of danger, like the bears in the story. The attempts of the pioneers to control the land were about securing sources of food and reducing sources of danger. There is information in the book about how pioneers cooked and how they dealt with changing seasons and weather. It also discusses the Fourth of July and how trips to town were rare treats for pioneer farming families.

The book is available to borrow and read for free online through Internet Archive (multiple copies).

It’s a good story about the difference between bravery and being foolhardy. From the beginning, even young Peter reminds Kirsten that being brave and being foolish are not the same thing. After their hair-raising encounter with the bear, in which the children have a narrow escape and their dog is injured (but fortunately not killed), the children’s father lectures Kirsten about putting both her life and her little brother’s life in danger. When Kirsten explains what she was trying to do with the bee tree, her father also tells her that she doesn’t really know what she’s doing. She took his equipment, but if she had carried out her plan the way she was thinking of doing it, she would have both destroyed the hive and ruined the honey as well as getting badly stung. Kirsten should have just gone to her father as soon as she found the tree and got his help from the beginning. Kirsten is ashamed for getting their dog hurt and putting herself and her brother in danger and almost ruining her special find, and she apologizes.

Because Kirsten’s father now understands the situation, he gets Kirsten’s older brother, Lars, to help him move the colony of bees to their farm. He knows how to set up hives and keep bees long term, so instead of this being just a one-time find and honey harvest, they will be able to get honey from the bees regularly. Kirsten goes with her father and Lars to watch them move the bees. She does it because she’s been having bad dreams about the traumatic escape from the bear, and she thinks it will help her to recover if she goes to the area again and sees it with her father and brother, when it’s safe.

Kirsten still feels bad that she wasn’t able to get the honey all by herself and that her attempt to do it was a disaster, but her mother consoles her. She says that she and Kirsten’s father understand that Kirsten was just trying to help and that her discovery has helped them. She just needs to learn to be careful as well as being brave. I thought that it was also a lesson in learning to share the glory instead of trying to take all the credit by going it alone and risking the success of the project, but the book didn’t quite say that. Kirsten wanted to be the one to say that she did it all herself, but because she couldn’t really do it all herself, everything went wrong. She could have accomplished her goals by talking to her father in the beginning and still been the heroine who found the bee tree, as her mother pointed out. She still gets credit for what she did without needing to take credit for what she couldn’t do alone.

The book ends with the family enjoying the Fourth of July celebration. Thanks to the discovery of the bees, they are able to buy the things they need.

The Very Hungry Caterpillar

A small caterpillar hatches out of an egg and is very hungry. Each day, the caterpillar goes out looking for food, finding different things to eat.

Part of the book is a counting story, as the caterpillar eats different numbers of different types of fruit in different numbers. The format of this part of the book is really interesting because each of those pages isn’t a whole page but sections of pages that are different sizes, showing how the amount that the caterpillar eats increases each day.

Also, there are real holes in the pages to show where the caterpillar ate through different types of food. Kids like books with interesting physical features that encourage them to interact with the book as a toy as well as a story. I think that’s part of what has caused this book to have lasting appeal.

The book does also have a story to it about the growth and development of the caterpillar along with the counting part. At the end of the part that counts the number of pieces of fruit the caterpillar eats, the caterpillar eats a bunch of random junk foods and gives himself a stomachache. Eating a green leaf makes him feel better. By this point, the caterpillar is a fat caterpillar who is no longer hungry. At the end of the book, the caterpillar makes a cocoon and turns into a butterfly.

This is a cute picture book that is fun to show to very young children. The counting element is good both for teaching young children and for the children who have already learned to count because they can predict what the caterpillar is going to do next. The unusual format of those pages with the holes also makes the book distinctive.

On the 50th anniversary of the book in 2019, the BBC produced an article about the book’s history and its appeal to generations of young readers.

The book is available to borrow for free online through Internet Archive.