Who Was That Masked Man, Anyway? by Avi, 1992.

World War II is happening, but Frankie Wattleson mostly spends his time thinking about his favorite radio shows, like Captain Midnight, The Shadow, The Lone Ranger, and The Green Hornet. He spends a lot of his time listening to radio shows and daydreaming about them, and his parents and teacher are getting concerned about him. He doesn’t do his homework, just copying his friend Mario’s homework because he’s too busy with his favorite radio shows. He and Mario get caught reading radio fan magazines in class, when they’re supposed to be reading the class reader. Frankie keeps narrating his life like it’s a radio show or talking like a radio advertisement, and even Mario is getting annoyed with him.

Frankie gets Mario into trouble with escapades that he tries to act out like they’re radio shows, like when he sneaks Mario into his family’s house so they can sneak into the bedroom of the medical student who’s renting Frankie’s brother’s room while he’s away in the army. The boys wanted to get a look at the skeleton that the medical student keeps in his room, but the medical student catches them and reports them to Frankie’s mother. Frankie’s parents try to impress on him that his behavior is serious. His father works hard at two jobs and is frequently tired, his brother is away at war, and their boarder provides their family with another source of needed income. They don’t want to lose him as a boarder. Frankie’s mother forbids him to listen to the radio for a week, but he sneaks listening to the radio by visiting Mario and listening to his radio. The boys sneak back and forth between their houses, using a board between their bedroom windows.

Then, Frankie’s parents tell him that his brother, Tom, is coming home from the army. Tom has been wounded, and Frankie is thrilled at Tom coming home as a wounded hero. Frankie’s parents try to explain to him the reality of Tom’s condition. They don’t know how serious his wound is, but they know that he will need peace and to recover. At first, Frankie thinks that his parents will get rid of the medical student boarding with them so Tom can have his room back, but to his horror, his parents tell him that’s not the case. They still need the money from their board badly, so they’re giving Tom Frankie’s room.

Frankie protests that it’s not fair for him to have to give up his room, but his parents say it’s necessary. When Tom comes home, he’ll need quiet and privacy. Frankie asks where he’ll be sleeping, and his father says that they’re going to make up a new bedroom for him in the basement. It sounds terrible to Frankie. The basement is dark and smelly, and if Frankie goes down there, he won’t have his radio or the board for crossing over to Mario’s room. It’s like being sent to a dungeon!

However, when Frankie and Mario look through the stuff in the basement, they find what looks like some kind of old radio! Frankie’s father says that it used to belong to his Uncle Charlie. Frankie doesn’t remember Uncle Charlie, but his father is tired and doesn’t want to talk about him. Frankie isn’t good at fixing things, but he persuades Mario to help him repair the radio. It turns out to be a different kind of radio than Frankie thought, the kind for sending and receiving messages, not the kind of listening to radio shows. Still, Frankie thinks maybe Mario can help him use it to listen to the radio in Mario’s room when his family bans him from using the radio in their house.

When Tom arrives home, he’s different from how Frankie imagined he would be as a returning hero. He is wounded in the leg and uses a crutch to walk. He’s quiet and depressed, and he doesn’t want to go anywhere, do much of anything, or see anyone. Frankie, who is caught up in the ideas of the adventure stories that he listens to on the radio, tries to get Tom to tell him what the war was like and what it was like being wounded, thinking that the stories will be exciting, but Tom tells him he doesn’t want to talk about it.

The idea of having an adventure and being a hero is what keeps Frankie so enthralled with radio shows. His daydreaming and narrating his adventures with Mario as if they were a radio play is all based around his desire to be a hero and escape from the dull or difficult parts of his real life. The problem is that Frankie doesn’t know what it takes to be a real hero or what real-life “adventures” are actually like, and even when he tries to ignore real life, it doesn’t ignore him. His attempts to live out the adventures he imagines go awry, and his teacher makes it clear that, if he doesn’t start paying attention to reality, he’s going to fail the sixth grade.

My Reaction

I didn’t read this when I was a kid, although I loved historical novels and books by Avi. The boy in this story has an obsession with radio plays the way kids of my time sometimes got obsessed with tv shows. His family, his teacher, and even his best friend know that Frankie’s taking his obsession too far, but Frankie uses his love of radio to both hide from difficult things in real life and to imagine that he can be a hero, like the heroes on the radio.

In between parts of the story, there are interludes with snippets of radio programs and advertisements, showing readers what Frankie’s listening to and where he gets his ideas. I’m a fan of radio plays myself, so I was already familiar with some of the programs that Frankie listens to and their general style. I could recognize many of the tropes of the radio plays in Frankie’s fantasies from the beginning.

Frankie’s radio-based exploits are amusing, but also cringey because readers as well as Frankie’s family and teacher know that he’s headed for trouble by not paying attention to reality. Even his best friend is losing patience with him. I kept waiting for the moment when he would snap out of it and accept some of the hard realities around him. There is a moment when he does get a dose of reality that shatters some of his illusions, the moment when he meets is Uncle Charlie. Up to that point, Frankie was working his Uncle Charlie into his fantasies, imagining him as some kind of secret hero, but Uncle Charlie’s secrets turn out to be more ordinary and not at all romantic or noble. Uncle Charlie accepts the reality of his own situation for what it is, and he knows things ahead of him will be hard and that he has himself to blame for what his life is now. Frankie finds it hard to hear, and his brother’s confession of what war is really like similarly shatter’s some of Frankie’s illusions. It makes him realize that he’s made some mistakes in his thinking and plotting, and Frankie does try to put an end to a romantic scheme that he’s put in motion. However, Frankie’s scheme, while causing chaos, does actually result in a happy ending, so he is able to maintain some of his fantasies and illusions, even in the end.

This story contrasts with another by the same author, Don’t You Know There’s a War On?, which is also about a boy growing up in the United States during WWII, coming to terms with the effects of the war on daily life and the people around him, and indulging in a little fantasy and adventure based on radio plays and popular entertainment of the time. The difference between these two stories is that the boy in Don’t You Know There’s a War On? is more realistic in his views that Frankie is in this story. Both of them are inspired by radio play adventures, but the boy in Don’t You Know There’s a War On? isn’t living in a fantasy world as much as Frankie is and is more open to accepting the mundane and hard realities of life once he understands some of the situations around him.